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Tag: television

  • Netflix gives us another sneak peek of Squid Game season two

    Netflix gives us another sneak peek of Squid Game season two

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    We’re still officially in “teaser trailer” territory for the new season of Squid Game but a lot of interesting details just dropped in the latest one for season two.

    The new trailer takes us deeper into the games as Seong Gi-hun, played by Lee Jung-jae, returns to the island presumably to take down the rich tyrants and the Front Man from the inside of the tournament. Seong is back as a player (Player 456 again, to be specific) and at least two of the games from the last season will be part of the new one, including “Green Light” and the dalgona cookie cutting challenge. This time, however, they have an experienced contestant in the sea of green, bloodied jumpsuits who can tell them how to avoid the pitfalls (figuratively and literally if the Mirror Bridge returns).

    Seong seems to be on a personal crusade to save the latest batch of players who may not have any understanding of the games and its very high stakes. Unlike last season, Seong isn’t smiling when he takes his official contestant photo. The new trailer also features an impassioned Seong trying to convince the new batch of players to vote to leave the island with their lives still intact.

    The next season of Squid Game lands on Netflix the day after Christmas, but for me, it still cannot get here quick enough.

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    Danny Gallagher

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  • Robert Downey Jr. says he ‘intends to sue’ all future executives who use his AI replica

    Robert Downey Jr. says he ‘intends to sue’ all future executives who use his AI replica

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    LOS ANGELES — LOS ANGELES (AP) — Robert Downey Jr. doesn’t think Marvel executives would ever recreate his portrayal of Tony Stark using artificial intelligence. But if they did, he would lawyer up — even posthumously.

    On a recent episode of the “On With Kara Swisher” podcast, the Oscar-winning actor said he intends to “sue all future executives” who allow an AI-created version of him. Speaking about his role as Iron Man, Downey said he does not want his likeness recreated by AI technology.

    “I am not worried about them hijacking my character’s soul because there’s like three or four guys and gals who make all the decisions there anyway and they would never do that to me, with or without me,” Downey said.

    Swisher noted that those executives would eventually be replaced.

    “Well, you’re right,” Downey said. “I would like to here state that I intend to sue all future executives just on spec.”

    “You’ll be dead,” Swisher said.

    Downey replied: “But my law firm will still be very active.”

    Representatives for Marvel Studios and for Downey did not immediately respond to a request for comment.

    The discussion comes amid the Hollywood video game performers’ strike, which began in July after more than 18 months of negotiations over a new interactive media agreement with game industry giants broke down over artificial intelligence protections.

    Leaders of the Screen Actors Guild-American Federation of Television and Radio Artists have billed the issues behind the labor dispute — and AI in particular — as an existential crisis for performers. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months. SAG-AFTRA ultimately signed a deal requiring productions to get the informed consent of actors whose digital replicas are used.

    A spokesperson for SAG-AFTRA said that Downey has the right to deny any digital replica uses in film because of California’s new law prohibiting the unauthorized replication of a dead performer’s likenesses without prior consent. That law, signed by California Gov. Gavin Newsom in September, was sponsored by the union.

    Downey made his Broadway debut this month in “McNeal,” a one-act play by Ayad Akhtar that delves into themes of artificial intelligence, artistic integrity, plagiarism and copyright infringement. The 59-year-old actor plays the titular character, Jacob McNeal, an acclaimed novelist whose battles with alcoholism and mental illness culminate at a crucial juncture in his career.

    “I don’t envy anyone who has been over-identified with the advent of this new phase of the information age,” Downey said. “The idea that somehow it belongs to them because they have these super huge start-ups is a fallacy.”

    The podcast episode explored questions the play raises about truth and power in the age of AI, and whether there is a “social contract” related to the use of AI.

    Downey’s upcoming role as Doctor Doom in “Avengers: Doomsday” will bring him back to the Marvel Cinematic Universe in 2026.

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  • Sindhu Vee talks laughter, family and her role in

    Sindhu Vee talks laughter, family and her role in

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    Sindhu Vee talks laughter, family and her role in “The Pradeeps of Pittsburgh” – CBS News


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    Stand-up comedian Sindhu Vee stars in the new TV series about an Indian family navigating life and neighborhood drama in America. Vee joins “CBS Mornings Plus” to discuss her role.

    Be the first to know

    Get browser notifications for breaking news, live events, and exclusive reporting.


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  • What to stream: Tyler, the Creator, ‘The Substance,’ Olivia Rodrigo concert film and ‘The Diplomat’

    What to stream: Tyler, the Creator, ‘The Substance,’ Olivia Rodrigo concert film and ‘The Diplomat’

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    The body horror film “The Substance” and an album by Tyler, the Creator are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: “Despicable Me 4” arrives on Peacock, the political series “The Diplomat” starring Keri Russell and Rupert Sewell, drops its second season on Thursday and the concert film “Olivia Rodrigo: GUTS World Tour” on Tuesday.

    — Coralie Fargeat’s provocative body horror “The Substance” is streaming on MUBI on Halloween. The film stars Demi Moore as Elisabeth Sparkle, a faded Hollywood star who is fired from her aerobic television show on her 50th birthday. In a moment of distress she decides to take a black market injectable called The Substance which promises to take her back to her younger self (Margaret Qualley). In her AP review, Krysta Fauria wrote that “what begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie.”

    — Two new documentaries focused on familiar names are coming soon. First up, Netflix has the Martha Stewart film “Martha” streaming on Wednesday, Oct. 30. The film from R.J. Cutler promises to recontextualize the life of the teen model turned lifestyle mogul. Then, on Friday, Nov. 1, Disney+ premieres “Music by John Williams,” about the life of the composer behind so many iconic film scores. It seems everyone in Hollywood turned out to speak about the five-time Oscar winner, now 92, including Steven Spielberg and George Lucas.

    — Playwright Annie Baker makes her directorial debut with the quiet and finely observed “Janet Planet,” coming to MAX on Friday, Nov. 1. The film follows a mother (Julianne Nicholson) and her 11-year-old daughter (Zoe Ziegler) one languid summer in rural Western Massachusetts in 1991. It’s the kind of film that transports you back to the wonder, boredom and agita of an endless summer break, before smart phones and social media.

    — And for the kids looking for some Minion madness, “Despicable Me 4” finds its way to Peacock on Oct. 31. AP Film Writer Jake Coyle wrote that it’s “a silly and breezy installment from Illumination Entertainment that passes by with about as much to remember it as a Saturday morning cartoon.”

    AP Film Writer Lindsey Bahr

    — On Friday, Willie Nelson will release “Last Leaf On the Tree.” It’s his first album produced by his son Micah, but the firsts stop there: This marks his 76th solo studio album and 153rd album overall, according to Texas Monthly’s in-depth taxonomy of his work. The release includes covers of Tom Waits’ “Last Leaf,” Nina Simone’s “Come Ye,” Neil Young’s “Are You Ready For The Country,” Beck’s “Lost Cause,” the Flaming Lips’ “Do You Realize??” and more. One element of Nelson’s magic musicianship has always been his ability to completely transform a cover song, making it his own and simultaneously, everyone’s. The wizardry continues here, his second full-length album this year.

    — Few contemporary artists have managed to create the kind of mythology that surrounds Tyler, the Creator – a multihyphenate talent that has maintained an air of unpredictability, danger and prescience since his debut studio album, 2011’s “Goblin,” rewired the creative brains of a few musical generations. On Monday, he releases his seventh album, “Chromakopia.” Little is known about the release — but expectations of transgressive hip-hop are in the right place, as made clear in the claustrophobic “NOID” and its inventive sample of a 1977 track by the Zambian rock band Ngozi Family.

    — On Halloween, Amazon Prime Video will release “Megan Thee Stallion: In Her Words,” a documentary film on the fiery MC with the unmistakable flows and larger-than-life Hot Girl Summer purveyor. Across her career, Megan Thee Stallion’s pop persona has been one of empowerment and self-belief — appearing impenetrable in an unforgiving and unkind industry. Of course, it is never so simple — and who could forget the onslaught of criticism she received during Tory Lanez’s assault trial, what experts described as a clear example of misogynoir, a specific type of misogyny experienced by Black women. In this doc, Megan Thee Stallion tells her story – and reminds her audience of Megan Pete, the woman behind the career.

    — First, there was Taylor Swift’s blockbuster concert film “The Eras Tour.” Then there was Beyoncé’s concert film, “Renaissance: A Film by Beyoncé.” And on Tuesday, there will be “Olivia Rodrigo: GUTS World Tour,” the concert film, available to stream on Netflix. Bring the arena home, scream along to big-throated pop-punk kiss-offs and open-hearted piano ballads, and never forget the message of Rodrigo’s pop: that there are few forces more potent than a young creative woman’s dissatisfaction.

    — Lanny’s “BLISS!! BLISS! BLISS” is the debut solo project of Lan McArdle, best known for the exuberant indie-pop band Joanna Gruesome and the fuzzed-out power punk group Ex-Vöid. Their undeniable penchant for hooky guitar pop exists throughout Lanny’s work, too – now delivered in new forms: digital, electronic soundscapes, off-kilter and asymmetrical layering, an articulation of chaos through subtle tools like flute organs and washy percussion. Fans of McArdle would be wise to start with the single, “ur an angel im evil.” There is a reason all of their distinctive projects continue to connect.

    — AP Music Writer Maria Sherman

    — Just in time for Halloween, the long-awaited “Wizards of Waverly Place” sequel debuts its first two episodes Tuesday on Disney Channel. The first eight episodes will also begin streaming on Wednesday on Disney+. “Wizards of Waverly Place” was Selena Gomez’s breakout role as Alex Russo, a teen in a family of witches, herself included. “Wizards Beyond Waverly Place,” centers on Alex’s older brother Justin (played again by David Henrie), who strives to live a magic-free life until Alex brings him a young wizard in need of training. Gomez will guest star on the series.

    — The political series “The Diplomat” starring Keri Russell and Rupert Sewell, drops its second season on Thursday on Netflix — picking right up where the first season ended. Russell plays Kate, a new U.S. diplomat to Britain and Sewell is her husband, Hal, who is also a diplomat but who is now without a post. Their marriage is rocky but in the new season, Kate begins to believe Hal is the only person she can trust. Allison Janney joins the cast as the Vice President.

    — Ten men compete in a reality competition show for a leading role in a Hallmark holiday movie in “Finding Mr. Christmas” for Hallmark+. “Mean Girls” actor Jonathan Bennett is both the show’s host and a co-judge alongside Melissa Peterman. There are also a number of guest judges throughout. The contestants take part in challenges like pulling Santa’s sleigh and an ugly Christmas sweater fashion show. The winner will star opposite Jessica Lowndes (“90210”) in the new original “Happy Howlidays” premiering in December on Hallmark Channel. The competition begins Thursday on the streamer.

    — A new Spanish-language series for HBO adapts the novel “Like Water for Chocolate.” It follows a forbidden love story between Tita de la Garza (Azul Guaita) and Pedro Múzquiz (Andrés Baida) against the backdrop of the Mexican Revolution. Tita and Pedro long to be together but cannot because of a family custom that forbids Tita from marrying. Salma Hayek Pinault is an executive producer. It premieres Sunday, Nov. 3, on Max.

    Alicia Rancilio

    — BioWare built its reputation on enormous, immersive role-playing games like Baldur’s Gate and Mass Effect. It’s been way too long since we got a new RPG from the studio, but Dragon Age: The Veilguard is here at last. A couple of cranky Elven gods are raising hell across the mythical land of Thedas, and it’s up to you to put the old geezers back in their place. That means assembling a team of fighters, rogues and mages to battle the monsters that have been unleashed. BioWare promises dozens of hours of the character-based storytelling its fans love — and maybe a few cameos from the heroes of earlier Dragon Age chapters. Take up arms Thursday, Oct. 31, on PlayStation 5, Xbox X/S and PC.

    Lou Kesten

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  • Hallmark exec says actors Lacey Chabert, Holly Robinson Peete ‘aging out’: lawsuit

    Hallmark exec says actors Lacey Chabert, Holly Robinson Peete ‘aging out’: lawsuit

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    Hallmark Media executive vice president of programming Lisa Hamilton Daly instructed a former employee not to cast “old people” for Hallmark roles, saying that “our leading ladies are aging out,” according to a lawsuit filed against the network this month and obtained by The Associated Press.

    Penny Perry, a 79-year old casting director who filed the lawsuit Oct. 9 in Los Angeles Superior Court, alleges that she was wrongfully fired from the network known its feel-good movies because of her age, and despite stellar performance reviews. “Hallmark’s happy endings are stories made for TV only,” the complaint says. “In Ms. Perry’s case, there was no happy ending, and no feel-good episode to wrap up her career with Hallmark. Instead, her finale episode was marred by ageist and ableist harassment, and a callous termination which robbed her of her illustrious career, her pride, and her well-being.”

    In a statement, Hallmark denied the allegations, adding: “Hallmark continues to consistently cast and maintain positive, productive relationships with talented actors representing a broad spectrum of diversity, including actors who span many age groups and cross generations.”

    According to the lawsuit, Hamilton Daly told Perry that they needed to “replace” the “old talent” including 42-year-old actress Lacey Chabert, who has starred in dozens of Hallmark movies, many of them Christmas-themed, and portrayed Gretchen Wieners in Mean Girls (2004), saying Chabert is “getting older and we have to find someone like her to replace her as she gets older.”

    The lawsuit adds that Hamilton Daly said of 60-year-old actress and “Our Christmas Journey” star Holly Robinson Peete: “No one wants her because she’s too expensive and getting too old. She can’t play leading roles anymore.”

    Hallmark countered: “Lacey and Holly have a home at Hallmark. We do not generally comment on pending litigation. And while we deny these outrageous allegations, we are not going to discuss an employment relationship in the media,” a company representative told AP in an emailed statement.

    Chabert stars in a new Hallmark movie, The Christmas Quest, slated for release Dec. 1, and hosts the reality series “Celebrations with Lacey Chabert,” according to Hallmark’s website. Representatives for Chabert and Robinson Peete did not immediately respond to request for comment.

    Perry herself endured ageist and ableist harassment at the company, and Hamilton Daly — who apparently repeatedly made reference to age as a negative attribute that did not fit the network’s image — “told Ms. Perry she was too ‘long in the tooth” to keep her job at Hallmark,” the lawsuit says. It also alleges that senior vice president of programming and development Randy Pope ridiculed Perry for her relapsing-remitting multiple sclerosis by mocking her when she mispronounced words or names — a symptom of the condition.

    “Unfortunately, Hallmark treated a venerable Hollywood veteran this way and we hope this action will lead to change in Hollywood and all work environments,” said a statement from Perry’s attorneys Lisa Sherman and Josh Schein.

    The allegations arrive amid a period of turmoil for Hollywood, punctuated by historic labor strikes, the pandemic, and the streaming revolution.

    ___

    The Associated Press’ women in the workforce and state government coverage receives financial support from Pivotal Ventures. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

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  • By moving to podcasts, Harris and Trump are turning away from legacy media to spread their messages

    By moving to podcasts, Harris and Trump are turning away from legacy media to spread their messages

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    NEW YORK — Among the legacy news outlets that have come up empty in their efforts to interview Kamala Harris and Donald Trump during the general election campaign: NPR, The New York Times, PBS and The Washington Post.

    Yet Harris chose to meet with Alex Cooper for her “Call Her Daddy” podcast and talk a little Bay Area basketball with the fellows on “All the Smoke.” Trump rejected “60 Minutes,” but has hung out with the bros on the “Bussin’ With the Boys” and “Flagrant.” Harris sat Thursday for an interview in Georgia with former NFL player Shannon Sharpe for his podcast “Club Shay Shay.”

    During this truncated campaign, some of the traditional giants of journalism are being pushed aside. The growing popularity of podcasts and their ability to help candidates in a tight race target a specific sliver of the electorate is a big reason why.

    There are certainly exceptions. Harris spoke to NBC News’ Hallie Jackson on Tuesday and held a CNN town hall on Wednesday. But political columnist John Heilemann of Puck noticed what he called “an ancient, dying beast railing against the diminishment of its status and stature in the new world.”

    “The campaigns have their structures and their media plans are very carefully thought through, even if we don’t agree with them,” said Sara Just, senior executive producer of the PBS “NewsHour.” “Obviously, we hope they will do long, probing interviews with PBS.”

    Journalists consider that an important service. Said Eric Marrapodi, vice president for news programming at NPR: “I think Americans deserve to hear the candidates have their ideas challenged.”

    That sounds like a campaign staff’s worst nightmare, infinite opportunities for their candidates to trip up and have an unplanned story dominate the news cycle. And to what end? Most legacy news organizations don’t have the reach they used to, and their audience skews old.

    For half a century, a “60 Minutes” interview near the election was considered a key stop for presidential candidates. But Trump shunned broadcast television’s most influential news show this year, and has criticized the way its interview with Harris was edited.

    The former president has stuck largely to what he perceives as friendly venues with direct access to his base audience, and continually feeds interviews to Fox News Channel despite grumbling he doesn’t find the network loyal enough. Indeed, Fox has also proven important to the Democratic ticket, which believes that appearing on its shows demonstrates willingness to deal with a hostile environment.

    Harris’ interview with Bret Baier was so contentious that it became fodder for a “Saturday Night Live” parody. After her running mate, Tim Walz, was interviewed by Shannon Bream on “Fox News Sunday” earlier this month, the campaign sought and received a return engagement the next week.

    “I was a little surprised,” Bream admitted to Walz. “What’s that about?”

    In general, television networks don’t have the audience they once did. CNN, for example, reached 1.24 million viewers per evening during the third quarter of 2016, when Trump first ran, and 924,000 this year, according to the Nielsen company. Broadcast networks are so named for their ability to reach a broad audience; sometimes candidates need that, often they don’t.

    The picture is more dire at newspapers, which collectively boasted 37.8 million in Sunday circulation in 2016 and dropped to 20.9 million by 2022, the Pew Research Center said. Candidates once submitted to tough interviews with newspaper editorial boards in the hope of winning an endorsement; now many newspapers don’t even bother making that choice.

    For years, candidates have been able to target advertising messages with great specificity — a swing state, even competitive cities, for example. The media now offers more opportunities to micro-message in the same way. Eager to shore up support among Black men, Harris appeared on Charlamagne Tha God’s influential radio program — CNN and MSNBC even simulcast it — and was interviewed by MSNBC’s Al Sharpton.

    “The View” and Stephen Colbert’s “Late Show,” where Harris has appeared, enabled her to talk to people less inclined to follow the news.

    Few outlets offer the opportunity to zero in on an audience better than podcasts, which have essentially doubled in listenership since 2016.

    The format is narrowcasting at its finest, said Andy Bowers, co-founder of the on-demand audio company Spooler Media. People who listen to podcasts often feel an intense loyalty to their favorites, almost like they’re part of a club of people with similar traits and interests — and a candidate has been invited into that club for a day.

    “You’re talking to a specific audience with a specific bent and frame of mind,” said Tom Bettag, a University of Maryland journalism professor. “That’s very helpful to somebody who is trying to avoid saying the wrong thing at the wrong time.”

    For her interview with Alex Cooper on “Call Her Daddy,” Harris appeared on the most popular podcast for women. They discussed abortion, and one of Cooper’s questions sounded like a grooved pitch: “What do you think of Trump saying he will be a protector of women?”

    On the “Flagrant” podcast, hosts asked questions about Trump’s children and how he felt during his assassination attempt. Host Akaash Singh interrupted Trump at one point to compliment him on how he raised his children.

    “I think I like this interview,” Trump said. His appearance on the podcast, one of several efforts he has made to reach young men, has been seen by nearly 5.5 million people on YouTube alone.

    Issues come up during these discussions, often mixed with the personal. On “All the Smoke,” the hosts began by asking Harris about the blind date where she met her husband.

    Certainly not everyone is writing an obituary for traditional journalists and their coverage of campaigns. “I don’t view it as a big break that takes away from legacy media,” said Rick Klein, ABC’s Washington bureau chief. ABC’s opportunity to question the candidates came in the most public of forums, when the network hosted the only debate between Harris and Trump.

    Of the 10 sources of campaign news with the most views on TikTok over the past 60 days, six were legacy news outlets, according to Zelf, a social video analytics company. They were ABC News, CNN, NBC News, MSNBC, Univision and the Daily Mail.

    For a strong news organization, there’s also a lot more that goes into covering a presidential campaign than sit-down interviews with candidates.

    “I don’t think journalists should worry too much about access journalism,” said Mark Lukasiewicz, dean of the Hofstra University School of Communication and a former NBC News producer. “We should do journalism.”

    David Halbfinger, political editor of The New York Times, cautioned against drawing too many conclusions based on a campaign that was unusually short due to Harris’ late entrance into the race. The Times has followed the campaign aggressively with trend stories, investigations and spot news coverage.

    “It’s hard to know what the lessons will be,” Halbfinger said. “For a long time, candidates have tried to go around the news media. One way or another, the mainstream media does its job so I don’t know how effective that strategy is. But it will be an interesting case study someday to see.”

    ___

    David Bauder writes about media for the AP. Follow him at http://x.com/dbauder.

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  • By moving to podcasts, Harris and Trump are turning away from legacy media to spread their messages

    By moving to podcasts, Harris and Trump are turning away from legacy media to spread their messages

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    NEW YORK — Among the legacy news outlets that have come up empty in their efforts to interview Kamala Harris and Donald Trump during the general election campaign: NPR, The New York Times, PBS and The Washington Post.

    Yet Harris chose to meet with Alex Cooper for her “Call Her Daddy” podcast and talk a little Bay Area basketball with the fellows on “All the Smoke.” Trump rejected “60 Minutes,” but has hung out with the bros on the “Bussin’ With the Boys” and “Flagrant.”

    During this truncated campaign, some of the traditional giants of journalism are being pushed aside. The growing popularity of podcasts and their ability to help candidates in a tight race target a specific sliver of the electorate is a big reason why.

    There are certainly exceptions. Harris spoke to NBC News’ Hallie Jackson on Tuesday and held a CNN town hall on Wednesday. But political columnist John Heilemann of Puck noticed what he called “an ancient, dying beast railing against the diminishment of its status and stature in the new world.”

    “The campaigns have their structures and their media plans are very carefully thought through, even if we don’t agree with them,” said Sara Just, senior executive producer of the PBS “NewsHour.” “Obviously, we hope they will do long, probing interviews with PBS.”

    Journalists consider that an important service. Said Eric Marrapodi, vice president for news programming at NPR: “I think Americans deserve to hear the candidates have their ideas challenged.”

    That sounds like a campaign staff’s worst nightmare, infinite opportunities for their candidates to trip up and have an unplanned story dominate the news cycle. And to what end? Most legacy news organizations don’t have the reach they used to, and their audience skews old.

    For half a century, a “60 Minutes” interview near the election was considered a key stop for presidential candidates. But Trump shunned broadcast television’s most influential news show this year, and has criticized the way its interview with Harris was edited.

    The former president has stuck largely to what he perceives as friendly venues with direct access to his base audience, and continually feeds interviews to Fox News Channel despite grumbling he doesn’t find the network loyal enough. Indeed, Fox has also proven important to the Democratic ticket, which believes that appearing on its shows demonstrates willingness to deal with a hostile environment.

    Harris’ interview with Bret Baier was so contentious that it became fodder for a “Saturday Night Live” parody. After her running mate, Tim Walz, was interviewed by Shannon Bream on “Fox News Sunday” earlier this month, the campaign sought and received a return engagement the next week.

    “I was a little surprised,” Bream admitted to Walz. “What’s that about?”

    In general, television networks don’t have the audience they once did. CNN, for example, reached 1.24 million viewers per evening during the third quarter of 2016, when Trump first ran, and 924,000 this year, according to the Nielsen company. Broadcast networks are so named for their ability to reach a broad audience; sometimes candidates need that, often they don’t.

    The picture is more dire at newspapers, which collectively boasted 37.8 million in Sunday circulation in 2016 and dropped to 20.9 million by 2022, the Pew Research Center said. Candidates once submitted to tough interviews with newspaper editorial boards in the hope of winning an endorsement; now many newspapers don’t even bother making that choice.

    For years, candidates have been able to target advertising messages with great specificity — a swing state, even competitive cities, for example. The media now offers more opportunities to micro-message in the same way. Eager to shore up support among Black men, Harris appeared on Charlamagne Tha God’s influential radio program — CNN and MSNBC even simulcast it — and was interviewed by MSNBC’s Al Sharpton.

    “The View” and Stephen Colbert’s “Late Show,” where Harris has appeared, enabled her to talk to people less inclined to follow the news.

    Few outlets offer the opportunity to zero in on an audience better than podcasts, which have essentially doubled in listenership since 2016.

    The format is narrowcasting at its finest, said Andy Bowers, co-founder of the on-demand audio company Spooler Media. People who listen to podcasts often feel an intense loyalty to their favorites, almost like they’re part of a club of people with similar traits and interests — and a candidate has been invited into that club for a day.

    “You’re talking to a specific audience with a specific bent and frame of mind,” said Tom Bettag, a University of Maryland journalism professor. “That’s very helpful to somebody who is trying to avoid saying the wrong thing at the wrong time.”

    For her interview with Alex Cooper on “Call Her Daddy,” Harris appeared on the most popular podcast for women. They discussed abortion, and one of Cooper’s questions sounded like a grooved pitch: “What do you think of Trump saying he will be a protector of women?”

    On the “Flagrant” podcast, hosts asked questions about Trump’s children and how he felt during his assassination attempt. Host Akaash Singh interrupted Trump at one point to compliment him on how he raised his children.

    “I think I like this interview,” Trump said. His appearance on the podcast, one of several efforts he has made to reach young men, has been seen by nearly 5.5 million people on YouTube alone.

    Issues come up during these discussions, often mixed with the personal. On “All the Smoke,” the hosts began by asking Harris about the blind date where she met her husband.

    Certainly not everyone is writing an obituary for traditional journalists and their coverage of campaigns. “I don’t view it as a big break that takes away from legacy media,” said Rick Klein, ABC’s Washington bureau chief. ABC’s opportunity to question the candidates came in the most public of forums, when the network hosted the only debate between Harris and Trump.

    Of the 10 sources of campaign news with the most views on TikTok over the past 60 days, six were legacy news outlets, according to Zelf, a social video analytics company. They were ABC News, CNN, NBC News, MSNBC, Univision and the Daily Mail.

    For a strong news organization, there’s also a lot more that goes into covering a presidential campaign than sit-down interviews with candidates.

    “I don’t think journalists should worry too much about access journalism,” said Mark Lukasiewicz, dean of the Hofstra University School of Communication and a former NBC News producer. “We should do journalism.”

    David Halbfinger, political editor of The New York Times, cautioned against drawing too many conclusions based on a campaign that was unusually short due to Harris’ late entrance into the race. The Times has followed the campaign aggressively with trend stories, investigations and spot news coverage.

    “It’s hard to know what the lessons will be,” Halbfinger said. “For a long time, candidates have tried to go around the news media. One way or another, the mainstream media does its job so I don’t know how effective that strategy is. But it will be an interesting case study someday to see.”

    ___

    David Bauder writes about media for the AP. Follow him at http://x.com/dbauder.

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  • ‘Georgie & Mandy’s First Marriage’ expands the ‘Big Bang Theory’ universe

    ‘Georgie & Mandy’s First Marriage’ expands the ‘Big Bang Theory’ universe

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    LOS ANGELES — LOS ANGELES (AP) — Chuck Lorre is responsible for some of the most successful sitcoms of all time. He says he has the recipe for success, and it’s simpler than you’d think.

    “The whole thing boils down to great actors and great scripts. And if either one of those is missing, it doesn’t work,” he told The Associated Press.

    Lorre’s latest venture, alongside his longtime collaborators, Steven Molaro and Steve Holland, is “Georgie & Mandy’s First Marriage,” a CBS sequel to their hit series “Young Sheldon.” The latter is a prequel of “The Big Bang Theory,” which Lorre, Molaro and Holland worked on for its run from 2007 through 2019.

    The CBS series, which airs on Thursdays, stars Montana Jordan and Emily Osment reprising their roles from “Young Sheldon.” Jordan plays Georgie Cooper, Sheldon’s older brother, and Osment plays Mandy McAllister, Georgie’s new wife. The series follows the pair as they navigate young parenthood with a newborn daughter while also adapting to their new marriage.

    Unlike their previous series, though, “Georgie & Mandy” taps into a crucial part of what made fans love “The Big Bang Theory” — it’s filmed in the old-school multi-camera format.

    Multi-camera sitcoms date back to classics like “I Love Lucy” and “The Mary Tyler Moore Show,” but “The Big Bang Theory” stands alone as a highly successful modern sitcom filmed in the format with an audience.

    “Georgie & Mandy’s First Marriage” will carry on that practice with a live studio audience and a traditional sitcom feel. Holland, who is an executive producer with Lorre and Molaro, said the goal was to separate it from its predecessor so it didn’t feel like “’Young Sheldon’ 2.0 or something.”

    “We’ve always had a soft spot for multi-cam and seeing this cast and seeing how they sort of spark together, the thought of putting them in front of an audience like a theatrical experience seemed great,” Holland said.

    Distancing the series from the character Sheldon Cooper, played by Iain Armitage in the prequel and Jim Parsons on “The Big Bang Theory,” meant stepping away from a character they had worked on for 19 seasons, but Holland said it felt like they had “gone to that vein a lot.”

    “The chance to tell stories in this world where we don’t know the future, or we know very little about the future, was exciting,” he added.

    Speaking before the series began filming, Jordan, who had never worked on a multi-camera show before, said he was feeling optimistic about the new process. “I kind of just throw the nerves away, just get them out of my life, throw them out somewhere,” he said.

    “People fell in love with Georgie on ‘Young Sheldon,’ so I’m just gonna keep playing that, see how it goes,” he added in his signature Southern drawl.

    Osment, however, is no stranger to studio audiences, having appeared as a teenager in Disney Channel’s “Hannah Montana” with Miley Cyrus, followed by a starring role in “Young & Hungry” for five seasons on Freeform. She said she was looking forward to being back in front of an audience because she had “kind of forgotten what that feels like.”

    Osment also added that she enjoys the moments when the cast breaks character by laughing. “That’s fun too,” she said.

    “Sometimes, you get the best stuff ever when you can’t keep it together and sometimes, they use it. Especially with working with a baby. There’s going to be moments of that,” she said. “But we’re good at that. We’re good at rolling with it.”

    Georgie and Mandy’s baby daughter Ceecee is portrayed by twins, Isabelle and Zariah Booko.

    Having a baby on set is “wonderful,” said Osment, because adjustments are made to keep the atmosphere calm.

    “The crew and the cast sort of soften. They don’t speak very loudly in front of the baby. They don’t overly try to touch up your wardrobe or your hair makeup because, like, your job is just to hold this precious, beautiful thing and people kind of leave you the heck alone.”

    When the Booko girls aren’t available or the baby is in a scene but not really visible, Osment says “an extremely expensive animatronic baby” is brought in.

    “They get way more nervous when we go towards that robot baby,” joked Osment. “Like, ‘You guys have the real thing handled, but don’t mess up this robot baby.’”

    Lorre reiterated that this cast and the series, which is set in the ’90s, was meant to be filmed in the multi-camera format.

    “Putting on a play in front of an audience is as fundamental as you can get to how to tell a story,” he said.

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  • What to stream: Bruce Springsteen doc, Halsey album, Billy Crystal on TV and ‘Trap’ thrills

    What to stream: Bruce Springsteen doc, Halsey album, Billy Crystal on TV and ‘Trap’ thrills

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    The Boss shines in the documentary “Road Diary: Bruce Springsteen and the E Street Band” and Billy Crystal starring in a new series for Apple TV+ called “Before” are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Halsey’s fifth studio album, the return of “Special Ops: Lioness” and the video game Call of Duty: Black Ops 6 takes us to the 1990s.

    — One of the documentary standouts of the Sundance Film Festival, “The Remarkable Life of Ibelin” packs an emotional wallop. The film, which won both the audience award and the directing award for documentary at Sundance, is Mats Steen, a quadriplegic Norwegian who died from a degenerative disorder at age 25. After his death, his parents discovered their son’s life was far richer than they had imagined. To a wide “World of Warcraft” community, Steen was Ibelin Redwood, a cherished virtual friend. Much of the film, directed by Benjamin Ree ( “The Painter and the Thief” ), is told through “War of Warcraft”-style animation. Streaming Friday, Oct. 25, on Netflix.

    – There hasn’t been a shortage of Bruce Springsteen documentaries in recent years, but “Road Diary: Bruce Springsteen and the E Street Band” (streaming Friday, Oct. 25, on Disney+ and Hulu), is still a notable addition to the ever-expanding cottage industry of all things Bruce. The film is directed by Thom Zimny, who was also behind the docs “Western Stars” and “Springsteen on Broadway.” This one candidly captures the band on their 2023-2024 tour, with archival footage mixed in.

    — The M. Night Shyamalan -produced thriller “Caddo Lake” has been popular on Max lately, and the filmmaker’s own film, “Trap,” joins it Friday, Oct. 25. In “Trap,” Josh Hartnett stars as a serial killer taking his teenage daughter to an arena popstar concert. The event, though, has been fashioned as, well, a trap to catch him. In her review, AP Film Writer Lindsey Bahr called it “a solidly entertaining film that’s mostly silly and sometimes unnerving.”

    AP Film Writer Jake Coyle

    — In June, Halsey revealed she’d been privately battling both systemic lupus erythematosus (SLE, the most common form of lupus) and a rare T-cell lymphoproliferative disorder since 2022. On Friday, she’ll release her fifth studio album, “The Great Impersonator,” written and recorded in that time, what she’s publicly referred to as “the space between life and death.” Lyrically, the album touches on those themes — and musically, it is a great return to form for Halsey, an exploration of the music she deeply loves, done in her own fashion. There’s the interpolation of Britney Spears on “Lucky,” the shoegaze-meets-nu-metal “Lonely is the Muse,” the pop-punky “Ego” and the folky “The End.”

    — Also on Friday, Oct. 25, Andrea Bocelli — arguably the world’s most recognizable tenor — will release a new album of duets, simply titled “Duets,” on the 30th anniversary of his debut album, 1994’s “Il Mare Calmo della Sera.” Bocelli tackles his best known hits, now with new singing partners: Sarah Brightman on “Time to Say Goodbye,” Jennifer Lopez on “Quizás, Quizás, Quizás,” Céline Dion on “The Prayer,” and so on. It’s all A-listers here: Ed Sheeran, Gwen Stefani, Chris Stapleton, Marc Anthony, Karol G and more make an appearance.

    — Country-pop star Kelsea Ballerini is in love. But her fifth studio album, “Patterns,” is no “happy-go-lucky, mushy, gushy record,” as she told The Associated Press earlier this summer. Instead, her album examines a breadth of human experience, specifically what she’s identified as “learning how to go from fighting with something or with someone, to fighting for something or for someone.” It’s a lofty goal, one she manages with ease across songs like “Sorry Mom,” a swaying, guitar-pop confessional with intergenerational appeal. Banjos and beat drops appear here, too, in equal measure.

    ’N Sync’s J.C. Chasez first new album in 20 years, “Playing With Fire” alongside collaborator Jimmy Harry, is a musical theater concept album inspired by Mary Shelly’s 1818 novel, “Frankenstein.” It’s an unusual mad lib, but it appears to center on grief and ambition – following a conversation between a dying Frankenstein and his monster at his wife’s grave site. Musically, it marries Chasez’s familiar falsetto, pop music and classical compositions.

    — AP Music Writer Maria Sherman

    — Another popular video game is getting the live-action treatment. “Like a Dragon: Yakuza,” is based on a Sega game released in 2005. It follows a powerful gangster named Kazuma Kiryu, (Ryoma Takeuchi), who has a good heart and strong moral conviction — despite his ties to the mob. Kiryu’s story unfolds in two timelines, 1995 when he first gets drawn into the yakuza and in 2005 as a made man. The series debuts on Prime Video on Thursday with both subtitles and dubbed versions.

    — Social media star Nadia Caterina Munno, a chef known as The Pasta Queen, now has her own travel food show with the same name. Munno takes viewers on a tour of Italy and then into the kitchen where she demonstrates how to make authentic Italian dishes with fresh ingredients. She knows her stuff. Munno comes from a family of pasta makers that goes back generations and the series also features members of her famiglia. “The Pasta Queen” drops Thursday on Prime Video.

    — Billy Crystal stars in a new series for Apple TV+ called “Before,” about a man grieving the death of his wife. A child therapist, Crystal’s character Eli, finds himself drawn to a young boy (played by Jacobi Jupe) whom he realizes may carry past trauma that could help his own. The show also stars Judith Light and Rosie Perez. It premieres Oct. 25 on the streamer.

    — The Peabody Award-winning “Somebody Somewhere” starring Bridget Everett returns for its third and final season Sunday, Oct. 27 on HBO and Max. Everett plays Sam, a single woman who has found her people in a group of misfits in the Midwestern town of Manhattan, Kansas.

    — Taylor Sheridan’s CIA show called “Special Ops: Lioness” returns for its second season Sunday, Oct. 27 on Paramount+. Zoe Saldaña plays a CIA operative named Joe who recruits young females to infiltrate terrorist organizations in a secret program called Lioness. Nicole Kidman, Morgan Freeman, Michael Kelly, Dave Annable and Laysla De Oliveira all are back for season two.

    Alicia Rancilio

    — Activision’s venerable Call of Duty franchise has, for the most part, offered a rah-rah attitude about U.S. military might. Things get weirder in the Black Ops spinoffs, which have presented a loopy, paranoid history of geopolitical shenanigans from the Cold War to 2065. Call of Duty: Black Ops 6 takes us to the 1990s. The Gulf War is breaking out, but Marine vet Frank Woods and his team have a bigger problem: The CIA has been taken over by a shadowy cabal that wants them dead. There are 16 new maps for multiplayer skirmishes, and once again you can team up with friends to blast through hordes of zombies. Answer the call Friday, Oct. 25, on Xbox X/S/One, PlayStation 5/4 or PC.

    Lou Kesten

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  • What to stream: ‘Warriors’ album, ‘The Dating Game’ killer, ‘NCIS: Origins’ and Travis Kelce’s games

    What to stream: ‘Warriors’ album, ‘The Dating Game’ killer, ‘NCIS: Origins’ and Travis Kelce’s games

    [ad_1]

    Travis Kelce adds game show host to his growing resume with “Are You Smarter than a Celebrity?” and Lin-Manuel Miranda’s “Warriors,” a musical concept album inspired by the 1979 cult classic film, are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Anna Kendrick stars in a movie about the time a serial killer made his way onto the television show “The Dating Game,” Nintendo fans get Super Mario Party Jamboree and “NCIS” looks back at character Leroy Jethro Gibbs in “NCIS: Origins,” a series set 25 years before the original.

    NEW MOVIES TO STREAM OCT. 14-20

    — In 1978, a serial killer made his way onto the television show “The Dating Game.” Rodney Alcala was already a murderer by the time he appeared on the show as one of three bachelors seeking a date with a woman named Cheryl Bradshaw. He even won. Had they done a background check, they might have discovered that he’d been on the FBI’s 10 most wanted fugitives list and already been imprisoned for violent crimes against an 8-year-old. In the new Netflix film “Woman of the Hour,” streaming on Friday, Oct. 18, Anna Kendrick (also making her directorial debut) stars as the woman on the show (spelled Sheryl here) and puts the attention back on the victims. “Woman of the Hour” received good reviews out of the Toronto Film Festival last year.

    — If fake serial killers are more your style, “MaXXXine” starts streaming on MAX on Friday, Oct. 18. The third film in Ti West and Mia Goth’s unlikely trilogy (following “X” and “Pearl”) takes the audience to the sleazy underground of 1980s Hollywood. Goth’s Maxine Minx is an adult film star hoping for a big break in mainstream movies. She gets a shot from Elizabeth Debicki’s refined director. But she’s also running from her past and a killer terrorizing the town. It’s very stylized and a little silly and underdeveloped but it’s a fun watch with a fun, extended Lily Collins cameo.

    — And for those looking for a comedy, Josh Brolin and Peter Dinklage play brothers, and former partners in crime in a starry new movie coming to Prime Video on Thursday. Brolin is the one trying for a more normal life when Dinklage convinces him to embark on a road trip to a promised big score. “Brothers,” directed by Max Barbakow (who made the delightful time loop romantic comedy “Palm Springs”) also features Marisa Tomei, Glenn Close, Brendan Fraser and Taylour Paige in its big ensemble.

    AP Film Writer Lindsey Bahr

    NEW MUSIC TO STREAM OCT. 14-20

    — On Friday, Oct. 18, Lin-Manuel Miranda — in his first full post-“Hamilton” musical — and the award-winning actor and playwright Eisa Davis will release “Warriors,” a musical concept album inspired by the 1979 cult classic film that follows a street gang as they make their way from the Bronx to their home turf of Coney Island amid an all-out blitz. There are some notable departures here, including some gender-flipping and inventive genre-melding, no doubt an extension of its all-star cast, which features everyone from Ms. Lauryn Hill and Marc Anthony to Colman Domingo, Busta Rhymes and more. Last month, the duo told The Associated Press in an exclusive interview that their version of “Warriors” is about unity and peace. But it sounds full of action.

    — AP Music Writer Maria Sherman

    NEW SHOWS TO STREAM OCT. 14-20

    — Austin Stowell plays a younger version of Mark Harmon’s “NCIS” character, Leroy Jethro Gibbs in “NCIS: Origins,” a series set 25 years before the original. We meet this Gibbs as he’s beginning his career as a naval investigator. “NCIS: Origins” debuts Monday on CBS and streams on Paramount+.

    — A new Peacock docuseries digs into the wild but true story of Elizabeth Finch, a former writer on ABC’s “Grey’s Anatomy.” Finch wrote storylines she claimed were inspired by her own life and medical history, including a battle with bone cancer. She later admitted to lying. The three-part docuseries also tells the story of Finch’s ex-wife, who was the one to expose her deceit in the first place. “Anatomy of Lies” streams Tuesday on Peacock.

    Travis Kelce adds game show host to his growing resume. The Kansas City Chiefs tight-end hosts “Are You Smarter than a Celebrity?” beginning Wednesday on Prime Video. On the show, adult contestants answer elementary grade questions with a pool of celebrities on standby ready to help.

    — In the Apple TV+’s dramedy “Shrinking,” Jason Segel plays Jimmy, a therapist grieving the death of his wife and trying to navigate being a single parent to a teen daughter. In season one, he begins to give his patients unorthodox advice, like inviting one (Luke Tennie) to move into his home. We also saw a new kind of family blossom between Jimmy, his colleagues (Harrison Ford and Jessica Williams), and neighbor (Christa Miller). Season two of the heartwarming comedy premieres Wednesday on the streamer.

    — In season three of Netflix’s “The Lincoln Lawyer,” Mickey Haller is rocked by the murder of his former client Gloria Days (Fiona Rene), but he also agrees to defend the man accused of killing her. The story is based on No. 5 of Michael Connelly’s The Lincoln Lawyer book series called “The Gods of Guilt.” It premieres Thursday on Netflix.

    — The “Sheldon-verse” continues with “Georgie & Mandy’s First Marriage” debuting Thursday on CBS. The series stars Montana Jordan as Sheldon’s older brother George “Georgie” Cooper and his new bride Mandy, played by Emily Osment. It’s a sequel to “Young Sheldon” which wrapped last May after seven seasons. Episodes also stream on Paramount+.

    “Hysteria!”, coming to Peacock on Friday, Oct. 18, follows members of a high school band who pretend to be in a Satanic cult for attention. Their plan falls apart when town members target the teens in a witch hunt. The series stars Julie Bowen of “Modern Family” and “Evil Dead” star Bruce Campbell.

    Alicia Rancilio

    NEW VIDEO GAMES TO PLAY

    — Holiday season is almost here, and for Nintendo fans, there’s no party like a Mario Party. Super Mario Party Jamboree follows the classic formula: It’s a virtual board game in which most of the spaces lead to a multiplayer contest. Up to four people can play in-person or online, though one online mode lets up to 20 compete in a hectic “Koopathlon.” There are 22 characters, seven different boards and more than 110 minigames covering the gamut of Mario Party silliness, from races to brawls to minigolf. And there are few cooperative challenges, like a cooking game where four chefs try to slice and dice in rhythm. The festivities start Thursday on Switch.

    — Barcelona-based Nomada Studio gained plenty of fans and a handful of awards with 2018’s stylish Gris, a haunting tale in which a young girl worked through grief by solving puzzles and collecting stars. The indie developer’s Neva starts in a similarly gloomy place: A warrior named Alba sets out with a white wolf, Neva, to explore a dying world. Nomada calls it “a love song dedicated to our children, our parents and our planet,” and the arresting, painterly landscapes will look familiar to fans of Gris. The journey begins Tuesday on PlayStation 5, Xbox X/S, Switch and PC.

    Lou Kesten

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  • What to stream: ‘Warriors’ album, ‘The Dating Game’ killer, ‘NCIS: Origins’ and Travis Kelce’s games

    What to stream: ‘Warriors’ album, ‘The Dating Game’ killer, ‘NCIS: Origins’ and Travis Kelce’s games

    [ad_1]

    Travis Kelce adds game show host to his growing resume with “Are You Smarter than a Celebrity?” and Lin-Manuel Miranda’s “Warriors,” a musical concept album inspired by the 1979 cult classic film, are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Anna Kendrick stars in a movie about the time a serial killer made his way onto the television show “The Dating Game,” Nintendo fans get Super Mario Party Jamboree and “NCIS” looks back at character Leroy Jethro Gibbs in “NCIS: Origins,” a series set 25 years before the original.

    — In 1978, a serial killer made his way onto the television show “The Dating Game.” Rodney Alcala was already a murderer by the time he appeared on the show as one of three bachelors seeking a date with a woman named Cheryl Bradshaw. He even won. Had they done a background check, they might have discovered that he’d been on the FBI’s 10 most wanted fugitives list and already been imprisoned for violent crimes against an 8-year-old. In the new Netflix film “Woman of the Hour,” streaming on Friday, Oct. 18, Anna Kendrick (also making her directorial debut) stars as the woman on the show (spelled Sheryl here) and puts the attention back on the victims. “Woman of the Hour” received good reviews out of the Toronto Film Festival last year.

    — If fake serial killers are more your style, “MaXXXine” starts streaming on MAX on Friday, Oct. 18. The third film in Ti West and Mia Goth’s unlikely trilogy (following “X” and “Pearl”) takes the audience to the sleazy underground of 1980s Hollywood. Goth’s Maxine Minx is an adult film star hoping for a big break in mainstream movies. She gets a shot from Elizabeth Debicki’s refined director. But she’s also running from her past and a killer terrorizing the town. It’s very stylized and a little silly and underdeveloped but it’s a fun watch with a fun, extended Lily Collins cameo.

    — And for those looking for a comedy, Josh Brolin and Peter Dinklage play brothers, and former partners in crime in a starry new movie coming to Prime Video on Thursday. Brolin is the one trying for a more normal life when Dinklage convinces him to embark on a road trip to a promised big score. “Brothers,” directed by Max Barbakow (who made the delightful time loop romantic comedy “Palm Springs”) also features Marisa Tomei, Glenn Close, Brendan Fraser and Taylour Paige in its big ensemble.

    AP Film Writer Lindsey Bahr

    — On Friday, Oct. 18, Lin-Manuel Miranda — in his first full post-“Hamilton” musical — and the award-winning actor and playwright Eisa Davis will release “Warriors,” a musical concept album inspired by the 1979 cult classic film that follows a street gang as they make their way from the Bronx to their home turf of Coney Island amid an all-out blitz. There are some notable departures here, including some gender-flipping and inventive genre-melding, no doubt an extension of its all-star cast, which features everyone from Ms. Lauryn Hill and Marc Anthony to Colman Domingo, Busta Rhymes and more. Last month, the duo told The Associated Press in an exclusive interview that their version of “Warriors” is about unity and peace. But it sounds full of action.

    — AP Music Writer Maria Sherman

    — Austin Stowell plays a younger version of Mark Harmon’s “NCIS” character, Leroy Jethro Gibbs in “NCIS: Origins,” a series set 25 years before the original. We meet this Gibbs as he’s beginning his career as a naval investigator. “NCIS: Origins” debuts Monday on CBS and streams on Paramount+.

    — A new Peacock docuseries digs into the wild but true story of Elizabeth Finch, a former writer on ABC’s “Grey’s Anatomy.” Finch wrote storylines she claimed were inspired by her own life and medical history, including a battle with bone cancer. She later admitted to lying. The three-part docuseries also tells the story of Finch’s ex-wife, who was the one to expose her deceit in the first place. “Anatomy of Lies” streams Tuesday on Peacock.

    Travis Kelce adds game show host to his growing resume. The Kansas City Chiefs tight-end hosts “Are You Smarter than a Celebrity?” beginning Wednesday on Prime Video. On the show, adult contestants answer elementary grade questions with a pool of celebrities on standby ready to help.

    — In the Apple TV+’s dramedy “Shrinking,” Jason Segel plays Jimmy, a therapist grieving the death of his wife and trying to navigate being a single parent to a teen daughter. In season one, he begins to give his patients unorthodox advice, like inviting one (Luke Tennie) to move into his home. We also saw a new kind of family blossom between Jimmy, his colleagues (Harrison Ford and Jessica Williams), and neighbor (Christa Miller). Season two of the heartwarming comedy premieres Wednesday on the streamer.

    — In season three of Netflix’s “The Lincoln Lawyer,” Mickey Haller is rocked by the murder of his former client Gloria Days (Fiona Rene), but he also agrees to defend the man accused of killing her. The story is based on No. 5 of Michael Connelly’s The Lincoln Lawyer book series called “The Gods of Guilt.” It premieres Thursday on Netflix.

    — The “Sheldon-verse” continues with “Georgie & Mandy’s First Marriage” debuting Thursday on CBS. The series stars Montana Jordan as Sheldon’s older brother George “Georgie” Cooper and his new bride Mandy, played by Emily Osment. It’s a sequel to “Young Sheldon” which wrapped last May after seven seasons. Episodes also stream on Paramount+.

    “Hysteria!”, coming to Peacock on Friday, Oct. 18, follows members of a high school band who pretend to be in a Satanic cult for attention. Their plan falls apart when town members target the teens in a witch hunt. The series stars Julie Bowen of “Modern Family” and “Evil Dead” star Bruce Campbell.

    Alicia Rancilio

    — Holiday season is almost here, and for Nintendo fans, there’s no party like a Mario Party. Super Mario Party Jamboree follows the classic formula: It’s a virtual board game in which most of the spaces lead to a multiplayer contest. Up to four people can play in-person or online, though one online mode lets up to 20 compete in a hectic “Koopathlon.” There are 22 characters, seven different boards and more than 110 minigames covering the gamut of Mario Party silliness, from races to brawls to minigolf. And there are few cooperative challenges, like a cooking game where four chefs try to slice and dice in rhythm. The festivities start Thursday on Switch.

    — Barcelona-based Nomada Studio gained plenty of fans and a handful of awards with 2018’s stylish Gris, a haunting tale in which a young girl worked through grief by solving puzzles and collecting stars. The indie developer’s Neva starts in a similarly gloomy place: A warrior named Alba sets out with a white wolf, Neva, to explore a dying world. Nomada calls it “a love song dedicated to our children, our parents and our planet,” and the arresting, painterly landscapes will look familiar to fans of Gris. The journey begins Tuesday on PlayStation 5, Xbox X/S, Switch and PC.

    Lou Kesten

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  • Rachel Bloom talks Netflix special and overcoming personal tragedy

    Rachel Bloom talks Netflix special and overcoming personal tragedy

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    Rachel Bloom talks Netflix special and overcoming personal tragedy – CBS News


    Watch CBS News



    Emmy and Golden Globe winner Rachel Bloom, creator and star of “Crazy Ex-Girlfriend,” returns with her new Netflix special, “Death, Let Me Do My Special.” Bloom opens up about the challenges of her daughter’s birth and the loss of her writing partner during the pandemic.

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  • What to stream: Jelly Roll, ‘Beetlejuice Beetlejuice,’ Cate Blanchett and Charli XCX remixes

    What to stream: Jelly Roll, ‘Beetlejuice Beetlejuice,’ Cate Blanchett and Charli XCX remixes

    [ad_1]

    Cate Blanchett and Kevin Kline co-starring in “Disclaimer,” a psychological thriller from writer-director Alfonso Cuarón, and Jelly Roll releasing “Beautifully Broken,” a follow-up to his breakout album “Whitsitt Chapel,” are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Sean Wang’s semi-autobiographical feature debut “Dìdi,” Hulu’s first Spanish-language series “La Máquina” and Charli XCX’s deluxe, remixed, double-album version of her culture-shifting album “Brat.”

    NEW MOVIES TO STREAM OCT. 7-13

    “Beetlejuice Beetlejuice” was No. 1 at the box office as recently as two weeks ago, but beginning Tuesday, Tim Burton’s popular sequel will be available, for a price. You can buy it digitally for $25 on Prime Video, Apple TV and other video-on-demand platforms. In it, the Deetz family returns to Winter River after a family tragedy. There, Lydia (Winona Ryder), still haunted by Beetlejuice (Michael Keaton), is forced into another afterlife odyssey when her teenage daughter (Jenna Ortega) discovers a portal. In her review, AP’s Jocelyn Noveck called it “a joyously rendered sequel that sometimes makes sense, and sometimes doesn’t, but just keeps rollicking.”

    — Sue Kim’s documentary “The Last of the Sea Women,” streaming Friday, Oct. 11 on Apple TV+, captures the lives and livelihood of the Haenyeo, the community of South Korean fisherwoman who for generations have free dived for seafood off the coast of Korea’s Jeju Island. Threats abound for the Haenyeo, who are mostly in their 60s and 70s. Thy ply their trade in a warming ocean contaminated by sea garbage and the Fukushima nuclear accident.

    — One of the indie highlights of the summer, Sean Wang’s “Dìdi,” is now streaming on Peacock. Wang’s semi-autobiographical feature debut, a coming of age story set in the Bay Area in 2008, is about a 13-year-old Taiwanese-American boy (Izaac Wang) struggling with where he fits in. That includes with his family (Joan Chen plays his mother) and fellow skater kids whom he begins making videos with. The film, funny and tender, is a breakthrough for the emerging filmmaker Wang, whose short “Nǎi Nai and Wài Pó, ” was Oscar nominated earlier this year.

    AP Film Writer Jake Coyle

    NEW MUSIC TO STREAM OCT. 7-13

    Brat summer came and went, but the hedonistic ideologies behind Charli XCX’s feel-good album endure. On Friday, Oct. 11, she will release “Brat and It’s Completely Different but Also Still Brat,” a deluxe, remixed, double-album version of her culture-shifting album “Brat,” this time featuring A-listers like Billie Eilish, Lorde, her tour mate Troye Sivan, her forever-hero Robyn, and more. Just don’t confuse this one with her other Brat re-release, “Brat and It’s the Same but There’s Three More Songs So It’s Not.”

    — He’s the not-so-new name on everyone’s lips: Jelly Roll will release a follow-up to his breakout album, 2023’s “Whitsitt Chapel” on Friday, Oct. 11. Little is known about the 22-track “Beautifully Broken” beyond its previously released tracks “I Am Not Okay,” “Get By,” “Liar” and “Winning Streak” — the latter of which he debuted during the premiere of Saturday Night Live’s 50th season, joined by a choir. That one was inspired by an Alcoholics Anonymous meeting, and the album will no doubt center on the kind of stories he’s become known for: Soulful country-rock on adversity, addiction, pain, suffering, and ultimately, chasing safety.

    — A decade removed from “Shower,” the viral, bubblegum pop song that launched her career, and Mexican American singer Becky G has found her in lane in Spanish-language, hybrid-genre releases, crossing language barriers and cultural borders. “Encuentros,” out Friday, Oct. 10, is her latest — a follow-up to 2023’s “Esquinas” — and continuation of her work in regional Mexicana styles made all her own, from the single “Mercedes,” which features corrido star Oscar Maydon’s deep tenor, and beyond.

    — On Friday, Oct. 11, Duran Duran will release “Danse Macabre – De Luxe,” a deluxe reissue of their celebrated 2023 LP of the same name – a mix of covers and gothic originals. Surprises abound, even for the most dedicated Duran Duran fan: Like in their cover of ELO’s “Evil Woman,” or on the song “New Moon (Dark Phase),” a reimagination of “New Moon On a Monday,” featuring former member Andy Taylor.

    — AP Music Writer Maria Sherman

    NEW SHOWS TO STREAM OCT. 7-13

    — Friends and frequent collaborators Diego Luna and Gael Garcia Bernal team up on Hulu’s first Spanish-language series called “La Máquina.” Bernal plays an aging boxer named Esteban Osuna. His longtime manager (Luna) secures him one last fight to go out a champ but there are major obstacles. The boxer has taken a lot of hits to the head over the years and his mind seems to be slipping and a criminal organization wants him to throw the fight or else. Eiza González also stars as Osuna’s ex-wife, a reporter investigating fixed boxing matches in Mexico. “La Máquina” debuts Wednesday.

    — The first spinoff of the 2023 Prime Video spy series “Citadel,” which starred Priyanka Chopra and Richard Madden, debuts Thursday on the streamer. “Citadel: Diana” stars Matilda De Angelis takes place in Italy. An India-based version called “Citadel: Honey Bunny” stars Varun Dhawan and Samantha Ruth Prabhu, and premieres in November.

    — Netflix’s favorite sun-drenched, treasure-hunting teens of North Carolina, known as the Pogues, are back for more adventures in “Outer Banks.” Season four, premiering Thursday, is divided into two parts. The show stars Chase Stokes and Madelyn Cline.

    Cate Blanchett and Kevin Kline co-star in “Disclaimer,” a psychological thriller, on Apple TV+ from writer, director Alfonso Cuarón that premiered at last month’s Venice Film Festival. Blanchett plays a respected documentarian who recognizes she’s the inspiration for a character in a new novel that threatens to expose her secrets. The limited-series also features Kodi Smit McPhee, Sacha Baron Cohen, Jung Ho-yeon and Lesley Manville and premieres Friday, Oct. 11.

    Alicia Rancilio

    NEW VIDEO GAMES TO PLAY

    — Atlus/Sega’s absorbing Persona series has grown over the years from a cult hit to a genuine blockbuster, but it’s been seven years since the last chapter. Meanwhile, several of its creators have branched off to form their own Studio Zero, and they’re about to launch their debut title, Metaphor: ReFantazio. Instead of Persona’s Tokyo-set teen drama, Metaphor presents a power struggle in a pseudo-medieval kingdom. The combat, however, evokes Persona’s zippy blend of turn-based and real-time action, and when you aren’t fighting you’ll need to spend time building relationships with the locals. If you’ve been craving a chance to explore a new world for dozens of hours, this one opens up Friday, Oct. 11, on PlayStation 5/4, Xbox X/S and PC.

    Lou Kesten

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  • What to stream: Jelly Roll, ‘Beetlejuice Beetlejuice,’ Cate Blanchett and Charli XCX remixes

    What to stream: Jelly Roll, ‘Beetlejuice Beetlejuice,’ Cate Blanchett and Charli XCX remixes

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    Cate Blanchett and Kevin Kline co-starring in “Disclaimer,” a psychological thriller from writer-director Alfonso Cuarón, and Jelly Roll releasing “Beautifully Broken,” a follow-up to his breakout album “Whitsitt Chapel,” are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Sean Wang’s semi-autobiographical feature debut “Dìdi,” Hulu’s first Spanish-language series “La Máquina” and Charli XCX’s deluxe, remixed, double-album version of her culture-shifting album “Brat.”

    “Beetlejuice Beetlejuice” was No. 1 at the box office as recently as two weeks ago, but beginning Tuesday, Tim Burton’s popular sequel will be available, for a price. You can buy it digitally for $25 on Prime Video, Apple TV and other video-on-demand platforms. In it, the Deetz family returns to Winter River after a family tragedy. There, Lydia (Winona Ryder), still haunted by Beetlejuice (Michael Keaton), is forced into another afterlife odyssey when her teenage daughter (Jenna Ortega) discovers a portal. In her review, AP’s Jocelyn Noveck called it “a joyously rendered sequel that sometimes makes sense, and sometimes doesn’t, but just keeps rollicking.”

    — Sue Kim’s documentary “The Last of the Sea Women,” streaming Friday, Oct. 11 on Apple TV+, captures the lives and livelihood of the Haenyeo, the community of South Korean fisherwoman who for generations have free dived for seafood off the coast of Korea’s Jeju Island. Threats abound for the Haenyeo, who are mostly in their 60s and 70s. Thy ply their trade in a warming ocean contaminated by sea garbage and the Fukushima nuclear accident.

    — One of the indie highlights of the summer, Sean Wang’s “Dìdi,” is now streaming on Peacock. Wang’s semi-autobiographical feature debut, a coming of age story set in the Bay Area in 2008, is about a 13-year-old Taiwanese-American boy (Izaac Wang) struggling with where he fits in. That includes with his family (Joan Chen plays his mother) and fellow skater kids whom he begins making videos with. The film, funny and tender, is a breakthrough for the emerging filmmaker Wang, whose short “Nǎi Nai and Wài Pó, ” was Oscar nominated earlier this year.

    AP Film Writer Jake Coyle

    Brat summer came and went, but the hedonistic ideologies behind Charli XCX’s feel-good album endure. On Friday, Oct. 11, she will release “Brat and It’s Completely Different but Also Still Brat,” a deluxe, remixed, double-album version of her culture-shifting album “Brat,” this time featuring A-listers like Billie Eilish, Lorde, her tour mate Troye Sivan, her forever-hero Robyn, and more. Just don’t confuse this one with her other Brat re-release, “Brat and It’s the Same but There’s Three More Songs So It’s Not.”

    — He’s the not-so-new name on everyone’s lips: Jelly Roll will release a follow-up to his breakout album, 2023’s “Whitsitt Chapel” on Friday, Oct. 11. Little is known about the 22-track “Beautifully Broken” beyond its previously released tracks “I Am Not Okay,” “Get By,” “Liar” and “Winning Streak” — the latter of which he debuted during the premiere of Saturday Night Live’s 50th season, joined by a choir. That one was inspired by an Alcoholics Anonymous meeting, and the album will no doubt center on the kind of stories he’s become known for: Soulful country-rock on adversity, addiction, pain, suffering, and ultimately, chasing safety.

    — A decade removed from “Shower,” the viral, bubblegum pop song that launched her career, and Mexican American singer Becky G has found her in lane in Spanish-language, hybrid-genre releases, crossing language barriers and cultural borders. “Encuentros,” out Friday, Oct. 10, is her latest — a follow-up to 2023’s “Esquinas” — and continuation of her work in regional Mexicana styles made all her own, from the single “Mercedes,” which features corrido star Oscar Maydon’s deep tenor, and beyond.

    — On Friday, Oct. 11, Duran Duran will release “Danse Macabre – De Luxe,” a deluxe reissue of their celebrated 2023 LP of the same name – a mix of covers and gothic originals. Surprises abound, even for the most dedicated Duran Duran fan: Like in their cover of ELO’s “Evil Woman,” or on the song “New Moon (Dark Phase),” a reimagination of “New Moon On a Monday,” featuring former member Andy Taylor.

    — AP Music Writer Maria Sherman

    — Friends and frequent collaborators Diego Luna and Gael Garcia Bernal team up on Hulu’s first Spanish-language series called “La Máquina.” Bernal plays an aging boxer named Esteban Osuna. His longtime manager (Luna) secures him one last fight to go out a champ but there are major obstacles. The boxer has taken a lot of hits to the head over the years and his mind seems to be slipping and a criminal organization wants him to throw the fight or else. Eiza González also stars as Osuna’s ex-wife, a reporter investigating fixed boxing matches in Mexico. “La Máquina” debuts Wednesday.

    — The first spinoff of the 2023 Prime Video spy series “Citadel,” which starred Priyanka Chopra and Richard Madden, debuts Thursday on the streamer. “Citadel: Diana” stars Matilda De Angelis takes place in Italy. An India-based version called “Citadel: Honey Bunny” stars Varun Dhawan and Samantha Ruth Prabhu, and premieres in November.

    — Netflix’s favorite sun-drenched, treasure-hunting teens of North Carolina, known as the Pogues, are back for more adventures in “Outer Banks.” Season four, premiering Thursday, is divided into two parts. The show stars Chase Stokes and Madelyn Cline.

    Cate Blanchett and Kevin Kline co-star in “Disclaimer,” a psychological thriller, on Apple TV+ from writer, director Alfonso Cuarón that premiered at last month’s Venice Film Festival. Blanchett plays a respected documentarian who recognizes she’s the inspiration for a character in a new novel that threatens to expose her secrets. The limited-series also features Kodi Smit McPhee, Sacha Baron Cohen, Jung Ho-yeon and Lesley Manville and premieres Friday, Oct. 11.

    Alicia Rancilio

    — Atlus/Sega’s absorbing Persona series has grown over the years from a cult hit to a genuine blockbuster, but it’s been seven years since the last chapter. Meanwhile, several of its creators have branched off to form their own Studio Zero, and they’re about to launch their debut title, Metaphor: ReFantazio. Instead of Persona’s Tokyo-set teen drama, Metaphor presents a power struggle in a pseudo-medieval kingdom. The combat, however, evokes Persona’s zippy blend of turn-based and real-time action, and when you aren’t fighting you’ll need to spend time building relationships with the locals. If you’ve been craving a chance to explore a new world for dozens of hours, this one opens up Friday, Oct. 11, on PlayStation 5/4, Xbox X/S and PC.

    Lou Kesten

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  • Kamala Harris Launches Media Blitz in Final Weeks of Campaign

    Kamala Harris Launches Media Blitz in Final Weeks of Campaign

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    Even supporters of the Democratic candidate for president Kamala Harris have complained that the current vice president remains a mystery to broad swaths of the country. Though media outlets (including this one) have noted that coverage of Harris and her campaign attracts a greater readership than coverage of her opponent, Republican nominee and former president Donald Trump, those outlets have struggled to convince Harris to sit down for an interview. It’s a decision that’s concerned even the journalists who seem receptive to her message, and prompted observers such as media writer Jon Allsop to note that as of late September, Harris and running mate Tim Walz “had taken part in seven interviews or press conferences, compared with Donald Trump and J.D. Vance’s combined seventy-two.” Of those, Harris personally has participated in just three.

    But all that changes this week, as Harris is launching into a set of sit-downs and interviews at the national level, presumably in an effort to—as Democratic strategist James Carville recently put it——win the news cycle. Here’s where to find an interview with Kamala Harris this week:

    TBD: Call Her Daddy

    Harris sat for an interview with influential podcast host Alex Cooper on Tuesday, for an episode slated to be released on an at-yet-undisclosed day this week. Quoting the Harris campaign, the Washington Post reports that the interview focused on “reproductive rights and ‘other critical issues important to women.’” Listeners can find the episode on Spotify when it’s released.

    Monday: 60 Minutes

    For decades, the venerable CBS newsmagazine has hosted an interview with both presidential candidates in the weeks leading up to the election, with Trump famously walking out on that conversation in 2020. Via statement, the show says, “This year, both the Harris and Trump campaigns agreed to sit down with 60 Minutes. Vice President Harris will speak with correspondent Bill Whitaker. After initially accepting 60 Minutes’ request for an interview with Scott Pelley, former President Trump’s campaign has decided not to participate. Pelley will address this Monday evening. Our election special will broadcast the Harris interview on Monday as planned.” According to the show, expect questions about “the economy, immigration, and the ongoing wars in Ukraine and Israel.” 60 Minutes will air on CBS on Monday, October 7 at 8 p.m. ET, and will be available for streaming via CBSNews.com, on the CBS News app, or Paramount+.

    Kamala Harris appears on ABC’s “The View” on Friday, July 12, 2019.

    Jenny Anderson/Getty Images

    Tuesday: The View

    Harris will travel to New York on October 8 for an in-person interview with the ABC roundtable talk show. Planned topics of discussion with hosts Sunny Hostin, Joy Behar, Ana Navarro, Whoopi Goldberg, Sara Haines and Alyssa Farah Griffin have not been released. ABC broadcasts The View on weekdays at 11 a.m. ET, 10 a.m. CT and PT., with episodes streaming at a later date on ABC.com and Hulu.

    Tuesday: The Howard Stern Show

    The iconic interviewer’s once-controversial style is far less shocking in these days of wildly popular batshit podcasters, but with an audience of listeners who followed him to incessant spam call network SiriusXM, he arguably still enjoys some pull. Stern’s show airs live on Sirius’s channel 100 from 7-11 a.m. ET, with clips and segments typically shared to its YouTube channel in the hours following the broadcast.

    Tuesday: The Late Show with Stephen Colbert

    Harris will cap off her busy Tuesday with an appearance on the late night talk show hosted by frequent Trump antagonist Stephen Colbert. (Other guests for the episode have yet to be announced.) The October 8 episode will air from 11:35 p.m. to 12:37 ET on CBS and will be available to stream on Paramount+.

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    Eve Batey

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  • Mornings Memory:” The launch of “Big Brother

    Mornings Memory:” The launch of “Big Brother

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    “Mornings Memory:” The launch of “Big Brother” – CBS News


    Watch CBS News



    On this “Mornings Memory,” “Big Brother” premiered, changing the reality TV landscape forever. Eddie McGee and two runners-up share how the show impacted their lives.

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  • Cillian Murphy Is Tommy Shelby Once Again as Production Begins on ‘Peaky Blinders’ Film

    Cillian Murphy Is Tommy Shelby Once Again as Production Begins on ‘Peaky Blinders’ Film

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    Tommy Shelby is back.

    Cillian Murphy has reprised his iconic Peaky Blinders role and reunited with Steven Knight, the mastermind behind the hit Birmingham gangster drama, in a first look photo released Monday.

    The Peaky Blinders Netflix film, directed by Tom Harper, is officially in production, the streaming giant announced on Monday. The film follows a six-season series met with critical acclaim, with Oscar winner Murphy, Paul Anderson, Helen McCrory, Tom Hardy, and Joe Cole leading the cast. So far confirmed for the movie are Saltburn‘s Barry Keoghan and Dune‘s Rebecca Ferguson.

    “By order of the Peaky Blinders,” it said, “Tommy Shelby is back. Cillian Murphy and Steven Knight are reunited on set as production officially starts on the upcoming Netflix film.” Murphy and Knight were photographed together for the post.

    The series first premiered on BBC Two in 2013, though Netflix later acquired the rights to release the show in the U.S.

    Knight was tight-lipped about the film’s plot at the Royal Television Society‘s London Convention earlier this month. The writer told the audience: “It’s set in the second world war and it’s really good.” When the confirmation of the Peaky Blinders film came through, Murphy said in a statement: “This is one for the fans.”

    The show culminated with season six in 2022, shortly before the Irishman went on to star in Christopher Nolan’s Oppenheimer, nabbing him an Academy Award.

    Murphy’s latest project Small Things Like These, depicting the horrors of Ireland’s church’s abusive workhouses for unwed mothers, is set for a Nov. 1 release in the U.K., and Nov. 8 in the U.S.

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    Lily Ford

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  • HBO Almost Cut the ‘Industry’ Season Finale’s Most Shocking Scene

    HBO Almost Cut the ‘Industry’ Season Finale’s Most Shocking Scene

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    In the volatile universe of Industry, all debts must be paid.

    No one understands that better than Rishi (Sagar Radia), whose gambling addiction finally caught up with him in Sunday night’s season three finale, “Infinite Largesse,”

    (Spoiler alert: The following includes spoilers for Industry’s third season finale.)

    Rishi, for the uninitiated, spent much of the last season falling deeper into debt. As the finale concluded, Industry gave him one of the revelation-packed episode’s biggest twists when his bookie, Vinay, showed up and killed Rishi’s wife over £600,000 in unpaid gambling debts. It was the kind of gut-wrenching moment that has made HBO Sunday-night appointment TV—and, according to cocreators Mickey Down and Konrad Kay, HBO almost nixed it.

    “There was a conversation about Rishi’s wife’s death, which HBO balked at,” Kay says.

    Early on, as Down and Kay outlined season 3, they knew they wanted to do a Rishi episode, which fans were treated to in episode 4, “White Mischief.” Shot as a kind of homage to Uncut Gems, it was there viewers got a taste of the real Rishi, who, it turned out, was a gambler with a dangerous appetite for drugs, women, and thrill-seeking.

    “We first wrote it with a bow at the end of it,” Down says. “He gets out of his position, he’s saved by the market. He then gets his wife to pay back his debt and then he makes his phone call, doubling down on it. We really didn’t think we were going to return to this. We thought, OK, are we going to show the repercussions of this in some way?”

    But HBO saw the potential in it and advised the creators to return to the repercussions of “White Mischief” later in the season. “They said, we have to show what happens to him.” It presented a unique challenge for Down and Kay. “How can you actually show that there are consequences to your actions in this world and that you can’t just talk your way out of everything?”

    When they landed on the idea that it would be Diana, Rishi’s wife, who ultimately paid for his financial misfortunes, HBO pushed back. But Down and Kay knew better.

    “At the script stage, HBO wanted to get rid of it,” Kay says. “Then we said, look, let us shoot it and show it to you. And we shot it and cut it and showed it to them. And they were like, ‘This is fantastic.’ We got very few notes. What you see in the season finale is pretty close to the first cut of that episode.”

    Originally, the scene played out differently. “We were like, what if the guy shot Rishi?” Down continues. “Personally, and practically, we wanted Rishi in season four. But it’s more heartbreaking that his wife, who is a victim of all of this, is the person that bears the brunt. And those are consequences that he then has to live with.”

    But by killing Diana, Down and Kay felt it would provide the perfect setup for next season. (HBO renewed Industry after WIRED’s interview with the showrunners.)

    Their instincts proved right. As the finale aired on Sunday, reaction online was swift, with fans posting Succession-esque responses to the show’s many turns of fortune.

    Industry is so good because they just keep moving forward. Mickey and Konrad are completely unafraid to put characters on paths they can’t easily undo for the sake of plot convenience. This is peak storytelling,” @lesliezye posted on X following the finale.

    Added @cinnaMENA, “From Rishi’s sad bachelor pad scene to Yasmin’s country house breakdown I—I have emotional whiplash.”

    For Down and Kay, it was all about elevating the storyline into new heights. “That core is shaken when something sort of seismic happens,” Down says of his scheming characters. “And your wife being shot in front of you to settle the gambling debt is a seismic thing, which means that Rishi in season four will be a totally different character than he was in season three and before.”

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    Jason Parham

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  • Marisa Abela and Harry Lawtey on Industry’s Devastating Season 3 Finale: “It’s Kind of Tragic”

    Marisa Abela and Harry Lawtey on Industry’s Devastating Season 3 Finale: “It’s Kind of Tragic”

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    When the creators of Industry wrote the show’s third season, they didn’t know whether HBO would greenlight more episodes—so they made sure to throw everything they had into it. By the end of Industry’s season three finale, the stakes for the show’s beautiful fuckups—and for the bank itself—are fairly existential.

    Yasmin (Marisa Abela) lands in the deepest water by the end of season three, literally and figuratively. While dealing with the scandalous aftermath of her father’s drowning, she finds herself locked in a love triangle between her lovelorn friend, Robert (Harry Lawtey), and Sir Henry Muck (Kit Harington), a man with enough money and power to both protect her from the world and provide her with life’s not-so-little luxuries. “Robert really does make Yasmin feel very safe in a way that definitely the other men in her life don’t,” Abela tells Still Watching. “He really sees her and loves her, whereas Henry or her father or Eric—I don’t think she feels that they really see her.”

    On the latest episode of Still Watching, both Abela and Lawtey stopped by to talk about their onscreen chemistry and their offscreen friendship. (Listen or read below.)

    Vanity Fair: Your characters both had a very emotionally intense season. When you read the season three scripts, were there any moments or revelations that surprised you?

    Harry Lawtey: Yeah, it’s par for the course now with this show. Every page is a bit of a surprise, to be honest. But I agree. In this [season] especially, a lot of the arcs and journeys of these characters are very much reaching boiling point. That’s certainly the case for Robert. I remember saying to Mickey [Down] and Konrad [Kay] a while back that he’s someone who’s been wanting to cry for about five years now, and hasn’t felt able to show his feelings in that way. It feels like once the dam is broken, you can’t put the toothpaste back in the tube. It’s all on show now.

    Marisa Abela: This was the first year that I felt it was really necessary to have a sit-down about what had happened, what was going to happen, where everything was heading. And that was very different to play, holding knowledge that was hers and no one else’s. And also, the relationship between Robert and Yasmin this season—it was the first time that it really, really mattered whether or not Yasmin knew what she wanted, and knew what she was getting into.

    Your characters have been circling each other through the whole series, and Robert has been pining for Yasmin since the beginning. How do you see their relationship at this point?

    Lawtey: The relationship has so much more substance and integrity than it did at the beginning. Robert’s attraction to Yasmin was always socioeconomically informed. He found the idea of a relationship with her aspirational…. They’re at a stage now, at the end of this season, where I think there’s very genuine love there. It doesn’t mean they can necessarily express themselves and share how they feel, but they know what’s going on. In the last two episodes, part of their journey is to try to get rid of all the nonsense.

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    Joy Press

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  • Anna Delvey Complains Following Dancing With The Stars Ouster

    Anna Delvey Complains Following Dancing With The Stars Ouster

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    Convicted con artist Anna Delvey has been working hard to build her post-incarceration life, dipping into New York Fashion Week, podcasting, and a docuseries (among other hustles) as she awaits the outcome of her immigration case. But a recent effort to trade fabricated societal standing for actual celebrity might have been a step backwards for the Inventing Anna subject, if her recent comments are any indication. Reality TV, Delvey seems to be learning, can be a game that’s even dirtier than some of Delvey’s most infamous scams.

    Anna Delvey, who also went by Anna Sorokin during her early years in New York, was famously convicted of second-degree grand larceny, theft of services, and first-degree attempted grand larceny in 2019, for which she was sentenced to four years in prison. The notorious grifter, who posted as a wealthy heiress interested in launching an arts-focused social organization, had used lies and half-truths to scam multiple people in her social circle out of thousands of dollars, prosecutors successfully argued, crimes detailed in the Netflix series bearing her name.

    After her release from prison, she was placed in a New York immigration detention facility for allegedly outstaying her visa. She’s since been released on an electronically monitored “house arrest,” while her attorney argues that she should receive asylum in the U.S. due to fears that she might face dangerous conditions if deported.

    The definition of “house” grew more elastic for Delvey in September, when she was cast in Los Angeles-based reality competition series Dancing With The Stars, a show that has offered image rehab for folks including former Donald Trump spokesperson Sean Spicer and fabulist Olympian Ryan Lochte. But unlike the spin doctor and the diver, Delvey struggled to hold her own on the show’s glossy ballroom stage.

    When the show premiered last week, Delvey, wearing a monitoring device decorated to match her dress, cha-chaed to Sabrina Carpenter’s “Espresso” with professional hoofer Ezra Sosa. Though her turn wasn’t panned by the judges, the studio audience reportedly chilled to Delvey’s charms. “There was a shift in the energy,” judge Carrie Ann Inaba chided those in the stands. “Let’s all give this a chance.”

    But Delvey’s chance was up this week when the combination of a low score for a quick step to KT Tunstall’s “Suddenly I See” and a shortfall of viewer votes sent her home in the first round. Her response to the loss was characteristically blunt, with Delvey telling show co-host Julianne Hough that she got “Nothing” from being on the show, and telling GMA that her favorite part of the experience was “getting eliminated.”

    In a subsequent email to NBC News, Delvey elaborated on her experience in the competition, and suggested that the deck was stacked against her from the start. “The show so obviously used me to drive up the ratings, that they never had any plans to give me any chance to grow and only cared about exploiting me for attention,” Sorokin said of the ABC series.

    “It was predatory of them to try [to] make me feel inadequate and stupid all while I did get progressively better yet they chose to disregard that.”

    “It felt like I was never really given a fair chance by the viewers or some of the judges’ given their nonsensical scoring,” Delvey said in an interview with NBC. “It’s supposed to be a dance competition and not a popularity contest.”

    Inaba was taken aback by Delvey’s criticism, telling Entertainment Weekly that Delvey “was dismissive not only of the opportunity she was given, of her wonderful and supportive partner Ezra in his debut season, but also of all of us who work on the show from the dancers to behind the scenes to the creative team.”

    “We all put in the effort to give her a fair opportunity,” the judge continued. “But I don’t think she could see that and it’s a shame. A little gratitude could have changed the narrative.”

    On Friday, Hough suggested folks take Delvey’s complaints with a grain of salt. Speaking with People, the dancer-turned-host said, “I’m always a big believer in grace and second chances and showing up. Also, it’s hard to go out first in the competition.”

    Though Delvey was among the first to go home, it’s unlikely that she’ll be aware of who makes it to the grand finale. According to NBC, the New Yorker is hopeful that actor Reginald VelJohnson (who dedicated his most recent performance to his Die Hard co-star Bruce Willis) will win the season, but she won’t be following it closely enough to find out. “I don’t watch TV,” she said.

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    Eve Batey

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