ReportWire

Tag: television

  • BBC leaders resign after the broadcaster’s editing of a Trump speech is called misleading

    [ad_1]

    BBC Director-General Tim Davie and BBC News Chief Executive Deborah Turness announced Sunday they are resigning from their positions.

    The departures come as the British public broadcaster has faced criticism for its editing of President Trump’s Jan. 6, 2021, speech before the Capitol riot and insurrection.

    The BBC investigative series “Panorama,” in a broadcast a week ahead of the U.S. presidential election last year, featured an edited video of Trump’s speech.

    Critics said that the way the speech was edited was misleading in that it cut out a section in which Trump said that he expected his supporters would demonstrate peacefully.

    “I know that everyone here will soon be marching over to the Capitol building to peacefully and patriotically make your voices heard,” Trump said in the speech, during which he also urged his supporters to “fight like hell.”

    In a statement, Turness acknowledged the controversy around the “Panorama” broadcast, noting, “In public life leaders need to be fully accountable, and that is why I am stepping down. While mistakes have been made, I want to be absolutely clear recent allegations that BBC News is institutionally biased are wrong.”

    In a separate news release, Davie said, “In these increasingly polarized times, the BBC is of unique value and speaks to the very best of us. It helps make the UK a special place; overwhelmingly kind, tolerant and curious. Like all public organizations, the BBC is not perfect, and we must always be open, transparent and accountable.

    “While not being the only reason, the current debate around BBC News has understandably contributed to my decision. Overall the BBC is delivering well, but there have been some mistakes made and as Director-General I have to take ultimate responsibility.”

    Trump posted a link to a Daily Telegraph story about the speech-editing on his Truth Social network, thanking the newspaper “for exposing these Corrupt ‘Journalists.’ These are very dishonest people who tried to step on the scales of a Presidential Election.” He called that “a terrible thing for Democracy!”

    White House Press Secretary Karoline Leavitt reacted on X, posting a screen grab of an article headlined “Trump goes to war with ‘fake news’ BBC” beside another about Davie’s resignation, with the words “shot” and “chaser.”

    Trump was impeached and criminally indicted over his role in the Jan. 6, 2021, riot and insurrection. The felony charges were dropped after he won the 2024 election, as U.S. Justice Department policy holds that a sitting president may not be criminally prosecuted.

    Pressure on the broadcaster’s top executives has been growing since the Daily Telegraph newspaper published parts of a dossier complied by Michael Prescott, who had been hired to advise the BBC on standards and guidelines.

    As well as the Trump edit, it criticized the BBC’s coverage of transgender issues and raised concerns of anti-Israel bias in the BBC’s Arabic service.

    The 103-year-old BBC faces greater scrutiny than other broadcasters — and criticism from its commercial rivals — because of its status as a national institution funded through an annual license fee of $230 paid by all households with a television.

    The BBC airs vast reams of entertainment and sports programming across multiple television and radio stations and online platforms — but it’s the BBC’s news output that is most often under scrutiny.

    The broadcaster is bound by the terms of its charter to be impartial in its output, and critics are quick to point out when they think it has failed. It’s frequently a political football, with conservatives seeing a leftist slant in its news output and some liberals accusing it of having a conservative bias.

    It has also been criticized from all angles over its coverage of the Israel-Hamas war in Gaza. In February, the BBC removed a documentary about Gaza from its streaming service after it emerged that the child narrator was the son of an official in the Hamas-led government.

    The BBC shakeup comes as Trump has been extremely aggressive in pursuing lawsuits against U.S. media companies. Paramount Global forked over $16 million this summer after Trump complained about the editing of a Kamala Harris interview on CBS’ “60 minutes.” Last year, ABC News paid $16 million to settle Trump’s defamation lawsuit against anchor George Stephanopoulos.

    The Associated Press contributed to this report.

    [ad_2]

    Mark Olsen

    Source link

  • I Really, Really Want the 3,600-Piece Lego U.S.S. Enterprise

    [ad_1]

    It is impossible to overstate just how big an impact Star Trek: The Next Generation had on an entire generation of kids growing up in the 1990s. I watched every episode with my mom. When I walked into my friend’s house after school, a gigantic cardboard cutout of virile, bald Captain Jean-Luc Picard greeted us in the hall. I followed Wil Wheaton, who played precocious teen Wesley Crusher, on social media well into my twenties. My son (I am not lying about this) is named Wesley. My husband thinks we named him after the explorer John Wesley Powell. We did not.

    All this is to say that I now know exactly what my family’s big Christmas present is going to be this year. Today, Lego unveiled the Icons Star Trek: U.S.S. Enterprise NCC-1701-D set.

    Courtesy of Lego

    Lego

    Icons Star Trek: U.S.S. Enterprise NCC-1701-D

    The detailed replica of the ship comprises 3,600 pieces and includes nine minifigures, each with its own accessory. All the important folks are here: Picard, Riker, Worf, Data, Geordi La Forge, Deanna Troi, Beverly and Wesley Crusher, and the bartender, played by Whoopi Goldberg (who didn’t really register with me because I didn’t understand what bars were back then).

    You can make Riker and Troi fall in love all over again when Riker plays his tiny trombone! Remember when it was apparently really sexy for all men to play large brass instruments? Deanna’s hair looks amazing, as usual. The Wesley Crusher figure has a portable tractor beam! It also comes with a display stand with an information plaque and a minifigure display title.

    You can purchase the Star Trek: U.S.S. Enterprise NCC-1701-D on November 28 for $400. If you purchase the new set between November 28 and December 1, on Lego’s website or at a Lego store, you will also receive the Type-15 Shuttlepod as a gift with purchase. Excuse me, I have to mark this on my calendar and go faint now.


    Power up with unlimited access to WIRED. Get best-in-class reporting and exclusive subscriber content that’s too important to ignore. Subscribe Today.

    [ad_2]

    Adrienne So

    Source link

  • Macy’s Thanksgiving Day Parade: Which stars are joining this year’s lineup?

    [ad_1]

    NEW YORK — Ciara, Foreigner, Lil Jon, Kool & the Gang, Busta Rhymes, Mickey Guyton and Teyana Taylor will feature in this year’s Macy’s Thanksgiving Day Parade, which will also cement “KPop Demon Hunters” as a pop culture phenomenon with appearances by the movie’s singers on the ground and cute characters in balloons overhead.

    An eclectic group of stars — from ballet dancer Tiler Peck to YouTube’s “Hot Ones” host Sean Evans — will join the annual holiday kick-off, highlighted by Audrey Nuna, EJAE and Rei Ami of HUNTR/X, the fictional girl group at the heart of the Netflix K-pop hit.

    The trio are behind the film’s soundtrack, which hit No. 1 on the Billboard 200 and recently went platinum. Two characters from the movie — Derpy Tiger and Sussie — will join the parade lineup as a mid-sized balloon and the adorably named balloonicle.

    The parade will begin at 8:30 a.m. on Nov. 27 in all time zones and will feature 32 balloons, three ballonicles, 27 floats, 33 clown groups and 11 marching bands — all leading the way for Santa Claus. The familiar TV hosts — Savannah Guthrie, Hoda Kotb and Al Roker from the “Today” show — will return on NBC and Peacock. More stars will be announced later.

    Broadway will be represented by cast members from “Buena Vista Social Club,” “Just in Time” and “Ragtime,” while the Radio City Rockettes will be there and some serious athletes — three-time U.S. national champion figure skater Ilia Malinin and U.S Paralympian Jack Wallace.

    Every year, spectators line-up a half-dozen deep along the route to cheer the floats, entertainers and marching bands. Last year, more than 31 million people tuned in on NBC and Peacock, up 10% from the previous year and marking the biggest audience ever for the parade.

    This year, four new featured character balloons will debut, including Buzz Lightyear, Pac-Man, Mario from Super Mario Brothers and a 32-foot-tall (9.8-meter) balloon onion carriage featuring eight characters from the world of “Shrek.”

    Ahead of next year’s 100th anniversary of the parade, organizers are also including balloons from previous marches, including Rainbow trout, the Happy Hippo Triple Stack, Wigglefoot and Freida the Dachshund.

    Six new floats will also debut this year, including from Holland America Line, Lego, Lindt chocolates, “Stranger Things” and a bunch of whimsical sheep trying to get to sleep courtesy of Serta.

    Some of the stars on hand will be Debbie Gibson, Drew Baldridge, Matteo Bocelli, Colbie Caillat, Gavin DeGraw, Meg Donnelly, Christopher Jackson, Darlene Love, Roman Mejia, Taylor Momsen, Calum Scott, Shaggy, Lauren Spencer Smith and Luísa Sonza.

    The marching bands will hail from South Carolina, California, Texas, Arizona, New Hampshire, Mississippi, Alabama, Pennsylvania and Santiago, Panama. The New York Police Department’s marching band will also join.

    [ad_2]

    Source link

  • Live TV Isn’t Dead. These Are the Best Live TV Streaming Services

    [ad_1]

    I won’t mince words: Sling TV is confusing. It has, by far, the most confusing lineup of plans and add-ons out of any of the live TV streaming services I tested. There are a handful of core plans, none of which encompass the scale of Hulu Live TV, YouTube TV, or DirecTV, as well as about half a dozen add-ons to bring the channel roster up to par. This modular approach is annoying while shopping, though it also means you can save quite a bit of money by only picking up what you need.

    The core of Sling is Blue and Orange. The Blue plan focuses on news and entertainment, while the Orange plan cuts news like MSNBC and CNN in favor of an array of ESPN channels. It’s clear Sling wants folks to pick up the Orange & Blue plan that combines these channel lineups. It’s about 30 percent cheaper getting them together than it is purchasing them separately (and about $30 cheaper than most other providers).

    The Orange & Blue plan, which I recommend for most people, covers the major bases, but it loses out on some of the secondary channels available elsewhere. For instance, you get ESPN channels and Fox Sports 1, but not Fox Sports 2 or the Big Ten Network. You’ll need an add-on for those.

    Most of Sling’s add-ons are $6 extra per month, minus the sports add-on, which is $15. The add-ons fill in the gaps depending on what you’re most interested in. The entertainment add-on includes Cartoon Network and MTV, for instance, while the movies add-on comes with Grit, TCM, and FXX. You can pick up all of the extras for $27 per month with Blue & Orange or $21 per month with other plans. Even with the full package, however, Sling comes in a few dollars below YouTube TV and Hulu Live TV, and there are opportunities to get your monthly price even lower by cutting some packages.

    For apps, Sling has just about everything you could want. Roku, Samsung, LG, Apple, and Google TV are all supported, as are boxes from Cox, Xfinity, and even TiVo Stream. Mobile apps are available, and there’s an app for the Xbox (though not the PlayStation 5).

    Although not as responsive as YouTube TV, the app felt smooth on my TCL QM8K. You can create profiles, see upcoming games, and favorite channels in the guide so they’re easy to find.

    [ad_2]

    Jacob Roach

    Source link

  • Disney content has gone dark on YouTube TV. Here’s what customers should know

    [ad_1]

    NEW YORK (AP) — Disney content has gone dark on YouTube TV, leaving subscribers of the Google-owned live streaming platform without access to major networks like ESPN and ABC.

    That’s because the companies have failed to reach a new licensing deal to keep Disney channels on YouTube TV. Depending on how long it lasts, the dispute could particularly impact coverage of U.S. college football matchups over the weekend — as well as NBA and NFL games — on top of other news and entertainment disruptions that have already arrived.

    In the meantime, YouTube TV subscribers who want to watch Disney channels could have little choice other than turning to traditional broadcasting or the company’s own platforms — which come with their own price tags.

    Here’s what we know.

    Why is Disney content not on YouTube TV today?

    Disney content was pulled from YouTube TV after a carriage agreement expired on Thursday. The two sides have been unable to reach a new deal to continue licensing Disney channels on the platform — resulting in the current blackout.

    YouTube TV says that Disney is proposing terms that would be too costly, resulting in higher prices and fewer choices for its subscribers. Google’s streamer has accused Disney of following through on “the threat of a blackout on YouTube TV as a negotiating tactic” — and claims that the move also benefits Disney’s own streaming products like Hulu + Live TV and Fubo.

    Meanwhile, Disney says that YouTube TV has refused to pay fair rates of its channels — and is therefore choosing “to deny their subscribers the content they value most.” The California entertainment giant also accused Google of “using its market dominance to eliminate competition and undercut the industry-standard terms we’ve successfully negotiated with every other distributor.”

    In a Friday note to employees, Disney Entertainment Co-Chairs Dana Walden and Alan Bergman and ESPN Chairman Jimmy Pitaro added that YouTube TV pulled Disney content Thursday night “prior to the midnight expiration of our deal” — and noted the platform also deleted subscribers’ previously-recorded programming. The Associated Press reached out to Google for further comment.

    What channels are impacted?

    ESPN and ABC are among the biggest networks that YouTube TV subscribers can no longer access amid the dispute.

    And beyond those top sports and news offerings, other Disney-owned content that is now dark on the platform include channels specific to U.S. college athletic regions, like the Atlantic Coast Conference and the Southeastern Conference. NatGeo and FX are also impacted.

    Here’s a recap of the full list outlined by YouTube TV:

      1. ESPN, ESPN2, ESPNU, ESPNews and ESPN Deportes (Spanish Plan)

      2. ABC and ABC News Live

      3. Nat Geo, Nat Geo Wild and Nat Geo Mundo (Spanish Plan)

      4. Disney Channel, Disney Junior and Disney XD

      5. FX, FXX and FXM

      6. SEC Network and ACC Network

      7. Freeform

      8. Localish

      9. Baby TV Español (Spanish Plan)

    Google says that streamer adds-ons like 4K Plus and Spanish Plus are also affected.

    Where else can I watch ESPN and ABC?

    Consumers can continue to watch Disney’s sports programming on the company’s own ESPN offerings — but it will come with an additional cost. For streaming, the network launched its own platform earlier this year under the same ESPN name, starting at $29.99 a month.

    Other Disney content can be found on platforms like Hulu, Disney+ and Fubo. Again, those come with their own price tags. Disney also allows people to bundle ESPN along with Hulu and Disney+ for $35.99 a month — or $29.99 a month for the first year.

    Disney also directed customers to a website called KeepMyNetworks.com to explore other options, which includes more traditional broadcast services.

    But if you’re a YouTube TV subscriber and don’t have these streaming subscriptions or broadcast offerings, you might be left without access to this Disney content as long as the impasse lasts. YouTube TV said it would give subscribers a $20 credit if Disney content unavailable “for an extended period of time.”

    YouTube TV’s base subscription plan costs $82.99 per month. Beyond Disney content, the platform currently offers live TV from networks like NBC, CBS, Fox, BBC, PBS, Hallmark, Food Network and more.

    How long could the dispute last?

    YouTube TV and Disney have acknowledged that the disruption is frustrating — and both maintain that they’re still committed to finding a resolution. But only time will tell.

    The current blackout marks the latest in growing list of licensing disputes that impact consumers’ access to content.

    From sports events to awards shows, live programming that was once reserved for broadcast has increasingly made its way into the streaming world over the years — as more and more consumers ditch traditional cable or satellite TV subscriptions for content they can get online. But renewing carriage agreements can also mean tense contract negotiations, particularly amid growing competition in the space.

    YouTube TV and Disney have been down this road before. In 2021, YouTube TV subscribers also briefly lost access to all Disney content on the platform after a similar contract breakdown between the two companies. That outage lasted less than two days, with the companies eventually reaching an agreement.

    Some past impasses have been shorter and limited to a matter of hours — or found a way to temporarily ward of disruptions at the last minute. In August, for example, YouTube TV reached a “short-term extension” in its contract dispute with Fox, and the two later reached a new licensing deal.

    [ad_2]

    Source link

  • Our Favorite Premium TV Is $500 Off

    [ad_1]

    On the hunt for a premium television, with all the bells and whistles? Our premium television pick, the LG G5 OLED is currently marked down to just under $2,000 on Amazon for the 65-inch version, a $500 discount from its usual list price. This excellent OLED TV scored top marks in everything from brightness to color, and is a great choice for anyone seeking the perfect addition to their living room or home theater.

    • Photograph: Ryan Waniata

    • Photograph: Ryan Waniata

    • Photograph: Ryan Waniata

    • Photograph: Ryan Waniata

    LG has made a variety of improvements to this generation of panels, and it really shows in the numbers. It’s one of the brightest screens we’ve tested, with only one major competitor, the Sony Bravia 9 QLED beating it in terms of raw brightness. That means top-tier HDR performance, without some of the compromises you usually make for QLED screens to reach that brightness.

    The colors are excellent as well, bringing life to the deep greens and blues that some TVs can struggle with. They do just as well catching the clothing of your favorite sitcom stars as they do expressing the explosions and crashes of action movies. The processing and upscaling are top-notch as well, in case not all of your media is coming from the best source.

    Combine that high brightness with the rich and vibrant colors, and the result is a TV that looks stunning across any movie genre. As our reviewer Ryan Waniata put it while describing the lightning storm from the beginning of Mad Max: Fury Road, “Each bolt and fiery crash burned with white-hot sizzle, almost overwhelming my senses even in a daytime viewing.”

    The only real catch here is the streaming interface, an upgraded version of LG’s WebOS, which doesn’t quite hold up to the simplicity and performance of other options like Google TV. The remote is also slightly confusing, lacking some basic functions like a mute key or input key, both of which require other key press combinations. The good news here is if it really bothers you, you can always switch to a dedicated streaming box.

    If you’ve got the cash to plunk down, the LG G5 OLED is one of our favorite televisions, and it’s worth grabbing this 20 percent discount on it while you can.

    [ad_2]

    Brad Bourque

    Source link

  • June Lockhart, beloved for

    [ad_1]

    June Lockhart, beloved for her roles in “Lassie” and “Lost in Space,” has died in Santa Monica at 100 years old. Elise Preston remembers one of Hollywood’s original TV moms.

    [ad_2]

    Source link

  • June Lockhart, Actor in TV’s ‘Lassie’ and ‘Lost in Space,’ Dies at 100

    [ad_1]

    (Reuters) -June Lockhart, who became the archetypal TV mom of the 1950s and 1960s with her roles on the campy sci-fi series “Lost in Space” and alongside a collie and a little boy on the family drama “Lassie,” died this week at age 100, her family announced on Saturday.

    She died of natural causes at her home in Santa Monica, California, according to a spokesperson for the family. 

    Lockhart portrayed planet-hopping mom Maureen Robinson on producer Irwin Allen’s “Lost in Space,” which ran from 1965 to 1968 and was later very popular in syndication. From 1958 through 1964 she had played Ruth Martin, the mother of the young main character Timmy, on “Lassie.”

    “Lost in Space,” which aired in the years leading to the first moon landing in 1969, adapted the castaway novel “The Swiss Family Robinson” to a space theme: a family is sent from Earth to colonize a distant planet but a stowaway sends the craft wildly off course.

    Clad in a silvery space suit, Lockhart played the wife of the mission leader, portrayed by Guy Williams, whose three children, played by Billy Mumy, Angela Cartwright and Marta Kristen, join in the journey.

    The series started as a serious foray into science fiction but became sillier in the second and third seasons as it focused on Mumy’s youthful Will Robinson, buffoonish stowaway Dr. Smith (Jonathan Harris) and the show’s popular robot. At the first hint of trouble, the robot would exclaim, “Danger, Will Robinson!”

    Lockhart fondly remembered the goofy 1968 episode titled “The Great Vegetable Rebellion” featuring a villainous carrot that plotted to turn the family into plants.

    “The ‘Vegetable Rebellion’ is definitely my favorite because we laughed so very hard through all of the shooting,” Lockhart told the Chicago Sun-Times in 2004. “In fact, Guy and I laughed so much and so often that we had to do take after take, which did not sit well with Irwin. So as punishment he wrote us out of the next two episodes. We got paid but we weren’t in them.”

    Lockhart was born in New York on June 25, 1925. Her parents were actors — her father Gene Lockhart is best remembered as the judge in the 1947 holiday classic “Miracle on 34th Street” — and she made her film debut at age 12 alongside them in a 1938 version of “A Christmas Carol.”

    As a young actor, she played supporting roles in major films including the 1944 Judy Garland movie “Meet Me in St. Louis,” one of the leading musicals of that decade, and starring roles in B movies like “She-Wolf of London” (1946).

    She won a Tony Award in 1948 for her performance in the Broadway play “For Love or Money” and later was twice nominated for Emmy awards.

    Lockhart replaced Cloris Leachman as the adoptive mother of Timmy, played by Jon Provost, in the fifth season of the long-running series “Lassie.”

    After “Lost in Space,” she played a doctor for the final two seasons of the sitcom “Petticoat Junction” and had a recurring role on the soap opera “General Hospital.” 

    Lockhart also had a small role in the 1998 big-budget film version of “Lost in Space.”

    Lockhart, a space aficionado who attended NASA space shuttle launches, learned that despite all the rubbery monsters and far-fetched plot lines, “Lost in Space” inspired future astronauts.

    “I spend a lot of time at NASA with the astronauts,” she told the New Jersey newspaper the Record in 2002, “and to a man, or woman, they say that watching ‘Lost in Space’ made them know what they wanted to do when they grew up. So when I’m down there, of course, they treat me like a duchess. It’s wonderful.”

    After appearing on a quiz show in the 1950s with members of the White House press corps, she was given an open invitation to attend White House press briefings, and for many years did so.

    During former actor Ronald Reagan’s presidency, she said he confessed to her his regret about a scene he played in a 1942 movie with her father in which Reagan’s character smashed a tomato filled with chocolate sauce into Gene Lockhart’s face.

    “The president told me, ‘I felt bad I had to do that to your father because the idea of chocolate sauce and tomato sauce together is repulsive,’” she told the Chicago Tribune in 1987.

    Lockhart married twice, with both marriages ending in divorce. 

    (Reporting by Will Dunham in Washington; Additional reporting by Valerie Volcovici in Washington; Editing by Sergio Non and Matthew Lewis)

    Copyright 2025 Thomson Reuters.

    [ad_2]

    Reuters

    Source link

  • Kim Kardashian Reveals Brain Aneurysm Diagnosis, US Media Reports

    [ad_1]

    (Reuters) -American media personality Kim Kardashian said she had been diagnosed with a brain aneurysm, U.S. media outlets reported on Thursday.

    Kardashian revealed her diagnosis during a teaser for the seventh season of her reality show, “The Kardashians,” which premiered on Hulu, the reports said.

    It was not clear whether Kardashian was experiencing symptoms or not, they said.

    Reuters could not immediately confirm the reports. Kardashian’s agent, public relations representative and attorney did not immediately respond to Reuters’ requests for comment.

    Earlier this year, she gave evidence in the trial of a gang called the “grandpa robbers”, who were accused of stealing jewellery worth millions of euros from her at gunpoint during Paris Fashion Week in 2016.

    (Reporting by Mihika Sharma in Bengaluru; Editing by Thomas Derpinghaus)

    Copyright 2025 Thomson Reuters.

    [ad_2]

    Reuters

    Source link

  • Ryan Murphy Toasts Kim Kardashian and the “Lady Avengers” of All’s Fair

    [ad_1]

    It’s one of the most eagerly awaited series of the year, with a trailer that boasts 44 million views. All’s Fair and its high-flying female cast will soon be arriving on Disney+. To celebrate, lead actors Kim Kardashian, Glenn Close, Naomi Watts, Teyana Taylor, Sarah Paulson, and Niecy Nash have embarked on a promotional marathon that began in Los Angeles and recently came to Paris, for a screening at La Maison de la Chimie on Kardashian’s 45th birthday. On the pink carpet, a veritable parade of fashion and icons unfolded in front of an audience of journalists, photographers, and a lucky few fans.

    Between a photocall and an interview, the show’s six stars gathered on a lobby staircase for an exclusive photo session with Vanity Fair France. Paulson, dressed in a white Schiaparelli ensemble, was the first to lend herself to a few light tests, followed by Nash, Taylor, Close, and Watts. Last to arrive on the pink carpet was Kardashian, sculptural in a vintage Dior piece by John Galliano, accompanied by her mother, Kris Jenner. The shoot ended with applause and a round of “Happy Birthday” initiated by Nash.

    After presenting Monster: The Ed Gein Story earlier this fall, the hyperproductive Ryan Murphy is also behind this new series for Disney+, in collaboration with Jon Robin Baitz and Joe Baken. The show follows the day-to-day doings in a divorce law firm run by Allura Grant (Kardashian), Liberty Ronson (Watts), and Emerald Greene (Nash). In the manner of a procedural drama, each episode shifts focus between new business and long-running intrigue set against a backdrop of rivalries and betrayals. “In a world where money is king and love is a battlefield, [they] will change the game,” reads the synopsis.

    Led by Kardashian, the cast of All’s Fair is made up of many of Murphy’s regular collaborators. They include Paulson, seen in several seasons of American Horror Story and in American Crime Story: The People vs. O.J. Simpson; Watts, seen in season two of Feud; and Nash, who won an Emmy Award for her role in Dahmer. Long-time icon Close and Taylor, a breakout in the recent film One Battle After Another, are the only newcomers to this universe. In addition to the main cast, the series will feature choice guest stars like Brooke Shields, Judith Light, Elizabeth Berkley, and Jessica Simpson.

    [ad_2]

    Norine Raja

    Source link

  • Do You Recognize These Literary References in Modern Pop Culture?

    [ad_1]

    Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge celebrates allusions to characters and plots from classic novels found in music and television. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books.

    [ad_2]

    J. D. Biersdorfer

    Source link

  • Alley Mills wins second Daytime Emmy for ‘General Hospital’ role

    [ad_1]

    PASADENA, Calif. — PASADENA, Calif. (AP) — Alley Mills has won her second career Daytime Emmy award as guest performer in a daytime drama.

    Mills was honored Friday for her role as Heather Webber on ABC’s “General Hospital.” The 74-year-old, who first won in 2023, is best known for playing the mom on “The Wonder Years.”

    “We’re living in really dark times right now. Everything’s crazy,” Mills told the audience at the Pasadena Civic Auditorium. “We just got to keep our spirits high.”

    “General Hospital” picked up a second win for its writing team.

    First-time nominee Susan Walters of “The Young and the Restless” won supporting actress honors.

    “I’m so happy that I won so I can thank my husband of 40 years,” she said, singling out Linden Ashby, who has appeared on “Y&R.”

    “The Young and the Restless” brought a leading 19 nominations into the 52nd annual show. It is just one of three shows nominated for best daytime drama, along with “General Hospital” and “Days of Our Lives.”

    [ad_2]

    Source link

  • Sir David Attenborough, 99, Breaks Record as Oldest Daytime Emmy Winner

    [ad_1]

    PASADENA, Calif. (AP) — Sir David Attenborough broke Dick Van Dyke’s record for oldest Daytime Emmy winner on Friday, taking the trophy for daytime personality, non-daily as host of Netflix’s “Secret Lives of Orangutans.”

    Attenborough, who is 99, wasn’t on hand. The Brit’s career as a writer, host and narrator spans eight decades.

    Van Dyke was 98 when he won as guest performer in a daytime drama series for “Days of Our Lives” in 2024. He is the oldest actor to win a Daytime Emmy.

    Jonathan Jackson of “General Hospital” and first-time nominee Susan Walters of “The Young and the Restless” won supporting acting honors.

    Jackson accepted the trophy for playing Lucky Spencer, a role he originated in 1993 and has played on and off ever since.

    The ABC show also claimed trophies for Alley Mills as guest performer in a daytime drama and its writing team.

    It was Mills’ second career win for playing Heather Webber. The 74-year-old, who first won in 2023, is best known as the mom on “The Wonder Years.”

    “We’re living in really dark times right now. Everything’s crazy,” Mills told the audience at the Pasadena Civic Auditorium. “We just got to keep our spirits high.”

    Walters plays Diane Jenkins on CBS’ “Y&R,” which she has appeared in during three different stints.

    “I’m so happy that I won so I can thank my husband of 40 years,” she said, singling out Linden Ashby, who has appeared on the same show.

    “The Young and the Restless” brought a leading 19 nominations into the 52nd annual show. It is just one of three shows nominated for best daytime drama, along with “General Hospital” and “Days of Our Lives.”

    Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Oct. 2025

    [ad_2]

    Associated Press

    Source link

  • ‘Murdaugh: Death in the Family’ Blows Up the Myth of the Southern Gentleman

    [ad_1]

    Hulu’s fictionalized take on the slaying of Paul and Maggie Murdaugh—among other crimes—is a Lowcountry boil of guns, pills, booze, and money.

    [ad_2]

    Eve Batey

    Source link

  • Jimmy Kimmel Says Critics ‘Maliciously Mischaracterized’ His Kirk Remarks

    [ad_1]

    By Dawn Chmielewski and Lisa Richwine

    LOS ANGELES, Calif. (Reuters) -Late-night host Jimmy Kimmel said on Wednesday he believed his comments about the reaction to the assassination of political activist Charlie Kirk were “intentionally and maliciously mischaracterized” by critics before his show was suspended.

    Kimmel drew outrage from conservatives for saying on his September 17 show that President Donald Trump’s supporters were desperate to characterize Kirk’s accused assassin “as anything other than one of them” and for trying to “score political points” from his murder.

    “I didn’t think there was a big problem,” Kimmel said to the initial backlash to his comments. “I just saw it as distortion on the part of some of the right-wing media networks, and I aimed to correct it.”

    Speaking at the Bloomberg Screentime conference in Los Angeles, Kimmel added that he thought critics had “intentionally and maliciously mischaracterized” his remarks.

    ABC parent Walt Disney temporarily pulled “Jimmy Kimmel Live!” off the air after Federal Communications Commission Chairman Brendan Carr said the host misled viewers about Kirk’s alleged shooter’s affiliation with Trump’s Make America Great Again movement. Carr urged local stations to push back and raised the possibility of the FCC revoking the licenses of local television stations that did not comply.

    Kimmel said he spent the weekend following his suspension speaking with Disney Entertainment Co-Chair Dana Walden about how to address the situation.

    “It helped me think everything through, and it helped me just kind of understand where everyone was coming from,” Kimmel said. “I can sometimes be reactionary. I can sometimes be aggressive, and I can sometimes be unpleasant. And I think that it helped me really having those days to think about it.”

        Disney reinstated Kimmel after six days off the air.

    The host said he told Disney executives “the spirit of what I’m going to say” when he returned to the airwaves “rather than specifically what I was going to say.”

    Upon his return, Kimmel defended political satire against “bullying” from Trump and officials in his administration.

    Kimmel’s voice choked with emotion, moments after he took the stage to a standing ovation, and he said: “It was never my intention to make light of the murder of a young man. I don’t think there’s anything funny about it.”

    (Reporting by Dawn Chmielewski and Lisa Richwine; Editing by Kim Coghill)

    Copyright 2025 Thomson Reuters.

    [ad_2]

    Reuters

    Source link

  • Scary Season: Performers at Michigan Haunted House Learn Tricks of the Terrifying Trade

    [ad_1]

    PONTIAC, Mich. (AP) — Grotesque makeup, menacing props and intimidating costumes are just one part of a Michigan haunted house’s 25-year-old formula to terrify guests.

    It starts by educating the actors looking to provide the most horrifying experience to its visitors. At Scare School, they learn all the tricks of the trade.

    Lessons begin weeks before the four-level walk-through scream factory opens to visitors, introducing fresh talent to the get-ups, face paint and unnatural body movements proven to petrify thousands of customers since the turn of the century.

    The actors’ report card of sorts is the “Wimp Out Score Board” in Erebus Haunted Attraction’s ground-level lobby, tallying the numbers of visitors who flee before making it through all four levels or who join the “wetters, pukers & fainters” total.

    And, yes, they really tally it.

    The one-time abandoned parking structure in Pontiac consistently lands on lists of the scariest haunted houses in America. Operations managers and brothers Zac and Brad Terebus said the coaching and training performers receive isn’t just about what they wear or how loud they can shout.

    “Scare School really comes down to the psychology of fear,” Zac Terebus said. “Fear is not an accident. Fear is an art.”

    In the weeks before Erebus opened for the Sept. 19-Nov. 2 Halloween season, managers auditioned and hired dozens of scare actors, then coached them to be as frightening as humanly — or rather, supernaturally — possible.

    In an upstairs room in early September, Erebus veterans schooled the newbies on the finer points of zombie shuffling and demon shrieking, walking on stilts and wielding a spiked (plastic) club. The new hires also learned about make-up application, costuming, how to get into their roles and personas as well as rules about interacting with the guests.

    It’s all part of an effort to bring out their inner fiend, Brad Terebus said.

    “Let’s say they’re a lawyer by day,” he said. “They can come here, break their shell off and just release this monster within them.”

    Alan Tucker, who portrays a bloodthirsty clown, said scare acting is “therapeutic.”

    “You never really think that you can be something else for a couple hours and scare people. But then when you really actually get to do that, it’s so entertaining. It’s so fulfilling,” said Tucker, who is in his second year as a scare actor.

    Renee Piehl is in her third year, this time around playing Nyx, based on the Greek goddess of night, who frightens guests waiting in line to enter the haunt.

    “They come here to be scared. It’s Halloween. It’s fun,” she said. “We are to be ugly and scary and bloody.”

    Plus, the scarier the actors are, the bigger the numbers will get on the Wimp Out Score Board.

    The board currently lists 10,711 “wimps” and 1,246 “wetters, pukers & fainters” both cumulative totals since the Terebuses’ father and uncle opened the attraction.

    “What we have throughout the haunted house, we call them ‘chicken exits.’ They’re actually fire exits,” Zac Terebus said. “But, at any point in the show, if you say, ‘I want out,’ we take you out, we escort you down, you end up here in the exit lobby, you can wait for your group to come on out.

    “It’s a competition among our monsters to see who can really scare the pee out of somebody.”

    Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Sept. 2025

    [ad_2]

    Associated Press

    Source link

  • Skins Games to Be Televised on Prime With Tommy Fleetwood and 3 Americans

    [ad_1]

    PONTE VEDRA BEACH, Fla. (AP) — The return of the Skins Game shows how much has changed in 17 years. The four players are among the top six in the world, it’s moving from the California desert to South Florida and it will be broadcast on Prime Video instead of network TV.

    It will be held at Panther National, a new course in Florida that opened two years ago and was designed by Thomas and Jack Nicklaus. Bradley, Schauffele and Thomas all live in the area.

    The Skins Game, which began in 1983 with some of golf’s biggest stars, was last played in 2008 and won by K.J. Choi.

    The new Skins Game will have a similar format. A player wins the dollar amount for each hole, and it carries over if the hole is tied. The difference is a “reverse purse,” in which all four players start with $1 million and their fortunes rise or fall with every hole won or lost.

    Coverage will start at 9 a.m., the start of a big Black Friday for Prime Video, which also will have an NFL game and an NBA doubleheader.

    This is the second golf event for Prime, which last month announced it would stream two additional hours of weekday coverage at the Masters.

    Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Sept. 2025

    [ad_2]

    Associated Press

    Source link

  • Decoding Taylor Swift’s ‘The Life a Showgirl’: A guide to her references

    [ad_1]

    NEW YORK — NEW YORK (AP) — The curtain has been drawn. The stage lights are on. It’s time for “The Life of a Showgirl.”

    For Taylor Swift’s most dedicated audience, a new album means new opportunities to decode Easter eggs in her lyrics and music videos. The pop superstar’s 12th studio album has no shortage of clever clues and references to her public life and discography. Many are opaque, revealing just enough to inspire a myriad of fan theories. Others are concrete – explicit names and places worth exploring. Below, you will find a guide to those instances, and how they relate to Swift.

    Read on, and happy digging!

    Lyric: “That view of Portofino was on my mind / When you called me at the Plaza Athénée”

    Meaning: When Swift announced her new album, she did so with the introduction of a shade she’s calling Portofino Orange Glitter after donning the color onstage during the latter part of her “Eras Tour.” “I’ve just always liked it,” she said of the hue during her first appearance on “New Heights,” the popular, typically football-focused podcast hosted by her fiancé Travis Kelce and his brother, Jason Kelce. “It feels like energetically how my life has felt. And this album is about what was going on behind the scenes in my inner life during this tour.” She and beau Kelce were spotted last year in Lake Como, Italy, but it is unclear if they spent time in nearby Portofino. Additionally, the standard version of her album is available in “sweat and vanilla perfume Portofino orange vinyl.” As for the Plaza Athénée? That’s a luxury hotel in Paris.

    Lyric: “Be my NY when Hollywood hates me”

    Meaning: Both locations make appearances in Swift’s songwriting. Among them: “Welcome to New York” from 2014’s “1989” and “White Horse” from 2008’s “Fearless.” She also owns property in both locations.

    Lyric: “Babe, I would trade the Cartier for someone to trust … just kidding”

    Meaning: In August of this year, Swift announced her engagement to Kelce by posting a carousel of images on Instagram. Eagle-eyed fans noticed that the ring wasn’t the only jewelry she was showing off. She was also wearing a Cartier watch.

    Lyric: “We hit the best booth at Musso & Frank’s”

    Meaning: Since opening in 1919, Musso & Frank Grill has been a hot spot for celebrities in Los Angeles – embodying the kind of old school Hollywood glamor that inspired “The Life of a Showgirl” artwork.

    Lyric: “All my white diamonds and lovers are forever”

    Meaning: The song is titled “Elizabeth Taylor” after the classic Hollywood starlet who, in 1991, created her own perfume called “White Diamonds.”

    Lyric: “You drive, 85 / Gallatin Road and the lakeside beach”

    Meaning: There are several Gallatin Roads in the United States, but given the other lyrics in the song, this one likely refers to a street in Hendersonville, Tennessee, a suburb of Nashville, where Swift spent her adolescence.

    Lyric: “But as the 50 Cent song played”

    Meaning: A 50 Cent reference further implies this song is rooted in Swift’s teen years in the ’00s, when the rapper was at the height of his popularity. The song also mentions “prom” and “second period,” what is typically associated with high school.

    Lyric: “When I left school, I lost track of you / Abigail called me with the bad news / Goodbye”

    Meaning: Abigail refers to Swift’s best friend AbigailAnderson, who she attended Hendersonville High School with. This marks the second time Abigail is mentioned in Swift’s discography: the first is the evocative “Fifteen” from “Fearless.”

    Lyric: “Redwood tree / It ain’t hard to see”

    Meaning: In Oct. 2023, Swift and Kelce made a surprise appearance at “Saturday Night Live” for a season premiere episode that featured host Pete Davidson and musical performer/friend to Swift, Ice Spice.Afterwards, “SNL” cast member Bowen Yang described the couple as the “tallest people in the world,” on the “Las Culturistas” podcast he co-hosts with comedian Matt Rogers. “I see them together, I go, ‘I am in the Redwood Forest.’” Hence, “Redwood tree.”

    Lyric: “New Heights of manhood”

    Meaning: “New Heights” is a direct reference to the Kelces’ podcast of the same name.

    Lyric: “Summertime spritz, pink skies”

    Meaning: Physical album variants have been a huge part of Swift’s “The Life of a Showgirl” rollout, and in some ways, they appear in the lyrics of “Honey.” The color of her exclusive vinyl release with Target, “The Crowd Is Your King” edition, was described online as “summertime spritz pink shimmer.”

    Lyric: “Wintergreen kiss, all mine”

    Meaning: This line relates to another one of her variants: “The Shiny Bug Collection,” which is available in “violet shimmer marbled vinyl” and more relevantly, “wintergreen and onyx marbled vinyl.” (“Violet” is mentioned in “Elizabeth Tylor,” as is “onyx” in “Opalite.”)

    [ad_2]

    Source link

  • Home Run: Blue Jays’ season finale a ratings hit | Globalnews.ca

    [ad_1]

    TORONTO – The Toronto Blue Jays’ regular-season finale — a 13-4 rout that clinched the division title — was a ratings home run for domestic rights-holder Sportsnet.

    Toronto’s victory over the Tampa Bay Rays on Sunday averaged 2.36 million viewers on television and via streaming, Sportsnet said, making it the network’s most-watched Blue Jays regular-season broadcast ever.

    Alejandro Kirk homered twice as the Blue Jays secured the American League East crown for the first time since 2015.

    Related Videos

    Story continues below advertisement

    The previous viewership high of 2.07 million was set during the final game of the 2016 regular season, a network spokesperson said Tuesday in a text message.

    Get the day's top news, political, economic, and current affairs headlines, delivered to your inbox once a day.

    Get daily National news

    Get the day’s top news, political, economic, and current affairs headlines, delivered to your inbox once a day.

    The Blue Jays earned a bye to the AL Division Series with the win. They will play the winner of the wild-card series between the Boston Red Sox and the New York Yankees.

    Game 1 in the best-of-five ALDS is scheduled for Saturday at Rogers Centre.

    Sportsnet said the average audience for the full season was 906,800 viewers per game, a jump of 51 per cent from the 2024 campaign.


    The 18-34 age demographic rose 32 per cent from last season, and female viewership jumped 46 per cent, the network said.

    The Blue Jays finished last in the AL East in 2024 with a 74-88 record.

    Toronto made the playoffs on three occasions between 2020 and ’23, but was swept in the wild-card round each time.

    The Blue Jays haven’t won a post-season game since reaching the AL Championship Series for the second straight year in 2016.

    Toronto won World Series titles in 1992 and ’93.

    This report by The Canadian Press was first published Sept. 30, 2025.

    Story continues below advertisement

    &copy 2025 The Canadian Press

    [ad_2]

    Globalnews Digital

    Source link

  • Asher Grodman on season five of

    [ad_1]

    Asher Grodman, who plays Trevor on the hit CBS series “Ghosts,” joins “CBS Mornings Plus” to talk about the new season and his role as the unforgettable pantless Wall Street bro.

    [ad_2]

    Source link