ReportWire

Tag: television

  • HBO Sues Paramount, MTV Over ‘South Park’ Rights | Entrepreneur

    HBO Sues Paramount, MTV Over ‘South Park’ Rights | Entrepreneur

    [ad_1]

    According to Variety, streaming platform HBO Max has argued in a new lawsuit that Paramount Global, via its streaming platform Paramount+, has violated a contract that gave the former exclusive streaming rights to “South Park.”

    “Defendants engaged in a simple and obvious artifice of mischaracterizing the content to avoid obligations” of the contract, the suit says.

    HBO Max is owned by Warner Bros. Discovery.

    The lawsuit was filed Friday in New York. The complaint says that HBO Max gained the exclusive rights to stream new episodes of “South Park” and its old “library” of past episodes after an “extremely competitive” bidding process.

    But, in violation of that contract, the suit claims, Paramount+ made a deal with the show’s creators for spinoff movies and other spinoff media with MTV in an “illicit scheme.” The latter streamer also said it paid for a certain number of episodes and did not receive them.

    “South Park” airs on Comedy Central (owned by Paramount) and is one of the longest-running TV shows ever, as Bloomberg noted. It follows the adventures of a group of four boys who run around making jokes in the eponymous Colorado small town.

    HBO claims it paid “more than half a billion dollars” for the rights to stream it exclusively.

    “Exclusivity was so important to Warner/HBO that when SPDS asked Warner/HBO whether it would consider sharing the rights to South Park with CBS All Access or another Paramount streamer, Warner/HBO rejected the proposition as a ‘non-starter,’” the lawsuit said.

    SPDS is South Park Digital Studios, a media company that produces “South Park” as well as has done titles like “The Book of Mormon.”

    “We believe these claims are without merit and look forward to demonstrating so through the legal process,” Paramount said, per Variety.

    [ad_2]

    Gabrielle Bienasz

    Source link

  • Eugene Levy, very gingerly, explores world for travel show

    Eugene Levy, very gingerly, explores world for travel show

    [ad_1]

    NEW YORK (AP) — There are celebrities with TV travel shows who just can’t wait to show you where they came from or push the limits of their bodies or go out of their way to locate a perfect recipe. Then there’s Eugene Levy.

    The “Schitt’s Creek” star admits he’s not really a fan of the cold or the heat. He doesn’t really like eating strange things and, well, insects freak him out. He’d rather stay home, to be honest.

    “Not only do I not love traveling, I’ve got a very low sense of curiosity,” he says during an interview. “I do not have an adventurous spirit. And I’m actually thinking, well, aren’t those things you need to host a travel show?”

    Not necessarily, and so welcome, to Apple TV+’s “The Reluctant Traveler With Eugene Levy,” the unlikely wedding of a droll and cautious host with some of the most beautiful places on Earth.

    During the eight-episode series, Levy swims in a frozen lake in Finland, walks around slot canyons in Utah and explores a rainforest in Costa Rica. He also visits Italy, Japan, the Maldives, Portugal and South Africa, even going on safari and enjoying a gin and tonic as he does.

    The more uncomfortable he seems, the funnier the show becomes. “I’m the more Great Indoors type of guy,” he jokes to his guide in a forest in Costa Rica brimming with thousands of species of animals, what he calls “all those tiny threats to life.” While ice fishing in Finland, he notes drily: “Hearty and resilient are two words that have never been used to describe me.”

    “I’m hoping this appeals to seasoned travelers that might watch this and chuckle,” he says later in the interview. “But also to people who, like me, don’t travel extensively, are not fond of traveling, don’t have that sense of adventure, so to speak — that they will see me as a kindred spirit.”

    “The Reluctant Traveler” was initially a show pitched as a way to feature hotels with remarkable views that morphed into one which really shines when Levy leaves them to go into the culture he’s visiting and is changed.

    In Utah, he stays in an elegant property overlooking the Colorado Plateau where rooms go for more than $3,000 a night but finds a real sense of spirituality visiting his Navajo guide’s modest homestead.

    “The memorable thing for me, by and large, are the people that I’m running into,” Levy says. “I’m hoping that this is one of those shows with a nice kind of different personality.”

    In Finland, Levy rides a snowmobile, goes ice fishing and ice swimming, eats reindeer and attempts husky sledding — “How do you say slow down in dog?” he asks — and ice swimming. He finds Finns deserve their reputation as some of the happiest people on Earth. “I’ve never met people that were any happier and don’t know whether being big vodka drinkers has anything to do with it,” he jokes.

    Levy landed the job by trying to talk himself out of it. Executive producer David Brindley recalls he and Apple executive Alison Kirkham were on a phone call trying to lure Levy into hosting a travel show and listening to him explain how he was the wrong man for the job. They were in stitches.

    “We all have fears about certain things and we all have things that scare us and we sort of wish that we could do something about them, but we never do. And Eugene has just given himself over to this process,” said Brindley. “And, as a result, maybe he doesn’t enjoy absolutely everything that he puts in his mouth or every activity that goes on, but it’s had a positive influence and he’s come away a bit of a different person.”

    The 76-year-old actor with bushy eyebrows and round glasses joins a crowded field of celeb travel hosts, which includes Zac Efron, José Andrés, Chris Hemsworth, Will Smith, Stanley Tucci, Macaulay Culkin and Ewan McGregor.

    “There’s a lot of travel shows around the world and rightly so. They’re gorgeous and they’re escapist and they’re beautiful,” said Brindley, chief creative officer at production house Twofour. “But launching a new one, you want to find something that has a unique selling point, that has the chance to do something a tiny bit different that will just grab people’s attention and also that feels relatable.”

    So in South Africa, viewers will get a kick out of watching Levy nervously reacting to wild animal noises, seeing his first warthog — “That is not a pleasant-looking thing!” — and playing golf among hippos. He collects a fecal sample from a tranquilized elephant and charmingly bottle feeds a baby rhino. “That was a very, very cute experience,” he says.

    To keep Levy fresh, he and his team would visit two locations at a time — spending one week in each — and then break for a few months before reuniting for another set of visits.

    Levy consulted over the list of possible locations for the first season and says he got more adventurous each time. “As the series went on, I was kind of rolling with the punches,” he says. “We’ll see how the viewers take to it.”

    ___

    Mark Kennedy is at http://twitter.com/KennedyTwits

    [ad_2]

    Source link

  • Partial list of winners at the 29th annual SAG Awards

    Partial list of winners at the 29th annual SAG Awards

    [ad_1]

    The SAG Awards are underway and actors from “Everything Everywhere All at Once” have taken home two of the film acting trophies

    ByThe Associated Press

    February 26, 2023, 8:43 PM

    LOS ANGELES — List of winners at the 29th Screen Actors Guild Awards, held Sunday in Los Angeles:

    FILM

    Male actor in a supporting role: Ke Huy Quan, “Everything Everywhere All at Once.”

    Female actor in a supporting role: Jamie Lee Curtis, “Everything Everywhere All at Once.”

    Stunt Ensemble: “Top Gun: Maverick”

    TELEVISION

    Drama ensemble: “The White Lotus.”

    Comedy ensemble: “Abbott Elementary.”

    Female actor in a drama series: Jennifer Coolidge, “The White Lotus.”

    Male actor in a drama series: Jason Bateman, “Ozark.”

    Female actor in a comedy series: Jean Smart, “Hacks.”

    Male actor in a comedy series: Jeremy Allen White, “The Bear.”

    Male actor in a TV limited series or movie: Sam Elliott, “1883.”

    Female actor in a TV limited series or movie: Jessica Chastain, “George & Tammy.”

    Stunt ensemble: “Stranger Things”

    [ad_2]

    Source link

  • List of winners at the 29th annual SAG Awards

    List of winners at the 29th annual SAG Awards

    [ad_1]

    The SAG Awards are underway and have given early awards to Jessica Chastain, Sam Elliott, the cast of “Abbott Elementary” and the stunt performers in “Top Gun: Maverick.”

    ByThe Associated Press

    February 26, 2023, 8:43 PM

    LOS ANGELES — List of winners at the 29th Screen Actors Guild Awards, held Sunday in Los Angeles:

    FILM

    Stunt Ensemble: “Top Gun: Maverick”

    TELEVISION

    Comedy Ensemble: “Abbott Elementary.”

    Female actor in a comedy series: Jean Smart, “Hacks.”

    Male actor in a comedy series: Jeremy Allen White, “The Bear.”

    Male actor in a TV limited series or movie: Sam Elliott, “1883.”

    Female actor in a TV limited series or movie: Jessica Chastain, “George & Tammy.”

    [ad_2]

    Source link

  • 11 of the best TV shows to watch this March

    11 of the best TV shows to watch this March

    [ad_1]

    3. History of the World, Part II

    Four decades after his film History of the World, Part I, Mel Brooks, now 96, returns as writer and narrator with a series of short sketches that offer the same loopy, inaccurate depictions of high points in history. Nick Kroll, Wanda Sykes and Ike Barinholtz all do double duty as actors and writers, along with a sprawling, generation-spanning cast including Jack Black, Danny DeVito, Zazie Beetz and Quinta Brunson. Hulu has insisted on secrecy about some of the historical figures, but there’s plenty to see in the trailer, including Taika Waititi as Sigmund, making a Freudian slip, Seth Rogen as Noah, of Ark fame, and Sykes, whose character confronts Civil War soldiers who think they recognise her. “Harriet Tubman. Inventor of the bathtub?” Brooks’ brand of silliness never gets old.  

    History of the World Part II premieres on 6 March on Hulu in the US

    [ad_2]

    Source link

  • The SAG Awards, streaming Sunday, should offer Oscar preview

    The SAG Awards, streaming Sunday, should offer Oscar preview

    [ad_1]

    Last year, the top winners at the Screen Actors Guild Awards all corresponded exactly with the Academy Awards winners. Will Sunday’s SAGs offer the same preview?

    The 29th annual Screen Actors Guild Awards will begin at 8 p.m. EST Sunday and be streamed live on Netflix’s YouTube page. After the awards, presented by the film and television acting guild SAG-AFRTA, lost their broadcast home at TNT/TBS, Netflix signed on to stream the ceremony. Though future editions will be streamed live directly on Netflix, this year’s show, at Fairmont Century Plaza in Los Angeles, will be on the streaming service’s YouTube page and its social media channels.

    “Everything Everywhere All at Once” and “The Banshees of Inisherin” come in with a co-leading five nominations. Each film is up for the guild’s top award, best ensemble, along with “Babylon,” “The Fabelmans” and “Women Talking.”

    The SAG Awards are considered one of the most reliable Oscar bellwethers. Actors make up the biggest percentage of the film academy, so their choices have the largest sway. Last year, “CODA” triumphed at SAG before winning best picture at the Oscars, while Ariana DeBose, Will Smith, Jessica Chastain and Troy Kotsur all won both a SAG Award and an Academy Award.

    With both supporting categories seemingly sown up by Angela Bassett (“Black Panther: Wakanda Forever”) and Ke Huy Quan (“Everything Everywhere All at Once”), Sunday’s SAG Award could offer the most clarity in the lead acting awards.

    Best actress could go to either Michelle Yeoh (“Everything Everywhere All at Once”) or Cate Blanchett (“Tár”). While Andrea Riseborough’s much-debated campaign led to an Academy Awards nomination, some of the most notable Oscar snubs are up for best actress. Though nominated by the actors guild, Danielle Deadwyler (“Till”) and Viola Davis (“The Woman King”) were overlooked by the academy, prompting some to decry racial bias in Hollywood. Ana de Armas (“Blonde”) is also nominated.

    In best actor, Austin Butler (“Elvis”), Brendan Fraser (“The Whale”) and Colin Farrell (“The Banshees of Inisherin”) all are considered contenders with a realistic shot of winning. The guild also nominated Adam Sandler (“Hustle”) and Bill Nighy (“Living”).

    On the TV side, nominated for best ensemble in a drama series are: “Better Call Saul,” “The Crown,” “Ozark,” “Severance” and “The White Lotus.” Up for best comedy series ensemble are the casts of “Abbott Elementary,” “Barry,” “The Bear,” “Hacks” and “Only Murders in the Building.”

    Presenters on Sunday include Zendaya (who scored her first SAG nomination for her leading performance in “Euphoria”, Aubrey Plaza, Jenna Ortega, Adam Scott, Chastain and Jeff Bridges. Sally Field is to received the SAG lifetime achievement award, an honor to be presented to her by Andrew Garfield.

    ___

    For more coverage of Hollywood’s awards season, visit: https://apnews.com/hub/awards-season

    [ad_2]

    Source link

  • Media drop Dilbert after creator’s Black `hate group’ remark

    Media drop Dilbert after creator’s Black `hate group’ remark

    [ad_1]

    Some prominent media publishers are dropping the comic strip Dilbert after its creator referred to people who are Black as members of “a hate group.”

    ByDAVID A. LIEB Associated Press

    February 25, 2023, 3:24 PM

    Several prominent media publishers across the U.S. are dropping the Dilbert comic strip after its creator described people who are Black as members of “a racist hate group” during an online video show.

    Various media officials denounced the comments by Dilbert creator Scott Adams as racist, hateful and discriminatory while saying they would no longer provide a platform for his work.

    Andrews McMeel Syndication, which distributes Dilbert, did not immediately respond Saturday to requests for comment from Adams or from the syndicator about his remarks. Dilbert is a long-running comic that pokes fun at office-place culture.

    The backlash began following an episode this past week of the YouTube show, “Real Coffee with Scott Adams.” Among other topics, Adams referenced a Rasmussen Reports survey that had asked whether people agreed with the statement “It’s OK to be white.”

    Most agreed, but Adams noted that 26% of Black respondents disagreed and others weren’t sure.

    The Anti-Defamation League says the phrase was popularized in 2017 as a trolling campaign by members of the discussion forum 4chan but then began being used by some white supremacists.

    Adams, who is white, repeatedly referred to people who are Black as members of a “hate group” or a “racist hate group” and said he would no longer “help Black Americans.” He urged white people “to get the hell away from Black people.”

    The San Antonio Express-News, which is part of Hearst Newspapers, said Saturday that it will drop the Dilbert comic strip, effective Monday, “because of hateful and discriminatory public comments by its creator.”

    The USA Today Network tweeted Friday that it also will stop publishing Dilbert “due to recent discriminatory comments by its creator.”

    The Plain Dealer in Cleveland and other publications that are part of Advance Local media also announced that they are dropping Dilbert.

    “This is a decision based on the principles of this news organization and the community we serve,” wrote Chris Quinn, editor of The Plain Dealer. ‘”We are not a home for those who espouse racism. We certainly do not want to provide them with financial support.”

    Christopher Kelly, vice president of content for NJ Advance Media, wrote that the news organization believes in “the free and fair exchange of ideas.”

    “But when those ideas cross into hate speech, a line must be drawn,” Kelly wrote.

    [ad_2]

    Source link

  • Warner Bros. Discovery sues Paramount over ‘South Park’ deal

    Warner Bros. Discovery sues Paramount over ‘South Park’ deal

    [ad_1]

    NEW YORK — Warner Bros. Discovery Inc. is suing Paramount Global, saying its competitor aired new episodes of the popular animated comedy series “South Park” after Warner paid for exclusive rights.

    Warner says it signed a contract in 2019 paying more than $500 million for the rights to existing and new episodes of the irreverent show, according to a lawsuit filed Friday in New York State Supreme Court.

    HBO Max, Warner’s streaming platform, was scheduled to receive the first episodes of a new “South Park” season in 2020. But the company was informed the pandemic halted production, the lawsuit says.

    In spite of Warner’s exclusive rights to the show until 2025, the company alleges South Park Digital Studios, which produces the shows and is named as a defendant in the lawsuit, offered two pandemic-themed specials to Paramount, which aired them in September 2020 and March 2021.

    The lawsuit claims the pandemic specials should have been offered to Warner under the initial contract. The move, called “verbal trickery” in the lawsuit, drove the show’s fans to the competing Paramount platform. Nearly all South Park episodes premiere on Comedy Central, one of Paramount’s cable channels, the lawsuit says.

    Show creators Matt Stone and Trey Parker, who launched the show in 1997 and oversee the franchise, were not named in the lawsuit.

    Gaining streaming rights to “South Park” is a competitive process because of the potentially lucrative market attracting more subscribers, advertisers and a loyal fan base that Warner’s lawsuit says consists mostly of young adults.

    The 24-page court filing also cites a $900 million deal in 2021 between a Paramount subsidiary and South Park Digital Studios for exclusive content on the Paramount Plus streaming service, which launched the same year.

    Warner claims the deal was a deliberate “scheme” between Paramount, its subsidiary MTV Entertainment Studios and South Park Digital Studios to “divert as much of the new South Park content as possible to Paramount Plus in order to boost that nascent streaming platform.”

    Warner paid $1,687,500 per episode and alleges it has not yet received all episodes covered by the contract, resulting in damages of more than $200 million.

    Paramount Global did not immediately respond to emails from The Associated Press seeking comment on the lawsuit.

    [ad_2]

    Source link

  • ‘Succession’ creator says upcoming 4th season is its last

    ‘Succession’ creator says upcoming 4th season is its last

    [ad_1]

    The creator of the hit HBO series “Succession” says the upcoming fourth season will be its last

    ByThe Associated Press

    February 23, 2023, 9:15 PM

    LOS ANGELES — The creator of the hit HBO series “Succession” says the upcoming fourth season will be its last.

    Jesse Armstrong told The New Yorker in a piece posted online Thursday that he wanted the show’s many fans to know the end was approaching.

    “I quite like that idea, creatively, because then the audience is just able to enjoy everything as it comes, without trying to figure things out, or perceiving things in a certain way once they know it’s the final season,” Armstrong said.

    “Succession” follows a wealthy family that owns a major media conglomerate and struggles to maintain its power. It stars Brian Cox as the Roy family patriarch and Jeremy Strong as one of his children, who connive to succeed their father as the company’s leader.

    HBO confirmed that the fourth season set to premiere next month will be its last.

    The show has won 13 Emmy Awards so far, including several for Armstrong for writing and drama series honors in 2020 and 2022.

    “I’ve never thought this could go on forever. The end has always been kind of present in my mind,” Armstrong told the New Yorker. “From Season 2, I’ve been trying to think: Is it the next one, or the one after that, or is it the one after that?”

    [ad_2]

    Source link

  • What Shows Should You Stream This Spring?

    What Shows Should You Stream This Spring?

    [ad_1]

    I’m at that point in life where I’m re-watching my favorite comfort shows for the zillionth time because nothing else is on. All of the shows I watch aren’t currently airing, and quite frankly, I’m bored. I can essentially quote New Girl word-for-word now because of this agonizing lull.


    And while Zooey Deschanel is never the wrong choice, I’m already counting down the days until I have something new to watch. There are plenty of good shows in existence, but when it takes Euphoria three years to create a new season…times get tough.

    Luckily enough for me – and the rest of the world – there have been a few recent announcements that have restored my faith in the streaming service gods. The TV networks have seen me re-watch Ted Lasso for the umpteenth time and decided it’s finally time to give me a new season. We can collectively release a sigh of relief.

    HBO Max, Apple TV+, Netflix, and more have been slowly announcing their upcoming shows for spring 2023 and I’m finally feeling better. I can feel myself being released from the grip of excessive reality television as we speak. I’ve even been watching countless re-runs of Degrassi (which is Drake at his best, by the way).

    If you’re feeling a little uninspired, underwhelmed, and burnt out from browsing Hulu’s main page for a show to stick out – same. But there’s hope on the horizon. Here are the best shows to stream this spring across all platforms:

    Ted Lasso – Apple TV+, March 15

    With 40 Emmy nominations and 11 wins, the accolades speak for themselves.
    Ted Lasso follows Jason Sudeikis as the title character throughout his time coaching AFC Richmond soccer as an American football coach. With lovable characters like Roy Kent (Brett Goldstein) and Rebecca (Hannah Waddingham), it’s hard not to become obsessed with the show.

    Everyone loves a good underdog story, and this one is no exception. This season’s dilemma? How will Coach Nate coaching Rupert’s team affect AFC Richmond’s future?

    Succession – HBO Max, March 26

    Another huge contender at the Emmy’s: HBO Max’s Succession. It’s a drama series reminiscent of the Murdaugh family, with Logan Roy (Brian Cox) heading the media conglomerate Waystar Royco. Although his retirement is ever-looming, his children Kendall (Jeremy Strong), Roman (Kieran Culkin), and Shiv (Sarah Snook) are constantly competing for a spot at the head of the table.

    Viewers go insane for the relationship between Cousin Greg (Nicholas Braun) and Tom Wambsgans (Matthew Macfadyen), but season four is going to be explosive considering all of the children are in their “Reputation Era” of sorts.

    Quarterback – Netflix

    Netflix just announced they’re releasing
    Quarterback, which follows three QBs in the NFL during the 2022 season. Patrick Mahomes (Kansas City Chiefs), Marcus Mariota (Atlanta Falcons), and Kirk Cousins (Minnesota Vikings) were mic’d up each game and are now giving fans the most intimate look into the season.

    Since there are a little under 200 days until we see the next snap of a football,
    Quarterback will be a great placeholder. Fans of the game will have a chance to see some of the league’s most exciting quarterbacks in action like they’ve never seen before.

    You – Netflix, March 9

    https://www.youtube.com/watch?v=EvwvHrtL1xY

    It feels like Penn Badgley becomes the most viral person on the internet whenever a new season of You premieres. The newest installment of the Netflix series has been divided in two parts. The first is out now, and the next comes out March 9.

    We are finally seeing Joe get a taste of his own medicine. In a Knives Out-style who-dunnit, Joe is surrounded by a group of rich elite in England and someone is out to get him. With rising stars like Lukas Gage (Euphoria, White Lotus), I’m anticipating big things from part two.

    Outer Banks – Netflix, February 23 

    https://www.youtube.com/watch?v=T0w8iL2vS04

    Brace yourselves. Soon everyone will be back trying to mold themselves into a John B derivative. Outer Banks is back for another season of rewriting The Goonies and us eating it up. Chase Stokes, Madelyn Cline, Rudy Pankow, Drew Starkey, Madison Bailey, and Jonathon Daviss will take up our social media from here on out.

    Netflix knows they have a grip on the TikTok community with this show, so I can only imagine there will be lots of thirst-trap-worthy clips, a run-in with the police and the Kooks, and a plethora of bandanas tied around the neck. The Outer Banks, paradise on Earth.

    Daisy Jones & The Six – Amazon Prime Video, March 3

    If you know me, you know I’ve been anticipating this show for almost a year now. One of my favorite books of all time by Taylor Jenkins Reid has been turned into an Amazon Prime miniseries. If you’re a fan of Fleetwood Mac and 70’s rock and roll, this show will give you your fix.

    With a star-studded cast featuring Riley Keough (Elvis’ granddaughter), Suki Waterhouse, Sam Claflin, and Camila Morrone, I expect nothing less than excellence. Keough and Claflin play TJR’s version of Stevie Nicks and Lindsey Buckingham, as the show follows the tumultuously talented band looking back on their prime years.

    [ad_2]

    Jai Phillips

    Source link

  • Storm Reid Also Cringed When She Watched This Character in Euphoria Season 2

    Storm Reid Also Cringed When She Watched This Character in Euphoria Season 2

    [ad_1]

    You have many great projects out at the moment, but we would be remiss if we didn’t talk about Euphoria. Can you tell us what working on this last season was like? 

    It’s so fun being on that set because it feels like a family. Zendaya is my big sister; you can’t convince me otherwise. So to work with people who inspire you and push you is just a fantastic feeling. And Euphoria is just such a beautiful show because we are trying to bridge the disconnect between generations and trying to let the world know that … there are things that young people go through every day. And even though it’s entertainment and some situations are heightened, at its core, we’re trying to educate people. Even when I’m reading a script or watching scenes I’m not a part of, I’ll tell myself, “That is just crazy. That just would not happen, like please.” But then I have to sit and check myself because many of the situations that are depicted in the show, our director, Sam Levinson, went through. So that’s when you have to sit, reflect, and not be selfish because people do go through these things every day, and I think that’s why so many people tune into the show each week. It’s why it became a cultural phenomenon. It is so relatable. 

    One of the wonderful things about the show is that it does validate the experiences of younger people, and it puts a lot of the younger generation’s viewpoints about the world on display. How do you hope your acting helps combat misconceptions about younger generations? 

    I think there are a lot of misconceptions about Gen Z. And I can’t speak for my entire generation, but I do know that we are smart, we are brilliant, and we are trying to make a change. And yes, we do use our phones a little bit more than other generations, but that’s the world we live in. You shouldn’t discredit our ability to think about things, cultivate ideas, and cultivate joy because of it. This generation is the most culturally diverse and culturally accepting than any other generation. I can say that with confidence. So with any situation, with any circumstance—whether it’s me playing Gia Bennett or just me taking up space as a young Black woman in this world or just being a peer among other people in this generation—I think it’s about just giving us grace because, yes, we may do things differently. But I think those differences are what makes our generation so beautiful.

    [ad_2]

    Jasmine Fox-Suliaman

    Source link

  • ‘Night Court’ reboot returns favorite but set in modern day

    ‘Night Court’ reboot returns favorite but set in modern day

    [ad_1]

    NEW YORK — You can forgive John Larroquette for thinking he’d entered a time machine when he stepped onto the sound stage of the rebooted NBC sitcom “Night Court.”

    The sets for the arraignment courtroom, chambers and hallways where he had first made people laugh as prosecutor Dan Fielding starting in the 1980s had been carefully remade and even the green couch in the judge’s office and the cafeteria chairs were found in storage and redeployed. It was he who had changed.

    “Revisiting a character that one played 35 years ago is both an interesting problem as an actor and also a bit disheartening. When I look at my face then and my face now, I’m playing my own grandfather in a way,” the 75-year-old actor says.

    In the reboot, Larroquette’s former prosecutor Dan Fielding is convinced to return as a public defender after years out of the courtroom. He has become a lovable curmudgeon, who says things like: “This is a court. Not a therapist’s office, no matter how many mental patients march through here.”

    Melissa Rauch plays prior Judge Harry Stone’s daughter, Abby Stone, the new night court judge and the sunshine to Larroquette’s gloom. Of the weirdos who show up in her after-hours court, the judge declares: “It’s hard not to like them once you know what’s going on underneath.”

    A verdict on the new “Night Court” has already been handed down: NBC ordered a second season early after the revival earned the highest ratings for a comedy series on the network since 2017.

    Larroquette suspects some of the interest is due to nostalgia and reruns but also pointed to the popularity of Rauch, a former star of “The Big Bang Theory.” “I’m sure there were millions of people who were very interested in seeing what she would do next,” he says.

    Rauch also produced the show and came up with the revival concept. She was a huge fan of the original, as a youngster using VHS tapes to capture her favorite episodes to watch and re-watch.

    “I think if you would tell the child version of me that I’m getting to do this, my head would have exploded, and I probably would have wanted to fast forward my whole life to get here,” she says.

    She was drawn to the show’s ability to effortlessly shift from heartfelt drama to heightened comedy, a flip she wanted to recreate in the reboot.

    “First and foremost, it’s a comedy and we’re there to make people laugh. But I always feel that you laugh harder if you’re also able to feel something. And I think ‘Night Court’ did that so brilliantly,” she says. “Our writers, led by our wonderful showrunner, Dan Rubin, have really struck that balance in a beautiful way.”

    Larroquette is the only actor to return to the series that first aired from 1984 to 1992, starring the late Harry Anderson, the late Markie Post, Marsha Warfield, the late Charles Robinson and Richard Moll.

    The original show’s breakout character was Fielding, both clever and lascivious. Larroquette won four consecutive Emmy Awards playing the part, a record at the time. But he initially resisted a return.

    “I was not interested in revisiting him for many reasons, partially because of the love I have of physical comedy and the fact that I’m almost 40 years older than I was then, that I can’t jump over tables. I can’t quite do the things with my body that I could then so easily. And just what do you do after that amount of time? Who is he now?” says Larroquette.

    “The more I thought about it, the more as an actor it became an interesting sort of problem to figure out —how could I be funny at this age with him now?”

    The Fielding in the reboot has matured past his sowing-his-wild-oats stage. His character finally found the love of his life between the end of the last show and its return — but lost her.

    “The Dan Fielding that existed and at that time was very different from the Dan Fielding we’re seeing,” says Rauch. “But he’s still the same person. He still thinks he’s the smartest guy in the room. He’s still a narcissist. And but at the same time, he’s evolved.”

    While the new series is clearly a product of today — with references to Uber and DJ Khaled — there are plenty of callbacks from the original show, like toy, springy snakes in cans that explode and the stuffed armadillo displayed by the previous Judge Stone.

    Set designer Glenda Rovello recreated the sets from the original blueprints. “We gave it a coat of paint to update it, but we thought a government building wouldn’t have changed that much over the years,” Rauch says.

    “Walking onto that set just feels so, so special. And I honestly, I pinch myself when I’m walking through those halls. It feels so surreal.”

    ___

    Mark Kennedy is at http://twitter.com/KennedyTwits

    [ad_2]

    Source link

  • Streaming this week: ‘Outer Banks,’ Adam Lambert, ‘Snowfall’

    Streaming this week: ‘Outer Banks,’ Adam Lambert, ‘Snowfall’

    [ad_1]

    Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music and video game platforms this week.

    MOVIES

    — Adult dramas have generally been having a hard time in theaters in recent months, but one notable exception has been “A Man Called Otto.” The film stars Tom Hanks as a despondent and ornery widower whose suicide plans keep getting foiled by the needs of his neighbors. After having made nearly $100 million in ticket sales worldwide, “A Man Called Otto” arrives on video on demand Tuesday. Marc Forster’s adaptation of Fredrik Backman’s bestseller and a remake of the 2016 Swedish film “A Man Called Ove,” “A Man Called Otto” is well tailored to Hanks’ screen presence while subtly tweaking it. In my review, I wrote that how the film unfolds “won’t surprise anyone, but it does the trick for a little post-holidays heart-warming.”

    — Since its prize-winning debut at the Cannes Film Festival last May, Polish filmmaking legend Jerzy Skolimowski’s “EO” has been moving audiences like few other recent films. Skolimowski made “EO,” nominated for best international film at the Academy Awards, from the perspective of a circus donkey on a spiritual journey as it experiences cruelty and kindness while traveling through Poland and Italy. “The idea was from the very beginning that we don’t want to tell the story about the donkey, but that we want the audience to feel like it is a donkey,” Ewa Piaskowska, Skolimowski’s wife and co-writer told AP Film Writer Lindsey Bahr. “ EO” begins streaming Tuesday on the Criterion Channel and is also available for digital rental.

    — Director Miles Warren makes a compelling directorial debut in “Bruiser,” a tender coming-of-age tale streaming Friday on Hulu. “Till” actor Jayln Hall stars as 14-year-old Darious. Set during his summer between 7th and 8th grade, the quiet Darious, back from boarding school, is adjusting to life with his working parents (Shinelle Azoroh, Shamier Anderson) and friends who he’s drifted apart from. With Trevante Rhodes, of ”Moonlight.”

    AP Film Writer Jake Coyle

    MUSIC

    — Adam Lambert offers his takes on some great past pop songs with “High Drama,” an album of covers of such hitmakers as Duran Duran, Bonnie Tyler and Culture Club. The frontman for Queen takes on Sia’s “Chandelier,” Kings of Leon’s “Sex on Fire” and even Noël Coward’s “Mad About the Boy.” His version of Tyler’s “Holding Out For a Hero” is a showcase for Lambert’s vocal fireworks, while he turns Duran Duran’s “Ordinary World” into a lush, moody ballad and he turns in a glam rendition of Billie Eilish’s “Getting Older.” It drops Friday.

    — If you missed “KPOP” on Broadway, there’s still the chance to hear what you missed. The original cast recording out Friday features music, lyrics, music production and arrangements by Helen Park and music and lyrics by Max Vernon. It was the first Broadway musical to celebrate Korean culture with Korean, Korean-American and API representation on and off-stage. The musical is a backstage look at some K-pop performers as they get ready for their debut show in New York City. Conflicts break out and get resolved, ending in a concert-like performance.

    — After writing and recording two albums over the past four years that he later scrapped, Dierks Bentley is poised to release a third, one he says he “had to get right.” The 14-track “Gravel & Gold” has songs featuring Ashley McBryde and Billy Strings. The single “Gold” is all about freedom, with the lyrics: “I got some rust on my Chevy but it’s ready to roll/I got a rhinestone sky and a song in my soul.” Bentley promises a diverse album, “from the arena shaker to the barroom weeper to the bluegrass fireballer.”

    Entertainment Writer Mark Kennedy

    TELEVISION

    — FX’s critically-acclaimed series “Snowfall,” about the crack cocaine boom in Los Angeles in the 1980s kicks off its sixth and final season on Thursday. The final episodes are high-stakes for all the characters including Damson Idris as Franklin Saint, who rose to drug kingpin status throughout the series and had declared war on everyone around him.

    — It’s been 13 years since we last saw the cater waiters of “Party Down” suffer through another event thrown by the rich and sometimes famous of Los Angeles. Original cast members including Adam Scott, Ken Marino, Ryan Hansen and Megan Mullally reprise their characters in a third season debuting Friday on Starz. This new batch of episodes sees the characters older and (somewhat) at different places in their lives but they’re still just as funny. Jennifer Garner, Tyrel Jackson Williams and Zoë Chao also join the cast. Original player Lizzie Caplan was unavailable for season three but the cast has said they’re game for another season, especially to work with her again.

    — Netflix’s “Outer Banks” returns for its third season on Thursday and JJ, Sarah, and the gang have discovered a deserted island they’ve named Poguelandia. If we’ve learned anything from “Lord of the Flies” and “Yellowjackets,” teens on a deserted island equals trouble. And that’s just how the third season begins, promising more action, romance and of course, hidden treasures.

    — Alicia Rancilio

    VIDEO GAMES

    — The big news in games this month is the arrival of Sony’s PlayStation VR2 virtual reality headset. It’s pricey at $550 and you need a PlayStation 5 to use it, but there will be a healthy software lineup ready for launch. The marquee title is Horizon: Call of the Mountain, which allows the player to climb mountains and hunt cyborgs in the franchise’s lively, postapocalyptic setting. Owners of the racing game Gran Turismo 7 and the horror epic Resident Evil Village will be able to download free VR versions, and there are dozens of other games — some new, some old — in the pipeline. You can begin exploring Sony’s updated take on the metaverse on Wednesday.

    — Square Enix’s Octopath Traveler drew some flak for its goofy name when it debuted in 2018, but it found a big enough audience to warrant a sequel. Like its predecessor, Octopath Traveler II tells eight separate stories of eight intrepid adventurers — a warrior, a thief, a merchant, a cleric, a dancer, a hunter, a scholar and an apothecary — as they explore a magical land. And if the formula holds true, they’ll team up at the end to fight off some world-threatening cataclysm. With its retro, semi-2D pixel art, it’s bound to appeal to admirers of old-school Japanese role-playing games. The journeys begin Friday on Nintendo Switch, PlayStation 5/4 and PC.

    Lou Kesten

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/apf-entertainment.

    [ad_2]

    Source link

  • Leiji Matsumoto, creator of ‘Space Battleship Yamato,’ dies

    Leiji Matsumoto, creator of ‘Space Battleship Yamato,’ dies

    [ad_1]

    TOKYO — Leiji Matsumoto, the anime creator known for ”Space Battleship Yamato” and other classics using a fantastical style and antiwar themes, has died at age 85.

    His manga works “Galaxy Express 999” and “Space Pirate Captain Herlock” were adapted into television anime series in the 1970s and became huge hits in and outside Japan.

    Matsumoto, whose real name was Akira Matsumoto, died of acute heart failure in a Tokyo hospital on Feb. 13, his office, Studio Leijisha, said Monday.

    Born in the southwestern city of Kurume, Matsumoto started drawing at age 6, and rose to fame with “Otoko Oidon,” a manga series telling the story of a poor man from southern Japan who lives in a boarding house in Tokyo and struggles to balance work and studying.

    Many of his manga were in the “battlefield comics” genre with more than 150 stories depicting tragedy of war.

    His antiwar theme comes from his father, an elite army pilot who returned from Southeast Asia and taught his son that war should never be fought.

    In his interview with Japan’s NHK television in 2018, Matsumoto recalled seeing his father apologize to the mothers of his subordinates for not being able to bring them back alive. His father also told Matsumoto that one had to be a demon to not think an enemy has a family.

    “War destroys your future,” Matsumoto said in the interview, noting that many talented youths who might have contributed to “the civilization of mankind” were killed during war.

    “I was told by my father that any life is born in order to live, not to die,” Matsumoto said. “I think we should not be wasting time fighting on the Earth.”

    Matsumoto received several cultural and arts awards from the Japanese government, and the Knight of the Order of Arts and Letters from France.

    Matsumoto’s daughter Makiko Matsumoto, who heads the studio, said in a statement released on Twitter: “Manga artist Leiji Matsumoto set out on a journey to the sea of stars. I think he lived a happy life, thinking about continuing to draw stories as a manga artist.”

    [ad_2]

    Source link

  • Richard Belzer, stand-up comic and TV detective, dies at 78

    Richard Belzer, stand-up comic and TV detective, dies at 78

    [ad_1]

    NEW YORK — Richard Belzer, the longtime stand-up comedian who became one of TV’s most indelible detectives as John Munch in “Homicide: Life on the Street” and “Law & Order: SVU,” has died. He was 78.

    Belzer died Sunday at his home in Beaulieu-sur-Mer, in southern France, his longtime friend Bill Scheft said. Scheft, a writer who had been working on a documentary about Belzer, said there was no known cause of death, but that Belzer had been dealing with circulatory and respiratory issues. The actor Henry Winkler, Belzer’s cousin, tweeted, “Rest in peace Richard.”

    For more than two decades and across 10 series — even including appearances on “30 Rock” and “Arrested Development” — Belzer played the wise-cracking, acerbic homicide detective prone to conspiracy theories. Belzer first played Munch on a 1993 episode of “Homicide” and last played him in 2016 on “Law & Order: SVU.”

    Belzer never auditioned for the role. After hearing him on “The Howard Stern Show,” executive producer Barry Levinson brought the comedian in to read for the part.

    “I would never be a detective. But if I were, that’s how I’d be,” Belzer once said. “They write to all my paranoia and anti-establishment dissidence and conspiracy theories. So it’s been a lot of fun for me. A dream, really.”

    From that unlikely beginning, Belzer’s Munch would become one of television’s longest-running characters and a sunglasses-wearing presence on the small screen for more than two decades. In 2008, Belzer published the novel “I Am Not a Cop!” with Michael Ian Black. He also helped write several books on conspiracy theories, about things like President John F. Kennedy’s assassination and Malaysia Airlines Flight 370.

    “He made me laugh a billion times,” his longtime friend and fellow stand-up Richard Lewis said Sunday on Twitter.

    Born in Bridgeport, Connecticut, Belzer was drawn to comedy, he said, during an abusive childhood in which his mother would beat him and his older brother, Len. He would do impressions of his childhood idol, Jerry Lewis. “My kitchen was the toughest room I ever worked,” Belzer told People magazine in 1993.

    After being expelled from Dean Junior College in Massachusetts, Belzer embarked on a life of stand-up in New York in 1972. At Catch a Rising Star, Belzer became a regular performer and an emcee. He made his big-screen debut in Ken Shapiro’s 1974 film “The Groove Tube,” a TV satire co-starring Chevy Chase, a film that grew out of the comedy group Channel One that Belzer was a part of.

    Before “Saturday Night Live” changed the comedy scene in New York, Belzer performed with John Belushi, Gilda Radner, Bill Murray and others on the National Lampoon Radio Hour. In 1975, he became the warm-up comic for the newly launched “SNL.” While many cast members quickly became famous, Belzer’s roles were mostly smaller cameos. He later said “SNL” creator Lorne Michaels reneged on a promise to work him into the show.

    But Belzer became one of the era’s top stand-ups. He was known especially for his biting, cynical attitude and his witty, sometime combative banter with the audience. As one of the most influential comedians of the ’70s, Belzer was a master of crowd work.

    “My style evolved from dealing with drunken people at twelve, one, two in the morning and trying to be like an alchemist and get the lead of their lives and turn it into golden jokes,” Belzer told Terry Gross on “Fresh Air.”

    Belzer would later write an irreverent self-help book titled “How to Be a Stand-Up Comic” with advice on things like how to to apologize to Frank Sinatra when you made fun of him onstage or how to deal with hecklers. One of his favorite lines was: “I have a microphone. You have a beer. God has a plan and you’re not in on it.”

    Belzer often played a stand-up comic in film, including in 1980s’ “Fame” and 1983’s “Scarface.” He had small roles here and there, including in “Night Shift” in 1982, and “Fletch Lives” in 1989. But Munch would change Belzer’s career.

    As ”Homicide” co-creator Tom Fontana said, “Munch was the spice in these dishes,” Belzer told the AV Club. “Munch was based on a real guy in Baltimore who was a star detective, in a way. He would come onto grisly murder scenes, start doing one-liners, because someone had to break the tension. So Munch served a very important function. Not only was he a dissident who said what was on his mind, he kind of had the gallows humor that’s needed in a homicide squad.”

    When “Homicide” wrapped in early 1999, Munch called Dick Wolf to see if the character could join another NBC series, “Law & Order,” where Munch had popped up in a few previous episodes. Wolf already had his leads for “Law & Order,” but he wanted Belzer to star in a spinoff. That fall, “Law & Order: SVU” premiered, with Belzer starring alongside Mariska Hargitay and Christopher Meloni in a storyline written as though Munch had transferred from Baltimore to New York.

    “Richard Belzer’s Detective John Munch is one of television’s iconic characters,” Wolf said in a statement.

    “I first worked with Richard on the ‘Law & Order’/‘Homicide’ crossover and loved the character so much,” Wolf said. “I wanted to make him one of the original characters on ‘SVU.’ The rest is history. Richard brought humor and joy into all our lives, was the consummate professional and we will all miss him very much.”

    Belzer is survived by his third wife, the actress Harlee McBride, whom he married in 1985. For the past 20 years, they lived mostly in France, in homes he purchased partially from the proceeds of a lawsuit with Hulk Hogan. In 1985, Belzer had Hogan as a guest on his cable TV talk show “Hot Properties” to perform a chin-lock on him. Belzer passed out, hit his head and sued Hogan for $5 million. They settled out of court. ___

    This story has been corrected to reflect that Belzer died in Beaulieu-sur-Mer, France, not Bozouls, as Scheft originally told The Hollywood Reporter.

    [ad_2]

    Source link

  • Fox pit reporter Sims a symbol of NASCAR’s diversity goals

    Fox pit reporter Sims a symbol of NASCAR’s diversity goals

    [ad_1]

    DAYTONA BEACH, Fla. — When Josh Sims reports on NASCAR this season, the stock car series these days — from the garage to the grandstands to top brass — looks more like him.

    Yes, Sims takes pride in the fact that he will become the first Black pit reporter for the Daytona 500 and that his rapid rise at Fox has made him one of the primary faces of the network’s NASCAR coverage.

    More than that, Sims sees that NASCAR may finally be running out of unconquered firsts for people of color. For women. For any minority who perhaps has experienced an uneasy relationship with a series founded in the South 75 years ago, a generation before the civil rights era.

    Sims’ journey from NASCAR novice through a sports anchor gig in Charlotte, North Carolina, that sparked his passion in the sport had led to his biggest assignment yet: pit reporting as a Black man from one of auto racing’s signature events.

    “I never set out to be a first,” the 35-year-old Sims said. “I never set out to make history. I just wanted to be the best at what I was doing, whether it was hosting or reporting. At the same time, I kind of understand the platform and what it means for me to be doing this.”

    Sims has a full workload this season. He is the Cup Series pit reporter, teams with Regan Smith as an Xfinity Series reporter and is part of the host rotation for the FS1 show “Race Hub.”

    And this season, he wants to share the stories on what he sees at the track beyond the in-race reports and fantastic finishes. Minorities may not necessarily become the dominant demographic for the series, but they can certainly grab a larger share of the marketplace.

    “I think if more people out there saw it, saw people that looked them, instead of just driver, crew chief, you might be more inclined to feel like, hey, I feel a little more comfortable going to the track,” Sims said. “Getting that out there might help in terms of more people coming to the track and getting more different faces to the stands. It’s not necessarily about getting more people in, it’s showing what you already have.”

    It was, of course, a very low bar but the garage and grid and fans certainly appears to be more diverse now than before 2020 when NASCAR banned the Confederate flag from its tracks and properties. NASCAR is still overwhelmingly white, but NASCAR President Steve Phelps isn’t exaggerating when he says you notice the change when walking through the garage.

    “I think the events of 2020 allowed the sport to get younger and more diverse,” he said at his state-of-the sport address in November.

    Among the notable achievements: Jusan Hamilton, who last year became the first Black race director in Daytona 500 history, will do it again this season. Amanda Oliver, a Black woman, negotiates high-profile deals as NASCAR’s senior vice president. John Ferguson, a Black man, is the chief human resources officer.

    Owners now include Pitbull and Michael Jordan, whose team features Bubba Wallace, the Black driver who prompted the flag ban. Rising stars in the developmental series include Rajah Caruth, a 20-year-old graduate of the “Drive for Diversity” program.

    Phelps said NASCAR was committed to strengthening ties to various programs that can attract a broader fan base, from Boys & Girls Clubs to “some of the other areas we have from a partnership standpoint that really speak to what’s happening in the African American community, what’s happening in the Hispanic, Latino community (to) what’s happening in the LGBTQ community.”

    While the frequently toxic nature of social media makes it easier for haters to reach Sims and others, he’s a popular personality each weekend at the track.

    “I never necessarily felt uncomfortable,” he said. “You get stuff here and there in terms of messages that’s emailed to you or sent to you but that’s par for the course if you’re a minority in the sport, a woman in the sport, even white drivers get stuff like that. But for every one or two of those, I get a lot more stuff from people excited that I’m here. You know, focus on the good.”

    Raised in East Brunswick, New Jersey, Sims is a Villanova graduate who followed the Wildcats in NCAA Tournament games in 2009 and remained a fan of most Philly teams.

    “I grew up in Jersey, so not exactly NASCAR country,” Sims said. “Growing up, you know the Jimmies and the Dale Seniors and the Tony Stewarts and everybody but it wasn’t something I followed week in and week out.”

    His interest in NASCAR picked up in 2015 when he moved to Charlotte and hosted a pre-race show on the local Fox affiliate. Sims covered his first Daytona 500 in 2016 when Denny Hamlin nipped Martin Truex Jr. in the closest finish in race history.

    “I was like, I am all in,” Sims said.

    Charlotte can feel like a small town for a city and Sims kept bumping into friends and contacts in NASCAR. Fox Sports executives hired Sims in 2021 as a reporter for their slate of NASCAR shows. He also became the first Black pit reporter in any NASCAR series, for Trucks races.

    “I kind of hope that young people that look like me, can see me doing it and now recognize that it’s possible,” Sims said. “I hope I can kind of blaze a trail for them to one day say, hey, because Josh Sims did it, I can do it, too. And that’s what’s important.”

    ___

    AP Images blog on 75 years of NASCAR: https://apimagesblog.com/historical/2023/2/nascar-75

    ___

    AP auto racing: https://apnews.com/apf-AutoRacing and https://twitter.com/AP_Sports

    [ad_2]

    Source link

  • Dominion voting case exposes post-election fear at Fox News

    Dominion voting case exposes post-election fear at Fox News

    [ad_1]

    NEW YORK — A court filing in a lawsuit against Fox News lays bare a panic at the network that it had alienated its viewers and damaged its brand by not lining up with President Donald Trump’s false claims that he had won the 2020 presidential election.

    That worry — a real one, judging by Fox’s ratings in the election’s aftermath — played a key role in Fox not setting the record straight about unfounded fraud claims, the network’s accuser contends.

    “It’s remarkable how weak ratings make good journalists do bad things,” the filing quotes Fox Washington news executive Bill Sammon as saying.

    The details were included in a trove of private communications unearthed by lawyers and contained in a redacted brief filed Thursday by Dominion Voting Systems. Dominion claims in a $1.6 billion lawsuit that Fox aired allegations that Dominion had doctored the vote against Trump, even as it knew that was untrue. Fox says it was doing its job as journalists by airing the accusations made by Trump and his allies.

    Fox’s internal troubles began with a correct call: Declaring on election night 2020 that Democrat Joe Biden had beaten Trump in Arizona. The declaration, coming ahead of other news organizations, infuriated the president and his fans.

    The backlash was noted in internal emails. “Holy cow, our audience is mad at the network,” said one, quoted by Dominion. “They’re FURIOUS,” said another.

    Five days after the election, Fox News founder Rupert Murdoch communicated to Suzanne Scott, Fox News CEO, that the channel was “getting creamed by CNN. Guess our viewers don’t want to watch it,” according to court papers.

    Fox News tumbled from first to third in the news network ratings between the Nov. 3, 2020 election and Biden’s inauguration on Jan. 20, 2021, according to the Nielsen company. Meanwhile, thousands of Fox viewers flocked to the more conservative Newsmax, where prime-time viewership shot from 58,000 the week before the election to 568,000 the week after.

    The change shook the foundations of a network that had consistently led in the news ratings for the better part of two decades.

    Fox roared back into the lead by tacking more sharply to the right after Biden took office. But in the immediate aftermath of the election, there was genuine worry at its New York headquarters.

    Almost immediately, the network went on “war footing,” Dominion said, quoting a Fox executive.

    “Do the executives understand how much credibility and trust we’ve lost with our audience?” Fox prime-time star Tucker Carlson wrote to his producer, according to Dominion’s brief. “We’re playing with fire, for real … an alternative like newsmax could be devastating to us.”

    Dominion contends that Fox executives made the decision to push false narratives to entice their audience back, and points to claims made by Trump allies like attorney Sidney Powell on programs hosted by Maria Bartiromo and Lou Dobbs.

    On Nov. 9, Fox News Channel’s Neil Cavuto cut away from a news conference held by Trump aide Kayleigh McEnaney when she began to air unsubstantiated allegations. A Fox executive complained in the aftermath that Cavuto was damaging the network’s brand.

    The court filings also detailed two instances where Fox News reporters were attacked internally for tweeting fact checks. In one, reporter Jacqui Heinrich tweeted that there was no evidence any voting system deleted, lost or changed votes.

    “Please get her fired,” Carlson messaged fellow anchor Sean Hannity, saying Heinrich was hurting the company, according to Dominion’s filing. Heinrich’s tweet was later deleted, the court papers said.

    Carlson himself tried to “thread the needle,” Dominion said. It noted how he publicly stated that Powell had never provided evidence to back up her claims of fraud. “On the other hand, he did not say what he believed privately — that she was lying,” Dominion said.

    Fox said many of its specific responses will come in a document that Superior Court Judge Eric Davis in Delaware ordered sealed until Feb. 27. Fox said Dominion had mischaracterized the record and cherry-picked quotes stripped of key context.

    “There will be a lot of noise and confusion generated by Dominion and their opportunistic private equity owners, but the core of this case remains about freedom of the press and freedom of speech, which are fundamental rights afforded by the Constitution and protected by New York Times v. Sullivan,” Fox said.

    If either side can persuade Davis to grant summary judgment in its favor, the case will end without a jury trial. If not, the trial is scheduled to begin in mid-April.

    As a result of Sullivan and cases that followed, such defamation cases against journalists are usually very hard to prove, and Fox is also arguing that Dominion is grossly overestimating any economic damage to the company.

    Ultimately, though, the case is pulling back the curtain on what happened at the nation’s largest media outlet that appeals to conservative viewers at a pivotal time at the network’s, and the nation’s history.

    “Privately, Fox hosts and executives knew that Donald Trump lost the election and that he needed to concede,” Dominion argued in the papers released Thursday. “But Fox viewers heard a different story — repeatedly.”

    [ad_2]

    Source link

  • Dominion voting case exposes post-election fear at Fox News

    Dominion voting case exposes post-election fear at Fox News

    [ad_1]

    NEW YORK — A court filing in a lawsuit against Fox News lays bare a panic at the network that it had alienated its viewers and damaged its brand by not lining up with President Donald Trump’s false claims that he had won the 2020 presidential election.

    That worry — a real one, judging by Fox’s ratings in the election’s aftermath — played a key role in Fox not setting the record straight about unfounded fraud claims, the network’s accuser contends.

    “It’s remarkable how weak ratings make good journalists do bad things,” the filing quotes Fox Washington news executive Bill Sammon as saying.

    The details were included in a trove of private communications unearthed by lawyers and contained in a redacted brief filed Thursday by Dominion Voting Systems. Dominion claims in a $1.6 billion lawsuit that Fox aired allegations that Dominion had doctored the vote against Trump, even as it knew that was untrue. Fox says it was doing its job as journalists by airing the accusations made by Trump and his allies.

    Fox’s internal troubles began with a correct call: Declaring on election night 2020 that Democrat Joe Biden had beaten Trump in Arizona. The declaration, coming ahead of other news organizations, infuriated the president and his fans.

    The backlash was noted in internal emails. “Holy cow, our audience is mad at the network,” said one, quoted by Dominion. “They’re FURIOUS,” said another.

    Five days after the election, Fox News founder Rupert Murdoch communicated to Suzanne Scott, Fox News CEO, that the channel was “getting creamed by CNN. Guess our viewers don’t want to watch it,” according to court papers.

    Fox News tumbled from first to third in the news network ratings between the Nov. 3, 2020 election and Biden’s inauguration on Jan. 20, 2021, according to the Nielsen company. Meanwhile, thousands of Fox viewers flocked to the more conservative Newsmax, where prime-time viewership shot from 58,000 the week before the election to 568,000 the week after.

    The change shook the foundations of a network that had consistently led in the news ratings for the better part of two decades.

    Fox roared back into the lead by tacking more sharply to the right after Biden took office. But in the immediate aftermath of the election, there was genuine worry at its New York headquarters.

    Almost immediately, the network went on “war footing,” Dominion said, quoting a Fox executive.

    “Do the executives understand how much credibility and trust we’ve lost with our audience?” Fox prime-time star Tucker Carlson wrote to his producer, according to Dominion’s brief. “We’re playing with fire, for real … an alternative like newsmax could be devastating to us.”

    Dominion contends that Fox executives made the decision to push false narratives to entice their audience back, and points to claims made by Trump allies like attorney Sidney Powell on programs hosted by Maria Bartiromo and Lou Dobbs.

    On Nov. 9, Fox News Channel’s Neil Cavuto cut away from a news conference held by Trump aide Kayleigh McEnaney when she began to air unsubstantiated allegations. A Fox executive complained in the aftermath that Cavuto was damaging the network’s brand.

    The court filings also detailed two instances where Fox News reporters were attacked internally for tweeting fact checks. In one, reporter Jacqui Heinrich tweeted that there was no evidence any voting system deleted, lost or changed votes.

    “Please get her fired,” Carlson messaged fellow anchor Sean Hannity, saying Heinrich was hurting the company, according to Dominion’s filing. Heinrich’s tweet was later deleted, the court papers said.

    Carlson himself tried to “thread the needle,” Dominion said. It noted how he publicly stated that Powell had never provided evidence to back up her claims of fraud. “On the other hand, he did not say what he believed privately — that she was lying,” Dominion said.

    Fox said many of its specific responses will come in a document that Superior Court Judge Eric Davis in Delaware ordered sealed until Feb. 27. Fox said Dominion had mischaracterized the record and cherry-picked quotes stripped of key context.

    “There will be a lot of noise and confusion generated by Dominion and their opportunistic private equity owners, but the core of this case remains about freedom of the press and freedom of speech, which are fundamental rights afforded by the Constitution and protected by New York Times v. Sullivan,” Fox said.

    If either side can persuade Davis to grant summary judgment in its favor, the case will end without a jury trial. If not, the trial is scheduled to begin in mid-April.

    As a result of Sullivan and cases that followed, such defamation cases against journalists are usually very hard to prove, and Fox is also arguing that Dominion is grossly overestimating any economic damage to the company.

    Ultimately, though, the case is pulling back the curtain on what happened at the nation’s largest media outlet that appeals to conservative viewers at a pivotal time at the network’s, and the nation’s history.

    “Privately, Fox hosts and executives knew that Donald Trump lost the election and that he needed to concede,” Dominion argued in the papers released Thursday. “But Fox viewers heard a different story — repeatedly.”

    [ad_2]

    Source link

  • Rise of Asian leads in network TV shows, now ABC’s ‘Company’

    Rise of Asian leads in network TV shows, now ABC’s ‘Company’

    [ad_1]

    In fourth grade, Catherine Haena Kim could not muster the courage to audition for the female lead of her school’s production of William Shakespeare’s “The Tempest.” But her teachers saw something in the way she held herself in the classroom.

    “My teachers actually gave me the part because whenever I did speak up, I was very animated and expressive,” Kim said. “When I did this play, I honestly think it’s one of the first times I actually felt seen and special in a way that I think I really hadn’t before that.”

    Kim’s teachers subverted a problem that has frustrated many Asian Americans’ career trajectories, whether on screen, in political office or in an executive suite: receiving praise for being reliable, hard workers, but never quite being perceived as leadership material.

    Across industries, Asian Americans have long been held back by unquestioned biases rooted in racial stereotypes. Employers often paint Asians as passive, lacking in gravitas or not a “cultural fit,” said Justin Zhu, co-founder of the advocacy group Stand with Asian Americans.

    An all grown-up Kim (“Ballers,” “Good Trouble”) is now reveling in the thrill and facing the pressure of being the lead on a much bigger stage: She stars opposite Milo Ventimiglia in the new ABC drama, “The Company You Keep,” which premieres Sunday. A remake of the Korean drama “My Fellow Citizens,” it centers on the hot and heavy romance between Kim’s CIA agent and Ventimiglia’s con artist.

    Given network TV’s woeful record of failing to cast Asian actors as main characters — and increased competition from cable and streaming services — there is an extraordinary number of recent shows that are making change. Other recent broadcast series with Asian or Asian American leads include “Quantum Leap” (Raymond Lee), “Kung Fu” (Olivia Liang), “The Cleaning Lady” (Élodie Yung), “NCIS: Hawai’i” (Vanessa Lachey) and “Ghosts” (Utkarsh Ambudkar).

    Advocates are mixed on whether this rise in visibility is a sign that Asian Americans are actually gaining wider, meaningful representation. Over the last decade, there have been ups and downs: For two years, ABC even had two sitcoms with all-Asian casts — “Fresh Off the Boat” and “Dr. Ken” — but the latter, starring Ken Jeong, was nixed after only two seasons.

    In 2019, after “Crazy Rich Asians” became a box-office hit, things looked promising, said Milton Liu, interim executive director of the Asian American Media Alliance, which puts out a diversity “report card” rating the broadcast networks. That same year, six TV pilots with at least one Asian lead were ordered but only one — sitcom “Sunnyside” starring Kal Penn — went to series, and it was canceled after 11 episodes.

    Liu concedes that the current crop of shows indicate things are “improving slowly.” A member of the Writers Guild of America, he tempered that assessment with a reminder of how difficult it is just to get a TV pilot made.

    Also, most of these broadcast shows don’t showcase an Asian main couple or all-Asian ensemble. The conventional wisdom that many industry executives still hold firm to is that casting a white actor as the lead will make a series relatable to more viewers, so it will be more profitable. Liu said that demographics for network viewers are trained to older audiences, which skew predominantly white.

    “We understand that,” he said. “But we also understand the importance of having shows like ‘Fresh Off the Boat’ so that we aren’t just marginalized.”

    A Nielsen Company study found that two-thirds of Asian Americans feel there is not enough Asian representation on TV. More than half say the depictions that do exist are inaccurate.

    It was “The Company You Keep” executive producer Jon M. Chu, the director of “Crazy Rich Asians,” who suggested that agent Emma Hill be Asian American — and have an on-screen family with a Korean American father and Chinese American mother. The Hill family is also a political dynasty.

    The character of Kim’s on-camera father (James Saito) is loosely inspired by former Washington Gov. Gary Locke, the first Asian American governor on the mainland. The former U.S. ambassador to China has no direct involvement, but called the connection “awesome” in an interview with the AP.

    In past political roles — which include serving as commerce secretary under former President Barack Obama — Locke never lacked confidence in his ability to lead. It was anti-Asian racism that colored how he was perceived by others that was the problem, he says.

    In 2003, the FBI learned he was the target of an assassination plot by a white supremacist and anti-government extremist who “specifically said that there’s no way that an Asian American could be a legitimate governor of the state of Washington,” Locke recalled.

    Zhu, of Stand with Asian Americans, said that underestimating Asian Americans goes back to the 1800s, when Chinese laborers built the U.S. railroads.

    “Asian Americans, since we’ve gotten to this place from working on the railroad, we’ve been paid a fraction of what we deserve and have been seen as sort of workers but not leaders,” Zhu said.

    Locke believes seeing Asians and Asian Americans taking charge on-screen does have an impact in real life.

    “Just seeing more more Asian Americans in all walks of life — even if it’s fictitious — is important because that may be their (viewers’) only exposure to Asian Americans in roles that they’re not accustomed to,” Locke said.

    Kim feels like a “lucky chosen one” because she has a seat at the proverbial table with her new, leading character status. Seeing her name at the top of the call sheet is a brand-new experience. Despite the confidence she now has, sometimes the insecurities that once dodged that timid fourth-grader persist.

    “Most of the time, I’m just like ‘How does everybody do this?’ I feel my imposter syndrome blaring louder than ever,” Kim said. “But I keep going because it’s all mixed in with that feeling a little kid dreams of” — of being seen and recognized as special.

    ___

    Terry Tang is a member of The Associated Press’ Race and Ethnicity team. Follow her on Twitter at @ttangAP.

    [ad_2]

    Source link

  • Ryan Seacrest to leave ‘Live with Kelly and Ryan’ in spring

    Ryan Seacrest to leave ‘Live with Kelly and Ryan’ in spring

    [ad_1]

    NEW YORK (AP) — Ryan Seacrest has revealed he’s leaving “Live with Kelly and Ryan” this spring, saying he never expected to stay so long and thanking his co-host Kelly Ripa, who he jokingly called his “work wife.”

    Seacrest ends a six-year run alongside Ripa. His replacement will be Ripa’s real-life husband, Mark Consuelos, and a frequent guest host. The show will be rebranded as “Live with Kelly and Mark.”

    “I’m going to miss my work wife and all the laughter we share,” Seacrest wrote on Instagram. “When I signed on to host ‘Live’ in 2017 it was meant to be for three years, but I loved the job and working with Kelly so much that I extended my time and last year I made the decision to stay on for one more final season.”

    Seacrest said he’ll stay busy shooting the new season of “American Idol,” his radio show on KIIS-FM and hosting “Dick Clark’s New Year’s Rockin’ Eve.”

    “Goodbyes are never easy, but we look forward to welcoming Ryan back regularly with open arms. As a fan-favorite guest host for years, Mark is no stranger to the ‘Live’ family. Having him join the show is so special for us and we’re sure that viewers will feel the same,” Michael Gelman, executive producer of “Live with Kelly and Ryan,” said in a statement.

    “Live with Kelly and Ryan” on ABC is the No. 1 daytime talk show per household and in total viewership. Ripa has hosted “Live” since 2001, first with Regis Philbin and later with Michael Strahan.

    “I’m so grateful to have spent the last six years beside my dear friend of too many decades to count and will miss starting my days with Ryan,” said Ripa in a statement. “Ryan’s energy, passion and love for entertainment is one-of-a-kind.”

    [ad_2]

    Source link