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Tag: television

  • How to watch (and stream) the 2023 Oscars

    How to watch (and stream) the 2023 Oscars

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    It’s almost time for the Oscars

    LOS ANGELES — It’s almost time for the Oscars.

    Here’s what you need to know about how to watch and stream the 2023 Oscars live:

    WHAT TIME DO THE OSCARS START? The Oscars begin at 8 p.m. ET and air on ABC, which is available with an antenna or through cable and satellite providers. WHAT IF I WANT TO STREAM THE OSCARS? For cord cutters, the show can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV.

    I DON’T LIVE IN THE U.S. HOW CAN I WATCH THE OSCARS? Trying to watch the show outside the United States? The Academy of Motion Pictures Arts and Sciences has a handy guide about which channels in more than 200 countries will broadcast the show.

    WHAT ABOUT THE RED CARPET? There’s much more of the Oscar experience that can be watched and streamed. The Oscars red carpet, a major fashion event in its own right, starts at 3:30 p.m. Eastern. The Oscars’ official pre-show begins at 1:30 p.m. on YouTube. The Associated Press will livestream the first 90 minutes of arrivals on YouTube as well. The venerable fashion breakdowns by E! will start at 6 p.m. Eastern, and ABC will have its own coverage on air and on ABC News Live.

    IS THERE ANY WAY TO WATCH THE OSCARS AFTER PARTIES? Once the show is over, it’s time for the stars to party. Vanity Fair throws the quintessential Oscars afterparty — it’s where Will Smith and family danced the night away after the infamous Slap moment and best actor win last year. The AP will livestream stars arriving for the show beginning at 11 p.m. ET on YouTube.

    STILL NEED TO CATCH UP ON A FEW OSCAR-NOMINATED MOVIES? There’s still (barely) time to stream one of the nominees, skim key storylines going into the show or dive deeper in the four acting categories: actor, actress, supporting actor and supporting actress. Or you could brush up on your trivia ahead of the show or see what AP’s film writers predict will win Sunday.

    ___

    For more coverage of this year’s Academy Awards, visit: https://apnews.com/hub/academy-awards

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  • Oscars look to snap back a year after The Slap

    Oscars look to snap back a year after The Slap

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    LOS ANGELES — It’s almost time to give the Academy Awards a big hand.

    OK, maybe we should rephrase that.

    A year after Will Smith strode on stage at the Dolby Theatre and slapped Chris Rock in the face, the Oscars will reconvene Sunday for a ceremony that will try to move past one of the most infamous moments in Academy Awards history.

    The telecast from the Dolby in Los Angeles begins at 8 p.m. EDT on ABC. The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. You can also stream the show on ABC.com and on the ABC app by authenticating your provider.

    Jimmy Kimmel, the show’s first solo emcee in five years, is hosting for the third time. The late-night comedian has promised to make some jokes about The Slap; it would be “ridiculous” not to, he said.

    Bill Kramer, chief executive of the film academy, has said that it was important, given what happened last year, to have “a host in place who can really pivot and manage those moments.”

    “Nobody got hit when I hosted the show,” Kimmel bragged tongue in cheek Thursday on “Good Morning America.” “Everybody was well-behaved at my Oscars.”

    Kimmel will preside over a ceremony that could see big wins for t he best-picture favorite, “Everything Everywhere All at Once.” Daniel Kwan and Daniel Scheinert’s action-comedy indie hit comes in with a leading 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan.

    Producers are giving some aspects of the Oscars a makeover. The carpet is champagne-colored, not red. The broadcast has been planned to be more interactive than ever.

    But the academy, still trying to find its footing after several years of pandemic and ratings struggles, is also hoping for a smoother ride than last year. A crisis management team has been created to help better respond to surprises. The academy has called its response to Smith’s actions last year “inadequate.” Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who’s been banned by the academy for 10 years, are expected to attend.

    The Academy Awards will instead attempt to recapture some of its old luster. One thing working in its favor: This year’s best picture field is stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick,” “Avatar: The Way of Water” and, to a lesser extent, “Elvis” and “Everything Everywhere All at Once.”

    But the late-breaking contender that may fare well in the technical categories — where bigger movies often reign — is Netflix’s top nominee this year: the German WWI epic “All Quiet on the Western Front.” It’s up for nine awards, tied for second most with the Irish dark comedy “The Banshees of Inisherin.” Netflix’s “Guillermo del Toro’s Pinocchio” also looks like a shoo-in for best animated film.

    The awards will also have some star wattage in the musical performances. Fresh off her Super Bowl performance, Rihanna will perform her Oscar-nominated song, “Lift Me Up,” from “Black Panther: Wakanda Forever.” “This Is Life,” from “Everything Everywhere All at Once” will be sung by David Byrne and supporting actress nominee Stephanie Hsu with the band Son Lux. Rahul Sipligunj and Kaala Bhairava will perform “Naatu Naatu” from the Indian action epic “RRR.” Lenny Kravitz will perform during the In Memoriam tribute. (Lady Gaga, currently in production on a film, will not perform her nominated song “Hold My Hand” from “Top Gun: Maverick.”)

    Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters.

    At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and reexamined their release strategies. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear.” But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.

    The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.

    Usually, the previous year’s acting winners present the awards for best actor and best actress. But that won’t be the case this time. Who’ll replace Smith in presenting best actress is just one of the questions heading into the ceremony.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

    ___

    For more coverage of this year’s Academy Awards, visit: https://apnews.com/hub/academy-awards

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  • Oscars look to snap back a year after The Slap

    Oscars look to snap back a year after The Slap

    [ad_1]

    LOS ANGELES — It’s almost time to give the Academy Awards a big hand.

    OK, maybe we should rephrase that.

    A year after Will Smith strode on stage at the Dolby Theatre and slapped Chris Rock in the face, the Oscars will reconvene Sunday for a ceremony that will try to move past one of the most infamous moments in Academy Awards history.

    The telecast from the Dolby in Los Angeles begins at 8 p.m. EDT on ABC. The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. You can also stream the show on ABC.com and on the ABC app by authenticating your provider.

    Jimmy Kimmel, the show’s first solo emcee in five years, is hosting for the third time. The late-night comedian has promised to make some jokes about The Slap; it would be “ridiculous” not to, he said.

    Bill Kramer, chief executive of the film academy, has said that it was important, given what happened last year, to have “a host in place who can really pivot and manage those moments.”

    “Nobody got hit when I hosted the show,” Kimmel bragged tongue in cheek Thursday on “Good Morning America.” “Everybody was well-behaved at my Oscars.”

    Kimmel will preside over a ceremony that could see big wins for t he best-picture favorite, “Everything Everywhere All at Once.” Daniel Kwan and Daniel Scheinert’s action-comedy indie hit comes in with a leading 11 nominations, including nods for Michelle Yeoh and Ke Huy Quan.

    Producers are giving some aspects of the Oscars a makeover. The carpet is champagne-colored, not red. The broadcast has been planned to be more interactive than ever.

    But the academy, still trying to find its footing after several years of pandemic and ratings struggles, is also hoping for a smoother ride than last year. A crisis management team has been created to help better respond to surprises. The academy has called its response to Smith’s actions last year “inadequate.” Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who’s been banned by the academy for 10 years, are expected to attend.

    The Academy Awards will instead attempt to recapture some of its old luster. One thing working in its favor: This year’s best picture field is stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick,” “Avatar: The Way of Water” and, to a lesser extent, “Elvis” and “Everything Everywhere All at Once.”

    But the late-breaking contender that may fare well in the technical categories — where bigger movies often reign — is Netflix’s top nominee this year: the German WWI epic “All Quiet on the Western Front.” It’s up for nine awards, tied for second most with the Irish dark comedy “The Banshees of Inisherin.” Netflix’s “Guillermo del Toro’s Pinocchio” also looks like a shoo-in for best animated film.

    The awards will also have some star wattage in the musical performances. Fresh off her Super Bowl performance, Rihanna will perform her Oscar-nominated song, “Lift Me Up,” from “Black Panther: Wakanda Forever.” “This Is Life,” from “Everything Everywhere All at Once” will be sung by David Byrne and supporting actress nominee Stephanie Hsu with the band Son Lux. Rahul Sipligunj and Kaala Bhairava will perform “Naatu Naatu” from the Indian action epic “RRR.” Lenny Kravitz will perform during the In Memoriam tribute. (Lady Gaga, currently in production on a film, will not perform her nominated song “Hold My Hand” from “Top Gun: Maverick.”)

    Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters.

    At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and reexamined their release strategies. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear.” But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.

    The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.

    Usually, the previous year’s acting winners present the awards for best actor and best actress. But that won’t be the case this time. Who’ll replace Smith in presenting best actress is just one of the questions heading into the ceremony.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

    ___

    For more coverage of this year’s Academy Awards, visit: https://apnews.com/hub/academy-awards

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  • BBC crisis escalates as players, stars rally behind Lineker

    BBC crisis escalates as players, stars rally behind Lineker

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    LONDON — The BBC was forced to scrap much of its weekend sports programming as it scrambled Saturday to stem an escalating crisis over its suspension of soccer host Gary Lineker for comments criticizing the British government’s new asylum policy.

    As a growing number of Premier League players and presenters rallied to Lineker’s support and refused to appear on the BBC airwaves, Britain’s national broadcaster faced allegations of political bias and suppressing free speech, as well as praise from some Conservative politicians.

    The broadcaster said it would air only “limited sport programming” over the weekend after hosts of many of its popular sports shows declined to appear, in solidarity with Lineker. The former star player was suspended from “Match of the Day,” a popular highlights show, over a Twitter post that compared lawmakers’ language about migrants to that used in Nazi Germany.

    Instead of blanket coverage on Saturday of the most popular league in the world, the BBC had no preview shows on radio or TV and no early-evening summary of the final scores of Premier League games. Lunchtime TV program “Football Focus” was replaced with a rerun episode of antiques show “Bargain Hunt,” while early evening “Final Score” was swapped for “The Repair Shop.”

    Soccer fans tuning for “Match of the Day” — the late-night soccer show that has been a British institution for 60 years — will likely get match coverage from the same feed used by broadcasters around the world instead of BBC’s own commentators and no studio punditry from some of the most high-profile stars in the British game.

    There will not be any post-match player interviews, either. The Professional Footballers’ Association said some players wanted to boycott the show, and as a result “players involved in today’s games will not be asked to participate in interviews with ‘Match of The Day.’”

    The union said it was a “common sense solution” to avoid players facing sanctions for breaching their broadcast commitments.

    The BBC said it was “sorry for these changes which we recognize will be disappointing for BBC sport fans. We are working hard to resolve the situation and hope to do so soon.”

    Lineker, 62, was a household name in Britain even before he became chief “Match of the Day” presenter in 1999.

    One of English soccer’s most lauded players, he was the leading scorer at the 1986 World Cup and finished his international career with 48 goals in 80 matches for England.

    After retiring from a career that included stints with Barcelona, Tottenham, Everton and Leicester, Lineker has become one of the U.K.’s most influential media figures and the BBC’s best-paid star, earning 1.35 million pounds ($1.6 million) last year.

    An enthusiastic social media user with 8.7 million Twitter followers, Lineker has long irked right-of-center politicians and activists with his liberal views, including criticism of Britain’s decision to leave the European Union.

    The latest controversy began with a tweet on Tuesday from Lineker’s account describing the government’s plan to detain and deport migrants arriving by boat as “an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s.”

    The Conservative government called Lineker’s Nazi comparison offensive and unacceptable, and some lawmakers said he should be fired.

    On Friday, the BBC said Lineker would “step back” from “Match of the Day” until “we’ve got an agreed and clear position on his use of social media.” Lineker has yet to comment publicly, and on Saturday went to his hometown of Leicester to watch Leicester City play Chelsea. He was greeted with cheers from bystanders as he arrived.

    The 100-year-old BBC, which is funded by a license fee paid by all households with a television, has a duty to be impartial in its news coverage, and BBC news staff are barred from expressing political opinions.

    Lineker, as a freelancer who doesn’t work in news or current affairs, isn’t bound by the same rules, and has sometimes pushed the boundaries of what the BBC considers acceptable. Last year, the BBC found Lineker had breached impartiality rules with a tweet about the Conservatives’ alleged Russian donations.

    BBC neutrality has come under recent scrutiny over revelations that its chairman, Richard Sharp — a Conservative Party donor — helped arrange a loan for then Prime Minister Boris Johnson in 2021, weeks before Sharp was appointed to the BBC post on the government’s recommendation.

    Former BBC Director General Greg Dyke said the network had “undermined its own credibility” by appearing to bow to government pressure.

    Keir Starmer, leader of the main opposition Labour Party, said the BBC was “caving in” to political pressure from Conservative lawmakers.

    “They got this one badly wrong and now they’re very, very exposed,” he said. ___

    AP Sports Writer Steve Douglas contributed to this story

    ___

    More AP soccer: https://apnews.com/hub/soccer and https://twitter.com/AP_Sports

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  • BBC crisis escalates as players, stars rally behind Lineker

    BBC crisis escalates as players, stars rally behind Lineker

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    LONDON — The BBC scrambled to stem an escalating crisis Saturday over its suspension of former soccer star and program host Gary Lineker for comments criticizing the British government’s new asylum policy.

    As a growing number of Premier League players and presenters rallied to Lineker’s support, Britain’s national broadcaster was forced to rip up its radio and television sports schedule and face allegations of political bias and suppressing free speech, as well as praise from some Conservative politicians.

    The broadcaster said it would air only “limited sport programming” over the weekend after hosts of many of its popular sports shows declined to appear, in solidarity with Lineker. He was suspended from “Match of the Day,” a popular highlights show, over a Twitter post that compared lawmakers’ language about migrants to that used in Nazi Germany.

    Instead of blanket coverage on Saturday of the most popular league in the world, the BBC had no preview shows on radio or TV and would not be reporting on the final scores of Premier League games in the early evening. Lunchtime TV program “Football Focus” was replaced on Saturday with a rerun episode of antiques show “Bargain Hunt,” while early evening “Final Score” was swapped for “The Repair Shop.”

    Soccer fans tuning for “Match of the Day” — the late-night soccer show that has been a British institution for 60 years — will likely get match coverage from the same feed used by broadcasters around the world instead of BBC’s own commentators and no studio punditry from some of the most high-profile stars in the British game.

    There will not be any post-match player interviews, either. The Professional Footballers’ Association said some players wanted to boycott the show as a gesture of support, and as a result “players involved in today’s games will not be asked to participate in interviews with ‘Match of The Day.’”

    The union said it was a “common sense solution” to avoid players facing sanctions for breaching their broadcast commitments.

    The BBC said it was “sorry for these changes which we recognize will be disappointing for BBC sport fans. We are working hard to resolve the situation and hope to do so soon.”

    Lineker, 62, was a household name in Britain even before he became chief “Match of the Day” presenter in 1999.

    One of English soccer’s most lauded players, he was the leading scorer at the 1986 World Cup and finished his international career with 48 goals in 80 matches for England.

    After retiring from a career that included stints with Barcelona, Tottenham, Everton and Leicester, Lineker has become one of the U.K.’s most influential media figures and the BBC’s best-paid star, earning 1.35 million pounds ($1.6 million) last year.

    An enthusiastic social media user with 8.7 million Twitter followers, Lineker has long irked right-of-center politicians and activists with his liberal views, including criticism of Britain’s decision to leave the European Union.

    The latest controversy began with a tweet on Tuesday from Lineker’s account describing the government’s plan to detain and deport migrants arriving by boat as “an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s.”

    The Conservative government called Lineker’s Nazi comparison offensive and unacceptable, and some lawmakers said he should be fired.

    On Friday, the BBC said Lineker would “step back” from “Match of the Day” until “we’ve got an agreed and clear position on his use of social media.” Lineker has yet to comment publicly, and on Saturday went to his hometown of Leicester to watch Leicester City play Chelsea. He was greeted with cheers from bystanders as he arrived.

    The 100-year-old BBC, which is funded by a license fee paid by all households with a television, has a duty to be impartial in its news coverage, and BBC news staff are barred from expressing political opinions.

    Lineker, as a freelancer who doesn’t work in news or current affairs, isn’t bound by the same rules, and has sometimes pushed the boundaries of what the BBC considers acceptable. Last year, the BBC found Lineker had breached impartiality rules with a tweet about the Conservatives’ alleged Russian donations.

    BBC neutrality has come under recent scrutiny over revelations that its chairman, Richard Sharp — a Conservative Party donor — helped arrange a loan for then Prime Minister Boris Johnson in 2021, weeks before Sharp was appointed to the BBC post on the government’s recommendation.

    Former BBC Director General Greg Dyke said the network had “undermined its own credibility” by appearing to bow to government pressure.

    “The perception out there is going to be that Gary Lineker, a much-loved television presenter, was taken off air after government pressure on a particular issue,” Dyke told BBC radio.

    Keir Starmer, leader of the main opposition Labour Party, said the BBC was “caving in” to political pressure from Conservative lawmakers.

    “They got this one badly wrong and now they’re very, very exposed,” he said. ___

    AP Sports Writer Steve Douglas contributed to this story

    ___

    More AP soccer: https://apnews.com/hub/soccer and https://twitter.com/AP_Sports

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  • BBC crisis escalates as players, stars rally behind Lineker

    BBC crisis escalates as players, stars rally behind Lineker

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    LONDON — The BBC faced an escalating crisis Saturday over its suspension of former soccer star and program host Gary Lineker for comments criticizing the British government’s new asylum policy.

    As a growing number of players and presenters rallied to Lineker’s support, Britain’s national broadcaster faced allegations of political bias and suppressing free speech, as well as praise from some Conservative politicians.

    Presenters of the BBC’s lunchtime “Football Focus” said they would not appear on the program in solidarity with Lineker, who was suspended from hosting highlights show “Match of the Day” over a Twitter post that compared lawmakers’ language about migrants to that used in Nazi Germany.

    The BBC pulled “Football Focus” from its schedule on Saturday, replacing it with an episode of antiques show “Bargain Hunt.”

    After a slew of Lineker’s colleagues announced they wouldn’t appear on the show without him, the BBC said “Match of the Day” would be aired Saturday without presenters or pundits.

    There will not be any post-match player interviews, either. The Professional Footballers’ Association said some players wanted to boycott the show as a gesture of support, and as a result “players involved in today’s games will not be asked to participate in interviews with ‘Match of The Day.’”

    The union said it was a “common sense solution” to avoid players facing sanctions for breaching their broadcast commitments.

    Play-by-play commentators scheduled to work games on Saturday also said they would not do so.

    “Match of the Day,” which is broadcast on Saturday nights and shows highlights of Premier League games played that day, has been a national institution since the 1960s. Lineker, its chief presenter since 1999, is the network’s highest-paid star, as well as one of English soccer’s most lauded players.

    Lineker, whose club career included spells with Barcelona, Tottenham, Everton and Leicester, was the leading scorer at the 1986 World Cup and finished his international career with 48 goals in 80 matches for England.

    The controversy began with a tweet on Tuesday from Lineker’s account — which has 8.7 million followers — describing the government’s plan to detain and deport migrants arriving by boat as “an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s.”

    The Conservative government called Lineker’s Nazi comparison offensive and unacceptable, and some lawmakers said he should be fired.

    On Friday, the BBC said the 62-year-old Lineker would “step back” from “Match of the Day” until “we’ve got an agreed and clear position on his use of social media.” Lineker has yet to comment publicly.

    The 100-year-old BBC, which is funded by a license fee paid by all households with a television, has a duty to be impartial in its news coverage, and BBC news staff are barred from expressing political opinions.

    Lineker, as a freelancer who doesn’t work in news or current affairs, isn’t bound by the same rules, and has sometimes pushed the boundaries of what the BBC considers acceptable. Last year, the BBC found Lineker had breached impartiality rules with a tweet about the Conservatives’ alleged Russian donations.

    BBC neutrality has come under recent scrutiny over revelations that its chairman, Richard Sharp — a Conservative Party donor — helped arrange a loan for then Prime Minister Boris Johnson in 2021, weeks before Sharp was appointed to the BBC post on the government’s recommendation.

    Former BBC Director General Greg Dyke said the network had “undermined its own credibility” by appearing to bow to government pressure.

    “The perception out there is going to be that Gary Lineker, a much-loved television presenter, was taken off air after government pressure on a particular issue,” Dyke told BBC radio.

    ___

    More AP soccer: https://apnews.com/hub/soccer and https://twitter.com/AP_Sports

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  • Roku says 26% of its cash reserves are stuck in Silicon Valley Bank

    Roku says 26% of its cash reserves are stuck in Silicon Valley Bank

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    A video sign displays the logo for Roku Inc, a Fox-backed video streaming firm, in Times Square after the company’s IPO at the Nasdaq Market in New York, September 28, 2017.

    Brendan McDermid | Reuters

    Roku has $487 million of cash and cash equivalents in uninsured deposits at failed Silicon Valley Bank, the streaming media company said in an SEC filing Friday.

    About 26% of Roku’s $1.9 billion in cash was deposited with SVB, which was placed into receivership by the FDIC midday Friday.

    Roku shares fell over 4% after hours on the news.

    “At this time, the Company does not know to what extent the Company will be able to recover its cash on deposit at SVB,” Roku said in a press release.

    Nonetheless, Roku said it believed it would be able to meet its capital obligations for the “next twelve months and beyond” with its unaffected $1.4 billion in cash reserves at other, “large financial institutions.”

    “As stated in our 8-K, we expect that Roku’s ability to operate and meet its contractual obligations will not be impacted,” a Roku spokesperson said in a statement to CNBC.

    The collapse of SVB jarred both large and small companies alike. As the favored lender and banker for many Silicon Valley startups and venture capital firms, the company’s receivership has alarmed founders, who worry about meeting payroll and critical obligations with limited cash available.

    FDIC insurance only covers the first $250,000 in deposit accounts, a fraction of the cash that Roku and many other companies had vaulted with SVB.

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  • Robert Blake, actor acquitted in wife’s killing, dies at 89

    Robert Blake, actor acquitted in wife’s killing, dies at 89

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    LOS ANGELES (AP) — Robert Blake, the Emmy award-winning performer who went from acclaim for his acting to notoriety when he was tried and acquitted in the killing of his wife, died Thursday at age 89.

    A statement released on behalf of his niece, Noreen Austin, said Blake died from heart disease, surrounded by family at home in Los Angeles.

    Blake, star of the 1970s TV show, “Baretta,” had once hoped for a comeback, but he never recovered from the long ordeal which began with the shooting death of his wife, Bonny Lee Bakley, outside a Studio City restaurant on May 4, 2001. The story of their strange marriage, the child it produced and its violent end was a Hollywood tragedy played out in court.

    Once hailed as among the finest actors of his generation, Blake became better known as the center of a real-life murder trial. Many remembered him not as the rugged, dark-haired star of “Baretta,” but as a spectral, white-haired murder defendant.

    In a 2002 interview with The Associated Press while he was jailed awaiting trial, he bemoaned the change in his status with his fans nationwide: “It hurt because America is the only family I had.”

    He was adamant that he had not killed his wife, who was shot once in head outside a Los Angeles restaurant where the couple had just dined in May 2001, and a jury ultimately acquitted him. But a civil jury would find him liable for her death and order him to pay Bakley’s family $30 million, a judgment which sent him into bankruptcy.

    After Bakley’s death, it was revealed that she used many aliases to run a mail-order business soliciting money from lonely men and selling pornographic pictures of herself.

    The daughter he and Bakley had together, Rose Lenore, was raised by other relatives and went for years without seeing Blake, until they spoke in 2019. She would tell People magazine that she called him “Robert,” not “Dad.”

    It was an ignominious finale for a life lived in the spotlight from childhood. As a youngster, he starred in the “Our Gang” comedies and acted in a movie classic, “The Treasure of the Sierra Madre.” As an adult, he was praised for his portrayal of real-life murderer Perry Smith in the movie of Truman Capote’s true crime best seller “In Cold Blood.”

    His career peaked with the 1975-78 TV cop series, “Baretta.” He starred as a detective who carried a pet cockatoo on his shoulder and was fond of disguises. It was typical of his specialty, portraying tough guys with soft hearts, and its signature line: “Don’t do the crime if you can’t do the time,” was often quoted.

    Blake won a 1975 Emmy for his portrayal of Tony Baretta, although behind the scenes the show was wracked by disputes involving the temperamental star. He gained a reputation as one of Hollywood’s finest actors, but one of the most difficult to work with. He later admitted to struggles with alcohol and drug addiction in his early life.

    In 1993, Blake won another Emmy as the title character in, “Judgment Day: the John List Story,” portraying a soft-spoken, churchgoing man who murdered his wife and three children.

    Blake’s career had slowed down well before the trial. He made only a handful of screen appearances after the mid-1980s; his last project was in David Lynch’s “Lost Highway,” released in 1997. According to his niece, Blake had spent his recent years “enjoying jazz music, playing his guitar, reading poetry, and watching many Hollywood Classic films.”

    He was born Michael James Gubitosi on Sept. 18, 1933, in Nutley, New Jersey. His father, an Italian immigrant and his mother, an Italian American, wanted their three children to succeed in show business. At age 2, Blake was performing with a brother and sister in a family vaudeville act called, “The Three Little Hillbillies.”

    When his parents moved the family to Los Angeles, his mother found work for the kids as movie extras and little Mickey Gubitosi was plucked from the crowd by producers who cast him in the “Our Gang” comedies. He appeared in the series for five years and changed his name to Bobby Blake.

    He went on to work with Hollywood legends, playing the young John Garfield in “Humoresque” in 1946 and the little boy who sells Humphrey Bogart a crucial lottery ticket in the Oscar-winning “The Treasure of the Sierra Madre.”

    In adulthood, he landed serious movie roles. The biggest breakthrough was in 1967 with “In Cold Blood.” Later there were films including, “Tell Them Willie Boy is Here” and “Electra Glide in Blue.”

    In 1961, Blake and actress Sondra Kerr married and had two children, Noah and Delinah. They divorced in 1983.

    His fateful meeting with Bakley came in 1999 at a jazz club where he went to escape loneliness.

    “Here I was, 67 or 68 years old. My life was on hold. My career was stalled out,” he said in the AP interview. “I’d been alone for a long time.”

    He said he had no reason to dislike Bakley: “She took me out of the stands and put me back in the arena. I had something to live for.”

    When Bakley gave birth to a baby girl, she named Christian Brando — son of Marlon — as the father. But DNA tests pointed to Blake.

    Blake first saw the little girl, named Rosie, when she was two months old and she became the focus of his life. He married Bakley because of the child.

    “Rosie is my blood. Rosie is calling to me,” he said. “I have no doubt that Rosie and I are going to walk off into the sunset together.”

    Prosecutors would claim that he planned to kill Bakley to get sole custody of the baby and tried to hire hitmen for the job. But evidence was muddled and a jury rejected that theory.

    On her last night alive, Blake and his 44-year-old wife dined at a neighborhood restaurant, Vitello’s. He claimed she was shot when he left her in the car and returned to the restaurant to retrieve a handgun he had inadvertently left behind. Police were initially baffled and Blake was not arrested until a year after the crime occurred.

    Once a wealthy man, he spent millions on his defense and wound up living on Social Security and a Screen Actor’s Guild pension.

    In a 2006 interview with the AP a year after his acquittal, Blake said he hoped to restart his career.

    “I’d like to give my best performance,” he said. “I’d like to leave a legacy for Rosie about who I am. I’m not ready for a dog and fishing pole yet. I’d like to go to bed each night desperate to wake up each morning and create some magic.”

    ___

    Deutsch, the primary writer of this obituary, retired from The Associated Press in 2014.

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  • Everything to know about the Oscars tonight

    Everything to know about the Oscars tonight

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    NEW YORK (AP) — Hollywood is gearing up for the 95th Academy Awards, where “Everything Everywhere All at Once” comes in the lead nominee and the film industry will hope to move past “the slap” of last year’s ceremony. Here’s everything you need to know about the 2023 Oscars, including when they are, where to watch the live show and this year’s controversies.

    ___

    WHEN ARE THE OSCARS?

    The Oscars will be held Sunday, March 12, at the Dolby Theatre in Los Angeles. The ceremony is set to begin at 8 p.m. EDT and be broadcast live on ABC.

    CAN YOU STREAM THE OSCARS?

    The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. Some of these services offer brief free trials. Here’s what you need to know about how to watch or stream the show live.

    WHO’S HOSTING?

    Jimmy Kimmel will host for the third time and his first time since 2018. That was also the last Oscars to feature a solo host. The show went hostless for several years after Kimmel’s last outing. Last year, Regina Hall, Amy Schumer and Wanda Sykes hosted as a trio. In an ad for this year’s show styled after “Top Gun: Maverick,” Kimmel made his humble case for being the right person for the job while noting that he can’t get slapped because “I cry a lot.”

    WHAT’S NOMINATED FOR BEST PICTURE AT THE 2023 OSCARS?

    The 10 movies competing for best picture are: “All Quiet on the Western Front,” “Avatar: The Way of Water,” “The Banshees of Inisherin,” “Elvis,” “Everything Everywhere All at Once,” “The Fabelmans,” “Tár,” “Top Gun: Maverick,” “Triangle of Sadness,” “Women Talking.” Here’s a guide to how you can watch them.

    WHO’S PRESENTING?

    Presenters include: Halle Bailey, Antonio Banderas, Elizabeth Banks, Jessica Chastain, John Cho, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Nicole Kidman, Florence Pugh and Sigourney Weaver. They join a previously announced group including: Riz Ahmed, Emily Blunt, Jennifer Connelly, Ariana DeBose, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Troy Kotsur, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Deepika Padukone, Questlove, Zoe Saldaña and Donnie Yen. A third wave was announced Thursday: Halle Berry, Paul Dano, Cara Delevingne, Harrison Ford, Kate Hudson, Mindy Kaling, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Elizabeth Olsen, Pedro Pascal and John Travolta.

    Glenn Close was going to present, but had to bow out after testing positive for COVID-19, her representative said Sunday.

    WHAT ELSE IS IN STORE FOR THE SHOW?

    The Academy of Motion Pictures Arts and Sciences has said that winners to all categories will be announced live on the show. (Last year, some categories were taped in a pre-show, something that caused an uproar among academy members.) There will be a full slate of musical performances, with Rihanna performing “Lift Me Up” from “Black Panther: Wakanda Forever” and Rahul Sipligunj and Kaala Bhairava singing Chandrabose and M.M. Keeravaani’s “Naatu Naatu” from “RRR.” Though producers earlier had said Lady Gaga would not perform “Hold My Hand” from “Top Gun: Maverick,” a person close to the production with knowledge of the performance confirmed Sunday afternoon that the pop superstar will sing it, after all.

    WHO ARE THE FAVORITES?

    Daniel Kwan and Daniel Scheinert’s indie sci-fi hit “Everything Everywhere All at Once” comes in with a leading 11 nominations. Close on its heels, though, is the Irish friends-falling-out dark comedy “The Banshees of Inisherin,” with nine nods, a total matched by Netflix’s WWI film “All Quiet on the Western Front.” Michelle Yeoh (“Everything Everywhere All at Once”) may have a slight edge on Cate Blanchett (“Tár”) for best actress. Best actor is harder to call, with Brendan Fraser (“The Whale”) and Austin Butler (“Elvis”) in the mix. In the supporting categories, Angela Bassett (“Black Panther: Wakanda Forever”) and Ke Huy Quan (“Everything Everywhere All at Once”) are the frontrunners, though Jamie Lee Curtis’ Screen Actors Guild Awards win may have thrown a wrench into the supporting actress category. Steven Spielberg (“The Fabelmans”) may win his third best director Oscar, though the Daniels may have emerged as the frontrunners. AP Film Writers Lindsey Bahr and Jake Coyle are predicting a big haul for “Everything Everywhere All at Once.”

    WHAT’S BEEN CONTROVERSIAL THIS YEAR?

    Aside from the usual snubs and surprises, this year’s biggest to-do has been the debate surrounding Andrea Riseborough’s unexpected nomination for best actress. Riseborough was nominated for the little-seen, Texas-set drama “To Leslie” after many A-list stars rallied around her performance. When two other best-actress contenders — Danielle Deadwyler (“Till”) and Viola Davis (“Woman King”) — were snubbed, some saw that as a reflection of racial bias in the film industry. The academy launched an inquiry into the star-studded, grassroots campaign for Riseborough but found no reason to rescind her nomination.

    WHAT ELSE SHOULD YOU LOOK FOR?

    Just the reading of the title to one of this year’s short film nominees should prompt a wave of giggles. John Williams (“The Fabelmans”), up for best score, is the oldest nominee ever, at 90 years old. After historic back-to-back best-director wins by Chloé Zhao (“Nomadland”) and Jane Campion (“The Power of the Dog”), no women were nominated this year for best director. Also don’t expect to see Will Smith at the Oscars anytime soon. After striking Chris Rock at last year’s ceremony, Smith was banned by the film academy from attending for 10 years. In a live Netflix special on Saturday, Rock finally punched back at Smith with a blistering stand-up set about the incident.

    ___

    For more on this year’s Oscars, visit: https://apnews.com/hub/academy-awards

    ___

    AP Film Writer Lindsey Bahr contributed reporting.

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  • Robert Blake, actor acquitted in wife’s killing, dies at 89

    Robert Blake, actor acquitted in wife’s killing, dies at 89

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    LOS ANGELES — Robert Blake, the Emmy award-winning performer who went from acclaim for his acting to notoriety when he was tried and acquitted in the killing of his wife, died Thursday at age 89.

    A statement released on behalf of his niece, Noreen Austin, said Blake died from heart disease, surrounded by family at home in Los Angeles.

    Blake, star of the 1970s TV show, “Baretta,” had once hoped for a comeback, but he never recovered from the long ordeal which began with the shooting death of his wife, Bonny Lee Bakley, outside a Studio City restaurant on May 4, 2001. The story of their strange marriage, the child it produced and its violent end was a Hollywood tragedy played out in court.

    Once hailed as among the finest actors of his generation, Blake became better known as the center of a real-life murder trial, a story more bizarre than any in which he acted. Many remembered him not as the rugged, dark-haired star of “Baretta,” but as a spectral, white-haired murder defendant.

    In a 2002 interview with The Associated Press while he was jailed awaiting trial, he bemoaned the change in his status with his fans nationwide: “It hurt because America is the only family I had.”

    He was adamant that he had not killed his wife and a jury ultimately acquitted him. But a civil jury would find him liable for her death and order him to pay Bakley’s family $30 million, a judgment which sent him into bankruptcy. The daughter he and Bakley had together, Rose Lenore, was raised by other relatives and went for years without seeing Blake, until they spoke in 2019. She would tell People magazine that she called him “Robert,” not “Dad.”

    It was an ignominious finale for a life lived in the spotlight from childhood. As a youngster, he starred in the “Our Gang” comedies and acted in a movie classic, “The Treasure of the Sierra Madre.” As an adult, he was praised for his portrayal of real-life murderer Perry Smith in the movie of Truman Capote’s true crime best seller “In Cold Blood.”

    His career peaked with the 1975-78 TV cop series, “Baretta.” He starred as a detective who carried a pet cockatoo on his shoulder and was fond of disguises. It was typical of his specialty, portraying tough guys with soft hearts, and its signature line: “Don’t do the crime if you can’t do the time,” was often quoted.

    Blake won a 1975 Emmy for his portrayal of Tony Baretta, although behind the scenes the show was wracked by disputes involving the temperamental star. He gained a reputation as one of Hollywood’s finest actors, but one of the most difficult to work with. He later admitted to struggles with alcohol and drug addiction in his early life.

    In 1993, Blake won another Emmy as the title character in, “Judgment Day: the John List Story,” portraying a soft-spoken, churchgoing man who murdered his wife and three children.

    Blake’s career had slowed down well before the trial. He made only a handful of screen appearances after the mid-1980s; his last project was in David Lynch’s “Lost Highway,” released in 1997. According to his niece, Blake had spent his recent years “enjoying jazz music, playing his guitar, reading poetry, and watching many Hollywood Classic films.”

    He was born Michael James Gubitosi on Sept. 18, 1933, in Nutley, New Jersey. His father, an Italian immigrant and his mother, an Italian American, wanted their three children to succeed in show business. At age 2, Blake was performing with a brother and sister in a family vaudeville act called, “The Three Little Hillbillies.”

    When his parents moved the family to Los Angeles, his mother found work for the kids as movie extras and little Mickey Gubitosi was plucked from the crowd by producers who cast him in the “Our Gang” comedies. He appeared in the series for five years and changed his name to Bobby Blake.

    He went on to work with Hollywood legends, playing the young John Garfield in “Humoresque” in 1946 and the little boy who sells Humphrey Bogart a crucial lottery ticket in the Oscar-winning “The Treasure of the Sierra Madre.”

    In adulthood, he landed serious movie roles. The biggest breakthrough was in 1967 with “In Cold Blood.” Later there were films including, “Tell Them Willie Boy is Here” and “Electra Glide in Blue.”

    In 1961, Blake and actress Sondra Kerr married and had two children, Noah and Delinah. They divorced in 1983.

    His fateful meeting with Bakley came in 1999 at a jazz club where he went to escape loneliness.

    “Here I was, 67 or 68 years old. My life was on hold. My career was stalled out,” he said in the AP interview. “I’d been alone for a long time.”

    He said he had no reason to dislike Bakley: “She took me out of the stands and put me back in the arena. I had something to live for.”

    When Bakley gave birth to a baby girl, she named Christian Brando — son of Marlon — as the father. But DNA tests pointed to Blake.

    Blake first saw the little girl, named Rosie, when she was two months old and she became the focus of his life. He married Bakley because of the child.

    “Rosie is my blood. Rosie is calling to me,” he said. “I have no doubt that Rosie and I are going to walk off into the sunset together.”

    Prosecutors would claim that he planned to kill Bakley to get sole custody of the baby and tried to hire hitmen for the job. But evidence was muddled and a jury rejected that theory.

    On her last night alive, Blake and his 44-year-old wife dined at a neighborhood restaurant, Vitello’s. He claimed she was shot when he left her in the car and returned to the restaurant to retrieve a handgun he had inadvertently left behind. Police were initially baffled and Blake was not arrested until a year after the crime occurred.

    Once a wealthy man, he spent millions on his defense and wound up living on social security and a Screen Actor’s Guild pension.

    In a 2006 interview with the AP a year after his acquittal, Blake said he hoped to restart his career.

    “I’d like to give my best performance,” he said. “I’d like to leave a legacy for Rosie about who I am. I’m not ready for a dog and fishing pole yet. I’d like to go to bed each night desperate to wake up each morning and create some magic.”

    ___

    Deutsch, the primary writer of this obituary, retired from The Associated Press in 2014.

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  • Robert Blake, actor acquitted in wife’s killing, dies at 89

    Robert Blake, actor acquitted in wife’s killing, dies at 89

    [ad_1]

    LOS ANGELES — Robert Blake, the Emmy award-winning performer who went from acclaim for his acting to notoriety when he was tried and acquitted in the killing of his wife, died Thursday at age 89.

    A statement released on behalf of his niece, Noreen Austin, said Blake died from heart disease, surrounded by family at home in Los Angeles.

    Blake, star of the 1970s TV show, “Baretta,” had once hoped for a comeback, but he never recovered from the long ordeal which began with the shooting death of his wife, Bonny Lee Bakley, outside a Studio City restaurant on May 4, 2001. The story of their strange marriage, the child it produced and its violent end was a Hollywood tragedy played out in court.

    Once hailed as among the finest actors of his generation, Blake became better known as the center of a real-life murder trial, a story more bizarre than any in which he acted. Many remembered him not as the rugged, dark-haired star of “Baretta,” but as a spectral, white-haired murder defendant.

    In a 2002 interview with The Associated Press while he was jailed awaiting trial, he bemoaned the change in his status with his fans nationwide: “It hurt because America is the only family I had.”

    He was adamant that he had not killed his wife and a jury ultimately acquitted him. But a civil jury would find him liable for her death and order him to pay Bakley’s family $30 million, a judgment which sent him into bankruptcy. The daughter he and Bakley had together, Rose Lenore, was raised by other relatives and went for years without seeing Blake, until they spoke in 2019. She would tell People magazine that she called him “Robert,” not “Dad.”

    It was an ignominious finale for a life lived in the spotlight from childhood. As a youngster, he starred in the “Our Gang” comedies and acted in a movie classic, “The Treasure of the Sierra Madre.” As an adult, he was praised for his portrayal of real-life murderer Perry Smith in the movie of Truman Capote’s true crime best seller “In Cold Blood.”

    His career peaked with the 1975-78 TV cop series, “Baretta.” He starred as a detective who carried a pet cockatoo on his shoulder and was fond of disguises. It was typical of his specialty, portraying tough guys with soft hearts, and its signature line: “Don’t do the crime if you can’t do the time,” was often quoted.

    Blake won a 1975 Emmy for his portrayal of Tony Baretta, although behind the scenes the show was wracked by disputes involving the temperamental star. He gained a reputation as one of Hollywood’s finest actors, but one of the most difficult to work with. He later admitted to struggles with alcohol and drug addiction in his early life.

    In 1993, Blake won another Emmy as the title character in, “Judgment Day: the John List Story,” portraying a soft-spoken, churchgoing man who murdered his wife and three children.

    Blake’s career had slowed down well before the trial. He made only a handful of screen appearances after the mid-1980s; his last project was in David Lynch’s “Lost Highway,” released in 1997. According to his niece, Blake had spent his recent years “enjoying jazz music, playing his guitar, reading poetry, and watching many Hollywood Classic films.”

    He was born Michael James Gubitosi on Sept. 18, 1933, in Nutley, New Jersey. His father, an Italian immigrant and his mother, an Italian American, wanted their three children to succeed in show business. At age 2, Blake was performing with a brother and sister in a family vaudeville act called, “The Three Little Hillbillies.”

    When his parents moved the family to Los Angeles, his mother found work for the kids as movie extras and little Mickey Gubitosi was plucked from the crowd by producers who cast him in the “Our Gang” comedies. He appeared in the series for five years and changed his name to Bobby Blake.

    He went on to work with Hollywood legends, playing the young John Garfield in “Humoresque” in 1946 and the little boy who sells Humphrey Bogart a crucial lottery ticket in the Oscar-winning “The Treasure of the Sierra Madre.”

    In adulthood, he landed serious movie roles. The biggest breakthrough was in 1967 with “In Cold Blood.” Later there were films including, “Tell Them Willie Boy is Here” and “Electra Glide in Blue.”

    In 1961, Blake and actress Sondra Kerr married and had two children, Noah and Delinah. They divorced in 1983.

    His fateful meeting with Bakley came in 1999 at a jazz club where he went to escape loneliness.

    “Here I was, 67 or 68 years old. My life was on hold. My career was stalled out,” he said in the AP interview. “I’d been alone for a long time.”

    He said he had no reason to dislike Bakley: “She took me out of the stands and put me back in the arena. I had something to live for.”

    When Bakley gave birth to a baby girl, she named Christian Brando — son of Marlon — as the father. But DNA tests pointed to Blake.

    Blake first saw the little girl, named Rosie, when she was two months old and she became the focus of his life. He married Bakley because of the child.

    “Rosie is my blood. Rosie is calling to me,” he said. “I have no doubt that Rosie and I are going to walk off into the sunset together.”

    Prosecutors would claim that he planned to kill Bakley to get sole custody of the baby and tried to hire hitmen for the job. But evidence was muddled and a jury rejected that theory.

    On her last night alive, Blake and his 44-year-old wife dined at a neighborhood restaurant, Vitello’s. He claimed she was shot when he left her in the car and returned to the restaurant to retrieve a handgun he had inadvertently left behind. Police were initially baffled and Blake was not arrested until a year after the crime occurred.

    Once a wealthy man, he spent millions on his defense and wound up living on social security and a Screen Actor’s Guild pension.

    In a 2006 interview with the AP a year after his acquittal, Blake said he hoped to restart his career.

    “I’d like to give my best performance,” he said. “I’d like to leave a legacy for Rosie about who I am. I’m not ready for a dog and fishing pole yet. I’d like to go to bed each night desperate to wake up each morning and create some magic.”

    ___

    Deutsch, the primary writer of this obituary, retired from The Associated Press in 2014.

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  • ‘Real Housewives’ Star Candiace Dillard Bassett On Shakeups In ‘Potomac’

    ‘Real Housewives’ Star Candiace Dillard Bassett On Shakeups In ‘Potomac’

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    For some of us, the seventh season of “The Real Housewives of Potomac,” which concluded on Sunday, was not as enjoyable as the seasons before it for a few reasons.

    A lot of the cast was lying — about other people’s husbands, about what’s going on in their actual lives — and when they weren’t spreading lies, the way some of the housewives were treated prompted accusations of colorism, recalling the ills of the show’s boring and elitist inaugural season.

    But even if this season wasn’t as enjoyable as some others, there were some bright spots.

    For a lot of viewers, that was largely due to Candiace Dillard Bassett, who not only broke down the fourth wall to combat some of the aforementioned shenanigans but also managed to make viewers laugh in spite of the misery around her.

    Meanwhile, Dillard Bassett has been keeping busy — beyond defending her husband against Gizelle Bryant. The singer-actor recently released the deluxe version of her debut album, “Deep Space,” is serving as the opening act for Faith Evans, Mya, 702 and SWV, and stars in the drama series “Hush,” which airs on AMC Networks’ ALLBLK.

    While shooting a film in Atlanta before heading back on tour, Dillard Bassett made time to hear me air my grievances about Season 7 of “RHOP” and shared what she hopes happens in Season 8. She also confirmed that no matter what’s been said about her or her husband, she’s staying on “Potomac” for as long as it serves its purpose.

    We’re speaking on the eve of the third installment of the reunion, but no matter what airs tomorrow, the show has disappointed me. I’ve enjoyed parts of it — mainly, watching you dive more into your music career and take more serious steps toward planning for motherhood — but overall, I haven’t been as turned off since the first season.

    You said in a separate interview: “I honestly think that some of us have run out of things to talk about,” which I think nails it, along with some of your co-workers refusing to talk about what’s actually happening in their lives. Instead, we got a lot of accusations and lies between people who don’t seem to really like each other.

    You’re not in control of the direction of the show, but where do you hope it will go next season?

    Oh, gosh, that’s a loaded question.

    I’ll say this: The optimist in me would love to see a world where we can come back together as a group because, as it stands currently, we are a broken group. We are broken more so than I feel like we’ve probably ever been as a group. There is no way around that.

    And it’s very scary because you can’t have a show without a group of girlfriends who are willing to share their lives honestly and openly and participate in the premise of the show, which is about a group of affluent women sharing their lives and their friendships. So I would hope that there is a world where we can come back together, but I don’t know what that looks like.

    Who on the show at this point do you consider to be a genuine friend?

    Well, I’m always my own friend first, but aside from that, you know, I have found loyalty and friendship in Wendy [Osefo].

    I feel like Wendy kind of got a bad rap at the beginning of her time on the show, and I think a lot of it had to do with her not being open. And I have really enjoyed kind of watching her in real life and on the show open up and really be vulnerable and show us Wendy. She’s shown us more of who she really is, and I’ve appreciated that as someone who is vulnerable to a fault. I look for that in my friends, so I can honestly say that I’m happy that I’ve found that in her and Karen — though we’ve had our situationship.

    I still have so much love for Karen. I think in spite of it all, I see Karen’s heart and I understand her as a person. Aside from myself, I would say Karen is probably one of the most consistent people on our show, and I can appreciate and love her for that. And she’s always tried, with the exception of maybe once or twice, to be a good friend to me.

    Those are the two people that I communicate with the most.

    (Left to right) Wendy Osefo, Candiace Dillard Bassett, Ray Huger, Karen Huger.

    I don’t want at least half your cast on the show anymore, but I know you don’t advocate for anyone losing their jobs. Inflation and unemployment being a terrible combination aside, do you think new energy could help the show?

    I’m always open to having new people come into the fold.

    I think, and you know — if you look back at the history of these “Housewives” franchises, we’re entering into Season 8 of this show, [and] by Season 8, there are shakeups. A lot of times, it can be difficult for the ones who’ve maybe been there from the beginning to continue to give of themselves in the same way if they’ve given it all, and you just maybe need a break or just a changing of the guard, if you will.

    And we are hopefully gonna be entering into our eighth season. That’s almost a decade of “Potomac,” which is incredible and admirable and something to be proud of. But I do think that there’s a precedent that’s already been set that says, if you’re not able to give what needs to be given when it’s time to give, then you need to give yourself an exit and allow others to be ushered in so that you can just have new blood. And there’s just something interesting for an audience and for us about getting to know someone new and bringing someone new into the fold.

    Blink twice if your back is OK from carrying this whole season.

    Oh, gosh. My back is fine. [Laughs.]

    I know there was a big deal made about you breaking the fourth wall on the show this season during that scene with Gizelle, but I was curious if you found that to be a bit antiquated because some reality franchises have long embraced that they are indeed filming a television show and it hasn’t damaged the show in any way.

    For me, it wasn’t about creating a moment. It was about right. I don’t know about other shows, but on our show, we break the fourth wall all the time. I’m always looking right into the camera and talking shit, or, you know, just looking into the camera to be silly.

    There was an episode of ”[Real Housewives of] Atlanta” last year, I think, where they were at somebody’s house and Kenya was super drunk, and she’s like twirling in the camera, I’m so fabulous. I thought it was hilarious, and I love that they showed that. I just think it has to make sense.

    There have been other times on my show, like two seasons ago, my mom said something to me, she was like, cussing me out or something, and I looked right into the camera, said, “Did you get that?” Like a quick moment? Everyone says, “Candiace is so disrespectful, and she da da da da da da. OK. But did you hear what my mama said? OK. All right.”

    But for this, whether it was right or not, I appreciated that all of the fourth-wall moments were shown — especially because the people who were orchestrating the fake stories just would never expect that to be the case. Like, she went back into the room after she dropped her rehearsed bomb with a smile on her face as if what had transpired in that dance studio was not going to be discussed. Because I did look right into the camera and say, “What is happening?” And then I got up and started screaming for our executive producer, Eric, and all of that. And that’s the gag for me [because it’s like], “Oh dear heart, you thought and you were incorrect.”

    (Left to right) Mia Thornton, Robyn Dixon, Candiace Dillard, Karen Huger, Gizelle Bryant, Ashley Darby, Wendy Osefo.
    (Left to right) Mia Thornton, Robyn Dixon, Candiace Dillard, Karen Huger, Gizelle Bryant, Ashley Darby, Wendy Osefo.

    Clifton Prescod/Bravo via Getty Images

    That makes me wonder if you get tired of some of your co-workers acting more like producers than cast members.

    Everybody has a role, and I think our show would run more smoothly if everyone just stayed in their lane. You can’t reach for the stars when you don’t have the bandwidth. You don’t have what it takes.

    From what I saw on Twitter, you seem pleased with how the colorism segment on Part 2 of the reunion went. Am I characterizing that correctly?

    I was appreciative that we were given a platform, however large or small, to begin the conversation in a constructive way, because we had not before had that opportunity. Because it’s also easy for them to just say, “Eh, we’re good. We don’t even need to address [it]. It’s fine.” But just from those two minutes — the amount of dialogue that has ensued, the amount of emails and gems and threads from here to Mexico that I have read — I think that was the goal.

    Being a Mary J. Blige stan, when I saw that you were on the show recording with Chucky Thompson, I knew you were taking your music ambitions seriously. Much as I love the bops from Real Housewives like Countess Luann, I understand why there are skeptics out there, but at the same time, we’ve seen reality TV launch a lot of careers — particularly Black female R&B singers. Did you know there was space for a Real Housewife to be serious and be taken seriously?

    1001%. So I’ve talked about this before: I prayed about the opportunity to have this platform. I knew the trajectory I wanted to take and I knew that, having watched and grown up watching reality TV, if positioned the right way, I could use this platform to do all the things that I wanted to do.

    So in my prayer, I said, “Lord, if you give me this platform, I promise to try and use this to glorify your name and make something of myself and accomplish the goals that you have said that I’m supposed to accomplish and the things I’m supposed to have.”

    I’m not perfect, but I have done that. It was always the plan.

    You have mentioned having a plan when it comes to using “Real Housewives” as a jumping point for other opportunities in the entertainment industry — including knowing when might be the right time to leave. I’m not going to ask you to share specifically about your timeline, but I am curious to know if this past season and how it impacted your husband has influenced your timetable on a potential exit in any way.

    No, because for me and for my husband, one thing that you will never do is run us off. Right? If I’m fired, then OK, that’s outta my control. But when it is time to go, it’ll be time to go because myself and my family have made the conscious decision to say, as you said, we are no longer served [by] being here. Or it’s just time for a shift. Because I’m eternally grateful for the way this platform has helped me to elevate myself and has allowed me to be who I am in these spaces. I would hope to be able to leave on great terms, and if I wanted to pop back in and say “Hey,” I would like to be able to do that.

    I plan a lot of things on the grander scale. Like, NBCUniversal is a wonderful home, and there are a lot of great things that can be done at that home. So it was more so, how are we going to attack this issue in the most diplomatic way, but also in a way that is beneficial to us in every way possible mentally, physically, emotionally, as it relates to our careers? How are we going to handle this and rise to the occasion of the challenge?

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  • Netflix making live-action ‘One Piece’ from popular manga

    Netflix making live-action ‘One Piece’ from popular manga

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    TOKYO — Hit Japanese manga “One Piece” is coming to Netflix as a live-action series — a development that’s both exciting and worrisome for fans who have seen mixed success in a growing list of Hollywood adaptations.

    Chronicling the coming-of-age adventures of Monkey D. Luffy, a young pirate with a heart of gold, the world’s bestselling manga series has already been adapted into an anime TV series with over 900 episodes. There are also 13 animated movies, “One Piece” video games and merchandise galore.

    Ready to give her verdict is Nina Oiki, a gender and politics researcher at Tokyo’s Waseda University who has been a “One Piece” fan since she was in elementary school. She read the manga created by Eiichiro Oda when it first came out in Shonen Jump magazine in 1997, and watched the animated show that followed shortly after.

    “I know some people are worried about what might happen with the Hollywood remake,” she said, noting how past American attempts at depicting Japanese comics and animated works have at times proved disappointing.

    The 2017 Netflix movie adaptation of “Death Note,” a manga and anime about a book that can kill people, was widely critiqued as a flop. In December 2021, Netflix canceled “Cowboy Bebop,” its live-action adaptation of the space Western manga and anime of the same name, after just one season.

    The cross-pollination of Hollywood and Japan goes back for decades. References to Japan, such as the image of a geisha on a screen, are plentiful in the 1982 sci-fi movie “Blade Runner,” directed by Ridley Scott.

    The film, in turn, influenced anime, including the “Blade Runner: Black Lotus” anime that first aired in 2021.

    Japanese pop culture expert Roland Kelts says it’s a “stunning moment for anime,” in part due to streaming on platforms like Netflix, which has helped make entertainment borderless.

    Live-action “One Piece,” expected later this year, comes on the heels of the global success of “Demon Slayer,” another manga that got its start in Shonen Jump and was adapted into a movie and an anime series that was picked up by Netflix.

    In February, The Pokémon Company announced “Pokémon Concierge,” a stop-motion anime collaboration with Netflix. Pokémon is the world’s most valuable media franchise with estimated all-time sales of $100 billion, according to a 2021 Statista report. Followed by Hello Kitty, the two Japanese products outrank Western offerings like Mickey Mouse, Winnie the Pooh and Star Wars. Hollywood live-action adaptations of other popular Japanese products — from Makoto Shinkai’s 2016 body-swap anime “Your Name” to the “Gundam” franchise of giant robots that started in 1979 — are also in progress.

    Anime has a low production cost compared to live-action films, and computer-generated heroes don’t get sick or injured or make offensive remarks offscreen like real-life actors sometimes do, making it a marketable medium, said Kelts, author of “Japanamerica,” which documents Japanese pop culture’s influence in the United States.

    “They are stylized and stateless characters. What I mean by that is that anime characters travel globally very, very well,” Kelts said. “The human celebrities don’t always travel so well.”

    Established bestsellers offer the advantage of a built-in fanbase, but they also come with strict scrutiny. Some, like “Ghost in the Shell,” have been criticized for “whitewashing” the Asian original. The 1995 animated movie was made into a Hollywood live-action in 2017 amid complaints about casting white American actor Scarlett Johansson as the main character — though Asia largely stayed out of the debate.

    Live-action “One Piece” will star Mexican actor Iñaki Godoy (“The Imperfects”) as Luffy — whose nationality is canonically a mystery — alongside American actor Emily Rudd (“The Romanoffs”) as Nami and Japanese-American actor Mackenyu (“Fullmetal Alchemist: Revenge of Scar,” “Fullmetal Alchemist: Final Transmutation”) as Roronoa Zoro.

    The main character’s inclusive persona, drawing more and more companions to join his quest throughout the story, highlights the kind of school, office or workplace environment people crave in modern-day society, fan Oiki said.

    “Luffy is that leader we all want,” she said. “Luffy is a hero but not an extraordinary hero. He is one of us. He wants to be king of the pirates, but not so he can rule, but so everyone can be free.”

    ___

    Yuri Kageyama is on Twitter at https://twitter.com/yurikageyama

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  • Chris Rock to finally have his say in new stand-up special

    Chris Rock to finally have his say in new stand-up special

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    A year after Will Smith smacked him on the Academy Awards stage, Chris Rock is poised to finally have his say.

    The 58-year-old comedian on Saturday night will perform his first stand-up special since last year’s Oscars. He’s doing it in “Chris Rock: Selective Outrage,” streaming live on Netflix at 10 p.m. EST. Not only will Rock present about an hour of stand-up from the Hippodrome Theatre in Baltimore, but Netflix — in its first ever live show — will bookend the special with star-studded commentary.

    The pre-show, beginning at 9:30 p.m., will feature Paul McCartney, Jerry Seinfeld, Matthew McConaughey, Cedric the Entertainer, Ice-T and two hosts from last year’s Oscars: Wanda Sykes and Amy Schumer. Afterward Rock’s set, Dana Carvey and David Spade will host guests including Kareem Abdul-Jabbar, Arsenio Hall and JB Smoove.

    While Smith has apologized and repeatedly spoken about the incident since last March, Rock has avoided all the usual platforms where celebrities often go to air their feelings. He never sat down with Oprah Winfrey, and turned away the many media outlets that would have loved to land an exclusive in-depth interview.

    Instead, Rock has for much of the past year been touring new material in a long string of performances as part of his Ego Death tour. The shows, which had been announced before the 2022 Oscars, have featured performances with Dave Chappelle and Kevin Hart.

    On the road, Rock has often worked in jokes and reflections on the slap, though it’s never been more than an element of his shows. There’s no guarantee that he will talk it about Saturday night, but he’s widely expected to and has long suggested this would be his chosen forum.

    Rock first broke his public silence about the slap three nights after the Oscar ceremony, last year in Boston. “How was your weekend?” he asked the crowd. He added that he was “still kind of processing what happened.”

    Now, after plenty of processing, Rock will be taking the cultural spotlight just a week before the March 12 Oscars, where the slap is sure to revisited by this year’s host, Jimmy Kimmel. In the aftermath of last year’s events, Smith resigned his membership to the film academy. The academy board of governors banned Smith from the Oscars and all other academy events for a decade.

    At the annual luncheon for nominees held last month, motion picture academy president Janet Yang voiced regret about how the incident was handled, calling the academy’s response “inadequate.” Bill Kramer, the academy’s chief executive, has said the academy has since instituted a crisis communications team to prepare for and more rapidly respond to the unexpected.

    “Selective Outrage” is Rock’s second special for Netflix, following 2018’s “Tamborine.” They’re part of a two-special $40 million deal Rock signed with the streamer in 2016.

    While rivals have gotten into live streaming and sports, “Selective Outrage” marks Netflix’s first foray into live programming. Netflix, with 231 million global subscribers, also recently signed on to stream next year’s Screen Actors Guild Awards, signaling that “Selective Outrage” may be just the start of a new trend.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • Chris Rock to finally have his say in new stand-up special

    Chris Rock to finally have his say in new stand-up special

    [ad_1]

    A year after Will Smith smacked him on the Academy Awards stage, Chris Rock is poised to finally have his say.

    The 58-year-old comedian on Saturday night will perform his first stand-up special since last year’s Oscars. He’s doing it in “Chris Rock: Selective Outrage,” streaming live on Netflix at 10 p.m. EST. Not only will Rock present about an hour of stand-up from the Hippodrome Theatre in Baltimore, but Netflix — in its first ever live show — will bookend the special with star-studded commentary.

    The pre-show, beginning at 9:30 p.m., will feature Paul McCartney, Jerry Seinfeld, Matthew McConaughey, Cedric the Entertainer, Ice-T and two hosts from last year’s Oscars: Wanda Sykes and Amy Schumer. Afterward Rock’s set, Dana Carvey and David Spade will host guests including Kareem Abdul-Jabbar, Arsenio Hall and JB Smoove.

    While Smith has apologized and repeatedly spoken about the incident since last March, Rock has avoided all the usual platforms where celebrities often go to air their feelings. He never sat down with Oprah Winfrey, and turned away the many media outlets that would have loved to land an exclusive in-depth interview.

    Instead, Rock has for much of the past year been touring new material in a long string of performances as part of his Ego Death tour. The shows, which had been announced before the 2022 Oscars, have featured performances with Dave Chappelle and Kevin Hart.

    On the road, Rock has often worked in jokes and reflections on the slap, though it’s never been more than an element of his shows. There’s no guarantee that he will talk it about Saturday night, but he’s widely expected to and has long suggested this would be his chosen forum.

    Rock first broke his public silence about the slap three nights after the Oscar ceremony, last year in Boston. “How was your weekend?” he asked the crowd. He added that he was “still kind of processing what happened.”

    Now, after plenty of processing, Rock will be taking the cultural spotlight just a week before the March 12 Oscars, where the slap is sure to revisited by this year’s host, Jimmy Kimmel. In the aftermath of last year’s events, Smith resigned his membership to the film academy. The academy board of governors banned Smith from the Oscars and all other academy events for a decade.

    At the annual luncheon for nominees held last month, motion picture academy president Janet Yang voiced regret about how the incident was handled, calling the academy’s response “inadequate.” Bill Kramer, the academy’s chief executive, has said the academy has since instituted a crisis communications team to prepare for and more rapidly respond to the unexpected.

    “Selective Outrage” is Rock’s second special for Netflix, following 2018’s “Tamborine.” They’re part of a two-special $40 million deal Rock signed with the streamer in 2016.

    While rivals have gotten into live streaming and sports, “Selective Outrage” marks Netflix’s first foray into live programming. Netflix, with 231 million global subscribers, also recently signed on to stream next year’s Screen Actors Guild Awards, signaling that “Selective Outrage” may be just the start of a new trend.

    ___

    Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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  • Fire at Indonesian oil depot kills 17; thousands evacuated

    Fire at Indonesian oil depot kills 17; thousands evacuated

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    A large fire has broken out at a fuel storage depot in Indonesia’s capital, killing at least 17 people, injuring dozens of others and forcing the evacuation of thousands of nearby residents after spreading to their neighborhood

    ByACHMAD IBRAHIM Associated Press

    JAKARTA, Indonesia — A large fire broke out at a fuel storage depot in Indonesia’s capital on Friday, killing at least 17 people, injuring dozens of others and forcing the evacuation of thousands of nearby residents after spreading to their neighborhood, officials said.

    The fuel storage station, operated by state-run oil and gas company Pertamina, is near a densely populated area in the 0Tanah Merah neighborhood in North Jakarta. It supplies 25% of Indonesia’s fuel needs.

    At least 260 firefighters and 52 fire engines were struggling to contain the blaze in the nearby neighborhood, fire officials said.

    Video of the fire broadcast on television showed hundreds of people in the community running in panic while thick plumes of black smoke and orange flames filled the sky and firefighters battled the blaze.

    A preliminary investigation showed the fire broke out when a pipeline ruptured during heavy rain, possibly from a lightning strike, said Eko Kristiawan, Pertamina’s area manager.

    He said the fire would not disrupt the country’s fuel supply.

    Satriadi Gunawan, who heads Jakarta’s fire and rescue department, said people living in the residential area were still being evacuated and were being taken to a nearby village hall and a mosque.

    “The fire caused several explosions and quickly spread to residential houses,” Gunawan said.

    He said at least 17 people were dead, including two children, and 50 had been hospitalized, some with severe burns.

    Indonesia’s minister of State-Owned Enterprises, Erick Thohir, expressed his condolences to the victims and their families and ordered Pertamina to thoroughly investigate the fire and focus on quickly assisting the community.

    “There must be an operational evaluation in the future. I’ll continue to monitor this case,” Thohir said in a video statement.

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  • Today in History: MARCH 3, Florida becomes 27th state

    Today in History: MARCH 3, Florida becomes 27th state

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    Today in History

    Today is Friday, March 3, the 62nd day of 2023. There are 303 days left in the year.

    Today’s Highlight in History:

    On March 3, 1974, a Turkish Airlines DC-10 crashed shortly after takeoff from Orly Airport in Paris, killing all 346 people on board.

    On this date:

    In 1791, Congress passed a measure taxing distilled spirits; it was the first internal revenue act in U.S. history.

    In 1845, Florida became the 27th state.

    In 1849, the U.S. Department of the Interior was established.

    In 1863, President Abraham Lincoln signed a measure creating the National Academy of Sciences.

    In 1931, “The Star-Spangled Banner” became the national anthem of the United States as President Herbert Hoover signed a congressional resolution.

    In 1943, in London’s East End, 173 people died in a crush of bodies at the Bethnal Green tube station, which was being used as a wartime air raid shelter.

    In 1945, the Allies fully secured the Philippine capital of Manila from Japanese forces during World War II.

    In 1960, Lucille Ball filed for divorce from her husband, Desi Arnaz, a day after they had finished filming the last episode of “The Lucille Ball-Desi Arnaz Show.”

    In 1966, death claimed actors William Frawley at age 79 and Alice Pearce at age 48 in Hollywood.

    In 1969, Apollo 9 blasted off from Cape Kennedy on a mission to test the lunar module.

    In 1991, motorist Rodney King was severely beaten by Los Angeles police officers in a scene captured on amateur video. Twenty-five people were killed when a United Airlines Boeing 737-200 crashed while approaching the Colorado Springs airport.

    In 2017, The Nintendo Switch, a hybrid game machine that works as both a console at home and a portable tablet on the go, made its debut.

    In 2020, in a surprise move, the Federal Reserve cut its benchmark interest rate by a half-point, its largest cut in more than a decade, to support the economy in the face of the spreading coronavirus.

    Ten years ago: Vice President Joe Biden led civil rights leaders and national political figures in a ceremonial crossing of a Selma, Alabama, bridge where voting rights marchers were beaten by law enforcement officers in 1965. The SpaceX company’s Dragon capsule made good on its latest shipment to the International Space Station, overcoming earlier mechanical difficulty to deliver a ton of supplies. Bobby Rogers, a founding member of Motown group The Miracles and a songwriting collaborator with Smokey Robinson, died at his suburban Detroit home at age 73.

    Five years ago: Actor David Ogden Stiers, best known for playing a surgeon on the “M.A.S.H.” television series, died at his Oregon home at the age of 75. Coastal communities in the northeastern United States saw damaging high tide flooding and the lingering effects of powerful, gusting winds in the aftermath of a vicious nor’easter. Roger Bannister, the British athlete who, while a medical student, became the first person to run a mile in under 4 minutes, died in Oxford, England at the age of 88.

    One year ago: Amid a wave of cultural protest to Russia’s invasion of Ukraine, an Amsterdam museum cut its close links to the Hermitage Museum in St. Petersburg, and the Swedish Academy that hands out the prestigious Nobel Prize in Literature broke its long tradition of not making political statements and condemned the invasion. In New York, soprano Anna Netrebko withdrew from her future engagements at the Metropolitan Opera rather than repudiate support for Russian President Vladimir Putin, costing the company one of its best box-office draws. OxyContin maker Purdue Pharma reached a nationwide settlement over its role in the opioid crisis, with the Sackler family members who own the company boosting their cash contribution to as much as $6 billion in a deal intended to staunch a flood of lawsuits.

    Today’s birthdays: Singer-musician Mike Pender (The Searchers) is 82. Movie producer-director George Miller is 78. Actor Hattie Winston is 78. Singer Jennifer Warnes is 76. Actor-director Tim Kazurinsky is 73. Singer-musician Robyn Hitchcock is 70. Actor Robert Gossett is 69. Rock musician John Lilley is 69. Actor Miranda Richardson is 65. Radio personality Ira Glass is 64. Actor Mary Page Keller is 62. Olympic track and field gold medalist Jackie Joyner-Kersee is 61. Former NFL player and College Football Hall of Famer Herschel Walker is 61. Actor Laura Harring is 59. Contemporary Christian musician Duncan Phillips (Newsboys) is 59. Rapper-actor Tone Loc (lohk) is 57. Actor Julie Bowen is 53. Country singer Brett Warren (The Warren Brothers) is 52. Actor David Faustino is 49. Gospel singer Jason Crabb is 46. Singer Ronan Keating (Boyzone) is 46. Rapper Lil’ Flip is 42. Actor Jessica Biel is 41. Rock musician Blower (AKA Joe Garvey) (Hinder) is 39. Musician Brett Hite (Frenship) is 37. Pop singer Camila Cabello is 26. Actor Thomas Barbusca (TV: “The Mick”) is 20. Actor Reylynn Caster is 20.

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  • NBC’s Hoda Kotb off ‘Today’ show due to family health issue

    NBC’s Hoda Kotb off ‘Today’ show due to family health issue

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    NBC says “Today” host Hoda Kotb has been absent from the show due to a family health matter

    NEW YORK — NBC’s “Today” show is without both of its hosts and addressed Hoda Kotb’s absence on the program Wednesday.

    Kotb is dealing with an unspecified “family health matter,” the show’s Craig Melvin said. She’d been absent from the network morning show last week and this week without any explanation.

    Meanwhile, co-host Savannah Guthrie tested positive for COVID when she wasn’t feeling well Tuesday, leaving mid-show. News anchor Melvin, Sheinelle Jones and Al Roker were on the set Wednesday.

    “We look forward to seeing Hoda and Savannah back here at the desk very, very soon,” Melvin said.

    There’s no specific estimate on when either might return, a “Today” spokeswoman said.

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  • Complete list of winners at the 29th annual SAG Awards

    Complete list of winners at the 29th annual SAG Awards

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    LOS ANGELES (AP) — List of winners at the 29th Screen Actors Guild Awards, held Sunday in Los Angeles:

    FILM

    Ensemble: “Everything Everywhere All at Once”

    Male actor in a leading role: Brendan Fraser, “The Whale.”

    Female actor in a leading role: Michelle Yeoh, “Everything Everywhere All at Once.”

    Male actor in a supporting role: Ke Huy Quan, “Everything Everywhere All at Once.”

    Female actor in a supporting role: Jamie Lee Curtis, “Everything Everywhere All at Once.”

    Stunt Ensemble: “Top Gun: Maverick”

    TELEVISION

    Drama ensemble: “The White Lotus.”

    Comedy ensemble: “Abbott Elementary.”

    Female actor in a drama series: Jennifer Coolidge, “The White Lotus.”

    Male actor in a drama series: Jason Bateman, “Ozark.”

    Female actor in a comedy series: Jean Smart, “Hacks.”

    Male actor in a comedy series: Jeremy Allen White, “The Bear.”

    Male actor in a TV limited series or movie: Sam Elliott, “1883.”

    Female actor in a TV limited series or movie: Jessica Chastain, “George & Tammy.”

    Stunt ensemble: “Stranger Things”

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  • Fox’s Kurtz says he’s disallowed from covering Dominion case

    Fox’s Kurtz says he’s disallowed from covering Dominion case

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    Fox “Media Buzz” anchor Howard Kurtz says he’s been barred by his company from covering Dominion Voting System’s $1.6 billion defamation lawsuit against Fox

    ByThe Associated Press

    February 27, 2023, 5:47 PM

    NEW YORK — Fox News media reporter Howard Kurtz says he’s been barred by his company from covering Dominion Voting System’s $1.6 billion defamation lawsuit against Fox and he “strongly disagrees” with the decision.

    Kurtz made the announcement on his Sunday “Media Buzz” program, saying he was responding to people who wondered why he wasn’t covering the case.

    “It’s absolutely a fair question,” Kurtz said. “I believe I should be covering it. It’s a major media story, given my role here at Fox, but the company has decided that as part of the organization being sued, I can’t talk about it or write about.”

    He said he disagreed with the decision, “but as an employee, I have to abide by it.”

    With the cancellation of CNN’s “Reliable Sources” last year, Kurtz’s “Media Buzz” is the only remaining cable news program devoted to journalism. Kurtz is a former reporter at The Washington Post and CNN.

    Dominion accuses Fox of airing untrue allegations about it in the aftermath of the 2020 presidential elections, even though many of the news organization’s employees knew they weren’t accurate.

    Fox says its obligation was to cover newsworthy remarks being made by then-President Donald Trump and his associates.

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