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Tag: Tears

  • 5 Sabrina Carpenter Songs You Need On Your Halloween Playlist

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    Between slipping into a glittering green fairy dress (even though, let’s be honest, we’d still clap for her if it wasn’t Halloween) and twirling around like Lizzie McGuire’s bobble-headed cartoon alter ego circa 2003, Sabrina Carpenter has officially crowned herself queen of chic spooky. She even turned her Short n’ Sweet tour into a full-on Día de los Muertos ball last year—because of course she did—making it nearly impossible not to be obsessed. And while we’re crossing every frozen finger that she brings the same ghostly glam to her Madison Square Garden show this October 31, we’ve conjured up a killer five-song playlist to groove (and maybe haunt) to in the meantime.

    ‘Feather’

    With “RIP B*tch” scrabble-glued onto cotton candy–pink cross tombstones, our black-veiled Sabrina Carpenter becomes the pop patron saint of poetic justice in the ‘Feather’ music video—a glittery, pastel reimagining of karma itself. Directed by Mia Barnes, it’s the moment she fully claims her cinematic universe, where no mediocre man makes it out alive. Between nonchalantly touching up her lip gloss as the mansplainers around her literally fight themselves to death and seductively reeling in a leering business bro by his tie before the elevator doors close, ‘Feather’ is a masterclass in femme fatality—all wrapped in bubblegum and vengeance.

    Cheeky, camp, and career-defining, it’s a Barbie-pink burial for the male gaze.

    ‘Taste’

    Think Sabrina Carpenter’s Pinterest board is all heart-cutout corsets and enough double entendres to power a Tinder algorithm? Maybe most days—but not during Halloween. Around that time, it’s probably overflowing with Death Becomes Her clips and revenge-core inspo.

    Enter ‘Taste,’ a wickedly gruesome, wink-at-the-camera spectacle directed by Dave Meyers. It opens on a luscious, pink-lit bedroom—equal parts boudoir and crime scene—scattered with sharp weapons and a plush teddy bound with lipstick-stained tape. It’s hard to tell whether Sabrina’s the final girl or the one doing the slashing (spoiler: probably both).

    Then comes Wednesday’s own goth queen, Jenna Ortega, co-starring in what might be the campiest catfight of the year—two femme fatales literally trying to kill each other over a man. There’s a backfiring voodoo doll, blood aplenty, and a wink of meta self-awareness that makes the whole thing feel like Mean Girls reimagined by a horror auteur. It’s hilarious, sexy, and gloriously unhinged—exactly the kind of chaos we expect from Sabrina’s candy-coated carnage era.

    ‘Tornado Warnings’

    Okay, so this one leans less horror movie massacre and more emotional hazard warning. When Sabrina sings ‘Tornado Warnings,’ she’s not telling us to dive into a bunker—she’s reminding us to steer clear of anyone who can’t weather their own emotional storm. It’s less about surviving natural disasters and more about dodging human ones.

    Instead of lying to your therapist like she does (so they don’t pry you away from the mess you mistake for love), Sabrina’s saying: recognize the red flags before you’re glued to someone with the emotional adhesive strength of conjoined twins made of codependency and denial.

    It’s one of the most self-aware moments on emails i can’t send—the calm eye of the storm where she finally admits she saw the warning signs but stayed anyway. In a record built on sharp confessionals and winking deflections, ‘Tornado Warnings’ feels like the rare track where she drops the glitter and lets us see the girl beneath the chaos, clutching her phone, still hoping the storm might text back.

    ‘Nonsense’

    Our Shakespearean-but-make-it-hot rhyme smith, Sabrina Carpenter, has these ‘Nonsense’ outros on lock, but nothing hits quite as Halloween-coded as her Short n’ Sweet Day of the Dead ball. She brings the crowd into the frightful fun with a perfect pop-culture jump scare: dressed as Sandy from Grease in a slick black jumpsuit, she pauses mid-set, feigns hearing a noise, and gasps, “My god, guys, that was so scary. It sounds like it’s, like, a pop hit.” Cue the beat drop—a clever twist on the song’s usual opener, “Woke up this morning / thought I’d write a pop hit.” It’s classic Carpenter—self-aware, flirty, and funny enough to resurrect the dead.

    Even the OG ‘Nonsense’ video shows up at the costume party. Joined by her besties Pamela and Whitney Peak, Sabrina flips her usual petite glam for a boyish disguise—ball cap, hoodie, and all—playing the role of her own love interest. The hat? A piece of her own merch reading “DIPSH*T,” complete with a glossy red heart on the brim. It’s chaotic, camp, and entirely her: the patron saint of unserious sincerity, turning pop music into a punchline you actually want to kiss.

    ‘Tears’

    We might not be the kind of Man’s Best Friend who takes our golden retrievers on walks up to haunted mansions—but we’re still going inside anyway, even if we’re tear-soaked. Yep, we’re talking about ‘Tears,’ Sabrina Carpenter’s Rocky Horror Picture Show–inspired fever dream, directed by Bardia Zeinali and starring the ever-cool Colman Domingo in full drag as her demon-eyed, disco-dancing mentor from hell.

    From the blood-soaked tear that flashes in its title sequence to the surreal stripper pole sprouting from a cornfield (seriously, Smallville could never), ‘Tear’ is a glitter-drenched pop exorcism. It’s all purple light, stilettos, and synth-heavy chaos—part haunted house, part Studio 54 séance. And, true to form, Sabrina ends it in her signature way: with another man meeting his glittery demise. Consider it the final scream queen flourish in her spooky pop canon.

    Before the coven flies out, what Sabrina hit is getting the cauldron bubbling at pre’s? Tag us on Insta, Twitter, or Facebook — we might pull a tarot card to see if you’re right. 💅🔮

    TO LEARN MORE ABOUT SABRINA CARPENTER:
    FACEBOOK | INSTAGRAM | KOMI | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Rachel Finucane

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  • ‘If He Wanted To He Would’ Listen To Us Fangirl About How Major Perrie’s Music Videos Are 

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    Okay, in case you haven’t slid into your Perrie-obsessed friend’s DMs in the last 24 hours: our auras are full-on pink glitter, radiating do-not-mess-with-us vibes toward any ex-crushes. Why? Because Queen Perrie just announced her debut self-titled album dropping September 26… and like the generous icon she is, she dropped a brand-new single and music video early for the impatient (hi, that’s us 😭). ‘If He Wanted To He Would’ literally takes that TikTok dating mantra and gives it a beat so cute it could destroy kingdoms—just like Perrie does in the video alongside bestie Nina Nesbitt (co-writing credits = eternal cool points). 

    We are so obsessed with every music video Perrie makes that we had to curate a top three countdown—yes, you already know what sneaks into numero uno. They’re on repeat 24/7, and each one proves that Perrie isn’t just a singer… she’s just as versatile. 

    No ‘Tears’ Were Spilled, Just Retro Editing Galore

    If CapCut time-traveled straight to the seventies and decided to main character a disco queen, you’d get Perrie’s ‘Tears’ music video. Directed by the visionary Quentin Jones, it’s basically a love letter to retro glamour with a Perrie twist. From bold high-waisted red pants hugging her hips, to oversized sunnies, to gold chain dresses that scream Studio 54 chic—Perrie doesn’t just wear the look, she embodies it. But this isn’t just about fashion; it’s a whole playground for her creativity.

    The video feels like someone cracked open the most fabulous scrapbook ever and let the cutouts run wild. Think: dancers shaking their thang on oversized lips, a girl strutting with heart-shaped balloons perched on Perrie’s hips while she’s stretched in a sequined bralet, and even Perrie doubling herself in a matching red dress to serve double the power. Every frame bursts with surreal, campy, wink-wink fun—like a collage you just can’t stop staring at.

    ‘You Go Your Way’ And Perrie Splits The Dance Floor Wide Open

    Our one-take wonder girlie (yes, she filmed the entire thing in one seamless take—queen behavior only), ‘You Go Your Way’ is a full-on showcase of Perrie’s choreography chops. A skill we all know she mastered during her Little Mix days, but here it takes center stage under the glow of moody red lighting. Choreographed by Christin Olesen and directed by Charlie Di Placido, the video feels as if a street race collided with a dance battle and decided to make it art. Filmed outside the iconic Ace Cafe in Northwest London, it’s gritty, stylish, and totally magnetic.

    Perrie isn’t just leading the charge as our little dancing queen—she’s hyping up the entire crew. Sometimes she’s right in the middle of the huddle, commanding the energy, and other times the dancers peel away for their own spotlight moments, almost in a Broadway-esque fashion. It’s bold, it’s fiery, and it proves that Perrie doesn’t just keep up with the dancers—she is the dancer. Honestly, who else could pull off a one-take music video and make it look this effortless? 

    ‘If He Wanted To He Would’… And He’d Rate Perrie’s Personality A Perfect 10

    Debuting at #25 on the Worldwide iTunes Song Chart (Perrie’s second-highest entry with an official single 👑), ‘If He Wanted To He Would’ is basically what happens if the credits rolled after The Princess Diaries—and instead of happily-ever-after, Perrie and Nina Nesbitt decided to storm the palace and wreak absolute havoc. Directed by Dora Paphides, the video is a glorious mash-up of cult chick flick vibes—Mean Girls, The Holiday, Pretty Woman—all given a Perrie-core glow-up.

    Hardcore Mixers clocked the details instantly: wardrobe nods sprinkled throughout like little Easter eggs. We’re talking the iconic cap from the LM5: The Tour intro, the Confetti Tour’s blue jumpsuit (👀 solo tour hint?), and Nina rocking the same tour’s black-and-white leotard. It’s a love letter to her roots while also screaming: This is Perrie’s era.

    But the real star isn’t just the throwbacks—it’s Perrie herself. From cheeky eye rolls to a dramatic tango-style rose clenched between her teeth, she’s fully graduated from Sabrina Carpenter’s “let’s-kill-a-man” academy. Then, just when you think the chaos can’t get any better, she strips it all back in a breathtaking green gown, serving powerhouse vocals that remind us why she’s the person you call in a post-breakup meltdown. It’s camp, it’s cinematic, it’s cathartic—and it cements Perrie as not just a pop star, but the main character of her own universe. 

    Which Perrie music video are you currently losing your mind over? Obviously, the latest, ‘If He Wanted To He Would,’ right?! 😍💖 Slide into our socials—Twitter, Instagram, and Facebook—and spill the tea! Our unofficial motto when we slide over her upcoming album pre-order to the poor men in our lives: ‘If He Wanted To He Would’, and he shall. 

    TO LEARN MORE ABOUT PERRIE EDWARDS:
    INSTAGRAM | TIKTOK | YOUTUBE

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    Rachel Finucane

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  • Your Weekend Playlist: New Music To Listen To This Friday

    Your Weekend Playlist: New Music To Listen To This Friday

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    It’s almost absurd that we’re in the middle of July as I write this. I have friends groaning that the summer is over already, which is completely and wholly untrue in my eyes. But enough with the mourning, this article is about happiness (among other things.)


    There’s something about the looming weekend that gets me overly excited. It may be because I don’t have to set an alarm for work, or even look at my laptop…but there’s another, very prevalent reason as to why I love Fridays (and you should, too): new music is released every weekend.

    So yes, summer Fridays are amazing, but when you top it off with the promise of new music…you can’t go wrong. During the summer, everyone’s a bit more active- and that includes musicians. There are live performances galore, and every artist is dropping a song in hopes of winning the coveted “Song of the Summer” title.

    And with the summer not even close to over, a brand new song of the summer could emerge at any given moment. So, that’s where I come in. On Fridays, I round up all of the new music released each week that’s worth listening to. That way, you don’t have to do all the work searching through playlist after playlist of new music to show your friends.

    In the words of Sabrina Carpenter in her #1 hit single, “Please, Please, Please”: “I know I have good judgement, I know I have good taste.” I’ve found the best new music released July 12, 2024 and I’m nice enough to share. So, let’s get listening!

    Teddy Swims- “Danger” 


    Teddy Swims is another up-and-coming artist who shouldn’t be counted out too early. He’s already hit the jackpot with “Lose Control,” but “Danger” is an impeccable follow up that deserves equal hype. It’s catchy, sexy, and makes you want to dance. It’s soulful in all the right places, with a sprinkle of pop and jazz.

    My favorite on this playlist this weekend.

    John Summit, Paige Cavell- “Tears” 


    John Summit has just released his debut album, Comfort in Chaos, amidst the summer of house music. He’s on of the leading names in electronic music right now- pushing boundaries and making headlines for his groundbreaking sets. With an innate ability to make hit after hit, John Summit is here with “Tears”- which I can already hear on every rooftop in NYC this summer.

    Alesso, Nate Smith- “I Like It” 

    It’s certainly a country summer, and it’s also a summer of house music…so why not blend the two? That’s exactly what Alesso and Nate Smith do with “I Like It.” It’s an easy collaboration that can get your group dancing in no time. With Alesso’s ability to create an upbeat backtrack and Nate Smith’s satisfying country sound, “I Like It” will be on replay for you all summer.

    Lexa Gates- “I Just Can’t Be Alone” 

    Queens native Lexa Gates embodies the New York spirit in her music through passionate, hard-hitting lyrics. Her voice is full of personality and soul, and she’s garnering attention for her music being both authentic and relatable. With a deep, soulful vibe, Gates is an exciting rising star who deserves for her voice to be celebrated.

    “I Just Can’t Be Alone” is quintessential Gates: jazzy, smooth, rich vocals with insightful lyrics that build throughout the song. Her music and sound is entirely unique, which makes Gates so exciting to listen to.

    keshi- “Say” 

    You may already know keshi- who captured the hearts of fans by bearing his soul in his music. He’s gearing up to release his sophomore album, Requiem, in September by dropping the first single: “Say.” “Say” is a complete vibe, a soft rock feel mixed with groove.

    One of the best songs on the playlist this week, if “Say” is a glimpse into Requiem, there’s a lot to look forward to.

    Ice Spice, Central Cee- “Did It First” 

    Ice Spice’s rapid rise to fame shows no signs of slowing down as she gears up to release Y2K!, her highly anticipated debut album. Her rap style is catchy, amassing huge amounts of streams on Spotify and making her one of TikTok’s favorite artists. “Did It First” is another addition to Ice Spice’s already prolific discography.

    It’s fiery, worming its way into your brain from the moment you press play.

    Eminem- “Somebody Save Me”


    An apology (and love) letter to his children and family members he hurt due to addiction, Eminem provides his classic rap flow mixed with introspective lyricism. It’s an incredibly sad, yet beautiful rap that gives you a peek into the past few years of Eminem’s life and his struggles with addiction.

    Ahead of his album, The Death of Slim Shady, “Somebody Save Me” is haunting in the best way.

    SALEKA- “Save Me”

    Although SALEKA plays popstar Lady Raven in M. Night Shyamalan’s newest thriller, TRAP, she’s also one in real life. As she releases the soundtrack for the film, the newest installment is equally impressive. The entire album, LADY RAVEN, was composed, produced, and performed entirely by SALEKA herself.

    Her musical prowess is impressive, and “Save Me” exhibits her vocal ability perfectly. Someone who should be recognized beyond this film, SALEKA is a threat in the industry.

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    Jai Phillips

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  • This Zelda: Tears of the Kingdom made a functional airship that doesn’t require energy cells

    This Zelda: Tears of the Kingdom made a functional airship that doesn’t require energy cells

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    Something that always stuns me are the ways dedicated players find ways to push the limits of the games they play. Whether it’s Animal Crossing designers who know the perfect way to line up buildings to fake certain perspectives, or a Tears of the Kingdom player who created an ultra-fast flying machine by holding the fan up in a particular way, I’ve always appreciated the commitment and creativity that goes into pushing a game to its limit. I was doing the rounds on Reddit when I saw something that truly astounded me: Reddit user Scalhoun03 created a completely wind-powered airship in The Legend of Zelda: Tears of the Kingdom.

    The airship requires no energy to fly — meaning no Zonai charges or energy cells are needed to run it. It can fly through the air and sustain sustain flight at high altitudes seemingly indefinitely. The original post shows the ship flying through the skies of Hyrule with no input or energy. It’s only interrupted at the end when Scalhoun03 said they accidentally bumped the control stick. You can see a video of the build in action below.

    The contraption appears to defy the laws of (Zelda) physics itself. Energy cells are a crucial and foundational aspect to building machines in the game. If you want to use Zonai devices like a fan or flame emitter, you have to increase Link’s maximum energy cell capacity. This is why you see so many of the top builders with big, long rows of tiny battery icons as they run their massive machines.

    So how does a ship fly with no Zonai charges or any energy elements? According to its creator, its propulsion relies upon a twisting forced generating by its steering stick. “Basically it uses the steering stick’s energy to power the props. When you move the steering stick it puts a twisting force on the entire build. This force is transfered to the wagon wheel axles thus running the [propellors],” Scalhoun03 said via Reddit DMs.

    Getting the materials required a journey of its own across Hyrule. Scalhoun03 scrounged up propellers from Gemimik Shrine in the Akkala Highlands region and journeyed to the Depths to collect the raft and rails. Then came the actual building.

    “The hardest part was finding the balance to keep the props spinning without interfering. The props have to be in the right positions or they hit each other. When building with auto built parts you have to be careful about how you break them off or they disappear. The raft is an auto built part and if the props are in the wrong places you risk breaking your raft.”

    Scalhoun03 emphasized how important the Hyrule Engineering subreddit and larger community was in the process of building the ship. Throughout its design, others contributed their own innovations that helped the builder hone in on its design. For example, YouTuber KingX discovered a person could build a machine that launches without any “catalyst,” like rockets or sending a ship off the side of a floating island. Others would provide feedback on clips.

    “Without the suggestions of the community, things like this are a lot more difficult to make. The community has given me motivation to keep working on powerless flight builds and I hope everyone can try them out and have fun flying around Hyrule without having to worry about anything except having fun flying!”

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    Ana Diaz

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  • No I Will Not Be Waiting In A Zelda: Tears Of The Kingdom Line, Thank You

    No I Will Not Be Waiting In A Zelda: Tears Of The Kingdom Line, Thank You

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    It is May 12, 2023, The Legend of Zelda: Tears of the Kingdom release day, and the temperature in New York City is creeping dangerously close to 90 degrees. In Midtown, bankers are sweating through their Brooks Brothers dress shirts and slacks, while tourists have busted out the cargo shorts. As I make my way out of the subway station near Rockefeller Center, I walk smack into a massive line of people. I sneer, assuming it’s the wildly long Nintendo Store line from more than a block away that our managing editor Carolyn Petit saw earlier this morning (I hate the idea of waiting in lines), but nope, the Jonas Brothers are at Rough Trade.

    Hours later, I head out to sit in the blazing sun for a bit to recharge my battery and notice the front of the Nintendo store looks conspicuously spacious. I hustle over, figuring I’ll snag a copy for someone else at Kotaku who wants to play (I do not). But as soon as I approach the front entrance to the building, which is on the corner of Rockefeller Plaza and 48th street, I realize the line is snaking down the adjacent street. It sits directly in the sun, many of the people waiting are visibly sweating.

    At random intervals, a huge gap of bodies indicates the presence of a driveway, a few security guys making sure it remains open for cars passing through. Several future Tears of the Kingdom owners are hunched over playing Nintendo Switch. One woman is sitting on the sidewalk in shorts, a New York City no-no.

    “Oh, fuck this,” I mumble before heading back to the dry, frigid air of the G/O Media offices. I may not be a big Zelda fan, but I don’t think there’s anything in the world that could make me wait hours on a line in Midtown Manhattan in the midst of a heatwave.

    Zelda Tears of the Kingdom lines feel very nostalgic

    Despite my beliefs, I’m fascinated to see people waiting in lines like this across the U.S. for the Breath of the Wild sequel. It feels sort of like a bygone era of gaming has returned—the last time I went to the midnight release of a game was November 2012 for Halo 4 at a Best Buy in Long Island, New York. I was 22 years old, and I was incredibly hyped.

    The need to wait in long lines for midnight game releases has disappeared over the years, as more and more gamers turn to digital storefronts and downloads in order to get a new game the moment it releases, and the need for physical media wanes. (Though the side effects of a shift to entirely digital have been felt in the loss of access to so many movies—like sci-fi thriller Strange Days, which for some time was nearly impossible to watch without a physical DVD, only just becoming available to stream this year—and will undoubtedly soon affect games.) In 2012, you couldn’t play Halo 4 in any way other than on the two discs that came in the Master Chief-adorned case, but that’s simply not the case now.

    What is it about Tears of the Kingdom that’s brought lines back in such a big way? After all, the Nintendo eShop is open 24/7, you can download the game right now without having to stand up for hours at a time, shuffling every 10 or so minutes a few inches closer to the shining glass Nintendo store doors. You can play Tears of the Kingdom right this second, no long-time exposure to stagnant, exhaust-filled NYC air required. Why, people in line, are you not doing this?

    For many, the promise of special swag beckons. The Nintendo store has special-edition pins (and other “surprise giveaways”), many of which will undoubtedly end up on eBay for thousands of dollars. Meanwhile, Target has a fanny pack that people are freaking out over. The allure of impossible-to-get swag will always attract gamers, a group known to be completionists and collectors through and through.

    But perhaps, despite my decidedly Grinch-y attitude about waiting in long lines for a video game, people are happily queuing for Tears of the Kingdom for the vibes, y’all. They’ve waited six years for a sequel to Breath of the Wild; what’s a few, sweaty hours more, especially in the company of your fellow die-hard fans?

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    Alyssa Mercante

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