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Tag: Taylor Swift

  • Woman Arrested For Allegedly Trespassing Outside Taylor Swift’s Beachfront Home

    Woman Arrested For Allegedly Trespassing Outside Taylor Swift’s Beachfront Home

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    WESTERLY, R.I. (AP) — A woman who was previously warned to stay away from Taylor Swift’s home in Rhode Island was arrested this week outside the beachfront property, police said.

    The woman was discovered in front of the home and arrested on Monday, said Westerly Police Chief Paul Gingerella.

    TMZ published photos showing someone in handcuffs outside the home’s gates, which had multiple “No Trespassing” signs.

    Overzealous fans have been a problem for Swift over the years, with several arrests at her homes.

    It’s unclear if Swift was home on Monday. She is in the middle of a 52-show stadium tour dubbed “Eras.” On Friday, she released “Speak Now (Taylor’s Version),” a re-recorded version of her third album.

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  • Taylor Swift Shared New Photos With Selena Gomez From Fourth of July

    Taylor Swift Shared New Photos With Selena Gomez From Fourth of July

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    Neither Taylor Swift nor Selena Gomez are strangers to their drama making headlines, whether it’s due to a breakup or a public feud. But throughout their careers, they’ve never stopped publicly supporting each other. Since becoming friends while both dating Jonas brothers in 2008, they’ve danced at awards shows, performed onstage together, and most recently, hyped the other’s new music. Swift even made a surprise appearance on Gomez’s new HBO Max cooking show Selena + Chef. Even though the pandemic caused the duo to see less of each other, their friendship is still going strong.

    Below, relive a celeb bond that’s built to last.

    2008

    In a 2017 interview with KIIS FM UK, Gomez opened up about how she and Swift met, and it’s rooted in the early days of their careers. “We actually dated the Jonas Brothers together! It was hysterical,” Gomez told the hosts, referring to her relationship with Nick and Swift’s with Joe. “It was amazing, because she was the girl with the big curly hair and all the bracelets and the cowboy boots. And I was definitely up-and-coming, and we just clicked,” she added. “It was the best thing we got out of those relationships.”

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    September 2008

    In September 2008, comments from Gomez indicate that they could’ve been friends even earlier than ’08. However, the two were first seen together at the premiere of the Gomez’s movie, Another Cinderella Story.

    John Shearer//Getty Images

    October 2009

    In an interview with Seventeen, Gomez was asked who she turns to for love advice. (She was rumored to be dating Taylor Lautner months before he would briefly date Swift.) Every single problem I ever have is healable by Taylor Swift,” she said. “If I ever I have an issue, Taylor has gone through it, because she’s older than me, and she gives the most thought-out answers. And what I love about Taylor is that she does believe in the whole love story and Prince Charming and soul mates. Because of her, I haven’t lost faith. We literally talk every day.”

    January 2011

    Swift and Gomez hung out at the 2011 Peoples’ Choice Awards. That night Swift was voted Favorite Country Artist, while Gomez took home the trophy for Favorite Breakout Artist.

    2011 People's Choice Awards - Backstage And Audience

    Christopher Polk//Getty Images

    February 2011

    The following month, Swift and Gomez attended the Vanity Fair Oscars party side by side.

    2011 Vanity Fair Oscar Party Hosted By Graydon Carter - Inside

    Kevin Mazur/VF11//Getty Images

    May 2011

    The award show appearances continued at the Billboard Music Awards. Gomez attended alongside her boyfriend of six months Justin Bieber, while Swift looked on supportively.

    2011 Billboard Music Awards - Backstage And Audience

    Kevin Mazur//Getty Images

    August 2011

    Swift and Gomez also hung out at the Teen Choice Awards, where the latter performed “Love You Like a Love Song.” This same month, Swift even invited Gomez’s beau Bieber to perform “Baby” onstage at her Speak Now tour.

    2011 Teen Choice Awards - Backstage And Audience

    Kevin Mazur/TCA 2011//Getty Images

    November 2011

    A truly wild time was had at the American Music Awards, where Gomez and Swift hung out with future frenemies including Katy Perry and Bieber. In one photo, Bieber’s manager Scooter Braun can be seen a row back from Gomez and Swift, seemingly looming over the proceedings.

    2011 American Music Awards - Backstage And Audience

    Christopher Polk/AMA2011//Getty Images

    2011 American Music Awards - Backstage & Audience

    Jeff Kravitz/AMA2011//Getty Images

    Gomez performed her song “Who Says” with Swift at the Madison Square Garden stop of her Speak Now tour.

    Taylor Swift "Speak Now World Tour" In New York City - November 22, 2011

    Larry Busacca//Getty Images

    July 2012

    The following summer brought another Teen Choice Awards outing from Swift and Gomez. Each took home trophies from the ceremony.

    2012 Teen Choice Awards - Backstage & Audience

    Kevin Mazur/TCA 2012//Getty Images

    May 2013

    Swift’s feelings on Bieber and Gomez’s on-and-off relationship have clearly changed. A video surfaced of Swift backstage at the Billboard Music Awards, sticking her tongue out in disgust as she walks by the couple kissing.

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    August 2013

    At the 2013 VMAs, all eyes were on Miley Cyrus’s twerking performance. But Gomez and Swift each won awards for their videos of “Come & Get It” and “I Knew You Were Trouble,” respectively.

    2013 MTV Video Music Awards - Audience

    Kevin Mazur//Getty Images

    May 2014

    Swift talked about why her relationship with Gomez was so special during an E! interview. “It’s been the longest one I think either of us had really,” she explained. “When your life changes, and you become thrust into this really strange whirlwind where what your life is is different from what other people think your life is. And your life is commented on and your life is written about and fictionalized and all that. Both of us have kind of stuck it out and hung in there through all the different changes we’ve gone through.” Swift added, “Longevity is something you really can find very precious and rare in friendships.”

    After attending the Met Gala, Gomez shared a video of the two dancing around the museum along with the caption, “And during.. sometimes you wanna just be you with someone who knows all your secrets.”

    October 2014

    In honor of Swift’s 25th birthday, Gomez shared a collage of the pair on IG. She wrote, “From hotel room album listening parties, kitchen dance floor album listening parties to driving on the pch, windows down album listening parties. -The best part is we were the only ones there. Each time. So happy, honored and proud to know you and your diaries. @taylorswift #1989 BUY IT!!! -now I’ll listen live from drowning in my bed sheets.”

    November 2014

    During the American Music Awards, Swift gave a rousing performance of “Blank Space,” while Gomez performed her post-Bieber breakup ballad, “The Heart Wants What It Wants.”

    2014 American Music Awards -  Backstage And Audience

    Kevin Mazur/AMA2014//Getty Images

    Gomez also posted a picture from a girls’ night with Swift, Karlie Kloss, Lorde, and members of Haim.

    December 2014

    In a move that would foreshadow Tom Hiddleston’s “I heart TS” shirt, Gomez celebrated Swift’s birthday with a “TS” manicure.

    January 2015

    Gomez and Swift attended a Golden Globes after party alongside Lorde.

    HBO's Official Golden Globe Awards After Party - Inside

    Jeff Kravitz//Getty Images

    March 2015

    In March, Gomez shared snaps from Camila Cabello’s birthday celebration, which included Swift, Joey King, Hailee Steinfeld, and Jaime King.

    August 2015

    In August, Gomez performed her song “Good for You” with Swift during her 1989 tour. Gomez later captioned a photo of the pair performing, “After nearly 8 years of friendship, I just can’t wait to tell our kids we ACTUALLY got to perform in front of thousands of insanely beautiful people together. TWICE! I love you Tay. #bestnightEVER #whatISlife.”

    Taylor Swift The 1989 World Tour Live In Los Angeles - Night 5

    Christopher Polk/TAS//Getty Images

    After appearing in the music video for “Bad Blood,” Gomez was on hand to support Swift, a squad including Kloss and Cara Delevingne in tow, for the MTV VMAs.

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    2015 MTV Video Music Awards - Red Carpet

    Kevin Mazur//Getty Images

    US-ENTERTAINMENT-MTV VMA-ARRIVALS

    MARK RALSTON//Getty Images

    November 2015

    Gomez shared a photo of herself and Swift hanging out with pals Gigi Hadid and Lily Aldridge on Instagram. “@taylorswift -we just show up. Thank you for making us and all beautiful women feel beautiful,” she captioned the photo.

    The following month, Gomez celebrated Swift’s birthday with a sweet throwback post on IG. “I don’t know life without you Taylor,” she wrote. “Happy birthday!”

    January 2016

    At the start of the year, the friends had fun recreating a scene from Swift’s 1989 song, “Out of the Woods.” Gomez used Swift’s lyrics by captioning the post, “Are we in the clear yet?”

    February 2016

    Gomez was by Swift’s side at the 2016 Grammy Awards, where the latter won Album of the Year for 1989. In her speech, Swift seemingly referenced Kanye West’s recently released song, “Famous,” which contains the lyrics, “I feel like me and Taylor might still have sex/Why? I made that bitch famous.” Swift said while accepting, “I want to say to all the young women out there: There are going to be people along the way who will try to undercut your success or take credit for your accomplishments or your fame, but… someday when you get where you’re going, you’ll look around and you will know that it was you and the people who love you who put you there…”

    The 58th GRAMMY Awards - Arrivals

    Steve Granitz//Getty Images

    That same month Gomez chimed in about Kanye West’s song “Famous,” telling SiriusXM’s “The Morning Mash Up” about Swift, “She’s killing it, and she kind of always has been.”

    April 2016

    Next up, the friends attended the iHeartRadio Music Awards together, where each won awards.

    iHeartRadio Music Awards - Backstage

    Kevin Mazur//Getty Images

    June 2016

    Swift was spotted with then-boyfriend Hiddleston at the Nashville stop of Gomez’s Revival tour.

    July 2016

    When Kim Kardashian posted a recording of Swift to Snapchat, which seemingly shows her approving West’s lyrics about her in “Famous,” Gomez fired off a series of tweets in defense of her friend.

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    This content is imported from twitter. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

    This content is imported from twitter. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

    December 2017

    In 2017, Gomez and Swift’s friendship was kept pretty quiet, other than eagle-eyed fans spotting a Swift easter egg in an episode of 13 Reasons Why, which Gomez produces. She also can be seen in Gomez’s “Bad Liar” music video.

    But at the end of the year, Gomez publicly honored Swift’s 28th birthday with a small video and touching caption. “I’m glad you were born,” she wrote on Instagram. “You write all the thoughts some aren’t able to articulate. (ME!) Thank you for giving a voice to this world that is authentic and inspiring. I wish some knew how big your heart actually is.. it’s fierce, bold and freaking wild with light. I’m glad you protect that. Love you @taylorswift.”

    Fans later pointed out that Gomez had inadvertently placed an Easter egg for Swift’s first single off of Lover in her caption.

    May 2018

    At the Rose Bowl stop of Swift’s reputation tour, the duo performed “Hands to Myself.” Swift later wrote about the moment on Instagram, “To the person I could call at any time of day, who has been there no matter what… you absolutely KILLED IT tonight and everyone was so excited to see you. I love you, and 60,000 people at the Rose Bowl loved you too.”

    Taylor Swift reputation Stadium Tour

    Christopher Polk/TAS18//Getty Images

    After the performance Gomez gave a moving speech about her friendship with Swift to the thousands in attendance:

    “Are you guys having a good night? I have to say thank you to my best friend of about 12 years, almost 13, and the reason why she has been one of my best friends is because this person has never ever judged a single decision I’ve made. She’s always met me where I’ve been. She’s encouraged me when I’ve had nothing to be encouraged about, and I don’t know if I would be as strong as I am if I didn’t have you and your family because you’ve changed my life. And—she’s going to kill me after—but honestly, thank you for the bottom of my heart for supporting someone who I know is the most beautiful, strong, independent woman I’ve ever met. So thank you as a best friend.”

    Gomez captioned pictures from the evening, “I’m grateful for those I surround myself with. And this woman right here happens to be one of my favorites. Love our tradition and I love you.”

    December 2018

    Gomez supported Swift’s album Reputation once more by wearing some tour merch while skiing with friends.

    January 2019

    At the start of the year, Swift and Gomez seemingly welcomed another friend into their circle, Cazzie David. 20wineteen,” Swift captioned a blurry photo of the trio drinking white wine.

    A source told E! at the time that Gomez “really leans on Taylor and considers her one of her best friends,” particularly in the aftermath of her treatment for her mental health.

    “Selena and Taylor have been in touch since Selena left her treatment and are very close,” the source added. “Taylor has reached out several times and has shown her support and love.” The two are in a “really good place” and remain close despite consistent travel for work.

    July 2019

    Then came Swift’s drama with Scooter Braun, Bieber’s manager, who acquired the rights to her music catalog (first six albums’ masters) from Big Machine Label with his purchase of the record company. Swift penned an open letter, calling the situation the “worst case scenario.” Then Bieber posted his own response. In turn, Swift took to Tumblr to seemingly confirm that Bieber had cheated on Gomez.

    She liked a Tumblr post that said, “‘we haven’t gotten to communicate our differences’ you cheated on her best friend and then publicly sided with the man who made revenge porn against her was she supposed to invite you over for tea??? Fuck outta here.”

    Celebrity Sightings In Los Angeles - June 16, 2015

    MPI99/Bauer-Griffin//Getty Images

    August 2019

    When Swift released her latest album Lover, Gomez was ready to sing her praises. “You’re just.. unreal dude,” she wrote on her Instagram stories over a photo of the song “Lover.” Swift reposted the photo adding, “I LOVE YOU SELENA.”

    Text, Heart,

    Taylor Swift’s Instagram

    October 2019

    After the late October release of Gomez’s new single “Lose You to Love Me,” Swift praised the song on Instagram. “This song is a perfect expression of healing and my absolute favorite song she’s put out yet. A triumph,” Swift wrote on her stories, which Gomez posted to her own.

    Swift also expressed her excitement during an interview on New Music Daily With Zane Lowe on Apple Music’s Beats 1. “She came over, she played me the video. I’m so proud of her,” she said. “She’s been through so much. I’ve watched so much happen in her life and had a front row seat to so much, and I’m so proud of her. She is such a revelation because now she’s making her best stuff.” Swift added:

    “I am 100 percent convinced this is the best thing she’s done so far,” she continued. “Just from my perspective as her friend, I’ve just never been more proud. The things that she’s overcome, the situations that she’s risen above. It’s been a long time that we’ve been friends, and she’s the best. I’m really excited because when somebody has had great life experience, has had really tough things they’ve had to go through, and they can process that and make art that’s going to help other people, that’s what kind of song this is.”

    A potential snag in Swift and Gomez’s friendship came a few days later when Gomez seemingly plugged Kim Kardashian’s SKIMS shapewear line on IG stories. “Legit so freaking comfortable @skims,” she wrote over a photo of herself wearing a pair.

    Shoulder, Leg, Arm, Room, Photography, Model, Photo shoot, Physical fitness, Advertising,

    Instagram

    Hours later, that photo had been taken down and replaced with a Swift appreciation post. “My ride or die. I would die for this one,” Gomez wrote over a selfie of the pair and one of Swift’s cats. “Thank you for being by my side. You have taught me so much, walked through all of this with me, STAYED and you remind me to be a better human being. I’m on your side for life.”

    Selena Gomez and Taylor Swift

    Instagram

    November 2019

    After years of friendship, a Gomez-Swift duet could be on its way. On the Shelley Rome radio show, Gomez was asked if her and Swift ever had plans to collaborate musically. “Yeah! I mean super casual,” she said. “We’ve never been like no or never talked about it. It’ll happen when it happens, if it does there’s no pressure. She’s been my friend for 13 years. It would be awesome.”

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    Later that month, Gomez stepped into the drama surrounding Swift, Big Machine Records’ CEO Scott Borchetta, and Justin Bieber’s manager Scooter Braun. Swift penned an open letter airing her grievances with her former label and new owner of her first six albums. This prompted Gomez to release her own statement on the matter, via her Instagram Story.

    Her statement in defense of Swift read:

    My heart is so heavy right now. It makes me sick and extremely angry. (I don’t mind if there may be retaliation) this is my opinion. It’s greed, manipulation, and power. There is no heart or thought of anyone else. No respect for the words my friend has written since she was a 14-year-old in her bedroom.

    You’ve robbed and crushed one of our best song writers of our time an opportunity to celebrate all of her music with her fans and the world.

    I have known Taylor for 13 years. She is the most dedicated, fearless, fiesty [sic], strongest woman I’ve ever known. People can say bitch but what I’m saying to you is that’s called a woman with true identity and strength who takes no shit. I listened to fearless before it came out and I just remember us jumping on a bed and she was just sparkling. ✨ -so proud of her diary being read by the whole world. Nervous of people not liking it… but that became one of the biggest records – an album that saved so many young woman who felt alone. Have a broken heart. Who were healing. Those who felt invisible. Gave a voice to those who didn’t know that they had one all along. Believing in dreams again. I continued to see how she has constantly challenged her self to create a beautiful life that belong to just her. So I can tell you first hand the MOST important thing to Taylor is her family, love, her fans, and her MUSIC. I really hope there is a change of heart over this unfortunate situation.

    Seeing my best friend (or any of my friends) be constantly pulled down is the worst feeling. Taylor fights. She will never stop fighting. People grow from choices. Some will stay exactly the same. I just want a change of heart. I love you.

    December 2019

    Although Gomez wasn’t able to attend Swift’s Christmas-themed 30th birthday party while promoting her new album in Paris, she did write her a heartfelt tribute on social media. “Love living many many many years of life with you. You mean the world to me. You help me become better everyday. Happy 30th, @taylorswift,” she wrote. Swift reposted the message on her own Instagram Story and added an “I love you” sticker.

    selena taylor

    Instagram

    One of the interviews to emerge from Gomez’s press tour for Rare revealed Swift had gotten emotional when listening to Bieber breakup songs from the record. Gomez recounted the experience of playing “Lose You to Love Me” and “Look at Her Now” for Swift and her mother, Andrea to KISS UK. “I was with her when I played her some of it,” Gomez began. “I’ll never forget when I did play the video for ‘Lose You to Love Me’ and ‘Look at Her Now’ at her house with her parents, and it was one of the coolest experiences because I’ve been friends with her for over a decade and love her family as well so I was like, ‘Do you just maybe see the video?’ and she’s like, ‘Amazing, of course.’ It was so hysterical. She just started turning off every single light off in the kitchen. And I was like, ‘This is not that intense, Taylor.’”

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    Gomez continued, “And then she played it and her and her mom just started crying. Like, just tears and tears and all of a sudden, it stopped, and it’s going to make me cry thinking about it because it wasn’t about how great the song was—which is a lot, coming from her—it was just that they had been on that journey with me intimately, and they were crying because of how proud they were for me stepping into a whole new era of my life and it not involving the horrible things—the abuse, the emotional chaos. It felt like I had a huge sigh of relief and to see her and her mom feel that way, it was very sweet. It’s like an older sister and an aunt proud of their [friend]. It felt great to have people I love see it as that.”

    January 2020

    Gomez wasn’t by Swift’s side for her PDA-filled Golden Globes date with Joe Alwyn. But there was no need to worry about the pair’s close bond. In a new interview with WSJ magazine, both Gomez and Swift spoke about their longtime friendship. Gomez confirmed that they had become pals while both dating Jonas Brothers—Swift with Joe Jonas and Gomez with Nick. “We clicked instantly and, man, that was my girl,” Gomez remembered. She later added, “We both went through sh*t at the same time. She taught me a lot about how I should be treated at a young age.”

    Swift felt similarly about Gomez. “There has always been this quality of sisterhood, and I don’t say that in a basic way,” Swift said. “I knew from when I met her, I would always have her back. In my life, I have the ability to forgive people who have hurt me. But I don’t know if I can forgive someone who hurts her.”

    taylor swift reputation stadium tour

    Swift and Gomez in May 2018.

    Christopher Polk/TAS18//Getty Images

    Gomez said that while some may feel like they understand her friendship with Swift, it’s more private than it looks. “There’s so much of my friendship with Taylor that people don’t know about because we don’t necessarily feel the need to post about everything we do,” she explained. “She has showed up for me in ways that I would have never expected. Flown in because I was hurt and was going through something. Stuff that was going on with my family. It’s been proven year after year and in every moment of my life that she is one of my best friends in the world. We don’t agree on everything, but we respect each other with everything.”

    And prior to the release of Rare, Gomez said Swift supported her new music implicitly. “I remember Taylor said when I played her some of the new songs, ‘I feel like I’m seeing who you were before this [the Justin Bieber heartbreak and everything].’ That makes me happy. I like feeling like that girl again,” Gomez revealed.

    When it came time for the January 10 release of Rare, Swift was quick to publicly congratulate Gomez. “Congratulations to @selenagomez and everyone who had a hand in creating this…Make sure to buy/stream/support this work of art and the beautiful soul who created it,” Swift wrote on her Instagram Story. Gomez posted a screenshot of Swift’s story on her own Instagram.

    selena taylor

    Instagram

    April 2020

    Gomez praised Swift’s songwriting abilities with Zane Lowe on Apple Music’s Beats 1 Radio show. She highlighted “Lover,” saying, “There’s nothing really to say other than this is another song that shows her ability to take it back to the old, to also combine it with her challenging to do new things with her music.” Gomez added, “I’ll always, not even biased, just think she is one of the greatest songwriters.”

    July 2020

    Another day, another project to support. When Swift surprise-dropped her eighth album folklore, Gomez was one of the first celebrities celebrating it on Instagram. “She’s done it again @taylorswift,” Gomez wrote on her Instagram Story alongside a screenshot of Swift’s new song “cardigan” and pink bow emoji.

    taylor swift selena gomez

    Instagram

    August 2020

    Gomez’s Animal Crossing villager made a virtual appearance Animal Talking with Gary Whitta live-stream show early this month. During her appearance, she revealed that she’s working on a new album—and it could involve a Swift collaboration. When asked about her dream artist to work with, Gomez replied, “I’ll say there’s a few artists for sure, but I’ve always dreamt of doing a song with Taylor. I mean, we both wanted to do that. It’s just—everything remains in our friendship, you know? And so, it’s so—It just feels like we’re family. I’ve known her for 13 or 14 years now. So she’s been my best friend. But we’ve talked about it for sure.”

    Gomez launched her latest TV project—her new HBO Max cooking show Selena + Chef in August 2020. During the fourth episode, she casually called up a friend while making Korean BBQ short rib breakfast tacos with chef Roy Choi. That pal turned out to be none other than Swift. “I’m gonna show my friend really quick. I’ve been telling all of my friends that I’ve been doing this. Out of everything that I’ve done in my career, this is the most outstanding thing I’ve done,” Gomez began before revealing Swift on FaceTime.

    When Gomez showed her culinary creation to Swift, the singer responded, “Dude, I’m so proud of you. Do you know how long I’ve been waiting for you to become obsessed with cooking?”

    Gomez added, “She’s like my big cooking person. It’s a very big deal that I’m learning how to cook, and it’s good for our friendship.”

    February 2021

    On February 12, Gomez congratulated Swift on the release of Swift’s re-recording of her 2009 song “Love Story.” (Swift is re-recording her first six albums now that she is legally allowed so she can have full ownership of them.)

    Gomez wrote, “So proud of you, as always, Tay…LISTEN to THIS album ❤️.” Gomez emphasized “THIS” in her post to make sure fans listen to Swift’s re-recording of her second album, Fearless.

    taylor swift love story selena gomez

    Taylor Swift//Instagram

    March 2021

    On March 23, Gomez gave fans a rare look inside the two’s friendship. Gomez shared photos of her and Swift during a private hangout with Swift’s cat, Benjamin Button. “Kinda missin this one,” Gomez captioned the photos.

    Swift liked the post and commented, “i love u like a love song bay beh 🥰,” referencing Gomez’s song “Love You Like a Love Song.”

    taylor swift's like and comment on selena's post

    Instagram

    June 2022

    On June 23, Swift and Gomez confirmed they remain the best of friends when Gomez used Swift’s song “The Man” on her TikTok promoting Rare Beauty, and Swift left a glowing comment. “It’s giving CEO it’s giving gorgeousness it’s giving friends forever,” Swift wrote to Gomez.

    taylor swift's comment on selena gomez's tiktok

    TikTok

    July 2022

    Swift and Gomez offered up a rare look at this friendship in celebration of Gomez’s 30th birthday. “30, nerdy and worthy,” Gomez wrote.

    February 2023

    Gomez made headlines for defending Swift on TikTok after a fan posted old footage of Hailey Bieber seemingly throwing shade at Swift’s music. “So sorry, my best friend is and continues to be one of the best in the game,” Gomez commented.

    selena gomez's comment on the haileytaylor shade tiktok

    TikTok

    March 2023

    At the iHeartRadio Music Awards, Swift was honored with the Innovator Award. Gomez appeared in a tribute video where she had glowing words to say about her friend’s impact as a musician and woman in the spotlight. “She can represent what she’s walking through so well,” Gomez said. “She’s a role model. I don’t think that’s something you sign up for; I just think it’s something you inherently have inside of you, and I think that’s Taylor.”

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    July 2023

    Swift shared the first new photos of her and Gomez since 2023 began. Swift posted a carousel of images from her Fourth of July party. Gomez appeared with her in group shots and two Polaroids of just them. “Happy belated Independence Day from your local neighborhood independent girlies 😎,” Swift wrote. “See you tonight Kansas Cityyy.”

    taylor swift and selena gomez at her fourth of july party

    Instagram

    taylor swift and selena gomez at her fourth of july party

    Instagram

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  • Your Weekend Playlist: New Music Releases

    Your Weekend Playlist: New Music Releases

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    It’s been two long, arduous weeks since I last graced everyone with a playlist to listen to…and I’m left wondering if you were feeling distraught as a result? Much like you, I had to take some time on the beach for a little R&R. It would be unlike me if I didn’t flee down the shore for Independence Day!


    But the good news is that I’m back, and thank goodness I wasn’t here last week to rave about Olivia Rodrigo’s ultimate Song Of The Summer, “Vampire.” I mean what a track, am I right? See, it’s already a new week full of new music and I can’t stop thinking about the perfect all-around song from Miss Rodrigo. Pathetic.

    Anyways, enough about the past. That news was soooo last week, and I’m here with a fresh batch of music that is sure to get you ready for another weekend of fun. Whether you’re just relaxing and running errands or partying with your friends, get ready for a weekend playlist filled with brand new music from the week of July 5, 2023.

    So get ready to turn the volume up to max level and let’s listen to this week’s new music together. We are soooo back.

    Taylor Swift – Speak Now (Taylor’s Version) 

    My childhood self is absolutely screaming as I announce that Speak Now (Taylor’s Version) is out. Taylor Swift is so close to completing her recreations of her old albums, and Speak Now was always one of my favorites. With classics like Better Than Revenge (with a more PC twist), Enchanted, and The Story Of Us, you won’t want to miss a more mature Taylor singing classic breakup songs.

    She never seems to stop working, with The Eras Tour happening right now and moving overseas…but don’t think she probably isn’t re-recording 1989 as we speak. It’s an entirely self-written album, just like it was when she first released it…except with features from rock gods like Fall Out Boy and Hayley Williams.

    Peter McPoland – “Ceiling Fan/Piggy” 

    We are getting closer to Peter McPoland’s debut album, Piggy, which means new singles. This new one, “Ceiling Fan/Piggy” is what McPoland admits is “the darkest song on the album.” The song is McPoland’s way of dealing with his emotions during his parents’ divorce, where he likens himself to Lord Of The Flies character, Piggy. It’s dark, it’s intense, and it’s extremely vulnerable.

    Accompanying the new single is a video directed by Keats, which perfectly pairs with the bassy drumbeat and the angsty lyrics. McPoland is gearing up to be a fan favorite already, and with the edgy “Ceiling Fan,” you get an idea of his range. You’re going to want to remember McPoland’s name after this track.

    Elyanna – “Mama Eh” 

    Rising Palestinian-Chilean singer has all the classic makings of a popstar: the huge vocal range, the upbeat, catchy pop tunes that make you want to dance and sing along, and a buzz of fans catapulting her into the spotlight. She’s making history by trailblazing the path for Arabic music in the United States, she performed as the first Coachella act fully in Arabic.

    She’s one of Rolling Stone’s Best New Rising Artists for a reason, and “Mama Eh” will make you want to get up and dance. It’s filled with a symphony of Middle Eastern instruments and a dreamy chorus that proves who Elyanna is as an artist. She’s the one to watch as she breaks into the U.S.

    Dillon Francis x Good Times Ahead – “LA On Acid” 

    He can do it all: sing, write songs, produce, and DJ. Dillon Francis can easily create a hit that will be played at parties across the country for years to come. This time, he’s paired up with electronic group Good Times Ahead, to create a fun, carefree single from his upcoming mixtape, This Mixtape Is FireTOO. It’s the followup to the similarly titled mixtape from 2015 that has features from artists like EVAN GIIA, Illenium, and INJI.

    “LA On Acid” is the perfect addition to a weekend playlist because you truly have no worries when listening to it. There’s all good vibes from Dillon and Good Times Ahead, which is exactly what you want from a song in the summer.

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    Jai Phillips

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  • The Trendy Summer Shoes Hailey Bieber and Taylor Swift Are Both Wearing

    The Trendy Summer Shoes Hailey Bieber and Taylor Swift Are Both Wearing

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    There are some shoes that go in and out of vogue, but never truly fall out of style. For instance, this summer’s it-shoe, the Fisherman sandal. Worn recently by celebs including Hailey Bieber and Taylor Swift, this casual footwear exudes all things summer while looking much more elevated than a flip-flop. 

    Inspired by the shoes worn by fishermen in the 1940s, today’s style falls somewhere between a ’90s-style jelly sandal and a strappy leather gladiator sandal. It sounds like a lot, but trust us: it works. 

    Ahead, see how Hailey and Taylor styled their Fisherman sandals, plus shop their shoes and 15 more versions of the trend. Adding a pair to your car just might be the best catch of the day. 

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    Drew Elovitz

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  • Trudeau tweets at Taylor Swift over Eras tour snub: ‘Cruel summer’ – National | Globalnews.ca

    Trudeau tweets at Taylor Swift over Eras tour snub: ‘Cruel summer’ – National | Globalnews.ca

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    Prime Minister Justin Trudeau has joined a growing chorus of Canadians who want Taylor Swift to bring her Eras tour to Canada.

    On Wednesday, the U.S. superstar added 14 shows in the United Kingdom and Europe next summer, announcing the new dates on her Twitter account.

    “Really can’t contain my excitement because… we’re adding 14 new shows to The Eras Tour,” Swift tweeted.

    Trudeau replied to her announcement with a message referencing a few of Swift’s songs, including Cruel Summer.

    “It’s me, hi. I know places in Canada would love to have you. So, don’t make it another cruel summer. We hope to see you soon.”

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    As of Thursday morning, Swift had not publicly replied to the Canadian leader.

    Why isn’t Taylor coming to Canada?

    The Eras tour, which began in the United States in March, will see Swift perform across the globe.

    So far, she is slated to take the stage in Mexico, Europe, Asia and Australia over the next year.

    No Canadian dates have been announced for her international leg and it’s not clear if more will be added.

    Trudeau’s Twitter request is not likely going to sway Swift, said Eric Alper, a music industry expert in Toronto, adding he suspects bypassing Canada was an “economic decision” by the multiple Grammy winner.

    “It’s nice to see when politicians end up in the pop culture realm, but it’s not going to do anything,” Alper said in an interview with Global News.

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    Canada’s huge landmass and its relatively smaller population makes it a “really tough country to tour”, he said.


    Click to play video: 'Taylor Swift ticket chaos leads to US Justice department probe of Ticketmaster, Live Nation'


    Taylor Swift ticket chaos leads to US Justice department probe of Ticketmaster, Live Nation


    Compared to the U.S. and the U.K., Canada also does not have many large venues that can hold over 50,000 people, Alper said.

    “When you’re working in a country at 35 per cent less on the dollar, it doesn’t make sense just now to tour when Taylor Swift is just simply laser focused on playing to the most people that she possibly can in the shortest period of time, and also has her sights set on potentially music’s first billion-dollar tour.”

    Swift’s snub of Canada has made its way to the House of Commons, with Conservative MP Matt Jeneroux saying last month he would file an “official” grievance “on behalf of all Swifties” in the country.

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    “It has come to my attention that despite much anticipation, Taylor Swift’s Eras Tour has neglected to include any Canadian dates or locations as she released her international dates, which includes stops throughout Asia and Europe,” Jeneroux wrote in a letter dated and signed on Wednesday, June 21.

    Neither Swift nor her management has addressed the decision to skip Canada. Swift last performed in Canada in 2018.

    The Eras tour is set to end at London’s Wembley Stadium on Aug. 17, 2024.

    — with files from The Canadian Press

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Saba Aziz

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  • “I Keep My Side of the Street Clean”—Not!: Taylor Swift’s Garbage (Not to Be Confused With Taylor Swift Is Garbage)

    “I Keep My Side of the Street Clean”—Not!: Taylor Swift’s Garbage (Not to Be Confused With Taylor Swift Is Garbage)

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    Like most things that the hoi polloi are expected to endure/“deal with,” celebrities and the otherwise wealthy are not. For someone of Taylor Swift’s caliber (financially speaking), that certainly applies tenfold. And if that wasn’t already made apparent from the public release of her carbon footprint that reported her as emitting 8,293.54 tonnes of carbon a year thanks to private jet-setting alone, then maybe her latest example of “It’s me, hi. I’m the problem, it’s me” will make it undeniably clear. And that is: her blasé attitude about trash. More specifically, disposing of it in a manner that would be expected of a “plebe.”

    But before we get to that, let us remember that Swift perhaps ultimately skirted a full-tilt backlash against the private jet controversy by claiming that the majority of the flights taken were a result of loaning out her jet. As though that somehow made her inculpable just because her bony ass allegedly wasn’t in the seat. What’s more, the report of Swift’s numerous flights came out at the same time as records of Kylie Jenner’s twenty-minute flights were released. Flights that could have been a slightly longer drive between Riverside and L.A. Counties. Jenner confirmed her own outrageous behavior by posting an image she thought was going to “serve” in July of 2022—featuring her in “Hollywood embrace” pose with her equally atrocious baby daddy, Travis Scott, as the two stood in between their respective private jets, captioned with the braggadocious question, “You wanna take mine or yours?”

    With Jenner being instantly lambasted as a climate criminal (where’s the lie?), Swift’s crown as the reigning queen of private jet usage ultimately got lost in the shuffle of broad-spectrum outrage over private plane rides (with Britney Spears perhaps being the only one to get a “pass” as a result of all she’s been through). And any thoughts of Swift as someone “criminal” eventually “petered out” once she released another album, and America was reminded again of just how much they love their sweetheart (grotesque little CO2 emitter or not). Even if, with Midnights, it seemed Taylor was actually trolling people a bit with a line (from the climate change-y “Snow on the Beach” no less) like, “And my flight was awful/Thanks for asking.” Of course, that’s hard to believe when considering the lavish accommodations of a private jet she calls “The Number 13.” A number she has long considered to be lucky, as a matter of fact—referencing it in songs and videos galore and, as mentioned, opting to brandish it as the moniker of her personal plane, to boot. So yeah, if it ever crashed, that surely might change her views on the digit bearing something like luck, rendering her just another average person with a case of triskaidekaphobia.

    But getting to her latest case of environmentally-unfriendly behavior, Swift has come under fire (mainly by the New York Sanitation Department) for her less than exemplary “disposal” methods. To that end, ironically enough, Swift also boasts on Midnights (during “Karma”), “I keep my side of the street clean/You wouldn’t know what I mean.” Evidently, she’s the one who doesn’t even know what she means, relying on the tried-and-true “just make it go away with money” method that most celebrities are inclined to. After all, what’s the point of being a celebrity if you can’t enjoy such “perks” in exchange for the violation of your privacy? Such perks being to pay thousands of dollars in fines to avoid actually keeping your side of the street clean—all while your privacy is invaded by way of habits being revealed through the exposure of your trash. Something that media outlets are only too happy to report on (including, but not limited to, the presence of liquor bottles and cigarettes butts…how Olsen twins circa the 00s-esque).

    Nonetheless, it doesn’t seem to bother Swift that much. Or at least not enough to clean up a.k.a. hire someone else to do the job. For, as of July 2023, Swift has been ticketed thirty-two times by the New York Sanitation Department and fined roughly three thousand dollars (which amounts to three cents for a person of Swift’s echelon) for her inability 1) dispose of her trash correctly, 2) failing to keep the front area of her building clean and 3) generally parading a dirty sidewalk year-round—regardless of being on tour or not. Considering Swift essentially “owns” the block she inhabits on Franklin Street in Tribeca, she’s the only one responsible for “keeping this place clean,” to quote Prince’s dad in Purple Rain.

    Naturally, Swifties were quick to come to the defense of their beloved “mother,” assuring, “It’s probably the fans waiting for her and smoking while they’re bored.” Whether that’s true or not, it doesn’t change the reality that Swift is the one responsible for maintaining the cleanliness of the block she’s made her own private island on an island. What’s more, who’s to say that she doesn’t smoke now and again? For, despite her “squeaky clean” image—complete with the blonde-haired, blue-eyed Aryan aesthetic—Swift has broken away from it in the years since she went from country to pop star, going on to—gasp!—swear in her lyrics and openly drink in public/on camera (her affinity for wine being well-known by now). Indeed, her love of the drink is just about the only thing that’s made her a “baddie,” while her foil, Lana Del Rey, instead relies on vaping and smoking since she gave up drinking long ago after her teenage bout with alcoholism. In short, regardless of her fans’ disbelief that “pure” Taylor could bear such trash herself, the report stating that “there are cigarette packs, stacks of newspapers, liquor bottles, cardboard boxes and ashtrays scattered on the sidewalk” actually does jive with Swift’s lifestyle, as well as the company she keeps. Being so convinced she’s a “New York bohemian” and all.

    Those who aren’t defending her and trying to say it’s not her fault (including Swift herself, who seems to be fighting the charges on “principle” alone—because, again, 3K is nothing to her) are instead commending the “bad bitch” contents of her waste. Namely, Charli XCX, who retweeted one of the headlines about Swift’s trash with the caption, “My kinda girl.” And yet, increasingly, Swift has proven herself to be no one’s kind of girl. At least not in terms of displaying the level of consideration required of somebody who wants to truly set an example for others about not being so reckless with the climate’s well-being just because you “can be”/claim you “have to be” (“for work”). Alas, money is a celebrity’s multifaceted superpower as much as any corporate shill at the top of the company food chain. A “superpower” that serves as the driving force behind why the environment continues to be pillaged and violated in such vast and ceaseless ways. Then again, perhaps Swift should be commended for ultimately helping to “end” New York sooner.

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    Genna Rivieccio

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  • Paul McCartney Thinks Concerts Are Too Long, and It’s All Bruce Springsteen’s Fault

    Paul McCartney Thinks Concerts Are Too Long, and It’s All Bruce Springsteen’s Fault

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    Paul McCartney would like to have a brief word with his performing peers—emphasis on the brief.

    The 81-year-old musician recently appeared on Conan O’Brien’s podcast, Conan O’Brien Needs a Friend, and bemoaned the length of concerts lately. In the late June interview, McCartney said that The Beatles “used to do a half hour. That was The Beatles’ thing: Half an hour, and we got paid for it.”

    “Now, people will do three or four hours. I blame Bruce Springsteen,” he said. “I’ve told him so, I said, ‘It’s your fault.’”

    “He ruined it for everyone,” O’Brien said, to McCartney’s enthusiastic agreement.

    McCartney reasoned that back in the day, more acts would play on one bill, including comedians who would deliver four minutes of material. In contrast, the Beatles’ half-hour felt “epic,” he said.

    Springsteen is known for his multi-hour concert extravaganzas, even at his current age of 73. McCartney has kept up with the times with a reportedly nearly three-hour concert length on his 2022 tour, though after these comments, you’ve got to wonder about his internal monologue and yearning for a nice, comfy place to sit.

    The long shows aren’t just limited to the Guys With Guitars genre, either: Taylor Swift is turning in three-hour sets on her current Eras Tour, an extremely physical performance even when her trap doors are behaving, and Beyoncé, on her Renaissance Tour, is clocking in similarly epic performances. It makes your knees hurt just to think about it. Paul should count his blessings: At least he doesn’t have choreography.

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    Kase Wickman

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  • Taylor Swift’s Tribeca Address Is Known “All Too Well” By NYC’s Sanitation Department

    Taylor Swift’s Tribeca Address Is Known “All Too Well” By NYC’s Sanitation Department

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    Taylor Swift has made a lot of news, from her outrage at Ticketmaster’s “excruciating” mishandling of her current world tour (which even sparked legislation in her name) to the rumors that she was rebounding from the end of her longtime relationship with Joe Alwyn by dating edge lord Matty Healy. Her personal life isn’t the only thing that’s been messy lately: the New York Post reports that the Sanitation Department has ticketed her repeatedly.

    At issue is her townhouse on Franklin Street in Tribeca, a high-end neighborhood in lower Manhattan. As a homeowner, Swift is responsible for maintaining the 27 feet of sidewalk in front of her property. But since purchasing the home in 2017, the city has ticketed her on 32 occasions for “failing to clean the area in front of her building, having a dirty sidewalk, and improperly disposing of garbage.”

    What kind of garbage? “[P]iles of newspapers, bottles and cardboard; napkins and wrappers; and ‘scattered ashtray contents’ and a cigarette carton, according to the summonses.” The Post’s Matthew Sedacca quotes Christine O’Connor speculating that the trash is probably attributable to fans staking out the door hoping for a glimpse of Swift when she’s in town, “and smoking while they’re bored….She doesn’t even smoke!”

    The nearly three dozen fines have totaled $3,010 in charges — though, as Sedacca notes, Swift and “her army of lawyers” have disputed some, getting $200 reversed on appeal. Given her lawyers’ probable four-figure hourly rate, maybe they just did it for fun?

    If Swift is really expected to do cigarette sweeps multiple times a day (or, let’s be real, pay someone to do it), good luck to her on staying ahead of New York’s smokers, who I don’t think ever drop their butts anywhere but the sidewalk. Still, when you have the resources to live in a three-story townhouse in the city, nuisances like this truly are “champagne problems.”

    VF.com has reached out to Taylor’s rep for comment.

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    Tara Ariano

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  • A Tale of Two Parises: Lana’s and Taylor’s/(So-Called) Whites’ and Arabs’

    A Tale of Two Parises: Lana’s and Taylor’s/(So-Called) Whites’ and Arabs’

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    The outskirts of Paris continue to burn in the wake of another grotesque (but sadly, not unfathomable) instance of police brutality. And this on the heels of Paris itself already burning after the nonstop protests against Macron raising the retirement age from sixty-two years old to sixty-four years old as a result of invoking the notorious article 49.3 of the French constitution, which allows the president to enact a law without a vote from parliament. A parliament that would have surely caused, at the bare minimum, a deadlock on any such vote—with the ideological divide between left and right being pretty much the same in any country. And yet, as far as Taylor Swift and Lana Del Rey are concerned, “Paris” still signifies nothing but romance and (false) idealization. Even if both women are referring to two entirely different Parises altogether. Just as, depending on your skin tone, two versions of Paris exist.

    It would be nice to say that one of the chanteuses is actually referring to the “real” Paris—that is, the one where a police officer will shoot a teen of North African (a.k.a. Arab) descent named Nahel Merzouk while he’s pulled over for a traffic violation. Of course, many people won’t count Nanterre as part of Paris or its long-standing racism. But to exclude the “suburbs” of Paris from considering what the city “means” is an all-too-common mistake. One that allows romanticism to persist in the face of blatantly ignoring that Paris is no Disneyland (despite being home to Euro Disney a.k.a. Disneyland Paris…appropriately enough, also located in the city’s outskirts).

    Nonetheless, Swift is the first to equate “Paris” with some sort of fantasy realm where reality can be avoided. Her “reality” consisting of constantly being stalked by fans and paparazzi alike as they dissect her every move and relationship. So it is that she chirps of imagining herself somewhere else with her man, “I was taken by the view/Like we were in Paris/Like we were somewhere else/Like we were in Paris, oh.” Her wistful intonation and delivery builds on the enduring lore that Paris is a place one escapes to (as opposed to being a place one wants to escapes from). That it is an emblem of freedom, endless possibility, etc. Something that a girl like “Tay Tay” would certainly do nothing to discourage. For her entire oeuvre favors only melodrama as opposed to actual drama—a true crisis. Such as the one that has existed within the justice system since time immemorial.

    Perhaps because Del Rey’s “Paris, Texas” isn’t about the Paris, it gives way more willingly to something like realism (even if still drenched in its own kind of faux plaintiveness). Complete with Del Rey admitting that, “When you know, you know/It’s time, it’s time to go” after already painting the picture, “I went to Paris (Texas)/With a suitcase in my hand/I had to leave/Knew they wouldn’t understand.” And who (but those of Nahel’s skin tone) could possibly understand ever wanting to leave Paris? Least of all Swift, who wants a “privacy sign on the door”—likely at Le Crillon or Le Meurice, both of which she’s stayed at during her numerous stints in the City of Light. This being one of her many “evocative” descriptions in “Paris,” along with how “romance is not dead if you keep it just yours/Levitate above all the messes made.”

    One such “mess” (to use understatement) being the wrath incurred by those who will not stand for what happened to Nahel or any number of men and women of color who this has happened to or will happen to. That wrath has spread over days of unrest, consisting of burning cars, buildings (mostly those harboring French bureaucratic institutions) and trash, and clashing with police as general mayhem is incited in response to the unapologetic blatancy with which systemic racism continues to flourish. And it’s of a variety that does not permit those of a non-white skin tone to romanticize Paris (or its “outlying” areas) in any way, shape or form. Meanwhile, Swift can happily prattle on, “I’m so in love that I might stop breathing [people of color instead “might” stop breathing because a police officer has shot or choked them]/Drew a map on your bedroom ceiling/No, I didn’t see the news/‘Cause we were somewhere else.” Not just physically, but mentally—with that statement about not seeing the news being a sign of white privilege. Because, to be sure, unless a rich white person sees something “untoward” happening directly in their periphery, they’re not likely to notice anything other than the status quo—because they damn sure ain’t botherin’ with the news.

    As for Del Rey, her Paris is located in a (theoretically) more racist locale: Texas. Lacking the shine and glitz of the more famous city in France, this small town in Northeastern Texas still has the same racist “philosophies” (so frequently put into practice) that people are seeing come to greater light in the French Paris at this moment. Although it’s long been there, with similar riotous crests after the deaths or aggravated assaults of other Black and/or Arab men (including Amine Bentounsi, Théo Luhaka, Cédric Chouviat and Adama Traoré), the “magic” of France so often causes outsiders to have blinders to the unbridled reality that it is a country with as much racism as the next (often because of a history rooted in colonialism). And, at this instant, it’s not looking so different in that regard from Paris, Texas. Site of numerous violent race relations incidents over the centuries, and, thus, fittingly known for being the location where a lynching was photographed for the first time (with the victim in question being Henry Smith). In this regard, Del Rey’s “Paris” serves as a foil to Swift’s that grounds the French one in reality. A reality that’s not manifest whatsoever in Swiftian lyrics such as, “Stumbled down pretend alleyways/Cheap wine, make believe it’s champagne/I was taken by the view/Like we were in Paris, oh.”

    As if such twee fantasies weren’t enough, Swift continues, “I wanna brainwash you/Into loving me forever/I wanna transport you/To somewhere the culture’s clever/Confess my truth/In swooping, sloping, cursive letters/Let the only flashing lights be the tower at midnight/In my mind.” The “tower” she’s referring to, of course, could be none other than the Eiffel, with its signature flashing lights. And especially its rotating light ray at the top that not only mimics the lighthouse effect, but also the spotlight effect that occurs when a prison break happens. Needless to say, at this juncture, France feels like a prison many people (of color) want to escape from in terms of having none of the same freedoms as those of a certain “look” and class. In short, there is no “liberté, égalité, fraternité” for those who are a “high-risk” color in the eyes of the Establishment—which is, sadly, best embodied by police forces (in France and throughout the world).

    When Swift wraps up her song with the lines, “‘Cause we were in Paris/Yes, we were somewhere else/My love, we were in Paris,” she reminds that the so-called whites of Paris are, in fact, somewhere else. In a dimension alternate from the one where somebody such as Nahel lives (or rather, lived). And while the concluding lyrics to Del Rey’s “Paris, Texas” might pertain to always going with your gut and taking a risk on making a mistake (something most people of color don’t have the luxury of doing…whether in general or vis-à-vis choosing a place to briefly “settle down”), within the context of amoral and immoral police brutality, it sounds positively eerie to hear: “When you’re right, you’re right/Even when you’re wrong.”

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    Genna Rivieccio

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  • John Mayer to open for Ed Sheeran days after Taylor Swift defends him; Here’s how swifties reacted

    John Mayer to open for Ed Sheeran days after Taylor Swift defends him; Here’s how swifties reacted

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    Ed Sheeran’s Mathematics Tour is about to get a star-studded twist! The highly anticipated stadium shows in Massachusetts this weekend will feature an exciting replacement for the former opening act Khalid, who met with a car accident last week. Fans can look forward to witness the soulful John Mayer and the talented country group Little Big Town take the stage at Gillette Stadium, as confirmed by the venue itself.

    ALSO READ: Is Ed Sheeran set to ‘quit’ music? Singer reacts to plagiarism accusation

    Taylor Swift’s connection to Ed Sheeran’s concert

     

    The announcement of John Mayer joining Ed Sheeran as an opening act on his stadium shows has sparked a flurry of excitement and speculation, particularly among fans of Sheeran’s close friend, Taylor Swift. The dynamic between Sheeran and Swift is quite well known, and Swifties wasted no time sharing their thoughts on Mayer’s inclusion.

    Adding fuel to the fire is the impending release of Swift’s highly anticipated album Speak Now on July 7. Fans couldn’t help but draw connections to Mayer with the track Dear John, widely believed to be a pointed response to their past romantic entanglement. The timing seems almost too perfect, igniting a mix of curiosity and anticipation among Swift’s devoted fanbase.

    Taking to social media, one Twitter user mused about the potential reception Mayer might receive from the audience, pondering whether he would face an onslaught of boos or a more gracious welcome. Meanwhile, another fan humorously pointed out the irony of Mayer serving as an opener while Swift continues to sell out stadiums with her own headline shows.

    ALSO READ: Why did Ed Sheeran compare Harry Styles to Taylor Swift? Find out

    Did Taylor Swift forgive John Mayer?

    A few days ago, while performing at a concert in Minneapolis, Taylor Swift took a heartfelt moment on stage to assure her fans that she has moved on from the emotions tied to her song Dear John.

    At 33 years old, she emphasized her growth and maturity, stating that she no longer cares about events that happened when she was 19. Swift clarified that re-recording her album Speak Now was about reclaiming ownership of her music, not about reigniting past grudges.  message resonated with her audience, highlighting her resilience and personal growth.

    ALSO READ: Taylor Swift urges fans to act with ‘kindness and gentleness’ ahead of Speak Now Taylor’s Version’s release

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    1136950

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  • Olivia Rodrigo Gets Emotionally Sucked Dry (Again) On “Vampire”

    Olivia Rodrigo Gets Emotionally Sucked Dry (Again) On “Vampire”

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    It’s no secret that Olivia Rodrigo is a Twilight fan. Shit, she even has an unreleased song called “Twilight,” with lyrics that go, “Don’t know if you’re busy/Don’t know if you like me/Don’t know if it’s weird/But I kinda do like you/This small town thing’s not as bad as I thought/So do you wanna hang out or not?” Clearly speaking from the perspective of Bella (Kristen Stewart) on this track, Rodrigo takes what she did in that strumming, upbeat number and turns the concept into something decidedly more Lana Del Rey-esque (with initial speculation positing that the single would sample “Cinnamon Girl”—it doesn’t). After all, Rodrigo was overtly changed after spending a bit of time with her at Billboard‘s Women In Music Awards, where Del Rey was presented with the Visionary Award by none other than Rodrigo. It was during her presentation that Rodrigo gushed, “Lana has raised an entire generation of music lovers and songwriters like me, and taught them that there’s beauty in their vulnerability and power in their melancholy… I still consider [“Video Games”] to be probably the best love song of all time. She captures anger, sadness and sensuality in a way that only the greatest of songwriters ever could.” Rodrigo is obviously dead-set on taking that path as well, with yet another ambitious, tempo-switching single in the form of “vampire” (alas, spelled with the annoying “stylized in lowercase” trend that won’t quit).

    As the lead single for her appropriately-titled sophomore album, Guts, Rodrigo calls this work and sound a “natural progression” from where we left off on Sour. And, indeed, there seems to be little differentiation between the album artwork of Sour and Guts, with purple obviously being Rodrigo’s preferred color palette. Even if one might have envisioned crimson or blood red being a more ideal tone to express the mood and theme of the record. Or maybe that was too “on the nose (neck?)” for Rodrigo. Almost as on the nose as “vampire” not only being an homage to Twilight, but also the video itself being an homage to Taylor Swift’s 2021 Grammy performance. For Rodrigo, being a major Swiftie (regardless of the latter tapping Sabrina Carpenter to be one of her openers on the Eras Tour), surely must have based her awards show performance in the video on what Swift did with her Grammys medley of “cardigan,” “august” and “willow.” It has the same tweeness, the same whimsy, the same preciousness…the same lighting style.

    And, speaking of lights, it’s a huge one that breaks the illusion of Rodrigo singing in an ambient nature setting just for us as it crashes into her head from above. Granted, there were telltale sparks falling during two brief instances before that point, but perhaps we were too distracted by the carefully-curated “fog” (a.k.a. fog machine) punctuating her romantic performance singing into a vintage hand-held mic (of a variety one could imagine Billie Holiday using…if she didn’t favor her mic stands so much). At the one-minute, twenty-seven mark, the spotlight breaks the “fourth wall,” as it were, by crashing into Rodrigo’s head and revealing that she is, in fact, not “within a narrative” (or at least not the one we thought), but rather, performing for an audience at an awards show. Commodifying her pain…once again. As she was instructed/learned to do by the likes of musical forebears such as Swift and Del Rey.

    It’s also around this point that Rodrigo pulls the “drivers license” maneuver in terms of switching tempos and offering that crescendo moment that’s become something of a signature in her songs. As she puts it, “I’ve just always been obsessed with songs that are really dynamic. Like my favorite songs are high and low and reel you in and spit you back out.” “vampire” certainly achieves that in spades, particularly as Rodrigo, now bloodied and further emotionally broken by the spotlight literally hitting her, continues with her performance. For, as it is said, the show must go on. Even when she’s been burned (or is “sucked” the better, if not more lascivious, word?)—as a matter of fact, the entire stage is on fire—once again by some unworthy asshole. Ostensibly, one who wasn’t even actually famous (à la Will Thacker in Notting Hill)—as indicated by the lyrics, “Blood sucker, fame fucker.” Because yes, more than being just a song inspired by vampires and Twilight, it’s a song that explores the detrimental effects of letting someone “emotionally suck” from you over and over again.

    Often, this is what is called an “energy vampire” (see also: What We Do In The Shadows). MARINA, another Del Rey contemporary, also explores this topic on her 2019 track from Love + Fear, “No More Suckers.” Similar to Rodrigo accusing, “The way you sold me for parts/As you sunk your teeth into me, oh/Bloodsucker, famefucker/Bleedin’ me dry like a goddamn vampire,” MARINA declares in response to such behavior, “No more suckers in my life/All the drama gets them high/I’m just trying to draw the line/No more suckers in my life/They just keep bleeding me dry/‘Til there’s nothing left inside.”

    But what Rodrigo has left inside after enduring her own “sucker” is the wisdom and the renewed strength that she will carry within her going forward. Starting to understand that, as is being said more regularly of late, the real reason older men so “love” younger women is because of how much more easily they can be manipulated. As Rodrigo sings, “Went for me and not her/‘Cause girls your age know better.” Then again, not always. Just look at Taylor falling prey to Matty Healy. At least for now, however, Rodrigo has the “benefit” of youth on her side. A.k.a. the perfect excuse for still remaining naïve despite assuming that one is infinitely more sophisticated with the passing of just a couple years. Perhaps, before the passage of that two years, it was her “greenness” that caused her to be lured in by the “parties and the diamonds” (a phrase, appropriately enough, that could be mistaken for something out of the Del Rey or MARINA canon), with such evocations only happening/appearing at night. The same time that vampires are free to come out and play. Thus, not only does Rodrigo brood, “I see the parties and the diamonds sometimes when I close my eyes/Six months of torture you sold as some forbidden paradise,” but also, “I should’ve known it was strange/You only come out at night.” Because yes, when something seems odd or too good to be true, chances are, it is.

    As Rodrigo keeps trying to carry on with her performance at the generically-titled “19th Annual Awards” (though that number has special meaning considering Rodrigo wrote most of this record when she was nineteen), audience members at first try to applaud her on before becoming scandalized via the influence of the sudden presence of “the law.” A number of police officers materializing to escort her offstage to the point where she finally gives up on the performance and runs out of the auditorium in a terrorized frenzy—all as their flashlights chase her through the darkness. These lights (and the people attached to them) continue to pursue her through the streets of L.A. (perhaps this was filmed by Petra Collins [of “good 4 u” and “brutal” repute] before Rodrigo betrayed her coast and absconded for the East…or maybe she just felt obliged to pop on over to L.A. to do the shoot).

    In the midst of reminding the “vampire” she’s addressing, “I’ve made some real big mistakes/But you make the worst one [would that be Joshua Bassett?] look fine,” Rodrigo learns that she suddenly has the vampiric power of flight, allowing her to ascend high above an L.A. freeway adjacent to Downtown (which has been getting mad play lately in videos like “Attention” and “Shy Boy”). As the cars pass behind and beneath her, it gives new meaning to the lyric, “The way you sold me for parts.” Meanwhile, the cops with their flashlights still wait down below with the same naïveté that Rodrigo once had before indulging this vampire. Earnestly belting out her pain as she looks directly into the camera, some might ask what, exactly, is supposed to differentiate any of this from Sour. Well, to remind, Rodrigo’s “mentors,” Del Rey and Swift never had (or have) to differentiate too much from one album to the next to maintain their devoted legion of listeners.

    And if Lana Del Rey’s “shtick” is being a sad girl, then so is Rodrigo’s—blending that “persona” with the heartbreak-oriented lyrics that have also made Taylor Swift such a success. Because, to be sure, heartbreak remains as timeless as sex (/sexy vampires) when it comes to “what sells.”

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    Genna Rivieccio

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  • Taylor Swift Just Exemplified the TikTok-Viral “Wrong-Shoe Theory”

    Taylor Swift Just Exemplified the TikTok-Viral “Wrong-Shoe Theory”

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    Do I watch random people’s TikTok live streams every weekend to see which surprise songs Taylor Swift sings at each of her concerts? Perhaps. Given my dedication to following her Eras Tour, it’s no surprise that I’d also be fixated on her offstage outfits, and today is no exception. 

    Photographed in New York City in between shows, Swift wore a laidback outfit for a recording session at Electric Lady Studios consisting of a button-down shirt by The Row, a Free People skirt, a Patou bag, and Malone Souliers shoes. I love that she juxtaposed a flouncy skirt with chunky lug-sole shoes—perhaps Taylor Swift’s a proponent of the “wrong-shoe theory” made popular on TikTok? Scroll down to see and shop her newest outfit. 

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    Erin Fitzpatrick

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  • Rina Sawayama seemingly slams Matty Healy for being racist; Singer says she is tired of ‘microaggressions’

    Rina Sawayama seemingly slams Matty Healy for being racist; Singer says she is tired of ‘microaggressions’

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    Glastonbury Festival 2023 is witnessing some amazing performances of popular artists. One such performer is Japanese singer Rina Sawayama who amazed the crowd with her brilliant performances on Saturday. During her segment, Sawayama called out Matty Healy, the lead vocalist of the pop rock band the 1975. Wondering why? Read below to know more details. 

    Rina Sawayama takes a dig at Matty Healy for THIS reason 

    On June 25, Rina Sawayama seemingly called out her Dirty Hit labelmate Matty Healy in the middle of her set at the 2023 Glastonbury Festival in England. Before beginning her song ‘STFU,’ lookslike the singer hinted that the song is written for his labelmate Healy. She did not reveal his name. Rina said, “I wrote this next song because I was sick and tired of these microaggressions. So tonight, this goes out to a white man that watches ‘Ghetto Gaggers’ and mocks Asian people on a podcast.” Expressing her anger, Rina said, “He also owns my masters. I’ve had enough!” 

    Even though she did not name Healy, fans were quick enough to realize that Rina was referring to the 1975 frontman’s controversial appearance on The Adam Friedland Show in February.

    For the unversed, Matty Healy was seen laughing and making no comments at the conversation between the podcast co-hosts Adam Friedland and Nick Mullen, who called Ice Spice an “Inuit Spice Girl” and a “chubby Chinese lady. They mocked Healy for watching Ghetto Gaggers, which is a pornography show where white men dominate black women. Social media slammed the singer for his unusual behavior. 

    However, Healy later apologized to Ice Spice, who recently collaborated with his now-ex-girlfriend Taylor Swift on a remix of Karma.

    Matty Healy and Taylor Swift break up 

    According to the latest reports, Taylor Swift and Matty Healy have broken up after a month of dating. The Cruel Summer singer and the 1975 frontman have been making headlines in recent days for their whirlwind romance since April. However, the couple has now separated and are no longer together.

    A close friend of Swift told TMZ, “Taylor and Matty are both extremely busy and realized they’re not really compatible with each other. Taylor’s friends want what’s best for her and aren’t shocked that their relationship fizzled out since she recently got out of a long-term relationship.”

    Meanwhile, Taylor Swift and Matty Healy’s dating rumors came shortly after the former split with her longtime boyfriend, Joe Alwyn. Taylor and Joe were in a relationship for almost six years before finally going their separate ways.

    ALSO READ: Kourtney Kardashian and Travis Barker reveal their baby’s gender in new video; WATCH

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    1136895

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  • Odes to Willful Oblivion: Taylor Swift’s “Lavender Haze” and Miley Cyrus’ “Rose Colored Lenses”

    Odes to Willful Oblivion: Taylor Swift’s “Lavender Haze” and Miley Cyrus’ “Rose Colored Lenses”

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    Talk of being in the initial throes of an intense love (or, at least, an intense infatuation) is nothing new in terms of fodder for pop songs. In truth, it’s what most pop songs—the “timeless” ones, anyway—are renowned for. Because, in addition to Jane Austen novels and rom-coms, they peddle the beloved lie of a love that can last forever. Not just any love though: a passionate one that burns and endures long after the honeymoon phase. And yet, with Taylor Swift’s “Lavender Haze” and Miley Cyrus’ “Rose Colored Lenses” being released on the heels of one another (with the former put out as a single in November of 2022 and the latter unveiled on Cyrus’ Endless Summer Vacation in March of this year), the subject of being willfully caught in the veil of amorous illusion (presumably in a shade of lavender or pink) has made a surprising comeback. While one might have formerly associated such talk of young love (meaning a new love in general, not merely or solely being of a “young age” and also being in love) with the 1950s (e.g., The Platters’ “Only You,” The Flamingos’ “I Only Have Eyes For You” and Dean Martin’s “That’s Amore”), it seems that Swift and Cyrus each want to do their part to remind audiences that a “pop song kind of love” remains possible. Even in this epoch of sex robots and AI.

    With the aforementioned 50s in mind, it’s only appropriate that Swift extrapolated the title of “Lavender Haze” from none other than the “Golden Age of Television” itself. A term that Mad Men revitalized in a season two episode called “The Mountain King.” In it, Don tells Anna Draper (Melinda Page Hamilton), the widowed wife of the real Don Draper, that he’s met a girl. In this case, Betty (January Jones). Seeing the way he lights up when he talks about her, Anna remarks, “Look at you. You’re in the lavender haze.” At this time, it would have been the late 50s, so it tracks when Swift noted of the song, “…it turns out that it was a common phrase that was used in the 50s where they would just describe being in love. Like, if you were in the ‘Lavender Haze,’ that meant you were in that all-encompassing love glow, and I thought that was really beautiful.” Even if also kind of vomit-inducing.

    As for Cyrus, she opted to use a more conventional, widely-known expression by turning “rose colored glasses” into “rose colored lenses” for a song that very much echoes the sentiments presented in “Lavender Haze.” Chief among them wanting to stay in the bubble that a freshly-brewing love can accommodate. One characterized by sex-stained sheets and never leaving the bedroom. Cyrus addresses this indelible image (a common cliché for good reason) in the lyrics, “We could stay like this forever/Lost in wonderland/With our head above the clouds/Fallin’ stupid like we’re kids/Wearin’ rose colored lenses/Let’s just play pretend.”

    Indeed, that’s exactly what Swift wants to keep doing as well, even as the curious, prying eyes of the media start to encroach upon her. This much is addressed in that portion of “Lavender Haze” that goes, “I just wanna stay in that lavender haze…/Talk your talk and go viral/I just need this love spiral/Get it off your chest/Get it off my desk.” In other words, let a bitch keep fucking in peace without media gossip buzzing in her ear. And yet, as Swift acknowledged, even the hoi polloi are subjected to their lavender haze being burst sooner and with more ease in this modern era of social media. So it was that she remarked of its relatability to the “commoner,” “I guess theoretically when you’re in the ‘Lavender Haze,’ you’ll do anything to stay there and not let people bring you down off of that cloud. And I think a lot of people have to deal with this now—not just, like, quote-unquote public figures—because we live in the era of social media and if the world finds out that you’re in love with somebody, they’re gonna weigh in on it.”

    Cyrus clearly feels the same way about protecting a new relationship’s privacy as she croons, “Let’s just play pretend/Wearin’ rose colored lenses/Pretend we’ll never end/Naked in conversation/Drown me in your delight/Endless summer vacation/Make it last ’til we die.” When Cyrus refers to a “death” here, however, it seems to allude more to the Lana Del Rey sense of it when she woefully laments of being a couple in love before the inevitable breakup, “You and I/We were born to die.” But until then, Cyrus insists that they “make a mess of a nice hotel.”

    Swift, too, exhibits the sort of willful naïveté (read: denial) that makes her capable of ignoring reality for as long as possible. Six years, to be exact. For that was the extent of her “lavender haze” with Joe Alwyn, the muse who inspired the track (as he did numerous others of Swift’s from Reputation onward). As for the other “muse” of the single—the 50s—funnily enough, Swift mocks the very decade (and its narrow-minded views of women) that’s technically responsible for creating the song at all. This despite overtly paying homage to that period in time when love—specifically, “fresh love”—was painted with the very rose colored lenses Cyrus also speaks to in her song of the same name. Nonetheless, Swift rebuffs “quaint” 50s ideas via the lines, “All they keep askin’ me/Is if I’m gonna be your bride/The only kind of girl they see/Is a one-night or a wife,” in addition to, “Surreal, I’m damned if I do give a damn what people say/No deal, the 1950s shit they want from me.”

    In the end, though, it’s “1950s shit” that both Swift and Cyrus (along with so many others) patently want out of love. Which is why they know they must keep their tinted haze/glasses up for as long as possible in order to continue fostering the delusion that such a thing can exist. As everyone must…before the smoke clears, the tint of the glasses dissipates and all we see in front of us is a hideous monster that makes us want to take a Lysol shower as a result of ever allowing them access to our body and mind.

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    Genna Rivieccio

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  • Analysts coin the ‘TSwift Lift’ for the revenue bump businesses get when Taylor Swift’s Eras Tour comes to town

    Analysts coin the ‘TSwift Lift’ for the revenue bump businesses get when Taylor Swift’s Eras Tour comes to town

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    When Taylor Swift puts on a show, not only Swifties are cheering. Hotel revenues per available room can more than quadruple when the blockbuster Eras Tour stops in a city, analysts from CreditSights found. This year in Nashville (which Swift considers her hometown), revenue per room doubled during the three nights when Swift was in town versus the same time the previous year when there was no tour.

    This “TSwift Lift,” as CreditSights dubbed the Eras-induced stimulus, isn’t exclusive to hotels. In Chicago, the pop star’s three-night stay (from June 2-4) revved up transit revenue, pushing the Chicago Transit Authority to its highest post-pandemic ridership. During her short stay, Swift generated over 43,000 extra bus and rail rides. Chicago hoteliers also reaped the TSwift Lift, as the first two days of the singer’s shows resulted in record hotel bookings for the city, an average of 44,383 per night.

    Swift’s two shows next weekend in Cincinnati for over 130,000 fans are predicted to generate over $48 million for the city and create or support close to 1,000 jobs. Why is the Eras Tour so wildly popular and profitable? In addition to Swift being among the most important and influential artists of her generation, her latest tour is a journey through her entire musical career, which began when she was just 15, and so draws fans across generations. Each show is a 10-act tour de force that lasts between three to four hours. 

    Three and a half million people registered for Ticketmaster’s ticket presale program for the tour’s U.S. leg, though the presale almost immediately crashed the website. Journalists have covered the tour as a massive cultural as well as economic event.

    The tour tickets sold out so quickly and demand to attend so high that huge crowds have been informally camping outside stadiums to sing along to the music that wafts outside of the venue and into the parking lot. Videos of the makeshift concerts have garnered hundreds of thousands of views online, including a TikTok showing reportedly 20,000 Swifties in a parking lot outside Philadelphia’s Lincoln Financial Field.

    Swift’s die-hard fandom is helping her make $11 million to $12 million in ticket sales per concert, and fans spend an average of over $1,300 to attend an Eras show, including tickets, clothing, and travel.

    Research company QuestionPro estimates that the superstar could add a staggering $4.6 billion in consumer spending to the U.S. economy as she supercharges business at each of the 47 stops on her tour. 

    Swift is predicted to earn half a billion dollars from the tour. 

    The worldwide Eras Tour will conclude in London in August 2024.

    Subscribe to Well Adjusted, our newsletter full of simple strategies to work smarter and live better, from the Fortune Well team. Sign up today.

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    Rachel Shin

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  • Edmonton MP to file ‘grievance’ about Taylor Swift tour’s lack of Canadian shows  | Globalnews.ca

    Edmonton MP to file ‘grievance’ about Taylor Swift tour’s lack of Canadian shows | Globalnews.ca

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    Edmonton MP Matt Jeneroux hopes Taylor Swift’s lack of Canadian stops on her Eras Tour is not about Bad Blood.

    In several posts on his social media accounts, the Conservative politician indicated he would follow Australia’s lead and file what he’s calling an “official grievance” with Parliament to encourage Taylor Swift to add some Canadian dates to The Eras Tour — if she has a Blank Space in her calendar, that is.

    “I filed an official letter of grievance,” Jeneroux said on Thursday. “I don’t actually know if that’s really a thing, but we got a message from one of my friends who said the Australian parliament is filing an official letter of grievance to have Taylor Swift reconsider to come to Adalaide.

    “I went and said: ‘Is this something we can do in Canada?’ and nobody seemed to know. So I thought let’s go and file an official letter of grievance and kind of see what happens.”

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    The letter reads:

    “It has come to my attention that despite much anticipation, Taylor Swift’s Eras Tour has neglected to include any Canadian dates or locations as she released her international dates, which includes stops throughout Asia and Europe,” Jeneroux wrote in a letter dated and signed on Wednesday, June 21.

    “Similar to what’s being considered in Australia, I would like to file an official grievance within Parliament on behalf of all Swifties in Canada for her and her team to reconsider,” the letter continued.


    Click to play video: 'Taylor Swift ticket chaos leads to US Justice department probe of Ticketmaster, Live Nation'


    Taylor Swift ticket chaos leads to US Justice department probe of Ticketmaster, Live Nation


    “Not only is this leaving Canadian fans without the opportunity to see her tour, but it is also leaving Canada out of the economic opportunities her shows generate. It is estimated that these shows could generate $4.6 billion for local economies. Fans just don’t simply attend concerts, they spend money at local businesses including hotels, restaurants and shops.

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    “This motion is non-partisan in nature and requires swift action to address what I can only assume is a serious oversight,” the letter concludes.

    So far, Swift’s international tour dates don’t include any Canadian stops, but it’s not clear if more will be added.

    “Considering the fact that I’m not totally clear on what a letter of grievance really is, it’s pretty lighthearted in the way we’ve approached it,” Jeneroux said.

    “But I think often in politics, it’s meeting people, what they’re thinking about, what’s important to them, and I know a lot of people in our community and in my home too, this is top of mind.

    “My daughters have never paid more attention to my career than yesterday when I wrote the letter,” he added with a smile.

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    Concordia University economist Moshe Lander doubts Jeneroux’s economic impact estimates. Mega tours do have economic impacts on the cities they visit, but not to the extent Jeneroux forecasted, he said, unless it was for the entire tour.

    “I don’t think that that’s something he really costed out when he wanted to show his fake outrage,” Lander said.

    “I think that he’s maybe trying to justify why he’s taking that stance.

    “With a Taylor Swift concert, the economic benefit would be in the tourist dollars that it brings in. Her devoted followers will follow her around from one venue to another so you could find that of 20,000 people going to the concert, a portion of them would be coming from outside Edmonton.

    “When they’re coming into Edmonton, they’re filling up local hotels, local bars, they’re buying local merchandise — that does have an economic impact, but it’s not long-lasting. It’s essentially for the 48 hours before and after the concert and then it’s all over,” Lander explained.

    Jeneroux clarified the number he cited was a prediction of how much money would be generated in the U.S. economy by the tour.

    Lander said another factor to consider is the venues available.

    “She’s working 60,000-70,000 seat outdoor venues,” he said. “Canada doesn’t really have those type of outdoor venues and, if they do have it, there’s a limited amount of time where it’s a fun experience for the act and for the fans because the summer is so short here.”

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    Economically, choosing Edmonton as a stop on a tour might not make sense, he added. It requires flying or driving and moving a lot of equipment and crew across a border and Alberta is fairly isolated in terms of being close to other stops.

    “That’s a huge cost that has to be borne by the concert act, so I can certainly understand why Taylor Swift is saying: ‘Why go to Edmonton and fill out 18,000 seats when I could just do an extra night in San Francisco and get the same 18,000 seats without any of the transportation costs?’

    “She only has so many days, so if Edmonton is sitting there saying: ‘Hey what about us?’ OK, so who are you replacing?

    “You’ve got to be kidding me if you think… her managers are making that calculation, saying: ‘I think Edmonton is a good move. Why don’t you sacrifice SoCal for a night?’ It’s top to bottom economic nonsense, but it makes for good copy,” Lander said with a grin.


    Matt Jeneroux Instagram.


    Courtesy: Instagram/ Matt Jeneroux

     

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    The reaction to the letter has been bigger than Jeneroux imagined in his Wildest Dreams.

    “There’s been over 50 media requests across the country, internationally, that we’ve had… A whole bunch of people have reached out and said: ‘Boy, we’d like to help on your next campaign.’

    “Ultimately, this is something that resonates with people,” he said.

    And he just can’t Shake It Off.

    “People all across the country have reached out and want to talk about this letter of grievance,” Jeneroux said.

    “Our goal is to ensure that — there’s a segment of our population that is really passionate about this — that they’re heard.

    “There’s important work happening in Parliament but from the lighthearted side of things, it’s pretty fun to watch,” he added.

    “There’s a lot of anticipation for the concert dates that were released. I know, at least in our home with my daughters, we were very eager to see where she’d be playing and when there’s no Canadian dates, obviously some disappointment.

    “There’s still a lot of venues across Canada that would for sure welcome Taylor Swift and her crew with open arms.”

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    Emily Mertz

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  • Bebe Rexha Hardly Has the Best Fuckin’ Night of Her Life (But It Might Be For Her Career)

    Bebe Rexha Hardly Has the Best Fuckin’ Night of Her Life (But It Might Be For Her Career)

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    Although it should go without saying by now, it’s clear that New York continues to be the source of all pain. Just ask “hometown heroine” of said city, Bebe Rexha, as she recovers from an injury incurred while onstage at The Rooftop at Pier 17. The Lower Manhattan performance space is ironically described as “a stunning location for music gigs.” And yes, it certainly “stunned” Rexha on Sunday, June 18th (Father’s Day, incidentally). But not because of the views, so much as the pelting of her face by an audience member’s smartphone. That audience member was twenty-seven-year-old Nicolas Malvagna from New Jersey (unfortunately doing little to improve the already low opinion of Italian-Americans that the U.S. so relishes stereotyping in the worst ways). The irony gets more profound when taking into account that Malvagna works at a luxury dog kennel, where he apparently learned from the best how to be an absolute bitch.

    Though some of the headlines and articles about the incident have described the person who threw the phone at Rexha as “a fan,” it hardly seems to be very “fan-like” behavior to do something so cruel. And, of course, not to judge a book by its cover, but the dude in question hardly looks like he truly gives a shit about the bops Rexha churns out on the regular. The vibe he gives off is more on the spectrum of: “Let me show up to this random concert and see what kind of shit I can stir up.” With regard to those bops Rexha has been turning out for years now, a new slew is presently featured on her latest album, Bebe, for which she’s been touring to promote under the Best F’n Night of My Life moniker. This being a reference to her hit, “I’m Good (Blue),” with David Guetta that samples Eiffel 65’s “Blue (Da Ba Dee).” The revamped track features the lyrics, “I’m good, yeah, I’m feelin’ alright/Baby, I’ma have the best fuckin’ night of my life.” Obviously, she did not have any such kind of night on the 18th. And yet, despite the cruelty she endured for no good reason other than the kennel worker thought “it would be funny” (and sure, there are a great many with that schadenfreude-type sense of humor), one can’t deny that this incident has been a slight boon for her career. Because, unfortunately, for whatever reason, Rexha has never garnered the level of fame that matches her output and ostensible work ethic. On par with Rita Ora in terms of being a consistently “under the radar hitmaker,” Rexha has now inarguably gained more publicity for this assault than she ever has for any of her music. An unfair reality, but a reality nonetheless. Though that doesn’t mean Rexha should exactly be “thanking” Malvagna (even if he might see it that way due to the international headline-making the entire debacle caused).

    What’s more, the smartphone attack has started a somewhat faux intellectual a.k.a. insipid conversation about the ever-“toxic” nature of fandoms and the parasocial dynamics they entail. To this end, Rexha’s contribution to Eminem and Rihanna’s 2013 hit, “Monster,” would address those dynamics via the lyrics, “I wanted the fame but not the cover of Newsweek/Oh well, guess beggars can’t be choosey/Wanted to receive attention for my music/Wanted to be left alone in public, excuse me/For wantin’ my cake, and eat it too, and wantin’ it both ways.” In Malvagna’s case, however, the occurrence comes off as something of an “anti-parasocial” relationship—hating someone so much, you’d throw a phone at them. At the same time, perhaps he wanted to get her attention so badly as a “fan” that he felt “obliged” to do it in the most detrimental way possible (in addition to thinking it would be “funny”).

    This pertains to the so-called trend that’s been going on of late at live shows that involves a “fan” tossing something (phones, Skittles, whatever) at the performer in question so that they might catch the celebrity’s eye (or just outright damage it). It surely must have worked for Malvagna, but at what cost? Now charged with assault in the third degree, for all one knows, Malvagna may have also brought up the overdue need for a post-9/11 sort of security for concert-going, wherein a protective divider is put up between singers and their “fans” to keep the former from being physically harmed in some unexpected way (because no concert promoter wants to deal with trying to confiscate audience members’ phones). Although many musicians actually relish the performing aspect of their profession more than any other (complete with getting “up close and personal” with their devoted listeners), it appears as though the mentally erratic nature of humanity at large (and who can blame them all with a system like this?) is increasingly a hazard to singers everywhere.

    Funnily enough, earlier on in the show, Rexha had brought a fan from El Salvador up onstage to join in for “I’m Gonna Show You Crazy,” one of Rexha’s earliest singles from 2014. The title, of course, would become retroactively uncanny after Malvagna decided to do just that with his disgusting, unhinged behavior.

    Although Rexha revealed her “good sportsmanship” (and sense of humor) about the matter by posting a picture of herself with a bruised eye and three stitches the following day, it’s evident that she’s been understandably shaken by the event. Which itself has set off a chain reaction among fans both threatening to harm the person who did it, and Serbians expressing delight that this was done to an Albanian (this exemplified in the comments on her “I’m good” post such as, “You asked for it—now deal with it. This will likely remain a scar. So next time, sing. And don’t mix politics!,” “You deserve it exactly what you wanted Albanian signs of your performance there you got it” and “That’s what you get when you’re claiming the territories that belong to Greece, Serbia, Montenegro, North Macedonia for the great Albania with that eagle symbol you made with your hands just before you got hit in the head”). Meanwhile, Saint Hoax commented on the photo, “Trust, he will be dealt with” and then proceeded to post a barrage of fan comments pertaining how undeserved it was, how parasocial relationships are “reaching an all-time high” and that this is why celebrities put up walls. That might become more literal in the future at concerts.

    As for the ever-mutating, monstrous inclinations of “fans” as the twenty-first century rages on, Rexha’s brush with death à la Tai Frasier at the Westside Pavilion is now being used as the latest example of what people think they’re “owed” for paying a celebrity’s way in life. Willfully forgetting that they are ultimately nothing more than the “consumer” to the celebrity “producer.” Similar phenomena have occurred in recent months with both Doja Cat and, arguably, Taylor Swift, who appears to have been undeniably influenced by fans’ venomous reactions (including Azealia Banks’ delightfully savage one) to her dating The 1975’s Matty Healy. As for the former, her decision not to take the stage at the Asunciónico festival in Paraguay back in March due to inclement weather led fans to storm the outside of her hotel in protest. This, in turn, prompted Doja to change her Twitter name to “i quit” and then tweet, ““This shit ain’t for me so I’m out. Ya’ll take care.” Her threat to abruptly retire, of course, didn’t pan out (with the singer recently releasing a new single called, appropriately, “Attention”), but it’s indicative of an overarching sense of dissatisfaction with what it means to be a celebrity at this moment in time. Particularly a musician. For, back in the day, audiences not only seemed to have more decorum (even swooning, sex-crazed girls at Elvis or The Beatles concerts), but they, most of important at all, didn’t have access to technological devices that could be rendered lethal when launched on a sick whim.

    In any event, the video footage of Rexha getting pummeled by the flying phone will likely become the stuff of solid meme gold in the future. For that, in the end, is the only “silver lining” that can be seen in any negative event.

    https://www.youtube.com/watch?v=lgnfKVYaKxo

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    Genna Rivieccio

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  • Taylor Swift announces new Eras Tour dates in Europe, Australia and Asia

    Taylor Swift announces new Eras Tour dates in Europe, Australia and Asia

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    Pop superstar Taylor Swift on Tuesday announced new concert dates in Asia, Australia and Europe for her Eras Tour, extending her performances through summer 2024. 

    While Swift’s tour was originally just over 50 dates, it has now expanded to more than 100, according to Forbes, with the international leg of the Eras Tour kicking off in August this year in Mexico City — after which Swift will hang up her guitar until November before resuming her stadium shows.

    Swift’s Asia shows will begin next year with four nights in Japan’s Tokyo Dome, starting on Feb. 7. Then she’ll visit Melbourne and Sydney, Australia, as well as Singapore, before embarking on the tour’s European leg in May with two shows in Paris. Unless Swift adds even more dates, she’ll close out the Eras Tour at Wembley Stadium in London on August 17, 2024. 

    The Eras Tour got off to a slightly rocky start when pre-sales for tickets resulted in a lawsuit against Ticketmaster from furious fans, who alleged that the company violated antitrust laws that are designed to protect market competition.

    The suit claims that Ticketmaster knowingly sent out pre-sale codes to more fans than it could accommodate. As a result, millions of fans were denied the opportunity to purchase tickets

    Taylor Swift | The Eras Tour - Detroit, MI
    Taylor Swift performs onstage during “Taylor Swift | The Eras Tour ” at Ford Field on June 09, 2023 in Detroit, Michigan.

    Photo by Scott Legato/TAS23/Getty Images for TAS Rights Management


    But with Swift playing to sold-out crowds either way, the tour is poised to make her a billionaire and could end up being one of the highest-grossing tours of all time. According to Forbes, the Eras Tour might earn Swift a cool $500 million on top of her existing estimated net worth of around $570 million.

    Some cities are even seeing economic boosts in their local economies as a result of Swift’s tour dates, with CBS Philadelphia reporting spikes in visitor center ticket sales and hotel reservations in Philly.

    Swift’s Pittsburgh shows from last weekend set a new record for the venue — her tour’s second show in the city recorded an attendance of 73,117 at the Acrisure Stadium.

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  • Taylor Swift Wore This Timeless Shirt Style on a Dinner Date With Gigi Hadid

    Taylor Swift Wore This Timeless Shirt Style on a Dinner Date With Gigi Hadid

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    The very stylish and famous duo of Taylor Swift and Gigi Hadid just went to dinner together at Nobu in New York City, and naturally, I’m here to talk about what they wore. Specifically, I’m here to talk about Swift’s top, which would make a smart purchase.

    Where Hadid and Swift go, cameras go, and they seemed to have dressed with that in mind, opting for chic and simple outfits. Hadid wore a white cropped T-shirt, a black slip skirt, white socks, and derby shoes. Swift went with a slightly dressier look, opting for loose black trousers, cut-out heels, a bag from her go-to brand Mansur Gavriel, and a classic black halter top I’d highly recommend adding to your wardrobe.

    As far as night-out tops go, few are more appropriate or flattering than a black halter top. But the best part is you don’t have to worry about it going out of style. Swift’s high-neck halter top is from The Row (as are her pants) and is priced at over $1000. But don’t worry. I found a few similar black halter tops that I think you’ll approve of. Shop them below.

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    Allyson Payer

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  • Why Fans Believe Taylor Swift’s Eras Tour Is Finally Coming To Canada

    Why Fans Believe Taylor Swift’s Eras Tour Is Finally Coming To Canada

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    By Corey Atad.

    Canadian Swifties are abuzz.

    When Taylor Swift announced her Eras Tour last fall, fans north of the border were disappointed there were no Canadian dates on the first leg of the tour.


    READ MORE:
    All The Celebs Who Have Attended Taylor Swift’s Eras Tour

    The move left many Canadian fans scrambling to get tickets to sold-out shows in cities across the United States, though Swift had promised international dates would be added later.

    Earlier this month, Swift delivered on the promise of international dates, but once again Canadians were left in the dust, with the tour only extending to stops in Latin America.

    But now fans are starting to get excited, after the Canadian Ticketmaster website was updated to include a listing for the Eras Tour.


    READ MORE:
    Taylor Swift Makes ‘Generous’ Donation To Detroit Food Bank While Touring

    No dates have been announced yet, but Swifties across Canada are already prepping themselves for the tour.

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    Corey Atad

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