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Tag: Taylor Sheridan

  • Hit Taylor Sheridan TV Show Coming to Netflix

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    Netflix is adding several big shows to its streaming catalog, including a hit Taylor Sheridan TV shows set to arrive on the platform.

    What Taylor Sheridan TV show is coming to Netflix?

    According to the streamer in a recent fourth-quarter letter to shareholders (via Deadline), Netflix is getting ready to add around 20 new Paramount shows to its platform this year. These include some big shows, including SEAL Team, the Sherlock-inspired procedural Watson, and Taylor Sheridan’s Mayor of Kingstown.

    The series, which recently got renewed for a fifth and final season, currently has released four seasons. The show stars Jeremy Renner as Michael “Mike” McLusky, the right-hand man for his older brother, Mitch, who takes over as “Mayor” of Kingstown, Michigan, with his family acting as a mediator of sorts between the various groups found in the town.

    Mayor of Kingstown is created and executive-produced by Academy Award nominee Taylor Sheridan and Hugh Dillon, who previously collaborated on the Yellowstone series. Alongside Renner, the series also stars Dianne Wiest (Seasons 1-2), Hugh Dillon, Tobi Bamtefa, Taylor Handley, Emma Laird (Seasons 1-3), Derek Webster, Hamish Allan-Headley, Pha’rez Lass, and more.

    The series is executive produced by Sheridan, Dillon, Renner, Antoine Fuqua, David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Michael Friedman, Dave Erickson, Christoph Schrewe, Wendy Riss, Evan Perazzo, and Keith Cox, with Erickson set as the showrunner.

    “In season four, Mike’s control over Kingstown is threatened as new players compete to fill the power vacuum left in the Russians’ wake, compelling him to confront the resulting gang war and stop them from swallowing the town,” reads the logline for the show’s fourth season. “Meanwhile, with those he loves in more danger than ever before, Mike must contend with a headstrong new Warden to protect his own while grappling with demons from his past.”

    (Source: Deadline)

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    Anthony Nash

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  • Popular Taylor Sheridan Paramount+ Show Renewed for Final Season

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    Paramount+ has renewed Mayor of Kingstown, a popular crime TV show from creators Taylor Sheridan and Hugh Dillon, for a fifth and final season.

    What is the Mayor of Kingstown Season 5 update with Taylor Sheridan at Paramount+?

    According to Deadline, Mayor of Kingstown will end with Season 5. The news comes in the wake of the Season 4 finale, which aired on December 28, 2025. Mayor of Kingstown Season 5 will consist of eight episodes, down from the 10 episodes for Seasons 1-4.

    Mayor of Kingstown stars Jeremy Renner as Mike McLusky, the titular “Mayor” and top power broker of a town where the “business of incarceration is the only thriving industry.”

    “In Season 4, Mike’s control over Kingstown is threatened as new players compete to fill the power vacuum left in the Russians’ wake, compelling him to confront the resulting gang war and stop them from swallowing the town,” the Paramount+ synopsis reads. “Meanwhile, with those he loves in more danger than ever before, Mike must contend with a headstrong new warden to protect his own while grappling with demons from his past.”

    Besides Renner, Mayor of Kingstown Season 4 starred Edie Falco, Lennie James, Laura Benanti, Dillon, Taylor Handley, Tobi Bamtefa, Derek Webster, Hamish Allan-Headley, and Nishi Munshi.

    Produced by Paramount Television Studios, Mayor of Kingstown’s executive producers include Sheridan, Dillon, Renner, Antoine Fuqua, David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Michael Friedman, Dave Erickson, Christoph Schrewe, Wendy Riss, Evan Perazzo, and Keith Cox. Erickson is also the showrunner on the series.

    Mayor of Kingstown is one of Sheridan’s many shows on Paramount+. Sheridan’s roster includes Landman, Lioness, 1923, 1883, Tulsa King, and Lawmen: Bass Reeves. Sheridan also created Yellowstone for Paramount Network.

    Stream all four seasons of Mayor of Kingstown on Paramount+.

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    Dan Girolamo

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  • Paramount+ TV Show Sets New Viewership Record for Streaming Service

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    Following last Sunday’s Season 2 premiere, Taylor Sheridan’s oil rig drama Landman continues to exceed expectations as it breaks another viewership record for Paramount+. This new update comes ahead of the release of the Billy Bob Thornton-led show’s Season 2, Episode 2, titled “Sins of the Father,” which will air this November 23.

    “In Season 2, as oil rises from the earth, so do secrets – and Tommy Norris’s breaking point may be closer than he realizes,” reads the Season 2 synopsis. “Facing mounting pressure from M-Tex Oil, Cami Miller, and the shadow of his kin, survival in West Texas isn’t noble – it’s brutal. And sooner or later something’s got to break.”

    How well did the Landman Season 2 premiere perform for Paramount+?

    According to THR, the first episode of Landman Season 2 has already garnered a record-breaking 9.2 million views worldwide, a few days after its premiere. It actually performed three times better than the show’s Season 1 debut last year. Because of this, it has now become Paramount+’s biggest season premiere to date.

    Landman is created and executive-produced by Taylor Sheridan and Christian Wallace. The ensemble cast includes Ali Larter, Demi Moore, Michelle Randolph, Jacob Lofland, Kayla Wallace, James Jordan, Mark Collie, and Paulina Chávez, with Jon Hamm, Andy Garcia, and Michael Peña as guest stars. The series was executive produced by David Glasser, ​David Hutkin, Ron Burkle, Bob Yari, Geyer Kosinski, Michael Friedman, Stephen Kay, Dan Friedkin, Jason Hoch, J.K. Nickell, Megan Creydt, and Peter Feldman. It is a production by MTV Entertainment Studios.

    “Set in the proverbial boomtowns of West Texas, the series is a modern-day tale of fortune seeking in the world of oil rigs,” reads the show’s logline. “Based on the notable 11-part podcast Boomtown, the series is an upstairs/downstairs story of roughnecks and wildcat billionaires fueling a boom so big, it’s reshaping our climate, our economy, and our geopolitics.”

    (Source: THR)

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    Maggie Dela Paz

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  • What to Stream: ‘Freakier Friday,’ NF, ‘Landman,’ ‘Palm Royale’ and Black Ops 7

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    Jamie Lee Curtis and Lindsay Lohan re-teaming as the body-swapping mother and daughter duo in “Freakier Friday” and albums from 5 Seconds of Summer and the rapper NF are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Claire Danes and Matthew Rhys team up for the new limited-series thriller “The Beast in Me,” gamers get Call of Duty: Black Ops 7 and Apple TV’s star-studded “Palm Royale” is back.

    New movies to stream from Nov. 10-16

    — Richard Linklater’s love letter to the French New Wave and the making of Jean-Luc Godard’s “Breathless,” “Nouvelle Vague,” will be streaming on Netflix on Friday, Nov. 14. In his review, Associated Press Film Writer Jake Coyle writes that, “To a remarkable degree, Linklater’s film, in French and boxed into the Academy ratio, black-and-white style of ‘Breathless,’ has fully imbibed that spirit, resurrecting one of the most hallowed eras of movies to capture an iconoclast in the making. The result is something endlessly stylish and almost absurdly uncanny.”

    — Jamie Lee Curtis and Lindsay Lohan re-team as the body-swapping mother and daughter duo in “Freakier Friday,” a sequel to their 2003 movie, streaming on Disney+ on Wednesday. In her review, Jocelyn Noveck writes, “The chief weakness of ‘Freakier Friday’ — an amiable, often joyful and certainly chaotic reunion — is that while it hews overly closely to the structure, storyline and even dialogue of the original, it tries too hard to up the ante. The comedy is thus a bit more manic, and the plot machinations more overwrought (or sometimes distractingly silly).”

    — Ari Aster’s latest nightmare “Eddington” is set in a small, fictional New Mexico town during the coronavirus pandemic, which becomes a kind of microcosm for our polarized society at large with Joaquin Phoenix as the sheriff and Pedro Pascal as its mayor. In my review, I wrote that, “it is an anti-escapist symphony of masking debates, conspiracy theories, YouTube prophets, TikTok trends and third-rail topics in which no side is spared.”

    — An incurable cancer diagnoses might not be the most obvious starting place for a funny and affirming film, but that is the magic of Ryan White’s documentary “Come See Me in the Good Light,” about two poets, Andrea Gibson, who died in July, and Megan Falley, facing a difficult reality together. It will be on Apple TV on Friday, Nov. 14.

    AP Film Writer Lindsey Bahr

    New music to stream from Nov. 10-16

    — There’s nothing worse than a band without a sense of humor. Thankfully 5 Seconds of Summer are in on the joke. Their sixth studio album, “Everyone’s a Star!,” sounds like the Australian pop-rock band are having fun again, from The Prodigy-esq. “Not OK” to the self-referential and effacing “Boy Band.” Candor is their provocation now, and it sounds good — particularly after the band has spent the last few years exploring solo projects.

    — The R&B and neo soul powerhouse Summer Walker has returned with her third studio album and first in four years. “Finally Over It,” out Friday, Nov. 14, is the final chapter of her “Over It” trilogy; a release centered on transformation and autonomy. That’s evident from the dreamy throwback single, “Heart of A Woman,” in which the song’s protagonist is disappointed with her partner — but with striking self-awareness. “In love with you but can’t stand your ways,” she sings. “And I try to be strong/But how much can I take?”

    — Consider him one of the biggest artists on the planet that you may not be familiar with. NF, the musical moniker of Nate Feuerstein, emerged from the Christian rap world a modern answer to Eminem only to top the mainstream, all-genre Billboard 200 chart twice, with 2017’s “Perception” and 2019’s “The Search.” On Friday, Nov. 14, he’ll release “Fear,” a new six-track EP featuring mgk (formerly Machine Gun Kelly) and the English singer James Arthur.

    AP Music Writer Maria Sherman

    New series to stream from Nov. 10-16

    — Apple TV’s star-studded “Palm Royale” is back just in time for a new social season. Starring Kristen Wiig, Laura Dern, Allison Janney, Leslie Bibb, Kaia Gerber, Ricky Martin AND Carol Burnett, the show is campy, colorful and fun, plus it has great costumes. Wiig plays Maxine, a woman desperate to be accepted into high society in Palm Beach, Florida, in the late 1960s. The first episode streams Wednesday and one will follow weekly into January.

    — “Real Housewives of Salt Lake City” cast member Heather Gay has written a book called “Bad Mormon” about how she went from a devout Mormon to leaving the church. Next, she’s fronting a new docuseries that delves into that too called “Surviving Mormonism with Heather Gay.” The reality TV star also speaks to others who have left the religion. All three episodes drop Wednesday on Peacock.

    — Thanks to “Homeland” and “The Americans,” Claire Danes and Matthew Rhys helped put the prestige in the term prestige TV. They grace the screen together in a new limited-series for Netflix called “The Beast in Me.” Danes plays a Pulitzer Prize-winning writer who finds a new subject in her next door neighbor, a real estate tycoon who also may or may not have killed his first wife. Howard Gordon, who worked with Danes on “Homeland,” is also the showrunner and an executive producer of “The Beast in Me.” It premieres Thursday.

    — David Duchovny and Jack Whitehall star in a new thriller on Prime Video called “Malice.” Duchovny plays Jamie, a wealthy man vacationing with his family in Greece. He hires a tutor (played by Whitehall) named Adam to work with the kids who seems likable, personable and they invite him into their world. Soon it becomes apparent that Adam’s charm is actually creepy. Something is up. As these stories go, getting rid of an interloper is never easy. All six episodes drop Friday, Nov. 14.

    “Martin Scorsese Presents: The Saints” returns to Fox Nation on Sunday, Nov. 16 for a second season. The premiere details the story of Saint Patrick. The show is a passion project for Scorsese who executive produces, hosts, and narrates the episodes.

    — Billy Bob Thornton has struck oil in the second season of “Landman” on Paramount+. Created by Taylor Sheridan, the show is set in modern day Texas in the world of Big Oil. Sam Elliott and Andy Garcia have joined the cast and Demi Moore also returns. The show returns Sunday, Nov. 16.

    Alicia Rancilio

    New video games to play from Nov. 10-16

    — The Call of Duty team behind the Black Ops subseries delivered a chapter last year — but they’re already back with Call of Duty: Black Ops 7. The new installment of the bestselling first-person shooter franchise moves to 2035 and a world “on the brink of chaos.” (What else is new?) Publisher Activision is promising a “reality-shattering” experience that dives into “into the deepest corners of the human psyche.” Beyond that storyline there are also 16 multiplayer maps and the ever-popular zombie mode, in which you and your friends get to blast away at relentless hordes of the undead. Lock and load Friday, Nov. 14, on PlayStation 5, Xbox X/S or PC.

    Lumines Arise is the latest head trip from Enhance Games, the studio behind puzzlers like Tetris Effect, Rez Infinite and Humanity. The basic challenge is simple enough: Multicolored 2×2 blocks drift down the screen, and you need to arrange them to form single-color squares. Completed squares vanish unless you apply the “burst” mechanic, which lets you build ever-larger squares and rack up bigger scores. It’s all accompanied by hallucinatory graphics and thumping electronic music, and you can plug in a virtual reality headset if you really want to feel like you’re at a rave. Pick up the groove Tuesday on PlayStation 5 or PC.

    Lou Kesten

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  • Paramount’s ‘Call of Duty’ Movie Is Officially a Go, and It’s Bringing in Some Big Guns

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    Earlier this week, the biggest news in Hollywood was mega-producer Taylor Sheridan leaving Paramount for Universal. Today, though, Sheridan has signed on to write and produce arguably one of the biggest franchises in the entire world for the same company he’s leaving. And his attachment says way more than the usual breaking movie news.

    The news is that Sheridan (who created the insanely popular Yellowstone universe and all its spinoffs) has signed to write and produce a Call of Duty movie along with Peter Berg. Berg, best known for films like Friday Night Lights, Battleship, and Lone Survivor, will direct, as well as write and produce. There’s no word on which, if any, specific Call of Duty game will be at the center of the adaptation, but Paramount says the film will be “designed to thrill its massive global fan base by delivering on the hallmarks of what fans love about the iconic series, while boldly expanding the franchise to entirely new audiences.” Call of Duty, of course, is the mega Activision video game franchise that’s sold over 500 million copies.

    Berg hasn’t directed a feature film since 2020, instead spending most of his time doing streaming and TV. Sheridan has also been away from the big screen for a few years (he wrote and directed Those Who Wish Me Dead in 2021) but has been more than busy writing, producing, and creating not just the Yellowstone shows, but also Tulsa King, Landman, Mayor of Kingstown, and more. He’s basically the king of Paramount+, which is why it was such a big deal that he signed a deal worth a reported billion dollars to leave Paramount and move to Universal when his Paramount contract runs out.

    But that’s not until 2028. Now, he’s joining Call of Duty. The timing almost feels like a shout to Paramount shareholders that “Hey, we’re still gonna profit from this guy for a while!” But beyond that, it’s a fascinating pairing because both Sheridan, with his aforementioned TV work, and Berg, especially with some of his more recent film work (Patriots Day, Lone Survivor, Deepwater Horizon), seem to carry with them a real rah-rah sense of traditional Americana. Very blue-collar, very working man, very everyman. That certainly makes it seem that’s what Paramount is looking for with Call of Duty. More of a down-the-middle military action film rather than anything too out there or weird. A blend of Black Ops and Modern Warfare, perhaps, while ignoring the franchise’s weirder entries. And, for a major corporation in today’s America, that’s probably the safest bet.

    If that’s the Call of Duty Paramount wants, it’s certainly recruited the right guys. Will they actually be able to bring it all together and get a movie in theaters? Who knows? But rarely have two filmmakers joining a project given us such a clear vision of what that final film might be and how important it is to the studio.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Germain Lussier

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  • Paramount’s Call of Duty movie taps the writers of Yellowstone and Friday Night Lights

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    We learned last month that Call of Duty would be making the leap to the big screen with a planned motion picture project. Today, Deadline reported that two of the main creative forces behind the movie will be Taylor Sheridan and Peter Berg.

    Sheridan and Berg previously both worked on the 2016 film Hell or High Water and 2017’s Wind River. Berg was a producer on those projects, but he’s perhaps better known as a writer for the football drama Friday Night Lights. Sheridan’s most recent endeavor was TV series Yellowstone, and he also worked on Lioness, Mayor of Kingstown and Tulsa King. For Paramount’s Call of Duty adaptation, both will produce and co-write, while Berg is currently on board to direct.

    Since the writers and director have only just been locked down, there still hasn’t been any public discussion of what era of the lucrative CoD franchise the movie will tackle. Based on the duo’s past work, something contemporary seems most likely, but it may be awhile before we have any confirmation of the story or casting.

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  • Kevin Costner Altercation Reportedly Shut Down ‘Yellowstone’ Production Temporarily

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    Apparently, Kevin Costner likes to do things his way. A new story in The Hollywood Reporter focuses on the Yellowstone star and his alleged bad behavior, including an alleged on-set altercation with Wes Bentley.

    According to THR, Costner and his costar almost came to blows while filming a scene on Taylor Sheridan’s hit show Yellowstone. Costner, the star and an executive producer of the series, allegedly tried to tell Bentley to ditch Sheridan’s script and play the scene his way. Bentley allegedly refused, saying that he had signed on “for a Taylor Sheridan show, not a Kevin Costner production.”

    Costner allegedly didn’t appreciate that remark. “Kevin didn’t like that, and he lunged at him,” an anonymous source who was present at the time told THR. “No fists were thrown, but they were in each other’s faces, pushing and shoving and just getting hot until they had to be separated.” Their costar Kelly Reilly was reportedly present for the incident and watched on in tears. Production on the series had to briefly be paused.

    A spokesperson for Bentley confirmed the altercation to THR and described it as a “work-related argument during an emotional and physically tough scene,” adding that it was “discussed and resolved.” A Costner spokesperson declined to comment on the incident. (Vanity Fair has reached out to Costner and Bentley for comment.)

    THR writer Peter Kiefer uses the alleged on-set incident to illustrate how two-time Oscar winner Costner has reportedly alienated himself from the rest of the entertainment industry. The piece notes that Costner has been involved in multiple legal battles and has burned bridges. He settled a lawsuit alleging that he owed hundreds of thousands in unpaid costume fees and ended his working relationship with longtime producing partner Jim Wilson. The story goes on to argue that Costner, who won best picture and best director for his work on Dances With Wolves, has historically had a reputation for “being difficult,” noting that he has clashed with past colleagues like Clint Eastwood and Kurt Russell, as well as Bentley.

    But not everyone feels that way about Costner. “The word difficult gets used a lot,” agent Rick Nicita, who represented Costner from 2002 to 2008, told the outlet. “It can mean someone who won’t come out of their trailer, or someone who doesn’t know their lines, or is rude. That’s not Kevin. He wanted what he wanted and knew what he wanted and if he didn’t get it…well, he was never a great compromiser. It’s a firm belief in himself and a confidence that to some can play as arrogance.”

    Original story appeared in VF España.

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    Marita Alonso

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  • 5 Seminal Works of the Taylor Sheridan Cinematic Universe That Aren’t Yellowstone

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    It wouldn’t be an overstatement to say that Taylor Sheridan is one of the most productive and powerful creators in the entertainment industry today. As the showrunner behind a half-dozen popular streaming programs and an Academy Award nomination for screenwriting, Sheridan has developed a unique sub-genre of smart, entertaining neo-westerns that have captured an active audience…

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    Liam Gaughan

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  • A ‘Yellowstone’ coffee battle is brewing, drama percolating off-screen – National | Globalnews.ca

    A ‘Yellowstone’ coffee battle is brewing, drama percolating off-screen – National | Globalnews.ca

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    There’s more drama percolating among the Yellowstone cast and crew, but this time the trouble is brewing off-screen.

    Yellowstone’s creator and showrunner, Taylor Sheridan, is taking star Cole Hauser to court over their respective brands, accusing Hauser of “trademark infringement, unfair competition and false advertising,” according to a lawsuit filed in the Northern District of Texas on Nov. 21.

    The court filing, reported by People, accuses Hauser’s newly launched Free Rein coffee logo of using a “mark confusingly similar to” Sheridan’s Bosque Ranch, noting that both companies use branding marks with two overlapping letters.

    The Bosque Ranch is the name of the property where Yellowstone is filmed, and is owned by Sheridan. Its logo has the letters B and R, intertwined, in line with the branding designs ranch owners use to symbolize ownership. Bosque Ranch also has a coffee line, which features the ranch’s logo. Hauser, who plays Rip Wheeler on the Western series, also uses an intertwined F and R for his coffee logo.

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    The suit alleges Hauser’s logo is “strikingly similar” to Bosque Ranch’s registered trademark, and is purposefully used to “mistake or to deceive as to the affiliation, connection, or association” with the ranch.

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    “A little over three months after Sheridan announced Bosque Ranch Craft Coffee, another Yellowstone star, Cole Hauser, launched Defendant Free Rein and began selling ‘Free Rein’ coffee, ‘Born from the cowboy tradition,’” the documents stated.

    The lawsuit continued, “Neither Hauser nor the Defendants asked or received permission or authorization of Sheridan or Bosque Ranch to use a mark confusingly similar to the BR Brand for virtually identical goods.”

    Both men began working with coffee in the second half of 2023 — Bosque Ranch partnered with the Community Coffee brand in June and began producing his product, while Hauser bought a small-batch coffee bean roasting facility and launched Free Rein in October.


    Click to play video: 'Calgary Stampede Parade entertains crowds for first time in 3 years'


    Calgary Stampede Parade entertains crowds for first time in 3 years


    The lawsuit comes after Paramount announced that Yellowstone will come to an end next year, after the second half of Season 5 airs in Nov. 2024.

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    The first half of the season, which ended Jan. 1, marked the end of Kevin Costner’s time as the show’s main star. He said he was leaving Yellowstone to pursue writing, directing and starring in his own series of Western films.

    However, NBC reports that in September, during one of Costner’s divorce hearings with his wife Christine Baumgartner, the actor claimed Yellowstone still owed him US$12 million and that they might have to take the matter to court.

    “We tried to negotiate, they offered me less money than previous seasons [and] there were issues with the creative,” Costner said.

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Michelle Butterfield

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  • Kevin Costner’s ‘Yellowstone’ Exit Left Creator Taylor Sheridan “Disappointed”

    Kevin Costner’s ‘Yellowstone’ Exit Left Creator Taylor Sheridan “Disappointed”

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    The rebirth of Yellowstone amidst star Kevin Costner’s exit has been largely shrouded in mystery. Last month, Paramount announced that at the conclusion of season five this November, TV’s top-rated drama series will be revamped to revolve around a new lead, played by Matthew McConaughey. But creator Taylor Sheridan has been tight-lipped about his plans for his TV empire’s crowned jewel—until now.

    In a new Hollywood Reporter cover story, Sheridan breaks his silence on Costner’s sudden departure, which followed reported behind-the-scenes drama involving the number of days Costner was willing to shoot on the show. “My last conversation with Kevin was that he had this passion project he wanted to direct,” Sheridan told the outlet—a reference to Horizon, the multipart Western Costner is cowriting, directing, and starring in. “He and the network were arguing about when he could be done with Yellowstone. I said, ‘We can certainly work a schedule toward [his preferred exit date],’ which we did.”

    According to THR, “there are ongoing discussions to try to convince” Costner to film remaining scenes to conclude his character John Dutton’s storyline. (Sheridan said he’s not currently writing, in solidarity with the ongoing writers strike.) “I’m disappointed,” Sheridan added of Costner’s decision to leave. “It truncates the closure of his character. It doesn’t alter it, but it truncates it.”

    Elsewhere in the piece, Sheridan denied rumors that he had told Costner to “stick to acting,” words that were allegedly a contributing factor in his exit. “I never had that conversation with Kevin,” Sheridan said. “There was a time in season two when he was very upset and said the character wasn’t going in the direction he wanted … Kevin felt season two was deviating from that, and I don’t know that he was wrong. In season three, we steered back into it. And I recall him winning a Golden Globe last year for his performance, so I think it’s working.”

    The creator—whose original series has spawned spin-offs including prequel series 1923, starring Helen Mirren and Harrison Ford, and 1883, led by Tim McGraw and Faith Hill—says he harbors no ill will toward Costner as a performer. “My opinion of Kevin as an actor hasn’t altered,” Sheridan explained. “His creation of John Dutton is symbolic and powerful … and I’ve never had an issue with Kevin that he and I couldn’t work out on the phone. But once lawyers get involved, then people don’t get to talk to each other and start saying things that aren’t true and attempt to shift blame based on how the press or public seem to be reacting. He took a lot of this on the chin and I don’t know that anyone deserves it.”

    Sheridan also told THR that he wishes Costner well on his future endeavors. “His movie seems to be a great priority to him and he wants to shift focus,” he said. “I sure hope (the movie is) worth it—and that it’s a good one.” He also ruled out at least one means of onscreen death for John Dutton. “I don’t do fuck-you car crashes,” he said. “Whether [Dutton’s fate] inflates [Costner’s] ego or insults is collateral damage, that I don’t factor in with regard to storytelling.”

    And the show will go on with McConaughey, Sheridan confirmed. “He seems like a natural fit,” he said of the Oscar winner. “We had a few conversations over the years, and spitballed a few ideas. Then he started watching Yellowstone and responded to it.” The cowboy lives to ride another day.

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    Savannah Walsh

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  • Josh Lucas Talks ‘Yellowstone’, Reveals Why His Son Called Him A ‘Fool’ During Set Visit (Exclusive)

    Josh Lucas Talks ‘Yellowstone’, Reveals Why His Son Called Him A ‘Fool’ During Set Visit (Exclusive)

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    By Paige Gawley‍ , ETOnline.com.

    Josh Lucas‘ role on “Yellowstone” doesn’t earn him enough cool points to avoid being roasted by his son. ET’s Cassie DiLaura spoke with the 51-year-old actor, who recalled a hilarious on-set mishap when his 10-year-old son, Noah, visited him at work.

    While Noah “knows ‘Yellowstone’ is a big success and likes watching” some dad-approved scenes, he made time to mock Lucas when he visited the show’s Montana set.

    “To bring him on set and have him there, we had a great day, a rather, I must say, humbling day for me,” Lucas said. “It was the scene early in this season where I knock a guy out… My son was sitting at the monitor. I walked up to the guy to punch him and, frankly, I tripped. My hat fell off and I dropped my gun. My son screamed from the monitor. He was like, ‘Dad, you’re a fool!’”


    READ MORE:
    ‘Yellowstone’ Season 5, Episode 5 Recap: Beth and Summer Come to Blows in a Violent Fight

    Lucas laughed at the memory, and praised the editing team for how the scene turned out in the end. “I was falling apart, but they made it look good, that’s for sure,” he said.

    While Noah doesn’t see acting in his future — he’d rather be a pro soccer player or the General Manager of the Seattle Seahawks — Lucas is thrilled with his own role on the series, especially since he’s such a fan of it himself.

    “When I first started, I hadn’t seen it. Nobody had seen it. And then I didn’t go back to watching it until Melissa Romualdi Taylor [Sheridan] called me and said, ‘You’re coming back for the fifth season,’” Lucas recalled. “… I watched all 40 episodes in a matter of about, honestly, a week. I would fight with myself. I’d be like, ‘Josh, are you doing research or are you just binge watching television?’ But I definitely got obsessed by it. It’s one of the best jobs ever. Being out there in Montana, having this extraordinary dialogue, and with these horses, it is an absolute dream.”

    That dream kicked off on Lucas’ very first day on set.


    READ MORE:
    The Ultimate ‘Yellowstone’ Gift Guide: 12 Holiday Presents Fans Will Love

    “The day I first arrived on set for ‘Yellowstone’ was one of the most amazing, magical days of my life,” Lucas told ET. “… Taylor Sheridan [comes by] on horseback and he basically says, ‘You ride, right?’ and I was like, ‘Yeah?’ And he said, ‘All right, take that group of cattle and bring them into the pen.’ [He] was like, ‘Roll cameras.’”

    “There was no rehearsal. We drove this group of cattle into a pen and then they showed me how to brand a cow, which I’d never done before. The whole thing took place in a matter of an hour or two,” he added. “… They dropped you into the middle of the world of ‘Yellowstone’ immediately. It was a test, frankly… but hey, there’s nothing like getting to go do it.”

    To prepare for his role as the younger John Dutton, Lucas studied Kevin Costner, who plays the same character in present-day time.

    “I was trying to figure out what Kevin was doing with his voice and the different things he was doing physically and his little tics and things that Kevin has created as John Dutton and wanted to, obviously, honour that and to an extent replicate what he was doing, but also try and find my own way,” Lucas said. “… I definitely spent a lot of time studying what Kevin was doing and trying to give him major props for how he’s created this guy. I do really love what Kevin has done. It’s interesting if you watch the show as fast as I did you can see how he becomes John Dutton, how he changes from the early episodes to the later episodes… I really try and play with those things and make the character, I hope, as deep and powerful.”

    https://www.youtube.com/watch?v=5Rqo7OKGdQc

    In addition to Costner, Lucas said, the cast and crew as a whole views “Yellowstone” as much more than just a TV show.

    “What I am struck by more than anything is the level of passion and the family-like atmosphere that this crew and cast has together,” he said. “They work out in the middle of nowhere Montana, they’re very isolated and they work incredibly hard. Everyone involved in the show is attempting to do something special and they’re pouring their souls and hearts into it. I’ve never met a crew that’s so loyal the exact same people that were there in the beginning.”

    That is perhaps never more true than with Luke Grimes, who plays Kayce, the youngest Dutton son, on the series.

    “I was sitting outside one night and [Grimes] said, ‘You know, I’m never gonna act again ’cause I only want to play Kayce,’”  Lucas recalled. “I was like, ‘Oh, come on. Luke, you’re a great actor.’ I said, ‘I bet you right now that you act again.’ He was like, ‘I will bet you’… He said his passion for playing the character is so strong that he never wants to do anything else.”

    The men soon developed a bet, which will go on for the rest of their lives. “I’ll double down on this bet,” Lucas told ET. “… I said, when we’re in our 70s, I’m gonna come collect. All he has to do is do one movie after this and he’s gotta pay me and then I’m gonna take the money and put it in his kid’s college fund, so either way he’s not really gonna lose.”


    READ MORE:
    ‘Yellowstone’ Season 5, Episode 4 Recap: Beth Discovers Jamie’s Secret Son and Plots Her Revenge

    Lucas would likewise love to continue in the world of “Yellowstone”, and is crossing his fingers that Sheridan has a “1993” idea brewing, in addition to the many spinoffs that are already in the works.

    “One of the interesting things about the ‘Yellowstone’ world is that it is so totally inside Taylor’s mind. Taylor keeps it very private to himself,” Lucas said. “I don’t think you can ask an actor involved in this show if they know what’s gonna happen on the second half of the season. They don’t.”

    “I would do it in a second, of course. I would love, not just for myself, obviously, but I would love to see what the… past of John Dutton is. I’d love to see him when he’s 20 years old. Imagine those scenes when he meets his wife… I would do it in a second, but also I would be fascinated to watch it,” he added. “… Taylor is a miraculous creator who has all of this in his mind… He clearly has it all in his head, so if he’s got ‘1993’ in his head, I will be there in a heartbeat.”

    “Yellowstone” airs Sundays on Paramount Network.

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    Melissa Romualdi

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  • Kevin Costner: Returning ‘Yellowstone’ is a hit on own terms

    Kevin Costner: Returning ‘Yellowstone’ is a hit on own terms

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    LOS ANGELES — While a healthy slice of America awaited Sunday’s return of the hit series “Yellowstone,” star Kevin Costner was in Moab, Utah, scouting locations for yet another Western epic, “Horizon.”

    Costner’s 60-some film credits, among them “Field of Dreams,” “The Bodyguard,” “JFK” and “Bull Durham,” are an eclectic mix of dramas, baseball-centric tales and the occasional comedy. But the West’s history and land have proven his creative bedrock.

    His breakout role came in 1985’s “Silverado,” followed by starring roles in “Dances with Wolves,” his Oscar-winning directorial debut; “Wyatt Earp,” and “Open Range,” which he also directed. He’s donning the actor-director Stetson again for “Horizon,” planned as a four-film saga about pre- and post-Civil War western migration.

    The Paramount Network’s contemporary “Yellowstone,” created by Taylor Sheridan (“Hell or High Water”), already has generated a successful prequel, “1883.” A second, “1923” (formerly titled “1932”), with Harrison Ford and Helen Mirren as its headliners, is set for a Dec. 18 release.

    In its fifth season, “Yellowstone” opens with Costner’s Montana rancher John Dutton awaiting the outcome of his reluctant run for governor — a big-swing effort to shield his family’s vast land and business against challenges from developers and empowered Native Americans.

    Dutton’s populist-style campaign promised to safeguard Montana values, or likely those that dovetail with the interests he’s gone to extremes to protect. Would Costner himself consider seeking office? “No, I don’t think so,” he said.

    In an interview with The Associated Press, he discussed why “Yellowstone” has gained a following, the series’ portrayal of Native Americans, and his long-held regard for the Western genre done right. Remarks have been edited for brevity and clarity.

    ———

    AP: When you joined Taylor Sheridan on the drama series, what made you think it could work?

    KEVIN COSTNER: I thought it had a chance to be relevant, in that this work is still going on in America and most people kind of take it for granted how stuff ends up at their dinner table. We intuitively know, and we don’t really know. The show is able to highlight at times the beauty of ranching, and it certainly talks about how difficult it is. We’re set in one of the most beautiful places in the world, and I think the idea of mountains and rivers captured people’s imagination. But it’s a working ranch. It’s how it’s still done. I think it spoke well of that, with its kind of heightened sense of drama.

    AP: While John Dutton says he’s no politician, he’s seeking power and there’s more than a suggestion he intends to use it for his own ends. How do you see the character?

    KEVIN COSTNER: He’s not naive. He’s no politician in the sense that he wants to collaborate. I think he’s capable of hearing the best idea, but he’s not looking for middle ground. It’s not how he’s conducted his life. What’s maybe good for his ranch might be good for all the rest of the ranches in Montana as well — the preservation of a way of life, less expansion. His ranch is highlighted, he says it out loud. But I think he sees this working for other ranchers.

    AP: ‘Yellowstone’ prominently includes Native Americans, as did ‘Dances with Wolves.’ How do you view the series approach to the characters?

    KEVIN COSTNER: I think they show it’s all complicated. For them, everything has been stripped away, and they’ve had this little niche called gambling and even that’s being nibbled at, being pawed over. Anytime there’s money, there’s going to be disputes no matter what culture you’re dealing with. So you see power plays inside the Native American community. You see ambition, you see selfishness. It’s really normal behavior. We might flinch at it, we might be embarrassed by it, but it exists on all levels. The political machinations of what happens on the rez (reservation) are equal to what happens on our national stage. There’s bitterness, there’s resentment. There’s good ideas, there’s bad ideas. So who gets left in the lurch? Generally speaking, it’s the people.

    AP: The series received a Screen Actors Guild nomination for best ensemble drama but has been largely overlooked by the Emmys. Could that reflect a bias against Westerns?

    KEVIN COSTNER: I’m not sure, because we’re a very verbal show. We’re not reduced to ‘yep’ and ‘nope.’ It’s very literate in its expression. You can be minimalized, you can be marginalized, you can be ignored. But we’ve been able to create a show that didn’t start out being popular but did it on its own terms.

    AP: You’ve said that watching the 1962 movie ‘How the West Was Won’ as a youngster made you a fan of the Western. What chord did it strike and why does the genre continue to resonate with you?

    KEVIN COSTNER: When it’s done well, you realize how vulnerable (people) were. We see freeways and cities now, but if you roll back about 120 years, you were out here by yourself. How you made it or didn’t would depend sometimes on your decisions and most of the time on just luck. There was no law, there was no army, we were taking away land from people that have lived there for thousands of years. I think to myself, ‘My God, what made people keep coming West?’ They sometimes didn’t share the same language, they were from different countries in Europe. When I see it in its rawest form, I’m inspired by it, I’m in awe of it. I realize that what made people cross the country was nothing but hope of something better than where they came from.

    ———

    This story corrects that the series is on the Paramount Network, not Paramount+.

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