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Tag: swans

  • A flotilla of kayaks plans to enjoy City Park Jazz from a new perspective

    A flotilla of kayaks plans to enjoy City Park Jazz from a new perspective

    There’s an animal menacing City Park, and it’s not an irate goose.

    The giant swan boats, which are popular rentals for paddling around the 25-acre Ferril Lake, pose a threat to the otherwise peaceful Jazz in the Park series, jokes 30-year-old Lakewood resident Emerson Smith. They’re too big, scary-looking, and attention-hungry to ignore.

    “Systems calibrated. Pool noodles firing at 800 m/s,” reads a July 10 post on Emerson’s Denver Jazz Flotilla Instagram page. “We’re ready to protect the citizens.”

    “The whole flotilla thing is just my sense of humor,” admitted Emerson. “It’s fun to act tough while on a purple kayak listening to jazz. And let’s be real: not all jazz is created equal, and sometimes we need something else to entertain ourselves with.”

    The concept is a goof, but the gatherings are real. Attendees of City Park Jazz, which takes place on Sunday afternoons over 10 weeks every summer, may have noticed kayaks floating behind the City Park Pavilion stage last summer, when Emerson first got the idea. He invited more friends to join him this year and secured their commitment to doing it as often as possible. Last week he had 10 people join him, he said.

    Wheel Fun Rentals operates a flock of swan boats at City Park and Washington Park (seen here). (Eric Heiserman for Wheel Fun Rentals)

    “Their enthusiasm made me want to see how big we could make it,” said Emerson, who picked up 50 followers on a Reddit post — most of whom he doesn’t know.

    Emerson has not heard any concerns about his semi-organized gatherings from Denver Parks & Recreation, including limits on the number of watercraft on the lake. Hand-launched boats are allowed at nearly all Denver park lakes, no permits required, according to their website.

    “A sound-producing device and at least one life jacket per person aboard is required to be on all vessels,” officials wrote.

    “(The) only research I did was just to confirm personal kayaks and stuff are actually allowed on that lake,” Emerson said. “I asked ChatGPT and apparently we could fit about 11,000 12-foot kayaks comfortably on Ferril Lake. So that’s the goal.”

    It’s not all a joke: on his Instagram bio, Emerson not only mentions defending people from giant swans but adds “Sometimes we pick up trash.” The next meet-up is on Aug. 4, and gloves, trash bags, and “two extra grabby thingys will be provided (first come first serve),” Emerson wrote online. Most of the trash is caught up in plants and is hard to reach while floating, so he plans on walking the shoreline a bit too.

    Swan-boat and bike rentals are available at the park from California-based company Wheel Fun Rentals, which sits just a few dozen feet from the jazz bandstand. People can also rent kayaks from Wheel Fun to confront the company’s own swan-boat army, along with sporty and cruiser bikes, four-wheel Surrey cycles, canoes, and stand-up paddleboards. They offer nighttime rentals with LED-decked swan boats that can circle the lake’s giant, lit-up fountain.

    Emerson gathers his own fleet in the southeast corner of the 330-acre park starting at 5:30 p.m. on Sundays. He recommends people who want to join him to meet up behind the stage if the show has already started. There’s no boat ramp, but most of the shore is accessible. And despite the lake’s natural beauty, be sure not to get any water in your mouth, he said.

    “Like in most bodies of water there are some potentially harmful organisms,” he said. “As far as I understand this presents a relatively low risk but it’s best to avoid contact with the water, especially with your eyes, nose, mouth, open wounds, et cetera, and practice good hygiene.”

    The cheeky front will continue even as Emerson works to grow the gatherings. The giant, evil swans are just too big a menace to ignore.

    “They threaten to collide with the birds nests under the stage and they scare the native swans,” he said. “In general, they’re just a bad vibe and aren’t happy unless they’re stealing the show with their synchronized dance moves.”

    Performances of the free, nonprofit Jazz in the Park series, which began in June, continue through next month with Denver Jazz Orchestra (July 21), Nelson Rangell (July 28), and Jakarta (Aug. 4). See cityparkjazz.org for more.

    John Wenzel

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  • Swans’ Sonic Assault Levels White Oak Music Hall (Metaphorically)

    Swans’ Sonic Assault Levels White Oak Music Hall (Metaphorically)

    Swans
    White Oak Music Hall
    April 24, 2024

    If there’s a shortlist of artists who should compose the soundtrack to the apocalypse (and there really should be), Swans would be near the top. The avant garde ensemble created by Michael Gira in 1982 has, like just about any band of that era, gone through numerous lineup changes and sonic overhauls, though never straying from Gira’s confrontational vision.

    Swans’ latest is The Beggar, which Gira wrote during COVID lockdown, and it’s just as claustrophobic and unnerving as that implies. Having said that, it’s a different animal than the noisecore and industrial efforts that catapulted Swans into contention as one of the loudest bands on Earth.

    Last night at White Oak Music Hall, Gira and Swans certainly made their case for that. They also emphatically demonstrated just how little they care about making the audience comfortable.

    If — as someone once said — James McMurtry was the soundtrack to the end of the American Dream, then Swans are what will accompany the end of the world. It’s music to make you uneasy, yes, but Gira takes it beyond that. A Swans show is a crescendo of doom, only not a fun one like that Avalon Hill game.

    Gira also doesn’t like you filming his show, and the 70-year old gestured multiple times at people in the audience to knock it off. Surprisingly (or not, the frontman doesn’t exactly suffer fools), most people complied, as those surreptitiously filming found themselves slinking to the back of the venue.

    A Swans show is memorable for several reasons. Most obviously, it’s punishingly loud. I’ve been attending concerts since the mid-’80s, and last night was the first time I’ve ever worn earplugs (this isn’t a boast, I’m just an idiot). I assume there were folks in attendance who weren’t (and Gira was one of them), and I don’t know how they did it without their teeth shattering in their skull, THX style.

    Related to that, a Swans gig is one of the only shows where you’ll find it easier to move to the front of the venue as it progresses. I’ll admit, the exodus wasn’t as big as I expected, with most people at least giving the 20-minute “Intro” a chance before making their way to the rear (or the exits). And that song had more fakeout endings than Return of the King.

    It’s music designed to make you uneasy. “The Beggar,” their second song (and the only one from that eponymous latest release), encompasses the spectrum of Swans in itself, an exercise in dirge-like lament that builds to a relentless pulsation that’s — dare I say? — melodic.

    click to enlarge

    “Did I remember to record So Help Me Todd?”

    Photo by Violeta Alvarez

    You can’t accuse Gira of getting soft in his old age, but latter-day Swans (as opposed to pre-first breakup Swans) definitely toy more with traditional song structure than in the days of Filth and Cop. Even so, last night was a sonic assault that refused to visit less punishing efforts like The Burning World or The Great Annihilator.

    Newer songs like “The Hanging Man,” with its ominous allusions to creeping fascism, are as chilling as anything the band’s ever done. While “Red Yellow” and closer “Birthing” were apparently written for the tour, and it’s almost…upbeat?

    This iteration of Swans — Gira, Kristof Hahn (guitar, lap steel), Dana Schechter (bass, lap steel, keyboards), Larry Mullins (percussion, keyboards), Phil Puleo (percussion), Chris Pravdica (bass) — still generate a stunning amount of noise. Especially for a group that looks like they should be working at your local Soundwaves.

    At the center is Gira, summoning his fellow bandmates to even greater sonic extremes, like a ponytailed Chernabog. It’s hard to believe a band like Swans still exists in an era where corporations control virtually every aspect of the live music experience.

    What About The Opener? Is it cheating to have the opening act be an actual member of the headliner? Kristof Hahn has been playing for Swans since 1989, but his own songs are less drone and more actively nightmarish, his “I come in peace” notwithstanding. The sonic wall of his opening number was what the soundtrack to the vortex sequence in 2001: A Space Odyssey would’ve sounded like if Stuart Gordon wrote the screenplay.

    Personal Bias: Swans have always been on my list of “need to go” shows. Glad I made it, not sure I need to do it again.

    The Crowd: Local chapter meeting for Tinnitus Anonymous.

    Overheard [Outside The Venue]:
    JESS: Do you have a camera?
    ME: No.
    JESS: Then why did they give you a media wristband?
    ME: I’m reviewing the show.
    JESS: Who do you write for?
    ME: The Houston Press.
    JESS: They still review shows? What’s your name?
    ME: Pete Vonder Haar.
    JESS: Are you that guy that hates everything?
    ME: No. You must be thinking of the other person there with my last name.

    Seriously, big thanks to Jess at WOMH for giving me earplugs when I realized I’d left mine in my car.

    Random Notebook Dump: “Hope nobody’s here on a first date.”

    SET LIST
    Intro
    The Beggar
    The Hanging Man
    I Am A Tower
    Guardian Spirit
    Away
    Red Yellow
    Birthing

    Pete Vonder Haar

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  • Day Trippin’ with a Swan Family | Show Me Nature Photography

    Day Trippin’ with a Swan Family | Show Me Nature Photography

    Today’s post features a Trumpeter Swan family that I captured in central Minnesota a few years ago. You can see that the parent swan at the rear of the chain is wearing a neck tag, which gives location info as to where it was caught and tagged.

    • Canon 1D Mark 3 camera body + Canon 500mm, f/4 IS lens + Canon 1.4x TC, shot at 700mm
    • Bogen 3021 tripod, with Wemberly gimbal head
    • ISO 200
    • Aperture f/8
    • Shutter 1/400 sec.

    James Braswell

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