ReportWire

Tag: Sutton Foster

  • Hugh Jackman and Sutton Foster Put the “Show” in Showmance

    [ad_1]

    While Jackman and Foster have only been publicly dating for about 10 months, they’ve been acquainted with each other since the early 2000s. Both are members of the greater Broadway community; as People points out, Jackman snapped a photo with Foster during her Tony-winning, star-making run as the titular ’20s flapper in Thoroughly Modern Millie. One year later, Jackman would host the Tonys for the first time; a year after that, he’d host again and win his own leading-actor-in-a-musical trophy for playing Peter Allen in The Boy From Oz. As a theater luminary herself, Foster must have been aware of Jackman’s electrifying run as Tonys emcee—he did it three years in a row—particularly the year he also performed a number from The Boy From Oz in a cheetah-print button-down and impossibly tight gold pants. In any case, it’s clear they both have greasepaint roaring through their veins.

    By the time they’d met, Jackman had already been a married man for years, having wed Australian actor and producer Deborra-Lee Furness in 1996. Foster has had a more tumultuous romantic history. She was married to fellow actor Christian Borle, who would go on to win his own Tony awards, from 2006 to 2009; when she won her second Tony in 2011 for playing another grande dame of musical theater, Reno Sweeney, in a revival of Anything Goes, she famously thanked her dresser as well as her boyfriend at the time, actor Bobby Cannavale. (Like Foster, Cannavale would eventually find love with an Australian—Rose Byrne.) Jackman and Foster remained friendly through this time—even dancing together when Jackman hosted the Tonys a fourth time in 2014—but their relationship was not romantic.

    Then came The Music Man, the critically acclaimed Broadway revival starring Foster and Jackman that was announced in March 2019 and originally set to open in October 2020. When rehearsals for the revival began, Jackman was still married to Furness, with whom he shares two children, Oscar and Ava. Foster, meanwhile, had married screenwriter Ted Griffin in 2014 and adopted a baby girl, Emily, with him in 2017. But due to the pandemic and subsequent Broadway shutdown, the revival was put on hold until 2022.

    When rehearsals started again, Jackman praised Foster’s immense talent in a story about the show in Vanity Fair. “She can learn a new dance in three hours, and she’s the best dancer you’ve seen on Broadway,” Jackman said of his costar. Foster shared a similar sentiment about Jackman while appearing with him on Late Night With Seth Meyers. “I’m having the time of my life playing opposite this guy,” she said. “It’s a dream come true.” A mutual talent crush had been established.

    [ad_2]

    Chris Murphy

    Source link

  • Hugh Jackman & Sutton Foster Make Red-Carpet Debut at AFI Fest

    [ad_1]

    [ad_2]

    extratv.com

    Source link

  • Hugh Jackman & Sutton Foster Cheating Rumors Resurface as Actress Files For Divorce: ‘They’re 100 Percent Together’ 

    Hugh Jackman & Sutton Foster Cheating Rumors Resurface as Actress Files For Divorce: ‘They’re 100 Percent Together’ 

    [ad_1]

    Hugh Jackman’s love life isn’t something we’ve gotten to speculate much about. The actor was, after all, married to Deborra-Lee Furness for 27 years until they parted ways in September of 2023. However, reports indicate Jackman might have found love again with his former Broadway costar Sutton Foster.

    Foster and Jackman appeared together on the Broadway hit The Music Man from December 2021 to January 2023. Both were married at the time. Now, however, with Foster recently filing for divorce from her husband of 10 years, Ted Griffin, rumors of a possible connection between the two have intensified.

    Related: Take a look at Hugh Jackman’s dating history

    But are Sutton Foster and Hugh Jackman dating? What are the rumors swirling about their relationship after their respective divorces? And did the two start dating while they were still with other people?

    Are Sutton Foster and Hugh Jackman dating after divorces and cheating rumors?

    Hugh Jackman and Sutton Foster attend The 75th Annual Tony Awards - Arrivals on June 12, 2022 at Radio City Music Hall in New York City.

    According to various reports, they are. “They are 100 percent together and are in love and want to spend the rest of their lives together,” Page Six reported. The report also indicates the two have taken care to keep their romance out of the private eye for what seems to be a substantial amount of time. “They are still together,” Page Six added. “They go out of their way to hide it, but it’s common knowledge.”

    For now, the facts are this: Younger star Foster filed from divorce from Ocean’s Eleven screenwriter Griffin on October 22, 2024. Rumors their marriage was on the rocks have swirled for years, ever since Foster was starring in The Music Man. Jackman, meanwhile, filed for divorce from Deborra-Lee Furness in September 2023. That means that if the two are indeed together, and have been together for a while, their relationship likely started when at least one, if not both of them, were still married to other people.

    Jackman and Furness released a statement after their divorce that read, “We have been blessed to share almost three decades together as husband and wife in a wonderful, loving marriage. Our journey now is shifting, and we have decided to separate to pursue our individual growth.”

    In December of 2023, In Touch reported that Jackman and Foster were in a relationship, quoting their sources as saying, “Their romance is an open secret on Broadway,” which indicates the relationship started when the two were co-starring in The Music Man. In Touch also reported Jackman “has been besotted with Sutton from the moment he met her. He followed her around like a puppy!” and quoted Foster as saying meeting Jackman was “the greatest thing that came out of the whole experience.”

    At the time, though both actors stayed mum and Foster seemed to try to quash the rumors by adding a family photo to a carousel of snapshots on Instagram showing her, Griffin, and their daughter. Her recent divorce filing, however, has resurfaced the rumor and initiated speculation about whether, now that both have filed for divorce, they will finally take the romance public.

    [ad_2]

    Lissete Lanuza Sáenz

    Source link

  • Review: Don’t Sleep on Splendiferous Sutton Foster in ‘Once Upon a Mattress’

    Review: Don’t Sleep on Splendiferous Sutton Foster in ‘Once Upon a Mattress’

    [ad_1]

    Sutton Foster in Once Upon a Mattress. Joan Marcus

    Once Upon a Mattress | 2hrs 15mins. One intermission. | New York City Center | 131 West 55th Street | 212-581-1212

    After suffering through Once Upon a One More Time last summer, I concluded that musicals about princesses had become a royal bore; no more singing and dancing tiaras for me, please. And yet Sutton Foster’s full-body comic onslaught as Winnifred the Woebegone in Once Upon a Mattress has restored my fealty to throne. Playing her first stage princess since the ogre-besotted Fiona in 2008’s Shrek, Foster musters every talented inch of her limber frame, rubber face, and iron lungs to generate waves of zany ecstasy in this delightful concert version for City Center Encores!

    An urbane riff on Hans Christian Andersen’s “The Princess and the Pea,” Mattress was an early pioneer of the musical fractured fairytale in 1959, decades before composer Mary Rodgers’ lifelong buddy Stephen Sondheim had a go at the Grimms with Into the Woods. Not so coincidentally, the production is helmed by Encores! artistic director Lear de Bessonet, who staged the luminous revival of Woods that transferred to a hot-ticket Broadway run. It’s unclear if the same trajectory awaits Mattress, a lightweight goof with an old-fashioned score that nevertheless has a role any comic diva would die for.

    Sutton Foster and Michael Urie (center) in Once Upon a Mattress. Joan Marcus

    Or dive for: Winnifred throws herself into a moat and swims to the castle in search of her prince, sight unseen. When Foster is pulled up onto the stage, she is a dripping vision in algae: an eel down her dress, an enraged beaver tangled in her bun. The sort of gal folks used to call a tomboy, Winnifred is exuberantly uncultured and has boundary issues: in her intro tune, “Shy,” she bellow the title word, bowling everyone over. It’s right there in her name; half of her is soft and feminine: Winnie. The other half is, well, Fred. She can lift weights, sing like a nightingale and chug gallons of ale. Even with today’s hypersensitivities, the material’s flipping of gender stereotypes comes across as cute, not cringe. Mary Rodgers’ music doesn’t reinvent the swooning, jazz-inflected style she inherited from her father, Richard, but combined with Marshall Barer’s slyly camp lyrics, the score carries a gently subversive charge.

    Part of the freshness is due to strategic book rewrites by Amy Sherman-Palladino (The Marvelous Mrs. Maisel), who sharpens the feminist jabs and underscores the vanity and thickness of the men. One of the thickest is Sir Harry (Cheyenne Jackson), a clueless knight whose union with the pregnant Lady Larken (Nikki Renée Daniels) is held up by ridiculous trials devised by the scheming Queen Aggravain (Harriet Harris) to delay marriage for her coddled son, Prince Dauntless (Michael Urie). When Winnifred enters the picture, the wicked monarch devises an impossible test: she plants a pea under 20 downy mattresses and will deny Winnifred’s royal status if she fails to detect the intruding legume.

    Harriet Harris and Francis Jue in Once Upon a Mattress. Joan Marcus

    As she did with Into the Woods, De Bessonet maintains a charming balance between earnestness and ironic sauciness in this no-frills but still attractive staging (economical and colorful sets by David Zinn and mock-medieval frocks by Andrea Hood). Her ensemble (a well-oiled machine after only ten days of rehearsal) is an embarrassment of riches: Daniels and Jackson’s voices blend lusciously on their romantic duets; as a petulant man-boy and embittered dragon lady, respectively, Urie and Harris mug with flamboyant glee; J. Harrison Ghee’s narrating Jester in glitter lipstick and fuscia garb lends a genderfluid vibe; and, as the kindly, mute King, David Patrick Kelly expresses much with his powerful, compact frame. 

    So Foster isn’t alone up there, but it is hard to notice anyone else when Winnifred is warbling tenderly about “The Swamps of Home” or struggling to find a comfy spot on her mountain of bedding through an increasingly agitated series of contortions. A star since she Charlestoned into Broadway lovers’ hearts some 22 years ago in Thoroughly Modern Millie, Foster is the perfect physical comedian and singer to revivify the role that made Carol Burnett famous. Foster doesn’t need the career boost; if Mattress does extend in a bigger venue, she already has her next gig: baking people into meat pies over at Sweeney Todd

    Buy Tickets Here 

    Review: Don’t Sleep on Splendiferous Sutton Foster in ‘Once Upon a Mattress’



    [ad_2]

    David Cote

    Source link