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Tag: Summer Olympic games

  • Paris-bound Olympians look forward to a post-COVID Games with fans in the stands

    Paris-bound Olympians look forward to a post-COVID Games with fans in the stands

    NEW YORK — The biggest races, routines and games for many of this generation’s Olympic athletes were contested in front of mostly empty stands, largely devoid of coaches to help them out or friends and family to cheer them on.

    That was three years ago at the COVID-19 Summer Olympics and two years ago at the COVID-19 Winter Olympics. Now that they’re preparing for the Paris Olympics that begin in July — and a return to something that feels normal — the Americans heading back to the Games know they can never take for granted the screaming fans and a hug from Mom or Dad.

    “I think it’s super important to be able to share these massive moments with people you care about,” said BMX rider Alise Willoughby, who has been to the last three Olympics.

    Willoughby and about 100 other U.S. athletes are doing interviews and photo shoots this week at the Team USA media summit at a hotel in Times Square — an event that itself was made impossible in the lead-up to the Tokyo Games in 2021 amid the coronavirus pandemic.

    One topic of conversation this week is how grateful the bikers, rowers, gymnasts and the rest are to be past the days of contact tracing, quarantines and daily swabbing or spitting for COVID-19 tests inside the so-called Olympic bubble.

    In Paris, there will be celebrations with relatives and one-on-one contact with coaches, most of whom were not allowed into the venues three years ago. The USA House — a traditional stop for athletes to wind down and kick back, especially after they’re done competing — will be doing brisk business once again.

    Mostly, athletes are looking forward to the chance to soak in the feeling from the crowd, an element sorely missing in the cavernous and largely unfilled venues in Tokyo.

    “I’ll be able to see the audience’s emotions. I want to build that with them and I can tailor my routines to that,” said American rhythmic gymnast Evita Griskenas, who plans French music to accompany one routine and “All-American” number for another, all with the goal of getting fans caught up in the moment.

    Griskenas said she already feels a different vibe. Preparing for the Olympics in Tokyo — Games that were initially delayed by a year, then held in an atmosphere nobody quite recognized — became a largely solitary, and joyless, affair.

    “It turned into training in my basement and throwing things outside,” she said.

    This year, a different experience awaits, and some athletes are even looking forward to a crowd rooting against them because, hey, at least it’s a crowd.

    “The boys have been saying, ‘We want to play France in, like, the semifinals,’” rugby player Perry Baker said. “You just visualize how big that can be, and how fun that can be. Their crowd. Our crowd. We live for those moments.”

    With crowds, naturally, come other issues that were mostly set on the sideline in 2021. On Monday, French President Emmanuel Macron said the much-touted opening ceremony scheduled for the Seine River could be moved to the Stade de France if the security threat is deemed too high.

    Asked what she thought of that possibility, Nicole Deal, the chief of security for the U.S. Olympic and Paralympic Committee, said other than her main goal — athlete safety — she wants to provide the best experience for the athletes.

    “Security is an underpinning and a foundation. We’re not the main show,” Deal said.

    With two of the next five Olympics set to come to the U.S. — Los Angeles hosts in 2028 and Salt Lake City is a virtual lock for the Winter Games in 2034 — Olympic leaders know there’s a lot riding on Paris. This return to “normal,” they hope, will bring more Americans back to watching the Olympics in person, online and on TV.

    Prime-time ratings in Tokyo were 42% lower than the previous Summer Games, in Rio de Janeiro in 2016, and 50% below the Games before that, in London in 2012. There were a number of reasons for that — including the increasingly fragmented viewing audience, the rise of streaming services and the 13-hour time difference between New York and Japan.

    But also: COVID-19.

    “Even for those who were back home, it wasn’t the most important thing going on for us at that time,” USOPC CEO Sarah Hirshland said of the renewed possibilities presented by the first COVID-19-free Games since 2018. “This is about an opportunity to really focus on this incredible thing called ‘Olympic and Paralympic sport.’ It brings us together almost like nothing else.”

    The way things went in Tokyo took some of the luster away from what was nearly a perfect experience for indoor volleyball player Jordyn Poulter. Yes, she won a gold medal in her first Olympics, three years ago. Yes, it was a once-in-a-lifetime type of triumph. Still, there was something missing.

    “Not being able to relish in that moment with friends and family in that immediate time — it’s something that I’m looking forward to in this next one,” she said.

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    AP Summer Olympics: https://apnews.com/hub/2024-paris-olympic-games

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  • Athletes Respond To LeBron James’ Rumored Retirement

    Athletes Respond To LeBron James’ Rumored Retirement

    “No one could outjump LeBron. I once saw him jump straight through the roof of a house, then he kept going, he went up about 100 feet and crashed into a bird. The bird plummeted to the earth. When LeBron saw what he’d done, he quickly reversed course, and willed himself to fall faster than the bird. By the time the bird was about to land, LeBron was already there, and he caught the bird softly in his palm. As the bird landed, it died, but as it died it laid an egg into LeBron’s palm. LeBron sat on that egg until it hatched, and he raised that bird—it was a cardinal—as one of his own children. A class act and fierce competitor.”

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  • Break it down: Dancers begin charting path to Paris Olympics

    Break it down: Dancers begin charting path to Paris Olympics

    NEW YORK — Breaking is in Victor Montalvo’s blood. He is a descendant of twin breakers — his father and uncle — who were performing in Mexico long before they taught a young Montalvo to spin on his back.

    Born in Kissimmee, Florida, the 28-year-old who also goes by B-Boy Victor has mastered the foundations of the dance form. He has power. He has the flavor and swagger expected of a diehard b-boy. His movement syncs with the breakbeat flowing from the DJ’s turntables.

    Scribble, chirp, rip, boom, blip.

    He hopes to take breaking further than his relatives ever dreamt, to battle his way to a medal ceremony, when the now-global dance art debuts at the Olympic Summer Games less than two years from now.

    “I feel like I have a really high chance,” Montalvo told The Associated Press.

    He is among dozens of champion b-boys and b-girls — a term for a male or female entrenched in the culture of hip hop — who are charting a path to the 2024 Games in Paris. The International Olympic Committee announced two years ago that breaking would become an official Olympic sport, a development that divided the breaking community between those excited for the larger platform and those concerned about the art form’s purity.

    But after the Red Bull BC One World Final, held earlier this month in the birthplace of hip hop and a short distance from the very streets where Black and Puerto Rican New Yorkers pioneered the art of breaking, the field of Olympic competitors is starting to take shape. The Nov. 12 event also attracted some of the original b-boys and b-girls, as the hip hop community prepares to celebrate 50 years since the culture’s founding in 1973.

    “You never thought that something you were doing for fun was going to go around the world,” said Douglas “Dancin’ Doug” Colón, a b-boy of the first generation of breakers from Harlem who beamed with pride over the dance form’s acceptance into the Olympics.

    Along with Colón, first generation b-boy Trixie sat near a circular stage in the center of Manhattan’s Hammerstein Ballroom. One by one, Red Bull BC One World Final competitors from Canada, China, France, Italy, Kazakhstan, South Korea and Venezuela took to the battle stage. The energy drink beverage company runs the world’s largest breaking competition.

    The OGs offered blessings to their descendants by giving them dap — a friendly gesture of greeting in the Black and Latino communities that communicates solidarity and well wishes to the recipient. Joe Conzo, Jr, a photographer known in the community as “Joey Snapz,” who documented hip hop in the Bronx from its infancy, also sat stageside taking pictures of the Olympic hopefuls.

    “Nothing’s going to change the culture, the culture stays the same,” Colón said. “Even though it’s now an Olympic sport, people back in the hood will still be doing their thing.”

    Victor Alicea, a Red Bull BC One World Final judge, told the AP that judging competitions within the hip hop culture has always been very subjective. But that won’t be the case with the Paris Olympics, where officials will use a newly developed judging system to decide which b-boy or b-girl bested their opponent in one-on-one battles.

    The Trivium judging system, created for the debut of breaking at the 2018 Youth Olympic Games in Buenos Aires, is a digital scoring platform that allows judges to react in real time to breakers’ physical, artistic and interpretative qualities or their “body, mind and soul.” A panel of five judges scores each breaker on creativity, personality, technique, variety, performativity and musicality. The scores can adjust throughout the battle, based on how a breaker responds to their opponent.

    Scores can be lowered if a breaker “bites,” or copies, a set of moves from their opponent. Misbehavior, such as deliberate physical contact with an opponent, and other unsportsmanlike conduct can also lower a breaker’s score.

    “I look for someone that takes over the floor. It’s a battle. It’s not just you dance and then I dance. You’ve got to bring it,” said Alicea, who is also known as B-boy Kid Glyde.

    Montalvo, who was ranked as the world’s top b-boy after a world championship competition in Paris last December, said his path to the Olympics will require intense training. It will also require more winning performances at competitions sanctioned by the World DanceSport Federation, an IOC-approved body administering the battles. Breakers who do well in those events score points that help them qualify for the Paris Games. Olympic qualifiers kick off in September and run through June 2024.

    At the end of the process, 16 b-boys and 16 b-girls will be allowed to compete over two days at the iconic Place de la Concorde, an outdoor public square in Paris.

    That gives Olympic hopefuls lots of opportunities to sharpen their skills for the high stakes battles.

    MEET THE CONTENDERS

    B-BOY VICTOR

    What sets Montalvo apart from other b-boys, he said, is his command of judge-favored foundations of breaking: “toprock” moves, footwork, “downrock” moves done closer to the floor, “power” moves showing acrobatics and strength, along with the classic “headspins,” “windmills” and “freeze” poses.

    “I feel like the foundations are the most important thing,” he said. “I see a lot of dancers doing big moves, but then they don’t have those small details. They don’t know how to get out of those big moves. It’s important to create a story, and the foundations are like creating a story.”

    B-BOY YU-KI

    During a Red Bull BC One quarterfinal round battle against Japan’s Yuki Minatozaki, Montalvo transitioned from a windmill into a downrock move in which his legs moved back and forth so quickly that they looked like turning Double Dutch ropes. Minatozaki responded with a smirk, half-hearted applause and sarcastic thumbs up — all in the spirit of good sportsmanship — before exploding into a headspin and showcasing energetic standing footwork.

    “It feels great that the sport now has a lot more eyeballs on it,” Minatozaki, who goes by B-boy Yu-Ki, told the AP through a translator. The 23-year-old has been breaking since the age of five. He intends to seek a spot in the Paris Games, he said.

    Minatozaki lost his battle against Montalvo, who also went on to the final to defeat Lee-Lou Demierre of the Netherlands, another likely Olympic contender. That victory did not earn Montalvo points toward qualifying for the Olympics.

    B-GIRL INDIA

    India Sardjoe, a 16-year-old breaker from the Netherlands, won the Red Bull BC One World Final b-girl title. She said she planned to focus next on competing in crew battles – this entails a team of breakers competing against another for a group title and bragging rights, reminiscent of breaking’s roots in the Bronx. Sardjoe was fresh off of claiming the top honor at the European Breaking Championships, a WDSF event held in Manchester, England on Nov. 6.

    The Red Bull title is an accomplishment, nonetheless.

    “I had to battle the defending champion, so that’s not nothing,” Sardjoe said. “But I was super happy to battle against her.”

    B-GIRL LOGISTX

    Sardjoe defeated 19-year-old Logan Edra, also known as B-girl Logistx, who won last year’s Red Bull BC One World Final in Gdansk, Poland. Hailing from San Diego, Edra began breaking at age eight, after first training in ballet and jazz. Her father nudged her into hip hop lessons.

    Like Sardjoe and Montalvo, Edra told the AP she will compete in WDSF events over the next year and half for a spot in the Olympics. On Saturday, she competed in the Breaking for Gold Challenge Series in Tokyo and took home a silver medal behind Lithuania’s Dominika Banevič, known as B-Girl Nicka, who won gold.

    “I’m competing against the best of the best,” Edra said. “Because I have such a high standard for myself, I try to out-train everybody. The training is crazy — I’ve got bruises on my elbows and my knees from practicing moves over and over. It’s a lot of commitment because we don’t have as many resources as other sports do.”

    B-GIRL ISIS

    Isis Alexandra Granda Chalen, a b-girl who grew up in Ecuador before moving to the U.S., started young in ballet, folk and contemporary dance. But breaking spoke to her rebellious nature, particularly at a time when she questioned if those other dance forms were aligned with her dreams.

    “The moment that I understood that I have more responsibility for myself, I put more work into breaking and I got the opportunities to be here,” Chalen, 27, said ahead of the Red Bull BC One World Final.

    “Now, we’re going to do this transition, from artists to athletes,” she said of her Olympic dreams. “It’s a big opportunity for every country. I came from Latin America, where there aren’t as many opportunities. But the Olympics are for everybody.”

    B-GIRL SUNNY

    Sunny Choi, a Queens, New York-based b-girl who won the 2022 Red Bull BC One Cypher USA in September, said there’s an accessibility to the art and sport of breaking that will make it a huge draw at the Paris Olympics. She hopes to earn a spot on the U.S. team.

    “We have a lot of diversity in breaking, which is really beautiful about what we do, because there aren’t many financial barriers to entry,” Choi told the AP. “If you have a clean floor and, nowadays, access to YouTube or something where you can learn, and some music, you can just do this on your own.”

    She said her nascent Olympic journey has already required personal and professional sacrifices that initially had her questioning if she wanted to compete at all.

    “I’m one of those all or nothing people,” Choi said. “I’ve done a lot of soul searching to remove some of the mental blocks. I feel like this journey is going to pull out a lot from me and I just need to be ready for that.”

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    Aaron Morrison is a New York City-based national writer and member of the AP’s Race and Ethnicity team. Follow him on Twitter: https://www.twitter.com/aaronlmorrison.

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  • Jimmer’s new goal: The U.S. Olympic team, in 3×3 basketball

    Jimmer’s new goal: The U.S. Olympic team, in 3×3 basketball

    MIAMI LAKES, Fla. — Jimmer Fredette has already had quite a basketball life. National college player of the year at BYU. An NBA lottery pick. Played for five different NBA teams. Played professionally in China, played as a pro in Greece as well.

    His next target: France.

    Specifically, France in the summer of 2024.

    Fredette is trying to be part of USA Basketball’s 3×3 team for the Paris Olympics, and the sharpshooter’s first big step toward making that a reality comes this weekend when he’ll play for the Americans in the FIBA 3×3 AmeriCup in Miami.

    “Paris, that’s the hope and the goal with this whole thing,” Fredette said. “It’s a good way to stay competitive, keep playing but also be able to be with my family more. Having three little kids, a couple in school, it’s hard to leave them for a long time. So, it’s a great opportunity. I’m super excited about it.”

    The native of Glens Falls, New York, now makes his home in Denver, with his wife and their three kids. Fredette, if he wanted to, could be playing in China right now; he’s played over there for many years and it’s been a lucrative experience. He also has played in Greece. But it’s also meant being away from home, and that doesn’t interest him much anymore.

    Enter 3×3.

    U.S. coach Fran Fraschilla, a longtime college and draft broadcaster and analyst for ESPN, gave Fredette a call to gauge his interest. Fraschilla was a pretty good recruiter when he coached in college, and he got Fredette to commit pretty easily.

    “He’s unbelievable and he’s still got game,” Fraschilla said. “When he came to training camp in New York a couple weeks ago, we were hoping he’d be as good as we thought he was. And he was. He’s Jimmer. In the right circumstance, he can literally play anywhere in the world, including the NBA. I think Jimmer, unfortunately, was never in the right places in the NBA that valued what he can do. He can give us six to 10 weeks a year and he’ll have a great shot at being part of our Olympic team if we qualify.”

    The U.S. didn’t get a men’s team qualified for 3×3 when it debuted on the Olympic program in Tokyo. The women not only qualified, but the team of Kelsey Plum, Stefanie Dolson, Allisha Gray and Jackie Young won gold at those games for the U.S.

    The U.S. has a team in the women’s side of the AmeriCup this weekend as well, with Veronica Burton, Lexie Hull, NaLyssa Smith and Camille Zimmerman set to play for coach Jennifer Rizzotti. Fredette will be joined on the men’s side by Canyon Barry, Kareem Maddox and Dylan Travis.

    The tournament starts Friday; the U.S. women will play two games then, while the men will play two games Saturday. The quarterfinals, semifinals and medal-round games are all Sunday for both men and women.

    “Jimmer is as good a player outside the NBA right now, in America, as anybody would have,” Fraschilla said.

    The 3×3 game is very fast; games are played to 21 points, field goals inside the arc are worth one point, beyond the arc are worth two points. Games last no more than 10 minutes, with a 12-second shot clock and no breaks after scores. It’s constant movement, a very different game than the one that Fredette has played most of his life.

    “But there are things I feel comfortable with,” Fredette said. “When I get the ball, and I’m dribbling and I’m in space, I’ll be able to create a play and make shots. There’s a lot of space in this game if you use it correctly, which is very, very helpful.”

    It’s also played outside. Wind can affect some shots. Weather can make conditions tough. It’s not always ideal for shooters, and ego might keep some — particularly those who have played at Fredette’s level — from trying the 3×3 game.

    He’s embracing it.

    “For me, it’s a new challenge,” Fredette said. “I was getting a little stagnant with 5-on-5 basketball, going overseas, leaving my family. All that stuff is really difficult on me. I wasn’t having fun doing it for a couple of those last years because I couldn’t always be with people that I really loved.”

    His family couldn’t be with him in China when he was there.

    If all goes right, they’ll be with him in Paris in a couple years.

    “I think about the opening ceremony with Team USA, being able to watch all the events, being able to play and get to compete for a gold medal,” Fredette said. “I mean, how cool is that?”

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    AP sports: https://apnews.com/hub/sports and https://twitter.com/AP—Sports

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  • Publishing executive charged in Tokyo Olympic bribes scandal

    Publishing executive charged in Tokyo Olympic bribes scandal

    TOKYO — A top executive at a major Japanese publisher was charged Tuesday with bribing a former Tokyo Olympics organizing committee member.

    The charges against Tsuguhiko Kadokawa, a major figure in Japan’s movie and entertainment industry, are the latest in the unfolding corruption scandal related to last year’s Tokyo Summer Games.

    Kadokawa was arrested Sept. 14 on suspicion of bribing Haruyuki Takahashi with 69 million yen ($480,000).

    Takahashi, a former executive at advertising company Dentsu who joined the Tokyo Olympic organizing committee in 2014, had great influence in arranging sponsorships for the Games. He has been arrested and re-arrested three times since August.

    All the while, he has remained in custody and is also facing bribery allegations involving two other companies: Aoki Holdings, a clothing company that dressed Japan’s Olympic team, and Daiko Advertising Inc.

    Tagging on additional allegations, which keeps a suspect in custody, is known as “hostage justice,” and is a widely criticized but common practice in Japan.

    Analysts say the arrests and charges may continue for months in the Olympics scandal, as more than 50 companies were sponsors.

    Kadokawa, the son of the publishing company’s founder, said in a statement carried on Japanese media that he would quit as chairman.

    “I feel I must take responsibility. Kadokawa is facing a serious challenge, and a new leadership is needed so it can be overcome,” he said.

    Several other officials at the companies accused of bribery have been arrested, including two other Kadokawa employees.

    Tokyo-based Kadokawa Group, which also makes movies and games, said it takes the charges seriously.

    “We deeply and repeatedly apologize to our readers, users, writers and creators, shareholders and investors and all others who may have been affected,” the company said in a statement.

    Prosecutors say Takahashi acted in ways to favor the companies with business benefits related to the Olympics in return for the bribes.

    The official price tag for the Tokyo Olympics and Paralympics was $13 billion, mostly public money. The Games were postponed for a year because of the coronavirus pandemic.

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    Yuri Kageyama is on Twitter https://twitter.com/yurikageyama

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    More AP sports: https://apnews.com/hub/sports and https://twitter.com/AP—Sports

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