Tag: Suho

K-Pop Hotspot: September 2025 Comebacks & Debuts Roundup

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Welcome back to one of THP’s most-loved monthly columns: the K-Pop Hotspot! September’s comebacks and debuts did not come to play, and neither did we!

Have you been listening to all our fave K-Pop comebacks this month? Check out full comeback reviews for MONSTA X, ZEROBASEONE, DAY6, and P1Harmony! You can also keep up with K-Pop tours like LE SSERAFIM’s setlist, KAI’s recent Chicago show, and KEY’s upcoming KEYLAND: Uncanny Valley tour!

But enough chit-chatting for now! We’ve got a hefty September K-Pop hotspot, so let’s get into all the comebacks and debuts you may have missed.

NCT WISH

We’re holding on to the last bit of summer with this September hotspot, and NCT WISH are on the same wavelength! Their new mini-album, COLOR, is a breath of fresh air. The title track ‘COLOR’ is bright and fun, with a chorus that has been stuck in our heads all month! We even got music videos for ‘Surf’ and ‘Baby Blue!’ Don’t sleep on the rest of their b-sides like ‘Videohood’ and ‘WICHU.’

TO LEARN MORE ABOUT NCT WISH:
INSTAGRAM | TWITTER | YOUTUBE

TREASURE

TREASURE brought us to ‘PARADISE’ with their September K-Pop comeback! Who says summer is over? We’ll be back to those fun days with this funky title track—a star for any party. We fell immediately for this song, and how could we not? It’s so fun and makes us feel like we’ve traveled to a special, magical place. It was the perfect start to the month, and a beautiful way to say goodbye to the hot season while still keeping it alive in our hearts through music. Who else is grooving to the sounds of TREASURE’s new music?

TO LEARN MORE ABOUT TREASURE:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

HYOLYN

Our K-Pop queen is back to serve and slay! We’re living for HYOLYN’s unapologetic new single, ‘SHOTTY.’ She sings about moving on from a breakup, knowing her ex will grow to regret losing her. The choreography has our jaws on the floor, and we expected nothing less from our fave K-Pop baddie. HYOLYN gave us everything we needed with just one song, and we hope she’ll bless us with more soon!

TO LEARN MORE ABOUT HYOLYN:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

AESPA

In the words of the legendary Cher, “I am a rich man.” aespa embodies this self-assured and confident energy in their sixth mini-album, Rich Man. The title track, ‘Rich Man,’ is an explosive track with a cinematic music video masterpiece. aespa inspires us to be the rich man in our lives, beyond having money to sustain our lifestyles. We didn’t skip through any of their b-sides, and our favorites are ‘Angel #48’ and ‘To The Girls.’

TO LEARN MORE ABOUT AESPA:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

NCT HAECHAN

We never thought we’d see the day NCT DREAM’s Haechan would release his first-ever solo album! TASTE fully exceeded our expectations, especially the title track ‘CRZY.’ His vocals and rap skills immediately hooked us, and we stayed for the choreography. Haechan proves his all-rounder talents with this album. We especially love the b-sides ‘ADRENALINE’ and ‘WYN?’ with HAON!

TO LEARN MORE ABOUT NCT DREAM:
FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

CIX

Next on our September K-Pop hotspot is CIX’s new EP, GO Chapter 1: GO Together! They’re entering a new era, and we’re here for it. Whoever edited the ’WONDER YOU’ music video knew exactly what they were doing with the thumbnail. It definitely worked on us, though! The title track is groovy and too catchy to skip. Speaking of skips, this mini-album doesn’t have any! Each b-side is worthy of being the title track, and we don’t say that lightly.

TO LEARN MORE ABOUT CIX:
FACEBOOK | INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

CHAEYOUNG

TWICE Chaeyoung’s solo debut is finally here! LIL FANTASY vol. 1 is easily one of our favorite September K-Pop releases. ‘SHOOT (Firecracker)’ is a dreamy title track with such a creative concept and music video. The music video for ‘AVOCADO’ (feat. Gliiico) is so kooky yet so Chaeyoung. She knows her strengths, and we’re in love with the indie and R&B sound of the album. Every song fits her vibe, and we especially love ‘BAND AID’ and ‘BF.’

TO LEARN MORE ABOUT CHAEYOUNG:
FACEBOOK | INSTAGRAM | PERSONAL INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

JUNHEE

After getting a taste of JUNHEE‘s solo music with the pre-release of ‘Supernova,’ we’ve been so eager to hear more. And now we’re hooked on the whole The First Day & Night mini-album. Ever felt spoiled by a music release, because this is how we feel. Not only did the album give us double title tracks in ‘Umbrella (10:00)’ and ‘Too Bad (15:00),’ but it also fed our CHOICE hearts. We yelled after seeing the B-side ‘Tattoo (12:30)’ featuring all of the A.C.E members, instantly knowing it would be one of our favorites on the album. We also find it interesting and quite a fun choice to match each song with a time of day, emphasizing the title of the release, The First Day & Night. Now we have a JUNHEE song to listen to throughout the day, yes, even at 2 AM.

TO LEARN MORE ABOUT JUNHEE:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

TAEMIN

Are we ever ok when TAEMIN releases new music? The answer is a definite no. ‘Veil’ has us in its clutches, and it’s not letting us go any time soon (not like we’re even trying to escape, anyways). The song draws us with its dark atmosphere, creating an alluring charm. TAEMIN’s artistry always leaves us in awe, with jaws dropped and words lost. This special digital single captured our hearts with all three of its tracks, which also include the absolutely enchanting ‘FINALE,’ and the equally captivating Japanese version of ‘Veil.’

TO LEARN MORE ABOUT TAEMIN:
FACEBOOK | INSTAGRAM | PERSONAL INSTAGRAM | TWITTER | YOUTUBE

PLAVE

PLAVE blessed us with the Korean version of ‘Hide and Seek,’ and we couldn’t be happier! This version feels like the bittersweet feelings that come at the end of summer. We’re sad to see it go, but we’re hopeful of the promise that it will return. ‘Hide and Seek’ is such a beautiful and uplifting song about finally finding the one and announcing it to the whole world.

TO LEARN MORE ABOUT PLAVE:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

IDID

New boy group alert! IDID finally dropped their official debut, and we’re too busy dancing to their title piece, ‘CHAN-RAN.’ It gives off a refreshing feel and spreads so much positivity that we can’t help but love this for the boys’ entry into the K-Pop music scene. It matches them extremely well, and honestly, we can never have too many songs with a message of hope. We highly recommend checking out their B-sides as well. We have a feeling you’d like the variety they prepared for this special start of their idol careers.

TO LEARN MORE ABOUT IDID:
INSTAGRAM | TWITTER | YOUTUBE

BADVILLAIN

September is full of new K-Pop singles! BADVILLAIN came back with ‘THRILLER,’ a self-empowerment anthem that’ll get you hyped! If you ever need some morning motivation, this is the song you need. These girls eat up every concept they get, and we need to see them on our playlists more often!

TO LEARN MORE ABOUT BADVILLAIN:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

YUQI

YUQI is back with a new solo single album, Motivation! Her title track, ‘M.O.,’ is giving us old school hip-hop vibes. The instrumental is absolutely a banger, and YUQI’s voice and rap pair with it so well. No one’s doing it like her! On the flip side, she also blessed us with Korean and Chinese versions of ‘Gone,’ a pop-rock track we can blast in the car with all the windows down!

TO LEARN MORE ABOUT YUQI:
FACEBOOK | INSTAGRAM | PERSONAL INSTAGRAM | TIKTOK | TWITTER | WEBSITE

LUN8

Is anyone else a fan of the dark and mysterious vibes? LUN8‘s ‘Lost’ gave us exactly that through this latest focus track and its music video. And after listening once, we have to say we are ABSOLUTELY obsessed! The boys did it again with a new concept that slayed and showed a more mature side to them, which took our hearts with its dreamy sound. The boys also made sure to include only bangers in the single album, so you’d better be all over ‘Bad Girl’ and ‘Nauty’ already! LUN8 outdid themselves, making this one of our top releases from them so far.

TO LEARN MORE ABOUT LUN8:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

EXO SUHO

EXO’s solo comebacks this year are healing all of us. Next is SUHO with his fourth EP, Who Are You. The title track is a rock masterpiece about moving on from an ex after a breakup. He also gave us the English version, which we’re hoping is a hint at a future solo tour. We absolutely adore SUHO’s classic sound, and his discography has only been getting better and better. Our favorite b-sides are ‘Birthday’ and ‘Fadeout.’

TO LEARN MORE ABOUT SUHO:
FACEBOOK | INSTAGRAM | PERSONAL INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

KICKFLIP

KickFlip has just dropped their third mini-album, My First Flip! These boys are booked and busy this year. We’ve been obsessed with the title track, ‘My First Love Song.’ It carries a freeing energy that comes with being a teenager in love. We really hope to see KickFlip perform this song live one day. Their b-sides deserve all the love, and we recommend listening to them all!

TO LEARN MORE ABOUT KICKFLIP:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

THE KINGDOM

Did you also scream a little (or a lot) after hearing the news of The KingDom‘s special album? And then did the realization that we’re going back to their iconic sound and roots make you lose your minds as well? Yes, we can fully relate! With ‘Last Flower’ first making an appearance a couple of years back, we’re absolutely rejoicing that the song finally got its long-awaited official release. We’ll be playing this track, along with the rest of the B-sides on the album, and crying a little from how happy we are over them.

TO LEARN MORE ABOUT THE KINGDOM:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

YERIN

Everyone, wake up! Stop sleeping on Yerin because she has released her first digital single, Awake, and we couldn’t be more obsessed! It’s a pop-rock track that motivates us to chase our dreams. ‘Awake’ is the type of freeing song we’d play running through a field of flowers, slowing down and stopping for no one! Yerin brings out this side of us with every new release.

TO LEARN MORE ABOUT YERIN:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

WOODZ

MOODZ, we’re so back! Our favorite rockstar is finally here and releasing his absolutely captivating music again, and we couldn’t be happier. WOODZ has us locking onto his latest two-piece release, and if you’re not joining us, you’re already missing out on so much. ‘I’ll Never Love Again’ hits so hard; it reminds us why we love everything WOODZ drops our way. From the deep meaning to the calmer yet gradually building verses of the song, to how it explodes during the chorus. We’re absolutely lost in the music!

TO LEARN MORE ABOUT WOODZ:
INSTAGRAM | TWITTER | YOUTUBE

EXO CHEN

We are living for the rock vibes in so many EXO members’ solo comebacks! Chen has just released his fifth EP, Arcadia, and we find it to be refreshing yet uniquely him. The title track, ‘Arcadia,’ is a breakup anthem for when you finally feel ready to move on from your ex. While Chen opted for a simpler music video setup, we can feel his rocker energy straight from the screen. His talent never ceases to amaze us, and we can’t get enough of his B-side tracks! Trust us when we say you won’t want to skip through any of them.

TO LEARN MORE ABOUT CHEN:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

SEVENTEEN CxM

The latest unit by SEVENTEEN is here! S.COUPS and MINGYU brought us quite the title track. ‘5, 4, 3 (Pretty woman) (feat. Lay Bankz)’ inserts the instantly recognizable hit ‘Oh, Pretty Woman,’ infusing it into the duo’s song and sound, bringing forth a different yet still funky appeal while also making it their own. The song is already ruling our playlists. But that’s not all we love from CxM (SEVENTEEN). We’ve been excited for this unit, and you can easily tell why through their sound. We’re having a ‘Fiesta’ with the entirety of the HYPE VIBES album, and yes, we’re having trouble picking a fave track. They’re all just THAT good.

TO LEARN MORE ABOUT SEVENTEEN:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

POW

POW continue to explore their musical colors, and their new single, ‘Wall Flowers,’ shows us a different side of the boys yet again. The song has a smooth and captivating sound that keeps our attention glued. We love when idols experiment and test out new styles and sounds, and we’re already giving ‘Wall Flowers’ much love. We can’t wait to see what’s next on their release plan.

TO LEARN MORE ABOUT POW:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

IZNA

izna brought out their powerful presence with ‘Mamma Mia’ and gave us a confidence-boosting end of September. Not Just Pretty is a comeback we encourage everyone to take a listen to. And if you loved their single ‘SIGN,’ which dropped earlier this year, then you’d be happy to hear that this album comes with its remix version! A new way to enjoy one of our favorite releases from the girls. And because we love giving suggestions, make sure you check out the B-side ‘Racecar.’

TO LEARN MORE ABOUT IZNA:
INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

That’s all for our newest K-Pop hotspot! What was your favorite September K-Pop comeback and debut? Which comebacks are you most looking forward to in October? Let us know in the comments below, or tweet us @TheHoneyPOP!

Need more K-POP content? Don’t worry; we got you!

Authors: Julie Dam, Marty.

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Julie Dam

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October 6, 2025
Frieze and Kiaf SEOUL Scale Back in Spectacle While Still Securing Sales

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Kiaf SEOUL and Frieze Seoul each opened at the COEX Center with a VIP preview on September 3. Courtesy of Kiaf SEOUL

For those who’ve attended Seoul’s art week since Frieze arrived in 2021, the contrast this year was unmistakable. The chaotic entrance lines at Kiaf SEOUL and the overcrowded aisles of last year’s Frieze are gone. Attendance feels lighter, and the booths more subdued, though major brands like Adidas, BMW, Ruinart and American Express still held prime positions at the entrance—a clear indication that the fair’s popularity is now firmly rooted in Korean society four years after its debut.

At the opening of Frieze Seoul on Wednesday, September 3, the mood was distinctly more muted and contained—a reflection of the art world adjusting to a new chapter in South Korea’s post-boom market. Slightly more lively in the afternoon was the historical Korean fair Kiaf, where collectors remain loyal to longstanding traditions and their local dealers.

This year marks the 4th edition of Frieze Seoul. Courtesy of Frieze and Wecap Studio

Blue-chip gallerists like Larry Gagosian and Emmanuel Perrotin skipped the trip this year, leaving their booths staffed solely by regional teams during the preview—a stark contrast to previous editions, when they flew in with much of their global staff. When gallery owners or lead partners from spaces focused on Korean artists, such as Gladstone and Mennour, did attend, it signaled that international galleries have already recognized the need to tailor their offerings to a local audience attuned to the market’s slower collecting pace and shifting attitude.

While Korean collectors remain engaged with the international art circuit, this has undeniably been a turbulent year for the country. With President Yoon Suk-yeol ousted after attempting to declare martial law and an economy still reeling from the effects of U.S. tariffs, Korean collectors are understandably more cautious in their buying.

This year, Frieze Seoul hosted over 120 galleries. Courtesy of Frieze and Wecap Studio.

Private buyers and institutions remain active, but spending habits have shifted, as Observer gathered from early press preview conversations. The once-rampant appetite for ultra-contemporary works has given way to a more measured approach, focusing on institutional-grade pieces and blue-chip artists. Speaking with resigned pragmatism, dealers noted that this trend extends beyond South Korea, echoing across Asia and the global market.

So what’s the new mantra for galleries? Cultivate your own relationships in the place you show. Those who have spent years building ties in South Korea can still make it work, as can local players. But for newcomers, entering the market now may feel like they’re arriving just as the music stopped.

That was not the case for the dynamic Los Angeles gallery Make Room, which marked its first appearance in Frieze Seoul’s main section with a shared booth alongside Apalazzo and a celebrity-filled dinner party steeped in a witchy atmosphere. Between drinks and bites of Korean fried chicken, K-pop and K-drama stars made appearances that set social media alight—including SUHO from EXO, actor Lomon Park, Tony Hong and members of the girl group Lovelyz.

Make Room hosted a K-pop and K-drama star-filled dinner on Tuesday night. Courtesy Make Room | Photo: Studio Monday Naked

Park Seo-Bo, a foundational figure in postwar Korean abstraction and the father of Dansaekhwa, was one of the names resonating most strongly at Kiaf and Frieze this year, following his recent passing. At Frieze, LG OLED honored his legacy in collaboration with the artist’s foundation, dedicating an entire booth to rarely seen later Écriture paintings from the estate, paired with ultra high-resolution video works that captured the textures in striking detail. The sharp contrast between the digital reinterpretations on screen and the tactile surfaces of the paintings underscored how, in his later years, Seo-Bo was already reflecting on the role of painting in a world saturated by screens and shaped by emerging digital realms that influence perception and aesthetics. As he once described it, standing on a “cliff edge” in the early 2000s, Seo-Bo confronted the question of how painting could evolve as the boundaries between different worlds began to blur.

Dynamic lower tiers and Focus Asia offer opportunities for discovery

Noteworthy results at both Frieze and Kiaf weren’t limited to the highest price points. Lindseed from Shanghai quickly sold out works by Chinese-born, Paris-based visionary Fu Liang at the Focus Asia sector, with prices ranging from $6,500 to $34,000. Similarly, Hong Kong-based gallery Kiang Malingue, which recently opened a space in New York, nearly sold out its solo booth of work by Taiwanese talent Tseng Chien Ying, priced between $15,000 and $25,000—a current sweet spot for collectors.

Returning to Seoul from Ho Chi Minh City, Vietnam’s leading contemporary gallery, Galerie Quynh, took a bold step with a solo presentation in the main section, showcasing the layered work of Lien Truong, a Vietnamese-born artist based in North Carolina. Her intricate canvases—exploring the intersection of body, identity and environment through the lens of diasporic trauma and societal pressure—drew early interest from collectors.

Galerie Quynh presenting Lien Truong, Booth B21, Frieze Seoul 2025. Courtesy Galerie Quynh

Seoul gallery Cylinder made a striking debut in the main section, securing multiple sales, including a work by Jennifer Carvalho ($9,000), three works by Sunwon Chan ($2,500-4,800), two works by Eunsil Lee ($12,000 and $5,000) and two works by Jongwhan Lee ($2,200 and $5,000). Next for the fast-growing gallery is its debut at Frieze London with a solo booth by Rim Park.

Equally successful, the young and dynamic Seoul gallery G Gallery sold six works by Choi Yoonhee on the first day ($2,400-19,000), a work by Moon Isaac for $12,000 and a piece by Cindy Ji Hye Kim for $10,000.

Another first-time exhibitor in Focus Asia was Shanghai- and Beijing-based Hive Contemporary, which showcased emerging names including Yuan Fang, Xia Yu, Zhang Mingxuang and Tan Yongqing, drawing a strong response: by evening, the gallery had sold 18 paintings and one sculpture priced between $20,000 and $100,000.

Timoteus Anggawan Kusno was presented by the Kohesi Initiative at Frieze Seoul Focus Asia. Photo: Elisa Carollo

Despite this year’s reduced footprint—and tucked into a narrow corridor wedged between the main booths—the Focus Asia section at Frieze offered some of the most compelling opportunities for regional discoveries inside the COEX.

Jakarta-based gallery Kohesi Initiatives presented Indonesian filmmaker and multimedia artist Timoteus Anggawan Kusno, whose work revisits censored narratives from 1960s films to explore liminality and historical erasure, examining the blurred lines between fact and fiction. Rooted in post-colonial and post-dictatorship Indonesia, Kusno’s practice reflects the country’s ongoing unrest and protests, shaped by the long-term consequences of the very issues his work confronts.

Parcel (F3) at Frieze Seoul, Focus Asia. Courtesy of Frieze Seoul

Tokyo-based PARCEL is presenting the multilayered practice of Side Core, a Japanese collective that critiques forced urbanization and restless public development through thoughtful multimedia guerrilla interventions. The works on view confront contradictions in public funding for the Tokyo Olympics and the broader paradoxes of Japan’s rapid urban expansion. Among them, the Rode Work series—launched in 2017 in Ishinomaki, Miyagi Prefecture—juxtaposes post-disaster reconstruction landscapes with the repetitive motions of skateboarding, highlighting the enduring bond between land and people. In the film, flashing lights and hazard signs guide drivers to a skate park built on a damaged industrial site, where skaters in high-visibility jerseys grind a half-pipe—subtly revealing how grassroots creativity can emerge from destruction and corruption.

Another standout in the section is PTT Space, presenting the sharp satire of Taiwanese American artist Christine Tien Wang, who explores millennial diaspora anxieties and the recent volatility of the bitcoin bubble through one of the most diffuse yet persistent forms of contemporary ephemera: memes. Her Tiger series addresses diasporic anxiety and societal mobility within Asian communities, while her Bitcoin series critiques the NFT apocalypse and the fleeting nature of digital culture, transforming the disposable aesthetics of memes into what the artist calls “historical paintings,” reflective of our time and its contradictions. Working at the intersection of institutional critique, politics and popular culture, Tien Wang is gaining international recognition, with acquisitions by LACMA and exhibitions at both Night Gallery and Naxos Draxler.

Christine Tien Wang’s “BDSM (Bitcoin Daddies Seek Memes),” presented by PTT Space in Frieze Seoul’s Focus Asia section. Courtesy of PTT Space

Korean and international galleries stake a claim on Kiaf’s first-day buzz

When comparing Kiaf with Frieze, several Korean dealers appeared to place even more emphasis on their presentations, spotlighting the top names in their rosters. On the lower level of the historic Korean fair, Kukje Gallery reported a complete sell-out of Ugo Rondinone’s work (the artist also has a show at Gladstone this week), along with an iconic green Kapoor piece (£550,000-660,000) and a later work by Park Seo-Bo ($250,000-300,000). Known as a leading gallery for Korean art, Johyun Gallery made a strong showing with artists like Lee Bae and Park Seo-Bo, reporting early sales directly from the floor. Blue-chip names also anchored Gana Art’s presentation, which included works by Alex Katz, Chiharu Shiota and Yayoi Kusama.

Seoul-based EM Gallery drew attention with Moonassi, the Korean artist recognized for his black-and-white existential compositions. The gallery sold out pieces priced between $20,000 and $32,000—Moonassi’s works have remained in high demand since his last presentation, often with waiting lists.

The oldest work on view at Kiaf this year was a painting by Palma Il Vecchio, dated 1525-1528, presented by Die Galerie alongside drawings and sculptures by Marino Marini and works on paper and lithographs by Picasso. The historic canvas drew attention on the floor with a price tag of €750,000, standing out amid the fair’s modern and contemporary offerings. Long part of the gallery owner’s personal collection, the masterpiece was originally acquired from a nobleman in Hungary, and now everyone’s wondering whether it will find a new home this edition.

The oldest work on view at Kiaf this year was a Palma Il Vecchio painting from 1525-1528, presented by Die Galerie. Courtesy of Die Galerie

In general, however, a pop aesthetic and lower price points seemed to be the winning formula for maintaining Kiaf’s floral energy on the first day. Gallery Delaive reported early sales of several works by Ayako Rokkaku, priced between €50,000 and €200,000.

Among the standout presentations of new names, Space Willing N Dealing showcased quietly contemplative scenes of human interaction and exchange, all priced between $2,500 and $3,500. Busan-based gallery Nara Cho Busan presented Anomalisa, an exploration of love and entanglement through thread, with works priced at $7,800-12,000. Intimacy and suspended atmospheres—rendered through soft, delicate paint—also defined the work of Japanese painter Shimpei Yoshida, shown by Shibuya-based Hide Gallery. Thanks to very accessible pricing under $1,500, several pieces had sold or were on hold by day’s end.

KORNFELD, participating in its fifth Kiaf, also reported a strong start. Works by Korean artists Wonhae Hwang and Seong Joon Hong found new collectors on day one, totaling €10,000, while a major piece by Etsu Egami sold within the first hour to a new Korean collector for €22,000. “After participating at Kiaf for more than five years, we are very pleased with the successful start of this edition and the positive response from collectors and institutions,” gallery owner Alfred Kornfeld told Observer.

Returning to Kiaf with a strong grasp of the rhythm and habits of Korean collectors, the Milan-based Cassina Project had a particularly promising first day—even with just one confirmed sale. “We had good conversations. From our experience in past years, the following days are usually more intense—clients who show interest often return, and the final days are when deals close,” Irene Cassina told Observer.

Kiaf SEOUL runs through September 7. Courtesy Kiaf SEOUL

Among the additional sales reported by dealers at Kiaf by the start of the second day, Gallery Palzo sold Byeong Hyeon Jeong’s Ambiguous Inclination 25008 for $5,250 and two works by Lee Daecheon—Berg, Wasser (산, 수) for $3,000 and Gardener for $450—along with two paintings by Haru. K, each sold for $675. Galerie PICI placed two works by Dukhee Kim: Gold Desire-Bag for $4,000 and Keep Going (pump) for $2,000. SAN Gallery sold Jenkun Yeh’s Back and Forth I for $2,085 and Huihsuan Hsu’s Chasing a Lush Cave for $1,875. SH Art reported a complete sell-out of works by Backside—a street artist from Fukuoka, Japan, whose true identity remains anonymous—including VIVA, PINEAPPLE, SMILE, VINYL and QUIET, each priced at $17,250.

Frieze and Kiaf SEOUL continue through Sunday, September 7, at the COEX Center.

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Elisa Carollo

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September 4, 2025
Missing Crown Prince Episode 13 Recap & Spoilers: Did Kim Min-Kyu Discover EXO Suho & Hong Ye-Ji’s Relationship?

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Missing Crown Prince episode 13 aired on Saturday, May 25, 2024, on MBN and Viki. Starring Suho (EXO member), Hong Ye-Ji, and Kim Min-Kyu, the K-drama focuses on Crown Prince Lee Gon in love with his enemy’s daughter.

In episode 12, royal physician Sang-Rok (Kim Joo-Heon) attempted to kill Crown Prince Lee Gon (Suho). His daughter Myung-Yoon’s (Hong Ye-Ji) interference saved Lee Gon. Towards the end of the episode, Queen Yoon killed the witness who held the evidence against Sang-Rok and Queen Dowager Min Soo-Ryun. Grand Prince Do Sung (Kim Min-Kyu) took the blame in front of Lee Gon to save his mother. However, the latter told everyone that he killed the witness.

The latest episode 13 begins with the royal officials reacting to Crown Prince Lee Gon’s confession. Queen Yoon and Do Sung want to reveal the truth, but Lee Gon stops them. While Do Sung is grateful to have a wonderful brother, he is shocked when he discovers Lee Gon’s relationship with Myung-Yoon. For context, Do Sung is in love with Myung-Yoon.

Missing Crown Prince episode 13 recap: Did Hong Ye-Ji leave Suho for good?

In Missing Crown Prince episode 13, Crown Prince Lee Gon protects his half-brother, Do Sung, and stepmother Queen Yoon. He takes the blame for killing the witness, leaving the royal court in shock. Some of the officials insist on taking strict actions.

Meanwhile, Myung-Yoon barges into Queen Dowager Min Soo-Ryun’s chamber to discover why her father wants Lee Gon dead. She learns that the crown prince discovered Sang-Rok and Soo-Ryun’s affair and thus, Sang-Rok wanted to kill Lee Gon. This revelation breaks down Myung-Yoon, and she heads towards Lee Gon’s chamber in distress. Concerned, Do Sung follows her and witnesses the crown prince hugging Myung-Yoon.

Lee Gon seeks Sang-Rok’s bodyguard, Moo-Baek’s help, to escort Myung-Yoon out of the city. Meanwhile, Sang-Rok requests Do Sung to ask the crown prince to send Myung-Yoon to her home. Initially, Do Sung acts as if he doesn’t know about the situation. Sang-Rok then tries to manipulate him, mentioning that Lee Gon has kept Myung-Yoon in his chamber for a few days. After a while, Lee Gon summons Do Sung and tells everything, adding that the latter should escort her out of the palace.

Before leaving, Myung-Yoon and Lee Gon spend an intimate time together. They create a painting showcasing their love for each other. They wonder if things could have been fine if Myung-Yoon was not Sang-Rok’s daughter. They bid farewell to each other with a kiss.

While the two brothers believe she is safe, Myung-Yoon decides to head home and face the consequence of being Sang-Rok’s daughter.

Missing Crown Prince episode 13 ending: Hong Ye-Ji learns her father, Kim Joo-Heon, is her mother’s killer

Missing Crown Prince episode 13 further features Queen Dowager Soo-Ryun taking action against the crown prince. As Lee Gon has confessed to killing the witness, he is punished with a royal decree. He has been demoted and renamed Grand Prince Soo Seong.

After the royal decree, Soo-Seong/Lee Gon gained the officials’ trust and confidence in the royal court. His actions confuse Sang-Rok and Soo-Ryun, making them wonder about his next step.

On the other hand, Myung-Yoon’s family bodyguard, Moo-Baek, tries to make her understand her father’s true face. However, Myung-Yoon does not listen to him and says she will not escape the consequences. She refuses to leave Sang-Rok alone to save herself. Eventually, Moo-Baek reveals that Sang-Rok has killed innocent people, including Myung-Yoon’s mother.

The episode ends with Myung-Yoon confronting her father about the same. Sang-Rok admits, “Yes. You are right. I killed her.”

Meanwhile, Missing Crown Prince airs twice weekly on Saturday and Sunday on MBN and Viki.

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Sushmita Sen

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May 25, 2024
21 Stills featuring Behind Your Touch stars Han Ji-mi, Lee Min-ki & EXO’s Suho

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Korean Drama Behind Your Touch recently premiered on Sunday. The series stars Han Ji-min, Lee Min-ki and EXO’s Suho.

The Korean drama is a comedy investigative drama about a diligent yet busybody veterinarian Bong Ye Bun who somehow gains psychometric abilities to be able to see the past of both people and animals in Mujin, a small rural village free of crime, as well as Moon Jang Yeol, an ambitious elite detective who needs her abilities to rejoin the Seoul criminal investigation team.

Check out the pictures here:

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Filmfare

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August 14, 2023