ReportWire

Tag: stylists

  • The Truth About Celebrity Styling with Kate Young

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    You’re an OG in the stylist game—what do you make of the landscape of styling right now?

    The thing that’s changed more than anything is the way brands function with VIP [talent] and stylists. It has changed dramatically post COVID, and I think it’s really changing right now too with all the new regimes. Every house with a new designer is getting a new VIP team, which means they’re getting a new strategy. Brands now have these hard and fast lists, but before you used to be able to kind of hustle someone at a brand to trust you based on a personal relationship. It was a personal decision of a VIP PR person with a stylist in that relationship to lend them something for a client or not. That is disappearing, I would say. Now, so much is on contract and predetermined. People are really laser focused on their celebrity placements in a way they didn’t used to be. I mean, there’s also the famous stylist thing that I feel like has been going on forever, and that was Rachel Zoe.

    The point you make about brands is interesting, because it carries into editorial—who magazines can photograph wearing what.

    Right, it’s always “she has a contract.” I don’t know how politically correct this is to say, but the reality is that brands are who hold the purse strings right now. When I started doing this, movie companies paid. I would make money doing a press tour, and now I am paid less for the same work than I was 15 years ago. And production companies now really rely on movie stars having brand deals to subsidize this. I think that’s even true with magazines. I don’t know whether you all want to admit it. We talk so much in this industry about the decline of luxury, but in fact, who has money? Dior and Louis Vuitton and Chanel. Movie companies aren’t making the money anymore. Magazines aren’t making the money anymore. Even celebrities, to a certain degree, aren’t making the kind of money making movies that they make from brand deals. I think really, you can just follow the money to see where the industry’s changed. Sorry, that’s not a very glamorous take.

    It’s not, but it is the take. It’s why this conversation series exists—people have questions and you have answers. As we keep talking about brand ambassadors and deals, what’s it like to work with someone who doesn’t have one? Has it become harder, or is it more fun?

    No, it’s so fun. It’s really fun to have freedom. I was doing a lot of editorial up until not that long ago still just because I liked it, I come from that and I love doing photo shoots, but I was doing this editorial with a cover and had the run through and the editor in chief said to me, “okay, so you’re going to shoot this for the cover and this inside and you have to shoot these.” I had a sheet with the jewelry that needed a full page and a sheet with the accessories, and I was like, this is a catalog, so what do you need me for? And if I shoot a catalogue, I don’t do it for $250 a day. I actually walked off the shoot, which is I think one of the only times I ever have. But I knew this actress and we had been friends for years. She wasn’t a regular client, but she was somebody I know who asked for me because she trusted my vision. I also didn’t work at this magazine, so there’s nothing in it for me to shoot X, Y, and Z. I didn’t think it was good for my brand to show up with this rack of advertisers and tell her what she had to wear when it didn’t align with my taste.

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    José Criales-Unzueta

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  • Charli xcx is in Her Movie Star Era—Here’s How Her Stylist Chris Horan Bridged the Gap Between Brat, The Moment, and Wuthering Heights

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    I like that you don’t put her in any sort of movie or character cosplay, because she’s not actually in the movie, and it wouldn’t make sense for her. What are things you lean into, and what do you avoid?

    I mean, this is a controversial take, but I think as I’ve matured into this profession, I’ve realized that it really is, especially with Charli, about personal style. I think we, the collective we, have found what that truly is, so it’s always about staying true to that instead of a reinvention for every single project. Brat of course is a part of that vision, because people think of her in a specific way as that was when she really broke out, but she has elements that are definitely not Brat about her style too. Think of the Grammys on Sunday, it’s not Brat but it’s also a continuation of something, an evolution, but still very core her.

    We now have a pretty established look and feel, at least a feeling, when she wears something. With Wuthering Heights, yes, we’re playing a little bit more into it, and we also don’t get to wear big dresses a lot, so that’s fun. I’m not a huge “method dressing” fan, so I would rather lean more into her wearing British designers and some little Easter eggs.

    Right, and to your point, “method dressing” is not a very Charli thing. The gag of Charli as a public figure is that she is Charli consistently in whatever context, which makes it fun.

    She also can wear anything. I mean, her energy and power is very strong, so I feel like it’s so much more credit to her than it is to even the clothes. She can just kill anything.

    I’m curious about how you think of The Moment.

    For The Moment, we were more thinking about playing into the Brat of it all, because it is about that. I thought that we could definitely dip back into those concepts way more frequently. For the L.A. premiere, for example, it was the Brat remix. I call it the Megamix [laughs]. And that wasn’t even the plan. We had something that we had fit, a really low-rise capri and a black leather bra, but the day of Charli wasn’t feeling it, so I was at my studio and I still had the Ludovic [de Saint Sernin] Jean Paul Gaultier corset she wore at the Grammys [in 2025] and I was like, what if we just put something together with pieces of greatest hits? It felt like a good sendoff to everything, and it felt like it had meaning.

    Charli xcx at the Los Angeles premiere of The Moment.

    Michael Buckner/Getty Images

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    José Criales-Unzueta

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  • Is This Familiar Face Kate Middleton’s New Stylist?

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    Kate Middleton is one of the world’s most watched, commented on, and admired personalities, not least for her impeccable sense of style. She has become one of the world’s most elegant style icons, a champion for British designers and an advocate of responsible consumption. Her looks, through their provenance or hues, often convey powerful messages that require meticulous behind-the-scenes work to prepare.

    Until recently, this task has fallen to Natasha Archer. For 15 years, the Briton traveled the world at Kate’s side, planning her outfits, some of which have become iconic. A witness to major family events and royal tragedies, she ultimately became her confidante. But in mid-July, she announced that she was stepping down from her position to concentrate on launching her own fashion design firm. The big question remains: who will succeed her?

    The British media are largely convinced that the future queen’s stylist will be Virginia Chadwyck-Healey, nicknamed Ginnie by friends. A former market editor at U.K. Vogue, she’s no stranger to grappling with both fashion and public relations. Today, while continuing to write about style for the Telegraph and Sky News, she also advises private clients through her styling firm, VCH Style. She encourages her clients to “embrace the need for less” and “shop better,” according to her website, a philosophy that fits in perfectly with Kate’s personal fashion ethics.

    Virginia Chadwyck-Healey

    Dave Benett/Getty Images

    The daughter of a Lord, Chadwyck-Healey has moved in the same circles as the princess for many years. Like Kate, she studied art history at St Andrews University. Also like Kate, she met her future husband Oliver there—the couple were invited to the royal wedding of Kate and Prince William in April 2011. And like Kate, she now lives with her three children in Berkshire, west of London.

    Beyond her CV and her proximity to Wales, Chadwyck-Healey has a third major asset: she has already been Kate’s stylist. In 2019, while Natasha Archer was on maternity leave, royal fans spotted a subtle change in style in Prince William’s wife. The journalist was the reason. “Ginnie is Catherine’s secret weapon,” a royal source told the Daily Mail. “She has made a big difference to the Duchess’s wardrobe for public engagements and has helped give her a whole new sense of confidence.” Catherine was said to be “impressed” and “very grateful” for Chadwyck-Healey’s help.

    Fans of royal fashion are even more convinced of Chadwyck-Healey’s frontrunner status since Carole Middleton’s appearance at Wimbledon. She wore a loose-fitting striped dress, the result of a collaboration between Chadwyck-Healey and the Beulah London label, which Kate is particularly fond of. And we all know that the most discreet clues about royal fashion often speak the loudest.

    Carole Middleton à Wimbledon le 7 juillet 2025.

    Carole Middleton

    Karwai Tang

    For the moment, nothing has been confirmed. The Telegraph also highlighted the possibility of another contender, Jamie Earlam, who, according to her LinkedIn page, is currently the personal clothing assistant to the Wales family. Will Kate Middleton buy Ginnie Chadwyck-Healey’s expertise, or will she surprise us by choosing an unexpected candidate? The answer can’t be far away.

    Originally published in Vanity Fair France.

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    Séraphine Roger

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  • Hey, Quick Question: Why Aren’t Celebrities Wearing Necklaces on the Red Carpet Anymore?

    Hey, Quick Question: Why Aren’t Celebrities Wearing Necklaces on the Red Carpet Anymore?

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    Welcome to our column, “Hey, Quick Question,” where we investigate seemingly random happenings in the fashion and beauty industries.

    Awards season is always full of glitter, glamour and conversation-stirring styling. But after Hollywood’s elite walked the red carpet of the Golden Globes on Jan. 10, there was something noticeably absent from the majority of show-goers’ looks: a necklace.

    For as long as red carpets have existed, so have celebrities sparkling in the most eye-catching, statement-making necklaces. In fact, the business of jewelry lending dates back to the 1930s, and has become a phenomenon of sorts, leading to some of the most iconic moments in Hollywood fashion history. 

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    Brooke Frischer

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  • Luxury Fashion Retailer elysewalker Launches E-Commerce Site

    Luxury Fashion Retailer elysewalker Launches E-Commerce Site

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    Press Release
    –

    Jan 18, 2022


    LOS ANGELES, January 18, 2022 (Newswire.com)
    –
    Since opening the first brick-and-mortar location in 1999, elysewalker has become one of the most sought-after purveyors of premium curated apparel, jewelry and accessories — with a focus on head-to-toe styling, guided discovery and true personalization.  With the launch of the new e-commerce platform, the company will expand on its loyal following and welcome a broader national audience to the unique elysewalker experience.

    “As I looked at what was out there in the luxury online world, I had an overwhelming sense of product overload and ‘personalization’ technologies that feel anything but. The elysewalker customer appreciates a more simplified and intimate approach, which has made us such a destination over the last 22+ years,” explains founder, owner and CEO Elyse Walker.

    Since its inception, the complimentary styling program at elysewalker has delivered personalized, elevated, fashion-forward looks directly to the client, building deep and loyal client relationships as a result. 

    To bring its successful personal styling services to life in the digital arena, elysewalker has developed exclusive technology that enables clients to connect online with one of its elysewalker stylists. Once connected, the client receives custom-created, shoppable digital look books based on their preferences and previous purchases. 

    elysewalker commissioned Hugo & Marie, a New York-based independent artist management firm and agency, for the creative design and development of the site — taking the personal, in-store elysewalker experience and translating that for an online audience. In keeping with the brand’s mission of championing young female talent, elysewalker selected New York-based photographer Sophie Elgort to capture the editorial launch campaign. Shot in downtown Los Angeles amongst iconic landmarks and buildings, the concept of the campaign was to capture the energy of the city while elevating the everyday experience, featuring human connections, natural interactions, and genuine moments. 

    With a conversational tone of voice and bold color palette, the new elysewalker.com evokes a distinct and differentiated point of view. Woven throughout the site are personal “Love Notes” from the stylists to convey a unique experience that mimics the energy of shopping in an elysewalker store. The platform will initially focus on the U.S., with plans to expand strategically to key international markets in the future.

    The carefully curated catalogue of designers speaks to the strong relationships that elysewalker has forged since its inception. This is echoed in the design and voice of the site, creating a platform for new and emerging talent while still championing their signature, heritage pillar brands. At a time when best-in-class brands aspire to transcend product to be a trusted resource, create signature experiences and build a community — elysewalker continues to reinforce these elements as the foundation of the brand, and as the key to its success. 

    About elysewalker:

    Founded in 1999, elysewalker is one of the most sought-after purveyors of premium curated apparel, jewelry and accessories. Since 1999, the company has grown its footprint to include four brick-and-mortar elysewalker stores in Pacific Palisades, Newport Beach, Calabasas and Saint Helena, California, as well as three towne by elysewalker stores in Pacific Palisades, Newport Beach, and Bel Air, California, and now a new ecommerce site. From heritage to new and emerging brands, the company specializes in personal styling and unparalleled service. For more information, visit www.elysewalker.com.

    Link to download images 

    *Photo credit: Sophie Elgort

    PRESS CONTACT:
    Alexandra Lippin
    elysewalker
    310.230.8882 ext 1020
    alex@elysewalker.com

    Source: elysewalker

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