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  • From big screen to picket line: Why your favourite U.S. actors are striking – National | Globalnews.ca

    From big screen to picket line: Why your favourite U.S. actors are striking – National | Globalnews.ca

    Some of Canadians’ favourite Hollywood actors will officially be taking a break from the big screen to join the picket line.

    The Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) made the decision Thursday to join the Hollywood’s writers’ union in a strike. Observers say the actors’ union’s decision largely comes down to a demand for compensation from studios and streaming services that keeps up with inflation.

    “The compensation issues include both upfront compensation, the session fees, the money they’re paid when they do the work, and also residuals or royalties that actors, and also writers and directors get paid when product is rerun or reused,” said Los Angeles entertainment lawyer Jonathan Handel in an interview with Global News.

    When it comes to streaming, actors are concerned that being on a successful show on services like Netflix or Prime video won’t earn them a higher compensation than one that draws in less buzz.

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    “‘Wednesday’ doesn’t pay any higher residual than ‘Tuesday’ as it works,” Handel said, referencing the recent Netflix series produced and partially directed by Tim Burton.

    American producer Tom Nunan told Global News that actors are increasingly being paid one lump-sum for their work on streaming services. Now, they want longer relationships with their content — similar to how they have been paid by non-streamers — and to see more transparency with the way that streaming services are measuring success.


    Click to play video: 'The impact of the Hollywood strike on Canada '


    The impact of the Hollywood strike on Canada 


    Before streaming services, “actors would have a movie or TV show premiere and then get paid for that one thing and then it would be on cable systems or on demand… and they would continue to have what we call residual relationships with the content financially,” Nunan said.

    “Now in the streaming era, you get paid once and that’s all you get paid.”

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    Attending a photo event on Wednesday, film star Matt Damon said that while everyone was hoping a strike could be averted, many actors need a fair contract to survive.

    “We ought to protect the people who are kind of on the margins,” Damon told The Associated Press. “And 26,000 bucks a year is what you have to make to get your health insurance. And there are a lot of people whose residual payments are what carry them across that threshold… And that’s absolutely unacceptable. We can’t have that.”


    Actor Rosario Dawson attends a rally by striking writers and actors outside Warner Bros. studios in Burbank, Calif. on Friday, July 14, 2023.(AP Photo/Mark J. Terrill).


    Actor Jac Cheairs and his son Wyatt, 11, take part in a rally by striking writers and actors outside Netflix studio in Los Angeles on Friday, July 14, 2023. (AP Photo/Chris Pizzello).


    Actor Dermot Mulroney takes part in a rally by striking writers and actors outside Netflix studio in Los Angeles on Friday, July 14, 2023. (AP Photo/Chris Pizzello).


    Actor Jason Sudeikis, center, walk a picket line with striking writers and actors, Friday, July 14, 2023 at NBC Universal Studios in New York. (AP Photo/Bebeto Matthews).


    Actors and comedians Tina Fey, second from right, and Fred Armisen, second from left, join striking members of the Writers Guild of America on the picket line during a rally outside Silvercup Studios, Tuesday May 9, 2023, in New York. (AP Photo/Bebeto Matthews).

    Another key issue in the strike is the use of artificial intelligence — or AI. Computer generated imagery (CGI) is already widely used in the industry to simulate crowds or audiences, for example.

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    But as the digital age advances, studios have started to explore ways to convincingly replicate actors’ voices and faces. Early rumblings of ‘deepfakes’ already exist, where AI is used to make images of fake events or make appear that someone is saying something they didn’t.

    Handel says that the industry generally holds two schools of thought on the matter. Some actors say they don’t have an issue with studios reproducing their likeness with AI, but they want to be compensated by studios. Others take issue with the use of AI entirely for authenticity purposes.

    “It’s a compromise between both sides of the table… but I think the unions are most likely to take the first position: that as long as there’s compensation that would be satisfactory,” Handel said.

    Nunan says he doesn’t think there is a large risk of Canadians’ favourite A-listers having their likeness replicated without their consent. Rather, lesser-known actors are more likely to have their features replicated without being aware because they don’t have the same protections through lawyers, agents and managers.


    Click to play video: 'Hollywood actors join screenwriters on strike: ‘We are being victimized by a very greedy entity’'


    Hollywood actors join screenwriters on strike: ‘We are being victimized by a very greedy entity’


    With actors and writers stepping away from U.S. productions, Handel says audiences may have to brace themselves for slightly different content for the time being. Reality television will be emphasized, he says, along with sports.

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    There’s also an opportunity for foreign content with actors and writers who are not part of the striking unions.

    “Some companies, Netflix in particular, have proved very adept at creating content overseas and getting Americans to watch it. You know, “Squid Game,” for example. Netflix managed to do something that no one thought was possible, which is to get Americans to watch foreign content.”

    Nunan, on the other hand, does not see foreign content now dominating screens, but it “could be promoted more heavily,” he says.

    The actors’ guild released a statement early Thursday announcing that its deadline for negotiations to conclude had ended without a contract.


    Click to play video: 'BIV: Impact of Hollywood strikes on B.C. film industry'


    BIV: Impact of Hollywood strikes on B.C. film industry


    “The companies have refused to meaningfully engage on some topics and on others completely stonewalled us. Until they do negotiate in good faith, we cannot begin to reach a deal,” said Fran Drescher, the star of “The Nanny” who is now the actors’ guild president.

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    Members of the Writers Guild of America have been on strike since early May, slowing the production of film and television series on both coasts and in production centres like Atlanta.

    Handel said the dual actors’ and writers’ strike is a “win” for studios because “they’re not spending money on production.”

    With files from the Associated Press and Global News’ Reggie Cecchini.

    &copy 2023 Global News, a division of Corus Entertainment Inc.

    Naomi Barghiel

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  • How the Hollywood actors strike may impact Canada’s film, TV industries  | Globalnews.ca

    How the Hollywood actors strike may impact Canada’s film, TV industries | Globalnews.ca

    Canada’s film and television community is bracing for more job uncertainty amid a Hollywood actors’ strike that observers say has the potential to throw more people out of work, upend TV schedules and dim the wattage of celeb-studded events like the Toronto International Film Festival.

    The decision by the Screen Actors Guild-American Federation of Television and Radio Artists to walk off the job at midnight Thursday sounds the death knell for Canadian sets with SAG stars that survived a Writers Guild of America strike entering its sixth week.

    It also raised questions about the fate of celeb-studded tourist draws including TIFF, set for Sept. 7 to 17, and Fan Expo Canada, set for Aug. 24 to 27.

    TIFF said in an emailed statement that a SAG strike would almost certainly impact its typically star-packed festival, known for fan-friendly red carpets and premieres, as well as A-list studded press conferences and junkets that draw journalists from around the world.

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    “The impact of this strike on the industry and events like ours cannot be denied,” TIFF said moments after SAG announced job action.

    “We urge our partners and colleagues to resume an open dialogue. We will continue planning for this year’s festival with the hope of a swift resolution in the coming weeks.”


    Click to play video: 'Writer shares experience picketing at Paramount Studios during strike'


    Writer shares experience picketing at Paramount Studios during strike


    Asked last week about the potential impact of a SAG strike on Fan Expo Canada, a vice president with Fan Expo HQ dismissed the possibility of no-shows at the genre-focused pop culture event.

    “There will be no impact to the experience we have planned,” Andrew Moyes said in an emailed statement Saturday.

    “We hope all parties affected by this are able to reach an amicable agreement soon.”

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    However, it was not clear Thursday if some SAG members might decide to sit out such events in solidarity, even if their appearance does not involve a studio project affected by the strike, said one Toronto-based SAG member who predicted TIFF would be “a quiet place this year.”

    “I think they’re trying to do a hard no to everything,” Anthony Q. Farrell said of the strike’s intent when it comes to things like Comic-Con and Fan Expo.

    “You definitely can’t go as someone who is trying to market a series, that is a SAG series. But they’re also telling you, if you don’t have to go then don’t go. Let’s cut them in the pockets where it really, really hurts.”


    FILE – Actors and comedians Tina Fey, center, and Fred Armisen, right, join striking members of the Writers Guild of America on the picket line during a rally outside Silvercup Studios, Tuesday May 9, 2023, in New York. Unionized Hollywood actors on the verge of a strike have agreed to allow a last-minute intervention from federal mediators but say they doubt a deal will be reached by a negotiation deadline late Wednesday, July 12, 2023. (AP Photo/Bebeto Matthews, File).


    BM

    The U.S.-based battle is expected to send myriad ripple effects across the border, where more than half of Canadian-set film and TV shoots are U.S. productions that collectively employ tens of thousands of local talent and crew.

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    Farrell said he was happy to see his union stand up to the studios but predicted the move would put more Canadian crew members out of work if their shoot includes a SAG cast member.

    Also a member of the WGA, Farrell hoped the twin strikes would accelerate deals for both unionized actors and screenwriters, and get everyone back to work soon.

    “Things simply are not in a place where they are fair yet,” Farrell said from Winnipeg, where he was speaking to emerging showrunners.

    “I feel like this will hopefully be a good thing for our cause, the WGA. I think we’ll have a strong contingent on the picket line and hopefully we’ll get to a resolution much faster because of it.”

    Canada’s actors union, the Alliance of Canadian Cinema, Television and Radio Artists, which represents 28,000 members across the country, expressed their solidarity with SAG.


    Click to play video: 'What a U.S. writers’ strike means to BC’s film industry?'


    What a U.S. writers’ strike means to BC’s film industry?


    The U.S. dispute with the Alliance of Motion Picture and Television Producers — which represents employers including Disney, Netflix, Amazon and others — has largely centred on compensation, benefits and guarantees around the use of artificial intelligence.

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    “We recognize that their fight is our fight and is for the good of all performers,” ACTRA president Eleanor Noble said in a statement.

    “Together we will continue working to ensure performers are respected and achieve fair compensation for the value we bring to every production.”

    Shaftesbury Films CEO Christina Jennings said a SAG strike would not impact Canadian shows with Canadian casts, such as Shaftesbury’s “Murdoch Mysteries” and “Hudson & Rex,” both currently shooting.

    But she said it could affect future unannounced Canadian projects with a SAG cast.

    “This isn’t a great day but we’re lucky at Shaftesbury that it really has not impacted our business at all right now,” said Jennings.

    “We have a couple of new shows coming and you know, we’re in no urgency, but we will watch this news carefully…. We may have to make adjustments to strategy.”


    Click to play video: 'Hollywood writers strike: Screenwriters join picket lines to fight for fair pay in streaming era'


    Hollywood writers strike: Screenwriters join picket lines to fight for fair pay in streaming era


    At least one Canadian broadcaster acknowledged the chance of derailed fall TV plans, with Citytv noting that if the strike continues, it would delay the return of titles including “Law & Order,” “Chicago Med,” “Chicago Fire” and “Chicago P.D.”

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    Jennings said shifts like that could open opportunities for Canadian shows, believing that homegrown broadcasters would have holes to fill.

    “I already know this from talking with them that they have been really, really looking at their schedules just because of the writers guild strike,” she said.

    “They’re already moving shows. Often Canadian shows are moving up in the schedule because they need them to fill the fall hole.”

    &copy 2023 The Canadian Press

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  • Hollywood shutdown: SAG-AFTRA, union of 160K actors, votes to strike – National | Globalnews.ca

    Hollywood shutdown: SAG-AFTRA, union of 160K actors, votes to strike – National | Globalnews.ca

    Leaders of a Hollywood’s actors union voted Thursday to join screenwriters in the first joint strike in more than six decades, shutting down production across the entertainment industry after talks for a new contract with the studios and streaming services broke down.

    Duncan Crabtree-Ireland, executive director of the Screen Actors Guild-American Federation of Radio and Television Artists, said at a news conference that the union leadership voted for the work stoppage hours after their contract expired and talks broke off with the Alliance of Motion Picture and Television Producers representing employers including Disney, Netflix, Amazon and others.

    “A strike is an instrument of last resort,” he said. Union leaders said at a news conference that they voted unanimously for a strike to begin at midnight. Outside Netflix’s Hollywood offices, picketing screenwriters chanted “Pay Your Actors!” immediately after the strike was announced.

    It’s the first strike for actors from film and television shows since 1980. And it’s the first time two major Hollywood unions have been on strike at the same time since 1960, when Ronald Reagan was the actors’ guild president.

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    “Employers make Wall Street and greed their priority and they forget about the essential contributors that make the machine run,” SAG-AFTRA president Fran Drescher said. “Shame on them. They are on the wrong side of history.”

    With a stoppage looming, the premiere of Christopher Nolan’s film Oppenheimer in London was moved up an hour so that the cast could walk the red carpet before the SAG board’s announcement.

    The looming strike also cast a shadow over the upcoming 75th Emmy Awards, whose nominations were announced a day earlier.

    Disney chief Bob Iger warned Thursday that an actors strike would have a “very damaging effect on the whole industry.”

    “This is the worst time in the world to add to that disruption,” Iger said in an appearance on CNBC. “There’s a level of expectation that (SAG-AFTRA and the WGA) have that is just not realistic.”


    Click to play video: 'Hollywood actors to strike, join writers on picket lines in 1st dual walk-off since ’60s'


    Hollywood actors to strike, join writers on picket lines in 1st dual walk-off since ’60s


    An extension of the contract, and negotiations, for nearly two weeks only heightened the hostility between the two groups.

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    Before the talks began June 7, the 65,000 actors who cast ballots voted overwhelmingly union leaders to send them into a strike, as the Writers Guild of America did when their deal expired more than two months ago.

    When the initial deadline approached in late June, more than 1,000 members of the union, including Meryl Streep, Jennifer Lawrence and Bob Odenkirk, added their names to a letter signalling to leaders their willingness to strike.

    The stakes in the negotiations included both base and residual pay, which actors say has been undercut by inflation and the streaming ecosystem, benefits, and the threat of unregulated use of artificial intelligence.

    The group representing the studios, the Alliance of Motion Picture and Television Producers (AMPTP), said earlier it was disappointed by the failure to reach a deal.

    “This is the Union’s choice, not ours. In doing so, it has dismissed our offer of historic pay and residual increases, substantially higher caps on pension and health contributions, audition protections, shortened series option periods, a groundbreaking AI proposal that protects actors’ digital likenesses, and more,” the AMPTP said in a statement.

    The actors’ guild has previously authorized a strike by a nearly 98 per cent margin. With the actors on strike, they will formally join screenwriters on the picket lines outside studios and filming locations in a bid to get better terms from studios and streaming giants like Netflix and Amazon.

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    Members of the Writers Guild of America have been on strike since early May, slowing the production of film and television series on both coasts and in other production centres. Issues in negotiations include the unregulated use of artificial intelligence and the effects on residual pay brought on by the streaming ecosystem that has emerged in recent years. Actors have joined writers on picket lines for weeks in solidarity.

    An actors’ strike would prevent performers from working on sets or promoting their projects.

    Attending a photo event on Wednesday, actor Matt Damon said that while everyone was hoping a strike could be averted, many actors need a fair contract to survive.

    “We ought to protect the people who are kind of on the margins,” Damon told The Associated Press. “And $26,000 a year is what you have to make to get your health insurance. And there are a lot of people whose residual payments are what carry them across that threshold. And if those residual payments dry up, so does their health care. And that’s absolutely unacceptable. We can’t have that. So, we got to figure out something that is fair.”

    The looming strike has cast a shadow over the upcoming 75th Emmys. Nominations were announced Wednesday, and the strike was on the mind of many nominees.

    “People are standing up and saying, ‘This doesn’t really work, and people need to be paid fairly,’” Oscar-winner Jessica Chastain, who was nominated for her first Emmy Award on Wednesday for playing Tammy Wynette in George & Tammy, told the AP.

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    “It is very clear that there are certain streamers that have really kind of changed the way we work and the way that we have worked, and the contracts really haven’t caught up to the innovation that’s happened.”

    “The impact of this strike on the industry and events like ours cannot be denied. We urge our partners and colleagues to resume an open dialogue. We will continue planning for this year’s festival with the hope of a swift resolution in the coming weeks,” said Alejandra Sosa, the director of communications with the Toronto International Film Festival.

    &copy 2023 The Canadian Press

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  • Heavenly Delusion: Will there be Season 2? All you need to know about the series

    Heavenly Delusion: Will there be Season 2? All you need to know about the series

    After a thrilling debut season, Heavenly Delusion– the captivating anime that made its debut in the Spring 2023, has left fans wondering if a Season 2 will be in the works. With its unique storyline based on Masakazu Ishiguro’s manga, the first season of Heavenly Delusion took viewers on a thrilling journey filled with mysteries and intrigue. With 13 gripping episodes, Heavenly Delusion wrapped up its initial run this Spring, leaving fans eagerly waiting for news of a potential second season. The final episode of the season left audiences with even more unanswered questions, teasing the possibility of future episodes to come.

    As fans anxiously speculate about the fate of Heavenly Delusion, it’s now a waiting game to see if the anime will indeed return for a new season. With its ability to captivate viewers through its intricate plot and compelling characters, there is no doubt that the demand for a Season 2 is high.

     

    There hasn’t been much talk or speculation surrounding the possibility of a second season for the hit anime series, Heavenly Delusion. However, given the immense popularity of the first season, there is a chance that fans might be treated to another installment of this captivating show. 

    For those who want to catch up on all the thrilling events that have unfolded so far, you’ll be delighted to know that Heavenly Delusion is now available for streaming on Disney+ in international territories. In the United States, you can find it on Hulu under its original Japanese title, “Tengoku Daimakyo.”

     

    Now, let’s dive into what this season has in store for this mesmerizing anime series. Denpa, the company behind Heavenly Delusion, has officially licensed the manga adaptation for an English release. In their teasing description of Heavenly Delusion, they pose an intriguing premise, saying, “Within the safety of the walls, youths are raised in a nursery-style setting by robots. In many ways, it is like a slice of heaven. The outside world, however, has transformed into a nightmarish hell-scape. It is almost entirely devoid of anything mechanical and is now inhabited by bizarre, yet powerful supernatural beings. Maru, accompanied by Kiruko, embarks on a perilous journey across what was once Tokyo, in search of heaven.”

    This description sets the stage for what promises to be an enthralling continuation of Heavenly Delusion’s story. As the characters navigate through a post-apocalyptic world filled with otherworldly creatures, viewers can expect a thrilling blend of action, mystery, and thought-provoking themes. The contrast between the utopian sanctuary within the walls and the dystopian wasteland outside creates a captivating dichotomy that will undoubtedly keep fans on the edge of their seats.

     

    The story follows Maru, Tokio, Kiruko, and Minihime as they embark on a quest to find the mythical utopia known as ‘Heaven’. Along their journey, they find themselves in a post-apocalyptic world teeming with formidable supernatural beings. As the plot unravels, the characters delve deep into understanding the true essence of life and the importance of their individual roles within it.

    With the manga adaptation being licensed and made available to English-speaking audiences, fans can look forward to immersing themselves even further into the intricacies of Heavenly Delusion’s narrative. The manga will provide a deeper exploration of the characters’ motivations, histories, and relationships, enhancing the overall viewing experience for both longtime fans and newcomers alike.

    As we eagerly await news of the second season’s release, it’s clear that Heavenly Delusion has made a lasting impact on anime enthusiasts worldwide. Its unique blend of captivating storytelling, stunning visuals, and compelling characters has garnered a dedicated fanbase that eagerly anticipates the next chapter in this extraordinary series.

    Whether you’re a devoted follower of Heavenly Delusion or someone who’s yet to experience its wonders, make sure to keep an eye out for updates on the second season. As the journey continues, we can expect to be taken on an unforgettable adventure through the remnants of Tokyo, where the line between heaven and hell blurs and the fate of humanity hangs in the balance.

     

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  • New On Netflix: The Best Movies and TV Shows Coming (and Leaving) in July 2023

    New On Netflix: The Best Movies and TV Shows Coming (and Leaving) in July 2023

    Season 5 of Netflix’s hit dating show Too Hot To Handle returns to the streaming platform with a new crop of flirty singles getting a chance to win a $200,000 prize—if they can keep their hands off each other. 

    The full list of what’s coming to Netflix in July:

    Coming Soon

    The Dragon Prince: Season 5 (NETFIX FAMILY)

    Dream (NETFLIX FILM)

    Kohrra (NETFLIX SERIES)

    The Murderer (NETFLIX FILM)

    July 1

    The Days (NETFLIX SERIES) 

    Bridesmaids

    The Huntsman: Winter’s War

    Jumanji (1995)

    The Karate Kid (2010)

    The Karate Kid (1984)

    The Karate Kid Part II

    The Karate Kid Part III

    Kick-Ass

    Liar Liar

    ONE PIECE: Thriller Bark

    ONE PIECE: TV Original 2

    Pride & Prejudice (2005)

    Prom Night

    Ray

    Rush Hour

    Rush Hour 2

    Rush Hour 3

    Snow White & the Huntsman

    The Squid and the Whale

    Star Trek

    Star Trek Into Darkness

    The Sweetest Thing

    Titanic

    Uncle Buck

    Warm Bodies

    July 3

    Little Angel: Volume 3

    Unknown: The Lost Pyramid (NETFLIX DOCUMENTARY)

    July 4

    The King Who Never Was (NETFLIX DOCUMENTARY)

    Tom Segura: Sledgehammer (NETFLIX COMEDY)

    July 5

    Back to 15: Season 2 (NETFLIX SERIES) 

    My Happy Marriage (NETFLIX ANIME)

    WHAM! (NETFLIX DOCUMENTARY)

    July 6

    Deep Fake Love (NETFLIX SERIES)

    Gold Brick (NETFLIX FILM) 

    The Lincoln Lawyer: Season 2 Part 1 (NETFLIX SERIES)

    Wake Up, Carlo! (NETFLIX FAMILY) 

    July 7

    Fatal Seduction (NETFLIX SERIES) 

    Hack My Home (NETFLIX SERIES) 

    The Out-Laws (NETFLIX FILM) 

    Seasons (NETFLIX FILM) 

    July 10 

    Captain Underpants: The First Epic Movie

    StoryBots: Answer Time: Season 2 (NETFLIX FAMILY)

    Unknown: Killer Robots (NETFLIX DOCUMENTARY) 

    July 11 

    Nineteen to Twenty (NETFLIX SERIES)

    July 12

    Mr. Car and the Knights Templar (NETFLIX FILM)

    Quarterback (NETFLIX SERIES)

    Record of Ragnarok: Season 2: Episodes 11-15 (NETFLIX ANIME)

    Sugar Rush: The Baking Point (NETFLIX SERIES)

    July 13

    Burn the House Down (NETFLIX SERIES)

    Devil’s Advocate (NETFLIX SERIES) 

    Puss in Boots: The Last Wish

    Sonic Prime: Season 2 (NETFLIX FAMILY) 

    Survival of the Thickest 

    July 14

    The Beauty Queen of Jerusalem: Season 2 (NETFLIX SERIES).

    Bird Box Barcelona (NETFLIX FILM) 

    Five Star Chef (NETFLIX SERIES) 

    Love Tactics 2 (NETFLIX FILM) 

    Too Hot to Handle: Season 5 

    July 15 

    Country Queen (NETFLIX SERIES) 

    Morphle 3D: Season 1

    My Little Pony: Tell Your Tale: Season 1

    July 16 

    Ride Along

    July 17

    Unknown: Cave of Bones (NETFLIX DOCUMENTARY)

    July 19

    The (Almost) Legends (NETFLIX FILM) 

    The Deepest Breath (NETFLIX DOCUMENTARY) 

    July 20

    Supa Team 4 (NETFLIX FAMILY)

    Sweet Magnolias: Season 3 (NETFLIX SERIES)

    July 21

    Extreme Makeover: Home Edition

    They Cloned Tyrone (NETFLIX FILM)

    July 24

    Big Eyes

    Dew Drop Diaries (NETFLIX FAMILY)

    Unknown: Cosmic Time Machine (NETFLIX DOCUMENTARY) 

    July 25 

    Mark Normand: Soup to Nuts (NETFLIX COMEDY)

    Chris Murphy

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  • Meghan and Harry Have Ended Their Partnership With Spotify After Archetypes Was Canceled

    Meghan and Harry Have Ended Their Partnership With Spotify After Archetypes Was Canceled

    Two and a half years after Meghan Markle and Prince Harry announced an exclusive podcast deal with Spotify, the couple’s team at Archewell Audio has announced that the partnership has come to an end. The news comes after The Wall Street Journal reported that Spotify would not renew Meghan’s interview series, Archetypes, which aired its first season from August to November 2022, for a second season.

    “Spotify and Archewell Audio have mutually agreed to part ways and are proud of the series we made together,” read a joint statement from Archewell and Spotify. The series premiered at number one on the platform and ultimately went on to win a People’s Choice Award for pop podcast of 2022. Markle also won a Gracie Award for top entertainment podcast host. The news comes as layoffs have impacted Gimlet, the Spotify studio that had partnered with Archewell to produce the program. Spotify announced about 200 layoffs earlier this month as part of its plan to shift its podcast strategy. Sources told Variety that the end of the partnership was not related to Spotify’s restructuring.

    In December 2020, Meghan and Harry announced that they had inked a deal with Spotify, and later that month they released a holiday-themed episode, which included cameos from famous names Naomi Osaka, Sir Elton John, Tyler Perry, and James Corden. Further content didn’t come for a year and a half, and ultimately the partnership led to 13 podcast episodes. The deal is said to have been worth roughly $20 million, but people familiar with the matter told the Journal that the couple did not reach the productivity benchmarks that would lead to the full payout.

    In a statement to the newspaper, a representative for Markle said that the duchess is still planning to develop more audio content. “The team behind Archetypes remain proud of the podcast they created at Spotify,” it read. “Meghan is continuing to develop more content for the Archetypes audience on another platform.” The Archewell head of audio, Rebecca Sananès, moved on from the organization last December, and she was replaced by Sarina Regan, an alum of Cadence13 and SiriusXM.

    The end of the Spotify partnership winds down one of the couple’s earliest post-royal businesses, a portfolio that has seen them partner with large media companies eager to work with the (relatively) forthcoming prince and his Hollywood-veteran wife. Earlier this year, Harry’s memoir, Spare, broke records when it went on sale, moving upwards of 1.43 million copies on its first day. The couple reportedly signed a four-book deal with Penguin Random House in 2021, which has led to speculation that they might be planning a leadership book or another memoir.

    Since announcing the formation of Archewell Productions and a deal with Netflix in September 2020, Meghan and Harry have coproduced two documentary series. After the premiere of Harry & Meghan in December 2022, the streamer announced that it broke documentary viewership records with 81.55 million hours viewed, and their second series, Live to Lead, aired later that month. An animated series coproduced by Markle and David Furnish was canceled last spring, before it went to air. 

    Archewell currently has one more show in the pipeline with Netflix. Heart of Invictus, a docuseries about the athletic event for wounded veterans that Harry founded in 2014, is reportedly set to premiere this summer, but a date has not been announced. 


    Listen to Vanity Fair’s DYNASTY podcast now.

    Erin Vanderhoof

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  • Heléne Yorke Is Undeniably Good in ‘The Other Two’

    Heléne Yorke Is Undeniably Good in ‘The Other Two’

    Like Brooke, her deliciously misguided character on The Other Two, Heléne Yorke is just trying to do some good. Or at least order something good. We’re at Buvette in Manhattan’s West Village, where she’s considering steak tartare—a favorite, but one that “seems very aggressive” for 1 p.m. We consider sharing the hearty waffle sandwich, but it drips with enough sunny-side egg and maple syrup to intimidate us. “Don’t ever come to lunch with me,” Yorke quips. “We’re fucked…. You check the menu before you go so that you don’t have an existential crisis.”

    Thanks to a few gentle steers from our server, Yorke and I wind up splitting the croque-madame and a soft-scrambled-egg toast topped with goat cheese and sun-dried tomatoes, plus carrots on the side. With our order settled, she makes a confession about where we’re seated. “I had a very controversial conversation at this table with a friend,” Yorke says, leaning in. “She was basically trying to convince me to get out of my relationship—a relationship that was new and not a good idea. I’m having post-traumatic stress about it. She ended up being right. They always are.” Before I can ask if she’d prefer to move, Yorke declares that someone close to her called the day prior with news that their on-and-off relationship was finally over. “I was very nice on the phone,” she says proudly. “I was like, ‘I’m sorry.’ I wasn’t like, ‘Ha!’ Which I thought was very big of me.”

    Yorke is well aware that this sounds a lot like dialogue from an episode of The Other Two. I ask her if, by season three, she and her character, Brooke, have fully converged. “Sadly, yes,” she admits. “I’ll have gotten through 15 takes trying something, and instead I just do it the way I would say it.”

    The Max comedy, created by former SNL writers Chris Kelly and Sarah Schneider, follows Yorke’s Brooke and Drew Tarver’s Cary as they navigate their professional identities and ambitions beside their Justin Bieber-esque brother, Chase (Case Walker), and their daytime-television-mogul mother, Pat (Molly Shannon).

    In this postpandemic season, talent manager Brooke tries to swap her shallow showbiz career for a life in service. For Brooke, “doing good” means putting “she/her” and “Black Lives Matter” in her Instagram bio; briefly dying her hair a mousy shade of brown; and in the standout eighth episode, hosting a Chase-fronted mental health awareness telethon.

    Despite its branding as “A Night of Undeniable Good,” the event seems like it’s being punished at every turn—by COVID-19 diagnoses, a sexually predatory mental health counselor, and a particularly brutal technical error. (“Insert Name of Parkland Survivor We Can Get,” the screen reads at one point.) “When I read the episode, I thought that they were waiting for the name,” says Yorke. “And when I did ADR, I was like, ‘Wait, guys, this is the joke? You little fuckers.’” Adding insult to the evening’s derailment? At episode’s end, Brooke discovers that her do-gooder ex, Lance (Josh Segarra), has been named People’s Sexiest Man Alive, gracing the magazine’s cover alongside other attractive nurses.

    From here on out, “it gets really dark for Cary and Brooke. That jealousy, that desperation, that self-doubt, is universal in all of us,” Yorke says. “And if you say it isn’t, you’re a liar. I’m not above seeing that somebody got a cover and losing my goddamn mind.” And Lance isn’t completely absolved in this, either. “We all kind of suck. He kind of sucks. Anybody too good, that’s annoying,” she says in defense of her character. “So to give Brooke flak is like, What the fuck? You’re so good? Maybe you just need somebody who meets you where you’re at. My husband does that.”

    Between being cast on the show and now, Yorke married her partner, Bary Dunn, and gave birth to their now one-year-old son, Hugo. “I did my entire life in between seasons,” she says. “I highly recommend marriage and babies. If there was something I could be the face of, it would be that.” But Yorke didn’t always feel that way. “I was a New York girl and I loved dating. I loved being single. I loved being a ho. I loved being Brooke Dubek,” she says. “And then I met my husband, and he’s the hottest man I’ve ever seen in my life. I was like, All right, I’ll do forever with this.

    “We got married, and I was like, I’m old. Who knows how long it’ll take to get pregnant? And I got pregnant immediately,” Yorke adds. Production was shifted from June to September to accommodate her maternity leave. “I had a hard time full-time momming. It was almost like, not that I forgot who I was, [but] I was becoming somebody else.” Gradually, that changed, though there have obviously been growing pains. “I realized, in going back to work, that I could be me and a mom at the same time…. I was pumping milk out of my titties on the corner of 53rd and Lexington, under a rain tower, before making out with somebody who wasn’t my husband. So it was bizarre in that, and trying to figure out how to finagle a pump in a costume with no bra. But it felt good.”

    Yorke, who was born in Canada and raised largely in Los Angeles, pictured Gwyneth Paltrow—specifically, Paltrow clutching her Oscar in that iconic pink dress—as the quintessential actress. “And that seemed so far away to me, to a point where I was like, I should really do musical theater.” And she did just that—making her Broadway debut in the 2007 revival of Grease before originating a role in the musical version of American Psycho in 2016. In between, Yorke played Glinda the Good Witch on the second national tour of Wicked.

    “When you meet people that are not in the biz, they ask for a list of your credits. Oftentimes, my mother-in-law will introduce me to people and be like, ‘She played Glinda in Wicked,’ because that’s the thing that’ll mean something to them,” Yorke says. “You often get comments like ‘Good for you,’ because, certainly, if they don’t know who you are, that means you’re broke.” For a while, Yorke says, even she didn’t realize “that you could have a full career and [yet] be niche…. I used to think you had to be Gwyneth Paltrow to make a living—literally feast or total famine.”

    Savannah Walsh

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  • The 28 Best LGBTQ+ TV Shows to Stream Right Now

    The 28 Best LGBTQ+ TV Shows to Stream Right Now

    It seems ludicrous that there was a time, not too long ago, when LGBTQ+ TV shows weren’t standard fare. Perhaps one would come out every couple of years, run for a few seasons, make history, and then fizzle out. Thankfully, the television landscape has changed tremendously in the past decade. There are shows that have queer characters, shows that are inherently queer, and shows that lampoon major corporations trying to pass off amorphous goo as queer representation. What more could you ask for?

    If you’ve found yourself looking to watch something that falls into one of those categories (or somewhere in between), we’ve compiled the best LGBTQ+ TV shows that are streaming now. From RuPaul’s Drag Race to Harley Quinn, you can find them all below.

    28. Queer as Folk (2022)

    For better or worse, the short-lived reboot of Russell T Davies’s groundbreaking series seemed determined to atone for the original’s soapy depiction of queer life. Starring Devin Way, Fin Argus, and Ryan O’Connell, Queer as Folk follows a diverse New Orleans community in the aftermath of a tragedy that recalls the 2016 Pulse shooting. If you don’t mind such trauma underscoring this entertainingly messy web of characters, it’s a drama worth dipping into.

    27. Sex Education (2019)

    The relationship between Sex Education’s Eric (Ncuti Gatwa) and Adam (Connor Swindells) has its issues, but Gatwa is such a standout in the acclaimed series that most are worth overlooking. He’s just that magnetic. The show otherwise follows Otis (Asa Butterfield), a high school student who sets up an underground sex therapy clinic with another one of his classmates (Emma Mackey). Mixing frank discussions with impossible-to-hate characters, Sex Education has been a boon for Netflix since its debut—and it’s never too late to hop on the bandwagon.

    26. Drag Me to Dinner (2023)

    Tyler Breitfeller

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  • Murderers’ Row: A Tribute to TV’s Compelling Killers

    Murderers’ Row: A Tribute to TV’s Compelling Killers

    The Background: Four seasons and two continents later, the ex-bookstore clerk is still getting away with murder. (Netflix)

    Killer: Joe Goldberg

    Motive: Joe would say that underneath it all, he just wants love. But his own hallucinations would call BS.

    How They Did It: Pick your poison.

    BARRY

    The Background: Who thought the Marine turned actor’s life would get even bloodier after he stopped being a hit man? (HBO)

    Killer: Barry Berkman

    Motive: PTSD, rage, anxiety, self-preservation, desperation…did we mention this is a comedy?

    How They Did It: Mostly guns, but he’s resourceful.

    THE PATIENT

    Copyright 2022, FX Networks. All Rights Reserved.

    Hillary Busis

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  • 8 Perfect TV Episodes: Death on ‘Succession,’ Romance in the Ruins on ‘The Last of Us,’ and More

    8 Perfect TV Episodes: Death on ‘Succession,’ Romance in the Ruins on ‘The Last of Us,’ and More

    THE BEAR

    Episode 7, “Review” FX

    There’s ample salt, acid, and heat—but little fat—to be found in The Bear’s frenetic seventh episode, directed by creator Christopher Storer. Executive producer Joanna Calo describes it as a “resting place” for the season’s character arcs, including Sydney and Richie’s fractious dynamic and Carmy’s increasingly “rageful, deep, dark feelings hidden inside,” all exacerbated by a rave review that brings a flood of customers their kitchen can’t handle. But in writing the script, Calo says, it became “this place where everyone exploded.” The propulsive, almost 20-minute one-take result created “this massive feeling of anxiety, which sort of encapsulates the energy that all people working in restaurants feel.”

    The Bear: Courtesy of FX.

    SUCCESSION

    Episode 3, “Connor’s Wedding” HBO

    Best not to get married on HBO. In “Connor’s Wedding,” the third episode of Succession’s final season, the eldest Roy’s nuptials on a boat quickly get overshadowed by an event of truly epic proportion: Logan Roy’s unexpected, ultimately unceremonious death. Rather than capture the fall of the king, director Mark Mylod focuses what he called his “sadistically voyeuristic” camera on the Roy siblings as they find themselves literally and emotionally at sea in a world without their father. “It had to stay really close without taking its eye off of them,” he said. “Because every time we cut away from the siblings, it seemed to let them off the hook.” With “Connor’s Wedding,” Succession simultaneously upended every expectation for the series while fulfilling its titular premise. What a way for L to the OG to go.

    RESERVATION DOGS

    Episode 8, “This Is Where the Plot Thickens” FX

    Director Blackhorse Lowe took inspiration from 1970s cinema for this surprisingly poignant episode, which swerves away from its central characters to follow tribal cop Big (Zahn McClarnon) after he mistakenly chugs a bottle of soda laced with psychedelic drugs. Walking through the pulsating, spinning forest, Big winds up on an introspective journey to the past, confronting his feelings of guilt over the death of his friend Cookie. “In this seemingly fun, trippy episode, we actually really get deep into character,” says series cocreator Sterlin Harjo. “There’s a pain that drives Big.” There’s also a heavy dose of Native humor, like when Big stumbles upon a mysterious group of Secret Society members in the woods chanting things like “The earth is a whore, and it is our will to take her!” The punch line? The cult ends up not being a hallucination at all.

    Reservation Dogs: Courtesy of FX.

    FLEISHMAN IS IN TROUBLE

    Episode 7, “Me-Time” FX

    Jesse Eisenberg’s Toby and his woes dominate much of the first six episodes, but by the penultimate “Me-Time,” it becomes clear he is not the Fleishman in real trouble. His missing ex-wife, Rachel (Claire Danes), reappears in this episode, which serves as both an explanation of where she’s been and a showcase of what Danes does best—raw, messy emotion. “Before the pandemic, I’d written my book out of a sort of primal scream,” says Taffy Brodesser-Akner, who adapted her book for the series, and a primal scream defines this episode too. Growing apart from her married boyfriend, Rachel lets loose in a therapy session so loud it shakes the trees outside. It’s a taut, cathartic reflection on what happens when your heart feels overstuffed and empty all at once.

    ANDOR

    Episode 12, “Rix Road” Disney+

    It all builds to a brick. The first season’s extraordinary climax takes place at the funeral march for Maarva (Fiona Shaw), the adoptive mother of Diego Luna’s title rebel leader, whose remains have been forged into a hexagonal funerary stone. When Maarva delivers her own fiery eulogy by way of prerecorded hologram, a riot breaks out—and Maarva’s brick becomes a weapon used to clobber Imperial soldiers. “That is when the moviemaking takes off past the script,” says series creator Tony Gilroy. “I remember being really surprised when I saw it and going, ‘Holy…look what they did!’ ”

    Savannah Walsh, Chris Murphy, Christian Allaire, Kase Wickman, Anthony Breznican, Rebecca Ford, David Canfield, Hillary Busis

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  • QRS Music Technologies, Inc Debuts QRS Streamer and QRS Streamer Solo: Two Player Piano Focused Streaming Music Plans

    QRS Music Technologies, Inc Debuts QRS Streamer and QRS Streamer Solo: Two Player Piano Focused Streaming Music Plans

    Press Release


    Jun 4, 2023 09:00 EDT

    QRS Streamer and QRS Streamer Solo are a great way to enjoy and experience musical performances curated from hundreds of famous artists and thousands of tracks. The plans also includes complimentary access to QRSConnect.com for live performances, access to artists, teachers and QRS’s new ROKU channel.

    This subscription based package is the second such package offered by QRS, and the most economical, with plans starting at under $10.00 per month. QRS Music Technologies, Inc. (OTC: QRSM) — a 123 year-old US based company and leader in the design, manufacture and distribution of piano and keyboard focused audio, digital and multimedia products, music, content delivery, piano technologies, Story & Clark pianos, and other digital audio accessories — unveils QRS Streamer, a new way of delivering content to our customer base and onboarding them to the QRS Connect platform and QRS TV channel.  

    The QRS Streamer consists of a carefully currated selection of songs from each genre and style in the QRS Music Library. Two plans are offered: QRS Streamer and QRS Streamer Solo. QRS Streamer features both Solo Piano offerings as well as Piano with Live Accompaniment. The QRS Streamer Solo plan features only Solo Piano Performances. Each offering allows the user to mark tracks as favorites and gives them access to the QRS Connect and QRS TV platforms for additional control of their instruments, live streams and lessons.

    QRS Streamer introductory pricing is $115.00 per year for Solo Stream and $235.00 per year for Solo + Piano with Accompaniment.

    “It seems that every second of our day is accounted for. Turning on your PNOmation should be a time out from the constant barrage of the day to day. QRS’s Streamer pricing and variety make it easier to choose your piano as an escape,” said Thomas Dolan, President & CEO. “We want to bring all player piano users, especially our customers back to playing and updating, and experiencing great content on a regular basis. QRS Streamer and the future release of our event driven specials and performances will help make this happen.”

    About Us: 

    QRS Music Technologies, Inc. (OTCB:QRSM) is a leader in the design, manufacture and distribution of music technologies, pianos and piano accessories, including Pianomation®, PNOmation, PNOscan, QRSConnect and music content for automated musical instruments, from digital to paper rolls. QRS is the creator of Pianomation®, the first MIDI system to combine analog and digital technology to turn any piano into a reproducing player piano. QRS Music was founded in 1900 and is based in Seneca, Pennsylvania. Additional information about QRS is available at www.qrsmusic.com

    Source: QRS Music Technologies, Inc.

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  • Take a Break with This Refurbished iPad Air and Beats Headphones Combo for Less Than $120 | Entrepreneur

    Take a Break with This Refurbished iPad Air and Beats Headphones Combo for Less Than $120 | Entrepreneur

    Disclosure: Our goal is to feature products and services that we think you’ll find interesting and useful. If you purchase them, Entrepreneur may get a small share of the revenue from the sale from our commerce partners.

    According to TeamStage, entrepreneurs work an average of 52 hours a week. That’s a lot more than the standard 9-5 individuals work as employees, which means it’s even more important to ensure you’re giving your mind a break. If your preferred way to unwind is by relaxing with a podcast or binging the latest must-watch series, an iPad is a great device to have for a breather.

    iPads are a convenient way to take a load off, thanks to their portable size and ability to house multiple apps. But they typically come with a hefty price tag, which makes refurbished models an ideal option. Right now, you can snag a bundle that includes a refurbished Apple iPad Air and renewed Beats Flex Wireless Headphones — all for just $114.99, the best price available on the web.

    From Netflix to classic games like Candy Crush, an iPad can house plenty of apps that will help you relax. This refurbished Apple iPad Air has 16GB of storage to keep them all on the device. A 5MP rear camera and 1.2MP FaceTime camera, along with the dual microphone, make collecting memories and staying connected to friends and family easy.

    You’ll also receive renewed Beats Flex Wireless Headphones to help you enjoy your content. They come with a flex-form cable that offers all-day comfort and four ear tip options to get a perfectly personalized fit. In addition, they’re tangle free and offer up to 12 hours of listening time, so you can binge away without worrying about running out of juice.

    The iPad Air hails from 2013 and comes with a Grade “A” refurbished rating, which means it will arrive in near-mint condition, with potential light scuffing on the bevel or case, or light scratches or dents on the body. And the Beats Flex are renewed, which means they’re tested, cleaned, and repackaged into original packaging.

    Enjoy this bundle for the best price online and score a refurbished and renewed Apple iPad Air Bundle with Beats Flex Headphones for just $114.99 for a limited time.

    Prices subject to change.

    Entrepreneur Store

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  • The Ultimate Pride Month Streaming Guide: Best Queer Titles to Watch This June

    The Ultimate Pride Month Streaming Guide: Best Queer Titles to Watch This June

    It’s Pride Month, so companies will trick out their websites with rainbow flags and conjure extravagant floats for Pride parades across the country. Then come July . . . they’ll return to the dull old days. The commercialization of Pride month was inevitable, but it’s still disheartening.


    Pride is fundamentally about celebrating people – fun people – bright people – colorful people – all people. Pride started with a spontaneous protest during the early hours of June 28, 1969. NYC’s Stonewall Inn – a popular Greenwich Village gay bar – was raided by the police, and patrons fought back.

    The Stonewall was a safe home to people who felt like outcasts even in the queer community. Tired of being harassed by the cops, they stood up for themselves in a now-infamous riot. Bricks were thrown, a parking meter was fashioned into a battering ram, and cop cars were turned over.

    Following this now-iconic night, activist groups rose up from the community to advocate for queer rights. It was the start of a movement. One year later, the first gay pride marches started around the country to commemorate it.

    This is the spirit of Pride. It’s about community, it’s about standing up and upsetting the status quo, and it’s now an ongoing global revolution. Yet, this month’s commercialized capitalist parade distracts from the origins of this powerful, unstoppable movement.

    Above all, Pride is about celebrating the diversity within the queer community. Whether you’re attending Pride parades, supporting queer businesses, or starting a police riot, do it with that same celebratory spirit in mind.

    A fabulous way to fully appreciate the diversity of queer stories is through film. From documentaries to movies, to television shows, queer cinema demonstrates the richness and multiplicity of the queer experience.

    Some LGBTQ+ titles have become classics, others are contemporary and more whimsical, proving not all queer stories have to be tragic tales of unrequited love.

    Here are some of the LGBTQ+ titles we’ll be streaming this June:

    ​Moonlight (2016)

    The greatest movie of all time, arguably. To get in your cinematic feels, it’s always a good time for a rewatch. Haven’t seen it? Where have you been? Here’s a synopsis that doesn’t do it justice: “A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.” Buckle up, you’re in for a hearty cry.

    Rafiki (2018)

    This touching Kenyan drama follows two young women, Kena and Ziki, as they navigate their love for one another in a country where being LGBTQI+ is illegal. Rafiki was initially banned in Kenya, despite the international critical acclaim.

    Paris Is Burning (1990)

    This documentary focuses on drag queens living in New York City and their “house” culture, which provides a sense of community and support for the flamboyant and often socially shunned performers.

    The Other Two (2019 – Present)

    via HBO

    This HBO comedy has been hailed as one of the most real portraits of queer life right now. Cary (Drew Tarver) and his journey as a queer actor and gay man living in New York may not be the central plotline, but the show is full of biting commentaries on the media’s portrayal of queerness.

    ​Heartstopper (2022 – Present)

    This Netflix series is based on the graphic novel series that took the internet by storm. It’s probably the most wholesome thing you’ll ever see. That’s all there is to say.

    Young Royals (2021 – Present)

    This Swedish Netflix show has amassed a global audience for a reason. Set in a prestigious Swedish boarding school, it portrays the trials and tensions that ensue when the Prince falls in love with another boy. The show is a surprisingly poignant portrayal of teenagers battling with tradition and external pressures. Season 3, the final season, is in production so catch up now!

    ​Happy Together (1997)

    Lai (Tony Leung Chiu Wai) and his boyfriend, Ho (Leslie Cheung), arrive in Argentina from Hong Kong, seeking a better life. Their highly contentious relationship turns abusive and results in numerous break-ups and reconciliations. When Lai befriends another man, Chang (Chen Chang), he sees the futility of continuing with the promiscuous Ho.

    And The Band Played On (1993)

    In 1981, epidemiologist Don Francis (Matthew Modine) learns of an increased death rate among gay men in urban areas. The startling information leads him to begin investigating the outbreak, which is ultimately identified as AIDS. His journey mostly finds opposition from politicians and doctors, but several join him in his cause.

    ​Torch Song Trilogy (1987)

    Arnold Beckoff (Harvey Fierstein) is looking for love and acceptance, but as a gay man working as a female impersonator in 1970s Manhattan, neither come easily. After a series of heartaches, Arnold believes he’s found the love of his life in Alan (Matthew Broderick), and the couple makes plans to adopt. But when tragedy strikes, Arnold’s life is shaken to its very core, leading to a confrontation with his overbearing mother (Anne Bancroft), who has never approved of her son’s lifestyle.

    ​Go Fish (1994)​

    After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each other, a poorly timed phone call from Max’s long-distance girlfriend, Kate, brings things to an abrupt halt.”

    ​Philadelphia (1993)

    Fearing it would compromise his career, lawyer Andrew Beckett (Tom Hanks) hides his homosexuality and HIV status at a powerful Philadelphia law firm. But his secret is exposed when a colleague spots the illness’s telltale lesions.

    ​Boys On The Side (1995)

    After breaking up with her girlfriend, a nightclub singer, Jane (Whoopi Goldberg), answers a personal ad from Robin (Mary-Louise Parker), a real estate agent with AIDS, seeking a cross-country travel partner. On their journey from NYC to Los Angeles, the two stop by Pittsburgh to pick up Robin’s friend Holly (Drew Barrymore), who is trying to escape an abusive relationship. With three distinct personalities, the women must overcome their differences to help one another.

    ​North Sea Texas (2011)

    This Belgian romantic drama was Bavo Defurne’s feature directorial debut. Defurne also co-wrote the script with Yves Verbraeken, based on André Sollie’s Nooit gaat dit over. It’s a beautifully shot coming-of-age story that will get right at your childhood nostalgia and your experiences of yearning.

    Pariah (2011)

    Alike (Adepero Oduye) lives in Brooklyn’s Fort Greene neighborhood with her parents (Charles Parnell, Kim Wayans) and younger sister (Sahra Mellesse). A lesbian, Alike quietly embraces her identity and is looking for her first lover. She wonders how much she can truly confide in her family, especially with her parents’ marriage already strained.

    Sex Education (2019 – Present)

    The show’s new non-binary character, Cal, goes through the struggle of having to wear a uniform for girls even though they don’t identify as female. Cal shows their binders and teaches others how to wear one safely.

    The Boys In the Band (1970) and (2020)

    Based on a play of the same name, the storyline follows a queer friend group over the course of a dinner, exploring their friendship, the social structures around them, and their personal anxieties. The 1970 version is a classic and the recent 2020 Ryan Murphy Netflix adaptation is some of the director’s best work, including incredible performances by Matt Bomer, Jim Parsons, and Zachary Quinto.

    ​The Half of It (2020)

    This Netflix adaptation of a YA novel is one of the best high school romance films out there right now. A modern-day Cyrano – a football player asks loner student Ellie Chu to write love letters to a girl he likes. Neither of them expects to end up caught in a love triangle.

    Crush (2022)

    This fast-paced high school comedy is a whimsical reminder of all the best parts of high school — the friends, the parties, the crushes. After a tortured artist (Rowan Blanchard) joins the track team to impress a girl she has a crush on, she ends up falling in love with someone else. It’s an optimistic and charming portrait of Gen Z’s more normalized queer dynamics.

    LKC

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  • This Former Convict Is on a Mission to Inspire Greatness | Entrepreneur

    This Former Convict Is on a Mission to Inspire Greatness | Entrepreneur

    On his show “Action and Ambition,” (streaming on EntrepreneurTV), host Andrew Medal has spoken with the likes of Floyd Mayweather, Jr., Nipsey Hussle and Damon Dash to learn the backstories, mindsets, and actions of the world’s most ambitious people.

    On Wednesday, 5/31, join EntrepreneurTV’s director of programming Brad Gage as he chats with Medal about what he has learned from his most inspiring guests. Plus, listen in for Medal’s uncensored insights on how he was able to overcome his own troubled criminal past and find success as a tech entrepreneur, author, angel investor and proponent for prison reform. This is not a conversation to be missed.

    What time does it start?

    Time: Wednesday, 5/31 at 1:30 pm EST

    Where can I watch?

    Watch and stream: Youtube, and LinkedIn.

    You can watch on your phone, tablet, or computer.

    Who is the guest?

    Andrew Medal is a self-made millionaire tech entrepreneur, investor, and prison reform advocate.

    He has made 100+ angel investments over the last couple of years, including Yuga Labs, Popchew, One of None, AngelList, Upstream, WAGMI United, Upstream, Swoops, The Sandbox, ALT, Collectable, Acquire, GreenPark Sports, Wilder World, Gan Controlled Football, Nameless, Nifty Games, and others.

    In addition to his video show on Entrepreneur, he also hosts the Action and Ambition podcast, highlighting triumphant founder stories.

    He is most known for his prison reform work with The Last Mile and other prison-focused charities. His personal experience in prison, as a troubled youth, led him to become a catalyst for change once released and out of the American judicial system. His story of triumph has inspired millions and is currently working on a program to teach troubled youth how to become successful entrepreneurs.

    About EntrepreneurTV

    EntrepreneurTV’s original programming is built to inspire, inform and fire up the minds of people like you who are on a mission to launch and grow their dream businesses. Watch new docu-series and insightful interviews streaming now on Entrepreneur, Galaxy TV, FreeCast, and Plex.

    Entrepreneur Staff

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  • Exclusive: Jeremy Strong on Succession’s Brutal Finale and Kendall’s Ending

    Exclusive: Jeremy Strong on Succession’s Brutal Finale and Kendall’s Ending

    When you’re doing it, the whole world turns on it, and it matters more than anything in the world to me. But then when it’s over, it’s, it’s like vapor. So I feel very detached from it. As an audience member, it feels like I’m watching somebody else.

    In the months since you wrapped, have you stayed in touch with the cast? 

    I haven’t, really. We’ll always have, uh, having shared this experience. But the truth is, when you work on movies, you become very close to people and you share something very intimate, and then when it’s done, you know, the circus kind of folds up its tents and leaves town, and you’re kind of back to your life. I feel connected to everyone, but in a way, my involvement and my work finished on March 1st in Barbados. 

    The kitchen scene seems like a fun way to have ended.  

    It was, it was! I loved doing that scene, and it’s rare that I didn’t feel an obligation as an actor to carry a tremendous weight with me into any scene. The characters were at ease, and [Kendall was] enjoying the company of his brother and sister. And my God, they put the nastiest shit you can possibly imagine into that blender! So every take, I had to go outside and retch and then jump in the ocean to reset. But it was fun. 

    You actually drank what they put in that blender?

    I guess my feeling is, I would not be committed enough to what that character wants in that moment if I didn’t drink that thing. She’s saying, “we’ll give this to you if you drink this thing.” So —yeah, that’s just me. Mark [Mylod] knew at a certain point he had to call cut, because if he didn’t call cut, I’m gonna do it, you know?

    Brian Cox said he gets people on the street coming up to him and saying, “Fuck off.” Do you have people come up to you who are sort of worried about Ken? 

    This character invites all kind of responses from people. Some people think he’s cringeworthy, and despicable or pitiable because he’s quite vulnerable. And then there’s other people who I think embrace that vulnerability and fallibility, and care for him. It’s a bit of a litmus test, actually—it tells you a lot about how people respond.  I get: “Is he okay? Are you okay?”

    Are you okay?

    I am okay. This is just a character. 

    There’s a thread in the show about masculinity and will to power. Kendall is always trying to find his own version of how to be a man. 

    I remember going to the writers’ room in Brixton six years ago or something, and seeing all the note cards on the wall. And at the very top was this question of: can you escape legacy? Does it define you? And by escaping it, are you still defined by it? So I think he is trying to attain a version of manhood or personhood. He’s trying to individuate, I think, in a certain way, but he has never been able to escape the tractor beam of his father. I wanted for him so badly to get on that boat with Naomi Pierce and just leave it all. But he couldn’t do that.

    Joy Press

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  • ‘Pay your writers!’ Students boo Warner Bros. Discovery CEO David Zaslav during commencement speech amid Hollywood writers strike

    ‘Pay your writers!’ Students boo Warner Bros. Discovery CEO David Zaslav during commencement speech amid Hollywood writers strike

    David Zaslav had an awkward Sunday. The Warner Bros. Discovery CEO delivered a commencement speech at Boston University, but it was memorable for all the wrong reasons. 

    As he reflected upon his career, audience members shouted “shut up Zaslav” and “we don’t want you here.” 

    The problem: His speech came during an ongoing strike by Hollywood writers, who want better pay, new contracts for the streaming era, and protection against content generated by artificial intelligence. “Pay your writers!” was another chant directed his way.

    “Writers Guild members are on strike because companies, including Warner Bros. Discovery, refused to guarantee any level of weekly employment in episodic television, attempted to pivot late night writers to a day rate, stonewalled on free work on script revisions for screenwriters, and refused to even discuss our proposal on the existential threat AI poses to all writers,” the guild said in a statement later, according to the Hollywood Reporter.

    Actor Sean Penn backed the writers this week, saying: “There’s a lot of new concepts being tossed about including the use of A.I. It strikes me as a human obscenity for there to be pushback on that from the producers.” 

    “Some people will be looking for a fight,” Zaslav told students, eliciting boos and cheers. “But don’t be the one they find it with. Focus on good people’s qualities. In my career, I’ve seen so many talented people lose opportunities or jobs because they couldn’t get along with others. You can’t choose the people you work with. Figure out what you like about a person—there’s always something—and do whatever it takes to navigate their challenges. We all have them.”

    Some students laughed at the sentiment. Vanessa Barlett, a graduating senior who helped lead a writers strike solidarity event at the university, told the Hollywood Reporter: “I’m in the same college as a bunch of film and TV kids. I’m friends with a lot of people in the College of Fine Arts, people who are in the theater arts program, so having a sense of solidarity is very important to me.”

    Zaslav also irked audience member when he spoke of his financial success as a lawyer, saying: “I was making good money, I was feeling really great.” That garnered boos and groans.

    Zaslav later said in a statement: “I am grateful to my alma mater, Boston University, for inviting me to be part of today’s commencement and for giving me an honorary degree, and, as I have often said, I am immensely supportive of writers and hope the strike is resolved soon and in a way that they feel recognizes their value.”

    Steve Mollman

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  • 26 Can’t-Miss Summer TV Shows Coming in 2023

    26 Can’t-Miss Summer TV Shows Coming in 2023

    God love ‘em, the Gemstones’ prayers have finally been answered. Season three of The Righteous Gemstones returns to HBO on June 18, and, in a page straight out of Succession, Jesse (Danny McBride), Judy (Edi Patterson), and Kelvin (Adam DeVine) Gemstone finally have control of the family’s televangelist church made world-famous by their father, Dr. Eli Gemstone (John Goodman). But, running a megachurch is not as easy as it seems, and, from the looks of it, the Gemstone children may not be cut out for the gig. Pray for them.  —Chris Murphy

    The Walking Dead: Dead City

    June 18 (AMC)

    The universe of The Walking Dead expands once again with this sequel series, which picks up two years after the end of The Walking Dead and finds former enemies Negan (Jeffrey Dean Morgan) and Maggie (Lauren Cohan) traveling in a postapocalyptic Manhattan. It’s the fourth spin-off from the smash-hit AMC series, which wrapped its 11th and final season in November 2022. None of the follow-up series have become as huge as the original, but AMC clearly remains very much in the zombie business. —K.R.

    Secret Invasion

    June 21 (Disney+)

    “We don’t know who’s a friend, who’s the enemy,” Samuel L. Jackson told Anthony Breznican for Vanity Fair’s first look at his upcoming Marvel series, which follows Jackson’s former S.H.I.E.L.D. director, Nick Fury, as he uncovers a conspiracy to quietly install double agents into positions of power around the world. He’s joined by Emilia Clarke as an alien radical named G’iah, Olivia Colman as a British intelligence agent who has a past with Fury, and a few familiar faces from the MCU, namely Martin Freeman (as CIA agent Everett K. Ross) and Cobie Smulders (as Fury’s steadfast ally, Maria Hill). Maybe it’s not a new Avengers movie, but Secret Invasion seems just as starry. —H.B.

    The Bear

    June 22 (FX)

    Order up. The Bear—the high-octane kitchen series that premiered on FX last summer and quickly became the network’s most-watched half-hour show of all time—serves up a new 10-episode season two on June 22. After shutting down his restaurant, The Beef, Jeremy Allen White’s chef Carmy and his kitchen crew consisting of his “cousin” Richie (Ebon Moss-Bachrach), sous-chef Sydney (Ayo Edebiri), pastry chef Marcus (Lionel Boyce), and veteran line cook Tina (Liza Colón-Zayas) are preparing to open Carmy’s new restaurant, The Bear. Along with the new restaurant, there are a few new faces, with Better Call Saul’s Bob Odenkirk and Booksmart’s Molly Gordon both joining The Bear for season two. “It’s not a reopening, it’s a rebirth,” reads the caption on a teaser trailer for The Bear’s second season. Yes, chef. —C.M.

    The Bachelorette

    June 26 (ABC)

    While many of us are still feeling the hangover of a particularly brutal season of The Bachelor, a new season for love is here with Charity Lawson, a 27-year-old Georgia native who was sent packing after hometowns by Zach Shallcross, calling the shots. She becomes only the fifth Black lead in franchise history, following in the footsteps of Matt James, Rachel Lindsay, Tayshia Adams, and Michelle Young—a welcome addition after yet another season where a contestant’s racist past was exposed. Here’s hoping that the exit of controversial longtime creator Mike Fleiss, and Lawson’s career as a child and family therapist bring fresh life to a wilting rose. —S.W.

    The Witcher season three

    June 29 (Netflix)

    Geralt (Henry Cavill) and Ciri (Freya Allan) are going into hiding as the new season of Netflix’s fantasy epic begins, a journey that promises equal parts discovery and treachery—and lands them in a position of putting everything on the line. Robbie Amell and Meng’er Zhang join the cast as an elven fighter and a human huntress, respectively. —D.C.

    And Just Like That… Season Two

    June (Max)

    Now that the death of Big and a realignment of friend groups has been taken care of, maybe the second season of Max’s Sex and the City continuation can relax and have fun. Maybe we might even get a more episodic format, with each installment centered on a particular theme—you know, like SATC used to be. Though creator Michael Patrick King and producer/star Sarah Jessica Parker have been careful to note that AJLT is not trying to directly mimic the style of their previous hit, this is a different set of shoes altogether. So, perhaps that will be the real narrative of this sophomore run of episodes: audiences learning to embrace what’s different about the series, while its creative team finds a way to make it all fit. —R.L.

    The Horror of Dolores Roach

    July 7 (Prime Video)

    From play to podcast to TV series: That’s the unlikely journey of The Horror of Dolores Roach, which began its life as a one-woman show starring Daphne Rubin-Vega, who reprised the role for the Gimlet Media podcast version. The play and podcast’s creator Aaron Mark will serve as co-showrunner for the series, which stars One Day at a Time alum Justina Machado as a woman returning to her Washington Heights neighborhood after being released from prison. As the description for the podcast went, it’s “a macabre urban legend of love, betrayal, weed, gentrification, cannibalism, and survival of the fittest.” —K.R.

    The Real Housewives of New York City

    July 16 (Bravo)

    RHONY has gotten a rebrand. After 13 seasons, Bravo has done away with original Real Housewives of New York cast members like Luann de Lesepps, Sonja Morgan, and Ramona Singer in favor of a fresh crop of ladies ready to take on the Big Apple. Bravo’s updated RHONY cast includes Sai De Silva, Ubah Hassan, Jessel Taank, Brynn Whitfield, Erin Dana Lichy, and former J.Crew president and creative director Jenna Lyons. Season 14 of Real Housewives of New York will premiere on Bravo on July 16 because, after all, there’s nothing like summer in the city. Until then, we’ll have to wait and see whether the new cast will fill the RHONY OGs’ big and fabulous shoes. —C.M.

    The Afterparty

    July 14 (Apple TV+)

    The only thing juicier than an afterparty is what mischief happens next. Even more murder is afoot in season two of this comedic whodunnit, which deliciously recounts the same crime from a different character’s perspective in each episode. The sophomore installment reunites returning cast members Tiffany Haddish, Sam Richardson, and Zoë Chao with a—ahem—murderers’ row of new performers including John Cho, Paul Walter Hauser, Anna Konkle, Ken Jeong, Poppy Liu, Zach Woods, Vivian Wu, and Elizabeth Perkins as an unlucky set of soon-to-be interrogated wedding guests. Let the theorizing begin! —S.W.

    Praise Petey

    July 21 (Freeform)

    Annie Murphy as an It girl whose glamorous life comes crashing down? Sounds a lot like Schitt’s Creek, only, this time, Murphy is voicing the animated Petey, who decides to lean into modernizing her dad’s small-town cult. From former Saturday Night Live head writer Anna Drezen, Praise Petey promises comedy for the Gen Z set. John Cho, Kiersey Clemons, and Christine Baranski also star. —N.J.

    They Cloned Tyrone

    July 21 (Netflix)

    Is it a comedy, a conspiracy thriller, a stylish sci-fi-action-mystery-Blaxploitation-throwback? Juel Taylor’s directorial debut looks like all of the above. “Blaxploitation films always represented movies that let us express ourselves, and we could just look snazzy and do cool shit,” star John Boyega recently told EW of the high-concept project. ”It didn’t matter if we knew kung fu. It just all made sense with the music, with the vibes. I’m just proud to, at least, be a part of something that pays homage to that.” Trust his costars Teyonah Parris and Jamie Foxx to nail the vibe too. —H.B.

    Minx season two

    July 21 (Starz)

    Axed from HBO Max in dramatic fashion last year, the 1970s workplace comedy has found a new life on Starz, with Ophelia Lovibond and Jake Johnson returning as Joyce and Doug, the pair of unlikely collaborators behind a feminist porn magazine. In season two, the magazine Minx has become a hit, which, for our heroes, “brings more money, fame, and temptation than either of them know how to handle,” per Starz. With the recent Party Down revival, Starz is hopefully well-positioned to promote another smart comedy and treat Minx better than its first home did. —K.R.

    Twisted Metal

    July 27 (Peacock)

    Did you spend the winter of 1995 watching your brother shoot napalm-laced ice cream cones at a souped-up Corvette driven by a ghost? If so, you too may find yourself intrigued by Peacock’s adaptation of the classic Playstation game, which casts Anthony Mackie as an everyman (he’s literally named John Doe) on a quest that, if the original is any blueprint, will mostly serve as an excuse for stylized vehicular mayhem. Yes, the clown who drives a killer ice cream truck is there too—and, this time, he’s voiced by Will Arnett.H.B.

    Breeders season four

    July (FX)

    The fourth season of FX’s dark comedy series follows a tense finale in which Ava (Eve Prenelle) finally stood up to her father, while our weary married antiheroes Paul (Martin Freeman) and Ally (Daisy Haggard) don’t split up, exactly, but plan to move forward with a dynamic that may not be fixable, and a lot of pain in the rearview. How will they all pick up the pieces? Hopefully, the premiere lays out the road map. —D.C.

    Heartstopper season two

    August 3 (Netflix)

    Get ready for a summer of love. Netflix’s hit queer coming-of-age romance Heartstopper returns to the streaming platform on August 3. Based on the New York Times best-selling graphic novel series by Alice Oseman, Heartstopper follows Charlie (Joe Locke) a recently out teen at a British all-boys school, Nick (Kit Connor) a closeted rugby player coming to terms with his sexuality, and their budding romance. With a 100% average Tomatometer on Rotten Tomatoes, there’s clearly many Heartstopper fans interested in seeing what the next step is in Charlie and Nick’s romantic journey. —C.M.

    Red, White & Royal Blue

    August 11 (Prime Video)

    Speaking of Heartstopper, The Royal We meets Netflix’s hit queer romance in Matthew Lopez’s adaptation of Casey McQuiston’s Young Adult bestseller, a sweetly silly rom-com that pairs America’s First Son with the heir to the British crown. Sure, the premise is implausible, but McQuiston’s charming banter was enough to sell it in novel form. Presumably, young cuties Taylor Zakhar Pérez and Nicholas Galitzine will be able to do the same on the small screen. Plus: Uma Thurman as the first female POTUS! —H.B.

    Reservation Dogs season two

    Summer Date TBD (FX)

    At the end of season two, the titular Dogs—Indigenous teens Elora Danan (Devery Jacobs), Bear (D’Pharaoh Woon-A-Tai), Willie Jack (Paulina Alexis), and Cheese (Lane Factor)—have made their long-awaited sojourn to California, a dream they often discussed while living on the Muscogee Nation Reservation in Oklahoma. But, while the last season ended with a sense of resolution, showrunner Sterlin Harjo has teased “some darkness coming” in season three for the group, whose bond was cemented after the tragic loss of their fifth friend just before the show’s start. —S.W.

    What We Do in the Shadows season five

    Summer Date TBD (FX)

    Renewed last year for a fifth and sixth season, the vampire comedy returns with a major vote of confidence from its network, and a major cliff-hanger to wrap up: At the end of the last season, human familiar Guillermo (Harvey Guillén) had asked to be turned into a vampire. The season ended with several other resets, like Baby Colin’s (Mark Proksch) reversion back to regular adult Colin and the end of Nadja’s (Natasia Demetriou) nightclub dream. But, for vampire characters who have been alive for hundreds of years, there’s clearly time for many more adventures. —K.R.

    Hillary Busis, Richard Lawson, Savannah Walsh, Rebecca Ford, David Canfield, Katey Rich, Natalie Jarvey, Chris Murphy

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  • Ghosted: The films ‘too bad for the cinema’

    Ghosted: The films ‘too bad for the cinema’

    The most important statistical category, said Fletcher, is “completion”, meaning the number of viewers who watch a film from start to finish. Apparently, Ghosted hit “a really high number” in that category, and so Apple Studios chalked it up as a triumph. But did the data improve the film in any other respect? A one-star review in The Guardian condemned it as “content dictated by algorithm at its absolute, industry-shaming worst, so carelessly and lifelessly cobbled together that we’re inclined to believe it’s the first film created entirely by AI”. And this review wasn’t unusual. On Rotten Tomatoes, the website that tallies positive and negative reviews, Ghosted scored 28%, a figure that seems all the more pitiful considering the four previous films directed by Fletcher – Rocketman, Eddie the Eagle, Sunshine on Leith and Wild Bill – all scored between 81 and 100%. Direct-to-streaming movies might keep us on the sofa and away from the remote control, but that doesn’t mean they are any good.

    What it means, in fact, is that they are the screen equivalent of junk food: easy to consume after a hard day’s work, but not exactly nourishing. As well as Ghosted, some notorious examples of such eyeball fodder are Shotgun Wedding, a Prime Video rom-com with Jennifer Lopez and Josh Duhamel, and several violent Netflix capers, including Red Notice with Dwayne Johnson, Ryan Reynolds and Gal Gadot, and Murder Mystery and Murder Mystery 2 with Adam Sandler and Jennifer Aniston. In each case, the filmmakers followed the same recipe: take two or three attractive stars who may or may not have any chemistry, put them in a couple of sunny, scenic locations, whether or not those locations make sense in terms of plotting, sprinkle with stunts and explosions, keep the tone light and quippy, and top it all off with a simple, catchy title.

    None of these vapid, sub-Bond romps would have had audiences flocking to the cinema, but as Fletcher suggests, viewers have different requirements when they’re clicking away at home on a Tuesday night. Ghosted and its fellow direct-to-streaming movies provide blandly undemanding escapism that the whole family can agree to sit through. However terribly reviewed they are, they have enough allure to get us asking, “How bad can it be?”

    Two hours later, we might well answer that question with the words: “Very bad indeed.” But that doesn’t matter. By then we will have reached “completion”, and in the world of streaming, that’s all the data that counts.

    Ghosted is available to stream on Apple TV+ now.

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  • The Hollywood Writers Strike Is On as Negotiations with Studios Break Down

    The Hollywood Writers Strike Is On as Negotiations with Studios Break Down

    Hollywood writers are putting down their pens and grabbing picket signs. After weeks spent negotiating a new contract with Hollywood’s biggest studios, the Writers Guild of America said Monday that it has failed to reach a new deal. Now, for the first time in 15 years, nearly 12,000 scribes plan to walk out on Tuesday in a strike that threatens to grind Hollywood to a halt

    “The WGA Negotiating Committee began this process intent on making a fair deal, but the studios’ responses have been wholly insufficient given the existential crisis writers are facing,” the WGA said in a statement shared with Vanity Fair. “The companies’ behavior has created a gig economy inside a union workforce, and their immovable stance in this negotiation has betrayed a commitment to further devaluing the profession of writing.”

    The WGA called for its members to begin picketing on Tuesday afternoon.

    The WGA spent six weeks in negotiation with Alliance of Motion Picture and Television Producers—which bargains on behalf of 100-year-old studios like Disney and Warner Bros. Discovery, as well as streamers like Netflix and Amazon Studios. The guild said in the statement that the studios would not meet certain demands, including guaranteed weekly employment for TV writers or protections against an AI incursion. The studios, the guild said, “have closed the door on their labor force and opened the door to writing as an entirely freelance profession. No such deal could ever be contemplated by this membership.”  

    WGA’s contract renegotiation was complicated by the tough economic climate for the studios, which have been cutting budgets and laying off thousands of employees as they face pressure from Wall Street to turn their streaming services into profitable businesses. AMPTP said in a statement that it “presented a comprehensive package proposal to the Guild last night which included generous increases in compensation for writers as well as improvements in streaming residuals. The AMPTP also indicated to the WGA that it is prepared to improve that offer, but was unwilling to do so because of the magnitude of other proposals still on the table that the Guild continues to insist upon.” It added that its primary sticking points are “Guild proposals that would require a company to staff a show with a certain number of writers for a specified period of time, whether needed or not.”

    The group continued, “The AMPTP member companies remain united in their desire to reach a deal that is mutually beneficial to writers and the health and longevity of the industry, and to avoid hardship to the thousands of employees who depend upon the industry for their livelihoods. The AMPTP is willing to engage in discussions with the WGA in an effort to break this logjam.” 

    Conversations with Hollywood sources in the weeks after negotiations began indicated that no one was jonesing for a strike. Warner Bros. Discovery CEO David Zaslav and Netflix co-CEO Ted Sarandos both spoke out in support of a deal with the writers, but hand-wringing about a potential work stoppage mounted as the contract expiration date loomed closer with little signal that the groups were nearing a deal. On April 17, the WGA announced that 98% of its members had voted to authorize a strike if a new contract was not in place by midnight on Monday. 

    This will be the writers’ first work stoppage since late 2007, when they went on strike for 100 days over a cut of studios’ digital sales, among other issues. The strike led to years of bitterness between the two groups. Though writers won key concessions, they also lost jobs and lucrative deals with the studios. Meanwhile, productions were delayed, and the LA economy took a hit. 

    The upcoming strike could be similarly devastating, depending on how long it lasts. (The longest strike on record was in 1988, when the work stoppage lasted for 153 days.) Sources indicate that there’s little incentive on either side to let the upcoming strike stretch for months. But regardless of its length, it will have an immediate impact on day-to-day business in Hollywood. Writers won’t be able to pitch new projects or work on existing ones. Late night shows will be the first to go dark, because they are often written mere hours before they are taped. Broadcast shows like Abbott Elementary—which was scheduled to start the writers room for its third season this week—could also be delayed in returning to the air this fall. 

    Natalie Jarvey

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  • “Feels Awful”: Brutal Disney Layoffs Hit an Already Hurting Hollywood

    “Feels Awful”: Brutal Disney Layoffs Hit an Already Hurting Hollywood

    The drip, drip, drip of bad news in Hollywood turned into a flood this week as Disney began a sweeping new wave of layoffs. By Thursday, 4,000 of the entertainment giant’s employees will find themselves on the job market—if there even is much of one right now. Between months of cuts and growing dread about a possible writers’ strike, the mood around town right now can be summed up as “feels awful,” as one source texted me. 

    Layoffs have been rolling through Disney since last month and are expected to continue through spring as leaders work toward CEO Bob Iger’s stated goal of reducing headcount by 7,000. The majority of workers should know their fates by the end of the week. Cuts have already been made within Disney’s Los Angeles–based film and television divisions, as well as at ABC News and ESPN

    Since making his return as Disney CEO last year, Iger has been tasked with refashioning the 100-year-old entertainment brand for a future where cable television is no longer a cash cow and most audiences watch its programming over the internet. Facing pressure from investors to stanch streaming losses and mount a post-pandemic recovery, Iger said earlier this year that Disney would reorganize the company and cut $5.5 billion in costs, including laying off about 3% of its workforce. Some of the cuts have been strategic, like the elimination of Disney’s approximately 50-person metaverse division. Others have appeared more opportunistic, as when the company laid off Marvel executive Isaac “Ike” Perlmutter, the reclusive (and famously combative) billionaire who spent recent months quietly supporting his friend Nelson Peltz in his proxy fight against Disney. 

    The cuts have been particularly anxiety-inducing for an industry worn out by a decade spent first dodging streaming disruption, then consolidation and COVID, and now a streaming correction. An executive at Warner Bros. Discovery said it best when he told me last fall, “everybody is totally drained and feels burned out” amid the company’s own round of cuts following the merger of Discovery and WarnerMedia. Even Iger—then enjoying his brief retirement (or perhaps not enjoying it much, in retrospect)—acknowledged at the time that it was an anxious moment for Hollywood “because this is an era of great transformation and there are still a lot of unknowns.” 

    Iger’s awareness of the challenges didn’t stop him from having to make his own hard decisions once he was back in the driver’s seat at Disney. The entertainment blog Deadline, which has published a running list of executives’ names, indicates that ABC, Freeform, 20th Television, ABC Signature, Disney+, and Searchlight have all lost team members, and that several top marketing executives have departed as part of a restructuring. “A lot of people are just getting rid of people they’ve wanted to for a long time,” one insider speculates. 

    One of the more notable losses in the latest round of layoffs is Nate Silver, the data guru and founder of ABC News’ FiveThirtyEight. Silver’s expected departure was first reported by The Hollywood Reporter, though he quickly confirmed with a tweet that suggested others from the brand are losing their jobs too. “Disney layoffs have substantially impacted FiveThirtyEight,” he wrote. “I am sad and disappointed to a degree that’s kind of hard to express right now. We’ve been at Disney almost 10 years. My contract is up soon and I expect that I’ll be leaving at the end of it.” At ESPN, two veteran executives were reportedly among the cuts, including ESPN+ general manager Russell Wolff, who will depart in July after 26 years with the cable sports network. 

    Disney has promised that the layoffs—which are not expected to affect hourly workers at its parks and resorts—will be completed by the start of summer, at which point Hollywood will be ready to take a collective breath. But with a writers’ strike threatening to pummel the industry, it might be a while before the unease subsides.

    Natalie Jarvey

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