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Tag: still watching

  • ‘And Just Like That…’: Will Carrie Hurt Aidan Again?

    ‘And Just Like That…’: Will Carrie Hurt Aidan Again?

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    Carrie’s getting new digs. On the ninth episode of And Just Like That… season two, “There Goes The Neighborhood,” Miranda and Charlotte attempt to figure out if their teens are more than old friends, Seema and Nya entertain new lovers, and Carrie commits to Aidan by letting go of her old apartment.

    On this week’s episode of Vanity Fair’s TV podcast, Still Watching, hosts Hillary Busis, Richard Lawson, and Chris Murphy discuss an episode they all agree is a return to form for the series. “I’ve been grinning throughout this whole episode,” said Lawson. “It was a good episode.” Cynthia Nixon and Kristin Davis’s interweaving storyline provided a lot to love as Miranda and Charlotte attempt to figure out if their children, Brady and Lily, have hooked up—a plot device which Murphy guessed might happen earlier in the season. “It’s a dynamic that we haven’t seen before, but that makes sense considering the characters and who they are,” Busis notes. “I think that that’s a smart direction for the show to go in, to trade on what we already know in an interesting and maybe unforeseen way.”

    Another perhaps unforeseen development was the return of Dr. Nya Wallace (Karen Pittman), after an entire episode off-screen and little to do before that. Nya gets to experience the pleasures of no-strings-attached sex—much to the ire of her roommate, Miranda—until she discovers that her soon to be ex-husband, Andre Rashad, is having a baby with another woman. There’s also another surprise pregnancy this episode, as the overworked and exhausted Lisa Todd Wexley tells her husband Herbert that she’s expecting their fourth child shortly before he gives a speech at a campaign event hosted at the Goldenblatts’. Her reveal prompts a discussion about how the show will handle this new development in the Wexley’s life. “I sort of hope that this is the show’s way of introducing an abortion storyline that would be different from the last one,” says Busis.

    Carrie is also preparing to welcome children into her own life, namely Aidan’s three boys, Homer, Wyatt, and Tate. After Aidan gets them evicted from Che’s Hudson Yards apartment, Carrie makes the bold step to look for a new apartment. With the help of Seema, Carrie finds a truly gorgeous duplex, a four bedroom dwelling that comes with a key to Gramercy Park. There’s plenty of room for Aidan and his kids, prompting a lively discussion between the hosts about the potential cost of Carrie’s new apartment. Busis went so far as to find a comp on sale for just under $6 million, showing just how much Carrie’s investing into her new relationship with Aidan.

    But before Carrie can sign the lease, she has lunch with Aidan’s ex-wife Kathy, played by Rosemarie DeWitt. At the lunch, Kathy asks Carrie to refrain from using her children as material in any of her writing  and warns Carrie that she can’t hurt Aidan again, because this time, there are children involved. Murphy thinks “the seeds of discord” were sewed in Kathy’s somewhat foreboding warning to Carrie, while Lawson wondered whether And Just Like That… would be daring enough to have Carrie break Aidan’s heart a third time. By episode’s end, Carrie is on her stoop, running into her downstairs neighbor Lisette, and seemingly coming to peace with letting go of her classic apartment.  

    Elsewhere, Vanity Fair editor in chief Radhika Jones drops by the podcast again to share her thoughts and feelings on the season thus far. “I have been enjoying it,” says Jones. “I felt like a couple of episodes reminded me of the original of Sex and the City, in a good way. I stand by what I said the first time I visited this podcast, which is that I would honestly just spend time with these people organizing their sock drawers.” 

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    Chris Murphy

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  • ‘And Just Like That…’ Wonders: Was Big a Big Mistake?

    ‘And Just Like That…’ Wonders: Was Big a Big Mistake?

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    Was Aidan always the one for Carrie? The eighth episode of season two of And Just Like That, “A Hundred Years Ago,” poses the question, as Carrie and Aidan continue rekindling their romance, getting cozy in hotel rooms and playing house in Che Diaz’s Hudson Yards apartment. Things are going so well with Aidan that it leads Carrie to ask herself a pretty Big question: was Big (Chris Noth) a big mistake?  

    On this week’s Still Watching, hosts Hillary Busis, Richard Lawson, and Chris Murphy unpack Carrie’s question and what it means for Sex and the City. Murphy believed that Carrie wasn’t being fair to her relationship with Big, while Busis noted that perhaps this was And Just Like That‘s way of further separating itself from Noth, who, shortly after the series premiered in 2022, was accused of sexual assault by two women. (Noth was never charged with any crime and has repeatedly maintained his innocence.) Lawson pointed to Miranda’s lack of an answer to Carrie’s question as evident of the series’ own ambivalence. “Miranda basically not having an answer to that question in that scene, and then the scene just kind of ending was them being, like, ‘We don’t really know how to talk about it.’” 

    In any case, it’s clear that as of now, Carrie is all in on Aidan, ordering $26 omelets with him every morning from their shared hotel bed and fantasizing about visiting his red brick farmhouse in Norfolk. By episode’s end, Carrie had semi-moved into and furnished Che’s apartment with Aidan, admitted she made “a mistake” ending things with him the first go round, and was headed out the door and on her way to Virginia to see him. “Her going to Virginia is a big deal,” notes Richard. “She’s really gonna see where he lives, what his life is like, and meet his boys.”

    One person who was decidedly unhappy about Carrie and Aidan’s blossoming relationship was Seema (Sarita Choudhury), who cancelled their summer Hamptons house and asked Carrie for some space. “I think the cruelest thing this series has ever done is tell us we’re going to the Hamptons and then say, never mind, we’re not going to the Hamptons,” Lawson lamented. Murphy agreed, but added that he was happy to see Seema get a more fleshed-out storyline. By episode’s end, Seema seems to be back on board with Carrie and Aidan, joining the couple for a group dinner. 

    Elsewhere, both Charlotte and Miranda are returning to the workforce, with varying degrees of success. Miranda begins an internship at Human Rights Watch, and quickly climbs up the ladder—much to the chagrin of her Gen Z co-workers. Charlotte finally decides to take Mark Kasabian up on his offer to re-join the gallery world, then obsesses about fitting into the perfect outfit for her first day of work. “Just buy a size six instead of a four, Charlotte!” advised Busis. “Nobody knows the size of the dress except for you.” 

    At the end of the episode, Murphy interviews And Just Like That‘s production designer, Miguel Lopez-Castillo, who revealed that Sarah Jessica Parker uses some of her own personal belongings to decorate Carrie’s apartment. “She really inhabits the character of Carrie,” says Lopez-Castillo. “She brings a lot of her own personal stuff. She will bring artwork. She will bring a piece of furniture that she loves.”

    Are Carrie and Aidan set in stone? Will Miranda excel at her new position? Will Charlotte return to the gallery bathroom and retrieve the Spanx she threw away? With three episodes left of the season, anything can happen. Listen to the full breakdown of “A Hundred Years Ago” below, and, as always, send questions and comments to Still Watching at stillwatchingpod@gmail.com.

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    Chris Murphy

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  • ‘And Just Like That…:’ Thank God Carrie’s Finally Having Sex in the City Again

    ‘And Just Like That…:’ Thank God Carrie’s Finally Having Sex in the City Again

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    It looks like they’ve decided to put the sex back in the city. The first two episodes of And Just Like That… season two strutted their way onto Max on Thursday, June 22. It feels like a bit of a return to form as Carrie, Miranda, and Charlotte get back to their old tricks—namely, having sex. On this season of Vanity Fair’s TV podcast Still Watching, hosts Richard Lawson, Chris Murphy, and new cohost Hillary Busis sit around the brunch table to dish about the fresh and flirty new season. “Everybody is finally having sex in the city,” says Busis. “There’s nudity, there’s explicit content. It felt like a hearkening back to the original.”

    In “Met Cute,” the first episode of And Just Like That… season two, the ladies are not only having sex—they’re also preparing for the Met Gala. Carrie has a fashion emergency and winds up repurposing the wedding gown she wore when Big (Chris Noth) jilted her in the first Sex and the City movie. “We are past grief season,” says Busis. “We are going into a brighter future where we’re not just going to watch a woman break down.”  

    Elsewhere in the episode, we see Carrie enjoying casual Thursday sex with her podcast producer, Franklyn (Ivan Hernandez). But it gets complicated when Franklyn tries to take their relationship to the next level—and Carrie decides to pass, not ready for anything more serious than no-strings hookups. By episode two, “The Real Deal,” it’s clear Carrie and Franklyn’s relationship is not meant to be, especially after their podcast studio shutters—in part because Carrie refused to read an ad promoting vaginal wellness. By the end of the second episode, Carrie is free and single, without a man or a podcast to hold her down.  

    Across the country in Los Angeles, Miranda and Che Diaz (Sara Ramirez) are taking their relationship to the next level, with Che sharing their insecurity about being told to diet for their pilot and Miranda confessing that she wasn’t sure whether their relationship was only about sex. But an unforeseen variable emerges after Miranda gets stranded on a beach in Malibu and is picked up by none other than Che’s husband, Lyle (Oliver Hudson)—“a big thing to leave out” for the terminally woke Che Diaz, Lawson notes. 

    Meanwhile, Charlotte has a pair of crises. In episode one, she’s torn between bringing her husband (Evan Handler) or her best friend Anthony (Mario Cantone) as her Met Gala date. In episode two, she’s incensed when her daughter, Lily, sells her clothes online in order to buy an electric keyboard. Really, though, what’s eating at her is the bittersweet realization that Lily is growing up. “I think Charlotte did kind of think that once she got the kids and the husband and the Park Avenue classic six, that there would be an end-credits role, and that would be life,” says Lawson, “And she’s now like, No, there’s stuff past this.” 

    But And Just Like That… is not only about the sex lives and interiority of OGs Carrie, Charlotte, and Miranda. Season two of the Sex and the City revival has wisely made more space for its three newer supporting characters: Dr. Nya Wallace (Karen Pittman), Lisa Todd Wexley (Nicole Ari Parker), and Seema Patel (Sarita Choudhury), with each of the women getting their own story line in each episode. “This season, they really established that ‘No, all six of these ladies are leads,’” says Murphy. “They all have their own story lines, their own points of view.” 

    Nya deals with her estranged and potentially cheating husband, Andre Rashad (LeRoy McClain), as she contends with being the only woman on the series currently not having sex in any city. Lisa is gifted her very own Bunny-style mother-in-law from hell in Eunice Wexley (Pat Bowie), a Black matriarch who deeply believes in respectability politics. The impulsive Seema fires both her hair dresser and her boyfriend, Zed, after finding too many red flags in both of them. 

    Busis, Lawson, and Murphy are also joined this episode by Vanity Fair editor in chief Radhika Jones, who breaks down her enduring love for the women of Sex and the City. “I just wanna know what happens to Carrie. If it’s Monday, I just want to know what she does on Tuesday,” says Jones. “I don’t think I’ll ever turn it off because I just would rather be with them on whatever access I can get.”

    Between “Met Cute” and “The Real Deal,” we’re off to a fun and frothy start on season two of And Just Like That…. Listen below to hear Busis, Lawson, and Murphy discuss the first two episodes. Email stillwatchingpod@gmail.com with your own questions, comments, and favorite moments or fashion faux pas from the series. 

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    Chris Murphy

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  • What’s the Best ‘Sex and the City’ Episode of All Time?

    What’s the Best ‘Sex and the City’ Episode of All Time?

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    Is it possible to determine the best Sex and the City episode of all time? Ahead of season two of Max’s And Just Like That…, VF’s Still Watching podcast strapped on our favorite pair of Manolo Blahniks and strutted down memory lane, ranking the original show’s greatest half hours—and determining which deserves to be named the best of all.

    In part one, Still Watching hosts Chris Murphy and Hillary Busis are joined by VF executive editor Claire Howorth to discuss the first three episodes vying for the top slot: season two’s “They Shoot Single People, Don’t They?,” season three’s “Hot Child in the City,” and season four’s “Coulda, Woulda, Shoulda.” The first finds Carrie looking bedraggled on the cover of New York magazine, accompanied by a classic headline: “Single and Fabulous?”

    “The central question of the episode is, Are we happy being single women, or do we hate ourselves?” notes Busis—a question that gets asked over and over throughout the course of the series. It may be the clearest distillation of Sex and the City’s mission—but “Hot Child in the City” made the list because, at least in Busis’s opinion, it’s “the funniest episode of the series.” That one follows Carrie as she dates a comic book artist who still lives with his mom, Samantha as she works for an incredibly demanding 13-year-old client, Charlotte struggling with intimacy issues with Trey, and Miranda getting a pair of adult braces.

    “Coulda, Woulda, Shoulda” takes a decidedly more serious tone, focusing on Miranda as she considers whether or not to get an abortion—and sending each woman to reckon with their own history with abortion and pregnancy. Murphy names it among the most impactful episodes of the series, in its handling of a sensitive issue rarely discussed on television in that period of time. “You can appreciate that for Samantha and Carrie, abortions were just matter of fact,” says Howorth. “I appreciate the fact that Carrie was not the one to go through the ‘will she or won’t she?’”

    Part two adds another pair of episodes to the pile: “The Post-it Always Sticks Twice” and “Splat!” They contain two of Sex and the City’s most iconic moments: Carrie getting dumped via Post-it note, and Lexi Featherston falling out a window. That Post-it, Murphy notes, has transcended the series to become a part of popular culture writ large: “Everyone knows the Post-it breakup.” 

    Likewise, everyone knows Kristen Johnston’s Lexi, the messy party girl who proclaims “New York is so over” before falling to her untimely demise. Johnston’s turn is so compelling that it “makes you yearn to go back in time through the rest of the show and sprinkle Lexi into the entire series,” says Busis. And after some deliberation, Lexi Featherston and her fall from grace ultimately prove hard to beat; all three agree that “Splat!” deserves to take the top spot. “‘Splat!’ has it all,” says Murphy. “It’s series-defining. It’s funny, but it’s heartbreaking.”

    Listen below to hear Busis, Howorth, and Murphy go deep on Sex and the City ahead of Still Watching: And Just Like That… Disagree with their final ranking? Email stillwatchingpod@gmail.com with your own questions, comments, and favorite Sex and the City episodes ahead of And Just Like That’s premiere on June 22. 

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    Chris Murphy

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  • ‘Succession’ Episode 9: What Is Logan Roy’s Legacy?

    ‘Succession’ Episode 9: What Is Logan Roy’s Legacy?

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    It’s finally time to lay Logan Roy (Brian Cox) to rest. On the penultimate episode of Succession, the Roy children band together for Logan’s funeral—a profoundly emotional affair for all involved. In a funeral befitting a king (or a tyrant), Kendall (Jeremy Strong), Shiv (Sarah Snook), and Roman (Kieran Culkin) each attempt to eulogize their late father, with varying degrees of success. On this week’s episode of Still Watching, cohost Chris Murphy and Vanity Fair correspondent Joy Press unpack Logan’s epic funeral, and the weight of his loss on the Roy children and the world.

    Before the Roy children can speak about their dearly departed dad, Logan’s brother, Ewan (James Cromwell), delivers a rogue eulogy that was not on the program. His brother, Ewan says, “decided not to try anymore,” and actively made the world a worse and meaner place with his media empire. Logan “stopped trying to be a good person. He stopped trying to care,” says Press. “Ewan is not a very likable character in the series. He’s a crank. And yet the fact that he says, ‘I tried,’ what you see is very human.”

    After Ewan’s denigration of Logan, Kendall steps up to the plate and knocks his impromptu eulogy out of the park, providing a counterpoint to Ewan’s cynical view of Logan. “Kendall says, ‘We gotta give the other side,’ and Kendall gives an equally epic eulogy, but it’s like an ode to capitalism,” says Press. “Ayn Rand could have written his speech.” The beauty of the series, Murphy notes, is that it’s difficult to poke holes in either Ewan’s or Kendall’s estimations of Logan, even though one lionizes him and the other condemns him.

    While Kendall and Ewan deliver dueling eulogies, Shiv’s remembrance of her father highlights his difficulty with women, bringing back this season’s focus on the undercurrent of misogyny in this universe. Shiv’s pregnancy may very well prevent her from becoming the American CEO of Waystar Royco, as Lukas Matsson (Alexander Skarsgård) and president-elect Jeryd Mencken (Justin Kirk) make quite clear what they believe a woman’s place should be. “[Mencken] says to Shiv, ‘Kinder, Küche, Kirche,’” Murphy says. “It’s a German slogan, and it’s translated as ‘children, kitchen, church.’”

    Despite pre-grieving, Roman is ultimately unable to channel his inner Logan Roy. He breaks down at the altar, forcing Kendall to pinch-hit. “Beneath the Proud Boy is a blubbering little sad boy,” says Murphy. The end of the episode features Roman swimming upstream against protesters who have been spurred to action by ATN’s decision to call the election for Mencken. 

    While Press refrains from making any big predictions for the series finale, Murphy predicts that Succession will end back in the boardroom with a knock-down, drag-out fight for control of Waystar Royco—with Kendall and Roman on one side, and Shiv and Matsson on the other. But in the end, none of them may emerge victorious: “I would imagine that the outside world increasingly comes in and bursts the Roys’ bubble in some profound way,” says Murphy.

    Elsewhere on the podcast, Alan Ruck drops by to discuss all things Connor Roy, from his relationship with Willa to his failed presidential campaign and the state of the Con-heads. “I think a lot of them are in the bar and will stay there probably for a while,” quips Ruck. “It’s just a bunch of disillusioned people, but it’s something like 1%. That’s kind of like a million people.”

    With one episode left in Succession, it’s still anyone’s guess who may wind up in control of Waystar Royco. Listen to the latest episode of Still Watching below—and email stillwatchingpod@gmail.com with your own questions, comments, and thoughts ahead of the series finale.

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    Chris Murphy

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  • Succession’s Unbearable Election Episode Felt Like 2016 All Over Again

    Succession’s Unbearable Election Episode Felt Like 2016 All Over Again

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    Breathe out, if you can. Succession’s presidential election is over—and, unless the Democrats find a way to reconstruct the 100,000 or so ballots lost in that mysterious Wisconsin fire, it seems Jeryd Mencken, the alt-right imp played by Justin Kirk, will be the next leader of the free world. 

    It is, perhaps, an inevitable conclusion—though that doesn’t make it any easier to watch the episode, titled “America Decides,” unfold. “I was so scared watching this episode,” cohost Chris Murphy says in the latest edition of VF’s Still Watching podcast. “The PTSD of it all was so, so vibrant.” 

    There are more than a few ways in which Succession’s fictional take echoes the 2016 election of Donald Trump: the initial confidence of Mencken’s Democratic opponent, the achingly narrow margins, the slowly dawning horror even among those who are ostensibly politically aligned with Mencken. But in real life, Trump’s ascent to the White House was decisive. On Succession, the result of the election is a little murkier—and Mencken may not be able to power himself all the way to the Oval Office without a boost from ATN and the Roy siblings. The real takeaway here, cohost Richard Lawson says, is how politics is really “about storytelling, and the momentum that comes from a narrative.” 

    So yes, ATN can’t literally rig the election. But it can act as though all ballots have been counted even when they haven’t, giving Mencken an all-important final push. And why should the network do that? For Roman and Kendall, the decision is entirely selfish: Mencken will block the GoJo deal, allowing them to retain control of their father’s empire. In short, as Murphy puts it: “Their damage, their own childhood trauma, all of their baggage, has the potential to destroy democracy. That’s how high the stakes are…. None of them have the character, the integrity, to take their own bullshit, their own personal lives, out of the equation and do what is best for the nation. And now it looks like we’ve got a fascist president.”

    What may be even more jarring, Lawson points out, is the essential sincerity of “America Decides.” Three episodes before Succession ends for good, its creators are laying out their genuine beliefs about who the Roys and their ilk actually are. “Maybe they’re doing a little bit of nose-rubbing for the audience like us, who have gleefully watched this for four seasons, and being like, These are bad people.”

    Elsewhere in this Still Watching episode, Murphy and Lawson discuss the marginalization of Shiv—who finally reveals her pregnancy to Tom, only to prompt one of his most cutting insults yet—Tom’s coke-fueled evening at the decision desk, Roman’s descent into full edgelord nihilism, Connor’s brilliantly kooky concession speech, and the moment Kendall sells his soul. Meanwhile, David Canfield chats with Justin Kirk about who Jeryd Mencken is—“This guy may not currently
    exist, but it feels like he will any second,” says Kirk—and his charged chemistry with Kieran Culkin. Listen to the latest episode of Still Watching below—and if you’ve got your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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    Hillary Busis

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  • ‘Succession’ Episode 7: Can Shiv and Tom Come Back From This?

    ‘Succession’ Episode 7: Can Shiv and Tom Come Back From This?

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    It’s election eve on Succession, and everyone’s on edge. In “Tailgate Party,” the seventh episode of Succession’s final season, Shiv (Sarah Snook) and Tom (Matthew Macfadyen) join forces to throw a preelection soiree at their Manhattan triplex for some of the most influential people in politics. Sparks fly—mostly between the two of them. At first it seems the formerly estranged couple have reconciled, with Tom and Shiv trading sexts during the workday. On this week’s episode of Still Watching, cohost Chris Murphy says Tom’s jokey preelection present to Shiv—a scorpion paperweight—is the worst gift he’s seen on HBO since The White Lotus season two, when Valentina gave her unrequited love, Isabella, a hideous starfish brooch.

    “I think that it was emblematic of Tom’s tragic inability to not see when he’s taken a joke too far, to not be able to read Shiv when she’s not in the mood for the big joke of their relationship,” agrees cohost Richard Lawson. “He’s never supposed to lead the attack.” 

    By nightfall, though, it’s all-out warfare between Tom and Shiv. It may be impossible for them to come back from their patio fight, particularly because Tom tells Shiv that she’d be a terrible mother. Murphy points that out as both proof that Tom still doesn’t know Shiv is pregnant and the potential point of no return for the couple. “The fact of the matter is, we have never seen a single good parent on this show,” says Lawson. “There’s no reason to think that Shiv would be a good parent.”

    Tom and Shiv were not the only couple to hash it out this episode. Kendall (Jeremy Strong) finally gets a visit from his ex-wife, Rava (Natalie Gold), who informs him that their daughter has been the victim of bullying due to his running of “a racist news organization.” Murphy notes that Kendall’s first instinct is to blame Rava for the incident, despite the fact that he hasn’t seen or spoken to his daughter once this entire season. “You’d think that given his relationship with his own father, [Kendall] would maybe want to be a better dad or more attentive, or more caring, or more involved,” says Murphy. “But no. The only lesson that he has learned from Logan’s death is that he wants to be better than Logan. He wants to be bigger than Logan.”

    On his quest to become bigger than his father, Kendall, at the tailgate party, goes head-to-head with Lukas Matsson (Alexander Skarsgård), who he discovers—courtesy of Matsson’s employee and ex-girlfriend, Ebba (Eili Harboe)—has been making up some numbers of his own. Kendall and Matsson’s resulting tête-à-tête, Lawson and Murphy agree, is akin to a middle school shoving match with no winner to be found. Skarsgård drops by the podcast to chat with VF’s Julie Miller about the episode, particularly that gold bomber jacket. “He wears a lot of sweatpants and sneakers, and then this crazy golden jacket that’s probably like a $25,000 Japanese designer jacket,” he said. “It’s a weird combination of super casual and comfortable but also ridiculously expensive and completely over the top, just because he finds it funny.”

    After some shady phone calls with Republican candidate Jeryd Mencken’s (Justin Kirk) team, Roman attempts to convince Connor (Alan Ruck) to drop out of the presidential race, offering him a series of ambassadorships in Mencken’s Cabinet—much to Willa (Justine Lupe) and Connor’s chagrin. But Roman has bigger issues to face than whether Connor wants to be the ambassador to Oman. After Roman tries to bring Gerri (J. Smith-Cameron) back into the fold, Gerri flat-out refuses, demanding hundreds of million of dollars in a severance package and threatening to release the “many, many” pictures of Roman’s penis that she has on her phone. 

    Elsewhere in this Still Watching episode, Miller chats with dream team Karl (David Rasche) and Frank (Peter Friedman), who say their characters’ relationship was forged in trauma. “[They] fought wars together,” says Rasche. “The audience doesn’t see it, but we spent all day with Logan every day. Meetings, dinners, trips. We’ve known him for 20, 30 years—a long, long time.”

    As each Roy sibling circles the drain, will any of them be left to run the company by season’s end? Listen to the latest episode of Still Watching to hear Lawson and Murphy discuss the seventh episode of the final season of Succession. For your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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    Chris Murphy

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  • ‘Succession’ Episode 6: Kendall Is Cringe, But Is He Free?

    ‘Succession’ Episode 6: Kendall Is Cringe, But Is He Free?

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    Once again, Kendall (Jeremy Strong) seems to have notched an unlikely win, delivering a cringey yet ultimately effective product launch for Waystar Royco’s latest business venture: the planned community Living+. “When Kendall’s giving his speech and he’s talking about how [Living+] is gonna have discreet security, it’s like, ‘Oh, this is for rich white people who feel terrified that Black Lives Matter is gonna come get them,” notes Richard Lawson on this week’s episode of Still Watching. “But that’s what the Fox News set wants to hear.”

    While Kendall and the gleam in his eye are impressing investors, Roman (Kieran Culkin) is flailing and firing anyone who rubs him the wrong way—from Waystar Studios exec Joy (Annabeth Gish) to Geri (J. Smith Cameron). Still Watching co-host Chris Murphy posits that Geri’s warning to Roman is Shakespearean in scope, something that might foreshadow a tragic end for Roman. “[Roman] was always good at sort of squirming around daddy and courting his favor, and he would always retreat, sucking his thumb back to his lap,” agrees Lawson. “We saw that right before Logan died. And now that he doesn’t have that, he’s a baby with a gun.” 

    Elsewhere in the episode, Shiv (Sarah Snook) and Tom (Matthew Macfadyen) seem to be reconciling in their own twisted way. The episode’s director Lorene Scafaria dropped by Still Watching and let viewers in on the complicated power dynamic between the somewhat estranged couple. “Bitey was just electrifying to watch,” said Scafaria. “It’s like they’ve already kissed under the bleachers, so now they’re teenagers at a party. Of course their expression of love can’t help but have some violence in it of who can hurt the other.”

    Despite Kendall’s big win, there’s still plenty that can go wrong for the Roy family. Listen to the latest episode of Still Watching to hear Lawson and Murphy discuss the sixth episode of the final season of Succession. For your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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    Chris Murphy

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  • ‘Succession’ Episode 5: Are Kendall and Roman Failing Upwards?

    ‘Succession’ Episode 5: Are Kendall and Roman Failing Upwards?

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    CE-Bros Kendall (Jeremy Strong) and Roman (Kieran Culkin) notched a huge win for Waystar Royco on paper, but they certainly don’t feel like celebrating. In “Kill List,” the fifth episode of the final season of Succession, the whole Waystar Royco crew travels to Norway at the behest of GoJo CEO Lukas Mattson (Alexander Skaarsgard). Of course, things don’t go as planned when Mattson reveals that he wants to buy the entirety of Waystar Royco—including ATN.

    “My theory is that Matson’s company is maybe kind of a house of cards,” posits Richard Lawson on this week’s episode of Still Watching. “I’m wondering if something is about to collapse at his company and he needs something concrete to hold it up.” 

    While Mattson’s motivation for changing the terms of the deal are somewhat unclear, what is clear is that Kendall and Roman no longer want to the deal to go through. In a power-hungry move, Kendall convinces Roman to join him in his attempt to tank the GoJo deal so that the two of them can remain on the top of the Waystar Royco foodchain. However, the move blows up in their face when an emotional Roman tells off Mattson on the top of a mountain, spilling the beans that the brothers have zero intention of selling the company to him. Roman’s screed against Mattson was honest and fair, notes Still Watching co-host Chris Murphy, but he ultimately shot himself in the foot.

    Elsewhere, the Waystar Royco staff are reeling after Mattson’s team sends a list with names of Waystar employees who will likely not have a position if the deal goes through. Frank (Peter Friedman), Karl (David Rasche), and Hugo (Fisher Stevens) are all on the chopping block, but the women of Waystar Royco, specifically Karolina (Dagmara Dominczyk) and Gerri (J. Smith Cameron), live to fight another day. J. Smith Cameron also drops by Still Watching to discuss Gerri’s rollercoaster of a season at Waystar Royco, as well as the hat that she wore to Connor’s wedding—which started out as an idea from the lighting department. “I think a hat is sort of subliminally a kind of a statusy thing for a woman these days,” she said. “I thought of it a bit like, ‘I’m gonna show up in my finest and bluff this out.’”

    Halfway through the final season of Succession, it’s clear that it’s best to expect the unexpected when it comes to the Roy family. Listen to the latest episode of Still Watching to hear Lawson and Murphy discuss the fifth episode of Succession season four. For your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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  • ‘Succession’ Episode 4: Shiv and Kendall Face the Future

    ‘Succession’ Episode 4: Shiv and Kendall Face the Future

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    Just when you think the Roys have been through it all, another surprise comes their way. In the opening moments of “Honeymoon States,” episode four of Succession’s fourth season, Shiv (Sarah Snook) takes a call from her doctor the morning after her father’s death, confirming that she’s pregnant. 

    In real life, Snook revealed at the Succession premiere that she’s also expecting a baby—leading Still Watching hosts Richard Lawson and Chris Murphy to wonder whether life merely imitates art, or if Shiv’s pregnancy was by design. But either way, this development works for the show, complicating not only Shiv’s ambitions but also her relationship with Tom (Matthew Macfadyen).

    Shiv’s major news has to take a back seat, though—because, as always on Succession, there’s business to attend to. Most of the action of the episode centers around a single pencil mark on a page, as Frank, Gerri, Karl, and the Roy siblings try to determine whether Logan (Brian Cox) meant to underline that he wanted Kendall (Jeremy Strong) to take over as CEO in the case of his untimely demise, or if he meant to cross Kendall’s name out entirely. “The point is that we’re never gonna know,” notes Lawson. “The point is the ambiguity, which leads to this polite-ish war of the wills in terms of who’s gonna step up.”

    Somewhat miraculously, the two who are chosen by the episode’s end are Kendall and Roman. For all his foibles leading up to this moment, Kendall seems to be shining in the wake of his father’s death, stepping up to the plate in a way that previously seemed impossible for the prodigal son. “Kendall is really clicking in this episode, despite him still seeming very fraught,” Lawson says, though he still thinks something more nefarious might be at play. “I think Kendall is gonna become his father—like, his father’s ghost is gonna possess him,” he adds, pointing to the end of the episode—when Kendall asks Hugo to tarnish his father’s legacy.

    Elsewhere in the Still Watching episode, Lawson and Murphy talk to public relations maven Risa Heller about how she’d advise the fictional Roy family in the aftermath of Logan’s death. “What I would say is, they would have to either say immediately, here’s who’s running the company in the interim, or announce the new governance structure,” she says, noting how bizarre it was that Shiv gave a public statement right after her father died. 

    “That, to me, was an insane thing to do,” Heller says. “Because first of all, practically, if you’re a human and your parent dies, who wants to go stand in front of 20 cameras and microphones to be like, ‘Our father died’? It’s a very weird thing to do, number one. Number two, there was no need for them to actually do that. They could have just put out a statement.” 

    Unfortunately, it looks like the PR foibles are just beginning for the growing Roy family. Listen to the latest episode of Still Watching to hear Lawson and Murphy discuss the fourth episode of Succession season four, and how the Roys handled the aftermath of their father’s death. For your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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  • ‘Succession’ Episode 3: Logan Roy Has Left the Building

    ‘Succession’ Episode 3: Logan Roy Has Left the Building

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    The unimaginable has finally occurred. Logan Roy, the unblinking, ferocious patriarch of the Roy family masterfully played by Brian Cox, drops dead at the beginning of the third episode of the final season of Succession.  

    On this week’s episode of Vanity Fair’s television-analysis podcast, Still Watching, hosts Richard Lawson and Chris Murphy process what Logan’s death means for the Roy family, Waystar RoyCo, and the series as a whole. “It’s HBO’s playbook. We’ve seen the Red Wedding. We know that they like to sort of pull the rug out from under us when we least expect it with major character deaths,” Murphy notes. “But for Logan to die [during] episode three of a 10-episode final season? I was not emotionally prepared for it to happen.” 

    Logan’s death was both rather quick and undignified, with his heart stopping on the toilet of his private jet. “What I love about this episode artistically is the choice that Jesse Armstrong, who wrote the episode, made to have this death so unceremonial, so off-camera,” says Lawson. “That’s how it is for a lot of people in life. You get a phone call while you’re distracted by something else.”

    That something else happened to be Connor’s yacht wedding to Willa, played by Justine Lupe. Lupe dropped by Still Watching to chat with Vanity Fair Hollywood correspondent Julie Miller about Willa’s big day, her cold feet, and shooting the final season of Succession. “I just thought that it was incredibly sweet, and loved that they were kind of alone [for the actual wedding],” Lupe said. “It felt intimate. I root for them.”

    While Connor experienced some modicum of joy on that fateful boat ride, his siblings were reeling processing the death of their father, each in their own way. “For each of the siblings, the biggest person in their lives is Logan, right? The towering monster-daddy figure,” says Murphy. “To burst that bubble with [Logan’s] death…they all sort of didn’t think that was ever gonna happen, even though it was always going to happen. That’s the thing about our human emotions and our brains—we can hold these two things to be true that are contrasting and conflicting. Of course he was gonna die, but he was also never going to die.”

    In any case, it’s clear that the Roy family will never be the same after the events that transpired around “Connor’s Wedding.” Listen to Still Watching to hear Lawson and Murphy discuss the third episode of Succession season four and what’s to become of the Roy family. For your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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  • ‘Succession’ Episode 2: What Is Logan Roy Sorry For, Really?

    ‘Succession’ Episode 2: What Is Logan Roy Sorry For, Really?

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    Are Shiv (Sarah Snook), Kendall (Jeremy Strong), and Roman (Kieran Culkin) playing hardball with the GoJo deal? Or are they potentially ruining everything out of spite for Logan (Brian Cox)? That’s the major question at the end of Succession season four, episode two, as the Roy children join forces with Sandi (Hope Davis) and Stewy (Arian Moayed) in a bid to drive their father back to the bargaining table with Lukas Matsson (Alexander Skarsgård) the day before the GoJo deal is supposed to go through. It also happens to be the day before Connor’s (Alan Ruck) wedding to Willa (Justine Lupe), who appears to be getting cold feet—although the Roy siblings barely have the capacity to pretend to care about Connor’s impending nuptials.

    On the latest episode of Still Watching, hosts Richard Lawson and Chris Murphy try to suss out who on the show, if anyone, might have the purest intentions. “If anything, I trust Matsson more than anyone involved in the GoJo deal right now,” says Murphy. “He seems like, as Roman said last episode, a 4chan weirdo, but he does not seem like a liar.”

    Matsson makes it very clear to Kendall on the phone that if they try to renegotiate the terms of the sale, he’s going to walk. And yet, the Roy siblings—particularly Kendall and Shiv—seem more than happy to take that risk if it means they can squeeze a few more dollars out of him and hurt their father in the process. “I think the kids think they have him figured out better than Logan does,” says Lawson. “But I just don’t know that.”

    More surprising than Shiv and Kendall’s potentially reteaming with Sandi and Stewy to mess with their dad is the family’s heart-to-heart, and the location in which it transpires. In a private room at Maru, a swanky karaoke spot in New York’s Koreatown, Logan comes face-to-face with his children for the first time this season—and a lot of Logan’s bravado, demonstrated earlier in the episode on the floor of ATN, falls by the wayside. “We have seen some moments of emotional vulnerability on this show before—and in this season, maybe especially. But that scene felt like something new, where [Logan’s] walk-and-talk bluster is kind of gone,” notes Lawson. 

    In his own way, Logan tries to make amends with his kids. “There’s no amount of words that he could possibly say to apologize for everything that he’s put his kids through,” Murphy notes. “But they’re able to get at least a kernel of an apology.” Time will tell if it’s enough to keep them from blowing up his GoJo deal, but he seems to have made inroads with Roman at least. 

    But is Roman entertaining his father’s dangling ATN in front of him for the right reasons? Lawson isn’t so sure. “Maybe [Roman’s] just trying to hold the family together out of pure business
    interest,” Lawson notes. “I think these people are all capable of love, or finding it, but they have absolutely no idea what to do with the faintest shred of a sincere sentiment.”

    Joined by Vanity Fair political correspondent Bess Levin, Lawson and Murphy also delve into the real-life inspiration for the dysfunctional Roys—the Murdoch family—and the stark similarities between that media dynasty and its fictional counterpart. “There are so, so, so many similarities between these two families,” Levin says. “At the basic center of it, you have this patriarch running a global media empire. Rupert Murdoch has a child from his first marriage, Prudence,
    who has never worked for the business—a similarity to Connor Roy. And then from his
    second marriage, he has three children, Lachlan, Elizabeth, and James, who have all
    worked for him over the years and jockeyed for the top job in a very similar fashion to Kendall, Shiv, and Roman.”

    And as with the Roys, the interpersonal relationships between the Murdoch family members are decidedly messy. “I believe, at this point, the relationship between James and
    Lachlan is said to be pretty nonexistent,” Levin shares. “I believe somebody said that Prudence—the oldest one, the Connor of them all—she’s Switzerland.”

    Many questions loom heading into the third episode: Will the GoJo deal fall apart? Will Connor’s wedding? Listen below to hear Lawson and Murphy discuss the second episode of Succession season four and debate who won this week at Waystar Royco (as well as what songs the Roys would sing at karaoke). For your own questions, comments, and final-season theories, please email stillwatchingpod@gmail.com.

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  • ‘Succession’ Premiere: The Roy Children Finally Notch A Win Against Logan

    ‘Succession’ Premiere: The Roy Children Finally Notch A Win Against Logan

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    The Roy children are here to play ball. The first episode of Succession season four sees Kendall (Jeremy Strong), Shiv (Sarah Snook), and Roman (Kieran Culkin) aligned in their quest to take down Logan (Brian Cox), delivering the one-two punch of skipping Logan’s birthday party and scooping Pierce Media Group up under his very nose. On this week’s episode of Vanity Fair‘s television podcast Still Watching, hosts Richard Lawson and Chris Murphy break down the unification of the Roy children, the end of Tom and Shiv’s marriage, and what exactly happened to Anne Pierce in Maine.  

    Before they can take on Papa Logan, the Roy children have to come up with—and dispense—their maybe terrible idea, The Hundred.  “Rather than deal with any of the way more pressing issues in their lives, they’re like ‘Oh, let’s start a made-up, fake, bullshit company that has no way of going anywhere,” notes Murphy. 

    But The Hundred, the Roy children’s new media venture—described as “Substack meets Masterclass meets The Economist meets The New Yorker”—is dead on arrival. “It fails ten minutes into the episode,” Lawson notes, while pointing out it’s shrewd satire of recent real-life media ventures like Semafor and CNN+

    The abandoned business also servers as table setting for the rest of the season. “It was eerily familiar,” says Lawson. “I think that it’s such a good characterization of exactly this kind of heir: not heir to just a static fortune, but heir to a business.” At first, the kids want to try to build something new. Then “they abandoned this kind of dumb rich kid idea, and then they’re like, ‘Oh, we’re rich kids. Let’s just buy this show’s version of the New York Times.

    Enter Nan Pierce, the owner of Pierce Media Group. Due to a tipoff from Tom, the Roy children learn that Logan is angling to buy it, and decide to get in the game. Played by Tony-winner Cherry Jones, Nan Pierce is diametrically opposed to Logan in her negotiation style, revealing something very true about a certain type of wealthy person . “It’s such a rich people thing to be like, ‘Oh, I don’t care about money. It’s beneath me.’ And it’s like, no, you’re lying,” Murphy notes. “That’s maybe all that you care about, actually.” 

    The Roy kids ultimately go head-to-head with their father for Pierce Media Group—and win with a bid of $10 billion. But will their high bid end up biting them in the ass?  Either way, it seems Nan Pierce needs the money if only to help cover “Anne’s disaster in Maine”—whatever that may be. “What was the disaster in Maine?” wonders Lawson. “Did she run over one of the Bushes in Kennebunkport on her wood-sided motor boat?” 

    In non-business dealings, Tom and Shiv seem to be at the end of the road when it comes to their marriage. Lawson appreciated the scene in which they appear to call it quits. “I thought that was pretty striking. I don’t think these are good people, just cause they had a moment of weakness and connection,” he says.“Throughout this episode there were moments that were careful to remind us that these are, at the end of the day, flesh and blood people—who, like Roman says, should probably be buying snowmobiles and sushi. Should just be enjoying themselves, but they can’t.” 

    But will the end of Tom and Shiv’s union affect Tom’s standing with Logan? If he is legally not married to Shiv any more, if there is no formal bond between them, what is Tom’s position at ATN? We’ll have to wait and see. 

    Listen below to hear Lawson and Murphy unpack the season premiere of Succession, and debate who will take over Waystar Royco by series end. For your own questions, comments, and final season theories, please email stillwatchingpod@gmail.com.

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  • ‘Still Watching’ Is Back for Succession’s Grand Finale

    ‘Still Watching’ Is Back for Succession’s Grand Finale

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    Spring is in the air, and it’s time to pick an heir. Succession returns for its fourth and final season on Sunday, March 26—and Still WatchingVanity Fair’s TV analysis podcast, is all over it. Hosts Richard Lawson and Chris Murphy will dive deep into the final 10 episodes of the Emmy-winning series—which remains as “sleek and engaging” as ever in its last round, according to Lawson’s review. We’ll be unpacking everything from deliciously devastating Roy family drama to the show’s greatest one-liners and sharpest insults.

    “What is the moral of the story for Succession?” asks Murphy on Still Watching. The answer may depend on who ends up in charge of Waystar Royco by series’ end. Throughout the season, Lawson and Murphy will make their predictions as to who, if anyone, will inherit the Waystar Royco throne, while also interviewing key members of the cast and crew. 

    The beginning of the end for Succession kicks off this Sunday, with a brand-new episode of Still Watching dropping right after the episode airs. Tune in, or in the words of Logan Roy, “F–k off.” 

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  • The White Lotus: Does Mia Really Believe “The Best Things In Life Are Free?”

    The White Lotus: Does Mia Really Believe “The Best Things In Life Are Free?”

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    If you can believe it, Beatrice Grannò, the Italian actress who plays local Sicilian girl and aspiring singer Mia on season two of the White Lotus, did not get into Italian drama school when she applied. “She got in, I didn’t,” Grannò says.  Wondering who the “she” is in this scenario is? Well, it’s none other Simona Tabasco who plays her best friend and fellow local Lucia on the HBO series. Despite matriculating to different drama schools (“I went to London ’cause Italy didn’t want me,” Grannò says, cheekily) Granno and Tobasco stayed friends and even filmed their auditions for The White Lotus together. 

    “We got it together and then I think that that experience of White Lotus really brought us closer,” says Grannò. “We used that a lot also because we were together in this experience. Two Italian girls, like, supporting each other and that was Lucia and Mia, you know?”

    In episode two, you can find Lucia and Mia supporting each other by taking the hotel by storm, gaining unfettered access into the enclave of the one percent much to the chagrin of hotel manager Valentina (Sabrina Impacciatore) due to Dominic (Michael Imperioli‘s) and his, well, affection for Lucia. But Grannò’s Mia is right along side her, spending Dominic’s money on clothes and booze, lounging poolside, and even getting a chance to display her musical aspirations in an impromptu piano performance at the hotel bar. “I’ve always dreamed of playing a musician and I, I’ve been playing the piano and singing for a long time,” she said. With a little guidance from Este Haim, of the band Haim who served as a musical consultant on the series, Grannò was able to make her dreams a reality.

    On this week’s Still Watching podcast, Richard Lawson and Chris Murphy dive into the second episode The White Lotus and discuss whether nice guys like Albie (Adam DiMarco) always finish last, the growing tension and flirtation between Cameron (Theo James) and Harper (Aubrey Plaza), and Mia and Lucia’s wild night with Dominic. At the end of the episode, Lawson and Murphy get into some juicy listener theories about who ends up floating face down in the Mediterranean at end of the vacation. Listen below, and find a partial transcript of the Beatrice Grannò interview as well. For your own questions, theories please e-mail stillwatchingpod@gmail.com

    In this cast, you and Simona are both outsiders in this cast of Americans, and a lot of sort of, like, very famous American actors. What was that dynamic like?

    Beatrice Grannò: I was going crazy because I, you know, I love Aubrey Plaza, Michael Imperioli and Murray Abraham, so I was, like, “Is this really, like, how is this happening? How am I, uh, how I am at this level? I don’t know. Am I, will I be good enough? Will I be, like, good as good as they are?’” And you know, I felt that. I felt that gap, of course. But then at one point, I was like, I mean, Mike White was looking for an Italian girl who could play the piano and sing. And he wanted me to have this kind of, you know, pure and innocent vibe at the beginning. I was like this is good for me. Like, I was so lucky that he wrote the character because that was the luck moment. Because when he was writing it, he didn’t know that there was an Italian girl there that was just perfect. That moment was lucky for me. But once I got there, I was like, “This is so incredible. I feel so grateful, but at the same time, you know, I’m helping this show as well.” 

    You’re an integral part of the cast, right? You’re absolutely necessary. And I love, I love that you just said about, um, Mia being sort of like an innocent girl, at least at first and whatnot. In the first episode, you throw a drink at the hotel pianist, because he insinuates that you’re a sex worker. She’s sort of wrestling with what she has to do to sort of get ahead. She says, I’m, you know, “I’m a singer, I’m not a prostitute.” Can you tell me a little bit about that sort of juxtaposition? There’s the two forces within her that are at odds.

    Yeah, but there is something about it that is quite funny. I think Mike White kind of made that up while we were working together, like, this joke about my character, that every time I kind of open up, like, “I want to be a singer, that’s my dream.” And on the other side, people, like, misunderstands it and they go, “So you want to have sex?” Like, “Oh. You’re this happy because of this?” And she goes, “No, I’m just being open. You know, and I’m smiling and you’re the piano guy, not because I want to have sex with you, but because you’re a musician. And I want to be that too.” And, and I think the thing is, like, you know when you want something really bad, then you become so clumsy because you want to get there and you don’t think. You’re just like, “Maybe I can do this, this and this.” And then while you do it, you just, you know, you tear everything apart and, like, Mia will do so many mess, so much mess. And it’s like, she’s clumsy and she doesn’t really know. Like, she just wants to play the piano. You know?

    I was so happy to see in this episode, you and Lucia, when you, when you got in, when you had that scene with Valentina and she was so mad, you know? Can you talk to me about that? Like, Valentina, the relationship between Mia and Lucia and Valentina and sort of, you know, you know, Lucia even says, like, “Hey, you’re a working girl, we’re working girls, we’re all working here.”

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  • The White Lotus: Why Are Harper and Ethan on This Vacation Anyway?

    The White Lotus: Why Are Harper and Ethan on This Vacation Anyway?

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    Will Sharpe spent his time on season 2 of The White Lotus in the shadow of volcano. That could easily be a metaphor, given that the up-and-coming British writer, director, and actor was joining a cast that included Hollywood veterans like Jennifer Coolidge, F. Murray Abraham, and Michael Imperioli. But when you’re in Taormina, Sicily, it’s a literal volcano— Mt. Etna, to be precise. As Sharpe puts it, “I felt like I had to remind myself on a daily basis that that’s not a hologram, that really is a volcano.”

    Like the first season, The White Lotus season 2 opens with a very specific mystery— whose body (or bodies?) is floating in the ocean? But Sharpe’s character Ethan is at the center of another intriguing mystery that unfolds throughout the first episode: why are he and his attorney wife Harper (Aubrey Plaza) on vacation with extremely rich friends (Theo James’s Cameron and Meghann Fahey’s Daphne) who they seem to have nothing in common with? Sharpe, who has of course filmed the entire series, isn’t giving anything away, but on this week’s Still Watching offers Richard Lawson a few theories. “I honestly feel like he hasn’t really thought it through properly,” Sharpe says, noting that Ethan has recently struck it rich in the tech world and found himself in a new echelon of wealth he’s not quite comfortable with. “I think maybe on a subconscious level, Ethan does have his own reasons for accepting the invitation beyond just like, ‘Hey, maybe like now we have this money, it’s okay for us to go on a big, splashy holiday like this. Let’s see how it goes.”

    On this week’s Still Watching podcast, Richard and his co-host Chris Murphy kick off a new season and discuss this return to the world of The White Lotus, from the marital challenges already facing Jennifer Coolidge’s Tanya to, yes, speculating about whose dead body is found in the show’s opening flash-forward. Listen below, and find a partial transcript of the Will Sharpe interview as well. For your own questions, theories, or volcano stories, please e-mail stillwatchingpod@gmail.com

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    I’m curious how you got involved in the show. Were you a big White Lotus season one fan and made it a mission to to do the next thing with Mike White? Or how did it come about?

    I mean, I was a fan of the show, um, and a fan of Mike White. But no, I didn’t dare even to imagine that I might be involved in a second season. For me it was just an email that came in asking to tape for it, and then a couple of rounds later I was very surprised to be a part of the second season. And I think I kind of just assumed it was some kind of terrible mistake that they made. But yeah, obviously very excited  to have the opportunity to work with Mike and so many other brilliant people.

    And to be in this beautiful place in Sicily. Um, I I’m curious what the, what the filming was like. You’re mostly with these other three actors, it’s the four of you in so many of your scenes. What was that kind of intensity like both being on location and, and in this little tightly knit quartet?

    We’d all gone to a place that we wouldn’t normally be in order to play characters who have gone on vacation to a place they wouldn’t normally be. Taormina Sicily, which is where we shot the majority of the show, is a sort of extraordinarily beautiful town. And Mount Etna, the volcano, looms quite large over it in a, I found quite surreal. I felt like I almost had to remind myself on a daily basis that that’s not a hologram, that really is a volcano. But it meant that we had time to  get to know each other and to establish a chemistry, and it meant that whenever we were on set, there was a level of comfort and trust with one another that gave us a little bit space to play.

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