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Tag: stick season

  • “Punk Goes Noah Kahan” — Knuckle Puck, The Maine, And More Bands On Our Dream Tracklist

    “Punk Goes Noah Kahan” — Knuckle Puck, The Maine, And More Bands On Our Dream Tracklist

    Knuckle Puck covering ‘Stick Season’ by Noah Kahan was the crossover event we didn’t know we needed, but we’re SO thankful for it. Considering the difference in genres, KP putting their pop-punk spin on Noah’s folksy twang in ‘Stick Season’ is everything. It got us reminiscing about the good old days, aka the era of Punk Goes Pop. So we started thinking, what other Noah Kahan tracks would we like to see get the pop-punk/pop-punk adjacent twist? If you think about it, Noah’s discography is the perfect candidate for the Punk Goes Pop treatment. The themes on tracks like ‘Dial Drunk’ and ‘You’re Gonna Go Far’ lend themselves perfectly to the angsty, guitar-heavy sound that pop-punk is known for.

    With that in mind and with a little help from readers like you, we present our dream Punk Goes Noah Kahan tracklist (in no particular order):

    ‘Stick Season’ — Knuckle Puck

    Of course, we have to list the track that inspired this entire idea. Yes, we said this list isn’t in any sort of order but ‘Stick Season’ (Knuckle Puck’s Version) deserves the opener slot purely for being the catalyst here. In all seriousness, we really do love this version of the song. Knuckle Puck brings their sound through while still keeping the heart of the song, further adding to our belief that Noah Kahan x pop punk is a match that’s meant to be.

    ‘The View Between Villages’ — Real Friends

    It would actually be a crime if we didn’t include Real Friends in this list. We can’t break up the RF/KP blood pact! Aside from that though, Real Friends would absolutely kill this cover. They have the perfect angsty, emotion-driven vibe required to do this song justice. We just know ‘The View Between Villages’ in the style of Real Friends would become an instant favorite of ours.

    ‘Dial Drunk’ — State Champs

    Next up we have ‘Dial Drunk’ A.K.A the Noah Kahan song with one of our favorite bridges. In our heads, this has to be covered by State Champs. We can totally see State Champs covering ‘Dial Drunk’ live, amping it up and bringing the energy. Being in the pit to a State Champs ‘Dial Drunk’ cover would go kind of hard tbh. We just know Derek Discanio would kill the “f*ck that sir, just let me call” line in the bridge and now we need it for reasons.

    ‘False Confidence’ — Carly Cosgrove

    As one of our contributors said, Carly Cosgrove covering ‘False Confidence’ just “feels right” and we’re inclined to agree. Oh, you thought we were just sticking to Stick Season? No no, we’re diving into Busyhead with this list too. Sure, soundwise they couldn’t be more different, but if you pay attention you can see where we’re coming from. For science, we played ‘False Confidence’ and ‘Steered Straight’ by Carly Cosgrove back to back and the connection was there. Hearing ‘False Confidence’ in Carly Cosgrove’s style would probably be a masterpiece and we need it.

    ‘You’re Gonna Go Far’ — Grayscale

    This is one of the tracks on Noah Kahan’s discography that really gets to us. (No, YOU sobbed to this song on your drive home the other day). So for that reason, we feel like Grayscale would do this song justice. They’re not afraid to tackle life and emotions in their music (see ‘Mum II’) and the theme of ‘You’re Gonna Go Far’ feels like it would fit in with this current era of Grayscale’s sound and songwriting. Not to mention, Collin Walsh’s vocals would absolutely do this song justice and we’d love it if they covered it.

    ‘Maine’ — The Maine

    Okay, maybe we’re just choosing this for the haha funnies but hear us out. ‘Maine’ is giving Pioneer so of course it makes sense that The Maine has to be the one to do this cover right? We can totally see Knuckle Puck’s Sad Summer Fest tourmates doing this track justice so it has earned its spot on our list. We just know John O’Callaghan’s voice would fit this song, and honestly this genre, SO well.

    ‘No Complaints’ — Arm’s Length

    ‘No Complaints’ has a heavier, angstier, brooding vibe reminiscent of the themes and sound of Never Before Seen, Never Again Found. While Arm’s Length might not be the band you jump to when you think of Noah’s sound, we can absolutely see them doing this song justice. The last 60 seconds of ‘No Complaints’ reminds us so much of the last minute or so of ‘Overture.’ Of course, the sounds are very different, but the vocal style and production make us think that Arms Length would be able to perfectly translate ‘No Complaints’ to their sound.

    ‘Save Me’ — MM@TA

    Meet Me @ The Altar is another one of those bands on this list where you might be thinking, are you sure? But we really do think they could cover ‘Save Me’ so well. We can practically hear Edith Victoria singing the chorus if we close our eyes. Do not ask us to elaborate because we’re right. If they can cover the Jonas Brothers, they can cover Noah Kahan. Maybe they’d keep ‘Save Me’ slower or maybe they’d amp it up to their electrifying, high-energy sound, but whatever they did, we know it would sound so good. The tempo picking up in the last part of the song solidifies this for us because we know they’d take that sound and turn it into something amazing. For science, we need this to happen.

    ‘Northern Attitude’ — The Wonder Years

    Honestly, we were debating between this track and ‘The View Between Villages’ for The Wonder Years, and ‘Northern Attitude’ as a title just feels very TWY-coded. Did we intentionally include a bunch of Sad Summer Fest bands on this list? No, but if something works it works and TWY covering ‘Northern Attitude’ just feels right. It has an angstier edge to it and honestly? It kind of has the makings of a pop-punk song anyway. We can totally see The Wonder Years releasing ‘Northern Attitude’ in an alternate universe, maybe with a heavier pop-punk sound behind it. But “forgive my northern attitude/I was raised out in the cold” feels like it could be a TWY lyric so please TWY give us this cover.

    ‘She Calls Me Back’ — Young Culture

    Young Culture, our beloved. We could 100% picture YC giving ‘She Calls Me Back’ a ‘Whiskey’-esque treatment. The drum kicking in on ‘She Calls Me Back’ and the entire production of the track feels like it would fit in perfectly in Young Culture’s discography if they wanted to give it the pop-punk edit. We didn’t make all those y’allternative jokes about ‘Whiskey’ to NOT include Young Culture on this list tbh, so we would love to hear this cover come to life.

    ‘Everywhere, Everything’ — With Confidence

    Listen, we are concocting a scheme to get With Confidence back (it might involve human sacrifice, who knows?) it’s a work in progress, but until then, we can offer you this. ‘Everywhere, Everything’ may be the furthest thing sonically from what you might think of when you think of With Confidence but consider: covers can sound different. The chorus of this song sounds like it could be a With Con chorus if they sang it in their style. The first “We didn’t know that the sun collapsing /’Til the seas rose and buildings came crashing” was like hearing the ghost of With Con in a folk song, don’t ask us why, it just did. Sit with that and think about Jayden Seeley’s vocals on this track while we work on those schemes of ours.

    ‘New Perspective’ — Neck Deep

    The introductory notes and lines of ‘New Perspective’ again, feel very pop-punk coded and for some reason, Neck Deep came to mind first. Maybe it’s because it feels like a sort of thematic parallel to ‘Can’t Kick Up The Roots,’ but we can see them singing this in a slowed-down, pop-punk ballad-style cover. It would probably be amazing too. Neck Deep would probably do a lot of the thematic elements of Noah Kahan’s music justice too and ‘New Perspective’ feels like the perfect example of that.

    ‘Cynic’ — Daisy Grenade

    Maybe we have a Sad Summer Fest lineup agenda with these choices you’ll never know. The bassline and production of this song feel very much up Daisy Grenade‘s alley and we think they’d put such a fun spin on it. We’d love to see their take on ‘Cynic.’ Don’t ask us why, but we feel like it would be something in the realm of ‘Liquor and Kerosene’s’ sound. That feels right but we’ll leave it up to Daisy Grenade to bring the idea to life.

    Whew, there you have it! Thank you for bearing with us through this dive into Noah Kahan’s discography to figure out the perfect “Punk Goes Noah Kahan” tracklist. And thank you to Knuckle Puck for the ‘Stick Season’ cover that sparked this whole thing, couldn’t have done it without you!

    This is by no means a comprehensive list and we’re sure some of you have your own feelings/ideas about this. Drop your “Punk Goes Noah Kahan” suggestions in the comments below or drop us a line on our socials. You can reach us on FacebookInstagram, or by tweeting us @thehoneypop!

    If this sort of read is your thing, be sure to check out more of our content about Noah Kahan and pop-punk.

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    Aman Shamim

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  • Four Artists To Watch For In 2024

    Four Artists To Watch For In 2024

    Whether you are ready or not, we are officially in 2024. It’s okay if you’ve already abandoned your overambitious resolutions for more plausible goals — or if you’ve just given up entirely. There’s always next year.


    But if there’s one constant, it’s listening to music. If Spotify Wrapped taught me anything, it’s that I really can make it through anything with the right soundtrack. We’re edging closer to awards season, which means everyone is looking for the best of the best. Our inner critic comes out and, suddenly, we’re all members of the Recording Academy.

    With the 2024 Grammy’s right around the corner, it’s easy to get caught up in the hits from yesteryear. But I’m already looking ahead to the new year of music. And it’s time to recognize artists who are about to have a huge year. Some of them may be familiar names and hopefully, others will become new favorites of yours.

    Regardless, there have been four artists who stuck out to me this past year. These artists aren’t new per se, but they’ve skyrocketed with recent success leading the charts, making an impact on pop culture, and featuring prominently on Spotify playlists. Each artist has been selected because they have the It Factor — and finally everyone is seeing it.

    Here are the four artists to watch in 2024!

    Sabrina Carpenter

    Sabrina Carpenter via GRAMMY.com

    Sabrina Carpenter press

    Carpenter fell headfirst into a love triangle scandal alongside pop queen Olivia Rodrigo and her castmate, Joshua Bassett. In 2022, she released her fifth studio album, emails i can’t send, which solidified her as a certified pop songwriter who has every “It” factor you look for in a young starlet.

    Her sound can span genres- with synthy, sexy pop/R&B blends like “bet u wanna” to stomp-and-holler-inspired “Already Over.” Her take on heartache and the increased public scrutiny is both refreshing and witty.

    After opening for Taylor Swift this year and going viral for her “Nonsense” outros, and most recently performing for Dick Clark’s New Year’s Rockin’ Eve, it’s hard to imagine that this is the last we’ll see of Sabrina.

    Noah Kahan

    Noah Kahan

    Noah Kahan

    Asyia Marotta

    A favorite here at Popdust, Noah Kahan has perfected that aforementioned “stomp and holler” sound. After a year of country-folk renaissance, Kahan’s Stick Season (We’ll All Be Here Forever) deluxe edition released in 2023 and continuously broke records…leading to collaborations with artists like Post Malone, Hozier, Kacey Musgraves, and Lizzy McAlpine.

    With a sold out stadium tour on the horizon, Kahan is skyrocketing. His storytelling through music is unmatched- painting pictures of woeful hometown memories, heartache, loss, anxiety, and more.

    His self-deprecating humor and appreciation for success make Noah Kahan who he is. A longtime advocate for mental health, Kahan started The Busyhead Project to raise money for the cause. He has us in the palm of his hand, and we can’t wait to see what’s next.

    Dom Dolla

    Dom Dolla

    Dom Dolla

    donslens

    In the world of Electronic Dance Music, Dom Dolla is a trailblazer. He’s spent the year performing to crowds of tens of thousands of people at festivals and headline shows, and releasing some of the biggest EDM mixes of the year with “Eat Your Man (feat. Nelly Furtado)” and the disco jam “Saving Up.”

    He’s one of the most exciting producers for a reason: a chart topper who knows how to reach the ears (and hearts) of fans of house and EDM, and new listeners alike. He’s found new ways to incorporate sound bytes, big drops, bass, and classic tech-house style and create a league of his own.

    Whether he’s remixing classic tracks like “Black Betty”, playing his own tunes, or performing B2B sets with a fellow hot topic, John Summit, the “Rhyme Dust” creator is one-of-a-kind. Nominated for his first GRAMMY for his remix of Gorillaz “New Gold” with Tame Impala and Bootie Brown, Dom Dolla is your EDM artist to watch.

    Renee Rapp

    Renee Rapp

    Renee Rapp

    Erica Hernandez

    You may know her as Leighton from Max’s Sex Lives Of College Girls…or as Regina George in the 2024 remake of Mean Girls. But Renee Rapp is a whirlwind of a pop-R&B artist who knows how to make flawless music. She’s gathered a passionate fanbase behind her to prove it, and after her most recent album, Snow Angel, we’re dying to know what’s next.

    2022 was huge for Rapp, with her Snow Hard Feelings tour accompanying the album. She’s the talk of the town, weaving tales of unrequited love, belting ballads of heartache, and balancing them out with punchy pop tunes that are worthy of a repeat.

    She’s the face of both cinema and music right now, with a versatility of creativity that so few can achieve. It would be a mistake not to include her on our artists to watch this year, because we know Renee Rapp is only getting started.

    Jai Phillips

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  • It’s The Summer Of Noah Kahan

    It’s The Summer Of Noah Kahan

    Everyone is proud of Noah Kahan. You can ask the fans I met before his concert, my friends who are devout listeners, his publicist, and myself. If you’re a Noah Kahan fan, you undoubtedly feel an overwhelming sense of love and affection towards his skyrocketing success.


    Because if you watch and listen to Noah, you feel overwhelmingly connected to him. His deluxe version of
    Stick Season (We’ll All Be Here Forever) has turned any lax listener into a devout fan. It’s a flawless album (in my top 5 of all time alongside the likes of Fleetwood Mac’s Rumours and The Killers’ Hot Fuss) from top to bottom.

    The deluxe version includes more of Noah’s complex lyrics and honest storytelling ability. It’s a mix of alternative folk, with genre-bending elements met with haunting vocals and a unique way of bringing hometown woes to light.

    My father grew up dabbling in the banjo and mandolin, so I know how difficult it can be to master. However, Kahan and his band make it look effortless. The concert itself is a symphony of strings, drums, and Noah’s voice. His voice is transcendent — gentle and forgiving, raw in the right places, and always angelic.

    It’s the kind of no-frills experience that everyone should enjoy at least once in their lifetimes. Not a ton of lights and production, no backup dancers, just Noah Kahan, his kickass band, and 6,000+ fans.

    Radio City Music Hall is iconic in its own right. Home of The Rockettes, this venue has housed some of the biggest names in the entertainment industry. On August 31, Noah Kahan gave New York a piece of Vermont.

    Radio City is a more intimate venue than Madison Square Garden. You get better views of the artist, and the acoustics are insane. It makes for clear-sounding videos, but it also means you get to hear the crowd screaming the lyrics back to him. Before a sold-out crowd, Noah Kahan was able to bear his heart and soul and receive all of the love right back.

    Bursting onto stage, Noah immediately attempts to jump off a surface and takes a quick fall.
    “New York, I almost tore my ACL for you.” He quips after. He then launches into the hard, unkind exterior of New Yorkers, delivering a line that sticks with me still: “I consider the successes of others as threats to myself.”

    @noahkahanmusic #duet with @Marlo #lalapalooza2023 im too impulsive #fyp ♬ original sound – Marlo

    There were multiple times throughout his set when I was overwhelmed with emotion. It was admittedly my first concert alone, so already I was filled with nerves. However, I was more amazed that there was not a moment where I felt alone in that room.

    In fact, it was almost like Noah knew — asking the crowd who came here alone and assuring us that we weren’t. He even let everyone know that there is apparently nothing he loves more than going to hibachi alone.

    With his mother in attendance, he thanked her for sending him to therapy at the age of 8. He laughs at how she recognized he was a weird kid, and thinks everyone should go to therapy. A perfect intro to his heart-wrenching song, “Call Your Mom,” prioritizing your mental health is a major theme of
    Stick Season.

    The theme of taking care of yourself and others is ever-present. Kahan himself has raised over $860,000 for The Busyhead Project which he launched only this summer, supporting mental health and Vermont flood efforts.

    For over two hours, Noah Kahan played hits like “All My Love,” “She Calls Me Back,” “Orange Juice,” and more. Time flies when you’re listening to great music live, anyone can tell you that. You never want it to end.

    This wasn’t Noah’s biggest show after playing to a huge crowd at Lollapalooza and following it up with huge Syracuse and Saratoga Springs shows. Yet, anyone can tell you how huge it is to perform at the iconic New York City venues. Noah looked back to a time a few years ago when he played to a crowd of 45 people, and you can’t help but think that will never be an issue for him again.

    He’s touring in the United States until October before going to the UK and Europe through February. And yet, he still posts on social media about how excited he is to start a whole new album. A sign of how dedicated he is to his fans and his music.

    It’s been a massive year for Noah Kahan: releasing the deluxe version of
    Stick Season, a collab with Post Malone on “Dial Drunk” that hit within the Top 25 in the Billboard Hot 100, “Dial Drunk” itself reaching #1 on the AAA Radio Chart, and was the fifth artist in history to have 18 songs on the Billboard Hot Rock & Alternative Charts in one week. The other names on that list include none other than David Bowie and Taylor Swift.

    He’s always tweeting his gratitude, saying he will never not be baffled by the love, support, and success he’s receiving. And it’s all deserved. Unsurprisingly at this point, Noah is garnering buzz for GRAMMY nominations this year in the Best New Artist and even Album Of The Year categories.

    If you haven’t taken the time to listen to Stick Season (We’ll All Be Here Forever), do yourself a favor and take a listen:

    Jai Phillips

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