As with most impactful trends, it began with Madonna. Or at least got kickstarted by her (see also: vogueing). More to the point, the pop culture tastemaker spotlighted the “About Fucking Time!” shirt by sporting it at the August 24th birthday party she threw for her twins, Stella and Estere. Soon after, Charli XCX posted a “chest shot” photo of two unidentified people (though it looks like her and Sweat Tour co-star Troye Sivan) wearing the same tank tops with the increasingly familiar phrase. Though, in truth, the t-shirt goes back much further than its current “it” moment, created by one of Madonna’s long-standing besties, Stella McCartney. The latter, in fact, appropriately donned a “prototype” at the 1999 Rock and Roll Hall of Fame ceremony when her dad (you know, Paul) was finally inducted.
Not so coincidentally, McCartney was also present at the aforementioned “high-brow, who’s who” of a twelfth birthday party—pictured next to Madonna as the two held a cluster of balloons in each hand. Only Madonna wasn’t wearing the tank top in this image, but rather, saved it for a photo of herself sandwiched in between Stella and Estere. Thus, the shirt often tends to be worn during instances when something has been “long overdue” (like, apparently, Estere and Stella entering their final preteen year). Which also appeared to be the case with Paris Hilton wearing one for her September ’24 Nylon feature, “From Paris With Love.” Because, after all, she thinks it’s “about fucking time” that she released a sophomore album (though there aren’t that many other people who feel quite the same). Her newly unleashed Infinite Icon record being the topic that the majority of the article focuses on.
And, talking of that particular “2000s icon,” it seems that “About Fucking Time!” is fast becoming the “20s” version of one the 00s’ biggest t-shirt trends: “Jesus Is My Homeboy.” Later, “Mary Is My Homegirl” would also take celebrity closets by storm, reaching a zenith in 2004, when, yes, Madonna was spotted in arguably one of the most 2000s ensembles ever captured by a paparazzo: track pants, trainers, a Von Dutch hat and a “Mary Is My Homegirl” tee.
Like “About Fucking Time!,” the “Jesus Is My Homeboy” shirt went back much further than when it experienced a sudden uptick in sartorial cachet thanks to a clothing company called Teenage Millionaire (oft touted by the likes of Ashton Kutcher and the abovementioned Hilton)—which once boasted a store on Melrose. But long before that brand cashed in on the design, thanks to Teenage Millionaire’s Doug Williams coming across the original version of the t-shirt (the rest of the stock was lost when the screenprinting shop that the OG creator used was looted during the 1992 Rodney King riots), the story began sometime in 1980s L.A.. Specifically, when a man named Van Zan Frater was mugged and beaten by a bevy of street gang members. According to Frater, one youth’s urging to “kill him, homeboy!” inspired Frater to say, “Jesus is MY homeboy. And he’s your homeboy, and your homeboy.” This, apparently, got them to gradually scatter, leaving a bloodied Frater to recover only briefly before being mugged a second time in about as little as ten minutes (oh certain parts of L.A. in the 80s).
When the discarded shirt Frater created to commemorate the “event” was unearthed years later (some accounts say in a vintage store, others in a dumpster), Williams and his Teenage Millionaire partner, Chris Hoy, came up with a backstory about the shirt’s “origins,” claiming “they created the ‘Jesus is My Homeboy’ t-shirt while talking one afternoon about [Hoy’s] Irish Roman Catholic upbringing in a largely Latino community in Hollywood.” It didn’t take long for the shirt to absolutely blow up, appearing on the chests of everyone from Britney Spears to her number one celebrity crush, Brad Pitt. Indeed, that shirt practically was the 2000s.
Cut to twenty years after its cultural peak and now it seems there’s a new shirt with a similar kind of celebrity cachet making the rounds: “About Fucking Time!” And, in keeping with the gentrification of everything, it of course comes from the runway rather than the streets of L.A. What’s more, although McCartney’s shirt has a much less scandalous and fraught backstory, it does speak to “the trend” of the moment—especially in fashion—to make a big performative to-do about preserving the environment. Hence, McCartney’s fashion show during Paris Fashion Week centering around the theme of “Messages from Mother Earth” (in other words, what MARINA already did by writing “Purge the Poison” from Earth’s perspective). Among those messages, “Gaia’s” most ominously exhorting missive is none other than: “it’s about fucking time”—that humans paid her some respect. She is, after all, the source from which we’re all derived and sustained (the double meaning, to be sure, is that humans are running out of time to amend their behavior, which is why everything, as usual is all about [fucking] time).
To pay her respect, apparently, means buying clothes from Stella McCartney and, as a sidebar, following her lead on “sustainability.” Alas, while McCartney has been a long-standing proponent of environmentalism and animal rights, there is an almost willful naïveté (that can perhaps only come from being born into wealth) in believing that anything about the fashion industry can ever be sustainable (regardless of McCartney touting, “the sequins are plastic-free”—okay, but they’re still sequins that are probably going to end up in some fish’s mouth—and besides that, what else in the collection couldn’t avoid using plastic?).
Which is why it’s so ironic that someone like Charli XCX, recently tapped to do a campaign with one of fashion’s biggest offenders of fucking up the planet, H&M, and Paris Hilton, down to wear whatever makes her look “hot,” should have the audacity to wear these “statement” tank tops designed to “advocate” for Mother Earth. When, in truth, the biggest favor anyone in fashion could do for said mother is declare that wearing one outfit per season made out of hemp or recycled cotton is permanently chic. Either that, or come out and say that everyone should only shop at thrift stores going forward. But then, that would put every designer out of business, wouldn’t it? Thus, the idea of “overhauling” the industry instead of eradicating it altogether is the best way that people like McCartney can soothe themselves about their chosen moneymaking endeavor.
In this regard, there was a greater honesty to the backstory behind the “Jesus Is My Homeboy” t-shirt (which was also completely inauthentic when worn by any celebrity). Because even though it, too, was ridden with the kind of exploitation unique to the fashion industry (read: stealing a design), at least the original creator’s mantra was “purer” and more believable in terms of motive (not to mention more accessible by way of price range). However, contrary to McCartney’s supposed intentions, many people will have no idea that the “About Fucking Time!” shirt refers to Mother Nature (voiced, for McCartney’s purposes, by Olivia Colman). And her demand that humans treat her with more kindness before she punishes them in a way that means “looking stylish” will be the last of anyone’s concerns.
Much like anything form-fitting, or that requires fasteners to put on, bras have taken a backseat in my clothing lineup. It wasn’t exactly an intentional fashion exile on my part: but when most office days include settling in on the couch with stretchy pants, it’s easy to disregard them as a vital part of a weekday wardrobe. After months of barely even looking at a bra, I decided to give them another go in an attempt to get out of my much too relaxed pajama pants uniform. I found that even when I’m throwing on the same button-down or turtleneck for the second time in a week, and happen to scarcely leave my apartment, a bra at least provides some pretense of feeling put together. And an option that can’t help but make you feel good? Welcome to the wonderful world of the silk bra.
Much like how a silk shirt instantly creates an air of elegance, silk bras pretty much do the same when it comes to lingerie. They’re a little dose of luxury that quickly lifts my mood–even if I’m the only one who knows I’m wearing it. With that said, I’m sure you too could use a little something to lift your spirits, so I’ve put all of the internet’s best silk bras in one place. From bralettes to those of the push-up variety, scroll below to peruse and shop all of the ones I’m loving right now.
Trends come and go, but one thing surely remains constant: Denim never truly goes away. The silhouettes and the rises may change (suddenly, everyone is all for low-rise now), but denim is that staple that will always have a place in the fashion conversation. With elegant normcore at the forefront of fall’s collections, denim is playing a huge role in reinforcing the wearability factor designers are so readily embracing.
But that’s not to say there hasn’t been a fair share of out-there denim trends. For one, players such as Y/Project, Blumarine, and Givenchy turned things up a notch with unexpected washes and offbeat and sometimes nostalgic details like brown-washed denim and big brass studs. The twists deviate from the über-approachable trends like loose denim and straight-leg cuts, and even if we don’t consider them controversial, they’re at least edgy and whimsical. Other designers and brands have joined the fray, leading us to think that a spicier approach to denim will be the status quo for the seasons ahead. For a full report on the controversial denim trends buzzing about now, keep scrolling below.
It’s not every season that most of the big shows during fashion month send looks down the runway that anyone, even someone who might not necessarily consider themselves a “fashion person,” could recreate with pieces they already own. Trust me—I’ve attempted to mimic my fair share of runway looks. Typically, it involves the help of sample pulls, personal purchases, and sometimes even cutting up pieces in my closet. But this fall, you can rest easy knowing that one of the most significant and talked-about trends of the entire season was wearability.
From a tank top and jeans closing out Matthieu Blazy’s third show for Bottega Veneta to Miu Miu models donning leggings and zip-up hoodies, there was no shortage of wardrobe staples and basics on the runway at the fall/winter 2023 shows across the board, from New York to Paris and everywhere in between. Tailored coats reigned supreme at Khaite. Blazers accompanied nearly every model at Saint Laurent. And classic denim made appearances at both Alaïa and Gucci. Clearly, designers, like us, have an affinity for pieces that are as versatile and sensible as they are shockingly gorgeous in construction. *Sighs in relief.*
Prepare to save all 60 of the runway looks featured ahead. Trust me, you’ll need them when you go to style all the classic staples in your current wardrobe.
The looks that make it onto the runways of New York, London, Milan, and Paris are rarely for the faint of heart. That’s part of their appeal—not everyone is prepared to walk around their respective cities, go to work, or hang out with friends in the sort of extraordinary ensembles that designers put together every season. Instead, they’re meant to be a jumping-off point that buyers and editors can sell pieces of to customers and/or readers. But what happens when you test that theory and actually try to wear exact runway looks out in the real world?
That’s what I set forth to find out throughout the month of January. Despite it being winter in New York City, I took five outrageous spring runway looks—from the tights-as-pants Bottega Veneta outfit that Kendall Jenner made famous to those layered T-shirt combos at Miu Miu—for a spin, wearing them at all of the aforementioned locations and more, including Who What Wear’s Bryant Park office, the subway, and more.
Ahead, my tales of taking spring 2023’s most shocking looks off the runway and into the real world.
Between the covers of any good book are pages that transport and enrich the mind of its reader. In 2022, leaders in the fashion industry turned to various texts to inspire their upcoming collections, deepen the knowledge behind their curations and find personal liberty within their identity.
Major book releases swept the fashion community this year, like Editor-in-Chief of British Vogue’s Edward Enninful’s memoir, “A Visible Man,” in September. Other books like Safia Minney’s made an urgent call to regenerative fashion and a closer look at today’s fashion system.
Across the fashion, leaders and experts like FIT Museum Director Valerie Steele and Business of Fashion Senior Correspondent Sheena Butler-Young reflected on their reading this in 2022. Favorite books span topics, eras in time, country in focus and connections to fashion.
See below for the 34 favorite fashion books that leaders in the industry read in 2022.
Jacques de Bascher: Dandy de l’ombre by Marie Ottavi, $24, available here
Photo: Groupe Robert Laffont
“A page-turner about Karl Lagerfeld’s great love, a decadent dandy of the 1970s, this has been an essential source for all the recent books about Lagerfeld, including Ottavi’s own biography, ‘Karl.’” — Valerie Steele, Director and Chief Curator of The Museum at the Fashion Institute of Technology
Trendy, sexy et inconscient: Regards d’une psychanalyste sur la mode by Pascale Navarri, $21, available here
Photo: PUF
“I’m working on a book about fashion and psychoanalysis, so I read with great interest this book by a French psychoanalyst exploring the unconscious aspects of contemporary fashion.” — Stelle
Pretty Gentlemen: Macaroni Men and the Eighteenth-Century Fashion World by Peter McNeil, $52, available here
Photo: Yale University Press
“A brilliant account of a controversial moment in men’s self-fashioning.” — Steele.
Black Futures by Kimberly Drew and Jenna Wortham, $40, available here
Photo: One World
“Black Futures, by Kimberly Drew and Jenna Wortham, and The New Black Vanguard, by Antwaun Sargent, are my top reads for 2022. The authors are true visionaries. I was inspired by them while working on my memoir, Wildflower. I have always had a desire to forge a new creative path, and I hope to lift up others through my own personal journey.” — Aurora James, creative director and founder of Brother Vellies, founder of the Fifteen Percent Pledge, author of “Wildflower“
The Colors of Sies Marjan by Sander Lak, $65, available here
Photo: Rizzoli International Publications
“I treasure my little collection of fashion monographs, and my new favorite is this book on the much-mourned label Sies Marjan. Designer Sander Lak is a virtuoso when it comes to color, and I love the way he organized everything by hue. Paging through this felt like a first-class flight straight into his genius brain.” — Véronique Hyland, Fashion Features Director at Elle, author of “Dress Code“
What Shall I Wear? by Claire McCardell, $24, available here
Photo: Harry N. Abrams
“This was a very kind gift from Tory Burch, who wrote the excellent foreword to this reissued version. Claire McCardell’s 1956 answer to the eternal question is very much of its time, but also feels relevant today. She maintains that fashion should be fun, and the same sense of ease that she brought to her designs is evident in her prose.” — Hyland
“This book is a daily reminder to myself to never ever compromise or conform on the things that really matter to me. Quinn’s photography of interesting people taking bold fashion risks is inspiring from a style and dressing standpoint, but also as a powerful statement against racism, ageism and homophobia. There should be no limits on beauty, style and self-expression. Quinn’s work is an apt assertion that fashion is at its best when it serves as a vehicle of change, not an endorser of status quo.” — Sheena Butler-Young, senior correspondent at Business of Fashion
Token Black Girl: A Memoir by Danielle Prescod, $25, available here
Photo: Little A
“I can’t think of one Black woman I know — in fashion or elsewhere — who hasn’t felt like 15-year-old Prescod flipping through the pages of glossy magazines in the ’90s and early aughts, seeing beauty defined as everything we’re not. Through the lens of Prescod’s life story, it powerfully unpacks the reverberating negative consequences of white supremacy in media, while gently reminding us of the power we have to recover from and reject ideologies that harm us. This book is much-needed wink — an ‘I see you, girl’ — to Black women, but it’s also a must-read for all women, period.” — Butler-Young
Africa: The Fashion Continent by Emmanuelle Courrèges, $65, available here
Photo: Flammarion-Pere Castor
“The more I scratch the surface of diversity, equity and inclusion issues in fashion, the more I uncover about the inherent biases we all have about beauty, style and influence. The title of this book alone disrupts long-held assumptions about who or what gets to define fashion. Courrèges takes the reader on a journey of discovery where you get to meet all of these amazing African designers, artisans, boutique owners and stylists whose work push the boundaries of innovation and craftsmanship. It features vibrant, awe-inspiring images of people adorning colors, prints, fabrics and patterns (Xhosa beaded embroidery, for example) and body artists using their vessels to advocate for change, hair tousled and contorted in fascinating and expressive fashion, street style that’s inherently environmentally conscious. It’s a true homage to a forgotten part of fashion’s roots.” — Butler-Young
Celebrate That!: Occasions by Kate Spade New York, $35, available here
Photo: Harry N. Abrams
“My ultimate — feminine, witty and whimsical — guide to planning a celebration however big or small. As an editor working in New York City, I’m constantly surrounded by big moments: cover stories, splashy fashion week shows, star-studded events. It feels like my friends always expect me to deliver something comparable when I host. This book has fun, thoughtful recipes and tips, like how to make a ginger mojito or plan a unique fundraiser for my son’s school, that make me seem way cooler and fashion-y of a host than I am. It also doubles as a self-help guide with cute reminders to celebrate moments — like making your bed, getting through a tough conversation or not spilling your coffee on a fancy coat — that we take for granted each day.” — Butler-Young
Karl Lagerfeld Unseen: The Chanel Years by Robert Fairer, $85, available here
Photo: Abrams
“Written by photographer Richard Fairer — whose previous work SCAD FASH highlighted in our exhibition entitled “Robert Fairer: Backstage Pass — Karl Lagerfeld: Unseen captures amazing access to one of fashion’s most iconic and fascinating figures. Through his behind-the-scenes images, Fairer provides a unique perspective that fashion fans dream of seeing!” — Rafael Gomes, creative director of SCAD FASH Museum of Fashion + Film
The Blonds: Glamour, Fashion, Fantasy by David And Phillipe Blond, $65, available here
Photo: Rizzoli International Publications
“In The Blonds, David and Phillipe highlight their 20 years in the fashion business through images and bold, elaborate creations. Blurbs from The Blonds and their star-studded clientele offer readers unique insights and inspirations behind their collections and collaborations.” — Gomes
Ring Redux: The Susan Grant Lewin Collection by Ursula Ilse-Neuman, $39, available here
Photo: Arnoldsche Verlagsanstalt
“Corresponding with a recent a SCAD Museum of Art (Savannah) exhibition, Ring Redux reexamines the traditional image of the ring as not just jewelry, but a contemporary art form, finding inspiration in the modern and sculpturally reimagined rings in the Susan Grant Lewin collection.” — Gomes
Embodying Pasolini by Tilda Swinton and Olivier Saillard, $75, available here
Photo: Ruediger Glatz/Rizzoli International Publications
“Commemorating their fourth collaboration, Embodying Pasolini is Tilda Swinton and Olivier Saillard’s ode to Italian director Pier Paolo Pasolini. By presenting costumes from Pasolini’s film, Swinton and Saillard pay homage to one of the most important names in Italian cinema, sharing his work with hopefully a new generation interested in the convergence of fashion and film.” — Gomes
Regenerative Fashion by Safia Minney, $40, available here
Photo: Laurence King
“This compact sustainability handbook from social entrepreneur Safia Minney features interviews with more than 30 industry insiders, like Chloé Chief Sustainability Director Aude Vergne and Daniel Windaier, the CEO and Founder of Bolt Threads, a biotech company that’s partnering with brands like Stella McCartney to put mycelium leather bags ‘grown’ from fungi spores on the runway. It gave me fresh hope about the ways the fashion industry can lower its carbon footprint and actually improve the environment if creative people put their heads together.” — Alison Cohn, deputy fashion news editor at Harper’s BAZAAR
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The Fendi Set: From Bloomsbury to Borghese by Kim Jones, $135, available here
Photo: Nikolai Von Bismarck/Rizzoli International Publications
“I’m an English lit nerd at heart, so there’s something really delightful about this photo essay, which features portraits of Kim Jones’ friends — like Kate Moss, Naomi Campbell, and Bella Hadid — channeling the spirit of Bloomsbury, the 20th century community of British writers, intellectuals and artists that included Virginia Woolf, Vita Sackville-West and Vanessa Bell, dressed in looks from the Fendi artistic director’s first couture collection. There are also excerpts from diary entries and correspondence and snippets of Woolf’s Orlando.” — Cohn
Yves Saint Laurent at Home by Jacques Grange, $95, available here
Photo: Marianne Haas/Assounline
“Designers are storytellers who creating entire worlds through clothing, but we don’t often get to experience their personal environs. This book offers an intimate view into Yves Saint Laurent and Pierre Bergé’s beautiful homes in Paris, Deauville and Marrakech, showing how their deep appreciation for art and design informed Saint Laurent’s work in fashion.” — Cohn
Rebel Stylist: Caroline Baker — The Woman Who Invented Street Fashion by Iain R. Webb, $50, available here
Photo: Acc Art Books
“British stylist Caroline Baker worked with just about every magazine (Nova, British Vogue, i-D, The Face) and just about every photographer (Helmut Newton, Hans Feurer, Guy Bourdin, Sarah Moon) while also collaborating with Vivienne Westwood; that was an inspired pairing, because she’s just as original and maverick as the brilliant Westwood. As a stylist, Baker riffed on vintage, army surplus, thrift, recycling and punk at a time when everyone else was still in the thrall of the news out of Paris. What makes this book a must-read? Author Iain R. Webb is a friend of Baker’s, so this is the inside story of a woman whose work is a masterclass in the art of style and subversion.” — Mark Holgate, fashion news director at Vogue
Living in Denial: Climate Change, Emotions and Everyday Life by Kari Marie Norgaard, $36, available here
Photo: MIT Press
“This Norwegian author interviews the inhabitants of a ski town in Norway about how they’re coping with climate change and why our modern culture at large is so disconnected from the environment. It illustrates how we, individually and culturally, must reconnect with our emotions and grief around climate collapse and environmental loss in order to get activated to make radical changes in our society. I think this is especially true in fashion, where overproduction and overconsumption is predicated on deliberate disassociation from our bodies and the Earth.” — Becca McCharen-Tran, Founder and Creative Director of Chromat
My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem, $18, available here
Photo: Central Recovery Press
“This feels like it should be required reading for every white person in fashion who believes in the importance of inclusion and diversity. It illustrates through somatic exercises how racial trauma lives in white and Black bodies, and offers ways forward to a place of healing. There’s so much healing we need to do in fashion when it comes to racial trauma, not only through ensuring more diverse casting or hiring, or how we perceive race in the fashion industry, but really attuning to the physical sensations in our body when we feel excluded or included, how it constricts or expands when we feel truly safe. We all have a responsibility to make the fashion industry a safe and welcoming place, and this book offers really tangible ways in which we can start that healing in our own bodies.” — McCharen-Tran
Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers by Mary Rodgers and Jesse Green, $20, available here
Photo: Farrar, Straus and Giroux
“‘It’s not about the dress you wear,’ Diana Vreeland once quipped. ‘It’s about the life you lead in the dress.’ Well, then, the best-dressed woman I’ve read about all year is not a traditional fashion plate, but the late, great Mary Rodgers, the daughter of Richard Rodgers, who went on to compose the music for the unsinkable ‘Once Upon a Mattress,’ write the novel ‘Freaky Friday’ and lead ten other creative lives. Her memoir, co-authored with New York Times critic Jesse Green and published eight years after her death, is exhilarating, funny, dishy, heartbreaking and the most enjoyable book you’ll read all year. Did I mention funny? Show me one other fashion book that made you laugh.” — Erik Maza, executive style director at Town & Country
A Left-Handed Woman: Essays by Judith Thurman, $32, available here
Photo: Farrar, Straus and Giroux
“Judith Thurman’s Two For One, her 2008 profile of the Cuban designer Isabel Toledo and her husband, the artist and illustrator Ruben Toledo, is just one reason why her new collection of essays, A Left-Handed Woman, gets my vote for the best fashion read of the year. Isabel died in 2019 — Ruben continues to make incredible work, including a recent cover of T&C — but nearly 15 years after its publication, Thurman’s profile remains one of the most considerate ever published about a designer, as well as a poignant portrait of creative partnership.” — Maza
Selbstverständlich: a Century in Fashion by Akris, $88, available here
Photo: Lars Muller Publishers
“A murderer’s row of fashion journalists contributed to a monograph to mark the centennial of the Swiss label Akris.” — Maza
Prêt-à-Porter, Paris and Women by Alexis Romano, $38, available here
Photo: Bloomsbury Visual Arts
“French ready-to-wear fashion has been woefully understudied until now. Romano communicates its history through an analysis of photographs from Elle and other popular magazines; the rich selection makes this book as visually compelling as it is informative.” — Colleen Hill, curator of costume and accessories at the Museum at FIT
“I’m fascinated by the minds of highly creative people, and I was gripped by Enninful’s memoir from its first few sentences. I devoured this honest, captivating account of his life and career.” — Hill
In America: a Lexicon of Fashion by Andrew Bolton and Amanda Garfinkel, $50, available here
Photo: Metropolitan Museum of Art New York
“This book contains over a hundred garments that were on display for both rotations of this exhibition highlighting pioneers in American fashion, as well as emerging young designers. It’s a beautifully-designed publication, as well as a substantial fashion reference book, including full length images and detailed shots of the garment. Any reader interested in fashion history will also appreciate the text that accompanies each object.” — Julie T. Lê, associate museum librarian at the Metropolitan Museum of Art’s Costume Institute
Nadine Ijewere: Our Own Selves by Lynette Nylander and Nadine Ijewere, $55, available here
Photo: Nadine Ijewere/Prestel Publishing
“Our library at the Costume Institute has hundreds of books on male photographers who have dominated the fashion world from the beginning, so it’s wonderful to see the work of a female BIPOC artist highlighted in book form for future generations to be inspired by. This monograph celebrates the work of fashion photographer Nadine Ijewere, who made history as the first Black woman of Jamaican-Nigerian descent to photograph a cover of American Vogue in 2021. Along with her fashion editorial work is a personal series called ‘Tallawah’ (which means strong and fearless), a project she worked on in 2020 in collaboration with hair stylist Jawara Wauchope celebrating the beauty and strength of Jamaican women and their unique hair culture.” — Lê
A Time Before Crack: Photographs from the 1980s by Jamel Shabazz, $40, available here
Photo: powerHouse Books
“I heart New York, and Jamel Shabazz is one of my favorite photographers who documented hip hop culture and fashion in the streets of NYC from the mid-70s to the 90s. For this publication, he revisited his photographic archive and rediscovered a treasure trove of unseen images that reveals a new nostalgic visual diary of life in New York and the street style of those people he connected with throughout his career.” — Lê
Really Free: the Radical Art of Nellie Mae Rowe by Nellie Mae Rowe, $50, available here
Photo: Delmonico Books
“Finding this artist has opened my creative side again. It has really been wonderful to read about her life, see and feel her art. She should be given a medal.” — Peter Jensen, fashion professor at SCAD, designer of Yours Truly by Peter Jensen
Fashioning the Afropolis: Histories, Materialities and Aesthetic Practices by Kristin Kastner, Reina Lewis and Basile Ndjio, $132, available here
Photo:Bloomsbury Visual Arts
“So few books focus on the influential and visually stunning fashion culture of the African continent. I love this book for its mix of scholarly study and rich visuals. It helps push past stereotypes we hold in the west on what African fashion is.” — Elizabeth Way, Associate Curator of Costume at the Museum at FIT
Africa Fashion by Christine Checinska, $45, available here
Photo: Victoria & Albert Museum
“This is another important book that illuminates the multifaceted creativity of fashion on the content. Africa Fashion accompanies an exhibition at the V&A in London. For those who can’t travel, the book immerses you in the gorgeous fashions on display and the designers’ histories and inspirations.” — Way
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If I don’t know where to look when shopping at a large retailer, I often see if it has a team of stylists on staff. Usually, their services are free or at a low cost, and they know the product inside and out. One such retailer that offers such a service is Nordstrom, which has people across the country ready to guide you through its extensive collection of clothing.
In the digital age, window-shopping is often done from behind a screen. It can be tempting to look at the designer items we can’t really afford (especially during the holidays) or imagine ourselves wearing a piece of clothing we may not have the occasion to wear, like, ever. That’s where the expertise of Nordstrom’s stylists comes into play. If you have classic style just like I do or want to prioritize your spending on versatile pieces you can wear on a daily basis, you’ve clicked on the right article.
Not only are these outfits classic, sharp, and stylish (they’re my personal favorites, after all), but each item can also be worn in a variety of different ways and for various occasions. Silk pants, pleated maxi skirts, and structured tote bags are staples you can style for work, dinner parties, and even date nights. Keep scrolling to discover my top picks.