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Tag: statue

  • Joe Frazier statue to be moved to Philadelphia Museum of Art grounds this spring

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    “Smokin’ Joe” Frazier moved to Philadelphia as a teenager from South Carolina and is regarded among the greatest heavyweight boxers. He won an Olympic gold medal in 1964 at age 20, and in the “Fight of the Century” bout at Madison Square Garden, he became the first fighter to defeat Muhammad Ali.

    Frazier founded Joe Frazier’s Gym on North Broad Street, where he mentored local youth and amateur boxers for more than 40 years. His experiences training in a meat locker and running the Art Museum’s steps also inspired details of the titular “Rocky” character in the movies.

    Marguerite Anglin, public art director for Creative Philadelphia, said relocating the statue will create the chance for it to be seen by more people, particularly the influx of tourists expected to come to the city this summer for the U.S. semiquincentennial events, the World Cup and the Major League Baseball All-Star Game.  

    “As we celebrate our 250th, visitors will come here seeking authentic stories about Philadelphia,” Anglin said during the commission’s meeting Wednesday. “Placing the Joe Frazier statue at the art museum allows us to share a more complete story about Philadelphia’s spirit – one rooted in real people, real work and real pride in this city.”

    Many critics have noted the city’s willingness celebrate and promote a monument to a fictional boxer while, for years, lacking recognition for a real-life champion in Frazier, and that even after Frazier’s statue was commissioned it was relegated to the stadium district instead earning a prominent perch at the art museum. Anglin said during Wednesday that moving the Frazier statue is an opportunity for “respectful dialogue.”

    “Philadelphia is big enough to celebrate both the real life story of Joe Frazier and the myth of Rocky,” she said. “This is not a competition, it’s a conversation, and public art can help us have those conversations.”

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    Molly McVety

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  • Brigitte Bardot, 1960s film icon turned animal rights activist, dies at 91

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    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.”Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor. Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency. In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.” Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.”It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.”I was looking for roots then,” she said in an interview. “I had none to offer.”In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.”It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.” She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.”It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”Bardot once said that she identified with the animals that she was trying to save.”I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.” Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.

    Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.

    Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.

    At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.

    Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.

    ‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.

    Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.

    “Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

    Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor.

    Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.

    She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.

    Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”

    In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency.

    In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.

    She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”

    Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.

    Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.

    But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.

    The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.

    The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.

    “It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”

    Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.

    Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.

    Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.

    “I was looking for roots then,” she said in an interview. “I had none to offer.”

    In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”

    Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.

    Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).

    With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.

    “It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”

    Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.”

    She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.

    Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.

    She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.

    By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.

    “It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.

    In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.

    Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”

    “Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”

    Bardot once said that she identified with the animals that she was trying to save.

    “I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”

    Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

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  • Brigitte Bardot, 1960s film icon turned animal rights activist, dies at 91

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    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.”Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor. Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency. In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.” Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.”It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.”I was looking for roots then,” she said in an interview. “I had none to offer.”In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.”It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.” She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.”It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”Bardot once said that she identified with the animals that she was trying to save.”I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.” Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.

    Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.

    Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.

    At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.

    Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.

    ‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.

    Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.

    “Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

    Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor.

    Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.

    She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.

    Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”

    In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency.

    In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.

    She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”

    Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.

    Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.

    But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.

    The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.

    The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.

    “It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”

    Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.

    Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.

    Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.

    “I was looking for roots then,” she said in an interview. “I had none to offer.”

    In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”

    Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.

    Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).

    With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.

    “It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”

    Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.”

    She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.

    Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.

    She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.

    By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.

    “It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.

    In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.

    Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”

    “Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”

    Bardot once said that she identified with the animals that she was trying to save.

    “I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”

    Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

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  • ‘To me, it’s family’: Statue honoring Chinook the explorer dog unveiled

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    ‘To me, it’s family’: Statue honoring Chinook the explorer dog unveiled

    Updated: 1:11 AM EST Nov 17, 2025

    Editorial Standards

    New Hampshire’s state dog was memorialized Saturday during a statue unveiling in Tamworth, to honor the heroic past of a breed that started in the Granite State.The Chinook became the official state dog in 2010 and is one of the few officially designated state dogs in the country. The name is adapted from a dog of the same name, owned by author and explorer Arthur Walden.State history tells that Walden owned property in Wonalancet in 1917, when Chinook was born. The Chinook Owner’s Association says that the two were the first sled dog team to summit Mount Washington successfully, and brought sled dog races to New England for the first time.In 1929, Walden and Chinook were enlisted for an Antarctic supply expedition. During the trip, Chinook is said to have wandered away, never to be seen again.Over the years, the Association says the breed faced endangered status, at one point, with numbers only in the hundreds registered nationwide. In recent decades, Chinooks have found a resurgence across the country as a dog known for its energy, intelligence, and kindness. Saturday afternoon, the Tamworth History Center unveiled a bronze sculpture of the original Chinook, modeled after surviving photographs of Walden’s dog.The sculpture took a year and a half to design and build.”It’s beyond flattering,” said sculptor Peter Dransfield. “I think, like a lot of bronze sculptures you see around town, it’s going to be here forever.”Chinook owners from all over the country were invited to the unveiling ceremony, with some coming from as far as Virginia and Washington state.“It’s the New Hampshire state dog for a reason, born and bred here. To me, it’s family,” said Tyler Sweeney of Alexandria, Virginia, originally from Weare, New Hampshire. “Ninety-six years later, we’re having the unique opportunity to bring Chinook home,” said sculptor Andrea Kennett, “if not in body, certainly in spirit.”The Tamworth History Center used local fundraising efforts to create the statue. Board members say it was one of the fastest fundraising goals they’ve ever reached.

    New Hampshire’s state dog was memorialized Saturday during a statue unveiling in Tamworth, to honor the heroic past of a breed that started in the Granite State.

    The Chinook became the official state dog in 2010 and is one of the few officially designated state dogs in the country. The name is adapted from a dog of the same name, owned by author and explorer Arthur Walden.

    State history tells that Walden owned property in Wonalancet in 1917, when Chinook was born. The Chinook Owner’s Association says that the two were the first sled dog team to summit Mount Washington successfully, and brought sled dog races to New England for the first time.

    In 1929, Walden and Chinook were enlisted for an Antarctic supply expedition. During the trip, Chinook is said to have wandered away, never to be seen again.

    Over the years, the Association says the breed faced endangered status, at one point, with numbers only in the hundreds registered nationwide. In recent decades, Chinooks have found a resurgence across the country as a dog known for its energy, intelligence, and kindness.

    Saturday afternoon, the Tamworth History Center unveiled a bronze sculpture of the original Chinook, modeled after surviving photographs of Walden’s dog.

    The sculpture took a year and a half to design and build.

    “It’s beyond flattering,” said sculptor Peter Dransfield. “I think, like a lot of bronze sculptures you see around town, it’s going to be here forever.”

    Chinook owners from all over the country were invited to the unveiling ceremony, with some coming from as far as Virginia and Washington state.

    “It’s the New Hampshire state dog for a reason, born and bred here. To me, it’s family,” said Tyler Sweeney of Alexandria, Virginia, originally from Weare, New Hampshire.

    “Ninety-six years later, we’re having the unique opportunity to bring Chinook home,” said sculptor Andrea Kennett, “if not in body, certainly in spirit.”

    The Tamworth History Center used local fundraising efforts to create the statue. Board members say it was one of the fastest fundraising goals they’ve ever reached.

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  • 12-foot statue of Trump and Epstein installed near Capitol by anonymous art collective – WTOP News

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    A bronze statue in D.C. depicts President Donald Trump mid-dance with the late convicted sex offender Jeffrey Epstein.

    Passersby stop and take pictures of a temporary statue depicting President Donald Trump and late disgraced financier and convicted child sex offender Jeffrey Epstein hand-in-hand.
    (WTOP/Heather Gustafson)

    WTOP/Heather Gustafson

    statue depicting donald trump and jeffrey epstein
    Passersby stop and take pictures of a temporary statue depicting President Donald Trump and late disgraced financier and convicted child sex offender Jeffrey Epstein hand-in-hand.
    (WTOP/Heather Gustafson)

    WTOP/Heather Gustafson

    statue depicting donald trump and jeffrey epstein
    A plaque on the statue reads, “In Honor of Friendship Month.”
    (WTOP/Heather Gustafson)

    WTOP/Heather Gustafson

    statue depicting donald trump and jeffrey epstein
    Passersby stop and take pictures of a temporary statue depicting President Donald Trump and late disgraced financier and convicted child sex offender Jeffrey Epstein hand-in-hand.
    (WTOP/Heather Gustafson)

    WTOP/Heather Gustafson

    statue depicting donald trump and jeffrey epstein
    Passersby stop and take pictures of a temporary statue depicting President Donald Trump and late disgraced financier and convicted child sex offender Jeffrey Epstein hand-in-hand.
    (WTOP/Heather Gustafson)

    WTOP/Heather Gustafson

    Dozens of people gathered on the National Mall near the U.S. Capitol on Tuesday with their phones out, snapping photos of a surprise statue that had passersby doing double takes.

    “Before I got close, I thought it was Fred Astaire and Ginger Rogers,” one visitor, Don said with a laugh. “Then I realized it was Trump.”

    The 12-foot, bronze-colored sculpture depicting President Donald Trump and the late disgraced financier and convicted child sex offender Jeffrey Epstein hand-in-hand was installed by an anonymous art collective calling itself “The Secret Handshake.” It is constructed from wood, foam and resin, finished to look like a traditional monument.

    The group said it is a statement of free speech.

    The pair are shown mid-dance, and a plaque below references the president’s and the convicted sex trafficker’s past association, including quotes from the birthday message Trump reportedly wrote Epstein.

    “The Secret Handshake” arrived the week after another statue depicting Trump showed up on the Mall. That statue featured the president holding a giant Bitcoin, which was mounted by a group of crypto investors who hoped “to ignite conversation about the future of government-issued currency.”

    Reactions ranged from amused to uneasy, with some predicting the statue will not stay in place for long. Still, the unexpected artwork had already become a pop-up attraction, drawing steady foot traffic.

    “I’m glad we got to see it, I don’t think it will be here much longer,” joked Julie, who was visiting from Germany.

    The group behind the latest statue filed a permit with the National Park Service to put their statue up until the end of the month, with the purpose to “demonstrate freedom of speech and artistic expression using political imagery.”

    Get breaking news and daily headlines delivered to your email inbox by signing up here.

    © 2025 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    Jessica Kronzer

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  • Memorial to Charlotte Forten Grimké installed in Salem

    Memorial to Charlotte Forten Grimké installed in Salem

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    SALEM — A life-sized bronze memorial honoring Salem State’s first African American graduate, Charlotte Forten Grimké, was unveiled this week at her namesake Charlotte Forten Park to celebrate the life of the historic abolitionist, educator, writer, poet, translator, and women’s right activist.

    The statue, titled The Moving Spirit of Love, was created by artist Ai Qiu of Hopen of Humanity Memorial Inc., with input and assistance from the City’s Public Art Commission and the Charlotte Fortner Memorial Project Advisory Group. Over the last five years, the groups gathered community input on the process and determined what shape the memorial should take — ultimately deciding on Qiu’s design after a robust community review process.

    “I’m so proud that Salem will soon unveil the sculpture of such a significant figure in our city and our nation’s history,” Mayor Dominick Pangallo said. “Celebrating Charlotte Forten Grimke’s legacy through this public art installation reflects our shared value of education, equity, and the diversity of voices, stories, and lived experiences in our community.

    “Through this exciting moment and lasting monument, we’ll continue to tell the story of Salem and all of its chapters, including that of an important and influential woman who helped shape this community into the great place it is today. Our city must continue to be a leader in elevating Black histories and voices, including through our public spaces and public art.”

    The project was initiated after the park site was redeveloped in 2017 and dedicated as Charlotte Forten Park in 2019. After years of engagement efforts around the park and proposals for a permanent memorial, a project advisory was formed in fall of 2022 to assist with drafting a Call for Artists.

    The bronze statue of Forten is historic in many ways, said Regina Zaragoza Frey, Salem’s director of diversity, equity, and inclusion, and member of the Charlotte Forten Advisory Group.

    “It marks Salem’s first statue of a Black woman, celebrating her life, legacy, and the hope she inspires for the future,” Frey said. “It is also the first statue in Salem created by a woman of color, artist Ai Qiu, of Asian descent. Her work, Moving Spirit of Love, symbolically embodies hope and justice.

    “Seeing the clay model for the first time was breathtaking, and now witnessing its transformation into a permanent installation of a bronze sculpture is a significant moment in Salem’s journey toward racial equity.”

    A dedication ceremony will be held at the park on Saturday, Nov. 16 at 1 p.m., with a rain date the following day.

    Local theater company History Alive Inc. and actress Samanth Searles will be in attendance, in character as Forten, to present poems and stories from her time in Salem.

    Some of Forten’s writings will also be on display in the park in November with a hand-printed banner created by artist Mitchel Ahern. A full schedule of events will be made available closer to the event.

    Email updates can be signed up for here: bit.ly/CFPMSignUp. To learn more about Charlotte Forten and the project, visit salemma.gov/public-art-commission/pages/charlotte-forten-memorial-project

    Michael McHugh can be contacted at mmchugh@northofboston.com or at 781-799-5202

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    By Michael McHugh | Staff Writer

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  • Unbelievable facts

    Unbelievable facts

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    Marvel at Jatayu — the world’s largest bird sculpture in Kerala, India

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  • Man gives stolen statues to ex for Valentine’s Day to win her back, Florida cops say

    Man gives stolen statues to ex for Valentine’s Day to win her back, Florida cops say

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    A man in Florida is accused of stealing two statues of sandhill cranes and giving them to his ex-girlfriend because the birds “mate for life,” a sheriff said.

    A man in Florida is accused of stealing two statues of sandhill cranes and giving them to his ex-girlfriend because the birds “mate for life,” a sheriff said.

    John Cobb via Unsplash

    A man in Florida gave a pair of crane statues to his ex-girlfriend in an attempt to win back her affections for Valentine’s Day, a sheriff said.

    The problem? He’s accused of stealing them from a woman’s yard.

    A woman in Lakeland called the sheriff’s office to report two statues of sandhill cranes were missing from her lawn, Polk County Sheriff Grady Judd said in a Feb. 14 Facebook video.

    They were a gift from her late husband, she told deputies, and it was very important to her to see them returned.

    “Our detectives took that personally,” the sheriff said.

    They started a search in the community for the crane statues and found them shortly after at another woman’s house, Judd said.

    The detectives explained that the statues had been taken from another home, and the woman was “mortified,” the sheriff said.

    The woman told investigators her ex-boyfriend had gifted them to her, Judd said.

    The cranes were given back to the owner “just in time for Valentine’s Day,” according to the sheriff.

    Investigators learned the ex-boyfriend, a 33-year-old man, rode up to the woman’s house on his bicycle and took the statues because sandhill cranes “mate for life,” the sheriff’s office said.

    The man has 39 previous burglary and theft charges, Judd said.

    He was charged again and taken into custody, the sheriff’s office said.

    Lakeland is about 35 miles east of Tampa.

    Irene Wright is a McClatchy Real-Time reporter. She earned a B.A. in ecology and an M.A. in health and medical journalism from the University of Georgia and is now based in Atlanta. Irene previously worked as a business reporter at The Dallas Morning News.

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    Irene Wright

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  • Missing: Baby Jesus. Last seen: In a pile of rubble outside a church

    Missing: Baby Jesus. Last seen: In a pile of rubble outside a church

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    The Rev. Keith Mozingo is struggling to keep up his yuletide spirits after the baby Jesus that topped his politically charged nativity scene in Los Feliz was stolen.

    Mozingo, who preaches at the Founders Metropolitan Community Church on Prospect Avenue had set up a nativity scene outside the church that featured statues of baby Jesus, Mary and Joseph perched atop a pile of rubble. Bearing a sign that read “Palestine Israel Ukraine Sudan,” the scene was designed to remind parishioners and passersby of the wars going on in the world.

    But a few days ago, Mozingo realized his Jesus had been pilfered.

    “Y’all pray… Jesus got kidnapped,” Mozingo posted on Facebook, Eastsider L.A. first reported.

    While the prayers have not yet been answered with a returned baby Jesus, even Mozingo recognized the humor in the situation.

    After a neighbor reported that the baby statue had been seen near the church, the pastor had to go door to door to tell neighbors that Jesus was still missing.

    The motive behind the theft is not clear, but Mozingo is known for using nativity scenes to make a pointed comment about current affairs.

    In 2019, he placed the Holy Family in cages, portraying Jesus, Mary and Joseph as detained immigrants to protest treatment of migrants at the southern border.

    “People say, ‘You’re just making a political statement, keep politics out of church,’” Mozingo said. “But this is not a political statement. It’s a humanitarian voice.”

    Another year, Mozingo said, Jesus was portrayed as a 2-liter Coke bottle wrapped in swaddling clothes, while Mary was a drag queen and Joseph was a trans man.

    Mozingo, while waiting for the return of the baby, has ordered a new Jesus on EBay.

    He hopes it will arrive before Christmas.

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    Noah Goldberg

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  • Poll Shows 40% of Democrats Want to 'Cancel' George Washington

    Poll Shows 40% of Democrats Want to 'Cancel' George Washington

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    Opinion

    “1 George Washington” by US Department of State

    A recent poll by Rasmussen Reports shows Democrats approve of a proposal that would essentially ‘cancel’ George Washington and remove his statue from New York City.

    George Washington is – and this is a reminder for liberals mostly – the man who commanded the Continental Army in the American Revolution, nearly single-handedly held the rebellion together despite overwhelming odds, and then served two terms as the first president of the United States.

    They want to remove a statue of that guy. 

    Rasmussen Reports indicates that 82% of those surveyed have a favorable impression of Washington.

    And even with that support, they reveal 40% of Democrats approve of removing monuments to Washington – including 21% who Strongly Approve – while 53% disapprove.

    That is a shockingly almost even split.

    RELATED: Statue Of General Robert E. Lee Was Secretly Melted Down, To Be Turned Into ‘Inclusive’ Public Art

    New York City Wants to Remove Statue of George Washington

    So what prompted this reaction from Democrat voters? What could they possibly be commenting on George Washington for? Could an effort to cancel him be real?

    Sadly, it is.

    Rasmussen asked the polling question because the New York City Council is considering a measure to remove artwork with the likenesses of individuals such as Washington or Christopher Columbus.

    Columbus was a migrant for crying out loud.

    Washington’s sin? Having owned slaves, a product of his time, never mind the fact that he was one of the few planters who actually freed all of his.

    This is the kind of cancel culture run amok that has been allowed under Democrat-run states and cities. And it’s embarrassing.

    Pretty sure if Washington were alive today he’d gladly tell King George III to keep New York.

    RELATED: George Washington High School Considers Removing Mural of George Washington Because it ‘Traumatizes Students’

    Trump Warned You

    You can’t just chalk it up to liberals having an infantile approach to seeing the world, either. Infants would have had their little tantrum, smashed a few Confederate statues here and there, and returned to being civilized members of society eventually.

    You know, let out of time out, so to speak.

    This is, instead, mental illness. The drive to cancel every single human being for every single flaw they may have ever had is disturbing. It’s an effort to force purity down everybody’s throats.

    Sounds like 1930s Germany if you ask me. Isn’t it the left that’s always calling people out for being fascists?

    Former President Donald Trump warned the country that liberals were going to take us down this path.

    When vandals were tearing down confederate statues in 2017, Trump semi-joked that monuments to Washington and Thomas Jefferson would be the next to be erased from our history.

    “George Washington was a slave owner,” Trump told reporters. “Was George Washington a slave owner? So, will George Washington now lose his status? Are we going to take down statues to George Washington?”

    And here we are. The ongoing cancel culture against our Founding Fathers and other historical figures has produced some gems.

    The left has previously demanded George Washington’s statues be removed, the Thomas Jefferson Memorial be relegated to a museum, and parks named after Andrew Jackson to be dedicated instead to honor Michael Jackson.

    These aren’t serious adults, folks.

    If you think these are idle threats, however, you’d be wrong.

    A statue of Thomas Jefferson, the drafter of the Declaration of Independence and America’s third president, was removed from City Hall in New York two years ago because he was a slaveholder. 

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    Rusty Weiss has been covering politics for over 15 years. His writings have appeared in the Daily Caller, Fox News, Breitbart, and many more.

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    Rusty Weiss

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  • NYC crook tries to grab $100K Cathedral of St. John the Divine statue

    NYC crook tries to grab $100K Cathedral of St. John the Divine statue

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    An infernal thief tried to walk out of Manhattan’s famed Cathedral of St. John the Divine with a $100,000 religious statue, police said Sunday.

    The crook showed up at the landmark Episcopal church on Amsterdam Ave. at W. 112th St. dressed all in black about 8:30 p.m. Dec. 3, according to cops. But he didn’t have much of a plan to pull off the unholy heist.

    He started to lift one of the cathedral’s statues, worth at least $100,000 but when he spotted security staff he ran off empty handed, police said.

    The church, which can hold 5,000 worshipers and is touted as the world’s largest Gothic cathedral, is famed for its annual Procession of Animals.

    Cops released surveillance footage of the crook in action and asked the public’s help identifying him and tracking him down.. (DCPI)

    It was ravaged by fire in 2001 and damaged again in a 2019 blaze. In December 2020, police shot and killed an apparently suicidal double-pistol waving gunman on the cathedral steps.

    Cops released surveillance footage of the crook in action and asked the public’s help identifying him and tracking him down. He is describes as between 45 and 50, about 5-foot-10 and 220 pounds with a light complexion.

    Anyone with information is asked to call Crime Stoppers at (800) 577-TIPS. All calls will be kept confidential.

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    John Annese

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  • Statue of controversial USC founder removed from campus

    Statue of controversial USC founder removed from campus

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    A statue of a USC founder — whose connection to groups that carried out extralegal lynchings raised questions about the statue’s placement — was removed last month for routine maintenance, university officials said.

    Judge Robert Widney was one of USC’s founders, and since 2014 an 8-foot bronze statue of him had stood outside the Widney Alumni House.

    In an Instagram post, the Daily Trojan reported that Widney’s statue and the plaque were taken down Nov. 28.

    In an emailed statement, the university said the statue was removed for “maintenance and cleaning” but did not answer a question on whether it would be returned.

    Like many institutions, USC was met with reinvigorated calls to purge its namesake sites tied to racist figures — which included university founders, presidents and athletics coaches — after a police officer murdered George Floyd on camera in 2020. The fury and protests over the killing strengthened a nationwide movement to remove symbols or names associated with racism in public spaces and on school campuses. Monuments, statues and buildings were toppled, dismantled or renamed as organizations, schools and cities reckoned with their pasts.

    In June 2020, after years of demands for the university to take action, USC removed the Von KleinSmid Center for International and Public Affairs, which was named after Rufus B. von KleinSmid, the university’s fifth president.He was also a leading figure in California’s eugenics movement.
    A bust of Von KleinSmid was also removed from campus after a unanimous vote from the board of trustees’ executive committee.

    In 2021, the building was renamed in honor of Joseph Medicine Crow, a Native American alumnus who wrote influential works about Indigenous history and culture.

    Over the summer, the university renamed the field at the Trojans’ track stadium in honor of athlete and alumna Allyson Felix, the most decorated American track and field athlete in Olympics history. The space had previously been named after Dean Cromwell, a former USC track coach who was criticized for anti-Black views and antisemitic actions.

    But the statue of Widney had remained. According to USC, Widney is one of the four founding fathers of the school, and he had outsize influence on its growth in the late 1870s.

    But Widney was also tied to the Home Guard Vigilance Committee in the late 1800s. At the time, vigilante groups in Los Angeles often targeted Native Americans and people of color, according to multiple historians.

    A professor and historian at UC Merced told The Times in 2020 that Robert Widney was “most certainly” supportive of extralegal lynchings. Widney’s statue came under sharper scrutiny after the university stripped Von KleinSmid’s name from the landmark building.

    Widney’s brother, Joseph Widney, was USC’s second president. He expressed racist views in his writing, including that Black and white people “cannot live together as equals.” Historian Torres-Rouff described the racial beliefs Joseph Widney espoused in his book as “repugnant,” citing them in a 2018 article asking universities “to confront their past, not omit it.”

    Times staff writer Tomás Mier contributed to this report.

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    Alexandra E. Petri

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