It’s no secret among anime fans that Wit Studio’s herculean efforts on earlier seasons of the mega-popular Attack on Titan and sleeper hit Vinland Saga helped make each series a household name in the anime industry. While both shows have since been passed on to Mappa, and fans have growing concerns over whether animators in the industry working on such shows are being overworked, George Wada, president, CEO, and producer at Wit, told me that his studio’s uncommon collaboration on Spy x Family helps prevent worker crunch.
Vinland Saga Season 2’s Farming Arc Is Planting Seeds For A Phenomenal Payoff
Speaking with Kotaku at Anime Expo 2023, Wada revealed that Wit Studio’s collaboration with fellow animation studio CloverWorks (the makers of Wonder Egg Priority) to produce Spy x Family, his favorite anime at the moment, is an unheard-of practice within the anime industry.
“Each studio has its own color and own way of doing things so it’s really, really hard in most cases for multiple anime studios to be working together on a single series,” Wada told Kotaku. “And I believe it was possible only because it was Spy x Family.”
On the production side of Spy x Family, Wada revealed that Wit and CloverWorks split the workload in half episode-wise. Under this model, Wada says fans can “see all the good parts of Wit and CloverWorks melded together to create Spy x Family” while also providing new seasons of the show at a pace that matches fans’ expectations.
Toho Animation
Why Wit isn’t working on Attack on Titan and Vinland Saga anymore
As mentioned, Wit is no longer animating Attack on Titan or Vinland Saga. Instead, both anime’s latest seasons are being made by studio Mappa. When I asked what led to Wit passing the baton to Mappa twice, Wada said it was because handling those shows didn’t work with Wit’s production cycle.
“There was a schedule set by like the manga side saying, ‘Can you air it on this and this date’ and it just did not mesh with the studio. We can’t really create something with that schedule because the fans want to get the show sooner than later,” Wada said. “On the other hand, Spy x Family is created with CloverWork so we can give it to you sooner.”
When asked what Wit does to prevent its staff from having to crunch in order to complete an anime series, Wada responded by saying the first thing Wit does is get a good budget for an anime project so it can ensure its staff is being “properly paid.”
“We hire the creators as employees so that we can give them a salary,” Wada said, adding that Wit plan on having a “tag team” between employee creators ad freelancer to help create “great anime.”
To improve the working conditions in the anime industry, Wada suggests that studios make each creator a full-time employee so that, while they’re in the negotiation process, they can fight for a more reasonable schedule to ensure that all the creators can have good working conditions with ample pay and “not too much crunch time.”
Wada thinks family-oriented shows are going to be the new wave in anime
When asked whether he thought that the rise in popularity of family-oriented shows like Spy x Famly and Ranking of Kings was indicative of a new anime trend moving away from battle anime featuring power fantasy characters, Wada said he thinks it is, stating that it’s good to have more shows that casual fans can enjoy, especially if they don’t enjoy battle anime.
“You had your Demon Slayer, you had your Attack on Titan, but now it feels that there’s a new wave of anime genres coming in. Now that anime is becoming more prominent with [even] more fans, you’re gonna have a lot more casual watchers as opposed to the hardcore watchers,” Wada said. “It’s nice to have shows that people can watch and have fun together. That might be why shows like Spy x Family and Ranking of Kings [are] getting up there in popularity.”
Kotaku is covering everything at Anime Expo 2023, including big announcements at panels and exclusive one-on-one interviews with the industry’s biggest creators. Whether you’re a seasoned anime fan or a newbie, you can keep up with all things Anime Expo 2023 here.
Wit Studio and CloverWorks’ wholesome yet action-packed new anime series Spy x Family took the world by storm after it debuted last spring. Since its debut, Spy x Family became one of the highest-rated shows on the anime database and social media site MyAnimeList, beating out mega-popular shows like Demon Slayer, Jujutsu Kaisen, and even the long-running pirate anime One Piece. And that was with one season under its belt. This is why I had to sleuth my way into interviewing a Japanese voice actor for Spy x Family at Anime Expo and ask him why he thinks the show is such a hit.
The Anime Dream Team Behind Chainsaw Man
Spy x Family follows a prominent super spy named Loid as he goes undercover and infiltrates the school of a politician’s son to prevent a war from breaking out between two neighboring countries. To do so, Loid creates a fake family who, unbeknownst to him, have secrets of their own His adopted daughter Anya is a telepath, his wife, Yor, moonlights as the world’s deadliest assassin and their family dog Bond can see the future.
With season one of Spy x Family in the books and a second season and an original movie, Spy x Family: Code White, on the way later this year, I spoke with Takuya Eguchi, the Japanese voice actor for Loid, at Anime Expo and asked him what it’s like portraying one of the best dads in anime.
Eguchi’s favorite Spy x Family scene wasn’t in the manga
Part of what makes Spy x Family such a refreshing anime is its ability to walk the line between being a light-hearted comedy about an odd-couple family and a serious drama about the threat of war. Although the show’s tonal whiplash occasionally makes for a difficult line read for Eguchi, his past experience voicing action scenes that include yelling helps him channel his performance as a soft-spoken father into a rigid spy on a dime.
Speaking of action scenes, Eguchi revealed that one of his favorite Spy x Family battles from the anime never happened in the manga.
“My favorite scene is, I think it’s [in] episode five, the episode where Anya runs a castle and Bondman, or Loid, has to go save Princess Anya,” Eguchi said. “It’s in the original manga as well, but in the anime added a lot more scenes for the fans to enjoy.”
Crunchyroll Collection
For context, this scene transpires in two panels in the manga whereas in the anime it runs for roughly half the runtime of Spy x Family’s 24-minute episode. The anime even throws in a showdown between Loid and a wine-drunk Yor. Eguchi says this is favorie scene because it showcases Yor and Loid as a “cool” assassin and an “extra cool” spy.
Although Eguchi resonates with Loid being a family man, albeit while undercover, Eguchi told me that the most difficult part about portraying Loid is encompassing his talkative super spy persona.
“The most difficult part is his inner monologue,” Eguchi said via a translator. “He talks a lot.”
Unlike the manga, which utilizes speech and thought bubbles to give readers a sense of the schemes Loid plots to solve both domestic and global threats, Eguchi said he has a limited amount of time to so say what’s on Loid’s mind. Fans of the show will note that, despite being a know-it-all spy, Loid’s tendency to overthink leads to a comedic of errors with his would-be nuclear family. For example, Loid once thought Yor being in a bad mood had something to do with him failing as a husband when in reality she was trying (and failing) to hide the fact she was shot in the butt while she was on one of her assassin missions. An honest mistake in the Forger household, to be fair.
Crunchyroll Collection
Expect even more original scenes in future Spy x Family episodes
Toward the end of our chat, Eguchi teased that, much like Spy x Family’s first season, season 2 will also include original scenes expanding the source material just like how the anime put “a lot of care” into expanding upon Anya’s castle excursion from the manga.
“I actually haven’t started recording my lines yet, so I’m also looking forward to what I’m going to see too,” Eguchi said.
Kotaku is covering everything at Anime Expo 2023, including big announcements at panels and exclusive one-on-one interviews with the industry’s biggest creators. Whether you’re a seasoned anime fan or a newbie, you can keep up with all things Anime Expo 2023 here.
2022 was an all-time great year for anime. We got tear-jerking finales, heart-warming moments galore, and an anime where a guy who can turn his arms into chainsaws befriends a female version of Eric Cartman. In short, it’s a year where we all won. And perhaps the most concise way to distill the quality of anime in 2022 is through one of the biggest staples in the genre: the OP.
Given the high in the medium in general, it only makes sense that 2022 was an amazing year for anime OPs, as well. Perhaps one of the most striking features of this year is how strongly songs used in anime performed on global music charts. Although I didn’t count film sequences in this list, this is the year a song from One Piece Film: Red displaced freaking Beyoncé in the global Apple Music charts. Add to that the success of songs like “Mixed Nuts” from Spy x Family, and we’re in a very exciting time indeed. Pop music used in OPs doing well on Japanese charts is nothing new. But both “Mixed Nuts” and songs like “Uta’s Lullaby” from Red have some incredibly adventurous moments in them. And they charted. Globally. This, for me, is thrilling.
10. Attack on Titan, Final Season Part 2
Song: “The Rumbling” by SiM
“My War,” which serves as the OP for the first part of Attack on Titan‘s final season, is one of my favorite OPs of all time. I don’t think “The Rumbling” is quite at that level—the animation isn’t as poetic—but it still leaves you with goosebumps. “The Rumbling” highlights how our characters have changed dramatically from where we first met them. In particular, it underscores Eren’s current isolation and his evolution into someone the viewer—as well as the other characters—wonders if they truly know anymore. This aspect is where it truly shines. As with all good Attack on Titan OPs, it gets you in the mindset of, “Oh shit, what’s going to devastate me this week?”
9. Ranking of Kings, Cour 2
Song: “Naked Hero” by Vaundy
While I had some seriously mixed thoughts about the final episode of Ranking of Kings’ cour 2, I loved the show overall—by which I specifically mean that I love Bojji very, very much. Cour 2’s opening shows the series’ shift from its first half, doing an excellent job in displaying what haunts every main character—which means that it’s quite the emotional OP. In particular, the series of shots of Bojji, Kage, and my favorite snake getting coddled by matronly presences destroys me every time. Add to that a song by Vaundy—who also wrote my favorite song for One Piece Film: Red—and you’ve got a doozy.
8. My Hero Academia
Song: “Hitamuki” by SUPER BEAVER
Like another OP later on this list, I love how stylized the sixth OP for My Hero Academia starts out. For about half of its run time, it’s explicitly referencing the art style of the American comic books that surely influenced the series, complete even with “BOOOOOM”s and “RRMMMBL”s. It’s a joy to watch, even more so when it serves as an oasis from the markedly tense events of this season.
7. Pop Team Epic
Song: “PSYCHO:LOGY” by BOUNCEBACK
I love Pop Team Epic truly and deeply. As a parody sketch show, its theme song naturally has to be some kind of meta parody, as well. Season two’s opening hits this mark in genius fashion. It feels like a messy work session gone to hell. The whole thing is set against the gray-and-white squares that signify a transparent backdrop in Photoshop, with various versions of Popuko and Pipimi frozen in place or glitching out. For an additional layer of parody, I’m pretty sure the latter half of the animation and the song itself—which is called “PSYCHO:LOGY”—is a parody of Mob Psycho 100′s trademark OP style.
For an additional additional layer of parody, this song is sung by Aoi Shouta himself. If you know, you know.
6. Spy x Family, Cour 2
Song: “Souvenir” by Bump Of Chicken
Being in Japan when this OP released was incredibly striking. Even though Spy x Family takes place in a fantastical equivalent to Cold War Europe, it’s impossible to overstate how much this series nails the arrival of autumn in Japan. This is the series’ second OP of the year, and its autumnal nature is the most eloquent way they could have possibly said, “We’re back!” Furthermore, it exudes the warmth and gentle sentimentality that makes Spy x Family so special. And you can’t tell me that shot of the Forgers riding in a convertible as the bridge kicks in isn’t satisfying as hell.
5. Cyberpunk: Edgerunners
Song: “This Fffire” by Franz Ferdinand
Given the pacing and flashiness that Studio Trigger is known for, the OP for Cyberpunk: Edgerunners is surprisingly patient and, relatively speaking, quite still. But that, combined with a gorgeous color palette, is precisely what makes it so striking. Plus, as someone who grew into my pop culture tastes in the early 2000s, this OP hits a bunch of nostalgic points. The animation reminds me a lot of the music video for “Tomorrow Comes Today” by Gorillaz, and the song is by freaking Franz Ferdinand. This might seem surprising for North American fans, but I learned that Franz Ferdinand has quite the following in Japan (the same is true of Avril Lavigne). The result is an OP which is simultaneously nostalgic and fresh-feeling.
4. Urusei Yatsura
Song: “aiue” by MAISONdes feat. Minami and SAKURAmoti
When you announce the reboot of a series that initially aired in 1981, especially one as well-known (at least in Japan) as Urusei Yatsura, there’s a whole mountain of potential issues to consider. Perhaps the most obvious one is, “How do you convincingly draw these characters into the present day?” The 2022 Urusei Yatsura reboot does this effortlessly in the span of one OP. “aiue” starts in the ’80s, referencing Space Invaders and the manga, then slyly moves us into the modern day by counter-balancing smartphone dating apps and an idol concert. It’s colorful, infectious, and fun—everything you need to bring you into the headspace of a reboot of a beloved series.
3. Spy x Family, Cour 1
Song: “Mixed Nuts” by Official Hige Dandism
The top three OPs in this list are all, in my opinion, perfect. Like, actually perfect. How the hell do you rank perfection? I don’t think you can. But I must list, somehow.
Spy x Family’s first OP is a masterclass in how to create the perfect opening. You’re given a highly stylized first impression of the show that feels straight out of the intros to old spy films. Then, in a brilliant contrast, the style turns to Madeline picture books. The pastel color palette, too, is striking in its contrast. The actual animation style of the show isn’t revealed until about two-thirds of the way in. It makes the “typical anime art style” feel novel and epic.
But even more than the incredible animation, the star here is the song: “Mixed Nuts” by Official Hige Dandism. The first 10 seconds of this track is straight-up noise and free improvisation, with a catchy bass line weaving beneath to still be able to sell it as a pop track. There’s noisy guitar delicately woven throughout, bombastic drum fills, horn stings that make my inner jazz nerd proud, and a bass line that makes you work up a sweat just listening to it. When you reach the chorus and the vocals really begin to soar … dear lord.
I don’t know if a single opening has ever made me as happy as Chainsaw Man’s. It captures the series’ spirit perfectly. And it illustrates just how much MAPPA’s animators deeply love Tatsuki Fujimoto’s characters. There is so much fun and care laced into this opening. Even if you can’t catch the plethora of film references, or the moment of heartbreaking foreshadowing, there’s sure to be something in here that makes you smile every time. For me, it’s Denji cracking an egg and then cocking his head confusedly. And, of course, the ending shot of Denji and Power dancing like the giddy idiots they are, which has reached meme status.
Kenshi Yonezu’s “Kick Back” was obviously written to embody Denji’s mindset, and boy, does it succeed. If you haven’t looked up an English translation of the song, I highly suggest you do so. Here’s the chorus: “Fill up with ‘happy’ / Let’s go until it’s ‘rest in peace’ / That glimpse of hell isn’t so bad / Scatter it with love / I love you, please humiliate me / Rob me of my dignity and laugh, my honey.” That’s Denji, all right.
1. Mob Psycho 100 III
Song: “1” by Mob Choir
Mob Psycho 100III is the perfect sendoff to one of the best anime series ever made. In keeping with that, “1” is the perfect final OP. I also don’t think an OP has ever made me cry before this one. But that last shot, the first time and last times I saw it, really got me. Even more than that, Mob Psycho 100 deserves the top spot in recognition for something it’s been building for three seasons. It’s something no other anime—or TVshow—has ever done, and I doubt another will try to do it again.
“1” completes a trilogy of OPs that—astoundingly, miraculously—really do feel like a trilogy. Together, they form one complete story that perfectly mirrors the growth of the series’ titular character. For me, Mob Psycho 100′s OPs are behind only the holy duo of “Tank!” and “A Cruel Angel’s Thesis” as the best in all of anime. There is no opening in all of television that looks like a Mob Psycho 100 opening. Both song and animation are “experimental” in nature, serving up what we didn’t expect but exactly what we needed. There’s so much happening in this OP, but it never feels too busy. Its overwhelming moments are overwhelming on purpose, reflecting the characters’ mindsets and struggles.
And the song’s a banger. Seriously, the way all three OP songs nail the show’s themes is masterful. Look at the English translation of the first verse of “1”: “I realized that youth is grey / The identity of my irritation is unknown / This emotion train runs side-by-side with my brain / As I struggle through adolescence.”
