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  • Brigitte Bardot, 1960s film icon turned animal rights activist, dies at 91

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    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.”Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor. Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency. In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.” Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.”It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.”I was looking for roots then,” she said in an interview. “I had none to offer.”In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.”It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.” She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.”It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”Bardot once said that she identified with the animals that she was trying to save.”I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.” Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.

    Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.

    Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.

    At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.

    Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.

    ‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.

    Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.

    “Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

    Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor.

    Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.

    She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.

    Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”

    In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency.

    In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.

    She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”

    Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.

    Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.

    But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.

    The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.

    The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.

    “It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”

    Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.

    Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.

    Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.

    “I was looking for roots then,” she said in an interview. “I had none to offer.”

    In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”

    Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.

    Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).

    With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.

    “It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”

    Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.”

    She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.

    Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.

    She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.

    By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.

    “It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.

    In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.

    Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”

    “Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”

    Bardot once said that she identified with the animals that she was trying to save.

    “I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”

    Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

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  • Brigitte Bardot, 1960s film icon turned animal rights activist, dies at 91

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    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.”Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor. Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency. In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.” Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.”It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.”I was looking for roots then,” she said in an interview. “I had none to offer.”In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.”It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.” She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.”It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”Bardot once said that she identified with the animals that she was trying to save.”I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.” Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

    Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later an animal rights activist, has died. She was 91.

    Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals, told The Associated Press that she died Sunday at her home in southern France, and would not provide a cause of death. He said no arrangements have yet been made for funeral or memorial services. She had been hospitalized last month.

    Bardot became an international celebrity as a sexualized teen bride in the 1956 movie “And God Created Woman.” Directed by her then-husband, Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.

    At the height of a cinema career that spanned some 28 films and three marriages, Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled, blonde hair, figure and pouty irreverence made her one of France’s best-known stars.

    Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps and even on coins.

    ‘’We are mourning a legend,” French President Emmanuel Macron wrote Sunday on X.

    Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals; she condemned the use of animals in laboratory experiments; and she opposed sending monkeys into space.

    “Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

    Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest honor.

    Later, however, she fell from public grace as her far-right political views sounded racist, as she frequently decried the influx of immigrants into France, especially Muslims.

    She was convicted five times in French courts of inciting racial hatred. Notably, she criticized the Muslim practice of slaughtering sheep during annual religious holidays like Eid al-Adha.

    Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to former National Front leader Jean-Marie Le Pen, contributed to her political shift. She described the outspoken nationalist as a “lovely, intelligent man.”

    In 2012, she caused controversy again when she wrote a letter in support of Marine Le Pen, the current leader of the party — now renamed National Rally — in her failed bid for the French presidency.

    In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical” and “ridiculous” because many played “the teases” with producers to land parts.

    She said she had never been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”

    Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy, secretive child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.

    Bardot once described her childhood as “difficult” and said her father was a strict disciplinarian.

    But it was French movie producer Vadim, whom she married in 1952, who saw her potential and wrote “And God Created Woman” to showcase provocative sensuality.

    The film, which portrayed Bardot as a bored newlywed who beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and Francois Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.

    The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and shape were often more appreciated than her talent.

    “It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”

    Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant further shocked the nation. It eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.

    Bardot never adjusted to the limelight. She blamed the constant press attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house only two weeks before she gave birth to snap a picture of her pregnant.

    Nicolas’ father was Jacques Charrier, a handsome French actor whom she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.

    “I was looking for roots then,” she said in an interview. “I had none to offer.”

    In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”

    Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, but the relationship ended in divorce three years later.

    Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear and the Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).

    With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often they were vehicles to display Bardot’s curves and legs in scanty dresses or frolicking nude in the sun.

    “It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”

    Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.”

    She emerged a decade later with a new persona: An animal rights lobbyist. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted to the prevention of animal cruelty.

    Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.

    She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.

    By the late 1990s, Bardot was making headlines that would lose her many fans. She was convicted and fined five times between 1997 and 2008 for inciting racial hatred in incidents inspired by her anger at Muslim animal slaughtering rituals.

    “It’s true that sometimes I get carried away, but when I see how slowly things move forward … and despite all the promises that have been made to me by all different governments put together — my distress takes over,” Bardot told the AP.

    In 1997, several towns removed Bardot-inspired statues of Marianne — the bare-breasted statue representing the French Republic — after the actress voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.

    Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”

    “Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”

    Bardot once said that she identified with the animals that she was trying to save.

    “I can understand hunted animals because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”

    Ganley contributed to this story before her retirement. Angela Charlton in Paris contributed to this report.

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  • Macron, Merz tout renewal of close ties between Paris and Berlin

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    French President Emmanuel Macron hailed the restoration of close ties between Paris and Berlin as he hosted German Chancellor Friedrich Merz at his summer residence on Thursday before high-level talks between ministers from both states.

    After years of strained relations with Merz’s predecessor, Olaf Scholz, the French leader said the successful restart of relations can serve as a driving force for strengthening Europe.

    Following the change of government in Berlin earlier this year, the two leaders have “opened a new chapter in Franco-German relations,” Macron said after welcoming his German counterpart to the Fort de Brégançon on the Côte d’Azur.

    “I believe that the Franco-German tandem is now perfectly coordinated to create a stronger Europe in the areas of economy, trade and currency,” he stated.

    Merz also emphasized the importance of the “axis” of the two countries’ ties, saying “Germany and France play a central role in this European Union, on this European continent.”

    He also highlighted the crucial role of unity among all 27 EU member states. If this unity is achieved, “then we are truly strong, and Europe becomes a factor in the world,” Merz said.

    “The developments in this world show how important it is for us to become a powerful factor in the world — economically, politically, and also in terms of security policy.”

    Macron added that the relationship would be key in establishing “a Europe that asserts its geopolitical position in the Ukraine conflict in light of Russia’s war of aggression, and a Europe that has decided to rearm itself to ensure its protection.”

    The relationship between Macron and Merz is considered significantly better than with predecessor Olaf Scholz.

    However, a long list of differences in policy remains between the two countries, including the nuclear energy debate, France’s support for joint European debt and Germany’s backing for the MERCOSUR trade deal with South American countries.

    Ministerial Council on Friday

    Merz arrived in southern France on Thursday ahead of the two governments holding consultations on economic and security policy against the backdrop of a political crisis in Paris.

    On Friday, half of Merz’s Cabinet will participate in the Ministerial Council in Toulon.

    Among those expected to attend on the German side are Finance Minister Lars Klingbeil, Economy Minister Katherina Reiche, Defence Minister Boris Pistorius, and Interior Minister Alexander Dobrindt.

    A Franco-German Defence and Security Council will later convene to discuss, in a smaller circle, the production of weapons systems in Europe as well as joint Franco-German armament projects.

    But the meetings may be overshadowed by a deep government crisis in France.

    Prime Minister François Bayrou has called a vote of confidence in parliament on September 8.

    The government is expected to fall, and new elections cannot be ruled out. Although the crisis does not directly affect the presidency, it weakens Macron.

    Merz and his German ministers will therefore be negotiating on Friday with a French Cabinet whose tenure remains uncertain.

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  • Selena Gomez’s “Love On” Can Act As Both Sequel or Prequel to “Single Soon”

    Selena Gomez’s “Love On” Can Act As Both Sequel or Prequel to “Single Soon”

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    As Selena Gomez continues to give listeners a sonic sample of what might constitute her next album, it’s plain to see she’s been in a “playful” mood of late. And it arguably started back up again with “Single Soon” (for, although her collaboration with Rema on a remix of “Calm Down” was playful enough, it was followed up by the melancholic aura of “My Mind & Me”). With “Love On,” Gomez expands on the universe of l’amour that she dissects on “Single Soon,” the former being interpretable as either a prequel or sequel to the narrative presented on the latter (even if unintentional—though if it were Gomez’s bestie, Taylor Swift, doing it, it would be very intentional indeed). 

    As for the “Love On” video, Gomez finds herself in familiar territory: lauding the French (which isn’t always an act that many are willing to partake in). Something she also did in the 2018 video for “Back To You,” a blatant homage to Jean-Luc Godard’s Pierrot Le Fou, with Gomez embodying the Anna Karina role of Marianne Renoir. In a similar fashion to that visual, “Love On” also starts with wistful-sounding, “old-timey” French music as the camera pans across a stairway inside the Villa de Leon in Malibu. A stairway filled with couples of all colors and creeds kissing while a nostalgic voice sets the French tone with, “Qu’est-ce que je vais te nommer? Amour. Amour tendre.” We then see Gomez amid the sea of couples with her own “man”: a French bulldog she holds in her arms while wearing a Del Reyian black bow in her hair and a bright pink dress. The first of many “couture pieces” we’ll see in the video, appropriately directed by Frenchman ​​Gregory “Greg” Ohrel. The next one, as a matter of fact, is a blue halter dress paired with a cocktail hat as Gomez sits out on a balcony overlooking the Pacific Ocean amid other “merrymakers” who are drinking, what else, cocktails. The statue of a naked man behind them is also sure to remind viewers that they’re in France—by way of Los Angeles. Because, as Gomez herself stated, the video was inspired by the two months she spent living there while working on the “musical crime comedy” Emilia Perez. And yet, there’s something decidedly more “South of France” than there is “Parisian” about the visuals. 

    In another scene, Gomez gets meta with a close-up on the Ramon Casas painting entitled “After the Ball,” followed by a pan-down of her lying in the same position with a book and a black dress, just like the exhausted woman in the painting. In contrast to the reason why she might be exhausted in “Single Soon” (her emotions drained from having the same arguments over and over again), any reason she might be drained in “Love On” is likely to be strictly physical, if you take one’s meaning. Though she appears to have plenty of time for rest and relaxation as Ohrel then cuts to a scene of her in a white bathrobe and towel around her head (it’s very Madonna in “Vogue”), it’s probably just so she can restore her energy so as to “turn her love on” again. These days, that love is turned on for record producer Benny Blanco, a clear inspiration for the track (even if Gomez started working on it with co-songwriter Julia Michaels a while back). 

    As such, Gomez has plenty of lascivious lyrics, including, “I deserve an applause for/Keepin’ you up late/‘Til you can see straight.” This being reminiscent of Ariana Grande on “34+35” singing, “Watchin’ movies, but we ain’t seen a thing tonight/I don’t wanna keep you up/But show me, can you keep it up?” This in addition to Gomez channeling Grande on that song when the latter declares, “Baby, you might need a seatbelt when I ride it.” For Gomez, that translates to, “I’m a rollercoaster ride, baby, jump on.” Elsewhere, Gomez favors the Fifth Harmony method of making work analogies that double as sexual ones in the form of: “Clock in, baby, get to work/Night shift, but with all the perks/Time stamping when you fell in love/Time can’t mess with us.” And, because sex and food go hand in hand when it comes to indulgence and desire, there’s plenty of food play in the song and video, too. Chiefly, when we’re given a POV shot from the croissant’s perspective as Gomez downs it like a dick (after dipping it in her coffee, bien sûr). There’s also another scene involving ballerinas and French fries (the ultimate dichotomy). Lyrically, the main “foodism” consists of Gomez chirping, “Why are we conversing over this/Steak tartare, when we could be/Somewhere other than here/Making out in the back of a car?/Or in the back of a bar.” Gomez seemingly does have a thing for ditching the first location and doing something involving a car (if the “Back To You” video is anything to go by). 

    She’s also fond of ditching one outfit for another as we see her change into a retro-inspired look out of the 60s in a form-fitting, rainbow-striped mini dress and high ponytail before then switching into a balletcore frock and topping her head off with yet another ribbon (this one white)—surely Del Rey can’t abide. As night falls on the balcony, Gomez continues to radiate her effusiveness now that her love has been “activated,” dancing casually in a yellow gown with the fabric bunched into a rose shape at the center. Being that this is such a fashion-heavy video, it’s only right that one of the lyrics should be, “If you think about fallin’/Got you covered like garments.” 

    Needless to say, with Gomez being a Cancer, once her love is turned on, it might become overly smothering for some people (save for Tauruses, who can never get enough displays of love and devotion, especially if conveyed through decadence and food). Though maybe not a Pisces like Benny Blanco… If it does, however, Gomez can always revert back to her Sex and the City-esque single girl anthem, “Single Soon”—both prequel and sequel to a song like “Love On,” which speaks so overtly about the romantic, sex-drenched beginnings of relationships rather than the ends. Even though the French are skilled in talking about le fin de l’amour in their art as well (a skill that Taylor Swift, unfortunately, riffed on for the “ME!” video—so thank dieu Gomez came along to rectify that visual for her “better half”).

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    Genna Rivieccio

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  • Learn About The Wine Category That ‘Continues To Dominate Sales’ In The New Book, Rosés Of Southern France

    Learn About The Wine Category That ‘Continues To Dominate Sales’ In The New Book, Rosés Of Southern France

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    Anyone who reads about or researches rosé has likely consulted the writing of Elizabeth Gabay MW. She’s the author of Rosé: Understanding the pink wine revolution and her highly anticipated new book Rosés of Southern France, written in partnership with Ben Bernheim, is out now.

    Bernheim is Gabay’s son, a twenty-something sommelier, writer, and wine industry veteran who returned to the family home in eastern Provence in the early days of the pandemic. During this time he started working with Gabay, researching and tasting wine. As the months ticked by, the duo had tasted around 1,000 rosé wines and documented tasting notes for 850 of them — all from Southern France. These notes became a digital guide.

    “But by the end of the guide we found we had more questions than answers,” says Gabay. They wondered about taste variance and typicity, and pondered over the sometimes-vague tasting sheets and winemaking notes that accompanied each bottle. And this is how the new book was born, birthed from a curiosity to deeply understand the rosés of Southern France.

    Gabay is the eminent wine industry source, even before this book, on critical thinking about rosé from around the world. Working in Provence since the mid 1980s, she’s not one to make assumptions about color, age-worthiness, vinification methods, origins, potential, or style of rosé. This book — covering Provence, the Rhone Valley, and Languedoc — also includes an educational introduction to Southern French rosé as well as vintage reporting and context on aging rosé wine.

    Interest in rosé wines from the South of France has escalated in recent years, though the region has cultivated this style since antiquity. According to BevAlc Insights’ 2022 Rosé Wine Category Forecast by Drizly, “pink bottles from France — especially Provence and elsewhere in southern France — continue to dominate sales, holding 63 percent of rosé share on Drizly.” And there’s no sign of this pattern slowing down. According to this same report, “continued product innovation means consumers will likely be seeking new styles” of rosé in both still and sparkling categories in the future. This is a reality that Gabay and Bernheim have anticipated.

    “Of course we realize that with rosé being the most exciting wine category around right now — constantly developing and changing — a book will not be enough,” says Gabay, hinting at a forthcoming second edition. Meanwhile the website pink.wine is where fans and readers can keep up with the authors and access ongoing content and research about rosé wine.

    The book is also rich with original photography and maps. “We decided to include as many maps as possible — difficult as very few maps exist for this region and less for rosé, so Ben created many of the maps himself,” says Gabay. “We wanted photos of terroir to show where the wine comes from, to discuss the soils, grapes, winemaking, and whether good rosés could age.” All that and more is waiting inside.

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    Jill Barth, Contributor

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