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Tag: Sonny Curtis

  • The Rebel Heart Of The South Includes Cannabis And Rock

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    Southern rock, outlaw spirit, and reform meet as the rebel heart of the South includes cannabis and rock in today’s cultural landscape.

    In the American South, where music and culture entwine like the roots of an old oak, the intersection of cannabis and Southern-flavored rock sounds is more than a footnote — it’s a story of rebellion, identity, and evolving norms mirroring broader societal shifts. Southern rock, born in the 1960s and 1970s, has always been about defying expectations: guitars blazing, rhythms throbbing, and lyrics steeped in regional pride. Bands like Lynyrd Skynyrd helped define sounds with tracks like “Sweet Home Alabama” and “Free Bird,” songs which became anthems of a generation and symbols of Southern resilience and swagger. In today’s word, it is often overlooked the rebel heart of the South includes cannabis and rock and roll.

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    Cannabis, too, has carved its own path through Southern culture, once a taboo subject whispered about in honky-tonks and around campfires, now emerging — quietly but steadily — from the shadows of prohibition. As attitudes toward marijuana reform have softened nationwide, the South’s relationship with cannabis has evolved in fits and starts, shaped by economic potential, medical need, and cultural change. States like Mississippi and Louisiana have implemented medical cannabis programs which are expanding access and normalizing patient use in cities like Jackson and New Orleans, while police departments are increasingly de-emphasizing low-level possession enforcement.

    The intertwining of cannabis and Southern rock culture isn’t just about policy; it’s about the artists and the communities they reflect and influence public perception. While Lynyrd Skynyrd didn’t write songs explicitly about cannabis, their rebel image and broader rock’n’roll ethos fit comfortably with countercultural themes that have long included marijuana. Rock musicians across genres have been associated with cannabis use — a cultural touchpoint underscoring music’s role in challenging norms and fostering community. Even Skynyrd’s members have been light-heartedly linked to cannabis culture in anecdotes about informal celebrations with other artists in states where pot is legal.

    Another strand in this tapestry is the enduring legacy of outlaw and rockabilly-infused songs like “I Fought the Law.”Written by Sonny Curtis in 1958 and popularized by the Bobby Fuller Four, the track became an anthem of defiance — its refrain “I fought the law and the law won” a mantra for generations of listeners who felt pulled between authority and autonomy. Though not directly about marijuana, the song’s spirit of rebellion resonates strongly with cannabis culture’s own narrative of challenging prohibitionist laws. “I Fought the Law” went on to be covered by artists across genres, from punk icons like The Clash to country stars like Hank Williams Jr., proving how a simple rock ‘n’ roll riff can echo across decades and movements. ZZ Top, The Allman Brothers, The Charlie Daniels Band all draw audiences who feel a bit of rebel in their heart.

    RELATED: Your Zodiac Sign And Marijuana

    Culturally, the South has been slower than other regions to embrace full recreational cannabis legalization, but the tide is shifting. Missouri stands out in the wider Southern region for legalizing adult-use cannabis, with retail sales beginning in early 2023 and a thriving market taking shape. Other Southern states are making incremental progress: Florida’s robust medical cannabis system continues to grow and saw a recent push for adult-use nearly passed, while Mississippi, Louisiana, and Arkansas have medical programs reflecting gradual reform. However, many states — including Texas, Georgia, South Carolina, and Tennessee — remain more restrictive, embracing only limited medical access or hemp-derived products.

    What’s clear is the intersection of cannabis and Southern rock mirrors broader cultural currents: a blend of tradition, resistance, and reinvention. As Southern states grapple with changing public opinion and economic incentives, the region’s music and cannabis cultures continue to influence each other, proving that even in the South, transformation moves to its own rhythm — but it moves.

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    Anthony Washington

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  • Sonny Curtis, Crickets member who penned ‘Mary Tyler Moore Show’ theme, dies at 88

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    Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic “I Fought the Law” and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to “The Mary Tyler Moore Show,” has died at 88.Related video above: Remembering those we lost in 2025Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday, his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill.Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash “I’m No Stranger to the Rain” to the Everly Brothers’ “Walk Right Back,” a personal favorite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work.Early days with Buddy HollyBorn during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit “Someday” for Webb Pierce and “Rock Around With Ollie Vee” for Holly.Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album “In Style with the Crickets,” which included “I Fought the Law” (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration “More Than I Can Say,” a hit for Bobby Vee, and later for Leo Sayer.Meanwhile, it took until 1966 for “I Fought the Law” and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars.”It’s my most important copyright,” Curtis told The Tennessean in 2014.’The Mary Tyler Moore Show’Curtis’ other signature song was as uplifting as “I Fought the Law” was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song “Love is All Around,” and used a smooth melody to eventually serve up lyrics as indelible as any in television history:”Who can turn the world on with her smile? / Who can take a nothing day, and suddenly make it all seem worthwhile? / Well, it’s you, girl, and you should know it / With each glance and every little movement you show it.”The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart.Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song.”Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks.”James L. Brooks came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.”Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead.Later lifeCurtis made a handful of solo albums, including “Sonny Curtis” and “Spectrum,” and hit the country Top 20 with the 1981 single “Good Ol’ Girls.” In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them “The Crickets and Their Buddies,” featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was “The Real Buddy Holly Story,” a rebuke to the 1978 biopic “The Buddy Holly Story,” which starred Gary Busey.Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.”Associated Press journalist Mallika Sen contributed reporting.

    Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic “I Fought the Law” and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to “The Mary Tyler Moore Show,” has died at 88.

    Related video above: Remembering those we lost in 2025

    Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday, his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill.

    Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash “I’m No Stranger to the Rain” to the Everly Brothers’ “Walk Right Back,” a personal favorite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work.

    Early days with Buddy Holly

    Born during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit “Someday” for Webb Pierce and “Rock Around With Ollie Vee” for Holly.

    Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album “In Style with the Crickets,” which included “I Fought the Law” (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration “More Than I Can Say,” a hit for Bobby Vee, and later for Leo Sayer.

    Meanwhile, it took until 1966 for “I Fought the Law” and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars.

    “It’s my most important copyright,” Curtis told The Tennessean in 2014.

    ‘The Mary Tyler Moore Show’

    Curtis’ other signature song was as uplifting as “I Fought the Law” was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song “Love is All Around,” and used a smooth melody to eventually serve up lyrics as indelible as any in television history:

    “Who can turn the world on with her smile? / Who can take a nothing day, and suddenly make it all seem worthwhile? / Well, it’s you, girl, and you should know it / With each glance and every little movement you show it.”

    The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart.

    Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song.

    “Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks.

    “James L. Brooks came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.”

    Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead.

    Later life

    Curtis made a handful of solo albums, including “Sonny Curtis” and “Spectrum,” and hit the country Top 20 with the 1981 single “Good Ol’ Girls.” In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them “The Crickets and Their Buddies,” featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was “The Real Buddy Holly Story,” a rebuke to the 1978 biopic “The Buddy Holly Story,” which starred Gary Busey.

    Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.”


    Associated Press journalist Mallika Sen contributed reporting.

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  • Sonny Curtis, member of Buddy Holly’s Crickets, dead at 88 – National | Globalnews.ca

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    Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic I Fought the Law and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to The Mary Tyler Moore Show, has died at 88.

    Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday, his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill.

    Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash I’m No Stranger to the Rain to the Everly Brothers’ Walk Right Back, a personal favourite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work.

    Story continues below advertisement

    Early days with Buddy Holly

    Born during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit Someday for Webb Pierce and Rock Around With Ollie Vee for Holly.

    Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album In Style with the Crickets, which included I Fought the Law (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration More Than I Can Say, a hit for Bobby Vee, and later for Leo Sayer.


    From left, Sonny Curtis, Bobby Vee, Joe B. Maudlin and Jerry J.I. Allison perform at the Stillman auditorium in Clear Lake, Iowa on Friday Jan. 30, 2009.

    AP Photo/The Globe-Gazette, Teresa Prince, File

    Meanwhile, it took until 1966 for I Fought the Law and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars.

    Story continues below advertisement

    “It’s my most important copyright,” Curtis told The Tennessean in 2014.

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    The Mary Tyler Moore Show


    Curtis’ other signature song was as uplifting as I Fought the Law was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song Love is All Around, and used a smooth melody to eventually serve up lyrics as indelible as any in television history:

    “Who can turn the world on with her smile? / Who can take a nothing day, and suddenly make it all seem worthwhile? / Well it’s you girl, and you should know it / With each glance and every little movement you show it.”

    The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart.

    Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song.

    Story continues below advertisement

    “Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks.

    “James L. Brooks came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.”

    Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead.

    Later life

    Curtis made a handful of solo albums, including Sonny Curtis and Spectrum, and hit the country Top 20 with the 1981 single Good Ol’ Girls. In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them The Crickets and Their Buddies, featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was The Real Buddy Holly Story, a rebuke to the 1978 biopic The Buddy Holly Story, which starred Gary Busey.

    Story continues below advertisement

    Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.”

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