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  • Bad Bunny wins album of the year at the 2026 Grammy Awards, a first for a Spanish-language album

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    Bad Bunny won album of the year at the 2026 Grammy Awards for his critically-acclaimed “Debí Tirar Más Fotos,” closing out a surprising and history-making night. It is the first time a Spanish-language album has taken home the top prize.“Puerto Rico, believe me when I tell you that we are much bigger than 100 by 35,” he said in his acceptance speech in Spanish, referring to a Puerto Rican colloquialism about the island’s small size. “And there is nothing we can’t achieve. Thank God, thank you to the Academy, thank you to all the people who have believed in me throughout my career.“To all the people who worked on this album, thank you mami for giving birth to me in Puerto Rico, I love you,” he continued.Then he switched to English: “I want to dedicate this award to all the people who had to leave their homeland to follow their dreams.”Harry Styles presented the award — the English singer previously took home the top prize in 2023 for “Harry’s House.” He beat Bad Bunny that year, who was nominated for “Un Verano Sin Ti” — the first Spanish-language album to be up in the category.Anti-ICE messages from the stageBillie Eilish won song of the year for “Wildflower” and used the moment to add her voice to the chorus of musicians criticizing immigration authorities Sunday.“No one is illegal on stolen land,” she said while accepting the award for the song from her 2024 album “Hit Me Hard and Soft.” “(Expletive) ICE is all I want to say.”Immigration was a pointed theme of the night. Bad Bunny, after winning an award for his zeitgeist-shaping album “Debí Tirar Más Fotos,” used his speech to share an anti-ICE message, highlighting the humanity of all people.“Before I say thanks to God, I’m going to say ICE out,” he said, starting out his speech in English to huge applause. “We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans.”Before Bad Bunny took home the best música urbana album trophy, Olivia Dean was named best new artist.”I never really imagined that I would be up here,” she said, receiving her first Grammy while wiping away tears. “I’m up here as a granddaughter of an immigrant. I wouldn’t be here … I am a product of bravery, and I think that those people deserve to be celebrated.”Kendrick Lamar, Lady Gaga, Jelly Roll and more win bigKendrick Lamar and SZA won record of the year at an electric 2026 Grammy Awards Sunday night for “Luther.”Cher presented the award and mistakenly said it goes to “Luther Vandross” instead of Kendrick Lamar and SZA for their single “Luther.”One of the song’s producers, Sounwave, began the acceptance speech by saying, “Let’s give a shoutout to the late and great Luther Vandross.”Lamar also won the first televised award of the night, rap album for “GNX,” accepting the trophy from Queen Latifah and Doechii.“It’s an honor to be here,” he said in his acceptance speech. “Hip-hop is always going to be right here … We’re gonna be having the culture with us.”The victory means Lamar broke Jay-Z’s record to become the rapper with the most career Grammys. Jay-Z has 25; after he took home rap album and record of the year, Lamar’s total is 27.Pop vocal album went to Lady Gaga for “Mayhem.”“Every time I’m here, I still feel like I need to pinch myself,” Gaga said in her speech.Pop solo performance went to Lola Young for “Messy,” whose speech playfully lived up to the song’s spirit.“I don’t know what to say,” she joked about “obviously” not having a speech prepared. “I’m very, very grateful for this.”The inaugural contemporary country album category went to Jelly Roll for “Beautifully Broken.”This year, the Grammys renamed country album to contemporary country album and added a traditional country album category, a distinction that exists in other genres. But the news arrived right after Beyoncé’s “Cowboy Carter” won best country album, inspiring backlash online.“I believe music had the power to change my life,” Jelly Roll said in his acceptance speech, which he spent the majority of thanking God.Pharrell Williams received the Dr. Dre Global Impact Award.“To everyone in this room who believes in the power of Black music,” he said, “thank you so much.”And Cher was presented the 2026 Lifetime Achievement Award. “The only thing I want you to take away,” she said, “I’ve been in this business for 60 (expletive) years. I just want to tell you, never give up on your dreams.”A live concert experienceA powerful Grammy Awards in memoriam segment celebrated the legacies of the late D’Angelo and Roberta Flack at the 68th annual ceremony Sunday night.Ms. Lauryn Hill appeared on the Grammy stage for the first time since 1999, when she became the first hip-hop artist to win album of the year for her “The Miseducation of Lauryn Hill.”The D’Angelo tribute was first: A medley of several songs, among them “Brown Sugar” with Lucky Daye, “Lady” with Raphael Saadiq and Anthony Hamilton and “Devil’s Pie” with Leon Thomas.Then, Hill focused her attention on Roberta Flack: “First Time Ever I Saw Your Face” with Jon Batiste, “Where Is The Love” with John Legend and Chaka Khan, and a mesh of “Feel Like Makin’ Love” and “Killing Me Softly with His Song” with her Fugees bandmate Wyclef Jean.If there was one set that felt like avant-garde artistic performance piece on Sunday night, it was Tyler, the Creator’s medley of “Thought I Was Dead,” “Like Him,” (in which he was joined by Regina King) and “Sugar On My Tongue.” It played out like theater: others would be wise to take note.All eight nominees in the best new artist category participated in a medley at the award show across multiple stages, the back halls of the arena and even the venue’s loading dock. It was an interesting and impressive mod-podge of different styles, from the British soul of Lola Young and Olivia Dean to Addison Rae and Katseye’s hypnotic pop. The Marías kicked things off with their dreamy indie rock; sombr and Alex Warren offered their radio hits — “12 to 12” and “Ordinary” respectively. Leon Thomas reminded the audience why he’s the only nominee also up for album of the year with his fully formed R&B.The hits arrived fast and furious in the show’s first hour. Rosé and Bruno Mars’ opened Grammys with an electric rendition of their multicultural pop smash, “APT.”; the Blackpink singer channeled a pop-punk Gwen Stefani in her tie and platinum blond hair. Sabrina Carpenter with her “Manchild” kiss-off. Justin Bieber slowed things down with “Yukon” from his comeback record “Swag.” Lady Gaga reimagined her hit “Abracadabra” as an electro-rock song.Surprises were abundant — even before the show startedAn exciting, early theme of the 68th Grammy Awards? First time winners.During the Premiere Ceremony held at the adjacent Peacock Theater in Los Angeles ahead of the main show, the Dalai Lama won his first Grammy for audio book, narration and storytelling recording, beating out Supreme Court Justice Ketanji Brown Jackson. You read that correctly.“Golden” from “KPop Demon Hunters” won song written for visual media at the Premiere Ceremony, marking the first time a K-pop act has won a Grammy. Songwriters delivered their acceptance speech in both English and Korean, highlighting the song’s bilingual appeal.Music film went to “Music for John Williams,” which means director Steven Spielberg has officially won his first Grammy. That makes him an EGOT winner — an artist with an Emmy, Grammy, Tony and Oscar.Artists speak out Trump administration’s immigration crackdownsThroughout Sunday’s Grammys, artists offered pro-immigration and anti-ICE messaging.During the Premiere Ceremony, country duo/group performance went to first-time winners Shaboozey and Jelly Roll. Shaboozey accepted the award with tears in his eyes. “I want to thank my mother, who as of today, has retired from her job of 30 years … working as a registered nurse in a psych ward … as an immigrant in this country. Thank you, mom.“Immigrants built this country, literally, actually. So, this for them,” he concluded. “Thank you for bring your culture, your music and your stories.”Amy Allen won songwriter of the year, nonclassical for a second year in a row and wore an “ICE Out” pin, an anti-immigration enforcement message. So did Kehlani – who won her first Grammy for R&B performance and later, her second, for R&B song.“I’ve never won anything before, this is a really crazy feeling,” she said as she fought back tears, reflecting on her first nomination 10 years ago. Then she shifted gears to focus on the current political moment: “Imma leave this and say, (expletive) ICE.”“I’m scared,” Gloria Estefan said of the current political moment backstage at the Grammys. “There are hundreds of children in detention centers. … I don’t recognize my country in this moment right now.”

    Bad Bunny won album of the year at the 2026 Grammy Awards for his critically-acclaimed “Debí Tirar Más Fotos,” closing out a surprising and history-making night. It is the first time a Spanish-language album has taken home the top prize.

    “Puerto Rico, believe me when I tell you that we are much bigger than 100 by 35,” he said in his acceptance speech in Spanish, referring to a Puerto Rican colloquialism about the island’s small size. “And there is nothing we can’t achieve. Thank God, thank you to the Academy, thank you to all the people who have believed in me throughout my career.

    “To all the people who worked on this album, thank you mami for giving birth to me in Puerto Rico, I love you,” he continued.

    Then he switched to English: “I want to dedicate this award to all the people who had to leave their homeland to follow their dreams.”

    Harry Styles presented the award — the English singer previously took home the top prize in 2023 for “Harry’s House.” He beat Bad Bunny that year, who was nominated for “Un Verano Sin Ti” — the first Spanish-language album to be up in the category.

    Anti-ICE messages from the stage

    Billie Eilish won song of the year for “Wildflower” and used the moment to add her voice to the chorus of musicians criticizing immigration authorities Sunday.

    “No one is illegal on stolen land,” she said while accepting the award for the song from her 2024 album “Hit Me Hard and Soft.” “(Expletive) ICE is all I want to say.”

    Immigration was a pointed theme of the night. Bad Bunny, after winning an award for his zeitgeist-shaping album “Debí Tirar Más Fotos,” used his speech to share an anti-ICE message, highlighting the humanity of all people.

    “Before I say thanks to God, I’m going to say ICE out,” he said, starting out his speech in English to huge applause. “We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans.”

    Before Bad Bunny took home the best música urbana album trophy, Olivia Dean was named best new artist.

    “I never really imagined that I would be up here,” she said, receiving her first Grammy while wiping away tears. “I’m up here as a granddaughter of an immigrant. I wouldn’t be here … I am a product of bravery, and I think that those people deserve to be celebrated.”

    Kendrick Lamar, Lady Gaga, Jelly Roll and more win big

    Kendrick Lamar and SZA won record of the year at an electric 2026 Grammy Awards Sunday night for “Luther.”

    Cher presented the award and mistakenly said it goes to “Luther Vandross” instead of Kendrick Lamar and SZA for their single “Luther.”

    One of the song’s producers, Sounwave, began the acceptance speech by saying, “Let’s give a shoutout to the late and great Luther Vandross.”

    Lamar also won the first televised award of the night, rap album for “GNX,” accepting the trophy from Queen Latifah and Doechii.

    “It’s an honor to be here,” he said in his acceptance speech. “Hip-hop is always going to be right here … We’re gonna be having the culture with us.”

    The victory means Lamar broke Jay-Z’s record to become the rapper with the most career Grammys. Jay-Z has 25; after he took home rap album and record of the year, Lamar’s total is 27.

    Pop vocal album went to Lady Gaga for “Mayhem.”

    “Every time I’m here, I still feel like I need to pinch myself,” Gaga said in her speech.

    Pop solo performance went to Lola Young for “Messy,” whose speech playfully lived up to the song’s spirit.

    “I don’t know what to say,” she joked about “obviously” not having a speech prepared. “I’m very, very grateful for this.”

    The inaugural contemporary country album category went to Jelly Roll for “Beautifully Broken.”

    This year, the Grammys renamed country album to contemporary country album and added a traditional country album category, a distinction that exists in other genres. But the news arrived right after Beyoncé’s “Cowboy Carter” won best country album, inspiring backlash online.

    “I believe music had the power to change my life,” Jelly Roll said in his acceptance speech, which he spent the majority of thanking God.

    Pharrell Williams received the Dr. Dre Global Impact Award.

    “To everyone in this room who believes in the power of Black music,” he said, “thank you so much.”

    And Cher was presented the 2026 Lifetime Achievement Award. “The only thing I want you to take away,” she said, “I’ve been in this business for 60 (expletive) years. I just want to tell you, never give up on your dreams.”

    A live concert experience

    A powerful Grammy Awards in memoriam segment celebrated the legacies of the late D’Angelo and Roberta Flack at the 68th annual ceremony Sunday night.

    Ms. Lauryn Hill appeared on the Grammy stage for the first time since 1999, when she became the first hip-hop artist to win album of the year for her “The Miseducation of Lauryn Hill.”

    The D’Angelo tribute was first: A medley of several songs, among them “Brown Sugar” with Lucky Daye, “Lady” with Raphael Saadiq and Anthony Hamilton and “Devil’s Pie” with Leon Thomas.

    Then, Hill focused her attention on Roberta Flack: “First Time Ever I Saw Your Face” with Jon Batiste, “Where Is The Love” with John Legend and Chaka Khan, and a mesh of “Feel Like Makin’ Love” and “Killing Me Softly with His Song” with her Fugees bandmate Wyclef Jean.

    If there was one set that felt like avant-garde artistic performance piece on Sunday night, it was Tyler, the Creator’s medley of “Thought I Was Dead,” “Like Him,” (in which he was joined by Regina King) and “Sugar On My Tongue.” It played out like theater: others would be wise to take note.

    All eight nominees in the best new artist category participated in a medley at the award show across multiple stages, the back halls of the arena and even the venue’s loading dock. It was an interesting and impressive mod-podge of different styles, from the British soul of Lola Young and Olivia Dean to Addison Rae and Katseye’s hypnotic pop. The Marías kicked things off with their dreamy indie rock; sombr and Alex Warren offered their radio hits — “12 to 12” and “Ordinary” respectively. Leon Thomas reminded the audience why he’s the only nominee also up for album of the year with his fully formed R&B.

    The hits arrived fast and furious in the show’s first hour. Rosé and Bruno Mars’ opened Grammys with an electric rendition of their multicultural pop smash, “APT.”; the Blackpink singer channeled a pop-punk Gwen Stefani in her tie and platinum blond hair. Sabrina Carpenter with her “Manchild” kiss-off. Justin Bieber slowed things down with “Yukon” from his comeback record “Swag.” Lady Gaga reimagined her hit “Abracadabra” as an electro-rock song.

    Surprises were abundant — even before the show started

    An exciting, early theme of the 68th Grammy Awards? First time winners.

    During the Premiere Ceremony held at the adjacent Peacock Theater in Los Angeles ahead of the main show, the Dalai Lama won his first Grammy for audio book, narration and storytelling recording, beating out Supreme Court Justice Ketanji Brown Jackson. You read that correctly.

    “Golden” from “KPop Demon Hunters” won song written for visual media at the Premiere Ceremony, marking the first time a K-pop act has won a Grammy. Songwriters delivered their acceptance speech in both English and Korean, highlighting the song’s bilingual appeal.

    Music film went to “Music for John Williams,” which means director Steven Spielberg has officially won his first Grammy. That makes him an EGOT winner — an artist with an Emmy, Grammy, Tony and Oscar.

    Artists speak out Trump administration’s immigration crackdowns

    Throughout Sunday’s Grammys, artists offered pro-immigration and anti-ICE messaging.

    During the Premiere Ceremony, country duo/group performance went to first-time winners Shaboozey and Jelly Roll. Shaboozey accepted the award with tears in his eyes. “I want to thank my mother, who as of today, has retired from her job of 30 years … working as a registered nurse in a psych ward … as an immigrant in this country. Thank you, mom.

    “Immigrants built this country, literally, actually. So, this for them,” he concluded. “Thank you for bring your culture, your music and your stories.”

    Amy Allen won songwriter of the year, nonclassical for a second year in a row and wore an “ICE Out” pin, an anti-immigration enforcement message. So did Kehlani – who won her first Grammy for R&B performance and later, her second, for R&B song.

    “I’ve never won anything before, this is a really crazy feeling,” she said as she fought back tears, reflecting on her first nomination 10 years ago. Then she shifted gears to focus on the current political moment: “Imma leave this and say, (expletive) ICE.”

    “I’m scared,” Gloria Estefan said of the current political moment backstage at the Grammys. “There are hundreds of children in detention centers. … I don’t recognize my country in this moment right now.”

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  • INTERVIEW: Ink Spills All About Her ‘BIG BUSKIN’’ EP, ‘Sweet Tea,’ & More!

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    If you think you’ve never heard Ink, we guarantee you that you’re wrong! This GRAMMY-nominated songwriter has already made it onto your playlists with songs like Beyoncé’s ‘16 CARRIAGES,’ Kendrick Lamar & SZA’s ‘luther,’ and Lay Bankz’s ‘Tell Ur Girlfriend.’ But now, she’s proudly stepping onto the stage with her own narratives and voice on her debut EP, BIG BUSKIN’, which proves that Ink is a vital storyteller defining this generation in music. We need music that connects and transforms us more than ever, and she has the perfect pen for the job.

    Across 13 songs, Ink throws a moving ‘Hoedown’ that walks us through her love story with music, her views on persistence and tough times, and the passion that’s carried her through life. “They can steal your style, but they can’t steal your story,” she muses on the spoken opener, ‘Inktro,’ over a western-inspired soundscape. At the heart of each song lies Ink’s authenticity and pure, all-encompassing love for the music she makes, especially on emotive tracks like the incredible ‘God’s Been Drinkin’.’ Even the EP title is an ode to her love for her craft – some of her earliest musical pursuits involved busking and learning how to make her storytelling as moving as possible, and the ‘Tony Machine on 42nd’ interlude tells the story of one of those performances. 

    The hell with all that BS — press play and find out — real music is back!

    Ink

    We’re ‘Comin’ Back’ from our listening experience with some extra sweet news: we got to ask Ink all about BIG BUSKIN’, writing her truth, and her biggest inspirations! Press play on BIG BUSKIN’ then keep reading to learn more about the project from the musical genius who created it.

    Hey Ink, congratulations on the EP release! What has it been like for you to drop it and see how much fans are loving it?
    It’s been incredible to drop the EP! Finally being able to say it’s out now is surreal.

    There are so many thoughtful lyrics on your standout single ‘Sweet Tea,’ with one of our favorites being “we can’t take it back, so really we gotta live again.” Which line from the song are you most proud of?
    “Yeah, my granny never even cuss ‘til she got Alzheimer’s / Uh, real GOAT, greatest of all timers.”

    The ‘Sweet Tea’ music video includes so many sweet home movie clips and throwback moments. What was it like for you to revisit so many memories for the song and video?
    It was the best part about it. It just took me back down memory lane. It felt so good to be back home and just have the spirit of my family and those that aren’t here anymore still be there to celebrate.

    We’re so excited about your debut BIG BUSKIN’ EP! Which song were you most hyped for fans to hear and why? Which tracks are the most meaningful to you?
    They’re all meaningful to me, but I’m most hyped for fans to hear ‘Sweet Tea’ because they get to hear a little about the fam, and ‘All I Got’ since it really summarizes the EP. Plus all the inkerludes!

    Inspired by ‘Turquoise Cowboy,’ which color do you think best matches the energy of BIG BUSKIN’?
    Turquoise with a little wood grain.

    The BIG BUSKIN’ title nods to your own experiences busking around Atlanta, which you’ve described as “resilience in motion.” What’s something you learned during that phase of your musical journey that you’ve taken with you as you’ve grown?
    The world is a beautiful place, you’ve just gotta choose to see it.

    In your recent INKtionary post on Instagram, you listed one of the definitions of BIG BUSKIN’ as “to live loud, global, and unapologetic – outlaw energy with superstar reach.” How do you stay true to yourself and your roots as your star rises?
    I just carry on the memory of the places I’ve been and the people I’ve met as I go. I take my boots off, get my feet in the grass, and connect to nature.

    Alongside your own work, you have writing credits on iconic songs like Kendrick Lamar & SZA’s ‘luther,’ Beyoncé’s ‘TEXAS HOLD ‘EM,’ and Lil Nas X’s ‘STAR WALKIN’!’ How do you approach writing for another artist differently than writing for your own releases, and how do your experiences on those songs inform how you approach your music?
    Each artist has their own story, so I just see it as me being there to help serve them creatively. It helps me learn new things for my process, as each artist has a different process and story. They each teach me something different.

    You told Billboard that you wrote the lyrics to The Miseducation of Lauryn Hill on flash cards one day after school – as a publication run by fans, we love the passion! Is there a certain song on the album that has most influenced you and your music?
    I think the whole album – it gives you the sense of creating a body of work. Some artists can make a few great songs, but she really made a great body of work.

    From Beyoncé to Shaboozey and Post Malone, country is definitely ‘Comin’ Back’ to the mainstream spotlight lately! What do you feel makes country so moving, especially in a time when we need the magic of music more than ever?
    The storytelling!

    You’ve called yourself “a faucet of creative energy that never runs out” to The Tennessean. When do you feel most inspired, and what inspires you most?
    Life and the people and places in it make me feel most inspired. I can just open my eyes and there’s a song waiting.

    What can your fans look forward to in the rest of 2025/2026?
    Performing, pulling up, doing shows, and lots of great music. Next year I’ll also be dropping my debut album!

    Is there anything else you’d like to mention or say to your fans that the questions didn’t touch on?
    Pull up when you see the spill!


    It sounds like BIG BUSKIN’ is just the very beginning, and we can’t wait to see what Ink will spill next! Thank you so much to Ink for answering our questions and pouring so much heart into every song you touch. 

    Now, honeybees, we have some questions for you! What are your favorite tracks on the BIG BUSKIN’ EP? Who do you hope to hear Ink write with in the future? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Check out more sweet music recs! 

    TO LEARN MORE ABOUT INK:
    INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Madison Murray

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  • Brett James, Grammy-winning ‘Jesus, Take the Wheel’ songwriter, dies in plane crash

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    Grammy-winning songwriter Brett James, known for penning hits including Carrie Underwood’s “Jesus, Take the Wheel,” died in a small-engine plane crash on Thursday, according to the Nashville Songwriters Hall of Fame. He was 57.A plane registered under James’ name reportedly crashed into a field in Franklin, North Carolina, about 270 miles southeast of Nashville, around 3 p.m. Thursday, according to data from FlightAware and a statement from the FAA. Three people were on board the plane, according to the FAA, and the National Transportation Safety Board said it is investigating.CNN has reached out to Macon County Sheriff’s Office for further information.James, who worked with megastars like Taylor Swift, Bon Jovi and Keith Urban, won a Grammy for Best Country Song in 2006 for co-writing “Jesus, Take the Wheel.” He also wrote on Kenny Chesney’s “Out Last Night,” and was regarded as one of the industry’s most sought-after collaborators.His more than 500 songs have appeared on albums with combined sales of over 110 million copies, according to the Nashville Songwriters Association International.In 2020, James was elected to the Nashville Songwriters Hall of Fame. He also owned the publishing company Cornman Music and served on the board of the Country Music Association and as a national trustee of The Recording Academy, according to the Nashville Symphony.“Brett was a trusted collaborator to country’s greatest names, and a true advocate for his fellow songwriters,” the American Society of Composers, Authors and Publishers said in an Instagram post announcing James’ death.“Rest in peace pal. Total stud. Fellow aviator. One of the best singer-songwriters in our town….total legend,” country musician Dierks Bentley wrote on Instagram.

    Grammy-winning songwriter Brett James, known for penning hits including Carrie Underwood’s “Jesus, Take the Wheel,” died in a small-engine plane crash on Thursday, according to the Nashville Songwriters Hall of Fame. He was 57.

    A plane registered under James’ name reportedly crashed into a field in Franklin, North Carolina, about 270 miles southeast of Nashville, around 3 p.m. Thursday, according to data from FlightAware and a statement from the FAA.

    Three people were on board the plane, according to the FAA, and the National Transportation Safety Board said it is investigating.

    CNN has reached out to Macon County Sheriff’s Office for further information.

    James, who worked with megastars like Taylor Swift, Bon Jovi and Keith Urban, won a Grammy for Best Country Song in 2006 for co-writing “Jesus, Take the Wheel.” He also wrote on Kenny Chesney’s “Out Last Night,” and was regarded as one of the industry’s most sought-after collaborators.

    His more than 500 songs have appeared on albums with combined sales of over 110 million copies, according to the Nashville Songwriters Association International.

    In 2020, James was elected to the Nashville Songwriters Hall of Fame. He also owned the publishing company Cornman Music and served on the board of the Country Music Association and as a national trustee of The Recording Academy, according to the Nashville Symphony.

    “Brett was a trusted collaborator to country’s greatest names, and a true advocate for his fellow songwriters,” the American Society of Composers, Authors and Publishers said in an Instagram post announcing James’ death.

    “Rest in peace pal. Total stud. Fellow aviator. One of the best singer-songwriters in our town….total legend,” country musician Dierks Bentley wrote on Instagram.

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  • Renowned Canadian musician and former April Wine singer Myles Goodwyn dead at 75  | Globalnews.ca

    Renowned Canadian musician and former April Wine singer Myles Goodwyn dead at 75 | Globalnews.ca

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    Myles Goodwyn, the award-winning Canadian singer and songwriter who shot to stardom as the former lead singer of April Wine, has died at age 75.

    His publicist Eric Alper says Goodwyn died earlier today in Halifax.

    No cause of death was announced.

    Alper describes Goodwyn as one of the great songwriters of the classic rock era, who helped propel April Wine to international success.

    The band formed in Halifax in 1969 and went on to sell over 10 million recordings worldwide.


    Click to play video: 'Myles Goodwyn talks departure from touring with April Wine'


    Myles Goodwyn talks departure from touring with April Wine


    Alper says Goodwyn stepped away from the band earlier this year but continued to perform live until not long before his death.

    Story continues below advertisement

    This report by The Canadian Press was first published Dec. 3, 2023.

    &copy 2023 The Canadian Press

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  • Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’ | Your EDM

    Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’ | Your EDM

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    The music realm is no stranger to emerging talents, but Josefine, the Swedish songstress, stands out with a luminous flair. Her recent track, ‘Clap’, showcases her knack for weaving tunes that linger in the heart and echo in the mind.

    From the moment of its debut, ‘Clap’ has soared, enchanting audiences worldwide. The song’s irresistible refrain and standout melodies pay homage to the celebrated legacy of Swedish musical craftsmanship, renowned for churning out hits that strike a chord across continents. It comes as no surprise that the track has swiftly carved a niche among both ardent fans and fresh ears.

    Josefine’s odyssey in the musical landscape is nothing less than awe-inspiring. Boasting a staggering 35 million streams, she’s solidified her position as a musical titan. Her distinctive fusion of heartfelt lyrics and melodic genius has garnered the spotlight from prominent YouTube platforms, magnifying her influence. Esteemed channels like MrRevillz, 7clouds, and Chill Nation have championed her compositions, bringing her melodious charm to a vast audience of music aficionados.

    Reflecting on the muse behind ‘Clap’, Josefine remarked, “The rhythm and soul of Swedish tunes have always held a special place in my heart. Their melodies have this unique way of staying with you. That’s the spirit I aimed to encapsulate in ‘Clap’, and the response has been overwhelmingly positive.”

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    Peter Berry

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  • Lucinda Williams on Her Life, Her Lyrics, and Everything In Between

    Lucinda Williams on Her Life, Her Lyrics, and Everything In Between

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    Well, there’s a tribe of people who live here; we like each other and hang together. I’ve had this same conversation with people here who are progressive and they all say, “We feel we live somewhere where we can join the fight and it’s going to make a difference.”

    How did you feel when Roe v. Wade was overturned?

    It was a shock—complete and utter dismay. It’s hard to wrap my head around it; like did that actually happen? It seems so unreal.

    Preorder Don’t Tell Anybody The Secrets I Told You from Amazon or Bookshop.

    Your husband manages you and you’ve collaborated with him a bit on songwriting. How is it living, working, and touring with him?

    It’s hard. At first it felt like it was stabilizing my life, but working on the book with Tom and living with him has been incredibly stressful. Women say [they have] hormonal things, but I think men have that too.

    You’re singing, but still unable to play guitar onstage. How do you feel touring and performing? 

    It’s exhausting. I enjoy the shows but the travel really tires me out. 

    You toured with Tom Petty and did a Hollywood Bowl concert with him the weekend before he died (in 2017)? 

    Yes, I had toured with him [previously] and we did the Hollywood Bowl together; we were just beginning to form a great friendship. Then he died. His death really affected me.

    Did you go through your own bad period of drugs or drinking?

    The drinking, yes. Some drugs, psychedelics mostly. The drinking didn’t come in until my 20s, 30s. As for drugs, I’ve never really got into the hard stuff. I’m a wine drinker, but I’d go into the bars on tour and the wines were horrific. So a friend told me to have vodka tonics instead. 

    You’ve credited Bob Dylan and Neil Young as musical influences; are there any female musicians who inspired you?

    I loved Bobbie Gentry—she was the first female voice I heard whose voice was low and husky. Most of the female voices I heard were high, pretty voices—Judy Collins, Joni Mitchell, Joan Baez. They had these amazing ranges and I could never sing like that; it was frustrating. I also listened to Memphis Minnie, Dinah Washington, and I loved Loretta Lynn and Tammy Wynette.

    What’s the new album like?

    I’ve got some great guest artists singing background vocals on it: Bruce Springsteen, Margo Price, Angel Olsen. I started cowriting with (New York City–based singer-songwriter) Jesse Malin—and one of my favorite songs on it is called “New York Comeback.” We recorded some stuff at the historic RCA studios in Nashville where legends like Tammy [Wynette] and Dolly [Parton] recorded. 

    Can you believe it’s the 44th anniversary of your first album?

    No, the thing with time just blows my mind. 


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    Lisa Robinson

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