ReportWire

Tag: social media

  • OpenAI’s New Sora App Lets You Deepfake Yourself for Entertainment

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    On Tuesday, OpenAI released an AI video app called Sora. The platform is powered by OpenAI’s latest video generation model, Sora 2, and revolves around a TikTok-like For You page of user-generated clips. This is the first product release from OpenAI that adds AI-generated sounds to videos. For now, it’s available only on iOS and requires an invite code to join.

    “You are about to enter a creative world of AI-generated content,” reads an advisory page displayed during the app sign-up process. “Some videos may depict people you recognize, but the actions and events shown are not real.”

    OpenAI is betting that creating and sharing AI deepfakes will become a popular form of entertainment. Whether it’s your friends, influencers, or random strangers online, Sora frames generating deepfake videos as a form of scrollable fun. The app’s main feed is an endless serving of bite-sized AI slop featuring human faces.

    During the set up process, users are given the option to create a digital likeness of themselves by saying a few numbers aloud and turning their head around as the app records. “The team worked very hard on character consistency,” wrote OpenAI CEO Sam Altman in a blog about Sora’s release.

    People have the ability to choose who can use their digital likeness in Sora videos. It can be set to everyone, or limited to just yourself, those you approve, or mutual connections on the app. Whenever someone generates a video using your likeness, even if it’s just sitting in their drafts, you can see the full clip from your account’s page.

    First Impressions

    Many of the most-liked videos on my “For You” feed on Tuesday afternoon featured Altman’s likeness. One AI-generated clip depicted the OpenAI CEO stealing a graphics processing unit from Target. When the character gets caught, a voice that sounds like Altman pleads with a security guard to let him keep the GPU so that he can build AI tools.

    Many of the videos generated during WIRED’s testing included rough edges and other errors. But Sora makes it incredibly seamless to create personalized deepfakes that often look and sound convincingly real.

    To incorporate the likenessnesses of different people in your videos, just tap on their faces on Sora’s generation page and add them as “cameos.” Then, enter a simple prompt, like “fight in the office over a WIRED story.”

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    Reece Rogers

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  • OpenAI’s Sora joins Meta in pushing AI-generated videos. Some are worried about a flood of ‘AI slop’

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    If the future of the internet looks like a constant stream of amusing videos generated by artificial intelligence, then OpenAI just placed its stake in an emerging market.

    The company behind ChatGPT released its new Sora social media app on Tuesday, an attempt to draw the attention of eyeballs currently staring at short-form videos on TikTok, YouTube or Meta-owned Instagram and Facebook.

    The new iPhone app taps into the appeal of being able to make a video of yourself doing just about anything that can be imagined, in styles ranging from anime to highly realistic.

    But a scrolling flood of such videos taking over social media has some worried about “AI slop” that crowds out more authentic human creativity and degrades the information ecosystem.

    “These things are so compelling,” said Jose Marichal, a professor of political science at California Lutheran University who studies how AI is restructuring society. “I think what sucks you in is that they’re kind of implausible, but they’re realistic looking.”

    The Sora app’s official launch video features an AI-generated version of OpenAI CEO Sam Altman speaking from a psychedelic forest, and later, the moon and a stadium crowded with cheering fans watching rubber duck races. He introduces the new tool before handing it off to colleagues placed in other outlandish scenarios. The app is available only on Apple devices for now, starting in the U.S. and Canada.

    Meta launched its own feed of AI short-form videos within its Meta AI app last week. In an Instagram post announcing the new Vibes product, Meta CEO Mark Zuckerberg posted a carousel of AI videos, including a cartoon version of himself, an army of fuzzy, beady-eyed beings jumping around and a kitten kneading a ball of dough. Both Sora and Vibes are designed to be highly personalized, recommending new videos based on what people have already engaged with.

    Marichal’s own social media feeds on TikTok and other sites are already full of such videos, from a “housecat riding a wild animal from the perspective of a doorbell camera” to fake natural disaster reports that are engaging but easily debunked. He said you can’t blame people for being hard-wired to “want to know if something extraordinary is happening in the world.”

    What’s dangerous, he said, is when they dominate what we see online.

    “We need an information environment that is mostly true or that we can trust because we need to use it to make rational decisions about how to collectively govern,” he said.

    If not, “we either become super, super skeptical of everything or we become super certain,” Marichal said. “We’re either the manipulated or the manipulators. And that leads us toward things that are something other than liberal democracy, other than representative democracy.”

    OpenAI made some efforts to address those concerns in its announcement on Tuesday.

    “Concerns about doomscrolling, addiction, isolation, and (reinforcement learning)-sloptimized feeds are top of mind,” it said in a blog post. It said it would “periodically poll users on their wellbeing” and give them options to adjust their feed, with a built-in bias to recommend posts from friends rather than strangers.

    ————

    AP Technology Writer Barbara Ortutay contributed to this report.

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  • California police pull over a self-driving Waymo for an illegal U-turn, but they can’t ticket

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    SAN FRANCISCO — Police in Northern California were understandably perplexed when they pulled over a Waymo taxi after it made an illegal U-turn, only to find no driver behind the wheel and therefore, no one to ticket.

    The San Bruno Police Department wrote in now viral weekend social media posts that officers were conducting a DUI operation early Saturday morning when a self-driving Waymo made the illegal turn in front of them.

    Officers stopped the vehicle, but declined to write a ticket as their “citation books don’t have a box for ‘robot’.”

    “That’s right … no driver, no hands, no clue,” read the post, which was accompanied by photos of an officer peering into the car.

    Officers contacted Waymo to report what they called a “glitch,” and in the post, they said they hope reprogramming will deter more illegal moves.

    The department’s Facebook post has generated more than 500 comments, with many people outraged that police didn’t ticket the company. People also wanted to know how police got the car to pull over.

    But San Bruno Sgt. Scott Smithmatungol said they can only ticket a human driver or operator for a moving violation, unlike parking tickets that can be left with the vehicle.

    A new state law that kicks in next year will allow police to report moving violations to the Department of Motor Vehicles, which is figuring out the specifics, including potential penalties, the Los Angeles Times reports.

    Waymo spokesperson Julia Ilina told the LA Times that the company’s autonomous driving system is closely monitored by regulators. “We are looking into this situation and are committed to improving road safety through our ongoing learnings and experience,” Ilina said.

    Waymos currently operate in Phoenix, Los Angeles and San Francisco and in areas south of the city, including the suburb of San Bruno.

    “It blew up a lot bigger than we thought,” Smithmatungol said of the viral post to The Associated Press on Tuesday. “We’re not a large agency like San Francisco.”

    San Bruno has about 40,000 residents and a sworn police force of 50 officers, he said.

    Waymo is owned by Google’s parent company, Alphabet.

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  • Officials urge caution as social media fuels misinformation on Central Washington fires

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    With Highway 97 shut down by the Labor Mountain Fire, local officials say travelers to Leavenworth’s Oktoberfest should prepare for a longer trip. But alongside the inconvenience, they are also warning about the spread of false information online.

    Videos and photos of the wildfire, which started Sept. 1 and has burned across Blewett Pass, have circulated widely on social media. Some of those posts have contained misleading or inaccurate claims, according to officials.

    One widely shared video showed roadside flames and claimed evacuations were underway near Cle Elum along Interstate 90. Officials say that is not true — the fire is burning far from I-90, and no evacuations have been ordered in that area.

    Misinformation on Blewett Pass wildfire closure

    “Large wildfires in central Washington are generating lots of dramatic video and images on social media,” said Inspector Chris Whitsett of the Kittitas County Sheriff’s Office. “Once those images are published to social media, they can be shared by anyone, whether or not they know anything about a fire. Sadly, we’ve seen this in the case of the Labor Mountain Fire, when at least one attention-hungry social media account posted a video of a roadside fire with inaccurate information about where it was shot.”

    Whitsett urged the public to seek out accurate information before resharing content. “To learn about fires or other public safety incidents, or verify what you’ve seen or heard on someone else’s feed, please check official websites or social media accounts for vetted, accurate, and reliable information,” he said.

    MORE NEWS FROM FOX 13 SEATTLE

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    Family calls for ‘justice for Sunshine’ as plea deal is discussed in graphic Queen Anne assault case

    Tolls now in effect for WA’s SR-509 Expressway. Here’s what to know

    Doja Cat announces Seattle tour stop at Climate Pledge Arena

    Seattle Mariners, Seahawks, Sounders all home this weekend: Traffic, parking, transit tips

    To get the best local news, weather and sports in Seattle for free, sign up for the daily FOX Seattle Newsletter.

    Download the free FOX LOCAL app for mobile in the Apple App Store or Google Play Store for live Seattle news, top stories, weather updates and more local and national news.

    The Source: Information in this story came from the Kittitas County Sheriff’s Office and original FOX 13 Seattle reporting.

    WildfiresNewsWashingtonSocial Media

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    Lauren.Donovan@fox.com (Lauren Donovan)

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  • YouTube to pay $24.5 million to settle lawsuit over Trump’s account suspension after Jan. 6 attack

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    Google’s YouTube has agreed to pay $24.5 million to settle a lawsuit President Donald Trump brought after the video site suspended his account following the Jan. 6, 2021 attacks on the Capitol following the election that resulted in him leaving the White House for four years.

    The settlement of the more than four-year-old case earmarks $22 million for Trump to contribute to the Trust for the National Mall and a construction of a White House ballroom, according to court documents filed Monday. The remaining $2.5 million will be paid to other parties involved in the case, including the writer Naomi Wolf and the American Conservative Union.

    Alphabet, the parent of Google, is the third major technology company to settle a volley of lawsuits that Trump brought for what he alleged had unfairly muzzled him after his first term as president ended in January 2021. He filed similar cases Facebook parent Meta Platforms and Twitter before it was bought by billionaire Elon Musk in 2022 and rebranded as X.

    Meta agreed to pay $25 million to settle Trumps’ lawsuit over his 2021 suspension from Facebook and X agreed to settle the lawsuit that Trump brought against Twitter for $10 million. When the lawsuits against Meta. Twitter and YouTube were filed, legal experts predicted Trump had little chance of prevailing.

    After buying Twitter for $44.5 billion, Musk later became major contributor to Trump’s successful 2024 campaign that resulted in his re-election and then spent several months leading a cost-cutting effort that purged thousands of workers from the federal government payroll before the two had a bitter falling out. Both Alphabet CEO Sundar Pichai and Meta CEO Mark Zuckerberg were among the tech leaders who lined up behind Trump during his second inauguration in January in a show of solidarity that was widely interpreted as a sign of the industry’s intention to work more closely with the president than during his first administration.

    ABC News, meanwhile, agreed to pay $15 million in December toward Trump’s presidential library to settle a defamation lawsuit over anchor George Stephanopoulos’ inaccurate on-air assertion that the president-elect had been found civilly liable for raping writer E. Jean Carroll. And in July, Paramount decided to pay Trump $16 million to settle a lawsuit regarding editing at CBS’ storied “60 Minutes” news program.

    The settlement does not constitute an admission of liability, the filing says. Google confirmed the settlement but declined to comment beyond it.

    Google declined to comment on the reasons for the settlement., but Trump’s YouTube account has been restored since 2023. The settlement is will barely dent Alphabet, which has a market value of nearly $3 trillion — an increase of about $600 billion, or 25%, since Trump’s return to the White House.

    The disclosure of the settlement came a week before a scheduled Oct. 6 court hearing to discuss the case with U.S. District Judge Yvonne Gonzalez-Rogers in Oakland, California.

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  • Morocco Squashes Youth-Led Protesters Over Health, Education

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    RABAT (Reuters) -A heavy security presence on Monday evening thwarted for a straight third day youth-led protests across several Moroccan cities, where demonstrators have sought to rally for improvements to the public health and education systems.

    The protests were organized online by a loosely formed anonymous youth group calling itself “GenZ 212,” using platforms including TikTok, Instagram and gaming application Discord.

    The government and judicial authorities have not yet communicated on the incidents and arrests and the interior ministry did not immediately respond to a Reuters request for comment.

    On Monday evening, dozens were arrested as authorities prevented the group from holding protests in cities including Rabat, Casablanca, Agadir, Tangier and Oujda.

    In Rabat, a Reuters witness saw plainclothes officers arresting young protesters as they tried to chant slogans or speak to the press.

    The president of a child protection association, Najat Anouar, was arrested as she was speaking to media and released two hours later.

    “I came here to investigate allegations that the under-age have been arrested and got arrested myself,” she told Reuters.

    One group of protesters in downtown Rabat briefly managed to shout “freedom, dignity, and social justice”, a slogan echoing the 2011 demonstrations that prompted a constitutional reform devolving more powers from the Moroccan monarchy to the elected government.

    “We want a better health system and accountability,” said Brahim, 25, moments before fleeing as police sought to prevent people joining the protest.

    On Sunday night in Casablanca, protesters briefly blocked a major highway, while in Agadir, videos circulating on social media showed police dispersing students near the university campus.

    The recent wave of youth anger was sparked by earlier protests in Agadir over poor hospital conditions, which quickly spread to other cities.

    Demonstrators have denounced inadequate care, understaffed facilities, and a lack of medical resources.

    Morocco’s unemployment rate stands at 12.8%, with youth unemployment reaching 35.8% and 19% among graduates, according to the national statistics agency.

    (Reporting by Ahmed Eljechtimi; Editing by Lincoln Feast.)

    Copyright 2025 Thomson Reuters.

    Photos You Should See – Sept. 2025

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    Reuters

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  • Nicole Kidman and Keith Urban Last Instagram Posts Revealed Pre Split

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    Nicole Kidman and Keith Urban were relatively quiet on social media — at least when posting photos together — in the months leading up to their split.

    While the pair have been active on Instagram promoting their latest respective business ventures, they haven’t shared pictures together since spring. Kidman, 58, last posted about Urban, 57, in June, while the country singer hasn’t talked about his spouse on social media since May.

    The time lapse between cozy snaps initially didn’t raise eyebrows, but after a source confirmed to Us Weekly on Monday, September 29, that Kidman and Urban have separated, some eagle-eyed fans think it was a sign they were headed for a divorce.

    On May 8, Kidman attended the 2025 Academy of Country Music Awards in Frisco, Texas, with Urban to support him when he took home the ACM Triple Crown Award. The couple, who tied the knot in June 2006, were spotted packing on the PDA on the red carpet before Urban took the stage to accept his award.

    “I wanna thank the ACM Academy for this, and my wife, Nicole Mary, is here tonight,” Urban started his speech. “I love you, baby girl. Our girls, Sunday and Faith, watching at home tonight, I love you both too.”

    The following day, Urban relived the big night via Instagram, sharing several photos with his followers. The first image was a boomerang with Kidman as they got cozy in a car and smiled with the trophy.

    “TRIPLE CROWN !!! it was a surreal feeling and truly humbling honor to be recognized at the @acmawards last night,” the singer captioned the upload. “And a triple-sized, massive thank you to @megmoroney, @chrisstapleton, and @brothersosborne for your insanely inspired performances last night during the show. I LOVED every second of it!!”

    The following month, Kidman shared her last photo of the couple pre-split in honor of their 19th wedding anniversary.

    “Happy Anniversary Baby ❤️ @KeithUrban,” the Big Little Lies alum captioned the Instagram snap, which was a black and white photo of the couple backstage at one of Urban’s shows.

    In the lovey-dovey picture, Kidman hugged her husband and closed her eyes. Urban, for his part, held on tight to his wife’s arm as it rested on his shoulder.

    That same month, Kidman and Urban attended their last public event together prior to taking time apart. The duo were photographed at the FIFA Club World Cup 2025 game in Nashville on June 20.


    Related: Nicole Kidman and Keith Urban: A Timeline of Their Relationship

    Nicole Kidman and Keith Urban are both natives of the land down under, but the couple met and fell in love on the other side of the world. Kidman and Urban first crossed paths at the G’Day USA Gala — an event honoring Australians in Los Angeles — in 2005. Kidman was immediately smitten with […]

    The actress wore a white summer dress while Urban rocked jeans and a flannel shirt.

    Kidman has since posted photos of her summer adventures, which included images of their two daughters, Sunday, 17, and Faith, 14, as well as filming Practical Magic 2 with Sandra Bullock. (Kidman also shares daughter Isabella, 32, and son Connor, 30, with ex-husband Tom Cruise. The pair were married 10 years and adopted their two children before divorcing in February 2001.)

    Urban, meanwhile, has packed his social media accounts with highlights from his latest tour, including stops in Australia and Canada, with Kidman nowhere in sight.

    Neither Kidman nor Urban have publicly addressed their divorce. Us Weekly has reached out to reps for the actress and singer for comment.

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    Johnni Macke

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  • OpenAI’s New Social Network Is Reportedly TikTok If It Was Just an AI Slop Feed

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    Welcome to the age of anti-social media. According to a report from Wired, OpenAI is planning on launching a standalone app for its video generation tool Sora 2 that will include a TikTok-style video scroll that will let people scroll through entirely AI-generated videos. The quixotic effort follows Meta’s recent launch of an AI-slop-only feed on its Meta AI app that was met with nearly universal negativity.

    Per Wired, the Sora 2 app will feature the familiar swipe-up-to-scroll style navigation that is featured for most vertical video platforms like TikTok, Instagram Reels, or YouTube Shorts. It’ll also use a personalized recommendation algorithm to feed users content that might appeal to their interests. Users will be able to like, comment, or “remix” a post—all very standard social media fare.

    The big difference is that all of the content on the platform will be AI-generated via OpenAI’s video generation model that can take text, photos, or existing video and AI-ify it. The videos will be up to 10 seconds long, presumably because that’s about how long Sora can hold itself together before it starts hallucinating weird shit. (The first version of Sora allows videos up to 60 seconds, but struggles to produce truly convincing and continuous imagery for that long.) According to Wired, there is no way to directly upload a photo or video and post it unedited.

    Interestingly, OpenAI has figured out how to work a social element into the app, albeit in a way that has a sort of inherent creepiness to it. Per Wired, the Sora 2 app will ask users to verify their identity via facial recognition to confirm their likeness. After confirming their identity, their likeness can be used in videos. Not only can they insert themselves into a video, but other users can tag you and use your likeness in their videos. Users will reportedly get notified any time their likeness is used, even if the generated video is saved to drafts and never posted.

    How that will be implemented when and if the app launches to the public, we’ll have to see. But as reported, it seems like an absolute nightmare. Basically, the only thing that the federal government has managed to find any sort of consensus around when it comes to regulating AI is offering some limited protections against non-consensual deepfakes. As described, that kind of seems like one feature of Sora 2 is letting your likeness be manipulated by others. Surely there will be some sort of opt-out available or ability to restrict who can use your likeness, right?

    According to Wired, there will be some protections as to the type of content that Sora 2 will allow users to create. It is trained to refuse to violate copyright, for instance, and will reportedly have filters in place to restrict certain types of videos from being produced. But will it actually offer sufficient protection to people? OpenAI made a big point to emphasize how it added protections to the original Sora model to prevent it from generating nudity and explicit images, but tests of the system managed to get it to create prohibited content anyway at a low-but-not-zero rate.

    Gizmodo reached out to OpenAI to confirm its plans for the app, but did not receive a response at the time of publication. There has been speculation for months about the launch of Sora 2, with some expectation that it would be announced at the same time as GPT-5. For now, it and its accompanying app remain theoretical, but there is at least one good idea hidden in the concept of the all-AI social feed, albeit probably not in the way OpeAI intended it: Keep AI content quarantined.

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    AJ Dellinger

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  • Trump’s team keeps posting AI portraits of him. We keep clicking

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    WASHINGTON — Here he is, depicted at six months in office, chiseled and brawny, as mighty as the very nation. Here he is as a Star Wars Jedi wielding a patriot-red lightsaber, rescuing our galaxy from the forces of evil. Here he is taking over Gaza, transforming the strip into a luxury resort complete with a golden effigy of himself.

    You can be anything, perhaps you were told growing up. Doctor. Astronaut. Maybe, one day, the president. But even the chief executive of the United States, the free world’s leader, frames himself as something more epic — as someone not entirely himself.

    On the social media accounts of Donald Trump and his second-term administration, a new official image of the president is emerging bit by bit: one generated artificially.

    A sign of the times, certainly — when the appeal of reimagining yourself with artificial intelligence has trickled up from us everyday citizens. Bored with your selfies? Join a viral trend: There’s an image generator or a chatbot that can turn you into a Renaissance-style painting, a Studio Ghibli character or an action figure with box art and accessories.

    Artificial imagery isn’t new for Trump, an early target of AI-generated simulacra who later exploited the technology during his 2024 campaign for the presidency. “It works both ways,” the Republican president said of AI-generated content at a news conference earlier this month. “If something happens that’s really bad, maybe I’ll have to just blame AI.”

    The AI images of Trump posted by him and his team opt for the alternative — not deceptive but self-evident in their fictitiousness. Pope Francis dies, and Trump jokes to reporters that he’d like to be pope. A week later, he is, but in an AI-generated image that he posts, reposted by the White House. Trump likens himself to a king in a Truth Social post in February, and AI makes him one in an X post by the White House less than an hour later.

    The artifice arrives in Trump’s usual style — brassy, unabashed, attention-grabbing — and squares with his social media team’s heavy meme posting, which it has promised to continue. The administration’s official social media accounts have grown by more than 16 million new followers across platforms since Inauguration Day, a White House official told NBC News.

    The White House recognizes the appeal. In July, it posted to its X account: “Nowhere in the Constitution does it say we can’t post banger memes.” Attached to the post, a photo of a sign on the White House lawn parodying the naysayers: “oMg, diD tHe wHiTE hOuSE reALLy PosT tHis?”

    Behind the commander in chief’s desire to craft an AI self — not itself uncommon — an infantry of official communications channels stands at his ready. And we, the people, can’t help but tune in.

    Like so much on the internet these days, Trump’s AI portraits are primed for people to react, says Evan Cornog, a political historian and author of “The Power and the Story: How the Crafted Presidential Narrative Has Determined Political Success from George Washington to George W. Bush.”

    “By the time you’ve seen it, you’ve understood it. And that’s, of course, the efficacy,” Cornog said. “It requires no effort, either for the person generating it, but particularly for the person consuming it.”

    The expressive power of political imagery, regardless of the truth of its message, has long been understood by politicians and their detractors.

    President William Henry Harrison’s log cabin and hard cider campaign symbols, representing him as a “man of the people,” helped him win the election of 1840. Thirty years later, political cartoonist Thomas Nast would turn public opinion against William Marcy “Boss” Tweed with his scathing portrayals of the politician, whom he depicted satirically overweight from greed. “Let’s stop those damned pictures!” Tweed once said, or so the story goes.

    The decades since witnessed the birth of photo, film, TV, the internet, computer printers, image-editing software and digital screens that shrank until they could fit in our pockets, making it increasingly easy to create and disseminate — and manipulate — imagery.

    By contrast, today’s generative AI technology offers greater realism, functionality and accessibility to content creation than ever before, says AI expert Henry Ajder. Not to mention, of course, a capacity for endless automated possibility.

    Past presidents “had to actually have fought in a war to run as a war hero,” Cornog says. Now, they can just generate an image of themselves as one. On a horse — or no, a battlefield. With an American flag waving behind him and an eagle soaring.

    The AI images of Trump shared by him and his administration chase a similarly heroic vision of the president. Potency — his and the country’s — is a consistent theme, Cornog added.

    Indeed, generative AI allows for an exposure of perhaps uncomfortably intimate inner worlds as people use such technology to illustrate and communicate their “fantasy lives” or cartoonish versions of themselves, says Mitchell Stephens, author of “The Rise of the Image, the Fall of the Word.”

    But it can just as easily fulfill an inverse desire: to depict or reinforce a subjective concept of reality.

    “Quite a lot of people are sharing AI-generated content, which is clearly fake but is almost seen as a revelatory kind of representation of someone,” Ajder said. This content feeds a mentality that mutters, “We all know they’re really like this.”

    “And so, even if people know it’s fake,” Ajder said, “they still see it as kind of reflecting and satisfying a kind of truth — their truth about what the world is like.”

    The lack of subtlety in Trump’s AI images of himself helps explain their consistent virality.

    Commenters can be found lamenting the demise of presidential decorum (“I never thought I’d see the day when the White House is just a joke. This is so embarrassing.”) or relishing those very reactions (“Watching the left explode over this has been a treat.”).

    Other responses, even from the president’s base, remain unconvinced (as one X user griped under the White House post of Trump as pope: “I voted for you, but this is weird and creepy. More mass deportations and less of whatever this is.”).

    But that is tradition for Trump, who finds no trouble cashing the currency of our attention economy: Whether you cracked a smile or clutched your pearls, he still made you look.

    “In his first administration, he used Twitter in a way no president had,” said Martha Joynt Kumar, director of the White House Transition Project, an organization that facilitates the transition between presidents. “What they do in this administration is taking it further, as you’ve had an increase in what can be done online.” Or, as one Reddit user referred to the president: “Troll in Chief.”

    Does Trump really think he should be pope? Does the White House really think him a king? Accuracy isn’t the point, not for a man who frequently arbitrates what counts as truth. Trump’s use of AI sticks to a familiar recipe for bait: crude comedy sprinkled with wishful thinking.

    “It’s fine,” Trump said in May, when asked whether the AI-generated post of him as pope diminished the substance of the official White House account.

    “Have to have a little fun, don’t you?”

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  • Trump’s Team Keeps Posting AI Portraits of Him. We Keep Clicking

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    WASHINGTON (AP) — Here he is, depicted at six months in office, chiseled and brawny, as mighty as the very nation. Here he is as a Star Wars Jedi wielding a patriot-red lightsaber, rescuing our galaxy from the forces of evil. Here he is taking over Gaza, transforming the strip into a luxury resort complete with a golden effigy of himself.

    You can be anything, perhaps you were told growing up. Doctor. Astronaut. Maybe, one day, the president. But even the chief executive of the United States, the free world’s leader, frames himself as something more epic — as someone not entirely himself.

    On the social media accounts of Donald Trump and his second-term administration, a new official image of the president is emerging bit by bit: one generated artificially.

    A sign of the times, certainly — when the appeal of reimagining yourself with artificial intelligence has trickled up from us everyday citizens. Bored with your selfies? Join a viral trend: There’s an image generator or a chatbot that can turn you into a Renaissance-style painting, a Studio Ghibli character or an action figure with box art and accessories.

    The AI images of Trump posted by him and his team opt for the alternative — not deceptive but self-evident in their fictitiousness. Pope Francis dies, and Trump jokes to reporters that he’d like to be pope. A week later, he is, but in an AI-generated image that he posts, reposted by the White House. Trump likens himself to a king in a Truth Social post in February, and AI makes him one in an X post by the White House less than an hour later.

    The artifice arrives in Trump’s usual style — brassy, unabashed, attention-grabbing — and squares with his social media team’s heavy meme posting, which it has promised to continue. The administration’s official social media accounts have grown by more than 16 million new followers across platforms since Inauguration Day, a White House official told NBC News.

    The White House recognizes the appeal. In July, it posted to its X account: “Nowhere in the Constitution does it say we can’t post banger memes.” Attached to the post, a photo of a sign on the White House lawn parodying the naysayers: “oMg, diD tHe wHiTE hOuSE reALLy PosT tHis?”

    Behind the commander in chief’s desire to craft an AI self — not itself uncommon — an infantry of official communications channels stands at his ready. And we, the people, can’t help but tune in.


    Feelings don’t care about your facts

    Like so much on the internet these days, Trump’s AI portraits are primed for people to react, says Evan Cornog, a political historian and author of “The Power and the Story: How the Crafted Presidential Narrative Has Determined Political Success from George Washington to George W. Bush.”

    “By the time you’ve seen it, you’ve understood it. And that’s, of course, the efficacy,” Cornog said. “It requires no effort, either for the person generating it, but particularly for the person consuming it.”

    The expressive power of political imagery, regardless of the truth of its message, has long been understood by politicians and their detractors.

    President William Henry Harrison’s log cabin and hard cider campaign symbols, representing him as a “man of the people,” helped him win the election of 1840. Thirty years later, political cartoonist Thomas Nast would turn public opinion against William Marcy “Boss” Tweed with his scathing portrayals of the politician, whom he depicted satirically overweight from greed. “Let’s stop those damned pictures!” Tweed once said, or so the story goes.

    The decades since witnessed the birth of photo, film, TV, the internet, computer printers, image-editing software and digital screens that shrank until they could fit in our pockets, making it increasingly easy to create and disseminate — and manipulate — imagery.

    By contrast, today’s generative AI technology offers greater realism, functionality and accessibility to content creation than ever before, says AI expert Henry Ajder. Not to mention, of course, a capacity for endless automated possibility.

    Past presidents “had to actually have fought in a war to run as a war hero,” Cornog says. Now, they can just generate an image of themselves as one. On a horse — or no, a battlefield. With an American flag waving behind him and an eagle soaring.

    The AI images of Trump shared by him and his administration chase a similarly heroic vision of the president. Potency — his and the country’s — is a consistent theme, Cornog added.

    Indeed, generative AI allows for an exposure of perhaps uncomfortably intimate inner worlds as people use such technology to illustrate and communicate their “fantasy lives” or cartoonish versions of themselves, says Mitchell Stephens, author of “The Rise of the Image, the Fall of the Word.”

    But it can just as easily fulfill an inverse desire: to depict or reinforce a subjective concept of reality.

    “Quite a lot of people are sharing AI-generated content, which is clearly fake but is almost seen as a revelatory kind of representation of someone,” Ajder said. This content feeds a mentality that mutters, “We all know they’re really like this.”

    “And so, even if people know it’s fake,” Ajder said, “they still see it as kind of reflecting and satisfying a kind of truth — their truth about what the world is like.”


    Commenters take up the mantle

    The lack of subtlety in Trump’s AI images of himself helps explain their consistent virality.

    Commenters can be found lamenting the demise of presidential decorum (“I never thought I’d see the day when the White House is just a joke. This is so embarrassing.”) or relishing those very reactions (“Watching the left explode over this has been a treat.”).

    Other responses, even from the president’s base, remain unconvinced (as one X user griped under the White House post of Trump as pope: “I voted for you, but this is weird and creepy. More mass deportations and less of whatever this is.”).

    But that is tradition for Trump, who finds no trouble cashing the currency of our attention economy: Whether you cracked a smile or clutched your pearls, he still made you look.

    “In his first administration, he used Twitter in a way no president had,” said Martha Joynt Kumar, director of the White House Transition Project, an organization that facilitates the transition between presidents. “What they do in this administration is taking it further, as you’ve had an increase in what can be done online.” Or, as one Reddit user referred to the president: “Troll in Chief.”

    Does Trump really think he should be pope? Does the White House really think him a king? Accuracy isn’t the point, not for a man who frequently arbitrates what counts as truth. Trump’s use of AI sticks to a familiar recipe for bait: crude comedy sprinkled with wishful thinking.

    “It’s fine,” Trump said in May, when asked whether the AI-generated post of him as pope diminished the substance of the official White House account.

    “Have to have a little fun, don’t you?”

    Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Sept. 2025

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  • How to navigate social media trends without derailing your budget

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    By ADRIANA MORGA

    NEW YORK (AP) — Did you buy a new pink dress to watch the Barbie movie, only to never wear it again? An Oura ring because your favorite TikTok influencer had it? A new pair of baggy jeans because ’90s fashion is making a comeback?

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  • Selena Gomez marries Benny Blanco: ‘My wife in real life’

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    SANTA BARBARA, Calif. — SANTA BARBARA, Calif. (AP) — Selena Gomez has married music producer and songwriter Benny Blanco, announcing the news in an Instagram post showing the couple kissing and embracing on a lawn.

    “My wife in real life,” Blanco responded to the post Saturday by the Grammy- and Emmy-nominated performer. Gomez wore a white halter bridal dress with floral flourishes, and Blanco wore a tuxedo and bow tie, both custom-made by Ralph Lauren.

    Paparazzi had snapped photos of a massive outdoor tent and other preparations in the Santa Barbara area.

    Friends in the entertainment industry and brands she’s linked to responded with heart emoji and congratulations. “Our Mabel is MARRIED,” said the account of her “Only Murders in the Building” series, and her Rare Beauty line of cosmetics posted: “so happy for you two.” Best wishes were also sent by Camila Cabello, Amy Schumer and others.

    Blanco, 37, and Gomez, 33, met about a decade ago and got engaged at the end of last year. They worked together on the 2019 song “I Can’t Get Enough,” which also featured J Balvin and Tainy.

    Among the songs he’s credited on as a writer and producer: Katy Perry’s “Teenage Dream,” “Circus” by Britney Spears and Maroon 5’s “Moves Like Jagger.”

    Gomez, whose hits include “Calm Down,” “Good for You,” ’’Same Old Love” and “Come & Get It,” has been in the spotlight since she was a child. She appeared on “Barney and Friends” before breaking through as a teen star on the Disney Channel’s “Wizards of Waverly Place.”

    She earned awards nominations in recent years for her ongoing role alongside Martin Short and Steve Martin in Hulu’s “Only Murders in the Building.” Gomez has a massive audience on social media with 417 million Instagram followers, the most for any woman on the platform.

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  • Mikey Madison will play a Facebook whistleblower in Aaron Sorkin’s ‘Social Network’ follow-up

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    Aaron Sorkin is diving back into the world of Facebook with a “Social Network” follow-up featuring Jeremy Strong as Mark Zuckerberg and a newly minted Oscar winner as a whistleblower.

    Sony Pictures said Friday that “The Social Reckoning” will star Mikey Madison (“Anora”) as Facebook engineer Frances Haugen and Jeremy Allen White as then-Wall Street Journal reporter Jeff Horwitz. Haugen leaked thousands of pages of internal Facebook records to the Journal, yielding a 2021 investigation known as the “Facebook Files.” The series of stories alleged the social media giant was prioritizing profits over safety and hiding its own research from investors and the public.

    Sorkin is writing and directing the “The Social Reckoning” which is being described not as a sequel to “The Social Network” but a “companion piece.” The studio plans to release the film in theaters in October 2026. Bill Burr has also been cast in an unspecified role.

    “The Social Network,” which Sorkin wrote, and David Fincher directed, was a critical and box office hit, earning over $226 million globally in 2010 and eight Oscar nominations and three wins. Jesse Eisenberg played Zuckerberg in the 2010 film, about the litigious origins of the social media site.

    Strong was recently nominated for an Oscar for his portrayal of Roy Cohn in “The Apprentice.” Madison won best actress earlier this year.

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  • Mikey Madison will play a Facebook whistleblower in Aaron Sorkin’s ‘Social Network’ follow-up

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    Aaron Sorkin is diving back into the world of Facebook with a “Social Network” follow-up featuring Jeremy Strong as Mark Zuckerberg and a newly minted Oscar winner as a whistleblower.

    Sony Pictures said Friday that “The Social Reckoning” will star Mikey Madison (“Anora”) as Facebook engineer Frances Haugen and Jeremy Allen White as then-Wall Street Journal reporter Jeff Horwitz. Haugen leaked thousands of pages of internal Facebook records to the Journal, yielding a 2021 investigation known as the “Facebook Files.” The series of stories alleged the social media giant was prioritizing profits over safety and hiding its own research from investors and the public.

    Sorkin is writing and directing the “The Social Reckoning” which is being described not as a sequel to “The Social Network” but a “companion piece.” The studio plans to release the film in theaters in October 2026. Bill Burr has also been cast in an unspecified role.

    “The Social Network,” which Sorkin wrote, and David Fincher directed, was a critical and box office hit, earning over $226 million globally in 2010 and eight Oscar nominations and three wins. Jesse Eisenberg played Zuckerberg in the 2010 film, about the litigious origins of the social media site.

    Strong was recently nominated for an Oscar for his portrayal of Roy Cohn in “The Apprentice.” Madison won best actress earlier this year.

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  • Cracker Barrel Outrage Was Almost Certainly Driven by Bots, Researchers Say

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    Did something feel…off about the whole Cracker Barrel debacle to you? Did you, in the midst of the endless stream of outrage directed at the Southern country-style restaurant, pause and think, “There’s just no way anyone cares about Cracker Barrel’s logo this much, right?” Well, you might have been onto something. According to data compiled by intelligence platform PeakMetrics, nearly half of the early posts about Cracker Barrel’s logo change appeared to be generated by bots.

    PeakMetrics grabbed a sample of 52,000 posts made on X within the first 24 hours of Cracker Barrel’s announcement that it would be modernizing its logo to an admittedly very plain and generic design. In that timeframe, it found that 44.5% of all mentions of Cracker Barrel were flagged as likely or higher bot activity. Those numbers climb even higher when a boycott is mentioned. About 1,000 posts in that first 24-hour period called on people to stop eating at Cracker Barrel, and 49% of those posts got flagged as likely coming from bots. In its report, PeakMetrics states that the boycott was unlikely to be an organic grassroots response but a “bot-assisted amplification seeded by meme/activist accounts.”

    The campaigns don’t seem as though they were limited to X, either. According to data collected by Open Measures, similar conversations were happening on the alt-tech platforms like Donald Trump’s Truth Social, Twitter knock-offs Gettr and Gab, 4chan, and Rumble. Over those platforms, posters regularly tied the Cracker Barrel logo change to terms like “woke” and “DEI,” because apparently, one of the demands of leftist extremists is conforming to sans-serif supremacy.

    From August 19, when the logo change was announced, to September 5, a few days after the company not only rolled back the logo but also deleted LGBTQ and diversity and inclusion pages from its website, about 2,020,000 posts were made about the whole debacle on X. PeakMetrics estimates that nearly a quarter of those, 24% in total, were likely to be posted by bots. A little ironic, given the group outraged by the whole thing loves to call people who disagree with them NPCs.

    Of course, that means 75% of those posts were from people. PeakMetrics notes that the earliest posts expressing dismay and frustration at Cracker Barrel’s decision to update its logo came from human-run accounts. Once the bot networks started to pick up on the trend, though, they blew the whole thing up. “Authentic voices articulated cultural dissatisfaction, which bots then amplified,” the report said.

    PeakMetrics didn’t attribute the bot megaphone to any specific organization or state actor. Rather, it found, “The initiators are ideological activist accounts with prior culture-war posting histories, supported by botnets.” One read on that might be that the right-wing outrage farmers seem to have some inauthentic support that makes them seem more influential than they actually are.

    Maybe knowing that these outrage cycles aren’t entirely authentic will be enough for corporations like Cracker Barrel to simply ignore the outrage cycle, knowing that most of the bluster won’t amount to anything. Bots don’t really eat biscuits and gravy, after all.

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    AJ Dellinger

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  • Pete Davidson Says Social Media “Can’t Wait” to Turn On Celebs Like Pedro Pascal

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    Pete Davidson knows a thing or two about the fickle nature of celebrity. While appearing on Theo Von’s podcast This Past Weekend, the SNL vet opened up about the negative side of being famous, using Eddington star Pedro Pascal as a prime example of the unpredictable nature of fame and how people “can’t wait” to turn on their favorite stars.

    Davidson highlighted Pascal’s journey from struggling actor to internet heartthrob, and the public’s subsequent reaction. “Fucking two years ago, he’s a hardworking, great actor,” Davidson said of Pascal. “Everyone was, like, ‘He’s worked so hard and has been a struggling actor.’ Fucking blows up so fucking hard. Everyone’s, like, ‘Daddy, daddy! Yeah, daddy, daddy.’ Then a year later, he’s in everything now because he’s hot and big—and everyone’s, like, ‘Go the fuck away, dude.’”

    “You got to give someone time to adjust to that new level of fame,” Davidson continued. “He’s been banging at it for 30 years, and now he’s learning how to go get a cup of coffee or, like, deal with someone that taps you on the shoulder while you have your earbuds in and freaks you out. You got to give that guy a fucking second to, like, adjust.”

    It sounds like Davidson is speaking from personal experience. The actor went from unknown comedian to overnight celebrity after being cast on Saturday Night Live and engaging in high-profile relationships with stars like Ariana Grande, Kate Beckinsale, and Kim Kardashian. Now, the 31-year-old is expecting his first child with his partner, model Elsie Hewitt.

    “It’s, like, we build everybody up. It’s, like, so fast to turn [on the celebrity],” Davidson said. Von concurred, adding: “The turn is crazy.” The comedian also has an idea of which beloved actor will be next to be put through the gauntlet of the internet. “They’re going to do it with Walton Goggins next,” Davidson said. “It’s, like, within months.”

    The story originally appeared in Vanity Fair España.

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    Marita Alonso

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  • Minnesota father-daughter duo popular on TikTok optimistic about app’s future following latest deal

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    In the world of TikTok, there’s laughter and a sense of community for a Minnesota father-daughter duo with close to 3 million followers combined.

    “I’ve seen a lot of the discourse and everyone’s like ‘They’re just going to keep pushing it back forever.’ So, it is kind of cool we’re moving somewhere,” said Olive Mannella, of Anoka.

    Last winter, WCCO spoke with Olive and Frankie Mannella before the potential Jan. 19 ban. Back then, the two, who share unfiltered family content, were curious what this could mean.

    Now, after several extensions, President Trump took pen to paper on Thursday, signing an order titled, “Saving TikTok While Protecting National Security”.

    “I think most creators at this point, because it’s the third or fourth round of this, are just like ‘Eh, they’ll figure it out. It’s gonna happen.’ Moreso, what’s going to happen after the fact is the main discussion,” said Frankie Mannella, Olive’s father, with over half a million followers, and known for his acts as “Dadosaur”.

    The Mannellas say their algorithm is what makes the app special — hoping that doesn’t change.

    Under the new deal, the content recommendation algorithm that powers TikTok will now be retrained to run only on U.S. user data. American cloud computing firm Oracle will take over cybersecurity, addressing concerns about Chinese control of that data.

    “Something new often presents new opportunities,” Frankie Mannella said.

    Something the Mannellas say leaves them optimistic about an “unfiltered”, family-friendly future.

    “We’re really hoping we can continue building upon that community and connecting with people the way TikTok allows us to,” Olive Mannella said.

    A consortium of American investors, including Oracle, will have a stake in the new TikTok, according to the White House. (Oracle was cofounded by Larry Ellison, whose son David Ellison is the chairman and CEO of Paramount Skydance, which is the parent company of CBS. The Ellison family owns a controlling interest in Paramount Skydance.)

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    Frankie McLister

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  • Trump signs order to put TikTok under US ownership

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    WASHINGTON (AP) — President Donald Trump signed an executive order Thursday that he says will allow TikTok to continue operating in the United States in a way that meets national security concerns.

    Trump’s order will enable an American-led of group of investors to buy the app from China’s ByteDance, though the deal is not yet finalized and also requires China’s approval.


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    Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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  • Trump’s billionaire backers will now ‘actually control’ Tiktok’s algorithm, JD Vance says | Fortune

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    President Donald Trump on Thursday afternoon signed an executive order clearing the way for a deal to put TikTok in U.S. hands, with some of his closest billionaire allies poised to take the reins.

    “This is going to be American-operated all the way,” Trump said during the signing, adding that the agreement had been greenlit by Chinese President Xi Jinping. “I have great respect for President Xi, and I very much appreciate that he approved the deal, because to get it done properly, we really needed the support of China and the approval of China.”

    Who’s in the deal

    The ownership structure is still being finalized, but Trump revealed that Oracle, and its co-founder Larry Ellison would play a “big” role in managing the app, given that they had already stored much of Tiktok’s U.S.-based data in their servers. Ellison has been an ally  of the President, raising millions for the president’s campaign and advising him during the COVID-19 pandemic.

    He also added that conservative media mogul Rupert Murdoch, the owner of Fox corporation – which runs Fox News – would be an investor, and computer billionaire Michael Dell would also sit on the board. He hinted that three more “blue chip” backers were also part of the group, but did not announce who they were.

    For Rupert and Lachlan Murdoch, a stake in TikTok could provide a way to reach younger audiences beyond traditional TV and print, where the family’s News Corp empire dominates — and perhaps redeem their disastrous MySpace purchase nearly 20 years ago. The terms of Fox’s role remain unclear, but a TikTok tie-in would join minority stakes the Murdochs already hold in betting companies Flutter and FanDuel, and further cement Lachlan’s control of the empire after a recent family trust restructuring ensured his succession as Rupert’s heir.

    Vice President JD Vance asserted that the agreement gives Americans authority over TikTok’s prized algorithm; the system that dictates what over 170 million U.S. users see on their feeds. Speaking as the president signed the executive order in the Oval Office, Vance pegged Tiktok’s worth at $14 billion —  significantly below earlier estimates that placed TikTok’s U.S. assets as high as $100 billion depending on algorithm access.

    “This deal will allow for the U.S. to control the app’s algorithm,” he said. “It’s actually going to be American-operated all the way.”

    For Trump, the signing was about more than national security – he linked it to his broader trade agenda, boasting about tariffs and their windfall.

    Still, concerns are surfacing about what it means for Trump allies to control a platform with such influence over American political discourse.

    Trump himself joked about algorithmic favoritism: “I always like MAGA-related. If I could make it 100% MAGA, I would, but it’s not going to work out that way, unfortunately. No, everyone’s going to be treated fairly. Every group, every philosophy, every policy will be treated very fairly.”

    Vance also stressed that business would drive the app’s content decisions: “We want the business to make decisions about content based on the interest of the business and based on the interest of the users, and that’s what we think will happen.”

    The signing also lays the groundwork for Trump’s first in-person meeting with Xi since returning to office. The two leaders are expected to discuss the deal further at the upcoming APEC Summit in South Korea.

    Tiktok did not immediately respond to a request for comment.

    Fortune Global Forum returns Oct. 26–27, 2025 in Riyadh. CEOs and global leaders will gather for a dynamic, invitation-only event shaping the future of business. Apply for an invitation.

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    Eva Roytburg

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  • YouTube Is Going to Regret This

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    Earlier this week, YouTube gave an inch to the Online Right by announcing a plan to offer a chance at reinstatement to users who were previously banned from the platform for spreading misinformation about the COVID-19 pandemic and the 2020 presidential election. Today, the Online Right took a mile by hammering YouTube for almost immediately terminating new accounts created by the previously banned Alex Jones and Nick Fuentes.

    Jones, a conspiracy theorist who still owes the families of the victims of the Sandy Hook shooting $1.3 billion after claiming it was a hoax, and Fuentes, a Christian nationalist and white supremacist who has denied the validity of the Holocaust, both reportedly created new accounts on YouTube after Republican Representative Jim Jordan released a letter from parent company Alphabet stating that the platform will “provide an opportunity for all creators to rejoin the platform” if they were removed for violating content policies that are no longer in effect. Both figures quickly had their new accounts terminated. That caused a fervor in the Online Right, who probably don’t even actually need Jones or Fuentes to appear on YouTube but do want to force the company to continue to engage in the humiliation ritual that it invited upon itself.

    YouTube previously said that the reinstatement process would be part of a “limited pilot project” that has not been launched yet. It reiterated that on Thursday, stating, “We’ve seen some previously terminated creators try to start new channels. To clarify, our pilot program on terminations is not yet open.” It even tried to respond to the Jones and Fuentes cases directly, replying to a viral post about the terminations to say “We terminated these channels as it’s still against our rules for previously terminated users to start new channels – the pilot program for terminations (that many folks referenced this week) isn’t available yet and will be a limited pilot program to start.”

    Unfortunately, that’s just not how the game is played with right-wing influencers. Vivek Ramaswamy grabbed hold of a tweet about the ban and called it un-American to “muzzle the peaceful expression of opinions.” Tim Pool posted about Alex Jones getting banned and snitch-tagged the House Judiciary Committee’s handle, suggesting he wants the government to force YouTube to allow Jones back onto the platform. Gizmodo reached out to Judiciary Committee Chairman Jim Jordan’s office for comment, but did not receive a response at the time of publication.

    YouTube confirmed to Gizmodo that the new accounts of Jones and Fuentes were terminated, explaining, “It is against our Community Guidelines for previously terminated users to use, possess, or create any other YouTube channels.” Creators also aren’t supposed to allow terminated users to bypass their ban, but Patrick Bet David’s interview with Nick Fuentes uploaded on Tuesday remains live and has received more than 2.2 million views at the time of publication.

    YouTube told Gizmodo it plans on opening a pathway “for some terminated creators to start a new channel,” but indicated, “This will not be available to all creators, it will be a limited pilot.” Terminated users who are not a part of the pilot program will remain ineligible to create a new channel.

    The company clarified that its pilot will focus on users who were terminated for “repeated violations of COVID-19 and election integrity policies that are no longer in effect,” as it indicated in its letter to the House Judiciary Committee. (Rep. Jordan posted on X that YouTube would “offer ALL creators previously kicked off YouTube due to political speech violations to return to the platform,” but it seems that may be a bit of an overstatement.) YouTube did note that an additional subset of creators will also be eligible for reinstatement through the pilot, but did not provide details about who would qualify.

    Let’s be real: This will inevitably continue for YouTube. When a user doesn’t get invited to the pilot program, they’re going to hear from the Online Right. When they choose not to reinstate a creator for whatever reason, they’re going to hear from the Online Right. When a reinstated creator has a video taken down because it violates current content policies, they’re going to hear from the Online Right. The company has opened the floodgates now, and the Right will make a point of holding the company to a promise that it technically didn’t make, as “an opportunity” to rejoin the platform is not the same as a guarantee, nor is it an invitation to ignore the rules.

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    AJ Dellinger

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