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Tag: snow white

  • Peter Pan & Pinocchio Join Winnie-the-Pooh in Becoming Slasher Baddies

    Peter Pan & Pinocchio Join Winnie-the-Pooh in Becoming Slasher Baddies

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    Last year, a new horror franchise took flight with Pooh: Blood & Honey. With the iconic bear now in the public domain, the film turned Winnie and Piglet into a pair of grim slasher villains carving up a post-grad Christopher Robin and several university students. It went over about as well as expected, but did well enough financially to kick off both its own sequel and a larger universe—sorry, Poohniverse—for more public domain characters to get a horror treatment.

    Blood & Honey 2 already dropped this year, so now we’re getting our first look at the whole “expanded universe” part of the thing. Per Variety, classic characters Pinocchio and Peter Pan are set to headline their own individual films, both of which are currently being sold at Cannes. Pinocchio: Unstrung takes the boy puppet will be welcomed into the Poohniverse “with a bang,” said director Rhys Frake-Waterfield, who also helmed the two Pooh movies. The film’s being pitched as a subversion of Carlo Collodi’s classic 1883 book, and one that’ll rely more on practical gore—one scene, according to Variety, will see the title character wear the skin of one of his victims to “feel like a real boy.”

    Meanwhile, Peter Pan’s Neverland Nightmare puts Martin Portlock (Scream of the Wolf) in the title role, who’s gone and kidnapped Michael (Peter DeSouza-Feighoney), the younger brother of Wendy Darling (Megan Placito). She endeavors to save him with Tinkerbell’s (Kit Green) help, who in this universe is a heroin junkie convinced that it’s actually pixie dust. Once you’re done rolling your eyeballs, the cast is further filled by Charity Kase as Captain Hook, and the likes of Kierston Wareing, Nicholas Woodeson, Olumide Olorunfemi, and Teresa Banham in currently undisclosed roles.

    Like the Marvel movies this is trying to emulate, Peter and Pin are getting solo movies to prepare them for a bigger future in the so-called Twisted Childhood Universe. Both characters will converge with Pooh and Piglet in Poohniverse: Monsters Assemble in 2025, which’ll also introduce the likes of Sleeping Beauty and the Mad Hatter. The TCU aims to keep on keeping on after the crossover, because a third Blood & Honey is locked in for 2026, while solo movies for Sleeping Beauty and Snow White are also said to be in the works. Yay?

    At time of writing, Peter Pan’s Neverland Nightmare is set to release later this year after production wraps, while Pinocchio: Unstrung will release in 2025 ahead of Monsters Assemble.


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • Snow White, Cinderella & Catalogue Of Fairytale Characters To Be Reimagined By Transmedia Firm Elf Labs

    Snow White, Cinderella & Catalogue Of Fairytale Characters To Be Reimagined By Transmedia Firm Elf Labs

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    EXCLUSIVE: Ever wondered what a zombie Cinderella or Snow White in a Dia de la Muertos universe might look like?

    A next-gen transmedia business, Elf Labs, is planning to answer those questions by bringing reimagined versions of dozens of classic characters to life.

    The LA-based Elf Labs officially launches today after amassing over 400 copyrights and 140 trademarks for some of the most popular characters in children’s literature, also including Peter Pan, Pinocchio and Sleeping Beauty.

    The company was previously known as Toon Studio but has rebranded and refinanced with plans to create new versions of classic characters.

    Deadline hears Elf Labs is building an immersive, cloud-based streaming platform for the characters and will also launch content based on the characters directly on YouTube, bypassing traditional gatekeepers. AI animation and digital distribution tools have developed, with content targeted at all age ranges.

    Elf Labs counts DreamWorks alumnus and Beavis & Butthead director Mike De Seve and branding industry titan Bernt Ullman among its team and global tech biz Cosmic Wire as a partner and investor. Company founder Billy Phillips, who initially acquired the character trademarks, is now Chairman and Chief Creative Officer, with his son David Phillips the CEO since 2022. Mark Rowen has been hired as Head of Content and Thomas Gerrit is Head of Partnerships.

    De Seve, who is the founder of Baboon Animation, will work with Elf Labs’ IP to develop and produce content, which Elf Labs will then use as a jumping point to strike licensing deals around the characters. “A creative production is only as good as its storyline, and the all-star roster of characters that Elf Labs secured has provided my team with an incredible jumping-off point,” said De Seve.

    First up is RoboStars, a series including characters such as Robo Cinderella and Robo Pinocchio “as a metaphor for free will, inspiring kids with the power to reject robotic reactions to internal and external challenges because we all possess the power to create proactive, positive change,” according to Elf Labs.

    “Elf Labs’ platform is a multi-patented system designed to incubate, develop, and launch mega IP franchises,” said David Phillips, CEO of Elf Labs. “Combining the world’s most iconic IP with captivating creative and revolutionary technology will allow Elf Labs to truly reimagine entertainment.”

    He added that Elf Labs would generally look to release content itself, but admitted “it makes sense to work with other platforms such as Netflix or Amazon Prime,” and was talking to potential partners.

    The lineage of the company can be traced back to 1913, when mapmaking business Rand McNally launched book arm Elf Children (later renamed Junior Elf) and published ‘Cinderella’ while growing a library of over 200 titles. After the library was bought and sold several times in the late 20th century, it was acquired in 2012 by Toon Studio, which was led by Phillips’ father Billy Phillips.

    A period of court battles followed as Toon Studio began trademarking characters such as Zombie Cinderella around 2012 and 2013. The US Patent and Trademark Office and US Office (USPTO) initially refused a number of applications, but after appeals to the highest level, Toon Studios was victorious.

    “My dad founded this company 14 years ago because he came across the Junior Elf book,” said David Phillips. “He saw the opportunity to monetize and build words without going through gatekeepers, so he started trademarking characters over the years.”

    As part of the USPTO’s trademarking process, those deemed as competitors such as Disney were given the right to contest the decisions. Toon Studio was ultimately victorious trademarking more than 140 character, which have been on the market for several years since.

    Many classic characters are well over the copyright limit of 70 years after their authors’ deaths, while trademarks usually last for around a decade before needing renewal. In recent years we’ve seen seen the likes of Winnie-the-Pooh being repurposed in new guises after they fell out of copyright.

    However, David Phillips told Deadline that Elf Labs’ relationship with the major U.S. studios and traditional rights owners was now “great.”

    “I’m a big fan of those companies. We’re not trying to ruffle their feathers — that’s not what I mean by not going through the gatekeepers,” he added. “This is 15-year project. We want to take these characters in the future. I see an opportunity in the market — we have the characters and thew history and we have a duty to do it.”

    The new-look company has investment from tech firm Cosmic Wire, which is aiding the push into the physical and digital markets. Among Cosmic Wire’s assets, it owns an integrated marketing engine that Elf Labs said can “democratize its characters and stories across millions of channels.”

    “Cosmic Wire’s technology allows for a whole new level of immersion into IP, unlike anything that has existed before,” said Jerad Finck, CEO and founder of Cosmic Wire. “Elf Labs’ willingness to push the boundaries creatively and experientially makes them the perfect partner for us to co-create a groundbreaking transmedia storytelling experience.”

    Before its official launch, Elf Labs quietly created the ‘Once Upon a Zombie’ book series, which features the Zombie Cinderella, Zombie Rapunzel, Zombie Tinker Bell and Zombie Peter Pan characters. They sold 100,000 copies and won Purple Dragonfly and President’s Awards for young adult and juvenile fiction.

    Ullmann, who has helped build the profiles of several stars and companies, will lead on the branding front, beginning with RoboStars. Global consumer product licensing of books, apparel and other merch is planned, while the strategy also includes AI-powered toys, animated and live-action feature movies, and augmented reality experiences.

    “I have coordinated thousands of licensing deals and have never been as excited as I am to join the Elf Labs team due to the enormous growth potential for its IP,” says Bernt Ullmann, who will be Head of Licensing. “With access to some of the most monetizable character brands in history, the possibilities are endless.”

    Ullmann, a specialist in building global lifestyle brands, is known for work with Jennifer Lopez, singer Adam Levine, rapper Nicky Minaj, FUBU and Phat Farm among others.

    Phillips said Elf Labs’ “evergreen brands”, proprietary tech and “agile, nimble” structure mean it could “release content that is both tradition and immersive, which no one had seen yet, quicker than anybody.”

    “The characters we’re sitting on have been in public consciousness for over 100 years,” he added. “That’s what lured me back to the family business. We are finally coming out and saying who we are.”

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    Jesse Whittock

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  • Tears as Disney fan left “devastated” by Christmas tree they ordered online

    Tears as Disney fan left “devastated” by Christmas tree they ordered online

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    It’s December, which means it’s officially acceptable to put your Christmas decorations up.

    Unfortunately for one Disney fan, her House of Mouse-inspired Yuletide ornament turned out to be nightmare fuel, with the bizarre effigy traumatizing people online.

    Posting to TikTok, user Seb Laz (@sebbylaz) explained that his mom ordered a Disney-themed ornament from Chinese-based bargain app Temu.

    Shaped like a Christmas tree, the knick-knack features three tiers of snow-covered Disney scenes—two of which include cartoon famous princesses and their beaus rotating around the snow-covered trunk.

    Left: A Disney Christmas tree ornament from Temu. Right: Social media influencer Seb Laz. TikToker Seb Laz’s mom was “devastated” by the bizarre ornament.
    TikTok/@sebbylaz

    However, the ornament was not quite what Laz’s mom expected, with the TikToker zooming in on the characters’ mutilated faces.

    “The BIG Mermaid,” he jokes, showing a close-up of a distorted Ariel and Prince Eric from the 1989 animated feature film.

    The prince’s hair appears to have merged with his face, while his forehead sports an impressive monobrow. Ariel does not fare much better, with the underside of her fringe monstrously blending into her skull.

    Next up is Belle and Prince Adam from Beauty and the Beast (1991). While the Beast doesn’t look much different from his cartoon self, Belle’s face appears to have melted, with her eyes sitting wonkily at different heights on her head.

    Snow White and Prince Florian, from the 1937 classic Snow White and the Seven Dwarfs, also look to be having a rough time. Dubbed “Snow Yellow” by Laz, the princess is another victim of melted-face syndrome, while Florian’s enlarged forehead gives off Frankenstein’s monster vibes.

    Sleeping Beauty—or as Laz renames her, “Sleeping Ugly”—and her painted-on smile could give anyone bad dreams, while her prince appears to be missing chunks of hair and skin.

    “CinderFella” seems to have suffered far less than the other princesses in the mix, but her prince should sue his eyebrow waxer, with circular splotches dabbed right in the center of his forehead.

    While Laz doesn’t give a clear shot of “POCABOUNDA”—in other words, the star of the 1995 cartoon Pocahontas—the head tilt would suggest she’s looking into John Smith’s eyes, while his runaway pupils peer up into the sky.

    According to the caption, Laz’s mom was “devastated,” with the influencer unable to decide “which was the worst one.”

    Fellow TikTokers found the footage hilarious, with the clip receiving more than 2 million views in 24 hours.

    A knock-off Disney Christmas ornament from Temu
    Left: A close-up of “Sleeping Ugly.” Right: A close-up of “Snow Yellow.” TikTok users found the unfortunate order mix-up hilarious.
    TikTok/@sebbylaz

    “Was it rescued from a fire??” asked Liv Murphy.

    “Looks like it was painted while it was spinning,” said Lucy.

    “Their beauty is on the inside,” suggested Jessica Harrington.

    “Cursed…. Definitely cursed,” wrote Lora, while user6037178677593 dubbed it the ornament “so awful it’s fabulous.”

    Even Temu commented on the video, asking Laz to share his order details so the company could “assist you in resolving any issues.”

    The app is a subsidiary of Chinese online retailer Pinduoduo and offers a wide range of products at low prices, from homeware to fashion, toys and electronics.

    However, Temu has also been criticized for allegedly losing orders, sending knock-off items, refusing refunds and poor customer service. The Better Business Bureau (BBB) has received over 1,300 complaints about the app in the past year, with the organization giving Temu a “C-” rating.

    Newsweek has reached out to Seb Laz and Temu for comment via email.