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Tag: single soon

  • “Single Soon” Is In Direct Contrast to “Used to Be Young”

    “Single Soon” Is In Direct Contrast to “Used to Be Young”

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    With Miley Cyrus releasing her “admitting to aging” anthem, “Used to Be Young,” at a time when admitting to aging as a woman somehow seems less acceptable than ever, Selena Gomez has opted to veer in an entirely different direction with her own ditty (released the same day as Miley’s on August 25th): the far more upbeat “Single Soon.” In contrast, to the lament of “Used to Be Young,” which focuses on letting go of “frivolous things” and overall folly, “Single Soon” seems to be Gomez’s bid to ignore the idea of any sense of aging whatsoever. For, at almost exactly the same age as Cyrus, Gomez is ready to hit the bars drinking and the clubs dancing. Something that belies Cyrus telling British Vogue back in May, “[This songwriter had brought me] like, you know, the standard fucked up in the club track. And I was like, ‘I’m two years sober. That’s not where I spend my time, you know. You’re more likely to catch me and my friends literally walking through rose gardens or going to a museum…’ It’s not about being self-serious. I’m just evolved.”

    Not to say that Gomez can’t be “evolved” either just because she’s still setting her videos in clubs and portraying puerile scenes of jumping in pools, running through alleyways and having “girlie” sleepovers. She just happens to be “evolving” in a slightly more “resistant-to-aging” way. Hence, lyrics like, “I know I’m a little high/Maintenance, but I’m worth a try/Might not give a reason why (oh well)/We both had a lot of fun/Time to find another one/Blame it all on feelin’ young.” The operative word being feelin’. And it seems appropriate that, as though to reflect the inability to “act one’s age” that most women in the public eye suffer from, Kim Kardashian would also post a video of herself jump roping on the eve of the “Single Soon” release with the caption, “I don’t know how to act my age; I’ve never been this old before…” Famous women, of course, have an especially challenging time dealing with this “issue.” Which should really be a non-issue if we actually lived in a non-judgmental, non-patriarchal society. Alas, we do not…and that’s why we’re met with this schizophrenic reaction among women vis-à-vis aging. The split persona that results in a pop star like Britney still playing the Lolita coquette or someone like MARINA saying “fuck it” and letting her hair go gray (for a while, anyway). The divergent reactions women can have merely to entering their thirties is telling of the weighty societal pressures placed upon them from an early age to “stay young” forever. Even though that ends up getting them condemned, too (see: Madonna).

    While Cyrus seems to be running an offensive on being called “old” by branding herself with the euphemistic label “used to be young,” Gomez is on the defensive by embracing the idea that being single in one’s thirties is nothing to be ashamed of. Ergo, drawing on an homage to the premier single girl show, Sex and the City, for her music video. Except, rather than mirroring Carrie (Sarah Jessica Parker), Gomez chose to lip sync some of Samantha’s (Kim Cattrall) dialogue (in a teaser for the single) from the season one episode, “Three’s A Crowd.” Even though she might have done the “Who is this?” line one better by quoting Samantha saying, “If you’re single, the world is your smorgasbord.” That’s what comes across, for the most part, in the video for “Single Soon,” although we never once see Gomez with any “variety of men” to prove that smorgasbord point. Rather, she plays up the kind of sologamist angle that shines through in Ariana Grande’s “thank u, next,” ultimately a clip show collection of tributes to Grande’s favorite “00s teen girl” movies, including Mean Girls, Bring It On, 13 Going on 30 and Legally Blonde, that involve no sign of her enjoying her singledom in ways that involve men. 

    As for Cyrus, the absence of anything whatsoever in her video apart from herself also speaks to the current landscape of self-obsession posing as “self-love.” Indeed “the self” appears to be the primary fixation of the twenty-first century (which certainly makes it easier to be single). A reality solidified as social media mutated into what it is today. Not only a powerful platform for narcissism, but also hatred and bullying. Something Gomez was reminded of when devoted Selenators came for Hailey Bieber earlier this year after Gomez posted a TikTok of herself saying she had accidentally over-laminated her eyebrows. Hours later, Kylie Jenner, “bestie” to Hailey, posted a photo of herself with a heavy filter that featured a caption placed directly over her eyebrows that read, “This was an accident?????”

    Immediately presumed to be shade at Gomez’s looks (because, unlike Stefano Gabbana, not everyone can just come right out and call Gomez “brutta”), Bieber was triangulated for being “@’d” in the story by Jenner with a picture of Bieber’s unkempt brows screenshotted from a FaceTime call. If it was, in fact, as calculated as everyone insisted, not only is it tragic how underhanded things have to be “nowadays” (as opposed to a good old-fashioned, on-blast feud like the one between Joan and Bette), but it also serves to both affirm and undercut Gomez’s message about being single. 

    Sure, on the one hand, you don’t become a petty, possessive little bitch like Bieber, but on the other, those petty, possessive bitches like Bieber view you as a threat because of your single status. As was the case for Carrie Bradshaw in “Bay of Married Pigs,” during which she’s exiled from her married friend Patience’s (Jennifer Guthrie) Hamptons house because her husband, Peter (David Healy), strategically chooses to walk around without any underwear on in the hallway so that Carrie will be able to see his “pepper mill-(sized) dick.” When Patience finds out, she sends Carrie packing, prompting the latter to continue her thesis for that week’s column: “Married people don’t hate singles. They just want us figured out.” And so long as they stay single, they never will be. Thus, the enduring divide.

    As for Miley, she seems on the Charlotte (Kristin Davis) track at the moment with all this talk of putting aside “silly (/slutty) youthful behavior” and perhaps focusing on a more stable life. Whatever that might actually mean for a Sagittarius. As for Gomez, a Cancer cusping Leo, it would seem her own security-craving sign betrays any genuine desire to be single. So maybe, in the end, they both mean the opposite of what they’re saying out loud…

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    Genna Rivieccio

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  • Your Weekend Playlist: New Music Releases

    Your Weekend Playlist: New Music Releases

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    I don’t know what’s happening this week, but you may have picked up that every living, breathing artist is releasing new music. Seriously, name a heavy hitter in the industry and they’re probably dropping a new song on August 25. Miley Cyrus, Ariana Grande, Selena Gomez, and more will grace our sound systems soon enough.


    On a day that BLACKPINK, Zach Bryan, SZA, Iggy Azalea, and many, many more are releasing songs, there’s almost a guarantee that this may be my best playlist yet. The odds are, for once, in my favor and I’m confident we are pulling out a weekend playlist worthy of repeatedly listening to.

    For Ariana Grande, we are getting the 10th anniversary edition of her Yours Truly album, which was her debut. It’s been a hectic week, considering Ariana left resident evil manager Scooter Braun, who is seemingly retiring from managing in general. And while the public may be listening to “Karma” by Taylor Swift, we have a few new tracks to cover instead.

    That’s right: another weekend, another playlist. And with this much good music, we have no time to waste!

    Let’s get listening.

    Joe P- “Don’t Wanna Love U” 

    I need everyone to listen up: if there’s one song you listen to from this playlist, make it this one. Ever since I first heard it, I have replayed it at least five times daily. Stream Joe P for instant serotonin, I guess! When I interviewed him a few months ago, Joe P mentioned he was bringing his production to a studio for a bigger sound…and we got it.

    It’s a sunny, dance-y song that I bop down the street nodding my head along when listening. I’ve liked every song he’s released, but this is by far my favorite. The synth-heavy sound and tortured lyrics about not wanting to love someone who is bad for you, but loving them anyway make for a near-perfect song.

    Miley Cyrus- “Used To Be Young” 

    We’re looking forward to a potential Vol II of Miley Cyrus’ Endless Summer Vacation album just a few short months after its release. To confirm these rumors, Miley released ballad “Used To Be Young” today, and the promo has been equally exciting. With lyric posters popping up everywhere next to old lyrics from hits like “Party in the USA” and “Wrecking Ball”, everyone is referencing their different eras.

    The song itself is a hit, which is no shock when it’s from someone with the range and vocal capacity that Cyrus does. She can do any genre, any type of song, and her voice will shine through. More importantly, the song will make sense. Just like fine wine, Miley only gets better with age.

    Ariana Grande – Yours Truly

    Fans have been anticipating new music from Ariana Grande, especially since she paused for Wicked filming – a scandal studded event that dominated headlines on its own…And while we love The Good Witch, we need to hear Grande’s voice again. The Yours Truly album was Grande’s intro to music, but now she gets to put her more mature sound and production abilities into it…so big things were expected.

    We hold these singers at a high regard for a reason, it’s so easy for us to forget how hard it is to sing, songwrite, and produce. That’s why we are so harsh on the songs that aren’t so good, so when artists like Taylor Swift, Demi Lovato, and Ariana Grande rework their old albums, it’s impressive, it’s worth the listen, and it’s normally flawless.

    Selena Gomez- “Single Soon”

    Selena Gomez is making a return to music with “Single Soon”, a fun-loving, carefree track about how exciting it can be to be single. There’s been a lot of speculation about Selena’s dating life recently, which makes this song even more perfect, because it’s truly her message to us all: she’s in her IDGAF era and we’re here for it. It’s great to dance to, and just reminds me of classic Selena.

    A contrast to Miley Cyrus’ ballad, the Disney gals are showing their range. It’s good to see Selena having fun with her music, and just not listening to whatever the hell the outside world has to say.

    Zevia- “something I can’t do” 

    Zevia’s voice fills your ears like a coo, gentle and calming, beautiful and equally heartbreaking. With notes of Billie Eilish, Zevia can make a sad song feel like a hug. She makes you feel seen, putting unspoken heartache and emotion into song, “something I can’t do” is about taking away that deep depressive pain that some experience. Zevia says,

    “When someone’s been sad for a long time and bad things happen to them continuously, good things that come unexpected could be just as bad, as they’re not used to it. Sometimes depressed people pray for good, but for me even the good can be bad. I can’t allow myself peace otherwise I don’t know who I’d truly be.”

    Chloe Stroll- Pedestal 

    Our feature artist of the week, Chloe Stroll has been breaking into the music industry with her raw voice, an emphasis on the piano, and most importantly, her honest lyrics. Writing about real life experiences, “Pedestal” sums up heartbreak in any form – whether it be a friend, a significant other, or even a family member.

    A powerful follow-up to her debut single, “Run”, based on a break-in Stroll and her husband, snowboarder Scotty James, experienced. It’s a summation of Chloe Stroll: resilient in her lyrics, in the way she creates an honest track, and honest beyond measure.

    Joel Corry, Rita Ora, MK- “Drinkin” 

    Recently, I had the privilege of seeing Joel Corry live in Atlantic City. Not only does he have some of the biggest club hits right now, but he can put on an equally exciting show. Now, with a highly-anticipated debut album, Another Friday Night, is on the horizon and he’s here with yet another major collab with Rita Ora and MK.

    “Drinkin” takes the beloved sampling used in Chance the Rapper’s “Zero Problems”, and it makes you want to dance the night away. You can already hear this song shooting its way to the top of every bar playlist, it’s another soundtrack to your night out from Joel Corry. I’m convinced he’ll never disappoint, and I’m excited for the album.

    Yungblud- “Hated” 

    You can’t get much more personal than “Hated”, which is Yungblud’s recounting of being molested by a doctor as a child and dealing with internal hatred. The punk-rocker has a way of making catchy hooks and capitalizing on guitar and a hard drum that makes you release any pent-up stress and anxiety. Few times do we get to see an artist bare their entire soul into a song, and be so open and vulnerable.

    Not only is Yungblud’s song a testament for survivors of assault everywhere, he’s opening a necessary conversation about men’s mental health. It’s a mixture of anger, pain, sadness, and healing all in one.

    Audrey Nuna- “Locket”

    Audrey Nuna is a musical maverick, someone who creates larger-than-life music and it just works perfectly. For her new song, “Locket”, she is releasing a video directed by the late Valentin Petit, who tragically passed away in an aircraft accident this year. It’s the last video he ever directed, making the song that much more significant. Audrey says,

    “He was gifted in all the ways his work vividly illustrated, and with such a sense of refreshing humility towards his collaborators and crew that can often times feel rare to find in this industry. This is his final music video of this lifetime – I’m sure he’s already getting started, some place, somewhere, gathering ideas and crafting wildest and freest visions to life.”

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    Jai Phillips

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