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Tag: singer

  • Venezuelan singer-songwriter looks to the future for the US and his former homeland – WTOP News

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    For a singer-songwriter who came to the United States from Venezuela seven years ago, the news that the U.S. had removed Venezuelan leader Nicolás Maduro from power was welcome news.

    For a singer-songwriter who came to the U.S. from Venezuela seven years ago, the news that the U.S. had removed Venezuelan leader Nicolás Maduro from power was welcome news.

    Jonathan Acosta, who made his home in Virginia, told WTOP in an interview that when he initially heard the news, he was overjoyed.

    “The reaction was something like, ‘Oh, my God, we got it,’” Acosta said.

    He explained that, in his eyes, Maduro was a dictator.

    Acosta said there had been many human rights abuses under the Maduro regime. Maduro has also been accused of stealing elections.

    “We don’t have a regular government, a conventional government, a normal government in Venezuela,” he said.

    When he appeared in court to face charges of conspiracy and drug trafficking, Maduro said he was “captured” and pleaded not guilty.

    Some Venezuelans living in the U.S., as well as Americans, have been critical of the military action and the lack of consultation with Congress before President Donald Trump’s administration deployed U.S. forces into Venezuela.

    Acosta said if he were asked whether he would prefer Venezuela to be aligned with Russia, China or the U.S., “My response for you is very clear. I prefer the United States.”

    At the same time, Acosta said it’s disheartening to see how Venezuelan immigrants as a whole have been portrayed as gang members and criminals.

    “It’s true that Tren de Aragua came from Venezuela. That is true,” he said, while noting the majority of Venezuelan immigrants “are good people … working very hard.”

    Acosta has performed locally, including at the Kennedy Center, and sang the national anthem at a Washington Wizards game in September 2024. He described that experience as important, because he felt he represented Venezuelans and the Hispanic community to a broad audience.

    “I was singing to say ‘thank you’ to the United States,” he said of the experience.

    Acosta has released a new album called “Americano Somos,” a nod to the cultures of North America, Central America and South America. The music spotlights what Acosta said he wants listeners to recognize, that all residents of the continents are Americans.

    “With the music, we can bring hope, esperanza,” Acosta said. “That is my work, my job now.”

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    Kate Ryan

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  • Jimmy Cliff, Reggae Giant And Star Of Landmark Film ‘The Harder They Come,’ Dead At 81 – KXL

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    NEW YORK (AP) — Jimmy Cliff, the charismatic reggae pioneer and actor who preached joy, defiance and resilience in such classics as “Many Rivers to Cross,” “You Can Get it If You Really Want” and “Vietnam” and starred in the landmark movie “The Harder They Come,” has died at 81.

    His family posted a message Monday on his social media sites that he died from a “seizure followed by pneumonia.” Additional information was not immediately available.

    “”To all his fans around the world, please know that your support was his strength throughout his whole career,” the announcement reads in part. “He really appreciated each and every fan for their love.”

    Cliff was a native Jamaican with a spirited tenor and a gift for catchphrases and topical lyrics who joined Kingston’s emerging music scene in his teens and helped lead a movement in the 1960s that included such future stars as Bob Marley, Toots Hibbert and Peter Tosh. By the early 1970s, he had accepted director Perry Henzell’s offer to star in a film about an aspiring reggae musician, Ivanhoe “Ivan” Martin, who turns to crime when his career stalls. Henzell named the movie “The Harder They Come” after suggesting the title as a possible song for Cliff.

    “Ivanhoe was a real-life character for Jamaicans,” Cliff told Variety in 2022, upon the film’s 50th anniversary. “When I was a little boy, I used to hear about him as being a bad man. A real bad man. No one in Jamaica, at that time, had guns. But he had guns and shot a policeman, so he was someone to be feared. However, being a hero was the manner in which Perry wanted to make his name — an anti-hero in the way that Hollywood turns its bad guys into heroes.”

    “The Harder They Come,” delayed for some two years because of sporadic funding, was the first major commercial release to come out of Jamaica. It sold few tickets in its initial run, despite praise from Roger Ebert and other critics. But it now stands as a cultural touchstone, with a soundtrack widely cited as among the greatest ever and as a turning point in reggae’s worldwide rise.

    For a brief time, Cliff rivaled Marley as the genre’s most prominent artist. On an album that included Toots and the Maytals, the Slickers and Desmond Dekker, Cliff was the featured artist on four out of 11 songs, all well placed in the reggae canon.

    “Sitting in Limbo” was a moody, but hopeful take on a life in restless motion. “You Can Get it If You Really Want” and the title song were calls for action and vows of final payments: “The harder they come, the harder they fall, one and all.” Cliff otherwise lets out a weary cry on “Many Rivers to Cross,” a gospel-style testament that he wrote after confronting racism in England in the 1960s.

    “It was a very frustrating time. I came to England with very big hopes, and I saw my hopes fading,” he told Rolling Stone in 2012.

    The music lives on

    Cliff’s career peaked with “The Harder They Come,” but, after a break in the late 1970s, he worked steadily for decades, whether session work with the Rolling Stones or collaborations with Wyclef Jean, Sting and Annie Lennox among others. Meanwhile, his early music lived on. The Sandinistas in Nicaragua used “You Can Get it If You Really Want” as a campaign theme and Bruce Springsteen helped expand Cliff’s U.S. audience with his live cover of the reggae star’s “Trapped,” featured on the million-selling charity album from 1985, “We Are the World.” Others performing his songs included John Lennon, Cher and UB40.

    Cliff was nominated for seven Grammys and won twice for best reggae album: in 1986 for “Cliff Hanger” and in 2012 for the well-named “Rebirth,” widely regarded as his best work in years. His other albums included the Grammy-nominated “The Power and the Glory,” “Humanitarian” and the 2022 release “Refugees.” He also performed on Steve Van Zandt’s protest anthem, “Sun City,” and acted in the Robin Williams comedy “Club Paradise,” for which he contributed a handful of songs to the soundtrack and sang with Elvis Costello on the rocker “Seven Day Weekend.”

    In 2010, Cliff was inducted into the Rock and Roll Hall of Fame.

    He was born James Chambers in suburban Saint James and, like Ivan Martin in “The Harder They Come,” moved to Kingston in his youth to become a musician. In the early 1960s, Jamaica was gaining its independence from Britain and the early sounds of reggae — first called ska and rocksteady — were catching on. Calling himself Jimmy Cliff, he had a handful of local hits, including “King of Kings” and “Miss Jamaica,” and, after overcoming the kinds of barriers that upended Martin, was called on to help represent his country at the 1964 World’s Fair in New York City.

    “(Reggae) is a pure music. It was born of the poorer class of people,” he told Spin in 2022. “It came from the need for recognition, identity and respect.”

    Approaching stardom

    His popularity grew over the second half of the 1960s, and he signed with Island Records, the world’s leading reggae label. Island founder Chris Blackwell tried in vain to market him to rock audiences, but Cliff still managed to reach new listeners. He had a hit with a cover of Cat Stevens’ “Wild World,” and reached the top 10 in the UK with the uplifting “Wonderful World, Beautiful People.” Cliff’s widely heard protest chant, “Vietnam,” was inspired in part by a friend who had served in the war and returned damaged beyond recognition.

    His success as a recording artist and concert performer led Henzell to seek a meeting with him and flatter him into accepting the part: “You know, I think you’re a better actor than singer,” Cliff remembered him saying. Aware that “The Harder They Come” could be a breakthrough for Jamaican cinema, he openly wished for stardom, although Cliff remained surprised by how well known he became.

    “Back in those days there were few of us African descendants who came through the cracks to get any kind of recognition,′ he told The Guardian in 2021. “It was easier in music than movies. But when you start to see your face and name on the side of the buses in London that was like: ‘Wow, what’s going on?’”

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    Grant McHill

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  • ‘I’m still processing it’: DC singer stuns on ‘The Voice’ – WTOP News

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    D.C. singer Kenny Iko has been wowing judges on NBC’s “The Voice” and its audience of millions around the nation with his smooth crooning.

    This season of NBC’s “The Voice” has unearthed a new talent from D.C.

    Singer Kenny Iko has been wowing the show’s judges and its audience of millions around the nation with his smooth crooning.

    During the show’s blind auditions, judges Snoop Dogg and Niall Horan turned their chairs, indicating their desire to work with the D.C. native.

    Iko spoke with WTOP’s Mark Lewis about his experience on the show and what it was like seeing his favorite judges turn around during his performance.

    Listen to their conversation below.

    WTOP’s Mark Lewis talks with singer Kenny Iko about his journey on ‘The Voice.’

    The transcript below has been lightly edited for clarity.

    • Mark Lewis:

      What was going through your mind when Snoop Dog’s chair turned around on The Voice?

    • Kenny Iko:

      Honestly, I did not initially see that he turned his chair. So I was like, all in the crowd, just trying to do my thing. And then I looked back and saw that he turned and I lost it. I don’t know why it made me more nervous, but yeah, it was a moment.

    • Mark Lewis:

      Is that a moment of relief? I mean, are you just trying to get through your number and do it the way you want to do it?

    • Kenny Iko:

      Part of it was relief. The other part of it was like, “Oh, I made it” moment. Like, this is everything I’ve been working toward now, and just to see it coming to fruition, because I wanted two coaches to turn. It was Snoop and Niall, and for him to turn first, it was just like a blessing. I was like, yes.

    • Mark Lewis:

      It had to have been a great feeling to have the judges battling over you at that moment that followed. What’s it been like working with Snoop?

    • Kenny Iko:

      Snoop is just a great — everything you see about Snoop and hear about him as this uncle, he’s definitely that. He brings up a lot of things. He teaches us a lot of stuff. He definitely been investing in me and like giving me gems, and I know our relationship, even after the show, is gonna be crazy.

    • Mark Lewis:

      Now tell us a little bit about your music. What drives you? What do you want people to know about the kind of music that you like and that you like to sing?

    • Kenny Iko:

      I’m a singer-songwriter. I write all my music also, and I just love to create timeless music. Anything that I’m feeling at the time. Like this recent project, “Late CheckOut,” is about just the ups and downs of a relationship, and then the breakup, and then the fact that you may not be ready to end when the relationship ends. So you ask for this late checkout, in the sense of like a hotel.

    • Mark Lewis:

      And you’ve got a video with that as well that was shot around here?

    • Kenny Iko:

      Yes, I released the music video to it. It was shot over in the Great Falls area. One of the hottest video shoots ever, and a lot of bugs.

    • Mark Lewis:

      So you’ve got a lot going on right now — EP out, you’re continuing on The Voice. Now you’re in the battle rounds right now, knockouts are next, right?

    • Kenny Iko:

      Yes, I just won my battle round; that aired last week, and now we’re about to do the finals of the battle rounds, and then now you get to see me in the knockouts.

    • Mark Lewis:

      Wow, that is fantastic, congratulations. I know you’re probably thinking, “This has been a long time coming.” You’ve been working at this for a while, but I tell you, success comes really fast. And you know, we’re so excited for you.

    • Kenny Iko:

      I’m still processing it. Thank you man.

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    © 2025 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    WTOP Staff

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  • Pirates play spoiler role, nip wild-card hopeful Reds

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    (Photo credit: Katie Stratman-Imagn Images)

    Oneil Cruz belted a two-run homer and five relievers combined for 4 1/3 scoreless innings to lead the visiting Pittsburgh Pirates past the Cincinnati Reds 4-2 on Tuesday night in Cincinnati.

    Elly De La Cruz homered and went 3-for-4 for the Reds, who entered the night tied with the New York Mets for the third and final wild-card spot in the National League. Both teams had a one-game lead over Arizona.

    Left-handed reliever Hunter Barco (1-0) made his major league debut for Pittsburgh (68-89), tossing a scoreless sixth inning to earn his first big league win. Dennis Santana tossed a scoreless ninth for his 15th save in 17 chances.

    The Reds (80-77) hit into double plays to end each of the final three innings.

    After hitting a batter in the first, Cincinnati starter Brady Singer (14-11) got into trouble in the second when Jack Suwinski doubled, Nick Yorke hit an RBI single to center and Alexander Canario doubled to make it 2-0.

    Following another out, Cruz drove a Singer sinker into the seats in left for a 4-0 Pirates lead. Singer was charged with four runs on seven hits in 5 1/3 innings.

    De La Cruz, who hadn’t homered since July 31 before belting a long ball Saturday, connected for his second homer in three games against Pittsburgh starter Johan Oviedo in the second to get two runs back. De La Cruz’s 21st of the season came with Spencer Steer aboard and cut the Pittsburgh lead to 4-2.

    Oviedo, charged with two runs on two hits and three walks over 4 2/3 innings, was removed one out from being eligible for the win in the fifth, as Dauri Moreta was called on to get the final out. Moreta recorded it when TJ Friedl was thrown out trying to advance on a potential wild pitch to Noelvi Marte.

    The Reds caught a break in the bottom of the fourth. Will Benson’s foul fly down the left field line was ruled a catch by Suwinski, who made a lunging, full extension grab of the ball as it was slicing away from him. But the Reds challenged, and the ball was ruled a trap.

    But given a second chance with runners on first and second, Benson struck out to end the frame.

    –Field Level Media

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  • 3 suspects charged in Liam Payne’s death, including hotel employee and alleged dealer

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    In the ongoing investigation into One Direction singer Liam Payne’s death, three suspects have been charged for their alleged involvement in the pop star’s sudden demise last month.

    The National Criminal and Correctional Prosecutor’s Office of Argentina announced Thursday in a statement shared in Spanish that it has found evidence of “illicit conduct” by three people — including an employee of the hotel where Payne fell to his death. Charges included abandonment of a person followed by death, and supply and facilitation of narcotics. The suspects, who were not identified, were charged last Friday in a 180-page indictment delivered to judge Laura Graciela Bruniard, the statement said.

    Payne, an “X Factor” alum who also pursued a solo musical career after his One Direction days, died Oct. 16 after falling from a third-floor balcony at a hotel in Buenos Aires. He was 31.

    In a preliminary autopsy shared a day after the singer’s death, Argentine officials said authorities found substances in the singer’s room that appeared to be drugs in addition to evidence of consumption of alcohol and narcotics.

    Officials carried out nine raids and heard “several dozen” testimonies from people including hotel staff, Payne’s family and friends, medical professionals and other experts, Thursday’s announcement said. Police analysts also reviewed more than 800 hours’ worth of surveillance footage from in and around the hotel, combed through the contents of Payne’s phone (including calls and messages across various messaging and social media apps) and assessed the registry of guests and the singer’s orders from the hotel’s bar and restaurant to understand his drinking and eating habits.

    Officers from the Cybercrime unit also extracted information from the cellphones of hotel reception and volunteer witnesses to corroborate statements.

    Prosecutors allege that one of the defendants accompanied Payne on a daily basis during his stay in Buenos Aires. Payne died two weeks after he arrived in Argentina, where he attended an Oct. 2 concert by former One Direction bandmate Niall Horan. This defendant was charged with abandonment of a person followed by death, and supply and facilitation of narcotics, the statement said. The remaining two defendants were charged with supplying narcotics.

    One defendant is a hotel employee who allegedly provided Payne with cocaine during his stay. The other is a suspected narcotics supplier who had already been accused of dealing drugs in separate incidents, Thursday’s statement said.

    The investigation into Payne’s death is ongoing and the prosecution said it was considering ruling out the possibility of suicide, because “in the state [Payne] was going through, he did not know what he was doing nor could he understand it.”

    In October, officials determined Payne died from multiple traumas and internal and external bleeding caused by the fall. He “did not adopt a reflexive posture to protect himself and … he may have fallen in a state of semi- or total unconsciousness,” officials said last month.

    Payne had traces of alcohol, cocaine and a prescription antidepressant in his system in the moments before his death, Thursday’s statement said. Prosecutors confirmed that Payne’s body had been delivered to his father, Geoff Payne.

    Payne’s remains reportedly will be flown back to his native London, one of the cities where One Direction fans gathered last month to celebrate the singer’s life and music.

    Payne’s track “Do No Wrong” was set for a posthumous release last week, but plans were swiftly put on hold after fans pushed back.

    “Today I’m deciding to hold ‘Do No Wrong’ and leave those liberties up to all family members,” Payne’s collaborator Sam Pounds said last week in a since-deleted tweet. “I want all proceeds [to] go to a charity of their choosing (or however they desire).”

    Pounds added: “We are all still mourning the passing of Liam and I want the family to [mourn] in peace and in prayer. We will all wait.”

    Times staff writer Nardine Saad contributed to this report.

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    Alexandra Del Rosario, Angie Orellana Hernandez

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  • Soul music icon Oleta Adams reflects on her legacy as she bids farewell to the stage – WTOP News

    Soul music icon Oleta Adams reflects on her legacy as she bids farewell to the stage – WTOP News

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    Legendary singer-songwriter Oleta Adams has spent over five decades captivating audiences with her soulful voice. Now, as she prepares for her final concert in the nation’s capital at The Birchmere, Adams opens up.

    Veteran soul singer Oleta Adams reflected on her five-decade career with WTOP before her final show at The Birchmere in Alexandria, VA.(Courtesy Tom Van Kooten Photography)

    Legendary singer-songwriter Oleta Adams has spent over five decades captivating audiences with her soulful voice, heartfelt lyrics and impassioned performances. Now, as she prepares for her final concert in the nation’s capital at The Birchmere, Adams opens up about her career, the decision to retire and the legacy she leaves behind.

    Reflecting on her retirement, Adams shared that the music industry’s evolving demands, along with personal considerations, shaped her decision. “After 53 years (of doing this), normally people retire after 30 years or 25. I put in 53,” Adams told WTOP.

    “Today everything is so complicated. The cost of travel, paying for everyone, baggage fees … it adds up. My husband and I decided we want to do other things while we can still move around,” she said.

    At 71, Adams has achieved a career many can only dream of, not only building a loyal fan base but also creating music that has helped her listeners through moments of joy and sorrow. With hits like “Get Here” and “I Just Had to Hear Your Voice,” her soulful ballads have left an indelible mark on generations of fans, especially during pivotal times in their lives.

    “I’ve had people tell me, ‘Thank you so much for helping me through med school,’ or ‘Thank you for being there for us when my father died,’” Adams reflected. “That’s what I wanted to do. I never said to God, ‘I want to be a big star.’ I just wanted to sing to the people.”

    For Adams, the accolades and achievements were secondary to the lives her music touched. In a world where fame is often chased and celebrated, Adams’ approach was refreshingly grounded.

    “I kind of feel like I missed the stardom, because I never felt like a celebrity, ever,” she said. “I was there, but I missed the show. But that’s OK, because it kept my feet on the ground.”

    As Adams takes her last bow, she leaves with a sense of fulfillment, having realized her artistic vision and purpose.

    Early in her career, her song “I’ve Got to Sing My Song” — an anthem about her resolve to follow her passion for music despite her preacher father’s reservations — set the tone for her future. “I absolutely did what I came to do,” she said with pride. “In the fullest meaning of that statement. And I gave my all, regardless of the number of people who showed up.”

    The significance of leaving a legacy has become more meaningful as she approaches retirement.

    Adams and her husband, drummer John Cushon, have no children, but she sees her music as the legacy she passes on to others.

    “The goal is to leave a positive mark. To make a difference in our world by touching someone else’s life,” she explained. “I feel like I’m part of everyone who has enjoyed that music that God gave me. It lives on through them.”

    Throughout her career, Adams admitted, she focused a lot of attention on technical proficiency.

    Listening to her body of work now, she said, is a more purely enjoyable experience.

    “I used to be so critical of me, (but) I listen now and I’m just so blown away,” Adams said. “And I cry … I had no idea it was that grand. It was so easy once.”

    As she prepares to leave the stage, Adams reflected on the physical and emotional demands of decades performing. Singing, touring and practicing have become more challenging with age, and her voice, she noted, doesn’t exactly sound the way it once did.

    “I have so much anxiety each time I know I have to sing again because it doesn’t sound the way I want,” she confided. “I didn’t want to get to a place where people would go, ‘Girl, you need to let it go.’”

    So for her final show in the D.C. area, Adams is returning to The Birchmere — a venue that holds a special place in her heart, with over 20 years of performances that felt like coming home.

    “We just have a wonderful time there,” Adams remarked. “I’m so fond of that place. It’s like a combination between a picnic and a church … the three o’clock service!”

    Though she is ready to step away from the stage, Adams exudes peace and a deep gratitude for the journey. For her, success was never about fame or wealth, but about connecting with audiences and providing solace through song. 

    Her career highlights include unforgettable collaborations and performances with icons like Phil Collins and orchestras worldwide. Yet, it’s the quieter, personal connections with fans that she treasures most.

    “When you tell me there’s a young lady lying down in a gurney after the show, terminally ill, but her dream was to see Oleta Adams — that becomes (a) moment I remember,” she shared. “It taught me how important what I do really is.”

    Adams’ impact isn’t limited to her fans; she’s become an inspiration and mentor for aspiring artists, often advising them to appreciate the wisdom of those who came before.

    She received an honorary doctorate from Berklee College of Music in 1995, an honor she clearly still cherishes.

    “I pray that young people will value those things that are said to them by their elders,” Adams said. “Prepare for the success. Know who you are. Be versatile, but even with the versatility, stick to who you are. Do it because you love the music, be kind, and practice, practice, practice.”

    For Adams, retirement is less a farewell than a new beginning — a chance to explore, live simply and give back to her local community in Kansas City, where she and her husband are already involved in their church.

    “We want to serve people in our community and it’s easier to not be worried about a show,” she said. “It’s time to just live more simply more simply, to love more, (and) to help where you are.”

    In her final encore, Adams leaves the stage with the same authenticity and grace that has defined her career. Her legacy — one of resilience, compassion, and the healing power of music — will continue to resonate, long after the final note fades.

    “I did it,” she reflects. “Now I can feel ‘OK, you accomplished what you set out to do,’ and then walk away.”

    Oleta Adams’ final show at The Birchmere in Alexandria is Sunday, Oct. 27, at 7:30 p.m. Information can be found here

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    © 2024 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    Terik King

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  • Kris Kristofferson, singer-songwriter and actor, dies at 88

    Kris Kristofferson, singer-songwriter and actor, dies at 88

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    Kris Kristofferson, a Rhodes scholar with a deft writing style and rough charisma who became a country music superstar and A-list Hollywood actor, has died.Video above: Remembering those we’ve lost in 2024Kristofferson died at his home in Maui, Hawaii on Saturday, family spokeswoman Ebie McFarland said in an email. He was 88.McFarland said Kristofferson died peacefully, surrounded by his family. No cause was given. He was 88.Starting in the late 1960s, the Brownsville, Texas native wrote such classics standards as “Sunday Mornin’ Comin’ Down,” “Help Me Make it Through the Night,” “For the Good Times” and “Me and Bobby McGee.” Kristofferson was a singer himself, but many of his songs were best known as performed by others, whether Ray Price crooning “For the Good Times” or Janis Joplin belting out “Me and Bobby McGee.”He also starred opposite Ellen Burstyn in director Martin Scorsese’s 1974 film “Alice Doesn’t Live Here Anymore,” starred opposite Barbra Streisand in the 1976 “A Star Is Born,” and acted alongside Wesley Snipes in Marvel’s “Blade” in 1998.Kristofferson, who could recite William Blake from memory, wove intricate folk music lyrics about loneliness and tender romance into popular country music. With his long hair and bell-bottomed slacks and counterculture songs influenced by Bob Dylan, he represented a new breed of country songwriters along with such peers as Willie Nelson, John Prine and Tom T. Hall.”There’s no better songwriter alive than Kris Kristofferson,” Nelson said during a November 2009 award ceremony for Kristofferson held by BMI. “Everything he writes is a standard and we’re all just going to have to live with that.”As an actor, he played the leading man opposite Barbara Streisand and Ellen Burstyn, but also had a fondness for shoot-out Westerns and cowboy dramas.He was a Golden Gloves boxer and football player in college, received a master’s degree in English from Merton College at the University of Oxford in England and turned down an appointment to teach at the U.S. Military Academy at West Point, New York, to pursue songwriting in Nashville. Hoping to break into the industry, he worked as a part-time janitor at Columbia Records’ Music Row studio in 1966 when Dylan recorded tracks for the seminal “Blonde on Blonde” double album.At times, the legend of Kristofferson was larger than real life. Cash liked to tell a mostly exaggerated story of how Kristofferson, a former U.S. Army pilot, landed a helicopter on Cash’s lawn to give him a tape of “Sunday Mornin’ Comin’ Down” with a beer in one hand. Over the years in interviews, Kristofferson said with all respect to Cash, while he did land a helicopter at Cash’s house, the Man in Black wasn’t even home at the time, the demo tape was a song that no one ever actually cut and he certainly couldn’t fly a helicopter holding a beer.In a 2006 interview with The Associated Press, he said he might not have had a career without Cash.”Shaking his hand when I was still in the Army backstage at the Grand Ole Opry was the moment I’d decided I’d come back,” Kristofferson said. “It was electric. He kind of took me under his wing before he cut any of my songs. He cut my first record that was record of the year. He put me on stage the first time.”One of his most recorded songs, “Me and Bobby McGee,” was written based on a recommendation from Monument Records founder Fred Foster. Foster had a song title in his head called “Me and Bobby McKee,” named after a female secretary in his building. Kristofferson said in an interview in the magazine, “Performing Songwriter,” that he was inspired to write the lyrics about a man and woman on the road together after watching the Frederico Fellini film, “La Strada.”Joplin, who had a close relationship with Kristofferson, changed the lyrics to make Bobby McGee a man and cut her version just days before she died in 1970 from a drug overdose. The recording became a posthumous No. 1 hit for Joplin.Hits that Kristofferson recorded include “Why Me,” “Loving Her Was Easier (Than Anything I’ll Ever Do),” “Watch Closely Now,” “Desperados Waiting for a Train,” “A Song I’d Like to Sing” and “Jesus Was a Capricorn.”In 1973, he married fellow songwriter Rita Coolidge and together they had a successful duet career that earned them two Grammy awards. They divorced in 1980.He retired from performing and recording in 2021, making only occasional guest appearances on stage.

    Kris Kristofferson, a Rhodes scholar with a deft writing style and rough charisma who became a country music superstar and A-list Hollywood actor, has died.

    Video above: Remembering those we’ve lost in 2024

    Kristofferson died at his home in Maui, Hawaii on Saturday, family spokeswoman Ebie McFarland said in an email. He was 88.

    McFarland said Kristofferson died peacefully, surrounded by his family. No cause was given. He was 88.

    Starting in the late 1960s, the Brownsville, Texas native wrote such classics standards as “Sunday Mornin’ Comin’ Down,” “Help Me Make it Through the Night,” “For the Good Times” and “Me and Bobby McGee.” Kristofferson was a singer himself, but many of his songs were best known as performed by others, whether Ray Price crooning “For the Good Times” or Janis Joplin belting out “Me and Bobby McGee.”

    He also starred opposite Ellen Burstyn in director Martin Scorsese’s 1974 film “Alice Doesn’t Live Here Anymore,” starred opposite Barbra Streisand in the 1976 “A Star Is Born,” and acted alongside Wesley Snipes in Marvel’s “Blade” in 1998.

    Kristofferson, who could recite William Blake from memory, wove intricate folk music lyrics about loneliness and tender romance into popular country music. With his long hair and bell-bottomed slacks and counterculture songs influenced by Bob Dylan, he represented a new breed of country songwriters along with such peers as Willie Nelson, John Prine and Tom T. Hall.

    “There’s no better songwriter alive than Kris Kristofferson,” Nelson said during a November 2009 award ceremony for Kristofferson held by BMI. “Everything he writes is a standard and we’re all just going to have to live with that.”

    As an actor, he played the leading man opposite Barbara Streisand and Ellen Burstyn, but also had a fondness for shoot-out Westerns and cowboy dramas.

    He was a Golden Gloves boxer and football player in college, received a master’s degree in English from Merton College at the University of Oxford in England and turned down an appointment to teach at the U.S. Military Academy at West Point, New York, to pursue songwriting in Nashville. Hoping to break into the industry, he worked as a part-time janitor at Columbia Records’ Music Row studio in 1966 when Dylan recorded tracks for the seminal “Blonde on Blonde” double album.

    At times, the legend of Kristofferson was larger than real life. Cash liked to tell a mostly exaggerated story of how Kristofferson, a former U.S. Army pilot, landed a helicopter on Cash’s lawn to give him a tape of “Sunday Mornin’ Comin’ Down” with a beer in one hand. Over the years in interviews, Kristofferson said with all respect to Cash, while he did land a helicopter at Cash’s house, the Man in Black wasn’t even home at the time, the demo tape was a song that no one ever actually cut and he certainly couldn’t fly a helicopter holding a beer.

    In a 2006 interview with The Associated Press, he said he might not have had a career without Cash.

    “Shaking his hand when I was still in the Army backstage at the Grand Ole Opry was the moment I’d decided I’d come back,” Kristofferson said. “It was electric. He kind of took me under his wing before he cut any of my songs. He cut my first record that was record of the year. He put me on stage the first time.”

    One of his most recorded songs, “Me and Bobby McGee,” was written based on a recommendation from Monument Records founder Fred Foster. Foster had a song title in his head called “Me and Bobby McKee,” named after a female secretary in his building. Kristofferson said in an interview in the magazine, “Performing Songwriter,” that he was inspired to write the lyrics about a man and woman on the road together after watching the Frederico Fellini film, “La Strada.”

    Joplin, who had a close relationship with Kristofferson, changed the lyrics to make Bobby McGee a man and cut her version just days before she died in 1970 from a drug overdose. The recording became a posthumous No. 1 hit for Joplin.

    Hits that Kristofferson recorded include “Why Me,” “Loving Her Was Easier (Than Anything I’ll Ever Do),” “Watch Closely Now,” “Desperados Waiting for a Train,” “A Song I’d Like to Sing” and “Jesus Was a Capricorn.”

    In 1973, he married fellow songwriter Rita Coolidge and together they had a successful duet career that earned them two Grammy awards. They divorced in 1980.

    He retired from performing and recording in 2021, making only occasional guest appearances on stage.

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  • Eric Carmen, known for songs ‘All by Myself’ and ‘Hungry Eyes,’ dies at 74

    Eric Carmen, known for songs ‘All by Myself’ and ‘Hungry Eyes,’ dies at 74

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    Eric Carmen, the former lead vocalist of The Raspberries and singer of “All by Myself,” is dead, according to his website. He was 74.Related video above: Remembering those we lost in 2024 “It is with tremendous sadness that we share the heartbreaking news of the passing of Eric Carmen,” a post on his website says. “Our sweet, loving and talented Eric passed away in his sleep, over the weekend.””It brought him great joy to know, that for decades, his music touched so many and will be his lasting legacy,” the post said.No cause of death was given.Born in Cleveland, Ohio, Carmen rose to fame as the frontman of the 1970s pop-rock group The Raspberries, churning out hits including “Go All the Way” and “I Wanna Be with You.” The group’s tidy haircuts and matching suits appeared to reference the uniform looks of The Beatles and other defining groups of the British Invasion.After the band broke up in the 1970s, Carmen built his solo career on hits such as “All by Myself” and “Hungry Eyes,” which provided the steamy soundtrack backdrop for an intensifying love between Johnny and Baby in “Dirty Dancing.”Another of Carmen’s most memorable hits was written for a movie soundtrack. He co-wrote “Almost Paradise,” the love theme of the movie “Footloose,” which was performed by Mike Reno and Ann Wilson. The song earned him his sole Grammy nomination when the soundtrack competed for Best Album of Original Score Written for a Motion Picture.”All by Myself,” “Make Me Lose Control and “Hungry Eyes” peaked in top 10 of Billboard’s Hot 100 and each spent more than four months on the chart. In all, 13 of Carmen’s songs had a place on the chart.Carmen declined to join The Rasberries when they reunited in 1999 to release the “Rasberries Refreshed” EP. But he did join them onstage in 2004 for a performance at Cleveland’s House of Blues and the crew briefly embarked on a mini-tour in 2005, according to Case Western Reserve’s Encyclopedia of Cleveland History.The group’s final performance together was at Cleveland’s KeyBank State Theatre in December 2007.

    Eric Carmen, the former lead vocalist of The Raspberries and singer of “All by Myself,” is dead, according to his website. He was 74.

    Related video above: Remembering those we lost in 2024

    “It is with tremendous sadness that we share the heartbreaking news of the passing of Eric Carmen,” a post on his website says. “Our sweet, loving and talented Eric passed away in his sleep, over the weekend.”

    “It brought him great joy to know, that for decades, his music touched so many and will be his lasting legacy,” the post said.

    No cause of death was given.

    Born in Cleveland, Ohio, Carmen rose to fame as the frontman of the 1970s pop-rock group The Raspberries, churning out hits including “Go All the Way” and “I Wanna Be with You.” The group’s tidy haircuts and matching suits appeared to reference the uniform looks of The Beatles and other defining groups of the British Invasion.

    After the band broke up in the 1970s, Carmen built his solo career on hits such as “All by Myself” and “Hungry Eyes,” which provided the steamy soundtrack backdrop for an intensifying love between Johnny and Baby in “Dirty Dancing.”

    Another of Carmen’s most memorable hits was written for a movie soundtrack. He co-wrote “Almost Paradise,” the love theme of the movie “Footloose,” which was performed by Mike Reno and Ann Wilson. The song earned him his sole Grammy nomination when the soundtrack competed for Best Album of Original Score Written for a Motion Picture.

    “All by Myself,” “Make Me Lose Control and “Hungry Eyes” peaked in top 10 of Billboard’s Hot 100 and each spent more than four months on the chart. In all, 13 of Carmen’s songs had a place on the chart.

    Carmen declined to join The Rasberries when they reunited in 1999 to release the “Rasberries Refreshed” EP. But he did join them onstage in 2004 for a performance at Cleveland’s House of Blues and the crew briefly embarked on a mini-tour in 2005, according to Case Western Reserve’s Encyclopedia of Cleveland History.

    The group’s final performance together was at Cleveland’s KeyBank State Theatre in December 2007.

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  • Here Are All the 2024 Oscar Winners

    Here Are All the 2024 Oscar Winners

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    Poor Things
    Image: Searchlight

    After enduring the pandemic and a pair of industry-stopping strikes, Hollywood seemed extra jazzed about celebrating itself at this year’s Oscars. While there weren’t a ton of genre movies on the ballot—truly, last year’s Everything Everywhere All at Once sweep still feels rather validating—a few did find their way to the podium.

    Most notably it was Poor Things leading the charge for genre, including a Best Lead Actress win for Emma Stone for her portrayal of Bella Baxter—arguably only rivalled by Oppenheimer, which took home the trio of big wins in Best Lead Actor, Best Director, and Best Picture. Barbie, amid a sea of discourse after nominees were initially announced earlier this year about perceived snubs, home only one win for original song out of its slate of nominations. Here are all the winners (plus their fellow nominees) from the 2024 Academy Awards. And may we just say, if Best Visual Effects winner Godzilla Minus One does get a sequel, we hope it makes it into more categories than its Best Picture-worthy predecessor.

    Best Supporting Actor

    • Sterling K. Brown (American Fiction)
    • Robert De Niro (Killers of the Flower Moon)
    • Winner: Robert Downey Jr. (Oppenheimer)
    • Ryan Gosling (Barbie)
    • Mark Ruffalo (Poor Things)

    Best Supporting Actress

    • Emily Blunt (Oppenheimer)
    • Danielle Brooks (The Color Purple)
    • America Ferrera (Barbie)
    • Jodie Foster (Nyad)
    • Winner: Da’vine Joy Randolph (The Holdovers)

    Best Animated Feature Film

    • Winner: The Boy and the Heron
    • Elemental
    • Nimona
    • Robot Dreams
    • Spider-Man: Across the Spider-Verse

    Best Animated Short Film

    • “Letter to a Pig”
    • “Ninety-Five Senses”
    • “Our Uniform”
    • “Pachyderme”
    • Winner: “War Is Over! Inspired by the Music of John and Yoko”

    Best Costume Design

    • Barbie (Jacqueline Durran)
    • Killers of the Flower Moon (Jacqueline West)
    • Napoleon (David Crossman & Janty Yates)
    • Oppenheimer (Ellen Mirojnick)
    • Winner: Poor Things (Holly Waddington)

    Best Live-Action Short

    • “The After”
    • “Invincible”
    • “Knight of Fortune”
    • “Red, White and Blue”
    • Winner: “The Wonderful Story of Henry Sugar”

    Best Makeup and Hairstyling

    • Golda
    • Maestro
    • Oppenheimer
    • Winner: Poor Things
    • Society of the Snow

    Best Original Score

    • American Fiction (Laura Karpman)
    • Indiana Jones and the Dial of Destiny (John Williams)
    • Killers of the Flower Moon (Robbie Robertson)
    • Winner: Oppenheimer (Ludwig Göransson)
    • Poor Things (Jerskin Fendrix)

    Best Sound

    • The Creator
    • Maestro
    • Mission Impossible: Dead Reckoning
    • Oppenheimer
    • Winner: The Zone of Interest

    Best Adapted Screenplay

    • Winner: American Fiction (Cord Jefferson)
    • Barbie (Noah Baumbach & Greta Gerwig)
    • Oppenheimer (Christopher Nolan)
    • Poor Things (Tony McNamara)
    • The Zone of Interest (Jonathan Glazer)

    Best Original Screenplay

    • Winner: Anatomy of a Fall (Arthur Harari & Justine Triet)
    • The Holdovers (David Hemingson)
    • Maestro (Bradley Cooper & Josh Singer)
    • May December (Samy Burch & Alex Mechanik)
    • Past Lives (Celine Song)

    Best Cinematography

    • El Conde (Edward Lachman)
    • Killers of the Flower Moon (Rodrigo Prieto)
    • Maestro (Matthew Libatique)
    • Winner: Oppenheimer (Hoyte van Hoytema)
    • Poor Things (Robbie Ryan)

    Best Documentary Feature Film

    • Bobi Wine: The People’s President
    • The Eternal Memory
    • Four Daughters
    • To Kill a Tiger
    • Winner: 20 Days in Mariupol

    Best Documentary Short Film

    • The ABCs of Book Banning
    • The Barber of Little Rock
    • Island in Between
    • Winner: The Last Repair Shop
    • Nai Nai & Wài Pó

    Best Film Editing

    • Anatomy of a Fall
    • The Holdovers
    • Killers of the Flower Moon
    • Winner: Oppenheimer
    • Poor Things

    Best International Feature Film

    • Io Capitano
    • Perfect Days
    • Society of the Snow
    • The Teacher’s Lounge
    • Winner: The Zone of Interest

    Best Original Song

    • “The Fire Inside” (Flamin’ Hot)
    • “I’m Just Ken” (Barbie)
    • “It Never Went Away” (American Symphony)
    • “Wahzhazhe (A Song For My People)” (Killers of the Flower Moon)
    • Winner: “What Was I Made For” (Barbie)

    Best Production Design

    • Barbie
    • Killers of the Flower Moon
    • Napoleon
    • Oppenheimer
    • Winner: Poor Things

    Best Visual Effects

    • The Creator
    • Winner: Godzilla Minus One
    • Guardians of the Galaxy Vol. 3
    • Mission: Impossible — Dead Reckoning, Part One
    • Napoleon

    Best Lead Actor

    • Bradley Cooper (Maestro)
    • Colman Domingo (Rustin)
    • Paul Giamatti (The Holdovers)
    • Winner: Cillian Murphy (Oppenheimer)
    • Jeffrey Wright (American Fiction)

    Best Lead Actress

    • Annette Bening (Nyad)
    • Lily Gladstone (Killers of the Flower Moon)
    • Sandra Hüller (Anatomy of a Fall)
    • Carey Mulligan (Maestro)
    • Emma Stone (Poor Things)

    Best Director

    • Justine Triet (Anatomy of a Fall)
    • Martin Scorcese (Killers of the Flower Moon)
    • Winner: Christopher Nolan (Oppenheimer)
    • Yorgos Lanthimos (Poor Things)
    • Johanathan Glazer (Zone of Interest)

    Best Picture

    • American Fiction
    • Anatomy of a Fall
    • Barbie
    • The Holdovers
    • Killers of the Flower Moon
    • Maestro
    • Winner: Oppenheimer
    • Past Lives
    • Poor Things
    • The Zone of Interest

    What did you think of this year’s winners? Any favorite moments from the ceremony? Share in the comments below!


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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  • Cher Breaks Down In Court As She Suffers Major Defeat – ‘Would Not Be Alive…’

    Cher Breaks Down In Court As She Suffers Major Defeat – ‘Would Not Be Alive…’

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    Opinion

    Source: Amelia Dimoldenberg YouTube

    The radically liberal singer Cher broke down in court this week before a judge denied her request for a temporary emergency conservatorship over her 47 year-old son Elijah Blue Allman.

    Cher Breaks Down In Court

    People Magazine reported that Cher, 77, could not help but become emotional over her son’s wellbeing as her attorneys expressed her concerns for his health and safety. Her lawyers told the judge that she only filed the request because of how dire she feels Allman’s situation has become, and that she wants to handle the money that he is owed from his trust to ensure that it is managed for his benefit.

    Cher’s attorney said that “she feared that her son would not be alive within the year” because of two ongoing issues: his “history of drug use” and his “schizoaffective disorder” diagnosis. She is also expecting to receive a bipolar diagnosis for Allman from a “leading physician.”

    “Cher was told by doctors that if she did not take this step as his mother that he will once again end up on the street,” her lawyer stated.

    Cher Doubles Down

    Though Allman claimed in an objection to his mother’s request that he had been receiving treatment for addiction, Cher’s attorneys claimed that she is more worried about her son’s history of mental illness.

    “[Drug use] is the secondary issue, it is the issue of mental illness that makes Mr. Allman vulnerable,” they argued. “He is surrounded by people who deny the mental illness component.”

    Cher’s lawyers also revealed that Allman had been placed under several 5150 holds, which is a legal code in California that “allows a person with a mental illness to be involuntarily detained for a 72-hour psychiatric hospitalization.” The most recent hold was in September, when an allegedly sober Allman experienced a “psychotic episode.” 

    “We are trying, your honor, to avoid this situation where his life is at risk,” Cher’s lawyer said, adding that the Grammy-winning singer is “very much amenable” and would “absolutely consent” to a “third party professional fiduciary” being appointed to Allman by the court. 

    Related: Cher Accused Of Hiring Four Men To Kidnap Her Own Son

    Judge Rules Against Cher

    Unfortunately for Cher, however, the judge ultimately denied her request.

    “I don’t question Cher’s concerns being driven by concern for her son. I don’t think [Allman] questions that,” the judge said, adding that there was not “sufficient evidence” to agree to the temporary conservatorship because much of what the singer’s legal team was arguing was based on “fears” and hypotheticals. 

    “That in and of itself is not basis for the court to appoint a probate conservatorship. I have not seen the evidence to grant a temporary, emergency conservatorship as of today,” the judge continued.

    The judge concluded by saying that Allman “has managed his finances” and “has an apartment,” and “he has remained drug free” after submitting “several drug tests.”

    Find out more about this in the video below.

    Related: Cher Pledges To Move Out Of U.S. If Trump Is Re-elected – ‘This Time I Will Leave

    Judge Ends Hearing – Allman Celebrates

    The judge ended the hearing by saying that they would resume with an additional hearing on March 6, as the proposed conservatorship case is still ongoing.

    Allman immediately celebrated the legal victory over his mother.

    “Elijah is thrilled, as the Court saw, he does not need a temporary conservatorship. He’s grateful to his fans, friends and community for their support. He’s doing great,” his lawyer said. “We’re looking forward to March. He’s doing great. He’s here today.”

    Watch his full comments in the video below.

    Cher shares Allman with the late Allman Brothers singer Gregg Allman, who she was married to from 1975 until 1979. What do you think about this situation? Let us know in the comments section.

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  • Mic On? Watch Chet Hanks Flex His Vocals With THIS Summer Walker Song

    Mic On? Watch Chet Hanks Flex His Vocals With THIS Summer Walker Song

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    Chet Hanks is bringing a “little summer in the winter” with his cover of a Summer Walker song!

    Earlier this week, the former ‘Empire’ actor took to Instagram to flex his vocals on video. He set the mood for fans with floor-to-ceiling windows and a beautiful sunset in the background!

    The 33-year-old then started playing the guitar in his hands while he sang Summer Walker’s ‘Session 32‘.

    Check out his cover below.

    Mic On? Social Media Reacts To Chet Hanks’ Vocals

    Social media users rushed to The Shade Room’s comment section to humorously weigh in on the actor’s latest cover.

    To note, this isn’t Hanks’ first time putting his singing voice out there! In December 2023, the 33-year-old went viral after posting his cover of Nirvana’s ‘Come as You Are.’

    Instagram user @mrs_tahirah wrote, He can def put out a county album. I would support 🤷🏻‍♀️”

    While Instagram user @beautifully_put_together added, I like the country feel of it, I love all different genres of music..a lot of y’all only listen to RNB and Hip Hop that’s why this doesn’t do nothing for ya🤷🏽‍♀️”

    Instagram user @senrablem remarked, Somebody said Summer Walker Texas Ranger 💀💀🤣🤣😭”

    While Instagram user @heyhomegirlx added, He sounds good for his voice type. All white men not goin sound like Robin Thicke”

    Instagram user @sliimgooody joked, If you want summer just say that 😂”

    While Instagram user latoyaj_mua2 added, Ion like it but I like that he gave summer her flowers 😂😍”

    Instagram user ms_katie_baby remarked, I’m just here for him and that guitar 🥵🥵🥵🥵”

    While Instagram user @asiasomethingelse referred to when Hanks went viral for speaking Patois at the 2020 Golden Globes, I need him to do that Jamaican accent actually.”

    Here’s What Summer Walker Has Recently Been Up To

    Summer Walker has yet to weigh in on Hanks’ vocals. However, her fans are definitely ready for the singer to return with her own. According to Pitchfork, Walker’s last project, ‘Clear 2: Soft Life EP,’ was released in May 2023.

    Since then, fans have not held back with their pleas for another album from her.

    Additionally, fans are also hoping that the singer will continue to collaborate with rapper Sexyy Red.

    Fans may actually get their wish as the singer recently took to Instagram to show that she was posted up with the rapper.

    “Now we both got picture’s pregnant together lol,” Walker wrote in the caption of her post.

    RELATED: Summer Walker Addresses Pregnancy Rumors (Video)

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    Jadriena Solomon

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  • Willie Nelson, 90, Reveals Why He Believes He’ll Be Reincarnated – 'I Don't Believe Life Ends, Ever'

    Willie Nelson, 90, Reveals Why He Believes He’ll Be Reincarnated – 'I Don't Believe Life Ends, Ever'

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    Opinion

    Source: Screenshot CBS Mornings YouTube

    The legendary singer Willie Nelson, who celebrated his 90th birthday earlier this year, is speaking out this week to reveal why he believes he’ll be reincarnated after he eventually passes away.

    Nelson Believes In Reincarnation

    “I think we probably come back as ourselves, pretty much,” Nelson told CBS News. “I don’t believe life ends, ever.” 

    When asked if fans will always have him and his songs, Nelson smiled as he replied, “I’ll be back in a minute.”

    Despite believing in reincarnation, Nelson is still very much focused on this life, and he’s just as active as he ever was. Nelson holds a fifth-degree black belt, and he practices martial arts daily, saying that he “started out in kung fu, went over to jiu jitsu, judo and taekwondo.” 

    Nelson explained that it was his childhood in Texas that inspired him to take up this practice.

    “We had a saying in Abbot, Texas, where I come from. You only do three things down here: fight, f— and throw rocks. So, that’s what I grew up [with],” he said. “So, we fought everything and everybody, each other, we fought bumblebees on the weekend.”

    Nelson went on to say that martial arts gives him “confidence.” 

    “I don’t have to worry about anything,” he said.

    Related: Willie Nelson Reveals Why He’s Refusing To Stop Touring At 90 – ‘It’s Just A Number’

    Nelson Turns 90

    When Nelson celebrated his 90th birthday back in April, he admitted that he “never thought” that he’d make it to such an advanced age.

    “I never thought I’d get here,” Nelson told People Magazine at the time, though he was quick to shrug off any fuss over this birthday by adding, “This ain’t nothing. It’s another day.”

    After 60 years of performing, Nelson still loves performing onstage for his fans.

    “I get a lot of fun out of playing for an audience,” he said. “There’s a great energy exchange there. It’s what keeps me going.”

    While Nelson admits that his hearing is “not the best,” he still feels young at heart.

    “As they say, laughter’s the best medicine,” he said. “I’ve always enjoyed a good joke.”

    Related: Willie Nelson’s Music Video About Cowboys Will Have You Longing For The Days Of John Wayne

    Nelson Has No Plans To Retire

    Nelson also has no intention of giving up on songwriting and performing anytime soon.

    “I haven’t quit … I’m 90,” he said in his latest interview. “Maybe I should, but … after every tour. I said, this is it. And then get the urge again to go back”

    Nelson made similar comments to AARP earlier this year, saying, “Jokingly, I retire after every tour.”

    “But I’m always ready to go back again,” he continued. “I like the bus. I have everything I need on the bus. I never have to go into a hotel room anywhere. It’s not that bad.”

    Earlier this year, Nelson scored a major honor when he was inducted into the Rock and Roll Hall of Fame.

    “Naturally, it was a great honor, you know,” Nelson said. “I know the difference between the Rolling Stones and Hank Williams, but still it’s all rock and roll.”

    Nelson is a true living legend, and there will never be another one like him. What do you think about his comments on reincarnation? Let us know in the comments section.

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  • Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’ | Your EDM

    Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’ | Your EDM

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    The music realm is no stranger to emerging talents, but Josefine, the Swedish songstress, stands out with a luminous flair. Her recent track, ‘Clap’, showcases her knack for weaving tunes that linger in the heart and echo in the mind.

    From the moment of its debut, ‘Clap’ has soared, enchanting audiences worldwide. The song’s irresistible refrain and standout melodies pay homage to the celebrated legacy of Swedish musical craftsmanship, renowned for churning out hits that strike a chord across continents. It comes as no surprise that the track has swiftly carved a niche among both ardent fans and fresh ears.

    Josefine’s odyssey in the musical landscape is nothing less than awe-inspiring. Boasting a staggering 35 million streams, she’s solidified her position as a musical titan. Her distinctive fusion of heartfelt lyrics and melodic genius has garnered the spotlight from prominent YouTube platforms, magnifying her influence. Esteemed channels like MrRevillz, 7clouds, and Chill Nation have championed her compositions, bringing her melodious charm to a vast audience of music aficionados.

    Reflecting on the muse behind ‘Clap’, Josefine remarked, “The rhythm and soul of Swedish tunes have always held a special place in my heart. Their melodies have this unique way of staying with you. That’s the spirit I aimed to encapsulate in ‘Clap’, and the response has been overwhelmingly positive.”

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    Peter Berry

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  • Travis Kelce buys $6-million mansion in Kansas for privacy. That’s real estate (Taylor’s Version)

    Travis Kelce buys $6-million mansion in Kansas for privacy. That’s real estate (Taylor’s Version)

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    A certain Kansas City football star just bought a multimillion-dollar mansion in Kansas allegedly over privacy concerns as he dates a really famous pop singer-turned-box-office-sensation.

    We speak of course of two-time Super Bowl champ Travis Kelce, whose recent purchase is being billed as “a desperate bid for more privacy surrounding his newfound romance with Taylor Swift,” according to Page Six.

    The Chiefs tight end, 34, closed the deal Tuesday, TMZ first reported, and is set to become the proud new owner of a nearly 17,000-square-foot home in a private gated community that boasts six bedrooms and eight bathrooms — because $6 million goes a really long way in the Ad Astra State where the median sale price for a home is $258,700. (Compare that to $780,000 in star-studded California, $952,000 in Los Angeles and $760,550 in New York City, according to real estate website Redfin.)

    Previous reports indicated that the home was located in Kansas City, but the sprawling pad is actually a property in Leawood, Kan. The sale is still pending, according to the property’s Redfin listing.

    The property, built in 1998, is said to be perched on three acres of land and has a “Beverly Hills”-style pool area with a waterfall, a tennis and pickleball court and a miniature golf course, the New York Post reported. Honestly, we’re disappointed it doesn’t have a “seemingly ranch”-style layout, but it does have a six-car garage and wine cellar. The home was originally listed in September 2022 for $6.9 million, and the pending sale price listed on Redfin currently stands at $5,999,950.

    TMZ reported that the NFL star upgraded because he needed more privacy as Taylormania ramps up around him. Apparently, his old place was too accessible and was becoming a “mini tourist attraction” as his romance with the “Anti-Hero” and “Girl at Home” singer heated up. Fans and paparazzi reportedly staked out his address when Swift paid him a visit there earlier this month.

    “His former humble abode just wasn’t cutting it when it came to impressing his new love interest, Swift,” the Post said Thursday. “Insiders revealed that Kelce was feeling a tad ‘self-conscious’ about his relatively modest pad and decided it was time to take things up a notch. The reason? Winning over the heart of Swift, who is no stranger to the world of luxury. It seems Kelce wanted to match the grandeur of her lifestyle, and this new residence might just do the trick.”

    Um, ever tried smiles and flowers instead?

    The Post reported that the luxury purchase also aligns with the football star’s recent pay raise. The tight end’s salary reportedly jumped from $2.9 million in 2022 to $11.2 million this year. Plus, he’s taken part in several high-profile endorsement deals, with brands including Pfizer, Nike, Bud Light and State Farm.

    The “Welcome to New York” singer-songwriter, of course, lives primarily in the Big Apple — and Kelce was seen leaving that pad over the weekend. The 12-time Grammy Award winner is something of a real estate investor, with roughly $150 million in real-estate holdings, according to a May estimate in the Wall Street Journal. Swift has bought and sold several properties in Nashville, Beverly Hills, Rhode Island and the United Kingdom.

    Swift, 33, and Kelce have been palling around for the better part of a month after the football star revealed in late September that he “threw the ball in her court.” Kelce took in the “Blank Space” singer’s record-breaking Eras Tour at Arrowhead Stadium, and Swift caused a full-on media frenzy with her appearances at the football star’s games. (The Taylor effect even got the “Saturday Night Live” treatment last weekend, with Kelce getting in on the action last minute.)

    Although they haven’t directly said a whole lot about their relationship status, the pair repeatedly stepped out together while holding hands and packing on the PDA last weekend — and while notching those guest-appearance spots on “SNL.”

    On Wednesday’s episode of the “New Heights” podcast, which Kelce co-hosts with his older brother and fellow NFL player Jason Kelce, the siblings also addresssed a viral moment from Kelce’s weekend outing with Swift in which he appeared to “push” a security guard.

    “I didn’t push him, I placed my hand on the gentleman’s back to let him know I was behind him. If I would’ve pushed him, he probably would’ve turned around and tased me,” said the younger Kelce.

    “That sounds like a way that somebody who pushed somebody would describe pushing them,” Jason Kelce quipped.

    Swift’s new beau added that he tries to be chivalrous on dates.

    “I feel like whenever I’m on a date, I’m always like having like the sense of like I’m a man in the situation,” he said. “I’m protective for sure — you always kind of have that feeling or that self-awareness.”

    And some of that self-awareness has extended into his wardrobe, with the football star addressing some of the fan feedback about his “Taylor’s curtains” sartorial selections.

    Times staff writer Jonah Valdez contributed to this report.

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    Nardine Saad

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  • Famous Opera Singer Dies At Age 61

    Famous Opera Singer Dies At Age 61

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    NEW YORK (AP) — Tenor Stephen Gould, who announced earlier this month that he had been diagnosed with incurable bile duct cancer, has died. He was 61.

    Gould’s agent Stephanie Ammann confirmed the singer died Tuesday in Virginia. No other details were immediately available.

    The singer withdrew this summer from the Bayreuth Festival in Germany, where he was scheduled to perform the title roles in “Tannhäuser” and “Tristan und Isolde” and Siegfried in “Götterdämmerung.”

    Gould said he made the announcement after the Bayreuth Festival ended last week because “I did not wish anything to cloud this year’s achievements.”

    Frequently appearing as a heroic tenor, Gould performed at many of the world’s great opera houses. He debuted in Richard Wagner’s “Ring” cycle in Bayreuth in 2006, earning raves during the challenging four-nights of performances.

    The Associated Press called him “a naturally engaging performer, unusually athletic and youthful as befits the teenage hero” during his performance of the third “Ring” show, “Siegfried.”

    According to the Mayo Clinic, biliary tract cancer often doesn’t cause any symptoms in the early stages. It’s often discovered by accident — for example, through routine blood tests or imaging done for an unrelated reason.

    He is survived by his sister.

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  • Lana Del Rey Releases New Single

    Lana Del Rey Releases New Single

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    Lana Del Rey proves once again that she is the queen of spooky lo-fi piano ballads. Her new single,”Hope is a dangerous thing for a woman like me to have – but I have it” is as lyrically dense as the long-winded title suggests, beautifully following Del Rey through a consideration of fame, family, and womanhood. But what sets the song apart is the juxtaposition of the timeless ballad style sung in Del Rey’s lilting voice, and the modern violence of her words.

    It’s an objectively pretty song, but more importantly, it commits to its own theatricality whole heartedly. It’s perfectly stylized teenage angst forcing every listener to feel something of the pubescent-glory of a 15-year-old girl weeping into her pink bed spread, mourning everything and nothing. Its absurdly melodramatic, and yet somehow earnest and hopeful too.

    Among the best lines are:

    “I’ve been tearing around in my fucking nightgown/24/7 Sylvia Plath”

    “Shaking my ass is the only thing that’s/Got this black narcissist off my back/She couldn’t care less, and I never cared more/So there’s no more to say about that”

    “Servin’ up God in a burnt coffee pot for the triad/Hello, it’s the most famous woman you know on the iPad/Calling from beyond the grave, I just wanna say, ‘Hi, Dad.’”

    Each line is written so informally they sound like viral tweets, but what the song lacks in grandiose language, it more than makes up for in concentration of feeling. Paired with the spooky, airy soundscape and perfectly minimal production, the poetry of the single creates an inescapable swell of nostalgia.

    “Hope is a dangerous thing for a woman like me to have – but I have it” clads you in a silk, victorian-style nightgown, places you in a candle lit room with a baby grand piano…but then it covers the baby grand in lines of coke, hangs Taylor Lautner posters and cosmo clippings on the walls, and adds a strobe light. It’s the perfect absurd teen anthem for this particular moment in time, and leaves us in anticipation of Lana Del Rey’s upcoming album, Norman Fucking Rockwell, expected out sometime this year.


    Brooke Ivey Johnson is a Brooklyn based writer, playwright, and human woman. To read more of her work visit her blog or follow her twitter @BrookeIJohnson.


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    Brooke Ivey Johnson

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  • Trans Tik-Tok Sensation, Model, and Artist Britney Manson Releases Latest Single

    Trans Tik-Tok Sensation, Model, and Artist Britney Manson Releases Latest Single

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    Britney Manson releases “Fashion” to inspire her fans to imagine themselves as their own It Girl.

    Celebrated transgender model and artist Britney Manson announces the highly anticipated release of her newest provocative single, “Fashion.” This track marks a significant milestone in her artistic journey as she expands her creative horizons from fashion runways to the music world. 

    Britney Manson, who began her modeling career at the age of 12, has captivated audiences worldwide with her outgoing unapologetic personality and famous how-to-catwalk videos on TikTok, where she has amassed 1.5 million followers. Originally from Estonia, she has walked the runways of London Fashion Week, Berlin Fashion Week, Paris Fashion Week, and Milan Fashion Week, challenging norms and advocating for greater inclusivity in the fashion industry. 

    With her recent venture into music, Britney aims to amplify the voice that she struggled to find growing up. “Music is a perfect way to be heard by people. When you turn what you’ve been saying for so long into art, people can finally hear you,” Manson expressed. Through her songs, Britney seeks to foster a sense of acceptance and empowerment.

    Combining pop synth with explicit lyrics, “Fashion” explores themes of self-expression, imagination, and style. The song is about dreaming big. Growing up as a transgender child, Britney lived in her own world and daydreamed to cope with adversity, imagining herself a superstar. “I want everyone to listen to this song and imagine the possibilities for themselves. I want them to think of themselves as their own sexy It Girl, like they’re the most fashionable supermodel on Earth.” 

    “Fashion” was released by The Orchard, a subsidiary of Sony Music, and is now streaming on Spotify. It follows the release of her singles “MODE-L” and “Everyone (I’m Stuck).” All three will be featured on her upcoming album, slated for release later this year.

    About Britney Manson:

    Britney Manson is an Estonian transgender model, artist, and Tik-Tok sensation who transforms her life experiences into art. Her commitment to promoting acceptance and diversity has earned her recognition and admiration globally. She has sauntered down the runways of Berlin, Milan, Paris, and London, and has amassed a significant following with her how-to-catwalk videos on TikTok and lively impersonations of other models. She is currently signed with Elite Models NYC. 

    Source: Britney Manson, artist

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  • Canadian singer competing for France at Eurovision 2023 finale  | Globalnews.ca

    Canadian singer competing for France at Eurovision 2023 finale | Globalnews.ca

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    Born and raised in Montreal, Canadian singer La Zarra is aiming for France’s first win in 46 years at the Eurovision 2023 song contest finale Saturday night.

    The singer, 35, whose name is Fatima Zahra Hafdi, currently lives in Paris. She was handpicked by the country’s public broadcaster France Télévisions to represent the nation at this year’s competition with her French-language song Évidemment.

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    La Zarra of France during the flag ceremony before during the Grand Final of the Eurovision Song Contest in Liverpool, England, Saturday, May 13, 2023.


    (AP Photo/Martin Meissner)

    According to Eurovision, she co-wrote and co-produced the track with other Montreal artists Benny Adam and Banx & Ranx, who have been responsible for mega hits by Dua Lipa, David Guetta and Ellie Goulding.

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    READ MORE: Eurovision organizers reject Zelenskyy’s request to make video address at contest

    Hafdi was raised by Francophone Canadian parents of Moroccan descent.

    She’s following Quebec mega artist Celine Dion’s footsteps, who represented Switzerland at Eurovision back in 1998.

    This year’s competition marks the first time non-participating countries can participate and vote.

    France is counting on La Zarra to rally supporters from her home country of Canada, her family’s home country of Morocco and all other French speaking nations.

    Her 2021 single Tu t’en iras went platinum and she was nominated for several awards.

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    This marks the second time a French Canadian artist is representing France. Natasha St-Pier did so in 2001.

    The song competition is organized by the European Broadcasting Union and has been held annually since 1956. La Zarra is currently ranked sixth out of 26 contestants ahead of Saturday night’s finale in Liverpool.

    Votes can be cast on the Eurovision website or app.

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    Alessia Simona Maratta

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