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Tag: showroom

  • The newest trend in L.A. office space: In-house studios for traveling influencers

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    For the trendiest tenants in Hollywood office buildings, it’s the latest fad that goes way beyond designer furniture and art: mini studios

    To capitalize on the never-ending flow of stars and influencers who come through Los Angeles, a growing number of companies are building bright little corners for content creators to try products and shoot short videos. Athletic apparel maker Puma, Kim Kardashian’s Skims and cheeky cosmetics retailer e.l.f. have spaces specifically designed to give people a place to experience and broadcast about their brands.

    Hollywood, which hasn’t historically been home to apparel companies, is now attracting the offices of fashion retailers, says CIM Group, one of the neighborhood’s largest commercial property landlords.

    “When we’re touring a space, one of the first items they bring up is, ‘Where can I build a studio?’” said Blake Eckert, who leases CIM offices in L.A.

    Their studio offices also serve as marketing centers, with showrooms and meeting spaces where brands can host proprietary events not open to the public.

    “For companies where brand visibility is really important, there is a trend of creating spaces that don’t just function as offices,” said real estate broker Nicole Mahalka of CBRE, who puts together entertainment property leases and sales.

    Puma’s global entertainment marketing team is based in its new Hollywood offices, which works with such musical celebrity partners as Rihanna, ASAP Rocky, Dua Lipa, Skepta and Rosé, said Allyssa Rapp, head of Puma Studio L.A.

    Allyssa Rapp, director of entertainment marketing at Puma, is shown in the Puma Studio L.A. The company keeps a closet full of Puma products on hand to give VIP guests. Visits to the studio sanctum are by invitation only, though.

    (Kayla Bartkowski / Los Angeles Times)

    Hollywood is a central location, she said, for meeting with celebrities, stylists and outside designers, most of whom are based in Los Angeles.

    The office is a “creation hub,” she said, where influencers can record Puma’s design prototyping lab supported by libraries of materials and equipment used to create Puma apparel. The company, founded in 1948, is known for its emblematic sneakers such as the Speedcat and its lunging feline logo, and makes athletic wear, accessories and equipment.

    Puma’s entertainment marketing team also occupies the office and sometimes uses it for exclusive events.

    “We use the space as a showroom, as a social space that transforms from a traditional workplace into more of an experiential space,” Rapp said.

    Nontraditional uses include content creation, sit-down dinners, product launches, album listening parties and workshops.

    “Inviting people into our space and being able to give them high-touch brand experiences is something tangible and important for them,” she said. “The cultural layer is really important for us.”

    The company keeps a closet full of Puma products on hand to give VIP guests. Visits to the studio sanctum are by invitation only, though. There’s no retail portal to the exclusive Hollywood offices.

    Puma shoes are on display in the Puma Studio L.A.

    Puma shoes are on display in the Puma Studio L.A.

    (Kayla Bartkowski / Los Angeles Times)

    Puma is also positioning its L.A studio as a connection point for major upcoming sporting events coming to Los Angeles, including the World Cup this summer, the 2027 Super Bowl and 2028 Olympics.

    In-office studios don’t need to be big to be impactful, Mahalka said. “These are smaller stages, closer to green screen than a massive soundstage.”

    Social media is the key driver of content created by most businesses, which may set up small booth-like stages where influencers can hawk hot products while offering discounts to people watching them perform.

    Bigger, elevated stages can accommodate multiple performers for extended discussions in front of small audiences, with towering screens behind them to set the mood or illustrate products.

    Among the tricked-out offices, she said, is Skims. The company, which is valued at $5 billion, is based in a glass-and-steel office building near the fabled intersection of Hollywood Boulevard and Vine Street.

    The fashion retailer declined to comment on the studio uses in its headquarters, but according to architecture firm Odaa, it has open and private offices, meeting rooms, collaboration zones, photo studios, sample libraries, prototype showrooms, an executive lounge and a commissary for 400 people.

    Pieces of a shoe sit on a workbench in the Puma Studio L.A.

    Pieces of a shoe sit on a workbench in the Puma Studio L.A.

    (Kayla Bartkowski / Los Angeles Times)

    The brands building studios typically want to find the darkest spot on the premises to put their content creation or podcast spaces, Eckert said, where they can limit outside light and sound. That’s commonly near the center of the office floor, far from windows and close to permanent shear walls that limit sound intrusion.

    They also need space for green rooms and restrooms dedicated to the talent.

    Spotify recently built a fancy podcast studio in a CIM office building on trendy Sycamore Avenue that is open by invitation-only to video creators in Spotify’s partner program.

    “Ambitious shows need spaces that support big ideas,” Bill Simmons, head of talk strategy at Spotify, said in a statement. “These studios give teams room to experiment and keep pushing what’s possible.”

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    Roger Vincent

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  • Ford Motor Shows Off New High-Tech HQ

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    Ford Motor Co.’s new headquarters, the carmaker’s first central office switch since Dwight Eisenhower was president, is double the size of its old one with room for twice as many employees.

    The new HQ has seven restaurants as part of a 160,000-square-foot food hall, office space, design studios and fabrication shops.

    And, of course, cars.

    The “crown jewel” of Ford’s headquarters, according to Ford Land’s global design and brand director, is a showroom she likened to a “James Bond villain’s lair.”

    “But it is impressive. When you’re in it, you feel like you are in the center of automotive design,” Jennifer Kolstad said this past week, after leading a media tour of the new 2.1 million square-foot HQ.

    “Its principal function is decision-making,” she said. “It’s where we showcase our new product, and our executives make decisions about what we will take to market.”

    Ford is moving its headquarters for the first time in seven decades, relocating to the newly constructed building 3 miles away in its longtime home of Dearborn, Michigan.

    The new structure is being called “Ford World Headquarters.” It is part of a larger campus that will take the name of the current HQ: Henry Ford II World Center. Henry Ford II was the grandson of company founder Henry Ford and the uncle of Bill Ford, the automaker’s executive chairman.

    Ford’s current headquarters, known as “The Glass House,” opened in 1956, and will be demolished. The 122-year-old company expects to complete its move in 2027. It is not disclosing the cost of the project.

    “Ford wants a new headquarters building that reflects who they think they are and who they want to be going forward. They don’t want to viewed as the car company from yesterday. They want to be viewed as a car company for tomorrow,” said Erik Gordon, a professor at the University of Michigan’s Ross School of Business. “And they need to attract new kinds of employees. They’re competing for software engineers, AI experts. Every company on the planet wants the same people. Those people are used to working in new, very cool offices.”

    Ford not only is focusing on modern amenities in its new home, it also is prioritizing proximity.

    When the new HQ is fully online in two years, it will have more than 14,000 employees within a seven-minute walk and another 9,000 within a nine-minute drive, said Jim Dobleske, Ford Land CEO.

    And, unlike The Glass House, where executives are separated from their employees, the new headquarters building is designed to allow for better and more collaboration between teams.

    “(Ford CEO) Jim Farley has said in the past: ‘When you walk into our existing headquarters building, you’re not quite sure if you’re walking into Ford or if you’re walking into a shampoo company,’” Dobleske said. “This building, you know you are walking into Ford Motor Company.”

    Some workers already have set up shop inside the new headquarters, which is to be the site of a grand-opening celebration on Sunday.

    General Motors also is in the midst of a headquarters move, departing its Renaissance Center home in Detroit for a new downtown office building.

    Gordon, the Michigan business professor, said “both companies want a new look.”

    They “want to be seen as forward-looking companies of the future — companies that are good at software and AI and things that they haven’t been known for in the past,” he said.

    Copyright 2025. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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    Associated Press

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  • World’s toymakers set up shop in El Segundo’s new toy hub to be near Barbie

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    It’s only September, but the world’s toymakers and designers are converging on El Segundo this week for an industry conference to decide on the hottest toys for next year.

    The city has long been a hub for the toy industry as companies like to set up shop in the shadow of Mattel, the maker of Barbie. This week, the industry opened a new tower of toys, an office complex featuring 65 showrooms for toy companies to showcase their products and discuss design with their wholesale customers.

    In his toy-filled suite with sprawling views of the commercial neighborhood near LAX, Italian toy maker Matteo Sarnari prepared for the coming fall onslaught of professional buyers he hopes will buy his wares in bulk.

    Sarnari is a business developer for educational toy creator Clementoni, which was established in a small Italian village in 1963 and recently established a U.S. division to move into the American market.

    “Of course, this is the most important market in the world,” Sarnari said, 41 times bigger than the Italian market where Clementoni sells educational toys. “The opportunity here is huge.”

    A glow-in-the-dark “Stranger Things” puzzle is displayed in Clementoni’s new showroom at the Toy Building.

    (Juliana Yamada / Los Angeles Times)

    The company has licenses to make “Harry Potter” and “Stranger Things”-themed puzzles, joining its line of board games, science toys and musical toys for small children.

    Clementoni’s El Segundo beachhead is the new Toy Building, which was opened on Monday by the Toy Assn., a trade group for U.S. toy companies.

    While the February Toy Fair in New York is the industry’s largest annual event, the El Segundo toy showroom building is the only one in the country that operates year-round.

    Toy Assn. President Greg Ahearn at the Toy Building.

    Toy Assn. President Greg Ahearn poses for a portrait at the Toy Building.

    (Juliana Yamada / Los Angeles Times)

    Los Angeles is a major hub of the U.S. toy industry, said Toy Assn. President Greg Ahearn. Many toy companies are headquartered or have a significant presence here.

    Among the big players are Chatsworth-based MGA Entertainment, the company behind Bratz and L.O.L. Surprise! dolls, Canadian toy and entertainment company Spin Master and Santa Monica’s Jakks Pacific, a maker of licensed toys such as Sonic the Hedgehog.

    The headquarters of industry giant Mattel is a short walk from the Toy Building and looms large in the views from the renovated 1970s office building in a neighborhood that used to house more aerospace companies.

    The Toy Building in El Segundo.

    The Toy Building on Wednesday in El Segundo.

    (Juliana Yamada / Los Angeles Times)

    As aerospace has scaled back since the end of the Cold War, El Segundo has emerged as a hub for many creative businesses, including toys.

    The city is “incredibly convenient” to the toy industry and people who do business with them, Ahearn said, because it’s near Los Angeles International Airport and multiple large and small toy companies are located there. Among them are the U.S. office of Moose Toys, an Australian maker of collectible mini-figures.

    “El Segundo represents the greatest concentration of toy manufacturers in the U.S.,” he said.

    Toys are a huge business — the industry generated $42 billion in sales in the U.S. last year. Sales remained flat compared with the previous year.

    The opening of the Toy Building coincides with the annual fall preview of toys manufacturers hope will be on Christmas wish lists the following year, he said. “That’s how far ahead our industry works.”

    Clementoni baby toys are displayed in their new showroom at the Toy Building.

    Clementoni baby toys are displayed in their new showroom at the Toy Building.

    (Juliana Yamada / Los Angeles Times)

    At the fall preview, retailers and licensors of toys such as Paramount, Universal and Disney join others in the toy business to “descend on Los Angeles to actually see product that is going to be available for holiday 2026,” Ahearn said.

    Licensed toys are a huge category, he said, as big entertainment providers serve up branded fare such as Star Wars action figures, SpongeBob SquarePants plush toys and Paw Patrol toddler tricycles.

    Even online media personalities such as MrBeast and Ms. Rachel have toy lines.

    “All of them usually have some level of toy licensing and merchandising that is available to consumers as part of their plan,” Ahearn said.

    A Clementoni brand "Pen Creator Studio" toy is displayed in a new showroom at the Toy Building.

    A Clementoni brand “Pen Creator Studio” toy is displayed in a new showroom at the Toy Building.

    (Juliana Yamada / Los Angeles Times)

    The Toy Building’s four floors were designed to serve as a “mini convention center” for the industry operating year-round, said Nelson Algaze, chief executive of SAA Interiors + Architecture, which created the space.

    It has 65 showrooms and is so far home to such brands as Crayola, Funko and Hasbro. Each floor has about 20,000 square feet and most of the showrooms are between 625 and 2,500 square feet. The showrooms are nearly 70% leased.

    Although it has lounges and meeting rooms, the Toy Building also has an element of secrecy not typically associated with a convention facility as some toymakers keep their products hidden from the competition with barriers that prevent passersby from seeing inside.

    Photography is mostly forbidden.

    More directly looming over the industry is the fallout from President Trump’s tariffs on imported goods, which are expected to drive up the cost of toys.

    In April, the Toy Assn. urged the U.S. government to grant an immediate reprieve from tariffs on toys imported from China to keep them on retail shelves and available for the holiday season.

    “As we move into the critical holiday season, there is now some trepidation with what the impact of tariffs is ultimately going to be,” Ahearn said.

    Toys are displayed in Clementoni's new showroom at the Toy Building.

    Toys are displayed in Clementoni’s new showroom at the Toy Building.

    (Juliana Yamada / Los Angeles Times)

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    Roger Vincent

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  • Lowest Mileage Hemi Cuda Sells on Sonicbidder.com Ahead of Muscle Car Auction September 22, 2021

    Lowest Mileage Hemi Cuda Sells on Sonicbidder.com Ahead of Muscle Car Auction September 22, 2021

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    Press Release



    updated: Sep 14, 2021

    Sonicbidder.com, the world’s most interactive online auction, has made a name for itself. The platform helped hype the Ford vs Ferrari movie craze, with its $3.2 Million auction, which saw a 2005 Ford GT beat a 1987 Ferrari 328 GTS to set the stage. In 2020, Sonicbidder.com hosted the now annual Hershey At Home auction in the wake of the canceled Hershey Auction. Adding to the $5.6 Million in sales was an Amelia Island award-winning 1929 Rolls Royce Phantom I York, which sold for over $500,000.

    JD Pass, the owner of TheVaultMS.com, LLC, has catapulted Sonicbidder.com to the preferred auction platform for his collection. Together they’ve garnered impressive automotive sales. Among those sold were a 1957 Chevrolet Bel Air, a 1967 Ford Mustang Fastback, a 1963 Split Window Chevrolet Corvette, and many others. Other established collector car connoisseurs have partnered with the Sonicbidder.com platform. Long-time known car enthusiast Steven Plaster, owner of Evergreen Historic Automobiles, recently said, “We’ve sold some of the rarest and finest cars in the world. Sonicbidder.com has given me an opportunity and I want to say, ‘Thank You.’” Other giants in the collector car world like the Audrain Auto Museum, Nobles Family Auto Museum, Gentry Lane, Cars Remember When, and more are joining Sonicbidder.com daily. 

    Sonicbidder.com shakes the industry again, selling the lowest mileage Hemi Cuda on the planet ahead of its Muscle Car Madness auction. The “True Grit” 1970 Plymouth Hemi Cuda was special-ordered new at Shreves Plymouth-Dodge in June of 1970 by Bill Reardon from West Virginia. He was buying his dream car at 62 years of age. Tor-Red exterior with black interior. Reardon immediately began modifying True Grit to be drag strip ready, removing many original, factory parts. He replaced them with the best performance parts available, while carefully storing the originals. Sadly, Reardon only raced one season before passing away. In 1977, his son sold the car and the original parts to Marvin Dillion, who returned it to its original configuration at 42 miles. It was driven less than a mile in the years he owned it. Since then, it was moved enough to take the odometer to its present reading of 86 miles. Today, it’s a time capsule: unmolested, original, and superb verification of the numbers and codes.

    Sonicbidder.com is bringing a three-week sprint of auctions for the Fall Season. These online-only auctions include some of the most sought-after classic, muscle, exotic, racing, and Formula 1 cars.

    Check out Sonicbidder.com’s upcoming Fall Auctions:
    September 22, 2021, Muscle Car Madness staring at 10:30 a.m. CST
    September 29, 2021, Auto Exotix starting at 10:30 a.m. CST
    October 5, 2021, 2nd Annual Hershey At Home starting at 10:30 a.m. CST

    Vault Dog Media, inquiries@sonicbidder.com

    Source: Sonicbidder.com

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