Tag: Selena Gomez music videos

Considering Selena Gomez teased her latest single with a video of her lip syncing the dialogue of Samantha Jones (Kim Cattrall) from a season one episode of Sex and the City called “Three’s A Crowd,” it’s only natural that she should continue the homage to the perennial “single girl” show in her music video for “Single Soon.” And that arrives almost instantaneously by way of her “S” necklace and the leaving of a Post-It that directly quotes Jack Berger’s (Ron Livingston) infamous breakup note to Carrie: “I’m sorry. I can’t. Don’t hate me.”

Turning the notion of being the abandoned woman on its ear by becoming the abandoner, this note is placed on the table as Gomez chirpily sings, “Maybe I’ll just disappear/I don’t wanna see a tear.” Because who wants to deal with such icky emotions? Not Gomez. And, though we never see her walk out the door of the place where she left the Post-It, in a seemingly different apartment (though probably not one inside the Arconia because that would be too meta) “across town” (as Carrie B., would say in a voiceover), Gomez is “pickin’ out this dress” and “tryin’ on these shoes” ‘cause she’ll be “single soon.” Already is, in fact…whether her erstwhile boyfriend knows it yet or not. And yes, this image of her in her apartment trying on outfits and shoes echoes the level of peak vacuity (call it “Girls Just Want to Have Fun” syndrome) that Carrie also possesses despite being a writer. Indeed, it speaks to a false perception to assume that just because one writes, it means they’re immune to the anti-intellectual trappings of materialism. An especial trap for women, who are conditioned to believe they need “all the things” in order to attract men (and, more often than not, they do). For that’s what being a (straight) woman is all about, right? No matter how many advertising campaigns try to repurpose that indoctrination to attempt reflecting the presently more “kosher” belief that a woman wanting to look good is “just for herself.” Yeah right. 

Self-love being a key part of Gomez’s brand, particularly as it pertains to mental health, she proceeds to “sit-dance” on the floor, looking endlessly comfortable with both her breakup decision and being alone. Relishing “me time,” as it were. Which gives a girl the chance to engage in what Carrie would deem all the “SSB” (secret single behavior) she wants, without fear of judgment from the gross boy she was once forced to share a space with. As Carrie phrases it in “The Good Fight,” “I miss walking into my apartment with no one there and it’s all quiet and I can do that stuff you do when you’re totally alone. Things you would never want your boyfriend to see you do.” Apparently, that’s what Gomez missed about being single too, as she stares at herself in the mirror and applies lipstick, tries on more “looQues” (including a very “Lavender Haze”-inspired jacket) and then heads out to meet her friends at a restaurant. 

At first, the meeting feels like a nod to that season four episode, “The Agony and the ‘Ex’-tacy,” where Carrie is cajoled into having a thirty-fifth birthday party at Il Cantinori, despite not wanting to celebrate at all. Although Gomez is initially forced to wait at a giant empty table like the “ultimate” single girl she’s paying tribute to, she doesn’t appear as bummed as Carrie was while glancing around the restaurant to clock other couples/generally happy people as the lyrics, “I’ma date who I wanna/Stay out late if I wanna/I’ma do what I wanna do” play in the background. Plus, it’s easy to be blithe when considering that Gomez isn’t stood up (unlike Carrie) by the three friends who arrive soon after (because, obviously, a quartet of friends is necessary to really drive the SATC point home) to join her for drinks.

Cheersing to the freedom of singledom, director Philip Andelman then cuts to Gomez and co. in the back of a pimped-out ride (in an image that briefly reminds one of Madonna being in the back of a limo with her own friend group in “Music”). It’s here that Gomez shrugs, “I know I’m a little high/Maintenance, but I’m worth a try/Might not give a reason why (oh well)/We both had a lot of fun/Time to find another one/Blame it all on feelin’ young.” It’s with that last line that Gomez not only negates how she recently said she was “too old” for social media (a sentiment that doesn’t quite jibe with “feelin’ young”), but also what Miley Cyrus ruminates on in “Used to Be Young.” Currently thirty to Gomez’s thirty-one, Cyrus clearly feels more wizened at this point in time to have come out with a track (on the same day, no less) so divergent in theme from Gomez’s, who encourages the notion of being single more than ever despite the fact that women are still told that being in their thirties is the “danger zone” era. Not just for “finding someone,” but for the proverbial biological clock. 

It’s a clock Gomez, like Lana Del Rey, seems more content to ignore as she goes out to karaoke in the next scene (something Tove Lo also made the central focus of one of her most recent videos, “I Like U”). From there, it’s more scenes in the back of the car, interspersed between sweaty dancing in the club moments and running through alleyways like bats out of hell. At a certain moment, Gomez announces, “I know he’ll be a mess/When I break the news,” but it would be no shock if the guy she dumped cared as little as she did about the end of the “relationship.” Or, in this modern age, situationship. Something Carrie never had to deal with during her so-called more proper epoch of dating. 

What’s more, Gomez overtly relishes her single girl status far more than Carrie ever did. This being part of why she probably chose Samantha to emulate in her teaser for the song (though some conspiracy theorists will say it was to shade Hailey and Justin Bieber because the dialogue is pulled from the scene of a married man telling Samantha he’s going to leave his wife for her). And as she jumps into an empty pool in the dead of night with her friends, then ends up having them over for a “sleepover” afterward, it’s clear she wants to emphasize Charlotte York’s (Kristin Davis) aphorism, “Maybe we could be each other’s soulmates. And then we could just let men be these great, nice guys to have fun with.”

With this in mind, “Single Soon” is a logical evolution from “Lose You To Love Me,” and perhaps even more empowered than that because it treats the notion of “love” with far more sociopathy. What Carrie would call “having sex like a man.” Gomez wants to take advantage of that concept and so much more with her single (soon) status. And, although the tone and visuals of the track are decidedly more suited to the Girls narrative that was meant to mirror (emphasis on meant to) Gomez’s millennial generation far more closely than Sex and the City ever did, it’s a testament to the iconography and influence of the latter. No matter how retroactively problematic it keeps becoming as the years go on.

That doesn’t stop enduring fangirls like Britney Spears from still loving it. And, speaking of Spears, one doesn’t imagine this song playing so well with her own fresh status as a “singleton.” One who has tried her best to shrug off another short-lived marriage with talk of buying a horse. Because that’s the freedom of being single, innit? And yet, if Gomez (incidentally, a guest at the wedding for Spears’ ultimately failed nuptials) were to release this song at Spears’ age, one doesn’t imagine it would come across as “jubilantly.” Reading instead more like the sight of Lexi Featherston trolling for fun at a party filled with “fuckin’ geriatrics.” Herself not admitting that she, too, is now considered one. For, no matter how much time goes by, society has yet to embrace women who are past a “certain age” staying single, yet acting like they’re still in the sowing oats days of their twenties. Even “single girl patron saint” Carrie Bradshaw, with her heinously priggish attitude, was the first to tell Samantha, “It’s time for ladies my age to start covering it up. We can’t get away with the same stuff we used to.” It remains to be seen if Gomez will tend to agree…should she be single ten years from now.