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  • Charlotte’s Kenzie Petty has a big night in ‘Survivor’ finale. Here’s what happened

    Charlotte’s Kenzie Petty has a big night in ‘Survivor’ finale. Here’s what happened

    Kenzie Petty of Charlotte, far right, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez, left, and Hunter McKnight, center.

    Kenzie Petty of Charlotte, far right, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez, left, and Hunter McKnight, center.

    CBS

    “Survivor” Season 46 has come to an end, and the winner has been crowned.

    Kenzie Petty of Charlotte and 18 other castaways headed to Fiji this season to win the coveted title of “Sole Survivor” — and the $1 million prize.

    With immunity challenges involving puzzles, obstacle courses and mazes, Petty survived 12 tribal councils to earn a spot in the the finale’s top five.

    How did Petty fare in Wednesday night’s season finale? Read on to find out. (Warning, we’ve got spoilers ahead)

    Kenzie Petty of Charlotte, center, on Season 46 of “Survivor’” on CBS. Also pictured: Ben Katzman, left, and Maria Gonzalez, right.
    Kenzie Petty of Charlotte, center, on Season 46 of “Survivor’” on CBS. Also pictured: Ben Katzman, left, and Maria Gonzalez, right. HIGHEST QUALITY SCREENGRAB AVAILABLE CBS

    Who is Kenzie from ‘Survivor’?

    29-year-old Kenzie Petty owns eXplicit Salon in Camp North End.

    The red-haired, tattooed, self-described “people person” has quickly built a following on social media after being cast on “Survivor,” with her fans dubbing themselves the “Bimbo Brigade.”

    “I don’t know how it happened,” Petty told The Charlotte Observer in February, “but yeah, that’s what the fans have decided to call themselves. So we’re running with it.”

    Petty also told The Observer that her psychic, who lives in her building and introduced her to “Survivor,” knew she was going to be on the show when she announced she was going on a “yoga retreat.”

    “She did not believe the yoga-retreat thing when I announced it,” Petty said. “She said, ‘I knew. I knew that’s what you were doing.’ I was like, ‘Alright. Yeah.’”

    Kenzie Petty of Charlotte, right, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez.
    Kenzie Petty of Charlotte, right, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez. Robert Voets CBS

    What is Kenzie known for?

    Early in the game, other castaways became known for their fierce competitiveness, but Petty, who received the nickname “mermaid dragon” for her soft (but deceitful) exterior, established herself as an alliance maker on Day 1.

    Presumably a strategic move, she formed alliances with four other members of her tribe, who have since been eliminated from the competition.

    Petty also received praise from fans after helping Ben, a fellow castaway, through night terrors and panic attacks during her time on the island.

    “I don’t care if it’s a game for a million dollars,” Kenzie said during a confessional. “At the end of the day, Ben’s a person. Is he my competition? Yes. But he’s my friend. And sometimes you just have to be there for somebody and sit with them through it.”

    Kenzie Petty of Charlotte, left, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez.
    Kenzie Petty of Charlotte, left, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez. HIGHEST QUALITY SCREENGRAB AVAILABLE CBS

    How did Kenzie do on the ‘Survivor’ season finale?

    Challenge 1: Petty won a puzzle challenge with the help of Liz, who realized she wasn’t going to finish the challenge. Her victory secured immunity from elimination, and a spot in the final four.

    She chose Ben to join her for the reward lunch, where they discussed their plans to vote for Maria.

    When Petty returned to camp, in an attempt to save herself from elimination, Maria approached her to get her to vote for Ben, using his “accidental” slip-up where he wrote “Kenzie” down during a tribal council at the end of the season as her reasoning. But Petty didn’t fall for her stunt.

    “Her pitching Ben is foolish,” Petty said during a confessional. “None of us are going to fall for that.”

    During tribal council, before the vote took place, Petty told Maria that she planned to vote her out of the competition.

    “I literally want to be you when I grow up…you would have wiped the floor with us,” Petty said after writing her name. “That’s why this is happening.”

    Maria was eliminated from the competition, receiving three votes during tribal council, leaving Petty, Liz, Ben and Charlie in the final four.

    The night after tribal council, with Charlie’s help, Petty once again helped Ben through a panic attack he experienced in the middle of the night, reinforcing the closeness of their relationship.

    Challenge 2: In the final immunity challenge, which involved a puzzle and a giant pinball machine, Petty came close to winning, but Ben came out on a top, locking down his first win of the season and a spot in the final three.

    But he had choices to make: Who would he choose to join him in the final three? And which two castaways would face off in the fire-making competition?

    Challenge 3: Seeing her as the biggest threat remaining, Ben chose right off the bat to make fire the challenge — and he picked Petty as her opponent.

    Though she struggled in the beginning, Petty beat Liz handily in the contest, earning her a spot in the top three alongside Ben and Charlie.

    Facing the jury: After the final challenge, the winner was in the hands of the jury.

    “My game is about adapting…and knowing when to step up,” Petty said during a confessional. “I know my story’s better than Charlie and Ben’s, it’s just about how I sell it.”

    The jury questioned the remaining three castaways on strategic moves, past mistakes, forming alliances and what they would do with the money if they won.

    Pleading her case for the final time, Petty focused on the relationships she formed throughout the competition.

    “I came in here trying to make friends and thank you all for listening,” Petty told the jury. “I just love you all, thank you so much.”

    Who won Sole Survivor for Season 46?

    In a 5-3 vote, Petty edged out Charlie for the title of “Sole Survivor” and the $1 million prize.

    During the aftershow, host Jeff Probst asked Petty how it felt to be a millionaire.

    “It’s literally life-changing,” Petty said. “I couldn’t be more proud of myself, and I couldn’t be more grateful for everyone around me.”

    “It’s really one of the first times in my life I’ve done something for me and it’s just, it’s indescribable,” she continued. “I’m very proud of myself for owning that, and I’m going to take my congratulations.”

    How to watch the ‘Survivor’ season finale

    If you missed the “Survivor” Season 46 finale live on CBS, you can stream it on Paramount+.

    Kenzie Petty of Charlotte, far right, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez, left, and Hunter McKnight, center.
    Kenzie Petty of Charlotte, far right, on Season 46 of “Survivor’” on CBS. Also pictured: Maria Gonzalez, left, and Hunter McKnight, center. HIGHEST QUALITY SCREENGRAB AVAILABLE CBS

    Kenzie Petty of Charlotte, second from left, on Season 46 of “Survivor’” on CBS. Also pictured (L-R): David “Jelinsky” Jelinsky, Kenzie Petty, Bhanu Gopal, Tiffany Ervin, Q Burdette, and Jessica “Jess” Chong.
    Kenzie Petty of Charlotte, second from left, on Season 46 of “Survivor’” on CBS. Also pictured (L-R): David “Jelinsky” Jelinsky, Kenzie Petty, Bhanu Gopal, Tiffany Ervin, Q Burdette, and Jessica “Jess” Chong. Robert Voets CBS

    Kenzie Petty of Charlotte on Season 46 of “Survivor’” on CBS.
    Kenzie Petty of Charlotte on Season 46 of “Survivor’” on CBS. Robert Voets CBS

    This story was originally published May 22, 2024, 10:23 PM.

    Related stories from Charlotte Observer

    Evan Moore is a service journalism reporter for the Charlotte Observer. He grew up in Denver, North Carolina, where he previously worked as a reporter for the Denver Citizen, and is a UNC Charlotte graduate.

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  • Taylor Swift’s Worlds Collide In SNL Season 49 Finale With Ex Jake Gyllenhaal Hosting & Bestie Sabrina Carpenter Performing! – Perez Hilton

    Taylor Swift’s Worlds Collide In SNL Season 49 Finale With Ex Jake Gyllenhaal Hosting & Bestie Sabrina Carpenter Performing! – Perez Hilton

    We’ve come to the end of the road on season 49 of Saturday Night Live.

    Over the weekend, Taylor Swift‘s ex Jake Gyllenhaal took the Studio 8H stage to close out the 49th season of the sketch comedy show. And nooooo, he totallyyyyyy wasn’t salty that he was only one episode away from hosting the premiere of the 50th anniversary episode! Ha! He said in his opening monologue:

    “When you think of historic television seasons, the first number that pops into your head is 49. I mean, sure, one more episode and I would have been hosting the premiere of the 50th season, but who cares? [49] is a great number.”

    The Roadhouse star ex continued:

    “I know we’re all waiting for season 50, but, you know, you can’t get to 50 without a little bit of 49. And we’re here at the finale, the End of the Road.”

    Related: Kendall Jenner Attends Bad Bunny’s Orlando Concert — Are They Back Together?!

    Jake then started singing the lyrics to Boyz II Men’s End of the Road, but with an SNL twist:

    “I’ve loved you right from the start, oh season 49 / You know, I was actually SNL’s first choice to host the finale after a lot of people said no / I guess they’re all holding out for the 50th, but not me, not little J-G, I’m the one who said, ‘Yeah’ / They asked Pedro Pascal but he wasn’t around / Zendaya said no ‘cause she’d be out of town / Even asked [Ryan] Gosling to come back again, just hosted three shows ago”

    HA!

    Kenan Thompson, Ego Nwodim, Punkie Johnson, and Devon Walker then joined him on stage and sang in unison:

    “Although we’ve come to the end of the road / It’s the last episode / Time to say goodbye / Season 49 / You’ll be 50 soon”

    40 years and over 900 episodes! DAMN! Also, Jake has a set of lungs on him!! Watch the musical monologue (below):

    And Jake wasn’t the only Taylor-related guest on Saturday’s show… Her bestie and Eras Tour opener Sabrina Carpenter was also in the Big Apple to serenade the audience for the season’s finale! First up, she sang her chart-topping single Espresso, and absolutely CRUSHED it! Watch (below):

    https://www.youtube.com/watch?v=yfiOn7_aJ0k

    Spectacular!

    She also sang a mashup of Feather and Nonsense, which sounded absolutely excellent. Watch (below):

    https://www.youtube.com/watch?v=GHNnm2bE3Lg

    Sabrina typically concludes Nonsense with an ad-lib relating to whatever city she’s in. This time, she sang:

    “This song catchier than chicken pox is / I bet your house is where my other sock is / Woke up this morning, thought I’d write a pop hit / How quickly can you take your clothes off, pop quiz / He is 30 Rock hard ‘cause I said hi / My sense of humor is but I am not dry / SNL I just came for the first time”

    She always kills it! However, we wouldn’t have been mad if she’d added a little riff in there about Jake and Taylor! That would have been the perfect opportunity! And we know Swifties would have gotten a kick out of it!

    Sabrina also stuck around for a gruesome Scooby-Doo skit, where she played Daphne alongside Jake’s Fred. Watch (below):

    Oof!!

    Later on in the show, the Weekend Update guys Colin Jost and Michael Che hit each other with some absolutely SAVAGE jokes — with one even about Colin’s wife Scarlett Johansson! Watch (below):

    See the rest of this week’s highlights (below):

    Well, that’s a wrap on season 49! What’d YOU think?? SNL will return this fall with season 50!

    [Images via NBC/Peacock & MEGA/WENN]

    Perez Hilton

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  • ‘Abbott Elementary’ Showrunners Tease “Tension” Ahead for Janine and Gregory’s Romance

    ‘Abbott Elementary’ Showrunners Tease “Tension” Ahead for Janine and Gregory’s Romance

    Spoilers for the season 2 finale of *__Abbott Elementary __*ahead.

    Nearly all of the action in Abbott Elementary’s season 2 finale, “Franklin Institute,” takes place beyond the familiar hallways of Abbott Elementary. In fact, much of the Emmy-winning comedy’s 22-episode second season has been an excursion, offering viewers their first glance at their beloved teachers’ extracurricular activities. 

    “We definitely had an agenda in the first season—this is just going to be a workplace thing, about what’s said within the walls of Abbott,” co-showrunner and executive producer Patrick Schumacker tells Vanity Fair over Zoom. “Season two we wanted to start to get to know a bit about their personal lives. We’re going to meet siblings, we’re going to meet romantic partners.” Enter characters like Janine’s (Quinta Brunson) responsibility-averse sister (The Bear’s Ayo Edebiri); their emotionally coaxing, Versace-clad mother (Taraji P. Henson); and Jacob’s (Chris Perfetti) sneakerhead boyfriend Zach (Larry Owens). 

    But would the crew that’s ostensibly filming Abbott’s students and staff for a documentary about public school funding actually follow their subjects to, say, a hookah lounge, as they did in the show’s holiday episode? “It brings up one of my favorite Onion headlines of all time, which is, ‘The Office documentary crew feels like they have enough footage,’” jokes co-showrunner and EP Justin Halpern

    While expanding Abbott’s orbit presented logistical challenges—how to shoot a confrontation between Janine and her sister that she wants to shield from cameras, for instance—it also allows for tonal harmony. That aforementioned “Holiday Hookah” episode, where will they/won’t they co-workers Janine and Gregory (Tyler James Williams) edge ever closer to their eventual first kiss, has the characters seeing each other in a fresh, after-hours light just as the audience does. 

    Below, the showrunning duo talks about the closure Janine and Gregory find in the season 2 finale and the “tension” that awaits them in season 3, as well as the role awards season played in making everyone involved not want to “fuck this up.”

    Vanity Fair: The 22-episode network season is a bit of a lost art. Walk me through how you went about tackling it.

    Justin Halpern: The fun thing about 22 is that you have some episodes where you can drill down on one part of a character. You can take some swings you wouldn’t normally, like the episode where Barbara [Sheryl Lee Ralph] starts a fire. That episode is solely about how Barbara deals with mental health and stress, things that affect her at work that she wishes wouldn’t. If you’re doing 13, you probably can’t do that episode because you’ve got to keep things moving.

    Was there a period in the season that you felt the stretch and challenge of 22 the most?

    Patrick Schumacker: I believe we did seven episodes straight. Episode five happened to coincide with the Emmys. There was pressure for people to make all of these commitments to promote the show and get the word out during award season. And you could just tell that everybody was exhausted. We’re like, “We can’t do more than five moving forward, ideally four.” That was the pressure of award season, but then also of knowing that after episode five, we still had 17 more to do. So yeah, man, that was where it really, really hit us. 

    The “Educator of the Year” episode felt like acknowledgement of the incredible awards success *__Abbott __*achieved in its first season. How did that attention impact the second season?

    Halpern: I don’t think we ever felt the pressure of, “Oh, man, everybody loves it. How are we going to fuck this up?” We felt like, “Hey, let’s just keep making the same show we made in the first season because that’s the show that we all love.” You can get caught up in a lot of shit in this business. For Quinta, and for us it was like, “Are we making episodes that we would want to watch? All right, let’s keep doing that.” So, we try to keep the noise out of it.

    Savannah Walsh

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  • Riley Keough Was Born in the Spotlight. Now She’s There on Her Own Terms

    Riley Keough Was Born in the Spotlight. Now She’s There on Her Own Terms

    There’s something amusingly meta about watching Riley Keough watch a Fleetwood Mac performance. The real band’s influence on Daisy Jones & the Six, in which she stars as the titular Stevie Nicks–esque singer, has been well-documented. But Keough was surprised to learn that one of the group’s original members has, in fact, acknowledged her series.

    The day before our Zoom call, Fleetwood Mac guitarist Lindsey Buckingham—whose relationship with Nicks inspired the characters of Daisy and Billy Dunne (played by Sam Claflin)—posted a TikTok alluding to renewed chatter about their breakup. Buckingham posted a clip from a 1997 performance of “Silver Springs,” a searing kiss-off song Nicks wrote about Buckingham. “I heard we’re talking about that ’97 ‘Silver Springs’ again,” he wrote. 

    When I alert Keough to this all-important development, she immediately pulls the video up on her laptop. “I need to see this right now,” she says. “I’m wasting our interview because I need to see if this is fake news.” Keough watches the TikTok with delight, smiling in a dazed way before commenting beneath the video with three simple words: “Yes we are.”

    The fact that Buckingham felt the need to give Daisy Jones a nod is proof of the show’s impressive reach. Based on Taylor Jenkins Reid’s best-selling novel, the Prime Video series has hit number one on the streamer; its accompanying album, Aurora, featuring the cast singing fictional ’70s hits, peaked at number one in the US on iTunes. It’s undeniably the biggest role of Keough’s career thus far—and a moment that she’s referred to as “cosmic.” But stepping into a spotlight that she’s tried to shirk most of her life took a concerted effort, Keough tells me.

    The 33-year-old actor is the granddaughter of Elvis Presley and the daughter of Lisa Marie Presley. By the time she reached high school, she had called both Michael Jackson and Nicolas Cage stepfathers. “I grew up with a family that was very much in the public eye, and my childhood was really intense in that way, especially in the ’90s and early 2000s,” Keough says. “It was probably similar to what the Kardashian kids experience now—not being able to go out the front of buildings and having to sneak around and not being able to do…” She trails off. “Just a lot of attention, not being able to do normal things. I really started to appreciate normal things in life—being able to go to the coffee shop and sit there.”

    As an adult, Keough has largely evaded the nepo-baby conversation (and dissection of her personal life) by acting in indie projects, including American Honey and Zola. (One of the glaring exceptions is 2015’s Mad Max: Fury Road, through which she met her Australian stuntman husband, Ben Smith-Petersen. The two now share a newborn daughter.) “I didn’t actively make choices that were obviously going to change my life,” she says. “I was always trying to navigate how I can perform and also have this thing that’s really special to me, which is being able to do normal things in the world. Subconsciously I was always operating this way, avoiding things that felt…I don’t know, that would change that for my life.” 

    Daisy, with its built-in fan base and tangential ties to her musical pedigree, seems like it would have totally derailed the plan. But in the last five years, Keough says, she gave herself freedom to say yes. “I did know that Daisy Jones was going to be a big show. I just stopped caring as much about the outcome,” she explains. “Ultimately, it was just something that in my soul I felt like I needed to do. I also felt like I wanted to do something that would bring joy to my life. I’ve been through a lot in life prior to Daisy, and I just wanted to be in a space at work that felt like fun and not heavy, and dark, and serious. And the environment of that show was all of those things.”

    Embracing Daisy also meant learning to sing and play instruments, which the cast did via virtual band camp during a pandemic-induced delay. The fruits of Keough and the cast’s labor are on full display in the season finale, where Daisy Jones & the Six perform their final concert in Chicago. Wearing a vintage gold Halston capean homage to Fleetwood Mac’s “Gold Dust Woman,” Keough’s Daisy sings like she knows it’s the last time. These live performances were filmed over a week of overnight shoots in New Orleans, where Keough and her cohort would sing until the sun rose. “It was totally chaotic, but it was the moment we’d all been waiting for,” she says, adding, “There wasn’t a part of us that felt like we were actors anymore.”

    LACEY TERRELL

    Keough’s emotionally charged performance includes loads of heated glances at Claflin’s Billy. At one point in the finale, a newly relapsed Billy tells Daisy that they can “be broken together” because his wife, Camila (Camila Morrone), has left him. But after 10 episodes’ worth of self-destructive behavior, Daisy declares, “I don’t want to be broken”—a moment of agency not afforded to the character in Reid’s book. 

    “She just very simply doesn’t want this for herself anymore—especially not this way, not the way that he’s coming to her. It’s not that version of Billy that she’s in love with. She’s in love with all of Billy, but she’s mostly been around him sober,” Keough explains. “So seeing that this is what she’s bringing out of him doesn’t feel good to her. It’s a moment of power for her to go, I’m going to walk away from this.”

    Daisy’s substance abuse, which Keough has said she approached with particular sensitivity “because this is something I’ve experienced in my family,” is exacerbated by both her untenable dynamic with Billy and the crippling lack of love she’s received from her mother.

    Motherhood is a major preoccupation for Daisy across the final episodes. She wards off having children for fear of inflicting the kind of trauma Daisy experienced upon them. Then, after a crushing phone call with her absentee mother in the finale, Daisy shouts, “Next time you wanna hear my voice, how ’bout you try the fucking radio.” 

    “I didn’t experience it personally, but I’ve seen [that mother-daughter dynamic] with a few people in my life. And it’s totally heartbreaking,” Keough says. “Some people are lucky to have mothers that are very nurturing and loving, and some people aren’t. That is a place of great wound, when either parent isn’t showing up in the way that the child wants them to. It is supposed to be the one person who loves you no matter what. And so when you don’t experience that, I could see how that could turn into, Well, I’m not lovable because the one person who’s supposed to love me more than anything in the world doesn’t. Not to say I don’t think her mom ever loved her, but it’s a very complicated relationship and woman.”

    Savannah Walsh

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  • ‘The White Lotus’: Meghann Fahy Thinks Harper and Ethan ‘Become’ Cameron and Daphne

    ‘The White Lotus’: Meghann Fahy Thinks Harper and Ethan ‘Become’ Cameron and Daphne

    Although she’s not really on social media, Meghann Fahy gets why the internet is obsessed with Daphne. The breakout star of The White Lotus season two dropped by Still Watching to discuss the momentous season finale which saw Daphne continuing to live her best life as the love triangle—square?—between herself, Cameron (Theo James), Ethan (Will Sharpe), and Harper (Aubrey Plaza) became even more complicated. 

    “I don’t have Twitter or TikTok, so I only really see what my friends send me and it just cracks me up,” she tells Vanity Fair. “Especially because her story line is one of the more sordid stories—for her to be in the face of all that and then be as sunshiny as she is—I totally get why that would be a character that people were like, ‘I wanna be her.’ Everything bad happens to her and she doesn’t care about any of it.”

    Elsewhere on the season finale of Mike White’s magnum opus, we bid a final adieu to Tanya (Jennifer Coolidge), the “diva of Palermo” who makes a valiant effort to get rid of the crew of murderous gays before falling to her untimely demise. Unlike her boss, Portia (Haley Lu Richardson) makes it out of Palermo alive, and even ends up getting Albie’s (Adam DiMarco) number after he gets burned by Lucia (Simona Tabasco), who ends the series walking off into the streets of Sicily, arm in arm with The White Lotus’s new piano player, Mia (Beatrice Grannò). Still Watching hosts Richard Lawson and Chris Murphy unpack the episode and finally determine who came closest to predicting the events that unfolded in the thrilling finale. Listen below, and find a partial transcript of the Fahy interview as well.

    Content

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    Fabio Lovino/HBO 

    Vanity Fair: I think the defining scene of the episode is when you’re on the beach with Ethan and he says, “I think something might have happened [with Harper and Cameron].” You do so much incredible face acting before Daphne collects herself. Can you tell us a little bit about filming that?

    Meghann Fahy: Well, I think we knew going into it that it was a pretty important moment, so we really took our time with it. Mike was great in that way, anyway. I never felt like we rushed through something and didn’t really get a chance to sort of sit with it. And that scene is definitely an example of that. We did it a bunch of different ways. For me, it was really exciting to see how it ended up cutting together, because I didn’t really know what he was gonna choose—which sort of vibe he was maybe gonna pick of the ones that we played with. I love that scene for Daphne. I think it’s a moment for her where she’s, in her own way, being empathetic to Ethan and wanting to make him feel better.

    It’s so compelling because we see Daphne sort of take in the information and then make a decision, and the decision is ambiguous. What do you think pains Daphne more—the potential Cameron betrayal or the Harper betrayal?

    Chris Murphy

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  • Who Will Die in ‘The White Lotus’ Season 2 Finale?

    Who Will Die in ‘The White Lotus’ Season 2 Finale?

    You can always tell it’s going to be an eventful vacation when it starts with the discovery of a body—sorry, bodies—during a carefree ocean meander, right? That’s where we started this season of Mike White’s celebrated resort mystery show, where there’s as much drama as there is Aperol (read: so much). 

    The first episode of the series set up the central mystery in the first scene, when Daphne (Meghann Fahy) giddily wades into the Ionian Sea on the final day of her vacation, only to bump right into the pale leg of a corpse, floating facedown in the water. Talk about a buzzkill. 

    Like the show’s first season, this isn’t just a whodunit but a who is it as well. In that same opening scene, we learn through conversation that “a few” hotel guests “have been killed,” not just the owner of that calf we spotted. Undisclosed number! Undisclosed identities! Talk about a PR crisis.

    We’ve been following the lifestyles of the rich and the miserable on Still Watching all season as they vacation and absolutely hoover cocaine in Sicily, but all good things must come to an end. With the season finale looming on Sunday, here are the VF staff’s theories on who’s going to bite the big one on The White Lotus, and how.

    It’s Greg. 

    Maybe the most boring possibility, but it still feels true. Greg (Jon Gries), who we now know to be apparently in cahoots with scheming Quentin (Tom Hollander), is still planning to return to Sicily. And though Tanya (Jennifer Coolidge) is the one who is most obviously in danger, Mike White still doesn’t seem like the kind to willingly kill off Jennifer Coolidge. So we imagine that poor, hoodwinked Tanya gets her moment of redemption, pushes Greg off that giant cliff we saw in episode four, and rides off into the sunset…hopefully on her way to The White Lotus season three. —Katey Rich

    It’s Ethan. 

    I think Ethan (Will Sharpe) could take out Cameron (Theo James) in a deliberate Jet Ski collision. I think the hospitalized piano player (Federico Scribani) could return and, seeing he has been replaced by Mia (Beatrice Grannò), will spike her drink (she always seems to carry around a tall plastic cup with a straw), maybe even working in cahoots with the former front desk guy (who was moved poolside by Valentina, played by Sabrina Impacciatore). I think Jennifer Coolidge’s Tanya, who always seems to shake out of her fog at the right moment, could well awaken to the scheme Greg, Quentin, Jack (Leo Woodall), and the new Romeo are all plotting—and, possibly with Portia’s (Haley Lu Richardson) help—deliberately or inadvertently kill whoever turns out to be Coolidge’s would-be assailant (either from a balcony or the back of the yacht). Assailant overboard!

    And maybe Dominic’s wife (Laura Dern) shows up and surprises the Di Grassos—or, in a coda, the Di Grassos return home to LA, Lucia (Simona Tabasco) in tow—and Dern’s character knifes poor Dominic (with a blade similar to one we’ve seen in the murals in the show’s opening-credits sequence). —David Friend

    It’s Quentin.

    If The White Lotus’s sophomore season has turned our masculinity crisis into a slow-motion car crash, then its ultimate victim must be someone who believes himself to be in the driver’s seat. Sure, Cameron, Ethan, and the Di Grasso men are suffering, but, at the end of the day, they have their place within the system. Quentin, however, does not. His likely ties to Tanya’s husband—and “relationship” with Jack—belie a character who desperately wants a power he’s without. Wouldn’t it be fitting to see that blow up in his face? Whatever Quentin and Greg have planned, Portia will return in time to save her boss from the worst-possible outcome. In the process, Jack will accidentally kill the man who once rescued him. Daphne will discover his corpse in the water. And, though Portia will want to help him, Jack, a man with no goals, will allow himself to be arrested for his crimes. —Tyler Breitfeller

    It’s Cameron. 

    Let’s zoom out for a moment, shall we? He’s a pompous, entitled jerk with apparent money troubles and a passion for adultery. He hits on Harper (Aubrey Plaza), even as he tries to siphon an investment out of Ethan, and he doesn’t pay Mia and Lucia when it’s time to settle up, even though they know where he’s staying. He’s right on the verge of pushing the wrong person too far, landing him squarely in the dead-body pileup mentioned in the first episode. Even Daphne, his smiley wife (and iconic series breakout), has her reasons to want him gone. Who’s to say she isn’t using this trip as a sun-soaked chance to put him out to pasture, skitter back home, and collect his life insurance? She’s a self-professed Dateline obsessive who has already done some chilling stuff. (Kidnapping Harper in Noto? The casual trainer/baby daddy reveal??) She’s also laid the groundwork for a strong alibi, from that dramatic opening beach scene in the first episode, to letting slip to Harper that Cameron’s coworkers are evil psychopaths. Either way: Cameron’s spent their entire vacation making enemies. It’s only a matter of time before it blows up in his face. —Yohana Desta

    It’s…complicated.

    I’m going to say there are four dead people, because Rocco says “a few,” which means more than two more (in addition to the one in the ocean), but probably not more than three more, which would be “a lot” or “molti.” And I am going to spread my bets on the manner: accidental, intentional, natural, and some combination of accident/intent.

    Vanity Fair

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  • ‘House Of The Dragon’ Fans React To Devastating Death In Season 1 Finale

    ‘House Of The Dragon’ Fans React To Devastating Death In Season 1 Finale

    By Sarah Curran.

    Warning: This article contains spoilers for “House of the Dragon” season 1, episode 10.

    Season 1 of “House of the Dragon” has come to an end, and fans are taking to social media to react to the its shocking final scenes


    READ MORE:
    ‘House Of The Dragon’ Finale Leaks Online, HBO ‘Aggressively Monitoring’ The Situation

     

    The episode included another harrowing birth scene in which Rhaenyra delivered her own baby, pulling out the stillborn herself.

    But perhaps the most devastating scene of all came later in the show, when it was decided that Rhaenyra’s sons Jacaerys (Harry Collett) and Lucerys would ride their dragons to Winterfell, Storm’s End and the Eyrie in order to secure loyalty from the Starks, Baratheons and Arryns.

    During Lucerys’ visit with Borros Baratheon (Roger Evans), it’s revealed that Aemond (Ewan Mitchell) has already arrived with the news that his brother now sits on the Iron Throne after Rhaenyra was usurped by the Greens.


    READ MORE:
    ‘House Of The Dragon’ Star Emma D’Arcy Responds To Becoming A Meme After Negroni Sbagliato Video Goes Viral

    After Aemond and Lucerys get into battle, Aemond’s dragon kills Lucerys.

    Viewers took to Twitter to share their reactions to the final episode of the series, which won’t return until 2024.

     

     

     

     

     

     

    Sarah Curran

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