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Tag: Seahawks

  • Joe Schoen and Brian Daboll have put a pathetic Giants product on the field

    Joe Schoen and Brian Daboll have put a pathetic Giants product on the field

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    Joe Judge got fired and ridiculed after running two straight QB sneaks with Jake Fromm to create room to punt the ball in Week 18 of the 2021 NFL season.

    And on Monday night, with America watching, Brian Daboll’s Giants offense did exactly the same thing.

    On 3rd and 11 at the Giants’ 24-yard line, trailing 14-3 with 1:14 left in the first half, Daniel Jones handed the ball off to Matt Breida for a measly 4-yard gain to set up a punt.

    On top of that, after the game Daboll claimed Jones ran the wrong play because he misheard the coaches’ play call.

    The crowd booed. The fans couldn’t believe it.

    Maybe that’s because they’ve seen it before.

    Have they seen this kind of ineptitude before, though? This glaring lack of discipline? This level of underachieving from a team with legitimate talent that reared its head again in a pathetic 24-3 loss to the Seahawks on Monday Night Football at MetLife Stadium?

    Judge was rebuilding a broken roster. Daboll is in Year 2 with a playoff team and that had some money to spend in the spring. His 2022 Coach of the Year Award, however, feels like a distant memory.

    Jones was sacked 11 times on Monday. Eleven.

    The Giants’ 18 sacks allowed in their first two home games of the season is a new NFL record, per ESPN Stats & Info.

    Could Jones have played better? Sure. He said so himself.

    “I didn’t play well enough,” Jones said. “It was unacceptable, and I let the team down.”

    But the coach didn’t help his quarterback. Jones is looking over his shoulder for pressure at every turn. And most of the time, it’s coming.

    “There’s some shock,” Jones said of the state of his team.

    No one wants to hear about injuries to the offensive line, either.

    Rookie center John Michael Schmitz (shoulder), guard Shane Lemieux (abductor) and tight end Daniel Bellinger (knee) all went down on Monday to go along with scratched running back Saquon Barkley (high right ankle sprain) and left tackle Andrew Thomas (hamstring).

    But keeping players healthy is a part of the entire organization’s job. That includes the training staff and the GM, too. It’s been a problem here for a long time. And it keeps getting blamed on head coaches and field turf, but it’s a much bigger issue than that.

    Still, the Seattle Seahawks had only one of their regular starting five O-linemen playing his normal position by the end of Monday’s first half. Everyone faces adversity.

    Some coaches and teams just fight through it and figure it out.

    The Giants’ defense was fighting on Monday, at least. Kayvon Thibodeaux had two sacks.

    It wasn’t enough, though. This team is on the verge of coming apart at the seams. And if they do, they will simply be taking their cue from Daboll.

    Their head coach threw his arms in the air as Thomas McGaughey’s special teams group committed a stunning six penalties. Then, in the third quarter, something happened between Daboll and Jones that may come to define this disaster season:

    Jones threw a red zone interception that Seahawks rookie corner Devon Witherspoon returned 97 yards for a touchdown and a 21-3 Seattle lead with 1:03 remaining in the third quarter.

    And when Jones walked to the sideline, and Daboll started pressing him on his mistake, Jones walked right by his coach.

    Then Daboll approached Jones on the bench to review the interception on a tablet, took a look and then tossed the tablet down in disgust in the hands of QB coach Shea Tierney.

    “I was trying to show him [or] kind of see what he thought and then tell him what I saw,” Daboll said. What did he want Jones to do on that play?

    “Well, obviously not throw an interception,” Daboll deadpanned.

    “Terrible decision and awful mistake,” Jones said, always taking the high road.

    GM Joe Schoen’s offensive line depth proved atrocious against a Seahawks defense that was hemorrhaging yards in their first three games. Left tackle Josh Ezeudu, Schmitz, right guard Marcus McKethan and right tackle Evan Neal are all Schoen draft picks.

    Schoen’s lack of a punt returner reared its head when rookie Eric Gray muffed a first quarter punt, which was an inevitability to anyone who watches the team practice.

    Nick McCloud recovered that one, but then Daboll put corner Adoree Jackson of all people back to replace Gray for the rest of the game.

    Jackson, the Giants’ top corner, got hurt returning a punt last year — a mistake Daboll still refuses to own to this day.

    The facts are this, however:

    The Giants are 1-3 with road games at the Miami Dolphins and Buffalo Bills on deck. Tyrod Taylor has played in three of the Giants’ four games because they were blowouts.

    Daboll’s offense has scored a total of nine first-half points this season: zero against the Cowboys, zero against the Cardinals, six against the 49ers and three against the Seahawks. The Giants have led for 19 total seconds in their four games, at the end of their Week 2 comeback in Arizona.

    Former Giant Geno Smith, the Seahawks’ QB, was absolutely livid at a sideline hit by Isaiah Simmons that injured Smith’s knee. So Monday’s game got chippy as Smith and Julian Love took it to their former franchise.

    “Ugly situation, but I feel a lot better,” Smith said, who said he heard jawing from “the coaches [and] the fans. It is what it is. Anytime you’re on the road it’s gonna be like that. So we expected it.”

    But no matter: by the late third quarter, Giants fans were streaming for the exits. By the early fourth quarter, they were gone.

    By the middle of the fourth quarter, the boos from the disgusted Giants fans were replaced by cheers and chants of “Hawks!” from the visitors.

    Even ESPN’s Joe Buck and Troy Aikman couldn’t wait until the broadcast was over.

    Schoen’s and Daboll’s Giants are a laughingstock. And it’s hard to imagine they’ll be allowed to play in too many more prime time games.

    Because no one wants to watch this.

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    Pat Leonard

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  • Jalin Hyatt agrees with Brian Daboll’s ‘progression’ plan toward larger Giants role

    Jalin Hyatt agrees with Brian Daboll’s ‘progression’ plan toward larger Giants role

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    Jalin Hyatt has impressive patience for a receiver with 4.4 speed.

    The Giants’ rookie receiver isn’t frustrated about getting only 16 snaps against the San Francisco 49ers. On the contrary, he has bought into what Brian Daboll told him at the start of the year.

    “He told me it was going to be a progression, and I totally agree with him,” Hyatt said Tuesday with a smile. “I have full trust in [Daboll].”

    Hyatt, who turned 22 years old on Monday, clearly needs to be on the field more for the Giants regardless.

    He made two of the biggest plays in the Giants’ 31-28 comeback against the Arizona Cardinals in Week 2 despite playing only 14 snaps in that game.

    The first was a 58-yard bomb to start the second half, topping out at 20.48 miles per hour, per NFL NextGen Stats. The second was a 31-yard corner route up the left sideline in the fourth quarter. Both catches set up Giants touchdowns.

    His playmaking didn’t earn Hyatt a much bigger role in Santa Clara, however. He was on the field for only 32% of the offense’s snaps after playing 21% in Arizona.

    The slight uptick wasn’t compensatory with the value he’d provided in the desert.

    “I think it goes back to who DJ’s comfortable with and what plays we’re running,” Hyatt said, referring to quarterback Daniel Jones’ chemistry with players like Darius Slayton, Isaiah Hodgins and Parris Campbell.

    Hyatt said a host of variables contribute to playing time decisions.

    He admitted he needs to continue developing his own “chemistry” with Jones. He is constantly observing the veterans to pick up on ways to be reliable.

    The 49ers’ top NFL defense, especially up front on their line, impacted how Daboll and Mike Kafka called that game and deployed personnel.

    Hyatt also said Daboll is trying to acclimate his young players to the grind of a long NFL season. That means keeping a weapon like Hyatt fresh enough to do damage late in the year when, as a college player at Tennessee, his seasons would have already been over.

    “I think with [Daboll], for rookies, it’s a long year,” Hyatt said. “I’m used to 12 games in college and being done. So it’s making sure I’m staying healthy and able to contribute throughout the season.”

    Hyatt also has to make some improvements himself, as explosive as he is. He’s confident in his abilities, but he isn’t cocky to the point that he thinks he has this all figured out, either.

    Take last Thursday’s second quarter at San Francisco, for example:

    Hyatt was wide open on a deep corner route to the left sideline. Pressure from the 49ers’ defensive line prevented Jones from making the throw and flushed the Giants’ QB out of the pocket.

    At that point, Hyatt should have come back to the ball. Instead, he drifted, and Jones took a huge hit from Dre Greenlaw as he tossed an incompletion away.

    “I should have come back to the ball,” Hyatt admitted Tuesday. “I went upfield because I saw [Darius Slayton] running underneath in the middle. But instead of already being open and continuing to run deep, I should have come back and gotten an easy completion.”

    It would have been an easy 25-yard completion, at that. These are the “scramble rules” that the Giants work on with their receivers. Hyatt didn’t use them there. He’ll learn.

    By his own admission, Hyatt didn’t pay enough attention to detail in his film study prior to the 40-0 Week 1 blowout loss to the Dallas Cowboys, either.

    He watched film, but he didn’t zero in on how certain Cowboys corners would play him and on what their tendencies reveal about potential opportunities to exploit them.

    So he changed up his whole approach and focused on the “little things in film study going into the Cardinals game.”

    “I studied the corners, the safeties, and I imagined myself making those plays in the actual game,” Hyatt said. For a confident player, visualization helped him follow through.

    Hyatt also said it takes time to fully grasp Daboll’s “complex offense,” echoing every other player’s review of the system the past year-plus.

    The Giants’ head coach expects his receivers to know every receiver position’s responsibility on every play, from both outside receivers to the slot, on top of the numerous formations and packages Daboll and Kafka employ to disguise their calls.

    “That’s what’s kind of been difficult,” Hyatt said.

    Receivers coach Mike Groh and Hyatt drill 1-on-1 daily in the mornings, though, to hammer home those responsibilities and make sure Hyatt feels comfortable in different spots.

    Hyatt said it’s his own job to stay consistent and “regular” to continue earning Jones’ trust.

    He also recognizes the value of Daboll’s system, which uses alignments pre-snap to identify coverages, confuse defenses and exploit defensive weaknesses.

    “I love that dude,” Hyatt said of Daboll. “He’s a mastermind.”

    He said, “Whenever I have opportunities, it’s my job to go and make plays.” That’s what it comes down to for him.

    Still, for an offense as anemic as the Giants’, it’s difficult to stomach seeing Hyatt on the sidelines. Even if he still has a lot to learn, at this point it’s probably worth letting this eager speedster learn it on the fly.

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    Pat Leonard

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  • Megs McLeans “Virtually Me” Virtual Reality App.  ReelTime VR the Most Advanced Virtual Reality App. to Date Launches to 2 Billion Phones Worldwide

    Megs McLeans “Virtually Me” Virtual Reality App. ReelTime VR the Most Advanced Virtual Reality App. to Date Launches to 2 Billion Phones Worldwide

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    Breakout Country Music artist Megs McLean www.megsmclean.com in connection with ReelTime Partners (OTCPK:RLTR) www.reeltime.com announces the release of the ReelTime VR app. the most advanced Virtual Reality App. to date. ReelTime which has established itself as the leader in the production and distribution of Virtual Reality Content moves ahead of Oculus Rift and others setting the bar for VR.

    Press Release


    Sep 4, 2015

    Breakout Country Music artist Megs McLean www.megsmclean.com in connection with ReelTime Partners (OTCPK:RLTR) www.reeltime.com announces the release of the ReelTime VR app. the most advanced  Virtual Reality App. to date. ReelTime which has established itself as the leader in the production and distribution of Virtual Reality Content moves ahead of Oculus Rift and others setting the bar for Virtual reality content production and content distribution.  ReelTime VR, featuring Megs McLean  is available now to nearly 2 billion devices worldwide for iPhone, Android, and Balckberry devices and is the most technologically advanced and the most creative Virtual Reality content to be released to the public to date. ReelTime VR has not only set the bar for virtual reality content with Megs “Virtually Me” but is the only company to offer a complete end to end solution.

    The free application and content can be viewed for free with or without a virtual reality headset using most smartphones worldwide. The user is immersed in a 360 degree viewing experience, allowing  them to look up, down, and all around as if they were standing right there. Breakout Country Music artist Megs McLean and ReelTime gave Taylor Swift concert attendees a special look into ReelTime VR during her performance at the concert in Seattle. The concert attendees were able to view “Virtually Me”, a revolutionary documentary shot in full 360 virtual reality which is featured on the ReelTime VR app. allowing users to stand in studio with Megs while she records her breakout single “It’s My Truck” with Drumming Legend Ben Smith of “Heart” and producer Geoff Ott at world renowned London Bridge Studio.

    ” This new world of Virtual Reality is unlike any entertainment technology in the past. It was a thrill working with the best in the industry ReelTime VR and I am looking forward to additional projects with them. ReelTime VR is truly ahead of all other Virtual Reality companies.”

    Megs McLean, Breakout Country Music Artist

    Megs McLean commented by stating; “ This new world of Virtual Reality is unlike any entertainment technology in the past. It was a thrill working with the best in the industry ReelTime VR and I am looking forward to additional projects with them. ReelTime VR is truly ahead of all other Virtual Reality companies.”

    The ReelTime VR production of Megs “Virtually Me” is the most sophisticated and enduring virtual reality content to date. Unlike lesser quality productions that utilize consumer Go Pro cameras providing lower picture quality and awkward movement, “Virtually Me” was produced with a proprietary system and shot with 361VR using Red Dragon Cameras. Compared to other applications such as the Samsung Gear VR which can only be used in conjunction with a Samsung Galaxy Note 4, Reeltime VR is available to most smartphones worldwide and can be used with any phone based VR headset. The ReelTime VR platform also outperforms Oculus Rift in every aspect including quality, price, and entertainment. Oculus Rift is still a gaming peripheral, requiring an expensive technologically advanced PC system that it must be plugged into for use. Oculus Rift is also not usable on smart phones and will not work outside of its controlled environment where it must utilize content specifically designed for that platform. This significantly restricts its access to content developed by third parties and limits entertainment options provided to users. Oculus Rift is set to be released sometime next year, and was recently purchased by Facebook for reportedly 2 billion dollars. ReelTime VR is available to the public now, can seamlessly adapt any content shot to standards allow distribution of content shot by third parties and provides an improved user experience. ReelTime VR is a free application that also provides an end to end solution for studios and other production houses.  

    “Virtually Me” is the first piece of content released to the public utilizing ReelTime VR and was produced by multi Emmy winning producers Jackson Nguyen and Todd Crites of TurnLeft/ReelTime Partners and Luis Flores of 361VR. The ReelTime VR app was developed by former ReelTime CTO Barry Henthorn who has a long history of developing revolutionary and disruptive technologies. ReelTime will continue development of the ReelTime VR app as well as production of groundbreaking content that provides users the best of virtual reality and an end to end platform solution to third parties.

    About Megs McLean: Megs Mclean is a country music artist/actor who has managed to blend the heart of country with the no rules “play it like you feel it” Seattle music style. Her unique sound comes from her roots as a country girl and competition barrel racer, mixed with her hometown influence from the Seattle grunge scene. Megs McLean puts a twist on traditional country with a kick from the current generation.  

    The free app can be downloaded on any Android or iPhone and can be viewed with or without virtual reality goggles.

    A short documentary  of Megs in studio experience recording “It’s My Truck” and Megs “Virtually Me” can be seen in the documentary “Making Megs McLean “It’s My Truck” which can be viewed at https://www.youtube.com/watch?v=MBCoo2vAz2M .The song “It’s My Truck” is available at all major music portals or at iTunes at https://itunes.apple.com/us/album/its-my-truck/id1003827933?i=1003828005&ignmpt=uo%3D4

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