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Tag: Science Saru

  • I Really Hope the New ‘Ghost in the Shell’ Anime Keeps the Major’s Manga Goofiness

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    One of the things that gives me pause is that we’re only two years out from the year in which manga creator Masamune Shirow’s massively influential cyberpunk series, Ghost in the Shell, takes place.

    In the years since its debut in 1989, we’ve seen myriad iterations of its story and its leading lady, Motoko Kusanagi, in Mamoru Oshii’s animated film adaptation, in a slew of shows, Scarlett Johansson’s live-action film (best left forgotten), and soon a new anime by Dan Da Dan studio Science Saru. From what little we’ve seen in teasers for The Ghost in the Shell, due out in July, the anime already stands apart from its predecessors in its aesthetic, lifted straight from Shirow’s colorful manga.

    But my biggest hope is that it’ll also have a ton of its affable humor by bringing Kusanagi back to her goofier roots.

    Serving as the directorial debut of Scott Pilgrim Takes Off episode director and Toma Kimura (aka Mokachan), The Ghost in the Shell follows Major Kusanagi, the cyborg leader of an anti-cyberterrorism group called Section 9. Throughout the series, she and her squad are tasked with defusing and neutralizing all manner of red-tape-crossing cases of cybercrimes from the government and terrorist organizations. Typically, many, if not all, of these cases are steeped in philosophical intrigue where the human condition and technology meet in the not-so-distant future of 2029, with tons of cool action to boot.

    As mentioned up top, every permutation of Ghost in the Shell, following Oshii’s 1995 film, has all but shaped the series and, by proxy, Kusanagi, as a bit of a self-serious series. There’s some levity here and there, sure, thanks to her right-hand man and best boy, Batou, but outside of a few pithy asides from Kusanagi, virtually every iteration, from Stand Alone Complex to Netflix’s Arise, sees her as a stoic hero with a steely, determined glare on par with how film bros would regard John Wick.

    That could not be further from the truth of the original version of her. Shirow’s Kusanagi is born to whimsy and forced to lock in.

    © Masamune Shirow/Kodansha

    The Major in the manga is peak goofiness. She’ll crack jokes about how Section 9 is yet again given an impossible task from their gorilla-faced dispatcher, Daisuke Aramaki. She’ll get drunk after hacking the person who hired them to punch himself in the face. And, depending on which version of the manga fans are fortunate to own before Shirow revised them, she’ll go on trippy braindance sexcapades with her gal pals while on shore leave.

    At her core, this Motoko is scrappy, fallible, and delightfully goofy—a far cry from the hyper‑competent archetype fans have come to treat as canon. And with Science Saru stepping in, a studio that’s proven it can swing from the bleak brutality of Devilman Crybaby to the wild, madcap energy of Dan Da Dan and Sanda, there’s both the skill set and the perfect opening to bring this version of the Major roaring back into the mainstream.

    From the tidbits of emotive facial expressions we’ve gleaned from character sheets from designer Shuhei Handa‘s production materials for the show in earlier teaser trailers as well as a few stray key frames featured during its big art exhibit in Japan, it’s looking like Science Saru will be bringing that Kusanagi to the dance when The Ghost in the Shell premieres later this year. I can’t wait for fans of other adaptations of the series to meet her for the first time in all her goofy glory.

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    Isaiah Colbert

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  • Sanda Anime Prime Video Review: Weird, Wild, Wonderful

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    In manga circles, Paru Itagaki is affectionately revered as a certified weirdo. Since her debut, the Beastars creator has built a reputation for crafting fearless, genre-bending stories that are unapologetically offbeat, exerting a magnetic pull that is bold and bizarre, yet impossible to tap the glass and see what wonders will never cease.

    Science Saru, meanwhile, has quickly become an anime darling thanks to its own brand of visual chaos and thematic daring, with titles like Devilman Crybaby, Keep Your Hands Off Eizouken, and Dan Da Dan on its glittering resume. So when these two creative forces collided for the newly released anime adaptation of Itagaki’s manga, Sanda, it was less a question of “Will it be weird?” and more “How weird are we talking?”

    Turns out: very. Sanda doesn’t just flirt with the bizarre—it attempts to out-freak Nightmare Before Christmas by pile-driving into a snowbank and daring to declare itself the new cross-holiday anomaly.

    A chaotic blend of Christmas cheer, slasher horror, and gag comedy, Sanda delivers all of the above at a breakneck pace that feels like opening every door of an advent calendar at once, revealing a fresh, unhinged surprise with every scene packed into its premiere episode.

    Sanda centers on a baby-faced middle schooler named Sanda Kazushige (Ayumu Murase), whose hapless, ordinary life takes a sharp turn when his crush, Shiori Fuyumura (Umeka Shoji) discovers his bizarre secret: he can transform into a burly Santa Claus whenever he gets “red on him”—a loophole she gleefully exploits by stabbing him.

    What unfolds is a chaotic blend of Shazam and The Santa Clause, revealing Sanda bears a hereditary curse as a descendant of Saint Nick, magically compelled to grant children’s wishes whenever snow begins to fall (and the conditions above are met).

    © Science Saru/Prime Video

    Shiroi’s wish isn’t some twisted, yandere-coded romance with Sanda—it’s a heartfelt plea to help her find her missing friend, Ichie Ono (Anna Nagase), who has been presumed dead. With Sanda’s help, Shiori hopes to reunite with Ichie in time for Christmas, honoring a promise they once made.

    To test Sanda’s resolve as Shiori’s reluctant, underwear-clad Santa superhero, their first outing involves thwarting a school bombing (that she’s the mastermind behind). All of which is delightfully underscored with the soft, menacing hum of holiday carols.

    Sanda Prime Video Anime
    © Science Saru/Prime Video

    Visually, Sanda stands out as one of the fall season’s most striking oddities, equal parts bizarre and magnetic. Itagaki’s flair for offbeat rom-coms and instantly legible character designs shines through, with each figure telegraphing their personality from the moment their faces appear on screen (which is especially helpful given the brisk pace of its premiere episode!).

    From oversized saucer eyes and twitchy beady pupils to jagged silhouettes and wildly varied body types, every design—brilliantly realized by Science Saru’s Masamichi Ishiyama—seamlessly reinforces the show’s razor-thin tightrope walk between horror and slapstick, where every thrown glare could be a threat or a punchline.

    Sanda Prime Video Science Saru Anime 3
    © Science Saru/Prime Video

    What’s more, Sanda’s bold use of red—splashed across scenes like a visual siren—amplifies its off-kilter charm, pulling the viewer’s eye into a world still wrapped in mystery. As the story tiptoes deeper into its cursed Santa lineage, wish-granting compulsion, and surreal dream logic, each crimson accent feels like a breadcrumb leading us through a holiday fever dream and a murder mystery that’s only just begun to unfold.

    Because, of course, there’s a murder mystery brewing underneath Sanda‘s unsuspecting premise. If Beastars taught fans anything, it’s that Paru loves herself a good whodunit, as well as scenic long walks through her enchanting, imaginative storytelling.

    Sanda Prime Video Science Saru Anime
    © Science Saru/Prime Video

    Yet, for all its aesthetic excess, Sanda’s ensemble channels the scrappy, chaotic charm of classic ragtag anime misfits, such as those in Akira Toriyama’s Dr. Slump or Rumiko Takahashi’s Urusei Yatsura. From what little its premiere showcases of its assortment of quirky “what’s-their-deal” characters gloriously make every kinetic interaction, be it comedic or menacing, pop with as much unpredictable delight to match its stunning visuals.

    Itagaki may be pigeonholed as manga’s eccentric creative, but she doesn’t get enough credit as a deeply funny and emotionally resonant storyteller who knows how to build worlds that tickle your sides, punch you in the heart, and scratch your brain. And Sanda seems poised to unwrap its own dark secrets one episode at a time.

    Sanda Prime Video Science Saru Anime 2
    © Science Saru/Prime Video

    It also doesn’t hurt that Science Saru’s adaptation amplifies that ethos, turning Sanda into a series that feels tailor-made for Adult Swim’s Toonami anime block. It’s refreshingly unorthodox and hilarious, and just unsettling enough to keep viewers tapping their fingers to see what it’ll do next. And if its premiere is any indication, viewers are in for a chaotic, spellbinding ride.

    Sanda is streaming on Prime Video.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Isaiah Colbert

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  • Netflix’s ‘Scott Pilgrim’ Anime Levels Up to A Physical Release

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    Good news for fans of Scott Pilgrim Takes Off: the series is getting a Blu-Ray release on December 2.

    Co-creators BenDavid Grabinski and Bryan Lee O’Malley broke the news on social media, with Grabinski further revealing the pair did individual commentaries for all eight episodes. Big win for fans of physical media, and O’Malley himself said he was “so glad we get to take this home with us now.”

    Developed by Science Saru, Takes Off brought back the cast of the 2010 Scott Pilgrim movie to reprise their original roles for animation. At first, it seems like it’ll follow the same track as the film and comics, only to diverge significantly. Scott’s sidelined, letting Ramona and other characters take dramatically different paths in their lives while still following a similar outline as its predecessors. It was received pretty well, and while there’s no plans for another season, the Scott Pilgrim EX game will pick up where the show ended. Takes Off is the latest Netflix series to make the jump to Blu-Ray, preceded by both seasons of Arcane getting fancy physical releases, ditto Cyberpunk Edgerunners and Devilman Crybaby more recently.

    Scott Pilgrim Takes Off’s Blu-Ray will go on sale “very soon,” said O’Malley.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • ‘Dan Da Dan’ Season 2’s Penultimate Episode Sets the Stage for a Giant Robot vs Space Kaiju Showdown

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    While the end is near for Dan Da Dan season two, animation studio Science Saru isn’t repeating what it did last season with the show concluding on a crushing mid-arc cliffhanger. Instead, the lovey-dovey raucous sci-fi-meets-yokai anime is going out with a bang, with its penultimate episode setting up a cataclysmic giant robot versus space kaiju battle to send anime fans home happy. In Dan Da Dan episode 11, “Hey, It’s a Kaiju,” the gang battles a kaiju. While Momo, Okarun, and their new friend, Kenta Sakata, are on the hunt for what they believe to be Okarun’s missing golden testicle (at this point, don’t ask), they discover the glowing ball they’d been chasing around an apartment complex was actually emanating from the inside of a human-sized kaiju. Thinking they cinched an easy victory, the crew quickly reckon with an even bigger threat as the kaiju grows into a full-sized threat, towering over them and chasing them throughout the city.

    Momo, Okarun, and Kenta wind up running into Aira and Jiji, rounding out their weirdo superpowered squad, but their feeble attempts at teamwork don’t seem to slow the big lizard down. Okarun, referring to his occult knowledge, surmises that the giant kaiju isn’t a normal kaiju but a space kaiju, because of course it is. Despite Aira taking charge with her Bayonetta-esque hair yokai powers from Acrosilky, she’s overwhelmed by the space kaiju’s ability to not only shoot lightning from its horns but also to cloak itself in an invisibility field. Thinking better of their first giant team-up odds, the gang makes a tactical retreat back to the Ayase house with the kaiju in pursuit, treating the city like a giant diorama for it to trample over.

    Back at the house, the gang has a little bit of infighting, with Evil Eye repossessing Jiji and hankering for a fight, Momo and Aira fighting over Okarun, and Okarun simply wigging out over how they’re gonna deal with the giant green discount Gamera kaiju sauntering their way.

    Ever the smart egg, Okarun remembers the nanoskin they used to rebuild Ayase’s house and hatches a plan to create something big enough to battle the kaiju. The only problem is that Okarun doesn’t have a big enough imagination to come up with anything. Enter Kinta Sakata.

    Dan Da Dan Science Saru Anime 10
    © Science Saru

    As well-established in the previous episode, Kinta is a huge otaku for sci-fi, specifically, mecha anime of Mobile Suit Gundam ilk. Hilariously, Science Saru went to great lengths to hype up Kinta’s arrival like a goddamn Marvel superhero by showing off his dedication to the medium in his singing of classic mecha anime theme songs and showing off his freshly painted knock-off Gundam gunpla with the paint still staining his fingers. Seizing his moment, Kinta triggers a transformation of the Ayase house, turning it into a chimera of mecha anime references along the way.

    Dan Da Dan Science Saru Anime 1
    © Science Saru

    It’s Neon Genesis EvangelionGurren Lagann, Power Rangers, and all Dan Da Dan with Momo, to the dismay of Kinta, making its design look like a Buddha simply because she panicked thinking of something big to fight the kaiju. With everyone hilariously conveyed to their makeshift battle stations, they’re ready to face the kaiju. The only problem is that they don’t quite know how to make it move.

    One interesting detail about the long-awaited arrival of the space kaiju is that Science Saru cleverly hid this moment in plain sight. In the anime’s opening theme, there is a quick frame showing a green shadow of the space kaiju along the walls of the hallway that Okarun and Momo are rushing through. This subtle Easter egg reference also cleverly hints at the creature’s ability to mask its presence.

    Dan Da Dan Science Saru Anime 13
    © Science Saru

    Seeing as how next week’s episode will mark the end of the season, manga fans likely have an inkling of the exact beat the story will end on, and it’s a big one that’ll probably leave anime-onlys in agony over whether or not they want to read ahead in the manga to figure out where Okarun and Momo’s shonen romance takes them next in the indescribable world of Dan Da Dan. Hopefully, fans won’t have to wait long to get that answer should the show get renewed as swiftly as it did the last time for a third season.

    Dan Da Dan is streaming on Crunchyroll, Netflix, and Hulu.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Isaiah Colbert

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  • This Week’s ‘Dan Da Dan’ Episode Went Full ‘Minecraft’ Foreshadowing Its Big Season Finale

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    The ninth episode of Dan Da Dan hit the ground running with an explosive rematch between Okarun and Evil Eye. But in an episode that otherwise was pretty chill and low-key, Science Saru set up the building blocks for the show’s big showdown that manga readers have been waiting for with bated breath to see adapted in all its glory.

    As noted up top, Okarun and Evil Eye fought in a cold open that we won’t even attempt to give the play-by-play for. The only thing that matters is that it nailed manga creator Yukinobu Tatsu‘s ink-splotch-esque outline of an enraged Okarun putting the Evil Eye on the back foot, adding to the show’s already stellar adaptation of the manga.

    The end of their battle saw Okarun rage-bait Evil Eye into promising to only fight him every week instead of putting humanity on notice for his purple-tinted onslaught. With Evil Eye surrendering control of Jiji Enjoji’s body, the gang calls it quits for their impromptu sleepover at Momo Ayase’s house, which was left in rubble after Okarun and Evil Eye’s battle.

    Dan Da Dan 4
    © Science Saru

    Setting aside their problems for later, Momo, Seiko, Turbo Granny, and Hana decided to use the remainder of their funds for a much-needed spa day. Although Momo suggested asking Jiji, Aira, and Okarun to contribute towards the repairs, they ultimately chose to ignore that idea.

    Dan Da Dan 2
    © Science Saru

    Upon returning home, they were met with a peculiar sight: a blocky alien at their doorstep. Unlike everyone else, who are animated in 2D, Ludris, the blocky alien, is animated in 3D, giving him an off-brand Minecraft Steve look. Thankfully, Science Saru didn’t have to issue an apology for paying homage to video game developer Mojang Studios like it had to last week for another pop culture reference. However, instead of being a new foe, it turns out that the alien is a friend of their boxing ally, Peeny-Weeny.

    It’s here where Ludris, via Peeny-Weeny, explains the rules of nanoskin, a new alien element they’ll use to fix the Ayase house. Essentially, just as gamers can use Minecraft blocks to create whatever their imagination can conceive, nanoskin is an alloy that molds into whatever the user’s memory envisions it to become. After some experimentation with the alloy, Okarun, Momo, and the crew restore the Ayase house. The rest of the episode follows Momo as she tries, in vain, to wrangle Evil Eye at school without causing too much of a ruckus in the rest of the episode.

    In an after-credits stinger, Dan Da Dan teased the long-awaited, social media-hyped arrival of a new member of their Scooby-Doo-esque gang of weirdos, Kinta Sakata. Daichi Fujiwara voices Kinta in Japanese and Bryce Papenbrook (Eren Jaeger in Attack on Titan and Inosuke in Demon Slayer) in English. Science Saru’s social media has been heavily promoting Kinta’s arrival, releasing his own character trailer and a painted poster to hype his arrival.

    While manga fans love to hate him, they all owe their loyalty to the otaku’s arrival for being responsible for one of the hardest double-page spreads in the manga to date, with a big kaiju mecha showdown. However, today’s humble episode laid the groundwork for understanding the mechanics of one side of its Godzilla versus Gundam battle.

    Dan Da Dan 5
    © Science Saru

    Kinta, like Okarun and crew, will use his own vivid imagination for everything mecha to construct a giant robot to do battle with a towering kaiju. We love a modest episode explaining lore mechanics so a show can get busy delivering the action. Plus, it’s looking like this climactic battle is the note that Dan Da Dan‘s second season will send viewers home with. Anything beats that painful mid-arc cliffhanger from its first season, so hopefully Science Saru will keep doing Science Saru things, adapting the manga’s fight and elevating it to new heights only achievable in animation.

    New episodes of Dan Da Dan release every Thursday on Crunchyroll, Netflix, and Hulu.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Isaiah Colbert

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