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Tag: saturday night live

  • Alec Baldwin Says He Had Suicidal Thoughts After Charges Were Filed in ‘Rust’ Death a Second Time

    Alec Baldwin says he had suicidal thoughts after charges were filed a second time in the fatal shooting on the set of his film Rust.

    The actor appeared on the most recent episode of Dopey: On the Dark Comedy of Drug Addiction, a podcast hosted by Dave Manheim, where he talked about battling some dark thoughts during that time.
    Baldwin said he was in a rough place mentally after it was announced that he was going to be charged a second time in the fatal shooting of cinematographer Halyna Hutchins on the set of Rust in 2021. (The case was ultimately dismissed, and he cannot be retried.) Baldwin said he was concerned about the impact it was having on his family.

    “The people I was most concerned about, the people that I had the deepest pain for, were my wife and my kids,” he said. “Because my kids would see me sitting in a corner, you know, I couldn’t even move.”

    Baldwin said there was a period where he took a nap every day for a year due to his mental state.

    “And I don’t want to dwell on this, I just want to say that this was very painful for my wife and my family, my sisters and brothers and so forth, my colleagues. … And I can tell you, it broke every nerve in my body, spiritually, financially … work-wise, my career, my wife, my kids, my friends, my health. I mean what it’s done to my health. I mean, if I told you what my health conditions have been since October 21st of 2021 … it’s taken 10 years off my life. It’s taken at least 10 years off my life,” he added, noting the date of the fatal shooting.

    Baldwin said he was able to get through it thanks to his wife, Hilaria, and his family, but not before some really dark thoughts took over.

    “When you get to that point where you go, ‘I don’t want to wake up another day, I’m gonna go’ — I swear to God, I mean, to talk about it, and it’s really kind of unappealing to me because to talk about killing yourself and to actually kill yourself are two so profoundly distinctive things. I think a lot of people, I think countless people think about killing themselves and ending their life, and then very few do. And for me, I remember, I used to lay there in bed and go, ‘Oh God, I can’t wake up another day and have it be the same. It’s the same every day. And I can’t do it.’ And but somehow I found the faith in God to, you know, not kill myself tomorrow. Let’s wait one more day.”

    Baldwin also said that he believes that the production followed the regulations laid out by the Hollywood guilds but the prosecutors in New Mexico “came along and said, ‘Oh no, no, those rules don’t apply here, and we have our own rules here and that’s what applies here. So we’re going to put you on trial for those rules.’ … No one came to me in the first week we were handling firearms the first week. No one came and told me anything different. It was after the fact. All the rules were changed after the fact, and that was very scary to me. I thought they were going to make it up as they go along.”

    He added that the New Mexico prosecutors “wanted to get their names in the paper. That’s what they wanted. And I mean thank God for this judge who called in on them and said, you know, what you’re doing is reprehensible.”

    In the same interview, the subject turned to President Trump, whom Baldwin portrayed on Saturday Night Live for four years. Baldwin admitted that he didn’t “want to play Trump every weekend for four years” but did it due to his friendship with SNL mastermind Lorne Michaels.

    “Overall, it was a good experience. Those first two years were glorious, and but you look at people who are made fun of on SNL. Comedy is all about mockery now. It’s all about mockery,” he said, noting that very few comedians aren’t “mean-spirited,” citing Ray Romano as one example. But, he said, much comedy these days veers toward being “negative.”

    “But you look at Trump. And you say to yourself, Trump’s a human being,” Baldwin said. “Now, do I disagree with Trump about everything? I disagree with Trump about fucking everything. Every fucking thing you could imagine I disagree with him. But at the same time, he’s a human being, and his mistake was when he was wounded, when he was hurt, when he was dismissed, when he was mocked, when he was outed or whatever, in any way he was treated badly, what was his response? What was his response? And that’s the lesson for all of us. What’s your response? Do you just try to get up and clean yourself off and move forward? No, Trump is bitter. He’s filled with hatred. He’s filled with bile, and he only made it worse for himself. 

    “I mean, Trump is a person who thought, ‘All of you have a problem. All of you making those observations about me, you’re the ones that are wrong. I don’t deserve any of this.’ Trump doesn’t believe he deserves any of what’s been ladled out against him. Now, has he been mistreated in some way or has it been too much of a pile on. Maybe, I don’t know. I mean, I think Trump, occupies a very unique place in our history, but at the same time, I think that you gotta walk that line. Trump’s a human being.”

    Baldwin recalled being at a dinner party and sharing his believe that comedy about Trump is “over” — not because it’s scary, but because “it’s just done.”

    “What else can you possibly say? If you’re still watching a nighttime talk show and laughing at jokes about Trump, there’s something wrong with you,” Baldwin said. “Al we need to do is just get ready for the next election, get ready for the midterms. That’s all you need to focus on. Fuck Trump. He’s gonna be gone. … And Trump, had he only had one ounce of self-awareness, how different things might have been.”

    Kimberly Nordyke

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  • ‘SNL’: Weekend Update Joke Swap Sticks To Formula In Abbreviated, One-Sided Christmas Edition Featuring New Scarlett Johansson Dig

    Weekend Update co-hosts Colin Jost and Michael Che‘s Joke Swap has become a semi-annual Saturday Night Live tradition and a highlight of NBC program’s Christmas episodes and season finales. The segment typically wraps Weekend Update. But not this time.

    Maybe not to overshadow the bit that did close out this year’s holiday edition of Weekend Update — returning former cast member Aidy Bryant and departing SNL-er Bowen Yang reprising their classic Trend Forecasters characters — Jost and Che didn’t do a full-blown Joke Swap.

    With the explanation that the duo had agreed not to do one this time, Jost was “surprised” by his co-host writing several jokes for him anyway.

    Jost proceeded to read them — as usual squirming while doing it. They included the topics Che always goes for in Joke Swaps — forcing Jost to make inappropriate quips involving race and his wife Scarlett Johansson.

    “Critics say a new series of coins from the US Mint celebrating great moments in the country’s history ignores civil rights,” Jost opened with. “But what about the coin that celebrates where Black people actually come from, ships?”

    Then came the Johansson zinger.

    “New research shows that millions of women leave the workforce due to menopause, which means there’s only a couple years left on my gravy train,” Jost read, as a photo of his wife appeared next to him.

    There was more, including Jost “telling” Johansson “Bitch, you having a hot flash” and a line involving Wednesday star Jenna Ortega.

    You can watch the segment above.

    Jost similarly roasted Johansson in last year’s Christmas Joke Swap, with her getting revenge over Che in the season finale.

    Nellie Andreeva

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  • Tearful Bowen Yang departs ‘SNL’ after emotional Ariana Grande Christmas episode

    Bowen Yang bid an emotional farewell to “Saturday Night Live” with music, laughter and help from his “Wicked” buddy Ariana Grande.

    Yang starred in the night’s final sketch, playing a retiring airport lounge worker working his final shift on Christmas Eve, serving eggnog to travelers. He sang “Please Come Home for Christmas” and was joined by Grande, the night’s host, and Cher, its musical guest. The women joined Yang in song and hugged him.

    The sketch gave Yang a chance to say goodbye to some castmates — he delightfully sprayed Kenan Thompson with eggnog — and its premise gave a chance for Yang to deliver lines about moving on. “I just wanted to enjoy it for a little longer,” an emotional Yang said. By the end of the performance, he was in tears.

    The show closed with a brief photo tribute to slain director Rob Reiner and the cast curtain call.

    “We love you so much,” Grande told Yang, who was a constant presence throughout Saturday’s show and drew huge applause with each appearance.

    Yang joined the show as a writer in 2018, became a featured player the following season and was promoted to the main cast two seasons after that. Yang was a fan favorite with five Emmy nominations over the years.

    In an Instagram post Saturday, Yang wrote: “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwhile.”

    Yang, coming off a huge year or two of projects, departed “SNL” mid-season.

    Grande helped kick off Saturday’s show with a parody of “All I Want for Christmas is You” about buying gifts for people you barely know during her opening monologue. Yang slid onto the stage to huge cheers and helped her complete the song.

    The friends appeared together often during the show, including a dance class sketch and a pre-recorded “Home Alone” sketch in which the McCallister family meet violent ends from Kevin’s leftover traps.

    Word of Yang’s departure came after a major exodus of cast members last summer ahead Season 51’s start. They included Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker, Emil Wakim and John Higgins.

    The news wasn’t entirely a surprise. Yang had publicly discussed the idea, telling People in September he had mulled it over with the NBC sketch comedy show’s creator Lorne Michaels. He got a vote of confidence from Michaels and decided to stay at that time.

    “Lorne was like, ‘You have more to do,’ and that means a lot, because I even confessed to him. I was like, ‘I feel the audience is maybe getting sick of me.’ And he was like, ‘That’s not true. There’s more for you to do. I need you,’” Yang said.

    Of Michaels, Yang added: “That man has changed my life, and I owe a lot of my life to that show. And I love working there. The people are the best. I really love each of them so much.”

    In addition to “SNL,” Yang co-hosts the pop culture podcast “Las Culturistas” with his friend and fellow comedian Matt Rogers. He was in “Wicked” and “Wicked: For Good” as Pfannee and co-starred in the remade “The Wedding Banquet” this year.

    In 2023, he appeared in “Dicks: The Musical” and “Fire Island” the year before that. He also co-starred in “Awkwafina is Nora from Queens” from 2020 to 2023.

    Yang and Rogers hosted the spoof Las Culturista Culture Awards on Bravo last summer. Yang posted on Instagram that the two will be back for more pop culture comedy on the awards next year.

    Mid-season departures from “SNL” are not unprecedented. Cecily Strong did it in December 2022.

    Among the bits that earned Yang breakout status was his turn as the Titanic iceberg on the recurring “Weekend Update” segment, his favorite place on the show, according to an October interview with Esquire. He also played George Santos, a straight man who hooks up with Gina Gershon and Sydney Sweeney, and a gay Oompa Loompa. And he spoofed Vice President JD Vance.

    Yang made a final “Weekend Update” appearance alongside former “SNL” cast member Aidy Bryant, playing characters who offered viewers tips on what trends are in and which are out for the holidays and 2026.

    Yang, the son of Chinese immigrants, was Esquire’s recent cover star. In an Oct. 28 interview accompanying his cover shoot, he told the magazine: “There’s an idea that all of what I do is queer and Asian, which I don’t think is true. I get sick of people reducing the work I do on the show to those identifiers.”

    Work, he said, “is not the most meaningful thing for me anymore. The things I like are spending time with friends, working every now and then, not being caged by it.”

    Yang noted some advice he once received from Kristen Wiig when she hosted “SNL.”

    “She was like, ‘Have fun. It’s the most fun job in the world, and you’ll miss it when it’s done. You won’t realize how much you miss it until you leave.’”

    The Associated Press

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  • Bowen Yang Leaves Saturday Night Live in a Swirl of Red Wine, Cocaine, and Tears

    Bowen Yang made his on-camera debut on the first episode of Season 45, with Vanity Fair‘s Karen Valby noting then that “the show’s first East Asian cast member was saddled with a dispiriting first line of ‘Wazzzzzzup!’ as Kim Jong-un, who [once and future President Donald Trump] called for advice on getting rid of whistleblowers.” But he quickly hit his stride, creating iconic characters such as Chinese trade rep Chen Biao, whose “a tariff is like a tax but it’s a little bit bitchy” was a chillingly prescient quip when uttered in 2019.

    With Yang’s Wicked and Wicked: For Good cast mate Grande in the host slot for the third time Saturday, Yang’s decision to make the last SNL of 2025 his final turn already feels poetic in its symmetry—and then there’s musical guest Cher, who Yang has attempted to lure to the show for years. “I would do anything with her,” Yang said of the icon in 2022.

    Those seated in Studio 8H were clearly clued in on tonight’s news: When Yang joined Grande on stage during her monologue (a gift frustration spin on “All I Want For Christmas”), the cheers threatened to drown out the singing. There was a similar uptick in audience energy when Yang appeared oh-so-briefly in a pre-taped take on Home Alone. In the SNL version, Grande’s Kevin failed to remove his booby traps before his family’s return, leading to (among other gory disasters) Yang’s double amputation.

    Eve Batey

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  • Bowen Yang to exit ‘Saturday Night Live’ after 8 seasons – National | Globalnews.ca

    Bowen Yang is exiting Saturday Night Live (SNL) in the middle of his eighth season on the iconic sketch comedy show.

    His final episode as a cast member will be this Saturday’s episode, hosted by his Wicked co-star Ariana Grande with Cher as musical guest, Variety reports.

    Yang, 35, first joined SNL as part of the writing staff in September 2018 ahead of the show’s 44th season. A year later he became a cast member for the show’s 45th season.

    The comedian teased an exit from SNL during an interview with People back in April.

    “With SNL, like I said, it’s this growing, living thing where new people come in and you do have to sort of make way for them and to grow and to keep elevating themselves,” he said at the time. “And that inevitably requires me to sort of hang it up at some point — but I don’t know what the vision is yet.”

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    Yang’s work on SNL has earned him Emmy nominations for Outstanding Supporting Actor in a Comedy Series in 2021, 2022, 2024 and 2025. He was also nominated for an Emmy for Outstanding Writing for a Variety Series in 2019.

    Yang becomes the latest cast member to leave midseason following Cecily Strong, who left the show in December 2022 during Season 48.

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    The announcement of Yang’s exit follows a major shakeup with several SNL stars revealing their departures from the hit series in September.

    Devon Walker addressed his exit after three seasons in an Instagram post, writing, “Me and baby broke up.”

    Walker’s post was followed by the announcement that Ego Nwodim, Emil Wakim, Michael Longfellow and Heidi Gardner will also not be returning to the show.

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    Saturday Night Live’ Season 51 airs Saturdays at 11:30 p.m. ET on Global.


    © 2025 Global News, a division of Corus Entertainment Inc.

    Katie Scott

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  • Bowen Yang Is Leaving Saturday Night Live

    It appears to be the end of an era: Bowen Yang is planning to leave Saturday Night Live, most likely after this Saturday’s episode hosted by his Wicked costar Ariana Grande with musical guest Cher. A source with knowledge informed VF that this episode may be Yang’s last—though Deadline asserts it as fact. Representatives for Yang and the show did not respond to requests for comment.

    Yang joined Saturday Night Live as a writer in 2018, appearing infrequently onscreen. He was promoted to featured player the following season, then full repertory player in 2021—becoming one of the show’s marquee faces, and earning four primetime Emmy nominations for outstanding supporting actor in a comedy series.

    In an April interview, Yang indicated that he’d started to think about moving on. The star-studded events around SNL‘s 50th anniversary helped him realize “what life after the show is like and how beautiful it is,” he said then. The lauded sketch comedy show is “this growing, living thing where new people come in and you do have to sort of make way for them and to grow and to keep elevating themselves. And that inevitably requires me to sort of hang it up at some point.”

    Hillary Busis

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  • Josh O’Connor May Be An Internet-Favorite “Soft Boy,” But ‘SNL’ Doesn’t Know How To Harness His Charms

    For someone whose nerves were at a self-described 10 out of 10 in the week leading up to his Saturday Night Live debut, first-time host Josh O’Connor began his Studio 8H debut about as smoothly as possible: In his monologue, the Wake Up Dead Man star glided easily from self-effacing jokes — “No, I am not the mouse from Flushed Away” — ripped from the digital zeitgeist to cheekily leaning into his public persona as a “soft boy,” otherwise known as an “average 65-year-old woman” who embroiders, scrapbooks and gardens.

    The tight 3-minute opener took a delightful turn when O’Connor addressed fans pitching him to play Alfredo Linguini in a live-action remake of Walt Disney/Pixar Animation’s beloved Ratatouille (a film he has espoused affection for more than once) and chief creative officer Pete Docter’s subsequent rebuke of such a project. “Do you know how it feels to be publicly rejected from a job I didn’t even want? For the record, I don’t even want a live-action Ratatouille,” he said, before eventually interrupting his own thoughts to pivot: “Sorry, sorry, for what it’s worth: I would kill as Linguini.”

    Unfortunately, similar to the (albeit heartwarming) tale between a restaurant garbage boy and Remy the rat, O’Connor — much like Linguini — was stuck playing second fiddle tonight on SNL, puppeted to and fro from sketch to sketch that sidelined his comedic talents. The late-night mainstay struggled to bottle up O’Connor’s distinct whimsical charms (ones showcased in Emma and The Mastermind, for example) via skits that didn’t play to his strengths as a deft performer, and often didn’t know how to utilize him entirely.

    In early sketch “Let’s Find Love,” O’Connor is a boyish dating show contestant who, when presented with three potential romantic partners in a blind format, is almost immediately upstaged by an 84-year-old, scooter-riding Ashley Padilla, whose blatant disregard of reality TV (and social) norms gets big laughs early on, but eventually peters out due to repetitiveness.

    Similar problems abound in a later sketch concerning deleted scenes from The Wizard of Oz, which features Dorothy (Sarah Sherman), the Wizard (Bowen Yang) and her ragtag group (Andrew Dismukes as the Scarecrow, Kenan Thompson as the Cowardly Lion and O’Connor as the Tin Man). When Thompson’s Lion is revealed to have wished for a “big ole thing” rather than bravery, the other two male characters hop on the bandwagon to wish for the same thing. Not only is O’Connor given a few middling lines, but the skit itself can only go so far as a dick joke can carry you. (As the naughty refrain goes, it’s not the size that matters, but how you use it; in this case, not the content of the sketch, but how it’s executed.)

    Meanwhile, the night’s closing brunch sketch didn’t feature O’Connor until the latter half; playing an awkward and intruding dad whose presence is clearly unwelcome, the sketch careens through a cast of characters who take turns breaking the fourth wall via song to comment on the “quite strange” nature of their outing. It is as overstuffed as Veronika Slowikowska’s character finds Chloe Fineman’s to be, after the latter character commits a mathematical faux pas by grabbing an extra slice of flatbread.

    In one solid, pre-taped sketch spoofing Spotify’s beloved wrapped playlist, O’Connor doesn’t show up at all. Perhaps this was a scheduling conflict, and certainly, not every host has been in every sketch, but it does seem to be a glaring oversight to not include O’Connor in one of the best of the night.

    The strongest outing of the night was, without a doubt, “Bachelorette Party Strippers,” with Ben Marshall and O’Connor as the “most sensitive strippers in all of the Catskills.” With A Little Life in tow, beanies hanging loosely on their perfectly rumpled heads and multiple layers of clothing, the sketch’s golden moments include a lo-fi version of Ginuwine’s “Pony” and line readings of “You are enough” and “You have to forgive yourself,” all of which gets Padilla’s bride-to-be more than hot and bothered — though the real steamy will-they-won’t-they is found in the undeclared romance between Marshall and O’Connor’s Augie and Remington.

    And while SNL opted for resurrections this episode, it did so with varying levels of success. Another run at Yang’s Dr. Please character, first originated triumphantly during Ryan Gosling’s hosting stint last year, fizzled out quickly: O’Connor portrays an intern with little to do, especially as Padilla’s repartee with the doctor upstages everything else (“Doctor, your car…” she begins, “Was towed?” Yang asks. “No, was left at the scene of a crime,” she answers. “Just like I left it,” he concludes.) There was also round two of Mikey Day and Streeter Seidell’s animated short, “Brad and His Dad,” first introduced during Nikki Glaser’s run earlier this season, the holiday-themed No. 2 installment of which felt like little more than filler tonight.

    As for Weekend Update, there were decent jabs at President Donald Trump (“In a new interview, President Trump said that Venezuelan President Nicolás Maduro’s ‘days are numbered.’ As opposed to Trump, whose days are lettered,” co-anchor Colin Jost quipped, as the screen flashed with the image of a weekly pill organizer. “Trump also said that the proposed merger between Netflix and Warner Bros. Discovery ‘could be a problem,’ adding ‘Bribe!’ In response, Netflix is offering Trump one night with the [KPop] Demon Hunters.”

    But perhaps the best aspect of Update was the return of Jane Wickline’s offbeat keyboard ditties. Addressing the “greatest threat to humanity right now” via song, Wickline’s ode initially presented as a foreboding warning against AI, before the track abruptly switched gears to discuss the child stars of Stranger Things. With lines like “They’re adults, we have to destroy them before they destroy everything / AI is just a distraction / The real threat here is Sadie Sink and her child co-stars on Stranger Things,” “Stranger Things is ending / They’ll have so much free time / What if they grow self aware / We need to keep them occupied / They’ll mobilize their followers, 60 million followers / We need to keep them occupied” and “Finn Wolfhard is the devil to me / The six of them are in a room right now preparing to seize the next election / And for these reasons, I stand with Vecna,” Wickline cautions the cast could go by way of Joe Rogan who “used to make people eat bugs [on Fear Factor], and now he’s President of the United States.”

    And, in what has become a bit of trend in recent years at SNL, especially this season, Lily Allen‘s second performance — the West End Girl single “Madeline” — featured a surprise appearance by Dakota Johnson, who was revealed to be the woman performing the spoken lines in the song, hidden behind a sheer curtain. The Materialists star made her grand entrance as Allen wrapped up the track, greeting the musician with a hug and kiss on the cheek.

    Natalie Oganesyan

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  • 12 Leadership Lessons From Lorne Michaels 

    As the producer of Saturday Night Live, Lorne Michaels brings serious leadership skills to a deeply unserious business. It’s how he’s kept SNL running for 50 years, through countless competitive threats, technological and cultural shifts, and bodily injuries.  

    As the CEO of a successful software development and consulting firm, I’ve spent my career building creative, high-performing teams, not unlike the ones Lorne assembles every season. His philosophies have helped shape how I lead at Sketch Development: balancing structure and spontaneity, nurturing talent, and finding the funny (or at least the human) in the chaos of business.

    Here are 12 Lorneisms you can take from him to help your business survive your greatest challenge, whether it’s AI, looming tariffs, or the next unknown concern. 

    1. “We don’t go on because it’s perfect. We go on because it’s 11:30.” 

    Over each season, SNL releases a brand-new hour of never-before-seen television every single week. You can achieve something similar at your business. We prefer two-week iterations. 

    Ship regularly, without waiting until it’s polished. Don’t build your processes around achieving perfection, or even around efficiency. Build workflows that prioritize regular checkpoints for value inspection. 

    2. “Organize loosely. You never know what will come up.” 

    Any time you document something so thoroughly that you create rigidity around it, you’re boxing yourself into a corner. Look at what’s protected in your organization, especially if it’s limiting you. Slaughter any sacred cows that are standing in the way of opportunity or productivity

    3. “Do it in sunshine.” 

    When Lorne catches a whiff of negativity or hatred in a writer’s sketch, he tells the writer to imagine they’re working in perfect sunshine. 

    The same goes for your team. Operating from a place of joy and enthusiasm will shine through in your service quality. Instead of assuming your users are idiots, assume the best of your customers, and choose to make things easier for them anyway. 

    4. “Sunshine is the best disinfectant.” 

    The second sunshine-related lesson from the Tao of Lorne is all about transparency. To solve a problem, expose it to the light of day and get a proper look at it. You won’t fix it in secret. 

    5. “The dress rehearsal has to be bad before the show can be good.” 

    As crazy as it sounds, give your people room not to shine. People need permission to be bad before they can become good. Having room to experience failure, to learn what it feels like and to learn from it, helps people understand what they need to change. 

    The same goes for your products. Launch fast, then iterate often. 

    6. Avoid “premise overload.” 

    The writers at SNL are talented, creative people. They have big ideas, but sometimes they try to disguise a saga as a comedy sketch. But you can’t cram 18 different things into a single sketch. 

    Learn to slice vertically, make small releases, and maximize the amount of work not done. Releasing 18 simple product enhancements is easier, faster, and better than trying to do them all at once. 

    7. “Listen for when the music changes.” 

    This is one of Lorne’s pet expressions. He’s constantly attuned to the voice of his customers and the cultural zeitgeist. In late night comedy, David Letterman’s Midwestern, “aw shucks” charm changed the music after the counterculture mentality that prevailed in the ‘70s. It changed again in the ‘00s with the proliferation of social networking platforms, and in the ‘10s and ‘20s as social justice movements took the spotlight. 

    If you’re guiding a product or a business, you have to keep your finger on the pulse, too. When the music changes, don’t keep pulling the same dance moves. For example, our music changed when AI started solving productivity problems and the Agile Manifesto fell out of vogue.  

    8. “If I have to read It, the answer Is no.” 

    One of Lorne’s colleagues asked him to read a script for a movie he was planning to direct. Lorne refused, repeatedly. If the writer couldn’t make his case without Lorne diving into the full script, the idea wasn’t ready for the big screen.  

    As a leader, don’t get mired in the details too early in the process. The case should be obvious when an idea is good. 

    9. “Producers should be invisible.” 

    As Harry S. Truman said, “It is amazing what you can accomplish if you do not care who gets the credit.” 

    Lorne lives by this axiom. Tina Fey tells a story about Lorne pulling an Inception-level mind trick on her when she had the Weekend Update desk to herself after Jimmy Fallon left the show. Lorne didn’t mandate another co-anchor, he simply suggested that Amy Poehler would be an interesting choice, then reassured Fey that the decision was all hers. The rest is SNL history. 

    10. “You’re not given the job. You take the job.” 

    It’s not a leader’s place to lay everything out for their employees. The leader sets an intention or a desired outcome, but isn’t necessarily responsible for defining how to get there.  

    Get the right people involved, give them the support they need, and remove obstacles from their path. Then trust them to get the job done as they see fit, and don’t punish them for veering outside of their lanes along the way. 

    11. “Remember Podunk!” 

    Celebrities can become so deeply entrenched in the cultures of New York and Los Angeles that they forget their shows air in all 50 states. When they do, Lorne reminds them to remember Podunk. It’s a backhanded way to point out there’s a broad range of tastes – and audience needs – across the whole country. The same goes for your customer base. 

    This curse of knowledge can plague leaders and product managers in any industry. You might become so insulated in the community around you that you forget about the broader ecosystem. Don’t lose your connection to the diverse array of experiences and responsibilities for which you’re responsible. 

    12 – Overproduce to be ready.

    Come up with more ideas than you need. At SNL, this means pitching 100 fresh ideas every week, even though only 10 might make it to air. Ideas are tested, and more get weeded out at various stages throughout the week. 

    Overproduction and an experimental mindset will always yield better outcomes than assuming you know exactly which ideas are best. This means reframing how we think about waste. It’s not a bad thing to be avoided. It’s a byproduct you can mine for value. 

    Leading Like Lorne 

    Under Lorne’s guidance, SNL has survived cable, the internet, and streaming services, not to mention Mad TV, SCTV, and In Living Color. If you take a page from his book, your business can become just as nimble and resilient. 

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

    The final deadline for the 2026 Inc. Regionals Awards is Friday, December 12, at 11:59 p.m. PT. Apply now.

    John Krewson

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  • Actor and comedian Tim Meadows beyond the screen

    Actor and comedian Tim Meadows, one of the stars of the new CBS comedy “DMV,” sits down with Dana Jacobson to discuss his decades-long career and his life beyond comedy.

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  • Chevy Chase Addresses His SNL Exit 5 Decades Later

    Nearly fifty years after his short time on Saturday Night Live, Chevy Chase addresses his exit from the show in the upcoming CNN documentary, I’m Chevy Chase And You’re Not. The trailer also hints at reflecting on the fame he gained from the success of his later work.

    Chevy Chase talks about leaving Saturday Night Live in new documentary

    Veteran actor Chevy Chase reflects on his decision to leave SNL in the new CNN documentary, I’m Chevy Chase And You’re Not. He said that it was a “mistake to leave SNL.”

    Not much else has been revealed in the trailer on the subject, aside from the fact that the documentary will air on New Year’s Day. It also features interviews from other celebrities like Martin Short, Lorne Michaels, Beverly D’Angelo, and more.

    Chase was one of the original cast members when Saturday Night Live debuted in 1975. At the time, the show was titled NBC’s Saturday Night. He starred alongside an ensemble cast that included Dan Aykroyd, John Belushi, Gilda Radner, George Coe, and others.

    He quickly became the breakout star of the show thanks to his Weekend Update segment and went on to work as both a writer and a performer.

    In 1976, a year later, the Caddyshack star decided to leave SNL after his girlfriend, Jacqueline Carlin, expressed no desire to move to New York. He left the show and relocated to Los Angeles, where the two later married.

    Despite his short stint on the show, his work earned him two Primetime Emmy awards in 1976. During its 1976–1977 second season, SNL replaced him with Bill Murray. Nonetheless, Chase remained connected to the show as a recurring guest host until 1999. After departing from the series, the actor continued to garner massive stardom with movies like Caddyshack and National Lampoon’s Vacation.

    Harsha Panduranga

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  • ‘Dementia Dome’: Trump got roasted on SNL again, and the audience laughed so hard, you’d think they’d forgotten his ‘tremendous success’ | The Mary Sue

    Saturday Night Live has never shied away from making jokes about political matters. With Donald Trump as the President of the United States, the show has had a seemingly endless supply of material to satirise in recent months.

    With the continuous developments at the White House, Saturday Night Live has been heavily focused on US politics, particularly Trump’s bizarre and unbelievable antics. While most of SNL’s criticisms of Donald Trump have been coming through skits, some have been more direct. For instance, a video from the show featuring Weekend Update hosts Colin Jost and Michael Che is currently going viral on social media. In the video, Jost and Che are humorously trolling President Donald Trump while reporting on the latest updates from the White House. They cover a wide range of topics, from the end of the government shutdown to the release of Epstein emails that reveal shocking information about Trump, to the reintroduction of SNAP benefits, and Trump’s recent appearance at a Washington Commanders game (where he got severely booed). A notable moment, however, from the segment is when Jost jokes about Trump’s suggestion to the Washington Commanders to name their new stadium after him, saying:

    “So, say hello to the Dementia Dome.”

    For those who have been keeping a close watch on Donald Trump during his second term as President of the United States, the reference will be clear, unless they are MAGA supporters, who are often blind to their leader’s shortcomings. For those who aren’t aware, in the past couple of months, Donald Trump has been doing and saying a lot of things publicly, which have led many to believe that he suffers from cognitive impairment. On multiple occasions, he has boasted about taking cognitive tests and acing them, but recently, he described one of the tests he took, and people have pointed out that it resembles the test taken by individuals to detect dementia, prompting many to believe that Trump has been diagnosed with the same.

    Have a tip we should know? [email protected]

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    Sanchari Ghosh

    Sanchari Ghosh is a political writer for The Mary Sue who enjoys keeping up with what’s going on in the world and sometimes reminding everyone what they should be talking about. She’s been around for a few years, but still gets excited whenever she disentangles a complicated story. When she’s not writing, she’s likely sleeping, eating, daydreaming, or just hanging out with friends. Politics is her passion, but so is an amazing nap.

    Sanchari Ghosh

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  • ‘Saturday Night Live’ Just Nailed the Problem With AI Products

    The cast of “Saturday Night Live” is coming for the sometimes absurd world of AI-generated video.

    A skit from the show’s Nov. 15 episode poked fun at the technology’s penchant for some pretty strange glitches. It featured four grandchildren, played by cast members Chloe Fineman, Sarah Sherman, Marcello Hernández and Tommy Brennan, visiting grandmother Ashley Padilla in a nursing home on Thanksgiving. The children tell their grandmother that they uploaded some of her photos to an app that will bring them to life by turning them into short videos. (Apps like MyHeritage‘s Deep Nostalgia and AliveMoment already offer these types of capabilities. OpenAI’s Sora 2 on the other hand generates video from text prompts and allows users to insert their own likeness.)

    The AI animation begins innocently enough with Glen Powell, who is portraying the woman’s deceased father, smiling and waving—but things quickly escalate. In the next photo, Powell poses with Padilla’s mother next to a barbecue. She takes a drag off of her hotdog, while Powell throws the family dog, which has two tails and no head, on the grill.

    “There’s probably just too much going on in the picture and the AI got confused,” Sherman explains to the distraught grandmother.

    They move on to a photo with Powell and a family friend, played by Mikey Day, posing in a bowling alley. The bowling balls float out of frame, Powell whips out a wad of cash, and Day pulls down his pants to expose a “Ken doll crotch.” The episode culminates with the grandchildren saying they have one last “special” photograph that shows the grandmother’s parents grinning down at her, swaddled in a blanket.

    “Maybe we don’t bring this one to life. It’s just so nice the way it is,” Padilla implores. But Hernández insists, arguing it costs “10 credits just to upload it to the app.”

    The mother emerges from behind a bench as a disembodied torso, while Powell tears the swaddled infant in half and plays her like an accordion. A pantsless Day crashes in on the scene before a nuclear bomb goes off in the back. The cast bites back laughter as they promise they’ll return to visit their grandmother for Christmas.

    Although exaggerated, the skit is making fun of some very common problems with AI. With AI video generation in particular, the results can be dramatic or just plain weird. One big issue is hallucination, which refers to when AI models generate false information—this can include fabricated data from a chatbot or too many fingers on a hand in an AI video.

    But even in the short time that AI-powered video generation apps have been made available to the public, the quality has made some serious strides, which can lead to problems of its own. The issue is prompting concern from watchdogs. 

    Earlier this month, nonprofit nonprofit Public Citizen penned a letter to OpenAI demanding the withdrawal of its text to video app, Sora 2, arguing it does not contain enough safeguards and poses a “potential threat to democracy,” as well as to the privacy of individuals, The Los Angeles Times reported. Outlets like Futurism and 404 Media have also tracked a flood of hateful, misogynistic and violent content onto social media since AI video apps went mainstream.

    Give the video a watch, below:

    Chloe Aiello

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  • Timothée Chalamet and Adam Sandler Unite for ‘Vanity Fair’ Scene Selection Live

    After watching a scene from Dune: Part Two, Chalamet revealed he had only wrapped filming Part Three of the series four days before. “It’s moving for me that something as out there as Dune has taken a personal resonance for me,” said Chalamet. “I’m tearing up watching that scene. I’ve grown up through those movies.” The film, set to be released at the end of next year, marks the conclusion of the Denis Villeneuve-directed trilogy.

    After watching SNL’s “The Herlihy Boy House-Sitting Service” sketch, Sandler spoke about his relationship with his late friend Chris Farley. “He was by far the funniest dude on the planet,” said Sandler. “Every comedian, it was unanimous that we all said he was the funniest. There was no competition.” Before they taping an episode of SNL, Sandler said that Farley would joke with him backstage that he was going to get him to break—a big no-no for Lorne Michaels.

    Courtesy of Netflix.

    Both actors spoke highly of working with Safdie. Josh and his brother Benny directed Sandler in Uncut Gems, pushing the actor outside his comfort zone. “I’d be scared to do some shit and feel like I couldn’t do it,” said Sandler. “Or I’d feel foolish, or maybe I don’t want to be seen like that. But I just dove in.” Chalamet said he had a similar experience making Marty Supreme. “Josh gave me this opportunity where I feel empowered to be something I would almost be wary of being in this day and age, which is to be openly aspirational. I feel ike the goal of my life is to focus on this acting thing, the way Marty Mauser is locked in on ping pong.”

    The night ended in a surprise two-on-two basketball game, with Sandler and Chalamet taking on two students from the crowd. The actors sparred, but ultimately lost 3-1 while the fans cheered them on. Kid Cudi, who appeared earlier this year in Sandler’s Happy Gilmore 2, and Josh Safdie both attended the conversation as well, with Chalamet giving Cudi a shout-out as one of his major inspirations. The two actors greeted fans after the basketball game as guests left the gymnasium to head back out into the rain. The full video of Sandler and Chalamet’s conversation will be posted in December.

    John Ross

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  • Adam Sandler will receive AARP’s Movies for Grownups career achievement award, his second AARP prize

    Adam Sandler will be the next recipient of AARP’s Movies for Grownups career achievement award, the group said Tuesday.And maybe this time, the actor will wait for his signal.When Sandler won the group’s best actor prize in 2020 for”Uncut Gems,” he rushed to the stage too fast — before host Conan O’Brien had time to sing his praises. O’Brien made comic hay of the moment, sending the sheepish actor back to his seat with instructions to await “a signal.”From his “Saturday Night Live” roots to beloved comedies like “Billy Madison” (1995) and the cult classic “Happy Gilmore” (1996) to dramas like “Punch-Drunk Love” (2002) and his high-energy turn in “Uncut Gems” (2019), Sandler, 59, has displayed an ever-growing range.This summer, he reprised “Happy Gilmore” on Netflix, and in November, he will appear alongside George Clooney in Noah Baumbach’s “Jay Kelly.”Winner of the 2023 Mark Twain Prize for American Humor, Sandler “is one of Hollywood’s most enduring and ever-evolving stars, whose talents resonate across generations,” the AARP said in a statement on Tuesday.Myechia Minter-Jordan, the group’s CEO, called the actor “a Hollywood legend whose remarkable career has set a new standard for comedic storytelling, captivating audiences across generations.”Adam’s enduring success, his ability to reinvent himself, inspire laughter, and move us through dramatic performances is a testament to the power of creativity at every age,” Minter-Jordan said.AARP launched the Movies for Grownups initiative in 2002 to advocate for audiences over 50, fight ageism in Hollywood and promote movies “for grownups, by grownups.”Actor Alan Cumming will host the ceremony in Beverly Hills on Jan. 10, to be broadcast by “Great Performances” on PBS in February.

    Adam Sandler will be the next recipient of AARP’s Movies for Grownups career achievement award, the group said Tuesday.

    And maybe this time, the actor will wait for his signal.

    When Sandler won the group’s best actor prize in 2020 for”Uncut Gems,” he rushed to the stage too fast — before host Conan O’Brien had time to sing his praises. O’Brien made comic hay of the moment, sending the sheepish actor back to his seat with instructions to await “a signal.”

    From his “Saturday Night Live” roots to beloved comedies like “Billy Madison” (1995) and the cult classic “Happy Gilmore” (1996) to dramas like “Punch-Drunk Love” (2002) and his high-energy turn in “Uncut Gems” (2019), Sandler, 59, has displayed an ever-growing range.

    This summer, he reprised “Happy Gilmore” on Netflix, and in November, he will appear alongside George Clooney in Noah Baumbach’s “Jay Kelly.”

    Winner of the 2023 Mark Twain Prize for American Humor, Sandler “is one of Hollywood’s most enduring and ever-evolving stars, whose talents resonate across generations,” the AARP said in a statement on Tuesday.

    Myechia Minter-Jordan, the group’s CEO, called the actor “a Hollywood legend whose remarkable career has set a new standard for comedic storytelling, captivating audiences across generations.

    “Adam’s enduring success, his ability to reinvent himself, inspire laughter, and move us through dramatic performances is a testament to the power of creativity at every age,” Minter-Jordan said.

    AARP launched the Movies for Grownups initiative in 2002 to advocate for audiences over 50, fight ageism in Hollywood and promote movies “for grownups, by grownups.”

    Actor Alan Cumming will host the ceremony in Beverly Hills on Jan. 10, to be broadcast by “Great Performances” on PBS in February.

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  • Is Ashley Padilla Saturday Night Live’s New Breakout Star?

    To see this in action, look no further than Padilla’s first big moment this season: when she anchored the “Parent Teacher Conference” sketch during the Bad Bunny–hosted premiere on October 4. Padilla milked major laughs as an awkward principal who was desperately attracted to Bad Bunny’s single father. She had a brief but memorable turn as Amy Klobuchar during the cold open of Amy Poehler’s episode on October 11, which earned a shout-out from the senator herself on X, and followed that up with a starring role as an office worker who accidentally let one rip in “Surprise,” from Sabrina Carpenter’s October 18 episode. Even when fumbling a line about laughing out of her butt, Padilla was funny enough that costars like Fineman and featured player Ben Marshall were visibly struggling not to break character.

    Clearly, the show’s writing staff feels similarly. After the first three episodes of season 51, SNL superfan and data analyst Mike Murray—who hosts the SNL by the Numbers podcast—ranked Padilla, based on her screen time and the number of sketches in which she appeared, as number three on his SNL power list, placing her just after Sherman and Weekend Update cohost Colin Jost. According to Murray, Padilla logged the most screen time of any cast member during Carpenter’s episode, with 13 minutes and 45 seconds on air—a single-episode total that Murray claims beats the career highs of Nwodim, Gardner, Fineman, and Melissa Villaseñor.

    Perhaps Padilla is rising so quickly due to a talent vacuum on the show. Before season 51, SNL lost two of its biggest female stars in Gardner and Nwodim; of its 17 current cast members, only two full repertory players are women—Sherman and Fineman. As it stands, women make up only 30% of SNL’s cast. And given the lack of female talent, all five of SNL’s women have been given more to do.

    Especially Padilla. On the November 1 episode, hosted by Miles Teller, Padilla once again popped up in multiple sketches and had a breakout moment with a Weekend Update bit, “Two People Who Just Hooked Up Discuss the Government Shutdown.” The extended riff cast Padilla and frequent scene partner Andrew Dismukes as newly besotted lovers, highlighting her brand of naturalistic, grounded comedy peppered with unexpectedly broad line readings.

    Chris Murphy

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  • The Idea Developed While Stoned Is Paying Off

    From whimsical thought to success, the idea developed while stoned is paying off with major sponsorship.

    Sometimes those “what if?” ideas starting mid-sesh actually turn into something brilliant. As an example, the idea developed while stoned is paying off for there buddies. Just ask Pete Davidson and Colin Jost. What began as a hazy, half-joking idea while consuming cannabis — to buy an old Staten Island Ferry — has now become one of the best “high-deas” to ever float into reality.

    Back in 2022, Davidson and his pal Colin Jost impulsively bought a decommissioned Staten Island ferry for $280,000. At the time, even their Saturday Night Live castmates weren’t sure if it was a punchline or a midlife crisis in motion. Davidson himself admitted it wasn’t exactly a sober moment of inspiration. “It was definitely one of those ideas that seemed genius at the time,” he joked later.

    RELATED: Immersive Events Redefine Millennial Nights

    But here’s the twist: the offbeat purchase just turned into a marketing goldmine. The ferry — once destined for scrap — is now being transformed into a floating entertainment venue. And in the latest proof this high-idea turned high-value, Nike just inked a deal to advertise on it. Yes, Nike. The global sports giant saw enough cool factor (and cultural relevance) in Davidson’s drifting dream to climb aboard.

    In fiscal year 2025 (ended May 31, 2025), Nike spent $4.689 billion on marketing, which they refer to as “demand creation expense”. In fiscal year 2024, the amount spent was $4.285 billion. 

    It’s a perfect example of how cannabis-fueled creativity can sometimes spark surprisingly good business instincts. The old ferry, now renamed the Titanic 2 (because of course it is), is set to host comedy shows, concerts, and exclusive events — think floating SNL energy with a downtown edge. Davidson and Jost’s offbeat vision could soon be New York’s most unlikely hotspot.

    RELATED: The Connection Between Country Music And Cannabis

    And while the move might have seemed reckless, it reflects something larger happening in pop culture: the normalization of cannabis and its creative influence. For decades, cannabis users were dismissed as lazy or unrealistic. Yet some of today’s best ideas — from tech startups to entertainment ventures — have emerged from relaxed, imaginative brainstorming sessions.

    Pete Davidson’s ferry adventure proves that not every “stoned idea” sinks. Some actually sail — and make money while doing it.

    Anthony Washington

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  • The Property Brothers Help Trump Remodel the White House With a Budget ‘Between $350 Million and Infinity’ on ‘SNL’


    Host Miles Teller portrayed both Jonathan and Drew Scott – the Property Brothers from the show of the same name – as the twins showed up at the White House to help Donald Trump remodel the White House on “Saturday Night Live.”

    Americans have been aghast at watching Trump demolish the East Wing to build a ballroom, and the skit managed to work in ICE, the movie theater demolition, Melania’s decorating style and Trump’s thirst for a third term.

    “This week, we’re taking on our biggest challenge yet — building the new White House ballroom,” announced Teller. “Donald and Melania moved into this house nine years ago. They were evicted for four years, but they moved back in. Donald has a strong eye for interior design.”

    “I put these gold urns everywhere,” Trump says.

    “Like a hundred in every room. That makes me happy. It’s very important to be happy these days. Really dark stuff happening in the world. Some of it is me.And here’s a crown I just got from my trip to Asia. Nothing says democracy like a crown, right?,” says James Austin Johnson as President Trump.

    Teller then takes a tour of the White House with the Trumps, commenting on Melania’s taste. “She’s got a style all her own. I love these Halloween decorations you put up.”

    “Those are for Christmas,” deadpans Melania, played by Chloe Fineman.

    “The Trumps have already made a few subtle changes to the house,” Teller explains.

    “Donald put a painting of himself as a soldier from ‘Halo,’” Melania points out.

    Melania explains that the remodeling is taking place because the house is “only 55,000 square feet” and they need a ballroom, because “Donald, he loves to dance.”

    “I’m a terrific dancer. Terrific dancer. Just ask your eyes. Right?,” says Trump.

    The Property Brothers said they asked Donald what his budget was and he said “Between $350 million and infinity.”

    Trump then tells the brothers he wants to construct a ring for MMA fights and proposes hosting “bum fights.” “Official ones but also casual fights in the backyard, you know what I’m talking about? Two mentally ill guys just whaling on each other. Do bum fights again. Remember bum fights? We love bum fights!,” Trump exclaims.

    “It will be ready just in time for my third term. We want this to be our forever home. Because we’re not leaving. We’re going to be doing something called coup,” says Trump

    As they end their White House tour, Teller says, “I guess the only thing left is the payment for the construction.”

    “Aren’t you guys from Canada? Trump asks, yelling “ICE!” as agents storm the room. “There goes ICE. We like them. Spooky, very spooky. It’s a very spooky secret police thing.”

    “‘The Property Brothers.’ Only on HGTV and Truth Social,” the announcer concludes.

    Watch the full segment below:

    Pat Saperstein

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  • Twin Miles Tellers Spoof ‘Property Brothers’ Tackling Trump’s White House East Wing Demolition & New Ballroom In Pre-Taped ‘SNL’ Sketch

    Miles Teller pulled double-duty (in a way) by portraying twin brothers Jonathan and Drew Scott in a pre-taped Saturday Night Live sketch spoofing the Canadian reality TV series Property Brothers. This time, the two real estate property developers field their “biggest challenge yet” — the gargantuan task of having President Donald Trump (James Austin Johnson) as a client and being tasked with building the White House ballroom.

    But as the siblings attempt to navigate Trump’s increasingly difficult and outlandish requests, they must also deal with the simmering tension and resentment they feel toward each other.

    The two begin by touring the premises, noting ironically that Trump has a “strong eye for interior design,” which the GOP leader attributes to his affinity for gauche golden urns, which he puts “everywhere, like a hundred in every room.”

    While complimenting Melania Trump’s (Chloe Fineman) Halloween decorations of dead trees, skeletons and other spooky fixtures, the First Lady responds sardonically, “Those are for Christmas.”

    Other changes include Trump replacing a portrait of former POTUS FDR with a painting of himself as a soldier from Halo. Meanwhile, upcoming renovation requests include turning the Rose Garden grounds into what looks like “outdoor seating for an Olive Garden,” supplemented by a budget “between $350 million and infinity.”

    As the two brothers recall with an uneasy laugh, when asking Trump if he needs a permit, he apparently laughed and told them: “I could build this ballroom with the bones of my enemies, and no one could stop me.”

    For his inspiration, Trump points to a mood board that includes, among other images, photos of Russian President Vladimir Putin and Star Wars‘ powerful gangster Jabba the Hutt.

    Other reno plans include installing an MMA ring for “two mentally ill guys just wailing on each other … we love bum fights,” Trump says.

    After Trump responds to a text with a gif of the White House exploding, the brothers can commence with the East Wing demolition. However, due to the government shutdown, the duo had to “force Park Rangers and astronauts” to carry out the operation. After hitting a snag because all construction workers had been deported, Johnson’s Trump reflects, “I pulled up to the Home Depot parking lot and yelled, ‘Just give me the whites!’ I want the day laborers from Norway and Sweden, but, apparently, they don’t exist.”

    “We want this to be our forever home,” Melania says after Trump says he’s preparing for a third term. He then adds, “Yes, because we’re not leaving. We’re gonna be doing something called ‘coup!’”

    As the sketch concludes, the brothers ask for payment, at which point Trump responds with calling ICE on them, given that the sibling duo originates from Canada.

    Watch it above.

    Natalie Oganesyan

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  • Legendary ‘SNL’ Writer Jim Downey Finally Steps Out of the Shadows

    Perhaps the best example of over-explaining the thing that doesn’t need to be explained is “First Citywide Change Bank,” which you star in.

    Yeah. [Laughs.] It’s also not a service that needs a whole organizational arrangement. People can generally handle it by themselves.

    You and Norm MacDonald famously did Weekend Update together. What was your first impression of Norm?

    Adam Sandler knocks on my door and goes, “I want you to see this guy. He’s so funny, he scares the shit out of me. He’s, like, the funniest person I’ve seen in years.” I instantly agreed. At the time, he was writing for Roseanne. And I don’t think Roseanne [Barr] wanted to lose him. But when he said it was a chance for him to perform, she gave him her blessing.

    Within a month, he came on as a writer and featured player. He did a couple things that were on Update in the 1993-1994 season. He did an Andy Rooney piece that was one of the bravest pieces of comedy, where he’s going, “This is a letter that comes from Toledo, Ohio. This is a letter that comes from Denver, Colorado.” He didn’t care about the fact that half the audience was going to be completely bewildered.

    During this time, Don Ohlmeyer had joined the network and was very aggressive about giving notes. And one of his edicts was that Kevin Nealon had to go as Update anchor. Kevin was a great favorite of mine and all the writers, and we felt it was the writing of the segment that was the issue. It wasn’t Kevin’s fault. I went out to one of my first and only meetings where I had to listen to network notes, in ’94, and Ohlmeyer said, “Nealon’s gone. Who’s going to replace him?” So there was a discussion. I thought Norm would be the best to do it. I remember at the meeting a network executive went out of his way to talk about his objections to the show that year. He said, “I don’t know if any of you saw this guy Norm MacDonald doing Andy Rooney, and he’s just reading addresses off envelopes.“ It was like, “Please don’t tell me you’re bringing that guy back.” And I said, “Well, funnily enough, we were on the subject of who should do Update, and I think Norm MacDonald.” And the executive did a cartoon-like take, pretending that’s the strangest thing he ever heard.

    Andrew Buss

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  • Domingo Channels His Inner Showgirl

    The life of a Domingo girl consists of a lot of vacations and secret rendezvous. Kelsey (Chloe Fineman) must have a lot of miles saved up. For the cold open sketch on October 18, Saturday Night Live brought back Domingo (Marcello Hernandez) for a 30th birthday party celebrating Matthew (Andrew Dismukes), and as always, it ends in another hookup uncovered. Kelsey’s besties (Sabrina Carpenter, Sarah Sherman, Ashley Padilla, and Veronika Slowikowska) sing a revealing version of Taylor Swift’s “The Fate of Ophelia” about their trip to Nashville to find a “really good gift for Matthew.” Which, in Kelsey’s world, means a “hoodie from Hudson News” and cheating.

    After a transition to Lady Gaga’s “Abracadabra,” Domingo finally arrives — he lives close by after all. He’s here to give Matthew the perfect gift: lower self-esteem and a reminder that he is having sex with his wife. “Kelsey, we got a noise complaint. We shook the whole hotel, noise complaint,” Domingo and the gals sing to the tune of Alex Warren’s “Ordinary,” which is the antithesis of this trio’s strange dynamic.

    Alejandra Gularte

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