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Tag: Sam Gilliam

  • Theaster Gates Will Help Guide an Expanding Forman Arts Initiative

    Theaster Gates Will Help Guide an Expanding Forman Arts Initiative

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    Artist Theaster Gates is partnering with Forman Arts Initiative. Holger Hollemann/picture alliance via Getty Image

    Theaster Gates, the American artist known for his wide-ranging social practice, sculptures and installations, will use his expertise in community cultural programming to help guide a new project from the Philadelphia-based Forman Arts Initiative (FAI) in a new multi-year partnership. The organization, founded in 2021 by art collectors Michael Forman and Jennifer Rice, has acquired nearly an entire block in Philadelphia’s East Kensington neighborhood that FAI plans to transform into an arts center complete with a gallery and an emphasis on community activation.

    Gates will work FAI’s director Adjoa Jones de Almeida, the Brooklyn Museum’s former deputy director of learning and social education, to shape the renovation and programming of the new campus. Located across three buildings and two lots, the 100,000-square-foot site will open gradually over the next two years. “This collaboration with Adjoa—who also comes from an art and community engagement background—gives us both an opportunity to build on the lessons we’ve learned from our previous respective experiences, and to develop a unique model for what a community-grounded, globally-relevant art space can look like,” said Gates in a statement.

    View of empty building with white wallsView of empty building with white walls
    An interior view of one of the FAI campus buildings. Photo: Isabel Kokko/Courtesy Forman Arts Initiative

    Gates has pursued similar projects in the past. Through his Rebuild Foundation, the artist has spent years acquiring abandoned properties across Chicago and turning them into creative community centers for an initiative known as the Dorchester Projects, often using scrap materials to create new artwork that generates additional funds for the project. In 2021, the Rebuild Foundation partnered up with Prada to create the Dorchester Industries Experimental Lab, a Chicago-based three-year incubator emphasizing designers of color. There’s also Gates’ 2016 acquisition of the city’s shuttered St. Laurence Elementary School, which is set to transform into an arts incubator complete with studios, classrooms and labs.

    SEE ALSO: Matisse, Maillol and One Ebullient Evening: Inside MoMA’s 2024 Party in the Garden

    This won’t be the first time the artist has worked with FAI, which helped fund his 2022 installation Monument in Waiting at Drexel University and counts works by the artist among its collection. “Since meeting Theaster over seven years ago, Michael and I have been continually impressed by his expansive exploration of history, especially Black and Brown history, through social practice, performance, land art, and exquisitely crafted sculptures,” said Rice in a statement.

    What is FAI’s place in Philadelphia’s art scene?

    FAI’s current initiatives include its grantmaking program Art Works in partnership with the Philadelphia Foundation, which will distribute $3 million in funding over five years to community artists and organizations across Greater Philadelphia. As of last year, the organization partnered up with Mural Works to establish Public Works, a residency program that places artists with government agencies to develop artwork. FAI’s star consultants include board members like artist Rashid Johnson and expert advisors like Adam Pendleton and Jessica Morgan of Dia Art Foundation.

    Three people stand atop staircase in empty room.Three people stand atop staircase in empty room.
    Adjoa Jones de Almeida, Michael Forman and Jennifer Rice at an event celebrating the new campus. Photo: Isabel Kokko/Courtesy Forman Arts Initiative

    FAI’s new campus will include a gallery space to showcase the private art collection of Forman and Rice. Artists including Cecily Brown, Cindy Sherman, Sam Gilliam, Mark Bradford, Alma Thomas, Romare Bearden, Gordon Parks, Kerry James Marshall and Lorna Simpson are represented in the holdings, alongside Philadelphia-based artists like Roberto Lugo and Alex da Corte. Operating as a nontraditional gallery, the artworks will be utilized in rotating exhibitions, public programs and partnerships with schools and youth development organizations.

    Outdoor spaces and community engagement rooms at FAI’s new site will open later this year, followed by a larger programmatic space and gallery in 2026. Renovations will begin this summer, with campus design aided by architectural firms DIGSAU and Ian Smith Design Group. Meanwhile, the organization will speak with residents, leaders and activists across West Kensington and Philadelphia for input on how to utilize additional spaces to best meet the needs of local communities.

    “Since its founding, collaboration and dialogue with Philadelphia’s diverse communities have been central to how FAI supports the city’s cultural landscape, and those are the principles that will guide the vision for what this campus will become,” said Jones de Almeida in a statement. “We understand that through this dynamic collaboration with Theaster along with the rich network of artists and communities already engaged with FAI, we have the potential to create something really unique for Philadelphia.”

    Theaster Gates Will Help Guide an Expanding Forman Arts Initiative

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    Alexandra Tremayne-Pengelly

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  • Beyond Frieze: An Insider’s Guide to What’s On in the Los Angeles Art Scene

    Beyond Frieze: An Insider’s Guide to What’s On in the Los Angeles Art Scene

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    Frieze L.A. in 2023. Photo by River Callaway/WWD via Getty Images

    Los Angeles continues to solidify its place as a cultural hub, attracting prominent artists, museums and New York-based galleries drawn in by its gravitational pull—not to mention Southern California’s enviable climate and relaxed atmosphere. While L.A.’s art scene has experienced pivotal bursts of growth and evolution, the changes happening now are setting a different tone and pace with some art experts referring to this period as the Los Angeles’ golden era of art. What’s beyond doubt is that the city has firmly staked its position as a destination for art aficionados, boasting headline-grabbing gallery and museum exhibitions, revered art fairs and a coordinated push to keep highlighting talented, historically under-represented artists.

    The Obvious Must-See: Frieze L.A.

    If you’re currently in Los Angeles, you don’t want to miss this standout March art fair. Inspired by the acclaimed annual Frieze Art Fair in London, Frieze L.A. now draws gallerists and collectors from far and wide who come to see the vibrant artwork and attend the associated cultural events that enliven this city. This year, Frieze Los Angeles will take place from February 29 through March 3 at the Santa Monica Airport, which will host 95 gallery showcases.

    One must-see booth is Sean Kelly Gallery’s solo presentation of L.A.-based conceptual artist Awol Erizku (stand A18). Erizku confronts traditional Eurocentric interpretations of beauty, tapping into varied inspirations ranging from Ancient Egypt to hip-hop, using mediums such as neon work, photographs, lightbox and silkscreen with an accompanying musical playlist. Visitors should also look for the site-specific artworks dotting the fair and inspired by the unique history of Santa Monica Airport, where Hollywood set designers in the early 1940s created an entire mock suburb to camouflage WWII operations. These pieces are part of The Art Production Fund’s “Set Seen” exhibition.

    Other L.A. art happenings worth checking out

    A stylized painting of a blonde woman in a white bathing suit in front of a red backgroundA stylized painting of a blonde woman in a white bathing suit in front of a red background
    ‘Coca Cola Girl 1’ (2019). Lococo Fine Art Publishing

    First, head across town to Felix Art Fair—another must-see Los Angeles art fair, which runs concurrently with Frieze. This unique fair, located in the iconic Hollywood Roosevelt Hotel, ingeniously fills guest rooms with artwork from galleries both well-known and emerging, creating an exciting, Spring Break atmosphere. Some exhibition rooms open right onto the pool, making the fair not only a great Hollywood hangout but also a true breath of fresh air. Felix’s set-up always introduces me to new and exciting artists, which is why it’s an event I attend every year.

    Next on my must-see list is this month’s debut of Destination Crenshaw, an open-air museum that spans more than a mile and celebrates Black artists with connections to L.A., where you can see pieces by Kehinde Wiley, Artis Lane, Maren Hassinger and others.

    Beyond that are two gallery exhibitions that visitors and L.A. natives and transplants should make time to see.

    David Kordansky Gallery presents Sam Gilliam’s “The Last Five Years

    This exhibition celebrates trailblazing artist Sam Gilliam with three bodies of work from his last five years: watercolors, drapes and tondos. To me, Gilliam’s drapes (made from washi, a handmade Japanese paper soaked in both watercolor and acrylic paint) embody the genius in material experimentation that cemented his name in the art world. The vibrant yet translucent drapes are pleasantly haunting, suspended from the ceiling, they immerse us in his art.

    Marian Goodman Gallery presents Tavares Strachan’s “Magnificent Darkness

    From groundbreaking, MacArthur Prize-winning artist Tavares Strachan, this six-environment show is epic in size and scope, with site-specific work that utilizes mediums including ceramic, bronze, marble, hair, painting, neon and sound. The newly built Seward Gallery space has been transformed: a vast clay earthen floor challenges visitors’ expectations and contextualizes life-sized ceramic sculptures depicting notable African American figures and themes of aspiration and hidden histories.

    Rounding out my list of must-see art in L.A. is the Getty Center’s new exhibition, “First Came a Friendship: Sidney B. Felsen and the Artists at Gemini G.E.L.” For those fascinated with the relationships between artists and their processes, this exhibition delivers context and celebrates the art world’s seminal late-20th-century pioneers as well as prominent 21st-century artists.

    Finally, make time to stop by Santa Monica’s iconic Shutters on the Beach hotel. Perched on the Pacific coast, the resort invited me to curate an art collection that would blend the novel with the familiar. I selected pieces that evoked an upbeat, relaxed, oceanside vibe, including Ellsworth Kelly’s celebrated leaves (Cyclamen II, Cyclamen IV and Camellia III), John Baldessari’s depiction of fish (Blueberry Soup, and Carrot Soup) and David Hockney’s whimsical land and seascapes—many of which are readily viewable while dining or relaxing at the hotel.

    My most recent acquisition for the resort is Coca Cola Girl 1 by pop artist Alex Katz, a nostalgic lithograph hung in the lobby area, a stone’s throw away from Claes Oldenburg’s Slicing Strawberry Shortcake—an etching of a large slice of strawberry-topped cake leisurely floating down a river. Feel free to get in touch with me, as for a limited time during Frieze, I’ll be giving private tours of the property’s collection as part of the resort’s Culture on the Coast package.

    Art Los Angeles Contemporary Reception At The Home Of Gail And Stanley HollanderArt Los Angeles Contemporary Reception At The Home Of Gail And Stanley Hollander
    Art advisor Cynthia Greenwald (l.) and Alex Couri at the Art Los Angeles Contemporary Reception at the home of Gail and Stanley Hollander. Photo by Jesse Grant/WireImage

    Beyond Frieze: An Insider’s Guide to What’s On in the Los Angeles Art Scene

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    Cynthia Greenwald

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