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  • Filming Christmas in July? How Hollywood strikes hit holiday movie-making here – National | Globalnews.ca

    Filming Christmas in July? How Hollywood strikes hit holiday movie-making here – National | Globalnews.ca

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    It’s a classic holiday film tale: small towns, snowflakes and star-crossed lovers.

    But this year’s queue of beloved holiday movies may be considerably smaller due to the worldwide shut-down of productions caused by current Hollywood writers’ and actors’ strikes.

    Glitch SPFX is an Ottawa-based special effects company responsible for simulating most of the artificial snow in holiday films produced in the province in the last five years — the majority of those films for American studios and networks.

    Now, Glitch SPFX founder Ben Belanger said the company is completely out of work.

    “It went from us working on literally three films at the same time in June … and then it was the writers’ strike that seemed like it was going to be nice and short.”

    “But now with the actors’ strike jumping on top of that, it makes things a little more uncertain,” Belanger told Global News in an interview, referring to the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and Writers Guild of America (WGA) strikes.

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    Click to play video: 'Canadian impact of the SAG/AFTRA strike'


    Canadian impact of the SAG/AFTRA strike


    Glitch has been in business for 10 years, but Belanger said the last five have been especially lucrative due to deals with American networks such as the Hallmark Channel, known for pumping out some of the most talked about holiday films each year.

    Many of those films have been produced in Canada, with small-town locations in Ontario and British Columbia as well as the nation’s capital Ottawa flourishing with business the past few years.

    But due to the strikes this year, the number of holiday films produced in Canada for Hallmark and similar networks will be greatly reduced, experts say — not because of the crews, but actors.

    1Development Entertainment Services is an Ottawa-based production company with a focus on holiday, made-for-TV movies. Like Glitch, almost all of the studio’s projects are in collaboration with American unions and networks due to having a larger market and audience size.

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    Founder of 1Development, Shane Boucher, said it’s a big deal for networks to have at least one American star in a holiday film. That’s why many companies will likely choose to wait out the actors’ strike instead of working on new projects with an entirely Canadian cast.

    “The SAG requirement is usually pretty high. There’s either a level of a Hallmark-known star … that’s going to help drive the viewership, or it’s just an American star that has a really high social media presence. Normally they’re higher than some of your top-level Canadians just because of the reach and the audience.”

    Canadian studios will typically opt to hire domestic crews for tax credit purposes, which is more cost-effective.


    Picketers carry signs outside Netflix studios on Thursday in Los Angeles. The strike by actors comes more than two months after screenwriters began striking in their bid to get better pay and working conditions.


    AP Photo/Chris Pizzello

    Boucher said 1Development will not be one of the companies waiting out the strike and will work with networks to develop their own intellectual property (IP) in the meantime.

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    “We’re usually busy servicing production, so that’s kind of the silver lining. It gives us an opportunity,” he said.

    Boucher said his goal has always been to grow the film industry in Ottawa since joining 20 years ago. Since work with American unions and networks is currently off the board, he’ll be focusing on smaller projects to fill the gaps.

    “My job over the next few weeks to a month is to … work on getting some sort of projects so that we can keep everybody working … regardless of where it comes from.”

    ACTRA Toronto executive director Alistair Hepburn said there is a small chance that some holiday film productions will be able to secure an American actor.

    SAG-AFTRA is working on an agreement in which independent producers — those not affiliated with the Alliance of Motion Picture and Television Producers (AMPTP) — will be able to engage the services of a SAG member through a waiver system for the duration of the strike.

    “That may be something that we see maybe even more of because they will be filling that gap,” Hepburn said in an interview with Global News.

    Hepburn noted that even if Canadian productions are able to hire SAG-AFTRA actors, those projects cannot be distributed by AMPTP companies, such as Netflix or Disney. Instead, independent producers can sell their project’s wares to unaffiliated networks like Hallmark.

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    “That is a very clear direction from SAG,” he said.


    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    Belanger said that he’s fortunate to feel financially secure enough during Glitch’s uncertainty, but that he worries about many of his employees.

    “I’m more worried about the guys whose pay cheques I sign. The guys that work for me are looking for whatever other income they can get right now.”

    Belanger said that what his company is currently experiencing is similar to the strain felt in the industry due to the COVID-19 pandemic, which also saw an industry-wide shut-down. A number of Glitch employees left at the time to supplement their income elsewhere, and not all returned.

    However, Belanger said many of his staff are enjoying having a break. Though the holidays are still some time away, the summer season is typically the busiest for filming.

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    “It’s a bit of an abnormality. They don’t seem to be too worried about it, but we also don’t know when we’re coming back,” he said.

    SAG-AFTRA is entering its second week of striking. Hepburn said that he doesn’t know how long the strikes will go on and that doesn’t see a resolution coming soon.

    “This is going to have an impact for months, absolutely months,” Hepburn said. “On not just performance, but the entire industry as a whole.”

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Naomi Barghiel

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  • Director Jon M. Chu Shares Update On ‘Wicked’, Reveals ‘We Were So Close’ To Finishing Before SAG-ACTRA Strike Halted Production

    Director Jon M. Chu Shares Update On ‘Wicked’, Reveals ‘We Were So Close’ To Finishing Before SAG-ACTRA Strike Halted Production

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    By Brent Furdyk.

    Director Jon M. Chu is sharing an update on the long-awaited film adaptation of beloved Broadway musical “Wicked”.

    In a tweet he issued on Wednesday, Chu revealed that production was nearly completed when everything came to a screeching halt when SAG-ACTRA went on strike.

    “Not done yet,” Chu wrote. 


    READ MORE:
    ‘Wicked: Part Two’ Pushes Up Release Date To Thanksgiving

    “Just paused until the strike is over and we can finish the last pieces of the movie,” he continued.

    “We were only a few days away from being done so we were SO close,” he added. 

    “It’s been very painful to put a halt to it all but we will be back! And we will finish properly strong when the time is right. My heart goes out to our cast and crew who were cut short of what we came here to complete together. More to come but in the meantime I’m excited to excavate what we have shot for the past year here in Oz (release date shouldn’t be affected) . It has been an extraordinary adventure… more to do. #WickedMovie.”

    The musical is being adapted into two films, “Wicked Part One” and “Wicked Part Two”.

    The strike will likely affect the scheduled premiere dates; “Part One” was scheduled to hit theatres on Dec. 25, 2024, with “Part Two” to follow in Dec. 25, 2025.

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    Brent Furdyk

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  • Why the Hollywood strike is already ‘a big deal’ for Canada’s film industry – National | Globalnews.ca

    Why the Hollywood strike is already ‘a big deal’ for Canada’s film industry – National | Globalnews.ca

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    The strain of Hollywood’s actors’ and writers’ strikes is being felt in productions all around the world, and film industry insiders say Canada is far from exempt.

    Due to long-established industry ties to American unions and networks, most film and television productions in Canada have come to a screeching halt. Alistair Hepburn, executive director of ACTRA Toronto, says productions began slowing down in spring when rumours of the Writers Guild of America (WGA) strike began.

    “Some shows that were scheduled to come (to Canada) never even started. With this now, adding our siblings at SAG-AFTRA to the picket lines, we will absolutely see an impact,” Hepburn said to Global News in an interview, referring to the Screen Actors Guild-American Federation of Television and Radio Artists.

    “There won’t be new shows recorded over the summer in time for a fall premiere.”

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    Summer is typically the film industry’s most lucrative season across the board, he said, but this year will be “relatively slow.”

    A lot of Canadian productions work with American studios and SAG-AFTRA actors, but just under half of the work done in provinces like Ontario is domestic, which includes shows like Murdoch Mysteries and Run the Burbs.

    “It’s all of those shows that are filmed here using Canadian talent, Canadian writers, Canadian directors, Canadian crews to do the work. Those shows continue,” Hepburn explained.


    Click to play video: 'Impact of Hollywood strike on Canada’s film industry'


    Impact of Hollywood strike on Canada’s film industry


    SAG-AFTRA is also working on an agreement where independent Canadian producers – not affiliated with the Alliance of Motion Picture and Television Producers (AMPTP) – will be able to engage the services of a SAG member through a waiver system for the duration of the strike.

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    Independent Canadian producers will have access to actors who are dual card holders as well, meaning they have both a SAG-AFTRA and ACTRA membership.

    “We’ve been in constant contact with our colleagues at SAG-AFTRA and they are assuring us that they’re not looking to do harm to our industry,” Hepburn said.

    Hepburn says he doesn’t know how long the strikes will go on and doesn’t see a resolution coming soon.

    “This is going to have an impact for months, absolutely months on not just performance, but the entire industry as a whole.”

    Hepburn emphasized that it’s not just performers that will be affected by the production drought. Directors, technicians, caterers and Mom-and-Pop hardware stores will feel the strain too.

    “In Ontario, it’s 35,000 full-time equivalent jobs in the film industry. The trickle-down effect is real,” Hepburn said.

    Shane Boucher, who is the founder of an Ottawa-based studio called 1Development Entertainment Services, says this is the first July in the industry where he hasn’t worked.

    “It’s really an industry-wide shutdown. It’s a big deal,” Boucher said in an interview with Global News.

    1Development is a service company, meaning they service other parent companies or networks. Almost all of the TV movies the company works with are American.

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    Click to play video: 'Implications of Hollywood strikes on Canadian Film Industry'


    Implications of Hollywood strikes on Canadian Film Industry


    Boucher says business started as usual at the start of the year with approximately 16 productions lined up. When rumours of the WGA strike started, Boucher found himself scrambling to finish as many films as possible by June. Now, he doesn’t have any projects in production.

    Many productions gained buzz when it was announced they were set to film in Canada this summer, including the first season of Cruel Intentions, filmed in Toronto.

    Stefan Steen, a producer on the show by Amazon, says production has stopped until the strike ends.

    “It’s completely devastating to the local film industry. Everyone currently filming U.S. productions has had to stop and all local crews are immediately out of work. Most get one week’s additional pay but that’s it,” Steen said in an email to Global News.

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    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    Creative B.C., a program in British Columbia that supports the provinces’ creative sector, said in a statement on their website that they are “watching the situation closely” and “respect the process and all parties.”

    “In our role as the economic development organization for motion picture in B.C., together with our local industry partners, we are concerned for the workforce, companies, industry, and people,” the group said.

    “The industry is evolving rapidly, business models have changed, and addressing these changes is part of a necessary industry business cycle.”

    Hepburn says anyone who wants to support the strike can vote with their wallets.

    “It’s time to cancel your streaming account. That’s ultimately what is going to force the hand here. It’s going to be about financial hardships on the AMPTP companies,” he said.

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    “There needs to be action taken by the public.”

    Hepburn also says he hopes other countries will show solidarity in what performers are fighting for.

    “SAG’s fight is everybody’s fight,” he said. “It’s a righteous fight on behalf of performers worldwide.”

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Naomi Barghiel

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  • Canadian cinemas preparing for fallout of Hollywood strikes  – National | Globalnews.ca

    Canadian cinemas preparing for fallout of Hollywood strikes  – National | Globalnews.ca

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    Canadian movie theatre owners say they’re nervously watching for developments in dual Hollywood strikes and plan to show more classics, cult favourites and live events if the labour disruptions stretch on.

    The owners are expecting striking stars represented by the Screen Actors Guild-American Federation of Television and Radio Artists, and talent backed by the Writers Guild of America, to be on the picket lines for months as they seek better wages and protections from artificial intelligence.

    The strikes, which immediately stopped the production and promotion of films and television shows, stand to slow down the flow of content as studios and distributors run out of movies completed before the strike to release.

    “I am absolutely petrified about it,” said Jeff Knoll, chief executive of Film.ca Cinemas, an Oakville, Ont. theatre.

    “We barely survived the pandemic…and we are quite nervous about what the future is going to hold with all that’s going on in Hollywood right now.”

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    This week alone, Knoll’s theatre has scheduled screenings of “Mission: Impossible _ Dead Reckoning Part One” and “Indiana Jones and the Dial of Destiny,” along with the hotly-anticipated “Barbie” and “Oppenheimer.”

    Knoll, however, fears that flow of Hollywood fare moviegoers have waited months, if not years, to see could ease up soon.

    “There’s no question that if the strike drags out, (studios) are going to have to either start spreading out their content or simply postponing it until a point in the future when they anticipate the strike will be over,” he said.


    Click to play video: 'Hollywood’s actors’ strike being felt in Montreal’s film industry'


    Hollywood’s actors’ strike being felt in Montreal’s film industry


    Even if they don’t switch up their release schedules, Knoll thinks theatres will be hit hard by a lack of promotion around films.

    The strikes are preventing stars from walking red carpets, participating in press junkets and interviews and taping new marketing materials.

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    The cast of “Oppenheimer,” for example, walked out of their premiere in solidarity with striking workers last week, while Disney sent Mickey and Minnie Mouse, Maleficent and Cruella de Vil down the “Haunted Mansion” red carpet in lieu of stars Tiffany Haddish, Danny DeVito and Rosario Dawson over the weekend.

    Knoll also suspects “Mission: Impossible _ Dead Reckoning Part One” had a rough ride at the box office because of the strikes.

    “It didn’t perform the way it was supposed to perform over the weekend and it could very well be because there wasn’t as much publicity with the stars, particularly Tom Cruise, leading up to opening day.”

    If films do slow down, Knoll said he will toy with bringing in more Canadian fare and movies from parts of the globe not as impacted by the strike. Bollywood films and screenings of hits like “Harry Potter” could also factor into Film.ca’s schedule.


    Click to play video: 'Implications of Hollywood strikes on Canadian Film Industry'


    Implications of Hollywood strikes on Canadian Film Industry


    Corinne Lea, the chief executive of the Rio Theatre in Vancouver, also plans to get crafty with programming, but said it’s nothing new for indie theatres.

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    Before the strikes, the Rio had to wait between three and six months to screen some films Cineplex, the country’s biggest cinema chain, had for months.

    As a result, the Rio often screened new films months after they were released and relied on a rotation of previously released fare, burlesque and drag shows and Canadian hits.

    Its July calendar shows “Star Wars” screenings, a “Grease” singalong and Jean-Luc Godard’s 1965 New Wave drama “Pierrot le Fou.” Hundreds of people show up to its classic screenings of hits like “the Rocky Horror Picture Show,” Lea added.

    “We’re used to not being able to get current content,” she said.

    “This strike is going to hurt Cineplex actually more than it’ll hurt us because all the theatres that actually rely on current content are the ones that are going to have a problem. But because we’ve been denied access to it for so long, we’ve become these like creative shape shifters.”“


    Click to play video: 'Hollywood strike hits local workers and economy in Toronto'


    Hollywood strike hits local workers and economy in Toronto


    In May, when the 11,5000 film and television writers represented by the Writers Guild of America walked off the job, Cineplex chief executive Ellis Jacob didn’t expect the strike to have a material impact on its business.

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    Network TV and streamers, whose content is completed shortly before it is released, tend to feel the brunt of such strikes, not theatres, he reasoned.

    “I always say to people yes, it will impact us, but it’ll take a long time to impact us,” Jacob later told The Canadian Press in an interview.

    “We’re talking three years from now because a lot of the movies are already in process of being produced.”

    In an email, a Cineplex spokesperson said, “Like everyone in the industry, we hope that SAG-AFTRA and the WGA can come to a quick resolution with the AMPTP.”

    As for Knoll and Lea, they are anxiously awaiting any new developments in the strike.

    “It’s definitely one that we’re all keeping an eye on,” Lea said.

    “I think everyone is nervous.”

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  • Why celebrities are on strike: Not every actor makes Tom Cruise money | CNN Business

    Why celebrities are on strike: Not every actor makes Tom Cruise money | CNN Business

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    CNN
     — 

    On Friday, the SAG-AFTRA, a union representing about 160,000 Hollywood actors, officially went on strike after failing to reach a deal with Hollywood’s biggest studios.

    That means Hollywood actors and writers are on strike simultaneously for the first time in more than 60 years, bringing most film and television productions to a halt.

    Among other demands, actors on strike are calling for increased pay and a rethinking of residuals, which union members say has significantly diminished amid the rise of streaming services. Residuals are financial compensation paid out to actors whenever TV shows or movies they’ve appeared in are replayed.

    Here are some significant numbers:

    The union’s 160,000 members join the 11,000 Writers Guild of America members who have been striking since May.

    While many of the world’s highest-paid celebrities, including Meryl Streep and Matt Damon, have voiced their support for the strike, the concerns about higher pay and residuals affect thousands of actors who perform in hundreds of films and TV shows.

    SAG-AFTRA’s president, Fran Drescher, pushed back on the notion that all actors are wealthy, saying that a vast majority “are just working people just trying to make a living just trying to pay their rent, just trying to put food on the table and get their kids off to school.”

    “Everything that you watch, that you enjoy, that you’re entertained by are scenes filled with people that are not making the big money,” she added.

    That’s how much the US Bureau of Labor Statistics reported as the average pay for California actors in 2022. However, the BLS noted in the data that actors aren’t paid full-time year-round due to the nature of the job.

    Before the contract between actors and movie studios officially expired this week, SAG-AFTRA members had negotiated specific minimum rates for performers. For example, an actor who worked on a television show for one week was paid a minimum of $3,756.

    However, Kellee Stewart, an actress who has performed for more than 20 years and has appeared on the television series “All American” and “Black-ish,” noted that performers traditionally don’t get to take home the number that appears as their rate.

    “You don’t get to keep it all when you get a paycheck,” she said.

    “You have to pay taxes, plus commissions. For me, that would include an agent, a manager, and a lawyer that negotiates your deals. Right away, when you’re giving a quote for what you’re going to get paid, you already know that’s really going to be 35% less, give or take,” she added.

    Dwayne “The Rock” Johnson was the highest paid actor of 2022, raking in $270 million, according to Forbes’ list of highest paid entertainers. Johnson received hefty paydays from his roles in “Jungle Cruise” and “Red Notice,” but, according to Forbes, the majority of his earned income in 2022 came from his tequila brand, Teremana.

    Tom Cruise made headlines last year for reportedly making $100 million from his deal to star in “Top Gun: Maverick,” for which he received a cut of ticket sales, according to Variety.

    On CBS’ Face the Nation Sunday, IAC Chairman Barry Diller called on both top-paid actors and movie executives to take 25% pay cuts.

    “You have the actors union saying, ‘How dare these 10 people who run these companies earn all this money and won’t pay us?’ While, if you look at it on the other side, the top 10 actors get paid more than the top 10 executives,” Diller said. “I’m not saying either is right. Actually, everybody’s probably overpaid at the top end.”

    The minimum amount of money a performer must take home in one year to qualify for health insurance is $26,470.

    However, while well-known actors are paid millions of dollars to star in movies and TV shows, many members of SAG-AFTRA don’t bring in enough income each year to meet the union’s minimum requirement.

    According to Shaan Sharma, an actor and SAG-AFTRA board member, just 12.7% of SAG-AFTRA members qualify for the union’s health plan.

    Actor Rod McLachlan, who has appeared in television shows such as “Blue Bloods,” said it’s “a constant struggle” to meet the health insurance threshold.

    “If you think about it, $26,000 isn’t a middle-class wage,” he said.

    “The thing about the life of an actor is that you have good years and bad years,” he added.

    Due to the unpredictable nature of TV acting and the competitive nature of landing roles, actors traditionally rely on residual payments, paid out when films or movies are replayed, as a form of steady income when work is hard to come by.

    “If you were in a popular episode of a popular show, the income streams could last for quite some time. You have almost 18 months on one level or another where you are receiving income that was significant enough to help you until the next time you did a network show,” McLachlan said.

    Actors say that the calculation around residuals has changed. As more shows and movies have moved to streaming services, where it isn’t always clear how often content is replayed, actors say they’re making significantly less money.

    Striking writers and actors take part in a rally outside Paramount studios in Los Angeles on Friday, July 14, 2023. This marks the first day actors formally joined the picket lines, more than two months after screenwriters began striking in their bid to get better pay and working conditions.

    “The residuals that I get when it’s on network television versus what I would get on Netflix are night and day,” Stewart said.

    On Twitter, Stewart shared a screengrab of 5 residual payments totaling 13 cents from replays on streaming services.

    “There’s not just a difference between traditional residual television and streaming; they’re not even in the same conversation,” she told CNN.

    On Thursday, Disney CEO Bob Iger said striking actors’ and writers’ demands are “just not realistic.”

    “They are adding to a set of challenges that this business is already facing, that is quite frankly, very disruptive,” he told CNBC.

    When Iger rejoined Disney as CEO in November 2022, he agreed to an annual base salary of $1 million with a potential annual bonus of $2 million dollars. The agreement also includes stock awards from Disney totaling $25 million.

    On Wednesday, Iger agreed to remain in his post as CEO of Disney through 2026 while the company’s board searches for a successor. In his new agreement, Iger is now eligible for a bonus of up to $5 million, according to a company filing, meaning his total pay may reach $31 million per year.

    Walt Disney Studios is part of The Alliance of Motion Picture and Television Producers (AMPTP), the trade group that negotiates with currently striking writers and actors. Other major movie studios, such as Paramount Pictures and Sony Pictures, along with streaming services like Netflix and Apple TV+ are members, as well. Warner Bros. Discovery, CNN’s parent company, is also a member.

    Netflix’s co-CEOs Ted Sarandos and Greg Peters made $50 million and $28 million respectively in 2022, according to a company filing.

    In a statement to CNN, the AMPTP said they were “deeply disappointed” with the union’s decision to strike.

    “Rather than continuing to negotiate, SAG-AFTRA has put us on a course that will deepen the financial hardship for thousands who depend on the industry for their livelihoods,” the AMPTP said.

    SAG-AFTRA did not respond to CNN’s request for comment.

    The potential economic impact of the combined writers’ and actors’ strike could cause $4 billion or more in damage, Kevin Klowden, the chief global strategist for the economic think tank, the Milken Institute, told CNN.

    Klowden said the double strike, which has brought Hollywood projects to a grinding halt, may affect more than just the US economy.

    “London and the UK, Australia, New Zealand, and other places, which either have studios or even do post-production, will face a real impact,” he said.

    – CNN’s Natasha Chen contributed reporting to this story

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  • Sean Gunn Reveals He & The Cast ‘See Almost None Of The Revenue’ From ‘Gilmore Girls’ Streaming Success

    Sean Gunn Reveals He & The Cast ‘See Almost None Of The Revenue’ From ‘Gilmore Girls’ Streaming Success

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    By Brent Furdyk.

    Sean Gunn, who played Stars Hollow’s eccentric wannabe filmmaker Kirk on “Gilmore Girls”, is among the actors who hit the picket lines on Friday after SAG-AFTRA voted to strike.

    Interviewed by The Hollywood Reporter, Gunn — who’s the brother of DC Studios’ co-head James Gunn — discussed the issues at stake for actors, and cited Netflix’s acquisition of “Gilmore Girls” as an example of what he characterizes as unfair compensation for actors.

    According to Gunn, he “particularly wanted to come out and protest Netflix” because he believes he and other actors who appeared in “Gilmore Girls” have not been receiving an equitable share of the profits from the show.


    READ MORE:
    George Clooney, Jamie Lee Curtis & More Celebs React To Actors’ Strike As SAG-AFTRA Hits The Picket Lines

    “I was on a television show called ‘Gilmore Girls’ for a long time that has brought in massive profits for Netflix,” he explained. “It has been one of their most popular shows for a very long time, over a decade. It gets streamed over and over and over again, and I see almost none of the revenue that comes into that.”

    As THR pointed out, Gunn and the other actors receive residuals from the show from Warner Bros. Discovery — the studio that produced “Gilmore Girls” and licensed the show to Netflix; however, those residuals remain the same, regardless of how many people stream the series on Netflix.

    Meanwhile, Gunn explained, Netflix co-CEO Ted Sarandos and executive chair Reed Hastings have given “each other bonuses in the tens of millions of dollars” while the compensation given to him and his “Gilmore Girls” co-stars has remained static.


    READ MORE:
    SAG-AFTRA Announces Historic Double Strike As Actors Join Writers On Picket Line

    “I don’t understand why they can’t lessen those bonuses to share the wealth more with the people who have created the content that has gotten them rich,” he said.

    “It really is a travesty. And if the answer is, ‘Well, this is just how business is done, this is just how corporate business works,’ that sucks. That makes you a bad person. And you really need to rethink how you do business and share the wealth with people. Otherwise, this is all going to come crashing down,” he warned.

    Click to View Gallery

    All The Movies & TV Shows Affected As Actors Join Writers On Strike




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    Brent Furdyk

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  • Ron Perlman Slams Studio Execs in NSFW Twitter Rant

    Ron Perlman Slams Studio Execs in NSFW Twitter Rant

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    Newly striking members of SAG-AFTRA, the Hollywood actors union, joined picket lines this week with the already-striking Writers Guild of America, while some, like actor Ron Perlman, protested on Twitter.

    The “Sons of Anarchy” actor didn’t mince words about what he thought of studio executives in the 55-second, expletive-laced video he posted Friday.

    He was especially angry at an unnamed executive quoted in a recent Deadline article who spoke about the weekslong WGA strike and said the studios’ endgame “is to allow things to drag on until union members start losing their apartments and losing their houses.”

    Perlman addressed the unidentified executive in his Twitter rant and pointed out that there are many ways a person can lose their house besides a foreclosure caused by a long strike.

    “Listen to me, motherfucker, there’s a lot of ways to lose your house,” he said. “Some of it is financial, some of it is karma, and some of it is just figuring out who the fuck said that — and we know who said that — and where he fucking lives.”

    Perlman also warned against wishing “that families starve, while you’re making $27 fucking million a year for creating nothing.”

    “Be careful, motherfucker. Be really careful, ’cause that’s the kind of shit that stirs shit up,” he added.

    He then concluded his message with two words: “Peace out.”

    Perlman speaks in the video below:

    The actor struck a chord with his colleagues, many of whom warned fellow Twitter users that crossing the “Hellboy” actor probably isn’t a good idea.

    TV and film writers and actors are on strike over fair pay and working conditions in the streaming era.

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  • Hollywood Actors Threaten To Disfigure Their Gorgeous Faces If Contract Not Reached

    Hollywood Actors Threaten To Disfigure Their Gorgeous Faces If Contract Not Reached

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    LOS ANGELES—Putting down their picket signs and picking up knives, striking SAG-AFTRA members announced Friday that they would disfigure their gorgeous faces if a contract with the Alliance of Motion Picture and Television Producers was not reached by midnight tonight. “Good luck finding your next heartthrob when every last one of us has carved horrific scars into their beautiful symmetrical features!” said Ryan Gosling, one among thousands of Hollywood’s most attractive actors who had agreed to permanently alter their good looks if the studios did not meet them at the bargaining table in good faith. “You think I won’t do it? I’ll fucking do it. Margot Robbie is standing on a diving board above a vat of acid as we speak, and Michael B. Jordan has already sworn he’ll never do another squat. You think anyone’s going to watch season two of The Last Of Us if Pedro Pascal cuts his nose off?” At press time, the trade union’s character actors were reportedly threatening to become gorgeous through cosmetic surgery if a fair contract was not reached.

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  • As SAG strike brings Hollywood to a standstill, which favorite UK-filmed shows could still go ahead? | CNN

    As SAG strike brings Hollywood to a standstill, which favorite UK-filmed shows could still go ahead? | CNN

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    London
    CNN
     — 

    As a host of Hollywood actors join film and TV writers in a strike against major studios and streaming services, filming and production of some popular shows – including “House of the Dragon” and “Industry” – could continue, due to UK strike laws.

    Though British acting union Equity said it would “stand in unwavering solidarity” with Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA), it advised “SAG-AFTRA members currently working under an Equity UK collective bargaining agreement should continue to report to work.”

    This, the 47,000-member union noted, was due to the UK’s “draconian” industrial relations legislation, which it called “a national disgrace” in need of reform.

    A large portion of filming for HBO’s “Game of Thrones” spinoff “House of the Dragon” took place in England, with the show’s base being Leavesden Studios in Watford, near London. HBO announced in April that production had begun on season 2, which is slated for next year.

    Another HBO show, “Industry,” which was renewed for a third season last year, was filmed in London and Cardiff, Wales. In March, Joseph Charlton, writer and consulting producer on “Industry” season 3, told Digital Spy that casting had begun for the season.

    A source with knowledge of the productions confirmed to CNN that both are Equity contract shows.

    HBO, like CNN, is a unit of Warner Bros. Discovery.

    Paul Fleming, General Secretary of Equity, said in a statement: “The regrettable consequence of this framework is that what artists working in the United Kingdom – whether SAG-AFTRA and/or Equity members (or both) – can do, may be different from their comrades in the United States and other parts of the world.”

    SAG-AFTRA, which represents about 160,000 actors, began a strike at midnight Pacific time Friday morning after talks with major studios and streaming services failed. It is the first time its members have stopped work on movie and television productions since 1980, after a final day of negotiations on Wednesday did not produce an agreement.

    Actors are calling for increased pay as well as progress on residuals paid for when films or shows are shown again, particularly on streaming services. They join 11,000 members of the Writers Guild of America, who have been on strike for two months.

    Production of many movies and television shows has already been shut down by the current writers’ strike, and the actors’ strike threatens to bring most remaining productions to a halt, other than on some independent films not associated with studios.

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  • How the Hollywood actors strike may impact Canada’s film, TV industries  | Globalnews.ca

    How the Hollywood actors strike may impact Canada’s film, TV industries | Globalnews.ca

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    Canada’s film and television community is bracing for more job uncertainty amid a Hollywood actors’ strike that observers say has the potential to throw more people out of work, upend TV schedules and dim the wattage of celeb-studded events like the Toronto International Film Festival.

    The decision by the Screen Actors Guild-American Federation of Television and Radio Artists to walk off the job at midnight Thursday sounds the death knell for Canadian sets with SAG stars that survived a Writers Guild of America strike entering its sixth week.

    It also raised questions about the fate of celeb-studded tourist draws including TIFF, set for Sept. 7 to 17, and Fan Expo Canada, set for Aug. 24 to 27.

    TIFF said in an emailed statement that a SAG strike would almost certainly impact its typically star-packed festival, known for fan-friendly red carpets and premieres, as well as A-list studded press conferences and junkets that draw journalists from around the world.

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    “The impact of this strike on the industry and events like ours cannot be denied,” TIFF said moments after SAG announced job action.

    “We urge our partners and colleagues to resume an open dialogue. We will continue planning for this year’s festival with the hope of a swift resolution in the coming weeks.”


    Click to play video: 'Writer shares experience picketing at Paramount Studios during strike'


    Writer shares experience picketing at Paramount Studios during strike


    Asked last week about the potential impact of a SAG strike on Fan Expo Canada, a vice president with Fan Expo HQ dismissed the possibility of no-shows at the genre-focused pop culture event.

    “There will be no impact to the experience we have planned,” Andrew Moyes said in an emailed statement Saturday.

    “We hope all parties affected by this are able to reach an amicable agreement soon.”

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    However, it was not clear Thursday if some SAG members might decide to sit out such events in solidarity, even if their appearance does not involve a studio project affected by the strike, said one Toronto-based SAG member who predicted TIFF would be “a quiet place this year.”

    “I think they’re trying to do a hard no to everything,” Anthony Q. Farrell said of the strike’s intent when it comes to things like Comic-Con and Fan Expo.

    “You definitely can’t go as someone who is trying to market a series, that is a SAG series. But they’re also telling you, if you don’t have to go then don’t go. Let’s cut them in the pockets where it really, really hurts.”


    FILE – Actors and comedians Tina Fey, center, and Fred Armisen, right, join striking members of the Writers Guild of America on the picket line during a rally outside Silvercup Studios, Tuesday May 9, 2023, in New York. Unionized Hollywood actors on the verge of a strike have agreed to allow a last-minute intervention from federal mediators but say they doubt a deal will be reached by a negotiation deadline late Wednesday, July 12, 2023. (AP Photo/Bebeto Matthews, File).


    BM

    The U.S.-based battle is expected to send myriad ripple effects across the border, where more than half of Canadian-set film and TV shoots are U.S. productions that collectively employ tens of thousands of local talent and crew.

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    Farrell said he was happy to see his union stand up to the studios but predicted the move would put more Canadian crew members out of work if their shoot includes a SAG cast member.

    Also a member of the WGA, Farrell hoped the twin strikes would accelerate deals for both unionized actors and screenwriters, and get everyone back to work soon.

    “Things simply are not in a place where they are fair yet,” Farrell said from Winnipeg, where he was speaking to emerging showrunners.

    “I feel like this will hopefully be a good thing for our cause, the WGA. I think we’ll have a strong contingent on the picket line and hopefully we’ll get to a resolution much faster because of it.”

    Canada’s actors union, the Alliance of Canadian Cinema, Television and Radio Artists, which represents 28,000 members across the country, expressed their solidarity with SAG.


    Click to play video: 'What a U.S. writers’ strike means to BC’s film industry?'


    What a U.S. writers’ strike means to BC’s film industry?


    The U.S. dispute with the Alliance of Motion Picture and Television Producers — which represents employers including Disney, Netflix, Amazon and others — has largely centred on compensation, benefits and guarantees around the use of artificial intelligence.

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    “We recognize that their fight is our fight and is for the good of all performers,” ACTRA president Eleanor Noble said in a statement.

    “Together we will continue working to ensure performers are respected and achieve fair compensation for the value we bring to every production.”

    Shaftesbury Films CEO Christina Jennings said a SAG strike would not impact Canadian shows with Canadian casts, such as Shaftesbury’s “Murdoch Mysteries” and “Hudson & Rex,” both currently shooting.

    But she said it could affect future unannounced Canadian projects with a SAG cast.

    “This isn’t a great day but we’re lucky at Shaftesbury that it really has not impacted our business at all right now,” said Jennings.

    “We have a couple of new shows coming and you know, we’re in no urgency, but we will watch this news carefully…. We may have to make adjustments to strategy.”


    Click to play video: 'Hollywood writers strike: Screenwriters join picket lines to fight for fair pay in streaming era'


    Hollywood writers strike: Screenwriters join picket lines to fight for fair pay in streaming era


    At least one Canadian broadcaster acknowledged the chance of derailed fall TV plans, with Citytv noting that if the strike continues, it would delay the return of titles including “Law & Order,” “Chicago Med,” “Chicago Fire” and “Chicago P.D.”

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    Jennings said shifts like that could open opportunities for Canadian shows, believing that homegrown broadcasters would have holes to fill.

    “I already know this from talking with them that they have been really, really looking at their schedules just because of the writers guild strike,” she said.

    “They’re already moving shows. Often Canadian shows are moving up in the schedule because they need them to fill the fall hole.”

    &copy 2023 The Canadian Press

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  • SAG-AFTRA Strike: Studios’ AI Proposal Sounds Like Black Mirror, Right?

    SAG-AFTRA Strike: Studios’ AI Proposal Sounds Like Black Mirror, Right?

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    The world of Black Mirror might feel like a dystopian alternate reality. But Hollywood, it turns out, is a lot closer to becoming an episode of the Netflix anthology series than anyone—except maybe creator Charlie Brooker—could have realized.

    In a press conference announcing SAG-AFTRA’s plans to send its actor members out on strike, the union’s chief negotiator, Duncan Crabtree-Ireland, suggested that if they had accepted the Hollywood studio’s proposal around the use of artificial intelligence, actors could have ended up suffering the same fate as Salma Hayek in the Black Mirror episode “Joan is Awful.”

    The Alliance of Motion Picture and Television Producers, which represents producers, studios, and streamers, said in a statement that it had offered SAG-AFTRA a “groundbreaking AI proposal which protects performers’ digital likenesses, including a requirement for performer’s consent for the creation and use of digital replicas or for digital alterations of a performance.” But Crabtree-Ireland countered, “in that groundbreaking AI proposal, they proposed that our background performers should be able to be scanned, get paid for one day’s pay, and their company should own that scan, their image, their likeness, and to be able to use it for the rest of eternity in any project they want, with no consent and no compensation. If you think that’s a groundbreaking proposal, I suggest you think again.”

    Major spoiler alert for Black Mirror season six: in the twisty episode “Joan is Awful,” viewers learn that the actress on a new show on a service called Streamberry is, in fact, an AI-generated digital likeness of Hayek. (There’s a lot more going on too; just watch it.) Brooker recently told Vanity Fair that the prospect of having your likeness used for storytelling “must be terrifying for the next generation of actors coming up. Are you suddenly going to be competing against all the Golden Age actors that have ever been popular?”

    AI has become a hot-button issue for both actors and writers in their contract negotiations with the AMPTP. “AI’s not going anywhere, not with Silicon Valley desperate for the Next Big Thing,” John Lopez, a member of the Writers Guild of America’s AI working group (an internal committee), wrote for VF. “You can’t put handcuffs on the digital monster after it’s left Dr. Frankenstein’s AI lab.” During its negotiations with the studios, the WGA released a statement explaining that it wanted to prevent AI-generated material from being used as source material, or from writing or rewriting scripts. After writers put down their pens and took to the picket lines, WGA said that the AMPTP rejected its proposal, instead offering “annual meetings to discuss advancements in technology.”

    “Joan is Awful” plays like a comedy, but Brooker isn’t actually laughing. As he told VF, “it’s quite an existential nightmare.”

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  • Fran Drescher responds to criticism about her Italy trip and pic with Kim Kardashian days before SAG strike | CNN

    Fran Drescher responds to criticism about her Italy trip and pic with Kim Kardashian days before SAG strike | CNN

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    CNN
     — 

    Fran Drescher, the president of the SAG-AFTRA union, responded to criticism on Thursday for traveling to Italy to attend Dolce & Gabbana’s Alta Moda festivities this past weekend as her 160,000-member actors’ union faced a deadline to go on strike.

    At a press conference that day – during which Drescher officially announced that the union will go on strike after talks with the Hollywood’s major studios and streamers failed – she was asked about the “optics” of being seen taking a “selfie” with Kim Kardashian at the event in Italy.

    “That wasn’t a selfie,” Drescher said, later adding “I’m a brand ambassador for a fashion company and so is Kim. I had only met Kim seconds before that publicity picture was taken.”

    She added that “it had nothing to do with being at a party having fun – it was absolute work.”

    The “Nanny” star said she left the event at 10:30 at night to go to her hotel room and meet with union negotiators on Zoom, adding that she “worked around the clock in three different time zones.”

    “And if I couldn’t get through to them because I was on a plane, I was texting with them constantly throughout the plane ride,” Drescher said, adding that she had also traveled to Florida to care for her parents – and worked while there, too.

    The photo of Drescher with Kardashian prompted criticism from a number of SAG-AFTRA members, as well as members of the Writer Guild of America, which is already on strike against the studios and streaming services.

    Duncan Crabtree-Ireland, co-chair of SAG-AFTRA, chimed in to defend Drescher on Thursday, saying “Fran was working, which is what our members do,” and that “she was zooming in to our negotiations after work hours, working 18 hours or more a day.”

    SAG-AFTRA’s talks with the Alliance of Motion Pictures and Television Producers (AMPTP), the entity representing the studios and streamers, focused on pay scales and benefits, progress on residuals paid for when films or shows are shown again, particularly on streaming services, as well as protections on the use of artificial intelligence to create characters using actors’ voices or likenesses.

    At Thursday’s news conference, Drescher said the union would not accept changes to their contract that do not match up with the changes happening in the industry.

    “We’re not going to keep doing incremental changes on a contract that no longer honors what is happening right now with this business model that was foisted upon us,” she said, going on to ask, “What are we doing? Moving around furniture on the Titanic? It’s crazy.”

    The SAG-AFTRA strike is set to go into effect at midnight PT Thursday night.

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  • Fran Drescher Lambastes Hollywood Execs In Fiery Strike Announcement: ‘Shame On Them’

    Fran Drescher Lambastes Hollywood Execs In Fiery Strike Announcement: ‘Shame On Them’

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    Fran Drescher, the Screen Actors Guild president, lit into studio executives on Thursday as the union representing some 160,000 Hollywood performers voted to strike in response to failed negotiations.

    The Alliance of Motion Picture and Television Producers (AMPTP) failed to reach an agreement with the guild, known as SAG-AFTRA, despite the union extending negotiations two weeks past their contract expiration on June 30. The Screen Actors Guild’s members have been fighting for equitable wages and working conditions.

    The SAG-AFTRA’s national board agreed to the union negotiating committee’s unanimous recommendation to strike on Thursday. The strike is expected to begin at midnight and involve union members, leadership and staff.

    “We are the victims here. We are being victimized by a very greedy entity,” the iconic TV star said in a blistering speech amid the strike announcement. “I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly, how far apart we are on so many things.”

    Drescher continued: “How they plead poverty that they’re losing money left and right while giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

    Drescher, known for her memorable role in the ’90s sitcom “The Nanny,” referred to executives from Disney, Netflix, Paramount, Sony, Universal and Warner Bros ― all major studios represented by AMPTP. Specifically, Disney CEO Bob Iger found himself in hot water on Thursday for saying the demands of the Hollywood writers and performers were “disruptive” and “not realistic,” while the executive’s salary amounts to up to $27 million a year.

    “The entire business model has been changed by streaming, digital, A.I.,” Drescher said. “This is a moment of history. This is a moment of truth. If we don’t stand tall right now, we are all going to be in trouble. We are all going to be in jeopardy of being replaced by machines and big business who cares more about Wall Street than you and your family.”

    SAG-AFTRA members will join their colleagues in the Writers Guild of America, who have been on strike since May after their contract negotiations with the AMPTP also fell through. Like SAG-AFTRA, Hollywood writers are also sounding the alarm about technology that could be used to replace or further exploit them.

    “We stand solidly behind our union siblings in SAG-AFTRA as they begin their work stoppage,” WGA said in a statement to its members. “The last time both of our unions struck at the same time, actors and writers won landmark provisions that we all continue to benefit from today ― residuals and pension and health funds.”

    Drescher also said Thursday that SAG-AFTRA stands in “unprecedented unity” with its sister guilds, as well as other unions leading the current labor movement.

    “Because at some point, the jig is up,” she said. “You cannot keep being dwindled and marginalized and disrespected and dishonored.”

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  • Hollywood shutdown: SAG-AFTRA, union of 160K actors, votes to strike – National | Globalnews.ca

    Hollywood shutdown: SAG-AFTRA, union of 160K actors, votes to strike – National | Globalnews.ca

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    Leaders of a Hollywood’s actors union voted Thursday to join screenwriters in the first joint strike in more than six decades, shutting down production across the entertainment industry after talks for a new contract with the studios and streaming services broke down.

    Duncan Crabtree-Ireland, executive director of the Screen Actors Guild-American Federation of Radio and Television Artists, said at a news conference that the union leadership voted for the work stoppage hours after their contract expired and talks broke off with the Alliance of Motion Picture and Television Producers representing employers including Disney, Netflix, Amazon and others.

    “A strike is an instrument of last resort,” he said. Union leaders said at a news conference that they voted unanimously for a strike to begin at midnight. Outside Netflix’s Hollywood offices, picketing screenwriters chanted “Pay Your Actors!” immediately after the strike was announced.

    It’s the first strike for actors from film and television shows since 1980. And it’s the first time two major Hollywood unions have been on strike at the same time since 1960, when Ronald Reagan was the actors’ guild president.

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    “Employers make Wall Street and greed their priority and they forget about the essential contributors that make the machine run,” SAG-AFTRA president Fran Drescher said. “Shame on them. They are on the wrong side of history.”

    With a stoppage looming, the premiere of Christopher Nolan’s film Oppenheimer in London was moved up an hour so that the cast could walk the red carpet before the SAG board’s announcement.

    The looming strike also cast a shadow over the upcoming 75th Emmy Awards, whose nominations were announced a day earlier.

    Disney chief Bob Iger warned Thursday that an actors strike would have a “very damaging effect on the whole industry.”

    “This is the worst time in the world to add to that disruption,” Iger said in an appearance on CNBC. “There’s a level of expectation that (SAG-AFTRA and the WGA) have that is just not realistic.”


    Click to play video: 'Hollywood actors to strike, join writers on picket lines in 1st dual walk-off since ’60s'


    Hollywood actors to strike, join writers on picket lines in 1st dual walk-off since ’60s


    An extension of the contract, and negotiations, for nearly two weeks only heightened the hostility between the two groups.

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    Before the talks began June 7, the 65,000 actors who cast ballots voted overwhelmingly union leaders to send them into a strike, as the Writers Guild of America did when their deal expired more than two months ago.

    When the initial deadline approached in late June, more than 1,000 members of the union, including Meryl Streep, Jennifer Lawrence and Bob Odenkirk, added their names to a letter signalling to leaders their willingness to strike.

    The stakes in the negotiations included both base and residual pay, which actors say has been undercut by inflation and the streaming ecosystem, benefits, and the threat of unregulated use of artificial intelligence.

    The group representing the studios, the Alliance of Motion Picture and Television Producers (AMPTP), said earlier it was disappointed by the failure to reach a deal.

    “This is the Union’s choice, not ours. In doing so, it has dismissed our offer of historic pay and residual increases, substantially higher caps on pension and health contributions, audition protections, shortened series option periods, a groundbreaking AI proposal that protects actors’ digital likenesses, and more,” the AMPTP said in a statement.

    The actors’ guild has previously authorized a strike by a nearly 98 per cent margin. With the actors on strike, they will formally join screenwriters on the picket lines outside studios and filming locations in a bid to get better terms from studios and streaming giants like Netflix and Amazon.

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    Members of the Writers Guild of America have been on strike since early May, slowing the production of film and television series on both coasts and in other production centres. Issues in negotiations include the unregulated use of artificial intelligence and the effects on residual pay brought on by the streaming ecosystem that has emerged in recent years. Actors have joined writers on picket lines for weeks in solidarity.

    An actors’ strike would prevent performers from working on sets or promoting their projects.

    Attending a photo event on Wednesday, actor Matt Damon said that while everyone was hoping a strike could be averted, many actors need a fair contract to survive.

    “We ought to protect the people who are kind of on the margins,” Damon told The Associated Press. “And $26,000 a year is what you have to make to get your health insurance. And there are a lot of people whose residual payments are what carry them across that threshold. And if those residual payments dry up, so does their health care. And that’s absolutely unacceptable. We can’t have that. So, we got to figure out something that is fair.”

    The looming strike has cast a shadow over the upcoming 75th Emmys. Nominations were announced Wednesday, and the strike was on the mind of many nominees.

    “People are standing up and saying, ‘This doesn’t really work, and people need to be paid fairly,’” Oscar-winner Jessica Chastain, who was nominated for her first Emmy Award on Wednesday for playing Tammy Wynette in George & Tammy, told the AP.

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    “It is very clear that there are certain streamers that have really kind of changed the way we work and the way that we have worked, and the contracts really haven’t caught up to the innovation that’s happened.”

    “The impact of this strike on the industry and events like ours cannot be denied. We urge our partners and colleagues to resume an open dialogue. We will continue planning for this year’s festival with the hope of a swift resolution in the coming weeks,” said Alejandra Sosa, the director of communications with the Toronto International Film Festival.

    &copy 2023 The Canadian Press

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  • Hollywood actors union set to vote on strike as no deal reached – National | Globalnews.ca

    Hollywood actors union set to vote on strike as no deal reached – National | Globalnews.ca

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    The union representing film and television actors says no deal has been reached with studios and streaming services and its leadership will vote on whether to strike later Thursday.

    The Screen Actors Guild -American Federation of Television and Radio Artists said early Thursday that its decision on whether to join already striking screenwriters will be considered by leadership at a meeting later Thursday.

    If the actors go on strike, it will be the first time since 1960 that actors and writers picket film and television productions.

    The actors’ guild released a statement early Thursday announcing that its deadline for negotiations to conclude had ended without a contract. The statement came hours after this year’s Emmy nominations, recognizing the best work on television, were announced.


    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    “The companies have refused to meaningfully engage on some topics and on others completely stonewalled us. Until they do negotiate in good faith, we cannot begin to reach a deal,” said Fran Drescher, the star of “The Nanny” who is now the actors’ guild president.

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    The group representing the studios, the Alliance of Motion Picture and Television Producers, said it was disappointed by the failure to reach a deal.

    “This is the Union’s choice, not ours. In doing so, it has dismissed our offer of historic pay and residual increases, substantially higher caps on pension and health contributions, audition protections, shortened series option periods, a groundbreaking AI proposal that protects actors’ digital likenesses, and more,” the AMPTP said in a statement.

    It added that instead of continuing to negotiate, “SAG-AFTRA has put us on a course that will deepen the financial hardship for thousands who depend on the industry for their livelihoods.”

    If the actors strike, they will formally join screenwriters on the picket lines outside studios and filming locations in a bid to get better terms from studios and streaming giants like Netflix and Amazon. The actors’ guild has previously authorized a strike by a nearly 98% margin.

    Mem


    Click to play video: 'Writer shares experience picketing at Paramount Studios during strike'


    Writer shares experience picketing at Paramount Studios during strike


    bers of the Writers Guild of America have been on strike since early May, slowing the production of film and television series on both coasts and in production centers like Atlanta.

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    Issues in negotiations include the unregulated use of artificial intelligence and the effects on residual pay brought on by the streaming ecosystem that has emerged in recent years.

    Actors have joined writers on picket lines for weeks in solidarity. An actors’ strike would prevent performers from working on sets or promoting their projects.

    Whether the cast of Christopher Nolan’s film “Oppenheimer” attends Thursday’s London premiere hangs in the balance of whether the actors strike.

    Attending a photo event on Wednesday, star Matt Damon said that while everyone was hoping a strike could be averted, many actors need a fair contract to survive.


    Click to play video: 'Writers strike could affect B.C. productions'


    Writers strike could affect B.C. productions


    “We ought to protect the people who are kind of on the margins,” Damon told The Associated Press. “And 26,000 bucks a year is what you have to make to get your health insurance. And there are a lot of people whose residual payments are what carry them across that threshold. And if those residual payments dry up, so does their health care. And that’s absolutely unacceptable. We can’t have that. So, we got to figure out something that is fair.”

    Story continues below advertisement

    The looming strike has cast a shadow over the upcoming 75th Emmys. Nominations were announced Wednesday, and the strike was on the mind of many nominees.

    “People are standing up and saying, `This doesn’t really work, and people need to be paid fairly,”’ Oscar-winner Jessica Chastain, who was nominated for her first Emmy Award on Wednesday for playing Tammy Wynette in “George & Tammy,” told the AP. “It is very clear that there are certain streamers that have really kind of changed the way we work and the way that we have worked, and the contracts really haven’t caught up to the innovation that’s happened.”

    &copy 2023 The Canadian Press

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  • U.S. actors union agrees to mediation with studios, but keep strike deadline – National | Globalnews.ca

    U.S. actors union agrees to mediation with studios, but keep strike deadline – National | Globalnews.ca

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    Negotiators for the SAG-AFTRA actors union agreed late Tuesday to call in a federal mediator to try to forge a last-minute agreement with Hollywood studios and avoid a second simultaneous strike in the entertainment business.

    The 160,000 members of SAG-AFTRA, Hollywood’s largest union, have authorized a strike if a new labor deal cannot be reached before midnight on Wednesday. The Writers Guild of America has been on strike since early May.

    In a statement late on Tuesday, SAG-AFTRA said it was sticking with the Wednesday deadline and would “exhaust every possible opportunity to make a deal.”

    “However we are not confident that the employers have any intention of bargaining toward an agreement,” the statement said.

    SAG-AFTRA is demanding higher compensation in the streaming TV era plus safeguards around the use of artificial intelligence (AI). A-list stars including Jennifer Lawrence and Meryl Streep have said they are ready to walk off the job if union leaders cannot reach a “transformative deal.”

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    Click to play video: 'Writer shares experience picketing at Paramount Studios during strike'


    Writer shares experience picketing at Paramount Studios during strike


    On Tuesday, SAG-AFTRA said the Alliance of Motion Picture and Television Producers (AMPTP), the group that negotiates on behalf of studios, “has abused our trust and damaged the respect we have for them in this process.”

    The union said studio sources had leaked the request for a mediator to the press before SAG-AFTRA negotiators were informed.

    “We will not be manipulated by this cynical ploy to engineer an extension when the companies have had more than enough time to make a fair deal,” the union said.

    A spokesman for the AMPTP, which represents Walt Disney Co , Netflix Inc and other major studios, did not immediately respond to a request for comment.

    Negotiations were taking place at a difficult time for media companies that are under pressure from Wall Street to make their streaming businesses profitable.

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    Disney, Comcast Corp’s NBCUniversal and Paramount Global each lost hundreds of millions of dollars from streaming in the most recent quarter. The rise of streaming has also eroded television ad revenue as traditional TV audiences shrink.

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  • Actors union agrees to 11th hour mediation effort, but strike still looms | CNN Business

    Actors union agrees to 11th hour mediation effort, but strike still looms | CNN Business

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    New York
    CNN
     — 

    The union representing 160,000 actors said on Tuesday it has agreed to a request from studios and streaming services to meet with federal mediators over contract negotiations but is still prepared to go on strike at 11:59 pm PDT on Wednesday unless a deal is reached.

    “We will not be distracted from negotiating in good faith to secure a fair and just deal by the expiration of our agreement,” said the statement from SAG-AFTRA, the actors union. “We are committed to the negotiating process and will explore and exhaust every possible opportunity to make a deal, however we are not confident that the employers have any intention of bargaining toward an agreement.”

    The union has already granted one extension to its contract, which was originally due to expire on July 1. If they go on strike, they will be joining more than 11,000 members of the Writers Guild of America on picket lines against major studios and streaming services. The writers have been on strike for more than two months.

    There was no comment about the mediation request or its acceptance from the Alliance of Motion Pictures and Television Producers (AMPTP), which is negotiating on behalf of the studios, including Amazon

    (AMZN)
    , Apple

    (AAPL)
    , CBS

    (VIAC)
    , Disney

    (DIS)
    , NBC Universal, Netflix

    (NFLX)
    , Paramount Global, Sony

    (SNE)
    and CNN parent company Warner Bros. Discovery.

    SAG-AFTRA said that news reports were published about management’s desire for mediation even before the request was made of union negotiators at the bargaining table.

    “The AMPTP has abused our trust and damaged the respect we have for them in this process,” said the union’s statement. “We will not be manipulated by this cynical ploy to engineer an extension when the companies have had more than enough time to make a fair deal.”

    Asked about that statement from SAG-AFTRA, the AMPTP declined to comment.

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  • Screen Actors Guild Avoids Strike As Contract Talks Extended Through July 12

    Screen Actors Guild Avoids Strike As Contract Talks Extended Through July 12

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    LOS ANGELES (AP) — Hollywood actors may be days from joining screenwriters in what would be the first two-union strike in the industry in more than six decades, with huge consequences for film and television production. Here is a look at how it could play out, and why it’s happening.

    WHAT’S HAPPENING WITH ACTORS’ NEGOTIATIONS?

    The contract between the Screen Actors Guild-American Federation of Radio and Television Artists and the studios, streaming services and production companies that employ them had been set to expire Friday night at midnight Pacific time. But hours before that the two sides said they had agreed to extend the current contract, and talks on the next one, through July 12. Unionized actors have voted overwhelmingly to authorize their leaders to call a strike if no deal is reached. Talks also went past the deadline in 2014 and 2017, and agreements resulted both times.

    Reports have said the talks have been productive. But some actors have expressed worry that their leaders may not be pushing hard enough. More than 1,000 of them, including Meryl Streep, Jennifer Lawrence and Bob Odenkirk, have added their names to a letter to negotiators saying they are willing to strike, and are concerned they are “ready to make sacrifices that leadership is not.” The letter says “this is not a moment to meet in the middle.”

    The guild, led by president and former “Nanny” star Fran Drescher, represents over 160,000 screen actors, stunt performers, broadcast journalists, announcers, and hosts, but a strike would involve only actors working on television shows and films.

    WHAT DO THE ACTORS WANT?

    Many of the same issues that drove writers to strike are on the table for actors, including what the guilds say is shrinking compensation brought on by a streaming ecosystem in which royalty payments are no longer tethered to the popularity of a film or TV show. A role or a writing credit on a show that became a hit with a long life in reruns is no longer the cash cow that it once was. And the unions say inflation is outpacing the scheduled pay bumps within their contracts.

    For both scribes and performers, the move to streaming and its ripple effects have also meant shorter seasons of shows with longer gaps between them, and therefore less work.

    And like the writers, actors fear the threat of unregulated use of artificial intelligence. SAG-AFTRA said in a memo to members that the burgeoning ability of AI to recreate the performances of its members is “a real and immediate threat” that it wants to head off.

    Issues particular to actors include the new and increasing burden of self-taped auditions — the cost of which used to be the responsibility of casting and productions.

    HAVE HOLLYWOOD ACTORS GONE ON STRIKE BEFORE?

    Movie and TV actors last went on strike for three months in 1980, though actors in broadcast commercials have gone on strike twice since then. Overall they have had far more labor peace than screenwriters, whose walkouts have been far more frequent. That includes the current standoff, in which 11,500 members of the Writers Guild of America have been on strike for nearly two months, with no end in sight.

    In 1960 the actors’ union, led by then-SAG president and future U.S. President Ronald Reagan, went on strike for six weeks that fell in the middle of a five-month writers’ strike, the only time two major Hollywood unions walked off the job at the same time.

    Actors have shown broad support for striking writers, and many have joined them on picket lines in an act of what has so far been symbolic solidarity.

    WHAT EFFECT WOULD THE COMBINED STRIKES HAVE FOR VIEWERS?

    The writers’ strike had an almost instant effect on late-night network talk shows, including NBC’s “The Tonight Show Starring Jimmy Fallon,” ABC’s “ Jimmy Kimmel Live!” and CBS’s “The Late Show With Stephen Colbert,” which all went on hiatus immediately. “Saturday Night Live” axed its last three episodes of the season.

    In the two months since, many scripted television series have also shut down, including Netflix’s “Stranger Things,” Max’s “Hacks,” Showtime’s “Yellow Jackets,” and Apple TV+’s “Severance.” Some movies have reportedly also been paused.

    Actors joining writers would force nearly every other show or film that hasn’t already been shot into a similar shutdown. Forthcoming seasons of television shows would be delayed indefinitely, and movie releases will be pushed back.

    Streaming menus on Netflix or Amazon Prime Video will show no immediate differences, though lovers of those outlets’ original series would eventually have to wait longer for their favorites to return.

    Exceptions would be productions taking place outside the United States. And reality shows, game shows and most daytime talk shows will likely be unaffected.

    The two strikes are also casting doubt on the viability of the Emmy Awards, whose nominations are scheduled to be announced on July 12 before a September ceremony, though the Tony Awards and BET Awards managed to shows go on despite the writers strike.

    WHAT’S HAPPENING WITH THE WRITERS?

    The writers’ strike has seen persistent picketing and some major rallies for two months, but so far no movement. There are no current negotiations happening between the strikers and the Alliance of Motion Picture and Television Producers, which represents the studios, streamers and production companies in all the industry’s union negotiations. The longest previous writers strike, in 1988, lasted five months.

    Along with the issues they have in common with actors, writers are especially concerned with the shrinking staffs that are used on shows, which they call “mini-rooms.” They have meant much less work, and far fewer guarantees of future work.

    The AMPTP says the writers’ demands would require that they be kept on staff and paid when there is no work for them. The group also said that it had offered generous pay increases.

    The two sides were so far apart on its negotiations that talks broke off hours before the contract expired. Whether a different outcome can be found with actors in the coming days remains to be seen.

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  • Apocalypse Postponed: Actors and Studios Extend Contract Negotiations

    Apocalypse Postponed: Actors and Studios Extend Contract Negotiations

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    Hollywood has at least another week and a half to live. SAG-AFTRA, the union that represents some 160,000 actors and performers, and the Alliance of Motion Picture and Television Producers have not yet agreed on a new deal, but they’re optimistic enough to have extended their contract negotiations until July 12, forestalling the possibility of a strike that would likely be even more debilitating that the ongoing one by Hollywood’s writers.

    The pressure has been mounting for the actors, whose contract with Hollywood’s biggest studios was originally set to expire at midnight on Friday, June 30. The writers, who’ve been picketing for two months, hope the actors will join them in the fight, increasing the pressure on the studios to accept their demands for increases in streaming residuals and protections against an AI incursion. In a video shared with members last week, SAG-AFTRA national president Fran Drescher and chief negotiator Duncan Crabtree-Ireland promised that they would achieve “a seminal deal.” But more than 1,000 stars, among them Meryl Streep, Ben Stiller, and Quinta Brunson, signed a letter addressed to leadership that made clear that they’d rather strike than accept a paltry deal. “This is not a moment to meet in the middle, and it’s not an exaggeration to say that the eyes of history are on all of us,” the letter reads. “We ask that you push for all the change we need and protections we deserve and make history doing it.”

    Extending negotiations will give SAG-AFTRA leadership a little more time, regardless of the outcome. It also pushes the deadline beyond the Fourth of July holiday, when Hollywood becomes a ghost town. In a joint statement, SAG-AFTRA and the AMPTP said that the guild’s television and theatrical contracts will be extended until July 12 at 11:59 p.m. PT. “The parties will continue to negotiate under a mutually agreed upon media blackout,” they wrote.

    The actors have a history of pushing contract negotiations past their deadline. They did so in both 2014 and 2017, and many industry observers predicted a similar outcome this year given that they only had three-and-a-half weeks to hammer out a deal. SAG-AFTRA didn’t start talks with the AMPTP until June 7, after the group that represents studios and producers had already conducted negotiations with the Writers Guild of America and the Directors Guild of America. (The directors did not follow the writers to the picket lines, instead ratifying a new contract one week before its previous contract was set to expire.) In a separate letter to members, Drescher and Crabtree-Ireland noted the tight negotiating schedule, explaining that the decision to extend the contract was made “in order to exhaust every opportunity to achieve the righteous contract we all demand and deserve.” But, they added, “no one should mistake this extension for weakness.”

    It’s been more than 40 years since actors last went on strike against the Hollywood studios, and more than 60 since both writers and actors staged work stoppages at the same time. But the current contract negotiations arrive at a flashpoint for the entertainment industry, which has undergone a seismic shift in recent years as streaming services have flooded the market. Though streaming gigs are the most prevalent today, they don’t pay as well as broadcast and cable TV shows, making it harder for working actors to cobble together a sustainable income. “There’s this perception that as actors, we’re all rich Hollywood celebrities, but the majority of SAG does not make insane salaries,” Unbreakable Kimmy Schmidt actor Lauren Adams told Vanity Fair earlier this month. “A lot of us are making contract minimums, which in this day and age makes it really hard to have a career.”

    Like the writers, the actors are asking for raises and increased streaming residuals. They are also worried about how AI could threaten their livelihoods, and want there to be more guardrails around self-tape auditions, which proliferated during the pandemic.

    Writers have been effective at causing chaos for Hollywood since their strike began. The late night shows immediately went on pause, and many other television productions were forced to shut down because they didn’t have completed scripts. Some writers are showing up to picket before dawn, a tactic that allows Teamsters (who’ve said they won’t cross picket lines) to drive away without delivering production equipment. The addition of thousands of actors on the picket lines would further juice both guilds’ fights with the studios. Not only will they not show up for work (what’s left of it anyway), they also likely won’t promote upcoming projects. “That’s massive, and it will impact the box office,” actor Matt Bush previously told VF. “There’s a whole ecosystem built around that as well, so there’s a trickle-down effect.”

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    Natalie Jarvey

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  • SAG-AFTRA members vote to authorize strike, joining picketing writers – National | Globalnews.ca

    SAG-AFTRA members vote to authorize strike, joining picketing writers – National | Globalnews.ca

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    Actors represented by the Hollywood union SAG-AFTRA voted Monday evening to authorize a strike if they don’t agree on a new contract with major studios, streamers and production companies by June 30.

    The strike authorization was approved by an overwhelming margin — nearly 98% of the 65,000 members who cast votes.

    The guild, which represents over 160,000 screen actors, broadcast journalists, announcers, hosts and stunt performers, begins its negotiations with the Alliance of Motion Picture and Television Producers on Wednesday, over a month after the Writers Guild of America began striking over its own dispute with AMPTP. If the actors union ultimately moves forward with the strike, it would be limited to television and film productions; news and broadcast work would not be directly affected.

    At stake is increased base compensation, which actors say has been undercut by inflation and the streaming ecosystem, the threat of unregulated use of artificial intelligence, benefit plans and the burden of “self-taped auditions” — the cost of which used to be the responsibility of casting and production.

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    “We are approaching these negotiations with the goal of achieving a new agreement that is beneficial to SAG-AFTRA members and the industry overall,” the AMPTP said in a statement Monday.


    Click to play video: 'U.S. Congress holds hearing on risks, regulation of AI: ‘Humanity has taken a back seat’'


    U.S. Congress holds hearing on risks, regulation of AI: ‘Humanity has taken a back seat’


    The strike authorization vote, a tool at the bargaining table, comes at a pivotal moment for the industry as 11,500 writers enter their sixth week of striking and the directors guild reviews a recently reached tentative agreement with studios on issues like wages, streaming residuals, and artificial intelligence. Should the actors strike, the industry already hobbled by the writers strike would come to a near-standstill, from production to promoting completed projects.

    The WGA, DGA and SAG-AFTRA have shown solidarity with one another since the writers began walking the picket lines on May 2. Many in Hollywood worried about the very real possibility that all three guilds would strike at the same time, as both the directors and the actors contracts were soon due to expire as well.

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    That scenario changed Sunday night when the directors guild, which represents 19,000 film, television and commercial directors, announced that they had reached a “truly historic” tentative agreement with studios. The terms, which have not been disclosed in detail to the press or the other guilds, will be presented to the DGA board on Tuesday for approval and then to the membership for ratification.

    Representatives for both the writers guild and the actors guild congratulated the directors group for reaching a tentative deal, though neither commented on specific points of the DGA terms. The WGA also said that its bargaining positions remain the same.

    The DGA deal did not sit well with some individual WGA members, some of whom remembered when the directors negotiated their own contract while the writers were striking in 2007-2008. That deal 15 years ago, some felt, set precedent that forced the writers to fall in line with the terms agreed to by the DGA and end the strike.

    “Zero surprise. The AMPTP continues to use their tired old playbook. And the DGA sadly continues to toe the line, knowing that they can draft off of the WGA’s resolve to strike for a truly historic deal. Disappointing, but not surprising,” veteran television writer Steven DeKnight, who also wrote and directed “Pacific Rim: Uprising,” tweeted.


    Click to play video: 'Canadian TV exclusive with Jane Lynch'


    Canadian TV exclusive with Jane Lynch


    Seemingly anticipating a repeat, the WGA negotiating committee last week released a letter cautioning that the studios would once again pursue a “divide and conquer” strategy, pitting the guilds against one another.

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    “Our position is clear: to resolve the strike, the companies will have to negotiate with the WGA on our full agenda,” the WGA letter had said. “We will continue to march until the companies negotiate fairly with us.”

    While the unions have appeared more united this time, their aims are also different in many arenas. For the directors, securing international streaming residuals that account for subscriber growth was a key component, as were wages, safety (like banning live ammunition on set), diversity and inclusion and the addition of Juneteenth as a paid holiday.

    The WGA agenda includes increased pay, better residuals and minimum staffing requirements. One key area of overlap between all is artificial intelligence. The DGA said they’d reached a “groundbreaking agreement confirming that AI is not a person and that generative AI cannot replace the duties performed by members.”

    Duncan Crabtree-Ireland, the chief negotiator for SAG-AFTRA, maintains the needs of the guild’s actor members are unique. Hollywood actors haven’t gone on strike against AMPTP since 1980, which saw a 95-day strike over terms for paid television and VHS tapes.

    “Our bargaining strategy has never relied upon nor been dependent on the outcome or status of any other union’s negotiations, nor do we subscribe to the philosophy that the terms of deals made with other unions bind us,” Crabtree-Ireland said Sunday.

    On Monday, he added that the vote was a “clear statement that it’s time for an evolution in this contract.”

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