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Tag: Romy

  • Too Early 2024 Grammy Predictions

    Too Early 2024 Grammy Predictions

    The end of the year calls for reflection — hence our 2023 Popdust Music Awards, celebrating all of the great music we heard last year. And now, the beginning of the year indicates a time of anticipation. For that, we have our
    2024 Artists to Watch, which also means that Awards Season is right around the corner.


    Starting with the Golden Globes on January 7, we are about to experience countless red carpet shots, couples debuts (
    still waiting for you, Sabrina Carpenter and Barry Keoghan), and teary-eyed acceptance speeches.

    While there are the BAFTAs, the Emmys, the Oscars, and the SAG Awards, my speciality is music. And there is no bigger mecca for musicians than
    the GRAMMY Awards. Held on February 4, 2024, and hosted by comedian Trevor Noah, the GRAMMYs are music’s biggest night.

    Awards Season brings out everyone’s inner critic. Suddenly, we think we know more than the Recording Academy. Every year, there are viral moments and scandalous decisions. The Recording Academy ultimately outrages the general public in some way or another — and inevitably, fandoms will take to apps like X to become the next Joan Rivers.

    It’s a delicious time of year when your favorite celebrities are forced out of hiding and into the spotlight, and we can’t wait. To get everyone in the spirit of judgment, here are
    some way-too-early GRAMMY predictions for the year!

    Record Of The Year: “Flowers” by Miley Cyrus

    Any Kid Harpoon song is a classic, and Cyrus’ return from a brief hiatus from music was met with high marks. It was Spotify’s most streamed song in a week ever, spent time at the top of Billboard’s Hot 100, and was the fastest song in Spotify history to reach 1 billion streams.

    Album Of The Year: Midnights by Taylor Swift

    She’s won this coveted award three times already, and it’s impossible to discredit the year of Taylor Swift. She is on track for the highest-grossing tour of all time with the Eras Tour, Midnights is Apple Music’s biggest pop album of all time in terms of first-day streaming, and the album is the reason she was all 10 of Billboard’s Top 10 Songs (the first time all women have dominated the charts ever). Give Swift her flowers.

    Song Of The Year: “A&W” by Lana Del Rey

    Another Jack Antonoff production, Lana Del Rey’s album is a spiritual awakening. With an essence of transcendentalism and a hint of gospel, it’s Lana to her core. “A&W” is hailed Song of the Year by many already, and it’s time we recognize her for the artist she is, was, and always will be.

    Best New Artist: Ice Spice


    I haven’t seen many people rise to the top as quickly as Ice Spice, nor have I seen someone garner such a passionate fanbase. The rapper has hits like “Deli” and collabs with rap queen Nicki Minaj on “Barbie World” and Taylor Swift on “Karma”, not to mention her Munchkin drink at Dunkin Donuts.

    Producer Of The Year (Non-Classical): Jack Antonoff

    Not only is Antonoff the mastermind behind many Taylor Swift albums, including Midnights, but he has Lana Del Rey’s multi-nominated album, “Did you know that there’s a tunnel under Ocean Boulevard?,” under his belt. He can’t miss, and for that, he wins.

    Best Pop Solo Performance: “What Was I Made For? [From The Major Motion Picture Barbie]”

    This song is stunning, productionally perfect, and sonically flawless. Billie and Finneas continue to grow as an unstoppable singer-songwriter duo who can make any song fit any moment.

    Best Pop Vocal Album: GUTS by Olivia Rodrigo

    Olivia Rodrigo wanted to have fun with her sophomore album following the immense pressure and success of her debut, SOUR. With GUTS, we had viral singles yet again that promise Rodrigo is here for the long haul.

    Best Dance/Electronic Recording: “Strong” by Romy + Fred again…

    Developing a cult following in the electronic music world, Fred again… is one of the hottest house dance artists in the world right now. Following a successful bout of live shows and reaching fans on almost every platform imaginable, “Strong” is a winner.

    Best Pop Dance Recording: “Rush” by Troye Sivan

    Troye Sivan understands how to make out-of-the-box pop music, and seals it with one hell of a dance number. He’s the embodiment of a popstar, and “Rush” was just an example of the high precedent he’s set.

    Best Rock Performance: “Not Strong Enough” by boygenius

    Compiled of Phoebe Bridgers, Julien Baker, and Lucy Dacus, boygenius is a supergroup showing the world how to rock again. “Not Strong Enough” showcases what each member brings to the group in one sound synergy.

    Best Rock Album: Starcatcher by Greta Van Fleet

    Hailed as The Next Led Zeppelin, Greta Van Fleet brings you on a journey with their Starcatcher album. Each song a delight, Greta Van Fleet has developed their sound and found their stride.

    Best R&B Performance: “Kill Bill” by SZA

    SOS is one of the best albums of the year, and while I don’t see it winning in the Big 4 due to competitors like Swift, I still think it wins in general. “Kill Bill” was one of the biggest songs and continues to be one of the most viral.

    Best Rap Performance: “Rich Flex” by Drake & 21 Savage

    The saying “I like what Drake likes” holds true for many…and the collaboration album, Her Loss, with 21 Savage was one of the biggest of the year. “Rich Flex” makes sense for two of the biggest rappers out there right now.

    Best Rap Album: Heroes & Villains by Metro Boomin’

    Metro Boomin’ is the rapper and producer responsible for countless hits like Migos’ “Ric Flair Drip”. His Heroes & Villains album is a masterclass for high quality rap, intricate detail in production and songwriting, and straight up hits.

    Watch the 2024 Grammy Awards live on February 4, 2024 at 8 PM EST exclusively on Paramount+!

    Jai Phillips

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  • Romy Builds On the Queer Musical Canon With “Loveher”

    Romy Builds On the Queer Musical Canon With “Loveher”

    As far as songs about women loving women go, well, they’re pretty few and far between. Unless one wants to count queerbaiting singles like Katy Perry’s “I Kissed A Girl” and Rita Ora, Cardi B, Bebe Rexha and Charli XCX’s “Girls.” But, more and more, the disingenuousness of such “songs for straights going through a phase” has no place in a climate that continues to make claims of “inclusivity.” Fortunately, as Romy (still so often referred to as “the xx’s Romy”) continues to roll out singles for her debut solo album, Mid Air (though maybe it should be called Romy Madley Deeply), she’s seen fit to present us with “Loveher,” a queer anthem through and through. Co-produced, once more, with Fred Again.., the mid-tempo track starts out with minimal instrumentation as Romy says, in her modest tone, “Can you turn it up a bit more? Thank you.”

    As the track goes on, however, it’s her we should be thanking. For finally providing the world with an honest, unbridled love letter from one queer woman to another. And sure, someone could make the argument that Romy is “speaking from the perspective of a man” when she sings, “See in her eyes that she’s lost in the moment/Holding on tight and all that I know is/Love her, I love her, I love her, I love her, I,” but why in the fuck would that be the case? Save to placate more narrow-minded traditionalists. And, in case any doubt was cast on the song’s intent, Romy cleared up any such “confusion” by saying, “Over time, growing up and also just noticing how the world is changing, I felt a lot more comfortable being more public. To write about loving a woman and not feel afraid or embarrassed… maybe it’s a growing up thing, and just not caring as much what people think.”

    What’s more, lines like, “Lover, you know, when they ask me, I’ll tell them/Won’t be ashamed, no, I can’t wait to tell them” (if only this song had been around in time to be featured during the credits of Happiest Season) infer that the only reason one would be “ashamed” to tell others about the one they love is because that “one” forms half of a same-sex relationship. Unless, of course, a listener wants to instead make a more classist interpretation of being ashamed about announcing who their “lover” (the word Romy uses) is, à la Edward Lewis in Pretty Woman or Blane McDonough (Andrew McCarthy) in Pretty in Pink. But again, that would be a decidedly homophobic interpretation considering Romy has long been open about her sexuality, having come out to her father at the age of fifteen.

    But Romy wouldn’t be so publicly open about it during her time with the xx. Though it bears noting that none of the lyrics she collaborated on with her bandmates, including Oliver Sim (who is also gay), ever bore any specific pronouns. It was in the wake of the last album that the xx put out, fittingly titled I See You, that Romy seemed more comfortable with “parading” her sexuality. And it was in 2017 (the same year I See You was released) that news of her engagement to visual artist Hannah Marshall broke. That engagement would eventually end in favor of one to photographer Vic Lentaigne, followed by the completion of that engagement with their marriage, as opposed to another instance of “let’s call the whole thing off.” It was Lentaigne, in fact, who directed Romy’s most recent video for “Enjoy Your Life” (and now, the one for “Loveher”), a collage of nostalgic clips that inspire one to do just that (even in spite of constantly feeling like the end is nigh). With Lentaigne’s own work described as “capturing queerness and identity,” she’s the perfect choice for also capturing the essence of Romy’s new solo music.

    As for the overarching “theme” of Mid Air, it’s slated to be equal parts homage “to [her] formative years of queer clubbing” and to 00s Eurodance. Resultantly, Romy was taken back to that emotional place when she was just a teenager, going to the Soho (one shouldn’t have to specify that Soho refers to London, not New York Shitty) gay club Ghetto and watching from the sidelines as everyone around her danced, liberated in such a space as they could not be elsewhere. Someone who worked at the club eventually noticed her wallflower tendencies (though, as Romy stated, “I’d stand in the corner, stare and observe. But that was fun for me!”) and asked if she’d like to DJ. After all, what is a DJ if not the ultimate voyeur/wallflower within the club setting? Romy took to the gig like a lesbian to the Lilith Fair, and it would undeniably inform her solo work. Including “Loveher,” which, despite being a slower pace (call it, as Romy does, a ballad “within the context of club sound”) than something like “Enjoy Your Life,” still has ample club remix potential, rife with its rhythmic, house-y backbeat.

    Having written the song during the lockdown period, Romy seemed to have the epiphany that the next generation of youths might have the club experience that she got to enjoy robbed from them. Not just because they prefer to be in the matrix of their phones anyway, but because the world has become a less physically safe space despite being theoretically more “accepting” than ever. Thus, she stated, “I really hope that younger queer people can have those connections [in clubs] and learn how beautiful it is.” At least before the next inevitable pandemic.

    To accommodate those who would still like to experience queer club culture, Romy has specifically written an album that serves as the ideal soundtrack for that setting. And, going back to the abovementioned Lilith Fair analogy about lesbians, Romy also noted that, when she herself was a teenager, it was difficult to find “lesbian music” that “didn’t take itself too seriously.” So it is that she remarked, “When I was a teenager, and I was looking for explicitly lesbian love songs that I could connect to, I definitely wasn’t finding any pop-dance music. It was more like, lesbian acoustic music. That’s the stereotype, I think. What does a lesbian love song sound like? Someone with an acoustic guitar!” Well, thanks to Romy, that’s no longer the case. No offense to Ani DiFranco (who currently likes “what’s in boys’ pants better”).

    So it is that with simultaneously shy and declarative lyrics (e.g., “Dance with me, shoulder to shoulder/Never in the world have two others been closer than us/Closer than us/Hold my hand under the table/It’s not that I’m not proud in the company of strangers/It’s just some things are for us”), Romy builds on the canon of queer music with a much needed deviation from the usual lesbian cliches.

    With “Loveher” being the first track on Mid Air (setting the tone for the queer love letter to come), Romy also bookends the album with a song titled “She’s On My Mind.” And it’s clear that queerness itself is very much on Romy’s mind, as she seeks to do her part to make those who might still feel othered “to really celebrate life and live it to the best, that’s how I like to be.”

    Genna Rivieccio

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  • Against One’s Better Judgment, It’s Easy to Heed Romy Urging You to “Enjoy Your Life”

    Against One’s Better Judgment, It’s Easy to Heed Romy Urging You to “Enjoy Your Life”

    Although Romy Madley Croft, better known as the xx’s Romy or just Romy, still has yet to give us that solo album she teased back in 2020, at least she keeps releasing singles to placate listeners until the full-length debut arrives. And it all started with “Lifetime” almost a complete three years ago (a “lifetime” ago, as it were). It was with that specific single that Romy established herself as an artist with a jubilant message to convey. In contrast to much of her work with the xx, there is less a tone of moroseness and more a tone of ebullience in the singles she’s bequeathed us with thus far (e.g. “Lights Out” and “Strong,” both a collaboration with Fred again..). “Enjoy Your Life” proves no exception to the thus far customary rule for Romy’s solo work.

    Funnily enough, Romy isn’t the first Brit in recent years to tell us to “Enjoy Your Life.” In 2019, MARINA told us to do the same on Love + Fear. Sure, MARINA is technically Welsh, but it’s all part of the same island. In any case, it seems no coincidence that the shittier things get, the more people want to cling to positivity as best as they can (and, as another British bird from the Spice Girls claimed, “All you need is positivity”). Indeed, it seems positivity is on an upswing despite all evidence displaying that people should feel quite the contrary. Yet it’s all part of human nature, not just in terms of denial as a coping mechanism, but also the idea of “endurance” and “survival.” Because part of being able to endure through nonstop experiences of trauma—both concentrated and collective—is to put a “positive spin” on things. In the wake of the coronavirus lockdowns, it’s been: the world got a chance to stop for a moment and “take stock.” Apparently, though, not long enough to realize that the way we exist is fundamentally designed to doom us all. In any case, Romy, just as MARINA before the pandemic hit, doesn’t think that should keep you from having a good time. After all, this life is allegedly the only one we’ve got, so we might as well make the most of it…no matter how objectively shitty it might seem (especially to people who aren’t pop stars).

    But, similarly to Romy, MARINA admits that writing her own “Enjoy Your Life” was a way to stave off some of her overarching feelings of negativity, having penned it during a time when she was extremely depressed. During the promotion cycle of Love + Fear, she told Vogue of the song, “I just literally didn’t see the point in life. I didn’t understand what life was about. I definitely felt very depressed and didn’t understand why life was good, literally functioning day-to-day thinking, ‘Just get through today.’” So sure, her lyrics were more of a self-pep talk than anything else, urging her to “enjoy the now” without constantly worrying so much about the future. Appreciate what you have and try to see the beauty in the breakdown, etc. As for Romy’s take on the message, she also presents it with correspondingly upbeat music. And, in contrast to her usual style, she does something a bit different here musically, favoring the sound embodied by 90s dance beats (with help from co-producers Jamie xx, Fred again.. and Stuart Price) while also managing to incorporate Beverly Glenn-Copeland’s “La Vita” into the song (as well as Oby Onyioha’s “funkadelic” “Enjoy Your Life”). In point of fact, it’s Glenn-Copeland who played such a pivotal role in imbuing Romy with any sense of positivity. For, as she remarked of using the sample, “When I heard the line, ‘My mother says to me enjoy your life’… I was speechless. Those few words felt like the most simple and disarming sentence. Ever since I was eleven, I’ve been aware of and drawn to the phrase, life is short. I’ve felt inspired by people who I’ve seen react to this by trying to see the positives in life, even when things are going wrong and times are hard.”

    Romy, however, goes on to admit, “As much as I’d love to naturally be one of those people, I’m not always able to do this myself and often get in my own head and my own way, so sometimes a reminder goes a long way. Glenn’s lyrics were a direct connection to what had been a very quiet, private thought. It resonated especially deeply as it is because of my mum passing away when I was eleven that this perspective on living life was even a part of me.” Incidentally, Glenn-Copeland also adds in his song that, “La vita è dolce” a.k.a. “Life is sweet.” Even if bittersweet (as The Verve knows). That much is unwittingly captured in the accompanying video. Directed by Romy’s wife, Vic Lentaigne, the visuals are clearly personal. Hence, the “vintage home movie” effect often incorporated into it (look out, Lana Del Rey). And then there’s also the images of Romy thumbing through old photo albums when she’s still a child with her mother, in those years before she died. The aching for those memories to be present instead of past is negated by Romy’s insistence upon living exuberantly—what her mother would have wanted for her, to be sure.

    Scenes of Romy at the ocean and other various bodies of water play an important role in the baptismal nature of a song such as this. For every time one falls prey to negative thoughts, they can “be born anew” with a positive outlook (in addition to the presence of dogs, many dogs)…no matter how ephemeral it may be. Of course, with existence itself being so ephemeral, it doesn’t really matter much to the universe what “state” you decide to be in from one day to the next. All Romy can say is that, “I hope this song celebrates and shares the words that Glenn said so beautifully and my reaction to it and hopefully uplifts a dancefloor along the way,” adding, “I hope you know I would never want to tell anyone how to feel or to pretend to feel good when they don’t, I know how that feels.” Thus, “Enjoy Your Life” is more of a gentle reminder on Romy’s part than a “dancefloor edict,” if you will.

    And, talking of the dancefloor, it appears several times throughout the video, with Romy interspersing these moments amid scenes of her driving along (in the passenger seat) with the wind blowing in her hair or riding on a boat or soaking up the sun on the beach (a moment that comes full-circle when a photo of Romy’s own mother doing the same appears at the end). There are times when Romy herself is the architect of fun on that dancefloor, playing DJ in a far more adept way than Paris Hilton. Like Robyn once said in a song title, Romy finds herself “dancing on my own again/Anxiety, my old friend/Since when will you try something new?” That “something new” being to enjoy her life and embrace whatever comes her way with a positive attitude. After all, as she says in the song, “I made a promise to my mother/To stop running from my problems.”

    Or, as MARINA phrased it, “Sit back and enjoy your problems/You don’t always have to solve them.” The world has clearly taken this approach to heart as everyone sits back and watches it burn, resigned to the day when it might finally explode. So yes, why not just enjoy your life while it lasts? God or whoever knows that generations after this probably won’t be able to delude themselves as easily…or perhaps they will because “shite” will be all they’ve ever known.

    Genna Rivieccio

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  • EDM.com Playlist Picks: Dom Dolla, ARTBAT, PinkPantheress and More [11/18/22] – EDM.com

    EDM.com Playlist Picks: Dom Dolla, ARTBAT, PinkPantheress and More [11/18/22] – EDM.com

    The electronic music community is constantly evolving with new sounds every week, as artists become more innovative with their compositions. EDM.com’s weekly “Playlist Picks” series highlights the top releases in the genre, helping uncover the latest tracks that will soon dominate the dance music scene.

    EDM.com Top Hits

    PinkPantheress – Do you miss me?

    Koji Aiken

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  • The xx’s Romy Teams Up With Fred again.. for Sublime Single, “Strong” – EDM.com

    The xx’s Romy Teams Up With Fred again.. for Sublime Single, “Strong” – EDM.com

    If music is anything, it’s therapy.

    Just ask Romy of The xx, whose haunting new single, “Strong,” is a soul-stirring ode to resiliency. Produced in collaboration with Fred again.. and prolific record producer Stuart Price, the cathartic track is about learning how to process grief.

    It’s only the second-ever solo track from Romy, who said “Strong” was inspired in part by the loss of her mother and written to “ultimately find a sense of release in the euphoria of music.” The single arrives ahead of her debut studio album, which is still in the works.

    Jason Heffler

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