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Tag: romeo and juliet

  • Wily coyotes thrive in Central Park as animals adapt to urban life across US

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    In the spring this year in New York, Chris St Lawrence would finish work as a naturalist on a whale watching boat and then quickly make the 90-minute trek to Central Park to arrive in time for sunset, when a pair of coyotes often start to creep out.

    St Lawrence, who is also a photographer, said it’s taxing to stand for four hours on a boat, keeping his eyes peeled for marine mammals, and then to remain just as alert at the park in the middle of Manhattan, looking for Romeo and Juliet, as the coyotes have become known.

    “You gotta keep your eyes open in terms of safety but also, you don’t want to miss the shot,” said St Lawrence, who is a conservation education master’s student at New York University.

    Despite the challenges, he and other local photographers spend nights roaming the green oasis inside the concrete jungle because they want the public to learn about the coyotes, including the fact that they don’t need to be afraid of them.

    That then helps protect the species as a whole, which in recent decades have started to show up in greater numbers in urban areas across America.

    “We think it’s important that people are aware that there are Central Park coyotes and to understand how sensitive they are and know that there is no reason to fear them,” said David Lei, a Manhattan resident who spends most nights at the park along with his significant other and fellow photographer, Jacqueline Emery.

    A century ago, the only coyotes in North America were located on the western half of the continent but then they gradually expanded eastward.

    They have been able to do so because of the decline of their predators, like wolves, and the transformation of farmland into suburbs, according to Chris Nagy, a wildlife biologist and the co-founder of Gotham Coyote, which aims to learn more about the expansion of the animals into New York City.

    “Coyotes are pumping out babies every year, and those young start trickling in all directions,” said Nagy, “The empty space is the city, and for a variety of reasons, coyotes are adaptable enough to figure out the urban habitat and what they need to do to live.”

    In the Chicago area alone there are at least 4,000 coyotes, according to a study published in the journal Urban Ecosystems.

    In New York City, researchers think there are about 20.

    Romeo and Juliet probably migrated from Westchester to the Bronx and then walked along railroad tracks to Manhattan, according to those who studied them. Juliet arrived in 2019, Romeo in 2023.

    Lei and Emery spotted them while following Flaco, an owl who escaped the Central Park Zoo.

    They gave the coyotes their names because they would often hang out at Delacorte Theater, home of Shakespeare in the Park.

    It was under renovation for several years.

    “While a construction site might seem like an inhospitable location for a sensitive animal like a coyote, they know that there are certain routines, certain schedules, and that at night it will be completely empty,” Lei said.

    To find them in the dark, the photographers use thermal monoculars.

    “We’ll just basically go from spot to spot until we find them. We don’t always do,” Lei said.

    They have seen them trotting down a path until they see humans with dogs and quickly figure out a detour, which is fascinating, Emery said.

    “They are really adept at navigating the park and not being seen,” Emery said.

    St Lawrence, the naturalist, said some of his favorite moments have been seeing the coyotes playing on ice near a castle and hearing them howl.

    He said he is fascinated with coyotes in the same way as with whales.

    “There are these big animals living right on the outskirts of the city that nobody knows about,” he said.

    But some people see the coyotes as dangerous even though they rarely attack humans, according to scientists. To avoid that, people should give the animals plenty of space and not feed them.

    “They are not going to approach people, and they are not interested in dogs. You would have a lot more reason to be fearful of your dog being bitten by another dog,” Lei said.

    Not all interactions between coyotes and humans at Central Park have gone well – though they didn’t seem to be the animals’ fault. In 1999, after someone spotted a coyote at the park, at least 25 police officers showed up with animal tranquilizer darts, according to the Wall Street Journal. They were able to catch him and transport him to Bronx Zoo’s Wildlife Health Center.

    In 2006, dozens of police officers on foot and in a helicopter chased Hal, so named because he was discovered at the Hallett Nature Sanctuary. An officer shot him with a dart, and he was transferred to a wildlife rehabilitation center, with the intention of releasing him in a forest upstate.

    Before that could happen, he died.

    Since then, officials have adjusted their approach to coyotes. In 2016, the city launched WildlifeNYC “to promote conservation and coexistence between humans and wildlife through public policy, responsible management plans and educational initiatives,” Katrina Toal, NYC Parks wildlife unit deputy director, stated in an email to the Guardian.

    “Our goal is to make sure that both people and coyotes can safely use our parks,” Toal stated. “That means encouraging people to observe coyotes from a distance and to keep their pets leashed.”

    As to Romeo and Juliet, the photographers hope for a happier ending than what William penned. St Lawrence spent a lot of time at the park during the coyote pupping season this spring, hoping to see cubs emerge, but unfortunately, that didn’t happen.

    He would like Central Park to become a better place for wildlife, but he worries about people not leashing their dogs, littering and trying to feed the coyotes.

    “I think a lot of other people would think it’s amazing if we had a full coyote family in the park,” St Lawrence said. “But we want to make sure that that is a positive for everybody, including the coyotes.”

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  • PinkPantheress’ Gambit: The “Romeo” Video

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    The success of PinkPantheress’ nine-track mixtape, Fancy That, continues with yet another video from one of the songs on the album, “Romeo.” A mid-tempo ditty that happens to be the final track on the album, and yet another that samples from Basement Jaxx (specifically, their 2004 hit, “Good Luck”)—after “Girl Like Me,” which itself samples from the well-known Basement Jaxx single, “Romeo.” But perhaps PinkPantheress thought it would be too on the nose to use the latter sample in her own song of the same name. Just as she seemed to think it would be too on the nose to set her Iris Luz-directed music video in Verona while wearing some Renaissance-y ensembles. And besides, she already explored the Regency era in her Bridgerton-inspired video for “Tonight.” So why bother returning to the “deep past” again? 

    Still, it’s apparent she wants to pay some kind of homage to the Shakespeare play that everyone associates the name Romeo with, thus wielding other specific character names from Romeo and Juliet in her “Pink Cubs” group chat (e.g., Rosaline, Paris and Mercutio). Before revealing these texts, however, PinkPantheress sets the stage for where the milieu of the video will be with a title card that reads: “Summer 2025: A competitive chess tournament takes place in South London. This video was filmed at that tournament.” As such, PinkPantheress seemed to take plenty of advantage of the opportunity to be amidst some fellow chess pros, save for Destin Conrad, who just happens to be playing the “video vixen,” as he calls himself in the Instagram post mentioning the video’s release. 

    However, while Conrad might not be a chess guru, PinkPantheress certainly is, with chess prowess in her blood thanks to being the niece of five-time British Women’s Chess Champion Susan Lalic (who also holds the chess titles of International Master and Woman Grandmaster). Perhaps wanting to finally show off that side of herself in a more immortalized way (read: the music video medium), in addition to waiting for The Queen’s Gambit to more fully fall away from public consciousness, PinkPantheress goes all out on revealing her fervor for the game. Which also acts as a kind of metaphor for what happens when a person falls in love, maneuvering and posturing in a manner that might lead him or her to attract—lure—the other person successfully and to “make them” fall in love in return. 

    In this sense, the idea of one’s would-be lover acting as a kind of “opponent” is only too real. Along with the symbolism of putting as much strategy into winning their love as what goes into moving the pawns on a chessboard. And, to be sure, it often does feel like some unseen “hand” is moving us forward or backward in this chessboard called life, which also applies to matters of l’amour

    Luckily for PinkPantheress, who, at times, looks more like she’s at a speed dating event than playing chess, she hasn’t fallen in love, knowing better as she tells (or rather, lip-syncs telling) a reporter interviewing her about her “strategy,” “Step one, don’t let yourself fall in love/‘Cause that is not fun.” Because it’s never fun to not be the one in control, and falling in love with another person means exactly that: losing all control. Something a chess queen like PinkPantheress simply can’t abide, instead acting as the ringleader of all the other players at certain points in the video that give way to more fantastical moments. Like PinkPantheress in the center of a giant chessboard (placed atop a tartan print, of course, in keeping with the Fancy That visual motif) surrounded by players/backup dancers who look as though they’re dressed in marching band uniforms (while a chess uniform would essentially amount to a suit jacket, button-front shirt and maybe a tie).

    Appearing at one point as though she’s scaled to the same size as a chess piece, it somewhat harkens back to a scene in Megan Thee Stallion’s “Whenever” video when she rides on the “horse chess piece” a.k.a. the knight. In fact, it’s PinkPantheress’ move with the knight at the end of the video that wins her the tournament. And, since life imitates art, she opts to make the final scene of her holding the trophy she seemed to so effortlessly win. And yes, if there was a trophy for Most Aloof in Matters of Being Pursued, she might just get that too, if “Romeo” is anything to go by. 

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    Genna Rivieccio

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  • Orlando Ballet announces lineup for upcoming performance season, including ‘The Nutcracker,’ ‘Peter Pan’ and more

    Orlando Ballet announces lineup for upcoming performance season, including ‘The Nutcracker,’ ‘Peter Pan’ and more

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    Courtesy photo

    Orlando Ballet spills the beans on their 2024-2025 season

    Orlando Ballet announced the lineup for their 2024/2025 season Wednesday, and it’s chock full of crowd-pleasers.

    The season, running from Oct. 17 through May 4, 2025,  kicks off this autumn with Romeo & Juliet, from there segueing into holiday tradition The Nutcracker and then Peter Pan in early 2025.

    Here’s the full rundown:
    Romeo & Juliet: Oct, 17-20
    The Nutcracker: Dec. 6-22
    Peter Pan: Feb. 20-23, 2025
    Balanchine, Graham, Pires: (as in George, Martha and Alysa) March 27-30, 2025
    Giselle: May 1-4, 2025

    The Ballet’s behind-the-curtain series, Uncorked,  happens three times in the midst of this season: Sept. 26, Nov. 7 and Jan. 23, 2025.

    Single tickets for these productions go on sale Tuesday, May 28, through Orlando Ballet.

    Additionally, Casanova, the final act of the 2023-2024 season, runs May 16-19 at Steinmetz Hall at the Dr. Phillips Center. It’s an 18+ production. (Spicy!)

    Event Details

    “Casanova”

    Thu., May 16, 7:30 p.m., Fri., May 17, 7:30 p.m., Sat., May 18, 2 & 7:30 p.m. and Sun., May 19, 2 p.m.


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    Matthew Moyer

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  • ‘Romeo and Juliet’ Stars Sue Paramount for Being Coerced Into Underage, Nude Sex Scene | The Mary Sue

    ‘Romeo and Juliet’ Stars Sue Paramount for Being Coerced Into Underage, Nude Sex Scene | The Mary Sue

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    The entertainment industry has made plenty of perplexing decisions over the years. Harvey Weinstein was allowed to continue working in Hollywood when, by all accounts, many in the industry knew of his sexual abuse. And why do we keep letting Mel Gibson star in movies? And how are Bill Cosby and Louis C.K. still going on comedy tours?

    One thing that has bothered me since I was a freshman in high school is how the 1968 version of Romeo and Juliet was made. If you’re unfamiliar, the film features the full-frontal nudity of Romeo and Juliet, played by Leonard Whiting and Olivia Hussey. When they filmed Romeo and Juliet, Whiting was 16 and Hussey was only 15. Now, both in their 70s, the pair are suing Paramount Pictures for coercing them into filming the infamous sex scene many of us saw in high school.

    Questions of consent

    Hussey and Whiting filed a claim against the studio behind Romeo and Juliet for sexual abuse, sexual harassment, and fraud. Both actors allege that the film’s director, Franco Zeffirelli, assured them they would be wearing flesh-colored underwear during the intimate scene. However, when they filmed the scene, Zeffirelli allegedly told the child actors they would wear makeup only and the camera wouldn’t record any of their nudity. The actors claim Zeffirelli told them the movie and their careers would fail if they didn’t do the scene as he instructed. The final product fully showed Whiting’s naked butt and Hussey’s breasts. In the suit, Hussey and Whiting state they have suffered emotional and mental damages since the film’s release and have never benefited from its success.

    During a 2018 interview with Variety, Hussey seemed to defend the director and the underage nudity in the film. It’s interesting because Hussey talks about how innocent and young they were during the casting and filming process, while claiming to be mature enough to know that Zeffirelli was going to shoot the scene tastefully and that “it was needed for the film.”

    After its initial theatrical release, Romeo and Juliet found a home on VHS in freshman English classes as part of the curriculum on Shakespeare. Entire generations of ninth graders have watched this take on the classic play. Overall, I thought the movie was fine and the nudity wasn’t an issue for me, but the ages of the actors were—and are—concerning. My English teacher said the film was the most accurate version because the actors were about the same age as the characters they played. (And sorry, but Leonardo DiCaprio and Claire Danes star in the most accurate version of Romeo and Juliet.) I remember having long conversations with my best friend about how people our age were able to give consent to being filmed nude. Maybe their parents gave consent? That also seems like a weird choice. Now I know it all boiled down to a choice made by the guy who directed the movie and was allowed to have agency over two teens.

    (featured image: Paramount Pictures)

    The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

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    D.R. Medlen

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