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Tag: Robin Williams

  • Zak Williams Brings His Mental Health Mission to This A.I. Startup: Interview

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    Driven by personal experience, Zak Williams is helping shape an A.I. platform designed to improve how mental illness is diagnosed and treated. Elizabeth Weinberg

    As ChatGPT moves to encompass the full scope of health care, others are taking a more nuanced approach. One is Headlamp Health, whose new intelligence platform, Lumos AI, aims to advance a research field that has long stalled for drug developers, clinical trial researchers and clinicians working to solve complex mental health challenges in even more complex patients.

    With an advisory board that includes investor, entrepreneur and mental health advocate Zak Williams—the son of the late actor Robin Williams—Headlamp officially launched Lumos on Jan. 7. The platform is designed as a coordinated set of agentic A.I. layers meant to bring precision medicine to a space that has long lacked it.

    “I never thought I’d go into the mental health space,” Williams told Observer. “But after my father died by suicide, and I was diagnosed with complex post-traumatic stress disorder, generalized anxiety disorder and depression, I found myself in need of solutions.”

    That experience led Williams to work with Headlamp Health, where he advises on both the technology and its market positioning. He saw not only a need for reinvention in psychiatry, but also an opportunity to help others where he could.

    Erwin Estigarribia, CEO of Headlamp Health, who previously focused on oncology and cardiology technology, has his own reasons for entering the psychiatry tech space. “I was exposed to the mental health side of medicine through family members and personal circumstances, and realized, holy smokes, the entire field is about 20 years behind cancer and cardiology,” Estigarribia told Observer.

    Bringing precision medicine to psychiatry

    Robin Williams suffered from the brain disease Lewy body dementia, a diagnosis discovered only through autopsy and later made public by his wife, Susan Schneider Williams. During his life, he sought treatment for what appeared—even to medical experts—to be unrelated symptoms, including tremors, delusions and high cortisol levels. Prior to his suicide, he was misdiagnosed with Parkinson’s disease. As many as half of the people with Lewy body dementia are misdiagnosed.

    The problem extends far beyond one illness. Schizoaffective disorder is misdiagnosed 75 percent of the time, while even the more common major depressive disorder is misdiagnosed in more than half of cases.

    As precision medicine becomes the standard in fields like oncology, psychiatry continues to lag behind. But multilayered A.I. systems are beginning to close the gap. Lumos AI has several core use cases: identifying patient subtypes most likely to benefit from a given therapy; making clinical trials more efficient and effective; de-risking drug development; and modeling how patients change over time.

    To power that work, Headlamp has compiled at least 100 million data points—both proprietary and from external health data sources, spanning decades of research. These are fed into layered A.I. frameworks designed to answer a central question: What is the right therapy for the right patient at the right time?

    Williams said much of recent A.I. in mental health has focused on automation, but Lumos is built differently. “It’s structured to help identify responder versus nonresponder populations way earlier in development,” he said. “Then, leveraging that longitudinal, real-world and behavioral data informs trial design and treatment matching.”

    With clinicians and researchers kept in the loop, decisions come from the “better organization of data, which then leads to better inference and better causal reasoning,” Williams said.

    Mental illness is largely episodic and invisible. “We can’t take a picture of depression [or] anxiety,” Estigarribia said. “Measuring it reliably in the blood is something that we’re not able to do due to the blood-brain barrier, which essentially isolates the organ of interest that we’re interested in studying.” Tools that better isolate and interpret the contributing factors behind psychiatric conditions could drive a sea change for millions of people simply trying to get through each day.

    Headlamp Health CEO Erwin Estigarribia in a navy blue jacketHeadlamp Health CEO Erwin Estigarribia in a navy blue jacket
    Headlamp Health CEO Erwin Estigarribia. Courtesey Headlamp Health

    Roughly 49,000 people in the U.S. died by suicide in 2024, according to provisional U.S. Census data. Research suggests an average of 135 people are significantly affected by each suicide death—people who may themselves need mental health support.

    In clinical settings, Estigarribia said Lumos AI’s suicide prevention impact was not the original goal, but has been a welcome outcome. “Being able to provide clinicians an A.I.-driven real-time view of their [patients] and highlight who is trending positive, negative or neutral since their last visit has actually led to several tragedies being averted.”

    On the research side, as federal funding shrinks for the National Institutes of Health and other agencies, platforms like Lumos can help researchers find efficiencies that keep essential studies moving forward. Beyond the statistics, those advances translate into real changes in individual lives.

    Improving life, not just delaying death

    Other companies are also using A.I. to streamline clinical trials, from patient-matching platforms like BEKHealth to decentralized trial tools such as Datacubed Health. Headlamp, however, is targeting a narrower and less-served niche: working directly with neuroscience researchers, psychiatric drug developers and frontline clinicians, with psychiatry as its sole focus rather than the broader life sciences.

    “Because we are the primary aggregator of all types of data, we want people to innovate on wearables, advanced imaging, blood biomarkers [and] cognitive therapies,” Estigarribia said. “We will collaborate, share data and work with anybody whose mission aligns with ours.” The key to tackling such large problems, he added, is to “stay humble, develop gratitude and be collaborative.”

    Using A.I. to process sensitive psychiatric health data for clinical decision support carries risks, especially around privacy. As Alexander Tsiaras, founder and CEO of the A.I.-driven medical records platform StoryMD, previously told Observer regarding ChatGPT Health, strong encryption is now an industry standard. The real question, he said, is, “Once you have the data, can you trust them?”

    For Williams, who is highly selective about his partnerships, Headlamp met his criteria, including in the area of trust. He evaluated the company and its technology by asking: “Are there good people involved with the organization? Do these people care deeply about how these outcomes are being delivered, how it’s improving the lives of folks, and is it contributing to the greater benefit of humanity?”

    Another concern is the integrity of the A.I. itself. Williams pointed to the risk of semantic collapse, in which systems fail as data volume overwhelms reasoning. “There’s a critical need to shift from data volume to data reasoning, to focus on actionable insight,” he said, adding that this is precisely what Headlamp aims to do with Lumos.

    Robin Williams, in his role as Patch Adams in the 1998 film about the real-life physician, once said, “Our job is improving the quality of life, not just delaying death.”

    Through Headlamp, Estigarribia and his team are trying to live up to that idea. “If I don’t feel safe enough for [Lumos] to be used by my own mother, then it’s not something that we can deploy,” he said.

    Zak Williams Brings His Mental Health Mission to This A.I. Startup: Interview

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    Rachel Curry

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  • ‘Jumanji 3’ Reveals First Look From Set as Dwayne Johnson Pays Tribute to Robin Williams

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    Jumanji 3 is ready to let the games begin.

    The forthcoming Sony sequel film’s team took to Instagram on Wednesday to share the first photo of the franchise stars in costume following the recent start of production. Kevin Hart, Karen Gillan, Dwayne Johnson and Jack Black are featured in the image that includes the caption, “Look who’s on the loose.”

    Among those posting the photo was Hart, who added the caption, “Back in action and loving it… I missed you Jumanji … This one will be our biggest!”

    This film follows 2017’s Jumanji: The Next Level, which rebooted the franchise after Robin Williams starred in a 1995 feature version adapting Chris Van Allsburg’s 1981 children’s book. Jake Kasdan, who directed the 2017 movie and its 2019 sequel, returns to helm the untitled third film from a script he co-wrote with Jeff Pinkner and Scott Rosenberg. It hits theaters Dec. 11, 2026.

    The day prior, Johnson posted a video to Instagram of himself surprising fans on the Universal Studios backlot as he made his way to the set. “A little day one of Jumanji excitement,” the star said in the footage. “So good to be shooting in Los Angeles. I have not shot a film in Los Angeles in … I don’t know when, so it feels so good to bring a production back home to Los Angeles.”

    He went on to reveal that his character will be wearing a necklace containing the dice that was used in the 1995 movie. “This is the dice from the original Jumanji with Robin Williams as a show of respect and a way of honoring Robin and this entire franchise that he started as we film our very last Jumanji,” Johnson explained.

    The cast for the forthcoming film includes Nick Jonas, Alex Wolff, Morgan Turner, Ser’Darius Blain, Madison Iseman, Lamorne Morris and Danny DeVito.

    Last week, Johnson posted footage and images to Instagram from the new movie’s table read. “Amazing to get the whole gang back together, and our jaws were hurting from laughing so hard,” he wrote.

    Jumanji: Welcome to the Jungle focused on a group of teenage friends getting trapped inside a video game as a collection of adult avatars. It hit theaters in December 2017 and surpassed $950 million at the global box office. The 2019 sequel, subtitled The Next Level, topped $801 million globally.

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    Ryan Gajewski

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  • Ethan Hawke Recalls Robin Williams Never Following ‘Dead Poets Society’ Script: “He Didn’t Ask Permission”

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    Ethan Hawke will never forget what he learned from working with Robin Williams on 1989’s Dead Poets Society.

    During a recent career retrospective video interview with Vanity Fair, the Black Phone 2 actor opened up about what he observed from watching filmmaker Peter Weir direct the late Williams.

    “I’m watching him direct Robin Williams, not an easy thing to do, ’cause Robin was a comic genius. But dramatic acting was still new to Robin at that time,” Hawke recalled. “And watching that relationship like, in the room — I was four feet away while they’re talking about performance — and that was something you don’t unsee.”

    He continued, “Robin Williams didn’t do the script, and I didn’t know you could do that. If he had an idea, he just did it. He didn’t ask permission. And that was a new door that was opened to my brain, that you could play like that. And Peter liked it, as long as we still achieved the same goals that the script had.”

    Hawke said he enjoyed seeing the respect Weir and Williams had for one another, despite having “a very different way of working.”

    “They didn’t judge one another or resist one another,” the Training Day actor explained. “They worked with each other. That’s exciting — that’s when you get at the stuff of what great collaboration can do. You don’t have to be the same, but you don’t have to hate somebody for being different than you are. And then the collective imagination can become very, very powerful, because the movie becomes bigger than one person’s point of view. It’s containing multiple perspectives.”

    Dead Poets Society follows Maverick teacher John Keating (Williams), who returns in 1959 to the prestigious New England boys’ boarding school where he was once a star student, using poetry to inspire his students to new heights of self-expression.

    The film won the Academy Award for best writing, screenplay written directly for the screen, while Williams earned an Oscar nom for best actor and Weir for best director. Dead Poets Society was also nominated for best picture.

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    Carly Thomas

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  • OpenAI suspends Sora depictions of Martin Luther King Jr. following a request from his family

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    OpenAI has paused video generations of Martin Luther King Jr. on Sora at the request of King Inc., the estate that manages his legacy. The company said in an announcement on X that it worked with the estate to address how his “likeness is represented in Sora generations” after people used the app to create disrespectful depictions of the American civil rights leader. It’s not quite clear if OpenAI intends to restore Sora’s ability to generate videos with MLK in the future, but it’s wording implies it does and that it has only suspended the capability as it “strengthens guardrails for historical figures.”

    After OpenAI launched the Sora app, users generated videos with likenesses of dead public figures, including Michael Jackson, Robin Williams and MLK. Williams’ daughter, Zelda Williams, had to beg people to stop sending her AI videos of her father. “To watch the legacies of real people be condensed down to ‘this vaguely looks and sounds like them so that’s enough’, just so other people can churn out horrible TikTok slop puppeteering them is maddening,” she wrote on Instagram. MLK’s daughter, Bernice A. King, wrote on Threads that she agreed and also asked people to stop sending her videos of her father.

    According to a report by The Washington Post, the Sora-made videos that were posted online included King making monkey noises while he was giving his “I Have a Dream” speech. Another video showed King wrestling with Malcolm X, whose daughter, Ilyasah Shabazz, questioned why AI developers weren’t acting “with the same morality, conscience, and care… that they’d want for their own families” in a statement made to The Post.

    OpenAI said that while there are “strong free speech interests in depicting historical figures,” it believes “public figures and their families should ultimately have control over how their likeness is used.” It also said that the estate owners of other historical figures and their representatives can ask the company for their likenesses not to be used in Sora videos, as well.

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    Mariella Moon

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  • Zelda Williams Doesn’t Want to See Robin Williams AI Videos

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    Zelda and Robin in 2009.
    Photo: Alexandra Wyman/WireImage

    No, seriously. She doesn’t want that. Zelda Williams, daughter of the late Robin Williams, is not interested in seeing anything AI-related to her father. “Please, just stop sending me AI videos of Dad. Stop believing I wanna see it or that I’ll understand, I don’t and I won’t,” Williams told her fans directly via Instagram Stories. “If you’re just trying to troll me, I’ve seen way worse, i’ll restrict and move on. But please, if you’ve got any decency, just stop doing this to him and to me, to everyone even, full stop. It’s dumb, it’s a waste of time and energy, and believe me, it’s NOT what he’d want.” An actor and director herself, Zelda has been staunchly against AI, and earlier this year, she called people out for using technology to “put words in their mouths” without their consent “grotesque.” The late comedian experienced his voice being used without his permission in the 1990s when Disney used Robin’s voice as the Genie in Aladdin to sell toys, despite his specific contract stating otherwise.

    The Lisa Frankenstein director has been carrying on that legacy by fighting against the use of AI-generated celebrity likenesses for years now. “I’ve witnessed for YEARS how many people want to train these models to create/recreate actors who cannot consent, like Dad,” Zelda shared in 2023. “This isn’t theoretical, it is very, very real.” As AI has become more popular and accessible, there have been more efforts in Hollywood to use the technology to recreate beloved stars, like Williams, digitally. One of Robin’s Mrs. Doubtfire co-stars, Matthew Lawrence, who played one of the children in the movie, wants Robin to be “the voice of AI.” “I would love — now, obviously, with the respect and with the okay from his family — but I would love to do something really special with his voice because I know for a generation, that voice is just so iconic,” Lawrence told EW this past July. At the time, Zelda did not publicly respond to Lawrence’s pitch. But considering that the Williams family’s stance against AI has clearly not changed, Lawrence might want to start working on Plan B.

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    Alejandra Gularte

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  • Good Will Hunting: A Masterclass in Therapy and Emotional Growth

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    Take a deep dive into the therapeutic relationship as illustrated in the classic film Good Will Hunting, where a defiant genius and a compassionate therapist confront pain, grief, and regret in an emotional journey that changes them both.


    Good Will Hunting (1997) is a widely acclaimed cinematic masterpiece, offering one of the most compelling depictions of therapy ever portrayed on screen — and it remains one of my personal favorite movies of all time.

    The main protagonist is Will Hunting (played by Matt Damon) who is portrayed as an underachieving genius who works a modest life as a janitor at the prestigious MIT. Despite his intelligence, he’s emotionally guarded and frequently gets into brawls and run-ins with the law. One day he solves a difficult math equation on a chalkboard and is then approached by professors and faculty to pursue his talents in mathematics, but first he has to see a therapist and work out his personal problems.

    Will’s journey into therapy begins reluctantly with a typical “I don’t need to see a shrink” attitude. But after a series of arrests and getting bailed out, he’s court-ordered to start seeing someone. He cycles through five therapists, including a hypnotist, antagonizing each one to the point that they refuse to work with him. Will’s sharp intellect and deep emotional defenses make it nearly impossible for anyone to break through and connect with him.

    Finally he meets Sean Maguire (played by Robin Williams), a compassionate but no-nonsense therapist with a rich life of experiences, including deep wounds from his past, and accumulated wisdom. This article breaks down their relationship, session by session, to explore how it evolved throughout the film and potential lessons we can takeaway from it.

    First Meeting: Tensions and Boundary Testing

    Will’s first meeting with Sean begins with his usual strategy of intellectual dominance and boundary testing.

    He scans Sean’s office, searching for things to criticize, and immediately targets his book collection. “You people baffle me. You spend all this money on beautiful, fancy books, and they’re the wrong f***ing books.” Sean, unfazed, spars back, standing his ground while playfully naming books he assumes Will has read.

    Things reach a climax in the scene when Will begins to mock a painting hanging on the wall, which hits a personal nerve for Sean regarding the grief and loss of his wife. Sean’s reaction is striking and unconventional. After listening patiently, he suddenly grabs Will by the throat and threatens him: “If you ever disrespect my wife again, I will end you.”

    While it’s an unethical move for a therapist, this unorthodoxy shows Will that he is not dealing with an ordinary therapy. Both Will and Sean share working class Irish backgrounds in the hard streets of Boston. Sean knows this language and he is willing to speak it if it’s the only way to get through to Will. Sean thus establishes himself as someone who understands Will’s world, where strength and confrontation often dominate.

    This moment lays the foundation for their relationship. Sean shows he’s human, not just a clinical professional, but also that he won’t be intimidated or dismissed by Will’s antics. It’s the first step in breaking down Will’s defenses.

    The Bench Scene: A Turning Point

    After their intense first meeting, Sean invites Will to a park, where he delivers one of the most memorable monologues in the film. Sean begins by admitting his vulnerability, sharing that Will’s comments about the painting kept him up all night and genuinely bothered him.

    By admitting Will’s comments hurt him, Sean shows he’s willing to show weakness, but then he sharply pivots to challenge Will directly, “But then you know what occurred to me? You’re just a kid. You don’t have the faintest idea what you’re talking about.”

    Sean goes on to explain that despite Will’s intellectual brilliance, he lacks lived experience. Sean shares personal moments that defined him — seeing the Sistine Chapel in person, being truly in love with someone, the scars of losing friends in war, and watching a loved one die of cancer. These deep experiences illustrate the limitations of knowledge without life. Sean’s speech is a blend of tough love and empathy, forcing Will to confront the gap between his intellectual defenses and his emotional reality.

    good will hunting bench

    The bench scene sets the tone for the remainder of their therapy. Sean acknowledges Will’s brilliance but challenges him to live beyond books and theories. Sean leaves the door open for Will to continue having sessions with him only if he is ready to truly open up.

    Second Therapy Session: Silence

    The next therapy session begins with complete silence as Sean and Will sit across from each other. After two emotionally charged meetings and still lingering tensions, neither is willing to be the first to reach out or break the quiet.

    The entire hour goes by and neither says a word. While this may feel like an unproductive session, this is another important moment in their relationship. The power of silence acts as a reset button in their relationship.

    Sometimes, simply sitting in the same room without confrontation (“sharing space”) can be a meaningful step toward healing. It allows both Sean and Will to recalibrate, setting the stage for a more productive dynamic moving forward.

    Third Therapy Session: Humor and Opening Up

    The silence stand-off continues into their third session, with each still not willing to budge or say the first word.

    Finally Will breaks the silence with a dirty joke, immediately breaking the tensions in the room and reinitiating conversation in a fun and light-hearted way. After they share a laugh, Will begins to open up about a girl he’s been dating recently. Will mentions how he worries the girl is “too perfect,” and that getting to know her more would just shatter that illusion. Sean wisely responds back, “That’s a super philosophy, that way you can go through your entire life without ever really getting to know anybody.”

    Sean opens up about his wife and the quirks behind their love, like her farting in her sleep and waking up the dog. After all these years, these are the little moments he remembers and cherishes about her. No one is “perfect,” and it’s often the imperfections that make someone special to us.

    good will hunting laugh

    Robin Williams improvised the story about his wife causing Matt Damon to genuinely burst out into laughter during this scene.


    After more light-hearted banter, Will turns the tables and ask why Sean never got remarried. Will firmly replies, “My wife is dead.” Then Will, always testing and challenging, uses one of Sean’s lines against him: “That’s a super philosophy, that way you can go through your entire life without ever really getting to know anybody.”

    Fourth Therapy Session: Love, Opportunities, and Regrets

    Now on much more amicable terms, Will opens up with an honest question, “Do you ever wonder what your life would be like if you never met your wife?”

    Sean accepts that there’s been a lot of pain and suffering in his relationship, but he doesn’t regret any of it, because the good moments were worth it and he wouldn’t trade a single day with her through good or bad times. Will presses to learn more, “When did you know she was the one?”

    “October 21, 1975.”

    It was game six of the World Series, the biggest game in Red Sox history – and Sean slept on the sidewalk all night with friends to get tickets. He recalls the momentous occasion when the Red Sox hit a game-winning home run and everyone rushed the field.

    “Did you rush the field?”

    “Hell no, I wasn’t there. I was in a bar having a drink with my future wife.”

    The story illustrates how Sean knew his wife was the one when he was willing to miss the opportunity of a life-changing moment (being at a historical sporting event) for an even bigger life-changing moment (finding love and his future wife).

    Will is incredulous and yells at Sean for missing the game. He asks, “How did your friends let you get away with that?” And Will simply replies, “I just slid my ticket across the table and said, ‘Sorry guys, I gotta see about a girl.’”

    Fifth Therapy Session: Facing Potential and Values

    In this session, Will begins to ask deep questions about what he wants to do with the rest of his life and what are the best uses of his intelligence and talents.

    After a job interview with the NSA, Will goes into a diatribe about how his talents could be hypothetically used for catastrophic consequences, like overthrowing foreign governments, destabilizing entire countries, or getting his friends sent to fight some war overseas.

    Sean asks him directly, “What are you passionate about? What do you want?”

    They discuss the honor of work, including construction work and Will’s job as a janitor and the pride he takes in it, even though society may not view it as the most rewarding job in the world. Sean prods further asking why he chose to be a janitor at the most prestigious technical university in the world, and why he secretly finished math problems, highlighting that there may be something else driving Will.

    Sean asks again what Will wants to do with his life, and he deflects by joking that he wants to be a shepherd on his own plot of land away from the world. Sean isn’t willing to waste his time and decides to end the session early. Will has a final outburst before leaving, “You’re lecturing me on life? Look at you, you burnout!”

    This session reveals how Will is afraid of his potential and talents, including the responsibility that comes with them. “I didn’t ask to be born like this.” He feels safe continuing to live in his hometown, work his everyday job, and hangout with his childhood friends. He’s afraid to dream bigger. There may be something deeper driving Will’s thirst for knowledge, but he doesn’t know his core values and motivations, and doesn’t truly know himself or what he wants out of life.

    Sixth Therapy Session: “It’s Not Your Fault”

    The next therapy session begins with Sean uncovering more about Will’s painful past, particularly his life as an orphan and the physical abuse he endured with his foster parents. Sean reveals that he, too, grew up with an abusive, alcoholic father, forging another shared bond between them.

    As their conversation unfolds, Will correctly guesses that his final psychological report likely diagnoses him with “attachment issues” and a “fear of abandonment.” He acknowledges that these issues may have driven him to push his girlfriend away, leading to their recent breakup. When Sean gently asks if he wants to talk about it, Will declines.

    Sean then shifts the focus, holding onto the reports as he says, “I don’t know a lot. But you see this? All this shit? It’s not your fault.”

    At first, Will politely agrees, brushing off the comment, but Sean repeats the line: “It’s not your fault.” With each repetition, Will’s emotional defenses begin to crumble, and he cycles through a range of emotions—politeness, confusion, anger, and aggression—until the weight of Sean’s words fully sinks in. Overwhelmed, Will finally breaks down and cries, releasing years of suppressed pain and guilt.

    good will hunting

    In this profoundly cathartic moment, Sean embraces Will, offering the safe and empathetic connection that has been absent from Will’s life. It’s a turning point where Will confronts his past without blame or self-judgment, finally opening the door to acceptance and healing.

    Last Goodbye

    In their last meeting, Will thanks Sean for all of his help and shares the good news that he has accepted an exciting new job. Sean, in turn, reveals his plans to travel and explore life on his own terms. They exchange numbers to keep in touch, symbolizing the respect and connection they’ve built.

    This moment underscores that therapy is often a chapter in life that prepares individuals to continue their journeys independently. Both Will and Sean needed to say their goodbyes and go their separate ways to continue following their paths in life. Will has learned to face his fears and embrace his potential. Sean has rediscovered purpose and fulfillment through helping Will. Their goodbye is bittersweet but profound, a reminder that growth often requires letting go and moving forward.

    In the final scene, Will leaves a letter at Sean’s place that reads, “If the professor calls about that job, just tell him sorry—I had to go see about a girl.” This moment beautifully exemplifies Will’s newfound courage to follow his heart and take meaningful risks.

    Conclusion

    The therapeutic relationship between Sean and Will in Good Will Hunting is a masterclass in storytelling and psychology. Through humor, vulnerability, and mutual respect, Sean helps Will break through years of pain and fear, while Will reignites Sean’s passion for life. Their journey is a powerful testament to the transformative potential of therapy — and how creating a space of acceptance, healing, and growth can change lives.


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    Steven Handel

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  • Late Comedian George Carlin's Daughter Blasts AI Attempt To Recreate Him

    Late Comedian George Carlin's Daughter Blasts AI Attempt To Recreate Him

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    Opinion

    Source: Christopher Hazard YouTube

    The daughter of the late great comedian George Carlin, who died of heart failure back in 2008 at the age of 71, is speaking out this week to slam an artificial intelligence-generated special that seeks to replicate him.

    Carlin’s Daughter Sounds Off

    “No machine will ever replace his genius,” Kelly Carlin told Rolling Stone.

    Kelly was referring to an hour-long special from Dudesy, a podcast run by artificial intelligence, which seeks to reinvent Carlin’s signature style.

     “What you’re about to hear is not George Carlin,” it announces at the start, adding that to replicate Carlin’s style, it “listened to all of George Carlin’s material and did my best to imitate his voice, cadence and attitude as well as the subject matter I think would have interested him today.”

    “I know what all the stand-up comics across the globe are saying right now: ‘I’m an artist and my art form is too creative, too nuanced, too subtle to be replicated by a machine. No computer program can tell a fart joke as good as me,’” Dudesy continued, according to Entertainment Weekly.

    Find out more about the special in the video below.

    Kelly Doubles Down

    Kelly took to the social media platform X, formerly known as Twitter, to give her full thoughts on this AI attempt to replicate her father.

    “My statement regarding the AI generated George Carlin special: My dad spent a lifetime perfecting his craft from his very human life, brain and imagination,” she wrote. “No machine will ever replace his genius. These AI generated products are clever attempts at trying to recreate a mind that will never exist again.”

    “Let’s let the artist’s work speak for itself. Humans are so afraid of the void that we can’t let what has fallen into it stay there,” she continued. “Here’s an idea, how about we give some actual living human comedians a listen to? But if you want to listen to the genuine George Carlin, he has 14 specials that you can find anywhere.”

    When asked “this clown had permission,” she was quick to reply, “ZERO PERMISSION GRANTED.”

    Related: George Carlin Tears Apart Political Correctness

    Robin Williams’ Daughter Rips AI

    This comes months after the daughter of the late comedic actor Robin Williams slammed AI attempts to recreate him. Daily Mail reported that Zelda Williams, 34, took to her Instagram Story back in October to give her thoughts on the dispute between the Screen Actors Guild (SAG) and Alliance of Motion Picture and Television Producers (AMPTP), with AI being one of the key factors in it.

    “I’ve witnessed for YEARS how many people want want to train these [AI] models to create/recreate actors who cannot consent, like Dad,” she said. “I’ve already heard AI used to get his ‘voice’ to say whatever people want and while I find it personally disturbing, the ramifications go far beyond my own feelings.”

    Related: Robin Williams’ Daughter Blasts AI Attempts To Recreate Her Father – ‘I Find It Personally Disturbing’

    This came after members of SAG and the Writers Guild of America (WGA) launched a strike back in May, partly to seek protection from AI, which is unrestricted at this time.

    “This isn’t theoretical, it is very very real,” Zelda continued. “Living actors deserve a chance to create characters with their choices, to voice cartoons, to put their HUMAN effort and time into the pursuit of performance.”

    “These recreations are, at their very best, a poor facsimile of greater people, but at their worst, a horrendous Frankensteinian monster, cobbled together from the worst bits of everything this industry is, instead of what it should stand for,” she added.

    With AI becoming more and more advanced every day, it will certainly be interesting to see what it is used for next. What do you think about this? Let us know in the comments section.

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    James Conrad

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  • Robin Williams Improvised So Much of ‘Mrs. Doubtfire’ That the Cameras Ran Out of Film

    Robin Williams Improvised So Much of ‘Mrs. Doubtfire’ That the Cameras Ran Out of Film

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    When Robin Williams got going, there was absolutely no stopping him. According to director Chris Columbus, the late, great Williams improvised so much while shooting Mrs. Doubtfire that nearly 2 million feet of film was amassed during production.

    Columbus spoke about the stockpile of footage in a Business Insider article celebrating the 30th anniversary of Mrs. Doubtfire, revealing that there are almost 1,000 boxes of footage from the classic film starring Williams as Daniel Hillard, a recently divorced voice actor who, in order to stay close to his three children, goes undercover as British nanny Mrs. Doubtfire. “There are roughly 972 boxes of footage from Doubtfire—footage we used in the movie, outtakes, behind-the-scenes footage—in a warehouse somewhere, and we would like to hire an editor to go in and look at all of that,” said Columbus.

    Columbus told Business Insider that he hopes to release a documentary about the making of Mrs. Doubtfire, sharing that a team is “talking about it and trying to get it done.” The goal is to highlight Williams’s singular comedic talent and process. “There is something special and magical about how he went about his work, and I think it would be fun to delve into it,” he explained. “I mean, there’s 2 million feet of film in that warehouse, so there could be something we can do with all of that.”

    A lot of that footage, it seems, is of Williams improvising. “If it were today, we would never end,” said Columbus. “But back then, we were shooting film, so once we were out of film in the camera, we would say to Robin, ‘We’re out of film.’ That happened on several occasions.” Although Williams was burning through film, he was so funny that the studio execs didn’t mind and “were loving what they were seeing.” 

    Williams starred in Mrs. Doubtfire opposite Sally Field, Pierce Brosnan, and Harvey Fierstein. “It got to the point that I had to shoot the entire movie with four cameras to keep up with him,” explained Columbus. “None of us knew what he was going to say when he got going, and so I wanted a camera on the other actors to get their reactions. For Pierce Brosnan and Sally Field, it was quite difficult for them not to break character.”

    To his credit, Williams was upfront about the way he liked to work and his love of improvisation. According to Columbus, Williams came up to him at the beginning of the process and said, “Hey, boss, the way I like to work, if you’re up for it, is: I’ll give you three or four scripted takes, and then let’s play.” Still, Columbus admitted that it couldn’t have been easy for those working on the film, particularly those tasked with working on the script. “The poor script supervisor,” he said. “She was handwriting it, and Robin would change every take. So Robin would go to a place where he couldn’t remember much of what he said. We would go to the script supervisor and ask her, and sometimes she didn’t even get it all.”

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    Chris Murphy

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  • ‘Beware!!’: Tom Hanks warns fans about fake ad using AI version of him – National | Globalnews.ca

    ‘Beware!!’: Tom Hanks warns fans about fake ad using AI version of him – National | Globalnews.ca

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    Actor Tom Hanks has warned his fans not to fall victim to an advertisement using a fake photo of him generated by artificial intelligence (AI).

    On Saturday, the 67-year-old film star said the advertisement was using his likeness without his permission to hawk a dental plan.

    https://www.youtube.com/watch?v=71ex_HucXNc

    Hanks shared a screenshot of the ad to Instagram with the caption, “Beware!! There’s a video out there promoting some dental plan with an AI version of me. I have nothing to do with it.”

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    The AI-generated Hanks appears to have been aged down in the advertisement.

    Hanks did not reveal the company name or where the advertisement was being shown, and his representatives have declined comment.

    Gayle King issues a similar warning

    Only one day after Hanks’ warning, Gayle King also shared a message warning her followers about a fraudulent video advertisement using her likeness. The CBS Mornings host said malicious advertisers used AI to manipulate a legitimate video of King promoting her radio show in August.

    “People keep sending me this video and asking about this product and I have NOTHING to do with this company,” King wrote. “They’ve manipulated my voice and video to make it seem like I’m promoting it.”

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    King posted the AI weight loss advertisement to Instagram, with the words “Fake Video” stamped overtop. She also included footage from her original radio show promotion to prove that the advertisement had been doctored.

    “I’ve never heard of this product or used it! Please don’t be fooled by these AI videos,” she concluded.

    King did not specify where the advertisement was being shown.

    Meta, the parent company of Instagram and Facebook, told the New York Times in an email that it is “against our policies to run ads that use public figures in a deceptive nature in order to try to scam people out of money.”

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    “We have put substantial resources towards tackling these kinds of ads and have improved our enforcement significantly, including suspending and deleting accounts, pages and ads that violate our policies,” the statement continued.

    ‘Disturbing’ AI recreations

    Even after death, celebrities are not immune to AI manipulation.

    Zelda Williams, the daughter of iconic comedian and actor Robin Williams, on Sunday said her father’s image and voice had been replicated by AI and shared online.

    In a statement posted to her Instagram story, Zelda called AI-generated content featuring her father’s likeness “disturbing.”

    Robin died by suicide in 2014.

    “I am not an impartial voice in SAG’s fight against AI,” Zelda wrote. “I’ve witnessed for YEARS how many people want to train these models to create/recreate actors who cannot consent, like Dad. This isn’t theoretical, it is very very real.

    “I’ve already heard AI used to get his ‘voice’ to say whatever people want and while I find it personally disturbing, the ramifications go far beyond my own feelings,” Zelda continued. “Living actors deserve a chance to create characters with their choices, to voice cartoons, to put their HUMAN effort and time into the pursuit of performance.”

    Zelda called AI-generated versions of actors “at their worst, a horrendous Frankenstein monster, cobbled together from the worst bits of everything this industry is, instead of what it should stand for.”

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    Zelda Williams’ Instagram story on Oct. 1, 2023.


    Instagram @zeldawilliams

    What can be done?

    This is far from the first time actors like Hanks have expressed worry about the use of AI in the entertainment industry.

    Earlier this year, Hanks voiced his concern about AI and internet deepfakes when he appeared as a guest on The Adam Buxton Podcast. Hanks said he first began to worry after starring in the 2004 Christmas film The Polar Express, which saw Hanks and a cast of others animated using motion-capture technology.

    “We saw that there was going to be this ability in order to take zeros and ones inside a computer and turn it into a face and a character,” Hanks said in the interview. “Now, that has only grown a billion-fold since then and we see it everywhere.”

    “We saw this coming,” Hanks said of AI.

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    Hanks also saw the Hollywood strikes coming. Much of the Writers Guild of America (WGA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) strikes have involved the use of AI as a key sticking point.

    On The Adam Buxton Podcast, Hanks said there were “discussions going on in all of the guilds, all of the agencies and all of the legal firms in order to come up with the legal ramifications of my face and my voice — and everybody else’s — being our intellectual property.”

    Hanks said the technology could allow studios to perpetually create movies starring AI versions of him at various, younger ages. He said he could be “hit by a bus tomorrow” and still have his likeness star in future performances.

    “Outside of the understanding that it’s being done by AI or deepfake, there’ll be nothing to tell you that it’s not me and me alone — and it’s going to have some degree of lifelike quality,” he said. “That’s certainly an artistic challenge, but it’s also a legal one.”

    The WGA strike was declared over this month after board members approved a contract agreement with studios. The agreement prohibits studios from using AI to write or rewrite material.


    Click to play video: 'Hollywood writers, studios reach tentative deal to end strike'


    Hollywood writers, studios reach tentative deal to end strike


    SAG-AFTRA members are still on strike.

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    In Canada, the Liberal government last year introduced legislation that proposed new rules for the use of AI. The proposal came as part of a federal privacy bill to give Canadians more control over how their personal data is used by commercial entities.


    Click to play video: 'Government introduces new privacy bill to give Canadians more control over online data'


    Government introduces new privacy bill to give Canadians more control over online data


    Numerous civil society organizations, experts and academics have called on the government to amend its proposal so that AI is considered separately. Advocates have argued the existing AI section of the bill fails to protect the rights and freedoms of people from the risks of AI.

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Sarah Do Couto

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  • Robin Williams’ Kids Honour Late Actor On What Would’ve Been His 72nd Birthday

    Robin Williams’ Kids Honour Late Actor On What Would’ve Been His 72nd Birthday

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    By Zach Seemayer‍ , ETOnline.com.

    Robin Williams’ kids are paying tribute to their late father, on what would have been his 72nd birthday.

    Robin’s son, Zak, took to Instagram on Friday to share a special message for his late father, alongside a still from the actor’s 1987 war dramedy, “Good Morning, Vietnam”.

    “Happy 72nd Dad! Was remembering how much I used to love that look you’d give,” Zak wrote. “That look with a mischievous, loving grin that your friends and loved ones knew so well. Joyous and curious and wondrous.”

    Zak, 40, concluded his sweet tribute, “Miss you and love you forever!”

    Robin’s daughter, Zelda Williams, also shared a meaningful post, which also called attention to the ongoing SAG-AFTRA/WGA strikes.

    Zelda, 33, took to Twitter on Friday to share a photo of her father on the picket line when the WGA previously went on strike in 2007-’08, holding a sign and protesting with other writers and creatives.

    “Happy birthday to Poppo, who definitely would’ve been out there fighting the good fight for art and artists today and always,” Zelda captioned the pic.

    Robin died by suicide in August 2014, a year after he was diagnosed with Parkinson’s disease.

    In a September 2020 interview with the “Today” show, Robin’s widow, Susan, said he suffered from diffused Lewy body dementia, a neurological disease that can lead to problems with thinking, memory and movement.

    For more on Williams’ children, as well as his life and legacy, see the video below.

     

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    Sarah Curran

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  • Kumail Nanjiani Reveals Robin Williams Inspired Him To Transition From Comedy To Drama

    Kumail Nanjiani Reveals Robin Williams Inspired Him To Transition From Comedy To Drama

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    By Anita Tai.

    Kumail Nanjiani says the late Robin Williams was one of his heroes in life.

    The comedian, who takes on a dramatic role “Welcome to Chippendales”, says he was inspired to take a darker direction with his new work because of the comedy legend.

    “When I look at the people that inspired me to do comedy in the first place, someone I think of a lot is Robin Williams,” explained Nanjiani on Wednesday’s episode of “The View”. “when I think of people who started off as standup and ended up doing dark dramatic roles, it’s very hard to beat the level that he achieved in all those different areas. And I was like ‘if my heroes are doing this I have to at least try and follow in their footsteps.’”


    READ MORE:
    ‘Welcome To Chippendales’ Costume Designer Reveals Those Tear-Away Pants Are More Complicated Than Viewers Think

    Williams was well-known for his comedic roles, voicing the Genie in “Aladdin”, the desperate father in “Mrs. Doubtfire” and bringing audiences laughs in a variety of ’90s comedies. Later in his career, he also expanded his repertoire with more serious roles like his award-winning role as Sean in “Good Will Hunting”.

    Nanjiani revealed that he actually met Williams once in real life prior to his death.

    “Actually, my wife and I used to do this show in LA in the back of this comic book store, just a tiny little show. One day I was hosting and I came back stage and Robin Williams was standing there,” recalled the actor.

    He was surprised by the sudden appearance and invited the legend to perform on the stage.


    READ MORE:
    Who Is Dorothy Stratten? Nicola Peltz On Portraying The Playmate In ‘Welcome To Chippendales’ (Exclusive)

    “I was like, ‘do you want to go up on stage?’ and he said ‘oh no, I can’t.’ ‘Are you sure?’ and before I could finish, he was like ‘I’ll just do two minutes,’” said Nanjiani. “He went on stage and did 20 minutes. It was amazing. He did so well.”

    Hulu’s “Welcome to Chippendales” premieres with two episodes on Nov. 22, with one new episode rolling out weekly through Jan. 3, 2023.

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    Anita Tai

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