ReportWire

Tag: Riley Keough

  • Priscilla Presley Recounts the Moment She Almost Lost Graceland Forever

    There are few estates better-known than Memphis, Tennessee’s Graceland, once the home of Elvis Presley and his family. This family jewel, glowing with the allure of its past, not to mention the mansion’s sprawling ’60s design, was home to the rock and roll legend for more than 20 years. After sharing the premises with his parents, the King lived there with his wife, Priscilla Presley. The house hosted the couple’s second wedding ceremony on May 29, 1967. Now open to the public as a monument to Elvis’ legacy, the singer’s property almost suffered a very different fate. In her memoir, Softly, As I Leave You: Life After Elvis, which hit shelves Tuesday, Priscilla Presley reflected on the fate of Graceland, now a must-see for Elvis fans.

    When Elvis died of a heart attack in 1977, his father, Vernon Presley, inherited the house, as he and Priscilla had divorced in 1973. When Vernon, Priscilla’s former father-in-law, died two years later in 1979, she then became trustee of the property. If we are to believe Priscilla, becoming Graceland’s caregiver was more burden than boon. According to her, Graceland’s upkeep represented such a huge loss of money that she and her daughter, Lisa Marie Presley, were left with just $500,000 of Elvis’s inheritance to spare. The future of the property was at stake.

    “After Elvis passed, it went on for about three years until the attorneys brought me in and said, ‘Priscilla, we’re going to have to sell Graceland. We have no money. We’re not bringing any money in,’” Priscilla told People in an interview this week. “I just looked at them, and I said, ‘That’ll never happen, ever.’ Then, I left.”

    Time was running out. The new trustee had to come up with a plan to prevent the Graceland estate from slipping away, crumbling, or being sold. A new acquaintance saved the day: Morgan Maxfield, a businessman who had made his fortune building highway service stations, was introduced to Priscilla by a mutual friend. Maxfield breathed life into the idea of opening Graceland to the public and generating income to sustain the estate. Unfortunately, Maxfield died in a plane crash in 1981, before he could see Graceland opened as a museum in 1982.

    “That was a shock. He was guiding me all the way on opening Graceland,” Priscilla told People. “Thank God I was able to fulfill what he had said about making sure I get the right people, the right attorneys, the right bank. It was a trip, but it was a trip worthwhile.” Today, the estate welcomes around 600,000 visitors a year.

    Although Priscilla Presley fought to preserve the estate as soon as the singer passed away, the property again found itself at the heart of a dispute in 2024. Riley Keough, Elvis’s granddaughter, is now the property’s trustee. She became embroiled in a legal battle with Naussany Investments & Private Lending LLC, which purported to be an investment firm specializing in real estate loans and buyouts. The mysterious Naussany claimed that they had granted a $3.8 million loan to Keough’s mother, Lisa Marie Presley, in which she allegedly put up the property as collateral. Naussany advertised a foreclosure auction for Graceland, claiming to hold the deed, and after a brief, bizarre period of legal drama, both the deed and Naussany itself were both found fraudulent, with Keough’s ownership of Graceland affirmed.

    “The purported note and deed of trust are products of fraud and those individuals who were involved in the creation of such documents are believed to be guilty of the crime of forgery,” reads part of the initial civil suit, which also accuses NIPL of being “not a real entity.”

    A Missouri woman, Lisa Jeanine Findley, was arrested in August 2024 and fingered as the actor behind Naussany and the scheme to steal Graceland. In February 2025, she pleaded guilty to one count of mail fraud in the ensuing criminal case in the District of Western Tennessee court. On September 23, a Memphis judge sentenced her to 57 months in prison, with three years of supervised release.

    Originally published in Vanity Fair France.

    Olivia Batoul

    Source link

  • From Riley Keough and Albert Serra to Highly Anticipated Debuts: 8 Catalan Projects to Watch in 2026

    Despite not yet having wrapped a stellar 2025 — crowned by a whopping 27 projects featured at Spain’s prestigious San Sebastián Film Festival — the Catalan film industry is already looking ahead. 

    If this year brought major festival hits such as Carla Simón’s “Romería,” Oliver Laxe’s “Sirāt,” and Eva Libertad’s “Deaf,” 2026 seems set to usher yet another significant wave of Catalan talent. “Pacifiction” director Albert Serra is readying to premiere “Out of This World,” his English-language debut starring Riley Keough, while renowned “Jokes and Cigarettes” director David Trueba tackles his very own novel with the unconventional romantic drama “Always Winter.” Spain’s favorite animated archaeologist returns for another adventure in the fourth instalment of Enrique Gato’s “Tadeo Jones” series, and “Sirāt” star Sergi López confronts death in Sylvère Petit’s poignant “The Whale.” 

    While there is plenty on offer when it comes to already established directors, the new year brings with it a crop of promising young talent. Feature debuts to watch include “Iván & Hadoum,” by “Veneno” co-writer Ian de la Rosa, and “Sealskin,” by Goya-winning director Irene Moray. 

    Below, Variety helps you keep track of the Catalan projects to watch in 2026: 

    “Out of This World,” dir. Albert Serra 

    (Andergraun Films, Arte France Cinéma)

    The English-language debut of the biting “Pacifiction” director, “Out of This World” was one of the hot titles at this year’s Cannes Film Market and might make an appearance at the Croisette in 2026. Riley Keough replaced previously attached Kristen Stewart in the project, which follows an American delegation traveling to Russia during the Ukrainian war to try finding a solution to an economic dispute. While mainly in English, the film, which is currently in post-production, will also feature Russian dialogue.

    “Always Winter” (“Siempre Invierno”), dir. David Trueba 

    (Ikiru Films, Atresmedia Cine, La Terraza Films, Blitz La Película AIE, Wrong Men)

    For the first time in his lauded career, Goya-winning Trueba (“Jokes and Cigarettes”) is adapting one of his very own novels, and one of his best, the 2015 novella “Blitz.” “Always Winter” reunites the director with David Verdaguer, who plays a 30-something architect who unexpectedly falls in love with a 60-something volunteer played by Isabelle Renauld (“Eternity and a Day”) while on a work trip to Belgium. The film is currently in post-production. Film Factory handles sales. 

    “Iván & Hadoum,” dir. Ian de la Rosa

    (Pecado Films, Vayolet, Port au Prince, Saga Film)

    The highly anticipated feature debut of one of Spain’s top emerging talents, “Iván & Hadoum” follows the titular couple of trans man Iván and Spanish-Moroccan Hadoum, who fall in love at work and go against staunch opposition from friends and family. De la Rosa co-wrote HBO Max’s hit show “Veneno.” His short “Farrucas” was nominated for a Goya Award and won a Gaudí Award, making him the first trans filmmaker to win such a prize in Spain. The film is made in collaboration with RTVE, Canal Sur, and Movistar+.

    “Sealskin” (“Piel de Foca”), dir. Irene Moray

    (Lastor Media, Vilaüt Films)

    Winner of the Goya Award for best short film for 2019’s “Watermelon Juice,” Moray is currently in production with her magical realist feature debut, “Sealskin.” After the loss of her grandmother, cleaner Flora connects deeply with a teacher who, little by little, is becoming transparent. With the help of a sensitive gardener, Flora sets out to take care of her friend and help her get out of a toxic relationship before she disappears for good. In collaboration with Filmin and Movistar Plus+. 

    “Sants” dir. Mikel Gurrea

    (Lastor Media, Nocturna, Vilaüt Films)

    Gurrea’s short films have played major festivals such as Venice and San Sebastián. His 2022 feature debut “Suro” won the Fipresci Award at the Basque festival and earned him a Gaudí nomination for best new director. The director’s sophomore feature, currently in pre-production, tells the story of a young woman struggling to care for her dying mother, who, in desperation, decides to join a dangerous band of thieves specializing in stealing religious figures.

    “Tadeo Jones 4” (“Tad the Lost Explorer 4”), dir. Enrique Gato

    (Telecinco Cinema, Lightbox Animation Studios, Ikiru Films, Anangu Grup, TadeoFilms)

    Lauded animation designer Gato returns with another adventure starring his three-time Goya-winning character Tadeo Stones. A Paramount project, the film will see the archaeologist enter new territory: time-travelling. When Momia becomes jealous of Tad’s two-year-old daughter Olimpia, he travels back in time to try to stop the little girl from being born. The archaeologist and his wife then chase the clock to save their beloved little girl. Currently in production, it is a question of whether or not the project might be ready for an Annecy bow in 2026. 

    “The Good Daughter” (“La Buena Hija”), dir. Júlia de Paz

    (Avalon, Krater Films, Astra Pictures)

    One of Variety’s 2021 Spanish directors to track and Berlin Talents honoree, de Paz follows her Málaga-winning debut “Ama” with a family drama that first finds young Carmela and her mother moving to her grandmother’s house following her parents’ separation. The shadow of Carmela’s father, a plastic artist she idolizes, will send the three women on a vital journey of introspection to begin building the future they deserve. With the collaboration of RTVE and Movistar+.

    “The Whale” (“La Balena”), dir. Sylvère Petit

    (Les Films d’Ici Méditerranée, Imagic, Iota Production)

    Starring “Sirāt” and “Pan’s Labyrinth” Cesar-winner Sergi López, “The Whale” is the fiction feature debut of documentarian and photographer Petit (“Vivant parmi les vivants”). Set in a Mediterranean town in the autumn of 1985, the film begins with a dead whale washed ashore. Wine grower Corbac makes it his mission to save the skeleton from a health threat, the film exploring the man’s — and his daughter’s — connection to nature, the ocean, and life. The film is currently shooting. 

    Rafa Sales Ross

    Source link

  • The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Emma Stone. Getty Images

    The Venice Film Festival is always a glamorous affair, but this year’s prestigious competition just might be the most star-studded yet. The 11-day extravaganza, which kicks off on August 27 and runs through September 6, is filled with noteworthy film premieres, screenings and fêtes, all of which are attended by A-list filmmakers and celebrities.

    The 2025 lineup is replete with buzzy, highly-anticipated films; the main competition includes Yorgos Lanthimos’s Bugonia, starring Emma Stone and Jesse Plemons, Guillermo del Toro’s Frankenstein, with Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz, Noah Baumbach’s Jay Kelly, with George Clooney, Adam Sandler, Laura Dern and Billy Crudup, and Kathryn Bigelow’s A House of Dynamite, starring Idris Elba and Rebecca Ferguson.

    Luca Guadagnino’s eagerly awaited After the Hunt is also premiering at the festival out of competition, featuring Julia Roberts, Ayo Edebiri, Chloë Sevigny, Andrew Garfield and Michael Stuhlbarg.

    Alexander Payne is the jury president for the 82nd Venice International Film Festival, and this year’s Golden Lion for Lifetime Achievement which will be awarded to Werner Herzog and Kim Novak.

    Glitzy movie premieres aside, let’s not forget about the sartorial moments at Venice, because attendees always bring their most fashionable A-game to walk the red carpet in front of the Lido’s Palazzo del Cinema. It’s a week-and-a-half of some of the best style moments of the year, and we’re keeping you updated with all the top ensembles on the Venice red carpet. Below, see the best fashion moments from the 2025 Venice International Film Festival.

    "The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival"The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival
    Emily Blunt. Getty Images

    Emily Blunt

    in Tamara Ralph 

    "The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival"The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival
    Halsey. WireImage

    Halsey

    "The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival"The Smashing Machine" Red Carpet - The 82nd Venice International Film Festival
    Dwayne Johnson. Getty Images

    Dwayne Johnson

    Celebrity Sightings - Day 6 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 6 - The 82nd Venice International Film Festival
    Kaia Gerber and Lewis Pullman. FilmMagic

    Kaia Gerber and Lewis Pullman

    Gerber in Givenchy 

    "The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival"The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival
    Amanda Seyfried. Getty Images

    Amanda Seyfried

    in Prada

    "The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival"The Testament Of Ann Lee" Red Carpet - The 82nd Venice International Film Festival
    Thomasin McKenzie. Corbis via Getty Images

    Thomasin McKenzie

    in Rodarte 

    The 82nd Venice International Film Festival - Day 6The 82nd Venice International Film Festival - Day 6
    Stacy Martin. Deadline via Getty Images

    Stacy Martin

    "The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival"The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival
    Alexa Chung. Corbis via Getty Images

    Alexa Chung

    in Chloe

    "The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival"The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival
    Alicia Vikander. Getty Images

    Alicia Vikander

    in Louis Vuitton

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Cate Blanchett. Max Cisotti/Dave Benett/WireImag

    Cate Blanchett

    in Maison Margiela 

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Charlotte Rampling. WireImage

    Charlotte Rampling

    in Saint Laurent 

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Mayim Bialik. Getty Images

    Mayim Bialik

    in Saint Laurent 

    Filming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film FestivalFilming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film Festival
    Alicia Silverstone. WireImage

    Alicia Silverstone

    "Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival"Father Mother Sister Brother" Red Carpet - The 82nd Venice International Film Festival
    Luka Sabbat. WireImage

    Luka Sabbat

    "The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival"The Wizard Of The Kremlin" (Le Mage Du Kremlin) Red Carpet - The 82nd Venice International Film Festival
    Jude Law. Corbis via Getty Images

    Jude Law

    Filming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film FestivalFilming Italy Venice Award Delegation Red Carpet - The 82nd Venice International Film Festival
    Da’Vine Joy Randolph. WireImage

    Da’Vine Joy Randolph

    in Alfredo Martinez 

    "Motor City" Red Carpet - The 82nd Venice International Film Festival"Motor City" Red Carpet - The 82nd Venice International Film Festival
    Shailene Woodley. FilmMagic

    Shailene Woodley

    in Fendi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Molly Gordon. Getty Images

    Molly Gordon

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Dior 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Jacob Elordi. WireImage

    Jacob Elordi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Kaitlyn Dever. Getty Images

    Kaitlyn Dever

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Callum Turner. Getty Images

    Callum Turner

    in Louis Vuitton 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Leslie Bibb. Getty Images

    Leslie Bibb

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Paris Jackson. Getty Images

    Paris Jackson

    in Trussardi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Gemma Chan. Max Cisotti/Dave Benett/WireImag

    Gemma Chan

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Rosie Huntington-Whiteley. Max Cisotti/Dave Benett/WireImag

    Rosie Huntington-Whiteley

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Sofia Carson. WireImage

    Sofia Carson

    in Armani Privé

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Suki Waterhouse. Getty Images

    Suki Waterhouse

    in Rabanne 

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. Getty Images

    Tilda Swinton

    in Chanel 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Ayo Edebiri. Getty Images

    Ayo Edebiri

    in Chanel

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Monica Barbaro. WireImage

    Monica Barbaro

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Andrew Garfield. WireImage

    Andrew Garfield

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Chloe Sevigny. Getty Images

    Chloe Sevigny

    in Saint Laurent 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Lady Amelia Spencer and Lady Eliza Spencer. Getty Images

    Lady Amelia Spencer and Lady Eliza Spencer

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Isabeli Fontana. Getty Images

    Isabeli Fontana

    in Yara Shoemaker 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Chloe Sevigny. WireImage

    Chloe Sevigny

    in Simone Rocha 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Ayo Edebiri. Corbis via Getty Images

    Ayo Edebiri

    in Chanel  

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Cate Blanchett. Getty Images

    Cate Blanchett

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    George Clooney and Amal Clooney. WireImage

    George Clooney and Amal Clooney

    Amal Clooney in vintage Jean-Louis Scherrer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Armani Privé

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chloe 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Noah Baumbach and Greta Gerwig. Getty Images

    Noah Baumbach and Greta Gerwig

    Gerwig in Rodarte 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Molly Sims. WireImage

    Molly Sims

    in Pamella Roland

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Naomi Watts and Billy Crudup. Getty Images

    Naomi Watts and Billy Crudup

    Watts in Valentino, Crudup in Celine 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Shailene Woodley. WireImage

    Shailene Woodley

    in Kallmeyer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Schiaparelli

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler. WireImage

    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Emma Stone. WireImage

    Emma Stone

    in Louis Vuitton 

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Alicia Silverstone. WireImage

    Alicia Silverstone

    in Prada

    "Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival"Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival
    Benedetta Porcaroli. Getty Images

    Benedetta Porcaroli

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chanel 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Saint Laurent 

    "Bugonia" Photocall - The 82nd Venice International Film Festival"Bugonia" Photocall - The 82nd Venice International Film Festival
    Emma Stone. Getty Images

    Emma Stone

    in Louis Vuitton 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Greta Gerwig. WireImage

    Greta Gerwig

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Erdem 

    Celebrity Sightings - Day 2 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 2 - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Cate Blanchett. WireImage

    Cate Blanchett

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. WireImage

    Tilda Swinton

    in Chanel

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Claire Holt. WireImage

    Claire Holt

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Barbara Palvin. Getty Images

    Barbara Palvin

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Zhao Tao. WireImage

    Zhao Tao

    in Prada

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Fernanda Torres. WireImage

    Fernanda Torres

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Heidi Klum and Leni Klum. WireImage

    Heidi Klum and Leni Klum

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charleen Weiss. WireImage

    Charleen Weiss

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charlotte Wells. WireImage

    Charlotte Wells

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Paola Turani. WireImage

    Paola Turani

    in Galia Lahav 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    RaMell Ross. WireImage

    RaMell Ross

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Shannon Murphy. WireImage

    Shannon Murphy

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Emanuela Fanelli. WireImage

    Emanuela Fanelli

    in Armani Privé

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Benedetta Porcaroli and Carolina Cavalli. Getty Images

    Benedetta Porcaroli and Carolina Cavalli

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Noomi Rapace. Corbis via Getty Images

    Noomi Rapace

    in Courrèges

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Sylvia Hoeks. Getty Images

    Sylvia Hoeks

    in Prada

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Alba Rohrwacher. Getty Images

    Alba Rohrwacher

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Laura Dern. Getty Images

    Laura Dern

    in Emilia Wickstead

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Emily Mortimer and Alessandro Nivola. Getty Images

    Emily Mortimer and Alessandro Nivola

    "Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival"Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival
    Amal Clooney and George Clooney. GC Images

    Amal Clooney and George Clooney

    Amal Clooney in Balmain 

    The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Morgan Halberg

    Source link

  • The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Emma Stone. Getty Images

    The Venice Film Festival is always a glamorous affair, but this year’s prestigious competition just might be the most star-studded yet. The 11-day extravaganza, which kicks off on August 27 and runs through September 6, is filled with noteworthy film premieres, screenings and fêtes, all of which are attended by A-list filmmakers and celebrities.

    The 2025 lineup is replete with buzzy, highly-anticipated films; the main competition includes Yorgos Lanthimos’s Bugonia, starring Emma Stone and Jesse Plemons, Guillermo del Toro’s Frankenstein, with Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz, Noah Baumbach’s Jay Kelly, with George Clooney, Adam Sandler, Laura Dern and Billy Crudup, and Kathryn Bigelow’s A House of Dynamite, starring Idris Elba and Rebecca Ferguson.

    Luca Guadagnino’s eagerly awaited After the Hunt is also premiering at the festival out of competition, featuring Julia Roberts, Ayo Edebiri, Chloë Sevigny, Andrew Garfield and Michael Stuhlbarg.

    Alexander Payne is the jury president for the 82nd Venice International Film Festival, and this year’s Golden Lion for Lifetime Achievement which will be awarded to Werner Herzog and Kim Novak.

    Glitzy movie premieres aside, let’s not forget about the sartorial moments at Venice, because attendees always bring their most fashionable A-game to walk the red carpet in front of the Lido’s Palazzo del Cinema. It’s a week-and-a-half of some of the best style moments of the year, and we’re keeping you updated with all the top ensembles on the Venice red carpet. Below, see the best fashion moments from the 2025 Venice International Film Festival.

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Molly Gordon. Getty Images

    Molly Gordon

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Dior 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Jacob Elordi. WireImage

    Jacob Elordi

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Kaitlyn Dever. Getty Images

    Kaitlyn Dever

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Callum Turner. Getty Images

    Callum Turner

    in Louis Vuitton 

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Leslie Bibb. Getty Images

    Leslie Bibb

    in Giorgio Armani

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Paris Jackson. Getty Images

    Paris Jackson

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Gemma Chan. Max Cisotti/Dave Benett/WireImag

    Gemma Chan

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Rosie Huntington-Whiteley. Max Cisotti/Dave Benett/WireImag

    Rosie Huntington-Whiteley

    in Armani Privé

    "Frankenstein" Red Carpet - The 82nd Venice International Film Festival"Frankenstein" Red Carpet - The 82nd Venice International Film Festival
    Sofia Carson. WireImage

    Sofia Carson

    in Armani Privé

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Suki Waterhouse. Getty Images

    Suki Waterhouse

    in Rabanne 

    "Broken English" Red Carpet - The 82nd Venice International Film Festival"Broken English" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. Getty Images

    Tilda Swinton

    in Chanel 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Ayo Edebiri. Getty Images

    Ayo Edebiri

    in Chanel

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Monica Barbaro. WireImage

    Monica Barbaro

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Andrew Garfield. WireImage

    Andrew Garfield

    in Dior 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Chloe Sevigny. Getty Images

    Chloe Sevigny

    in Saint Laurent 

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Lady Amelia Spencer and Lady Eliza Spencer. Getty Images

    Lady Amelia Spencer and Lady Eliza Spencer

    "After The Hunt" Red Carpet - The 82nd Venice International Film Festival"After The Hunt" Red Carpet - The 82nd Venice International Film Festival
    Isabeli Fontana. Getty Images

    Isabeli Fontana

    in Yara Shoemaker 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Chloe Sevigny. WireImage

    Chloe Sevigny

    in Simone Rocha 

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Ayo Edebiri. Corbis via Getty Images

    Ayo Edebiri

    in Chanel  

    "After The Hunt" Photocall - The 82nd Venice International Film Festival"After The Hunt" Photocall - The 82nd Venice International Film Festival
    Julia Roberts. WireImage

    Julia Roberts

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Mia Goth. Getty Images

    Mia Goth

    in Versace 

    Celebrity Sightings - Day 3 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 3 - The 82nd Venice International Film Festival
    Cate Blanchett. Getty Images

    Cate Blanchett

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    George Clooney and Amal Clooney. WireImage

    George Clooney and Amal Clooney

    Amal Clooney in vintage Jean-Louis Scherrer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Armani Privé

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chloe 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Noah Baumbach and Greta Gerwig. Getty Images

    Noah Baumbach and Greta Gerwig

    Gerwig in Rodarte 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Molly Sims. WireImage

    Molly Sims

    in Pamella Roland

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Naomi Watts and Billy Crudup. Getty Images

    Naomi Watts and Billy Crudup

    Watts in Valentino, Crudup in Celine 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Shailene Woodley. WireImage

    Shailene Woodley

    in Kallmeyer 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Schiaparelli

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Red Carpet - The 82nd Venice International Film Festival"Jay Kelly" Red Carpet - The 82nd Venice International Film Festival
    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler. WireImage

    Sunny Madeline Sandler, Sadie Madison Sandler, Jackie Sandler and Adam Sandler

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Emma Stone. WireImage

    Emma Stone

    in Louis Vuitton 

    "Bugonia" Red Carpet - The 82nd Venice International Film Festival"Bugonia" Red Carpet - The 82nd Venice International Film Festival
    Alicia Silverstone. WireImage

    Alicia Silverstone

    in Prada

    "Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival"Il Rapimento Di Arabella" Red Carpet - The 82nd Venice International Film Festival
    Benedetta Porcaroli. Getty Images

    Benedetta Porcaroli

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Riley Keough. WireImage

    Riley Keough

    in Chanel 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Laura Dern. WireImage

    Laura Dern

    in Saint Laurent 

    "Bugonia" Photocall - The 82nd Venice International Film Festival"Bugonia" Photocall - The 82nd Venice International Film Festival
    Emma Stone. Getty Images

    Emma Stone

    in Louis Vuitton 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Greta Gerwig. WireImage

    Greta Gerwig

    in Prada

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Alba Rohrwacher. WireImage

    Alba Rohrwacher

    in Dior 

    "Jay Kelly" Photocall - The 82nd Venice International Film Festival"Jay Kelly" Photocall - The 82nd Venice International Film Festival
    Eve Hewson. WireImage

    Eve Hewson

    in Erdem 

    Celebrity Sightings - Day 2 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 2 - The 82nd Venice International Film Festival
    Emily Mortimer. Getty Images

    Emily Mortimer

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Cate Blanchett. WireImage

    Cate Blanchett

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Tilda Swinton. WireImage

    Tilda Swinton

    in Chanel

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Claire Holt. WireImage

    Claire Holt

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Barbara Palvin. Getty Images

    Barbara Palvin

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Zhao Tao. WireImage

    Zhao Tao

    in Prada

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Fernanda Torres. WireImage

    Fernanda Torres

    in Armani Privé

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Heidi Klum and Leni Klum. WireImage

    Heidi Klum and Leni Klum

    in Intimissimi 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charleen Weiss. WireImage

    Charleen Weiss

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Charlotte Wells. WireImage

    Charlotte Wells

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Paola Turani. WireImage

    Paola Turani

    in Galia Lahav 

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    RaMell Ross. WireImage

    RaMell Ross

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Shannon Murphy. WireImage

    Shannon Murphy

    "La Grazia" Red Carpet - The 82nd Venice International Film Festival"La Grazia" Red Carpet - The 82nd Venice International Film Festival
    Emanuela Fanelli. WireImage

    Emanuela Fanelli

    in Armani Privé

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Benedetta Porcaroli and Carolina Cavalli. Getty Images

    Benedetta Porcaroli and Carolina Cavalli

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Noomi Rapace. Corbis via Getty Images

    Noomi Rapace

    in Courrèges

    "Mother" Red Carpet - The 82nd Venice International Film Festival"Mother" Red Carpet - The 82nd Venice International Film Festival
    Sylvia Hoeks. Getty Images

    Sylvia Hoeks

    in Prada

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Alba Rohrwacher. Getty Images

    Alba Rohrwacher

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Laura Dern. Getty Images

    Laura Dern

    in Emilia Wickstead

    Celebrity Sightings - Day 1 - The 82nd Venice International Film FestivalCelebrity Sightings - Day 1 - The 82nd Venice International Film Festival
    Emily Mortimer and Alessandro Nivola. Getty Images

    Emily Mortimer and Alessandro Nivola

    "Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival"Jay Kelly" Cast Arrive In Venice For The 82nd Venice International Film Festival
    Amal Clooney and George Clooney. GC Images

    Amal Clooney and George Clooney

    Amal Clooney in Balmain 

    The Best Red Carpet Fashion from the 2025 Venice Film Festival

    Morgan Halberg

    Source link

  • Presley Memoir

    Presley Memoir

    Photo: Dimitrios Kambouris/WireImage

    “It’s difficult to go about your day without hearing an Elvis song out in the world,” Riley Keough writes in her new memoir, From Here to the Great Unknown, which she co-authored with her late mother, Lisa Marie Presley. That may sound like an obvious statement, but it’s a true one: For decades, the tragedy and mythology of rock-and-roll legend Elvis Presley — what he ate, who he loved, what he was like — have felt like they belonged to his fans just as much as they did the Presley family. When Lisa Marie Presley died in the winter of 2023, she’d last been publicly seen at the Golden Globes with her children, there to promote Baz Luhrmann’s Elvis. A few days later, she was gone.

    From Here to the Great Unknown tells Lisa Marie’s story through two voices: her own and that of Keough, who was helping her mother go through tapes and write the memoir at the time of her death. Keough weaves both voices together in a dual narrative demarcated by type: Lisa Marie’s words are in a serif font, and her own are sans serif. (It’s a little unusual at first, though easy to understand in context.) What emerges is less of a retelling of Presley’s life — though there is plenty of that — and more of a conversation between mother and daughter about parents and children, what we expect of those who raise us and what they impart to us when they leave.

    The memoir lays out an introspective therapy session between mother and daughter, something more intimate than the usual Presley-industrial complex offerings. Stories narrated regaled by Lisa Marie, spoken aloud into tapes, now have an audience. When Presley details the sexual abuse she allegedly endured from Priscilla Presley’s boyfriend Michael Edwards, Keough allows the story to stand in full before writing: “Hearing my mother describe these incidents broke my heart. I know what happened was one of her deepest childhood traumas but I don’t think she — or any of us who knew her — fully considered how it may have contributed to some of the fundamental feelings she carried, like shame and self-hatred.”

    Having Keough’s response contextualizes her mother’s pain: Lisa Marie is telling this story to not just us but those closest to her. In the abstract, writing a book can feel like shouting into a void, but in the case of From Here to the Great Unknown, Keough is always listening on the other side. Sometimes, she’s there to correct the record: When Lisa Marie suggests that she got pregnant with Keough by her then-boyfriend Danny Keough, she says she didn’t “mean to” trap him with a baby. Keough herself writes: “My mom subsequently told me every detail of timing her ovulation for that moment in Aruba. And she absolutely meant to trap my dad.” Keough’s responses are rarely, if ever, judgmental; she’s more keen to explain that this is just the person her mother was, a reflection of her own upbringing. The Presleys and Keoughs exist within their own context. For all that they’ve been subject to tabloid-magazine covers and public speculation, these are the people who’ve grappled with these myths hanging over their heads.

    The early stretches of the memoir are told in detailed ramblings, but as the chronology progresses, Lisa Marie’s dispatches grow shorter and shorter. “I don’t know who I am,” Presley writes. “I never really got the chance to uncover my own identity. I didn’t have a family. I didn’t have a childhood, and though some of it was fun, there was also constant trouble.” Although the last 15 years of her life were marked by addiction and grief — Lisa Marie’s only son, and Keough’s younger brother, Ben, died in 2020 — what Keough proves through her writing is that Lisa Marie, though she did not know it, did have a family. She did have her own identity. “Where there are gaps in her story, I fill them in,” Keough writes. Even when things spiraled out, there was room for a family vacation to Hawaii or a trip to England to catch up with friends. “Despite all this love she had inside her, and all her effort to live, we could all see it. We could all feel it coming,” Keough notes. The final years of Lisa Marie’s life feel — through both their writings — like a horrible inevitability.

    The book concludes at Graceland, the Memphis estate and museum where Elvis lived, where both Lisa Marie and her son, Ben, are buried along with her father. In May 2024, Keough fought against Graceland’s foreclosure and won, though she’s still seeking control of the estate after a loan Lisa Marie took out on the property was never paid back. Despite the ongoing struggle to keep Graceland with the Presley family, much of the press for From Here to the Great Unknown has been centered there. Keough sat down with Oprah Winfrey, both clad in white, in Elvis’s white living room, and the estate itself is selling an exclusive copy with a signed lithograph from Keough. With the book now out in the world, the story of the Presley family goes back to the people — to consume, to speculate about, to admonish or worship — but the dialogue between Presley and Keough, as a daughter finds her mother in transcription, stays bound between its covers, going back and forth until the end.

    Fran Hoepfner

    Source link

  • Daughter of Lisa Marie Presley has completed her mother’s memoir

    Daughter of Lisa Marie Presley has completed her mother’s memoir

    Riley Keough was quick to agree to help complete her mother’s memoir. She thought they’d write it together, reflecting on her extraordinary upbringing and life, but it became a much greater responsibility after Lisa Marie Presley’ssudden death in 2023.Finishing the task her mother — the only child of Elvis and Priscilla Presley and a recording artist in her own right — had started years earlier elicited “all kinds of emotions,” Keough said in an interview with The Associated Press ahead of the book’s release Tuesday.Video above: Riley Keough talks with Oprah about her family and career”It just felt like a kind of a duty that I had to complete for her,” Keough said. “I’m just happy that it’s done and that it’ll be in the world and there for people to read.””From Here to the Great Unknown” is named in a nod to the moving lyrics of Presley’s “Where No One Stands Alone,” a song Lisa Marie recorded as a duet with her father over 50 years after he first released it and over 40 years after his death.The book touches on themes of “love and loss and grief and mothers and daughters and addiction,” Keough said, adding it was conceived as a way for Lisa Marie to tell her story in her own words and connect with others.Much of the book is indeed in Lisa Marie’s words, as Keough faithfully listened to recordings of her mother recounting memories and experiences both big and small. Lisa Marie wrote openly about the day her father died, her relationship with her mother, her marriage to Michael Jackson, her struggles with addiction and her son Benjamin’s death in 2020, among many other parts of her life.Although Lisa Marie’s life had been tabloid fodder since days after her birth, her memoir details intimate moments at Graceland, including how she feared for Presley’s health as a young girl. In the chapter titled “He’s Gone,” she wrote that as a child, she often worried about her father dying and even wrote a poem with the line “I hope my daddy doesn’t die.”She also wrote that Graceland became a “free-for-all” the day of Presley’s death in 1977, with those at the house taking jewelry and personal items “before he was even pronounced dead.”Lisa Marie’s frank writing extends into the section focused on her headline-making marriage to Jackson from 1994 to 1996. She wrote that Jackson confessed his love for her while she was still married to Keough, and that him wanting to have children with her, along with his increasing reliance on prescription medications, is what fractured their relationship.Keough said hearing her mother’s voice in the recordings was at times “heartbreaking,” but she enjoyed listening to happy memories, like how her parents met and fell in love. Keough is one of two children Lisa Marie had with her first husband, musician Danny Keough, along with their late son Benjamin. “It makes me want to tell everyone to talk to their parents and record them telling all the stories about how they met and all these things because it’s just very cool to have,” she said. Keough’s role was to fill in parts of Lisa Marie’s story that she hadn’t gotten to before her death in January 2023 from a small bowel obstruction caused by bariatric surgery she had years prior. Some of those gaps included lighter moments and happy memories from her mother’s adult life. “Until my mom’s addiction, really, which was when I was 25, I think we would all say that we had a really beautiful and exceptionally lucky and wonderful life,” Keough said. “I wouldn’t define our lives, collectively, as a tragedy. I think that there is so much more.”And while those funnier, lighthearted moments, like Lisa Marie zipping through Graceland on her golf cart and Keough playing hooky from school to hang out with her mother, are detailed throughout the book, Keough said Lisa Marie wanted to write about grief and about the loss of her son.Writing about her experience grieving her brother and detailing his death by suicide “wasn’t something that came super naturally” to Keough, but she said she knew her mother wouldn’t have shied away from it. Lisa Marie wrote that she wanted to honor her son by sparking frank conversations about suicide, addiction and mental health.”How do I heal?” Lisa Marie writes in the book. “By helping people.”For Keough, much of her life now has revolved around learning to live with grief and cope with the monumental losses she’s faced. “My last four years has just been grief, like so much grief. But it’s just something that I walk around with. You just have a broken heart, and that’s just the way it is, and you just learn to live with these holes and the sadness and the pain and the love and the yearning and the missing and the confusion and all of it,” Keough said. “It’s very complicated. I think that you just have to try and allow it to be there.”While being the daughter of the King of Rock & Roll and much of Lisa Marie’s life consisted of singular experiences, but Keough said all her mother wanted through her memoir to “connect with people on a human level.”Her goal was to tell her story so that people could relate and feel less alone in the world, which is why I think we tell stories,” Keough said. “So, that’s my goal.”

    Riley Keough was quick to agree to help complete her mother’s memoir. She thought they’d write it together, reflecting on her extraordinary upbringing and life, but it became a much greater responsibility after Lisa Marie Presley’ssudden death in 2023.

    Finishing the task her mother — the only child of Elvis and Priscilla Presley and a recording artist in her own right — had started years earlier elicited “all kinds of emotions,” Keough said in an interview with The Associated Press ahead of the book’s release Tuesday.

    Video above: Riley Keough talks with Oprah about her family and career

    “It just felt like a kind of a duty that I had to complete for her,” Keough said. “I’m just happy that it’s done and that it’ll be in the world and there for people to read.”

    “From Here to the Great Unknown” is named in a nod to the moving lyrics of Presley’s “Where No One Stands Alone,” a song Lisa Marie recorded as a duet with her father over 50 years after he first released it and over 40 years after his death.

    The book touches on themes of “love and loss and grief and mothers and daughters and addiction,” Keough said, adding it was conceived as a way for Lisa Marie to tell her story in her own words and connect with others.

    Much of the book is indeed in Lisa Marie’s words, as Keough faithfully listened to recordings of her mother recounting memories and experiences both big and small. Lisa Marie wrote openly about the day her father died, her relationship with her mother, her marriage to Michael Jackson, her struggles with addiction and her son Benjamin’s death in 2020, among many other parts of her life.

    Although Lisa Marie’s life had been tabloid fodder since days after her birth, her memoir details intimate moments at Graceland, including how she feared for Presley’s health as a young girl. In the chapter titled “He’s Gone,” she wrote that as a child, she often worried about her father dying and even wrote a poem with the line “I hope my daddy doesn’t die.”

    She also wrote that Graceland became a “free-for-all” the day of Presley’s death in 1977, with those at the house taking jewelry and personal items “before he was even pronounced dead.”

    Lisa Marie’s frank writing extends into the section focused on her headline-making marriage to Jackson from 1994 to 1996. She wrote that Jackson confessed his love for her while she was still married to Keough, and that him wanting to have children with her, along with his increasing reliance on prescription medications, is what fractured their relationship.

    Keough said hearing her mother’s voice in the recordings was at times “heartbreaking,” but she enjoyed listening to happy memories, like how her parents met and fell in love. Keough is one of two children Lisa Marie had with her first husband, musician Danny Keough, along with their late son Benjamin.

    “It makes me want to tell everyone to talk to their parents and record them telling all the stories about how they met and all these things because it’s just very cool to have,” she said.

    Keough’s role was to fill in parts of Lisa Marie’s story that she hadn’t gotten to before her death in January 2023 from a small bowel obstruction caused by bariatric surgery she had years prior. Some of those gaps included lighter moments and happy memories from her mother’s adult life.

    “Until my mom’s addiction, really, which was when I was 25, I think we would all say that we had a really beautiful and exceptionally lucky and wonderful life,” Keough said. “I wouldn’t define our lives, collectively, as a tragedy. I think that there is so much more.”

    And while those funnier, lighthearted moments, like Lisa Marie zipping through Graceland on her golf cart and Keough playing hooky from school to hang out with her mother, are detailed throughout the book, Keough said Lisa Marie wanted to write about grief and about the loss of her son.

    Writing about her experience grieving her brother and detailing his death by suicide “wasn’t something that came super naturally” to Keough, but she said she knew her mother wouldn’t have shied away from it. Lisa Marie wrote that she wanted to honor her son by sparking frank conversations about suicide, addiction and mental health.

    “How do I heal?” Lisa Marie writes in the book. “By helping people.”

    For Keough, much of her life now has revolved around learning to live with grief and cope with the monumental losses she’s faced.

    “My last four years has just been grief, like so much grief. But it’s just something that I walk around with. You just have a broken heart, and that’s just the way it is, and you just learn to live with these holes and the sadness and the pain and the love and the yearning and the missing and the confusion and all of it,” Keough said. “It’s very complicated. I think that you just have to try and allow it to be there.”

    While being the daughter of the King of Rock & Roll and much of Lisa Marie’s life consisted of singular experiences, but Keough said all her mother wanted through her memoir to “connect with people on a human level.

    “Her goal was to tell her story so that people could relate and feel less alone in the world, which is why I think we tell stories,” Keough said. “So, that’s my goal.”

    Source link

  • Riley Keough shares never-before-seen home videos of Elvis and Lisa Marie Presley ahead of poignant milestone

    Riley Keough shares never-before-seen home videos of Elvis and Lisa Marie Presley ahead of poignant milestone

    Riley Keough is gearing up to honor her mother Lisa Marie Presley in a big way.

    Come next month, the Daisy Jones & the Six actress will be releasing her mother’s memoir, From Here to the Great Unknown, which she helped finish in the wake of her death in 2023.

    The only child of legend Elvis Presley, the singer unexpectedly passed away aged 54 on January 12, 2023, after suffering from a cardiac arrest caused by a small bowel obstruction from a previous gastric bypass surgery.

    The Life of Lisa Marie Presley

    In honor of the poignant day ahead, Riley took to Instagram and shared a video montage featuring rarely-seen, if ever, home videos of her mom with her dad Elvis, and later on in her life.

    “Sometimes the most famous among us are the least known,” the video read, as it cut to more clips of Lisa Marie.

    It added: “Now, in the last words of the only child of an American icon, Lisa Marie Presley tells her whole story for the first time. In a memoir faithfully completed by her daughter, Riley Keough. Profoundly moving and deeply revealing, this is a book like no other.”

    The montage, set to Lisa Marie’s 2012 song “Storm & Grace,” further included videos of both her as a child with her parents, including Priscilla Presley, and later as an adult with her daughter, whose dad is Danny Keough.

    “The last words. FROM HERE TO THE GREAT UNKNOWN, out October 8,” she wrote in her caption, and fans were then quick to take to the comments section under the post with supportive messages.

    MORE: Celebrity grandparents with lookalike grandkids: Dylan Douglas and Riley Keough, to Audrey Hepburn and Elizabeth Taylor

    © Getty
    Priscilla, Lisa Marie and Riley in 2015

    MORE: Riley Keough’s unrecognizable looks in then-and-now photos have to be seen to be believed

    “Thank you so much Riley for finishing your mom’s book, very appreciated. Such a labor of love to take this on. Can’t thank you enough,” one wrote, as others followed suit with: “This gave me chills and deeply touched my soul. Can’t wait to read it. Loved Lisa so much. Forever in my heart,” and: “OMG! I’m crying with that video… our Lisa,” as well as: “Can’t wait to read this book.”

    Levis Presley, Priscilla Presley and Lisa Marie Presley in Hawai'i in the late 1960s© Getty
    The Presley in Hawai’i in the late 1960s

    As previously announced, the memoir will cover much of the highs and lows of Lisa Marie’s life: growing up in Graceland and her relationship with her father, her difficult relationship with her mother, insight into her marriages to Michael Jackson, Nicolas Cage, Michael Lockwood and Danny, as well as the heartbreak she experienced after her son Benjamin Keough’s suicide in 2020.

    MORE: Meet Elvis and Priscilla Presley’s four grandchildren and great-grandchild: from Riley Keough to Tupelo Storm

    Lisa Marie Presley with her four children© Instagram
    Lisa Marie with her four children

    Riley will be voicing the audiobook, and in a statement earlier this year when she announced the book, she shared: “Few people had the opportunity to know who my mom really was, other than being Elvis’ daughter,” adding: “I was lucky to have had that opportunity and working on preparing her autobiography for publication has been a privilege, albeit a bittersweet one.”

    MORE: Riley Keough narrowly avoids Graceland auction after lawsuit — for now

    Harper Vivienne Ann Lockwood, Lisa Marie Presley, Priscilla Presley, Riley Keough, and Finley Aaron Love Lockwood attend the Handprint Ceremony honoring Three Generations of Presley's at TCL Chinese Theatre on June 21, 2022 in Hollywood, California© Getty
    The Presley women in 2022

    “I’m so excited to share my mom now, at her most vulnerable and most honest,” she continued in her statement, and concluded: “In doing so, I do hope that readers come to love my mom as much as I did.”

    Beatriz Colon

    Source link

  • What to stream: Adam Sandler, John Legend, ‘Only Murders in the Building’ and Star Wars Outlaws

    What to stream: Adam Sandler, John Legend, ‘Only Murders in the Building’ and Star Wars Outlaws

    “The Lord of the Rings: The Rings of Power” returning for its second season and Adam Sandler’s first comedy special since 2018 are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: John Legend offers his first-ever children’s album, season four of “Only Murders in the Building” shifts to Los Angeles and DJ and dance producer Zedd is back with an album after nearly a decade.

    NEW MOVIES TO STREAM

    “The Fall Guy” is finally coming to Peacock, where it will be streaming starting Friday, Aug. 30, alongside an “extended cut” version. It might not have reached the blockbuster heights the studio dreamed about during its theatrical run, but it’s pure delight: A comedy, action, romance that soars thanks to the charisma of its stars. Based on the 1980s Lee Majors television series (he gets a cameo), the film features Ryan Gosling as a stunt man, Emily Blunt as his director and dream girl, Aaron Taylor-Johnson as an egotistical movie star and “Ted Lasso’s” Hannah Waddingham as a Diet Coke slurping producer.

    — Ishana Night Shyamalan’s thriller, “The Watchers,” in which Dakota Fanning plays an artist stranded in western Ireland where mysterious creatures lurk and stalk in the night, begins streaming on MAX on Friday, Aug. 30.

    — Emma Stone gives a performance (and interpretive dance) worth watching in “ Kinds of Kindness,” her latest collaboration with Yorgos Lanthimos fresh on the heels of her Oscar-winning turn in “Poor Things.” The film, streaming on Hulu on Friday, Aug. 30, is a triptych with a big ensemble cast including Willem Dafoe, Jesse Plemons (who won a prize for his performance at Cannes), Hong Chau, Margaret Qualley, Mamoudou Athie and Joe Alwyn. Jocelyn Noveck, in her Associated Press review, described it as “a meditation on our free will and the ways we willingly forfeit it to others — in the workplace, at home, and in religion.” Noveck wrote that the “Stone-Lanthimos pairing… is continuing to nurture an aspect of Stone’s talents that increasingly sets her apart: Her fearlessness and the obvious joy she derives from it.”

    — Somehow the Yorgos Lanthimos film is not the most eccentric new streaming offering this week. That title goes to “ Sasquatch Sunset,” Nathan and David Zellner’s experimental film about a family of sasquatches just living their lives. Starring an essentially unrecognizable Jesse Eisenberg and Riley Keough (in addition to Nathan Zellner), this Sundance curiosity begins streaming on Paramount+ on Monday. In his review for the AP, Mark Kennedy wrote that it is “a bewildering 90-minute, narrator-less and wordless experiment that’s as audacious as it is infuriating. It’s not clear if everyone was high making it or we should be while watching it.”

    AP Film Writer Lindsey Bahr

    NEW MUSIC TO STREAM

    — DJ and dance producer Zedd is back with an album after nearly a decade, “Telos.” The first single is the appropriately titled “Out of Time” featuring Bea Miller, a dreamy tune with atmospheric strings that builds into a dancefloor banger. Zedd has revealed that he started writing “Out Of Time” way back in 2015 but was never able to finish it. That changed with Bea — “her voice added an emotional depth that completed the song. ‘Out Of Time’ really encapsulates the DNA of the Telos album, which is why I chose it to be the song that introduces this new era,” he says.

    — If you’re into a slower change of pace, check out John Legend, who releases his first children’s album, “My Favorite Dream,” on Friday, Aug. 30. It’s produced by the chamber pop polymath Sufjan Stevens and centers on universal themes like love, safety, family and dreams across nine original tracks, two covers, a solo piano track and three bonus covers of Fisher-Price songs.

    — Get ready for a blast of K-pop — on your television. Apple TV+ has the six part documentary “K-Pop Idols,” a behind-the-scenes look at the highly competitive reality of K-pop stardom, starting Friday, Aug. 30. It features Jessi, CRAVITY and BLACKSWAN as they learn choreography and pull everything together to seize the stage. Producers say the series “follows the superstars through trials and triumphs, breaking down cultural and musical barriers in K-pop with passion, creativity and determination as they chase their dreams.”

    RZA takes a sharp turn as a classical composer with the album “A Ballet Through Mud.” The composition made its debut in the form of a ballet last year, performed by the Colorado Symphony Orchestra. Composed and scored by the Wu-Tang Clan star, the piece mirrors his journey from growing up in the projects in New York City to famous artist, “weaving in tales of love, loss, exploration, Buddhist monks, and a journey ‘through mud.‘” RZA says he began the project early in the pandemic after rediscovering notebooks full of lyrics he had written as a teenager. “The inspiration for ‘A Ballet Through Mud’ comes from my earliest creative output as a teenager, but its themes are universal — love, exploration, and adventure,” he says.

    AP Entertainment Writer Mark Kennedy

    NEW SHOWS TO STREAM

    — Adam Sandler has the feels in his new Netflix special “Adam Sandler: Love You” featuring his standup and trademark comedy songs. It’s directed by Josh Safdie who — with his brother Benny — co-directed Sandler in the 2019 movie “Uncut Gems.” “Love You” is Sandler’s first comedy special since 2018. It premieres Tuesday on Netflix.

    — Charles, Oliver and Mabel (Steve Martin, Martin Short and Selena Gomez) head to Los Angeles in season four of “Only Murders in the Building,” because their podcast is being turned into a film. Their Hollywood life is interrupted when another murder occurs, meaning the trio has a new case to cover. Eugene Levy, Zach Galifianakis and Eva Longoria join the cast. “Only Murders in the Building” premieres Tuesday on Hulu.

    — A new animated series in the “Terminator” universe comes to Netflix on Thursday. It follows new characters voiced by “House of the Dragon” actor Sonoya Mizuno, Timothy Olyphant, André Holland Rosario Dawson and Ann Dowd.

    — Season two of “The House of the Dragon” has aired in its entirety on HBO and if your fantasy itch still needs to be scratched, “The Lord of the Rings: The Rings of Power” returns for its second season Thursday on Prime Video. The story is set in the Second Age of Middle-earth, prior to the events of J.R.R. Tolkien’s “The Hobbit” and “The Lord of the Rings.”

    Alicia Rancilio

    NEW VIDEO GAMES TO PLAY

    — Luke Skywalker may get the headlines, but the true MVPs of the Star Wars franchise are rascals like Han Solo and Lando Calrissian. Ubisoft’s Star Wars Outlaws introduces a new scoundrel: Kay Vess, a young thief who’s trying to work her way up the galaxy’s crime syndicates and make the big score. She isn’t a Jedi or a Sith, but she knows how to fire a blaster and fly a spaceship. Outlaws comes from Massive Entertainment, the developers of Tom Clancy’s The Division, and it aims to spread Ubisoft’s brand of open-world adventure across multiple planets. It launches Friday, Aug. 30, on PlayStation 5, Xbox X/S and PC.

    — Many gamers who grew up with the Super Nintendo Entertainment System remember 1993’s Secret of Mana as their introduction to a particular type of high-fantasy role-playing. It’s been 15 years since we’ve gotten a new chapter in the marquee Mana series, but Square Enix is finally delivering Visions of Mana. A youngster named Val is chosen to accompany his friend Hinna on a pilgrimage to the life-sustaining Mana Tree, and they’ll need to use magic and swordplay to fight all the monsters along the way. The lush, anime-style graphics are bound to stir memories in old-school RPG fans, starting Thursday, Aug. 29, on PlayStation 5/4, Xbox X/S and PC.

    Lou Kesten

    Source link

  • Woman charged in brazen plot to extort Elvis Presley’s family and auction off Graceland

    Woman charged in brazen plot to extort Elvis Presley’s family and auction off Graceland

    WASHINGTON (AP) — A Missouri woman has been arrested on charges she orchestrated a brazen scheme to defraud Elvis Presley’s family by trying to auction off his Graceland mansion and property before a judge halted the mysterious foreclosure sale, the Justice Department said Friday.

    Lisa Jeanine Findley, 53, of Kimberling City, falsely claimed Presley’s daughter borrowed $3.8 million from a bogus private lender and had pledged Graceland as collateral for the loan before her death last year, prosecutors said. She then threatened to sell Graceland to the higher bidder if Presley’s family didn’t pay a $2.85 million settlement, according to authorities.

    Finley posed as three different people allegedly involved with the fake lender, fabricated loan documents, and published a fraudulent foreclosure notice in a Memphis newspaper announcing the auction of Graceland in May, prosecutors said. A judge stopped the sale after Presley’s granddaughter sued.

    Experts were baffled by the attempt to sell off one of the most storied pieces of real estate in the country using names, emails and documents that were quickly suspected to be phony.

    Graceland opened as a museum and tourist attraction in 1982 and draws hundreds of thousands of visitors each year. A large Presley-themed entertainment complex across the street from the museum is owned by Elvis Presley Enterprises. The announcement of charges came on the 47th anniversary of Presley’s death at the age of 42.

    “Ms. Findley allegedly took advantage of the very public and tragic occurrences in the Presley family as an opportunity to prey on the name and financial status of the heirs to the Graceland estate, attempting to steal what rightfully belongs to the Presley family for her personal gain,” said Eric Shen, inspector in charge of the U.S. Postal Inspection Service Criminal Investigations Group.

    An attorney for Findley, who used multiple aliases, was not listed in court documents. A voicemail left with a phone number believed to be associated with Findley was not immediately returned, nor was an email sent to an address prosecutors say she had used in the scheme.

    She’s charged with mail fraud and aggravated identity theft. The mail fraud charge carries up to 20 years in prison. She remained in custody after a brief federal court appearance in Missouri, according to court papers.

    In May, a public notice for a foreclosure sale of the 13-acre (5-hectare) estate said Promenade Trust, which controls the Graceland museum, owes $3.8 million after failing to repay a 2018 loan. Riley Keough, Presley’s granddaughter and an actor, inherited the trust and ownership of the home after the death of her mother, Lisa Marie Presley, last year. An attorney for Keough didn’t immediately respond to a message seeking comment on Friday.

    Keough filed a lawsuit claiming fraud, and a judge halted the proposed auction with an injunction. Naussany Investments and Private Lending — the bogus lender authorities now say Findley created — said Lisa Marie Presley had used Graceland as collateral for the loan, according to the foreclosure sale notice. Keough’s lawsuit alleged that Naussany presented fraudulent documents regarding the loan in September 2023 and that Lisa Maria Presley never borrowed money from Naussany.

    Kimberly Philbrick, the notary whose name is listed on Naussany’s documents, indicated she never met Lisa Marie Presley nor notarized any documents for her, according to the estate’s lawsuit. The judge said the notary’s affidavit brings into question “the authenticity of the signature.”

    The judge in May halted the foreclosure sale of the beloved Memphis tourist attraction, saying Elvis Presley’s estate could be successful in arguing that a company’s attempt to auction Graceland was fraudulent.

    The Tennessee attorney general’s office had been investigating the Graceland controversy, then confirmed in June that it handed the probe over to federal authorities.

    A statement emailed to The Associated Press after the judge stopped the sale said Naussany would not proceed because a key document in the case and the loan were recorded and obtained in a different state, meaning “legal action would have to be filed in multiple states.” The statement, sent from an email address listed in court documents, did not specify the other state.

    After the scheme fell apart, Findley tried to make it look like the person responsible was a Nigerian identity thief, prosecutors said. An email sent May 25 to the AP from the same email as the earlier statement said in Spanish that the foreclosure sale attempt was made by a Nigerian fraud ring that targets old and dead people in the U.S. and uses the Internet to steal money.

    _____

    Mattise reported from Nashville, Tennessee.

    Source link

  • Missouri Grandma Arrested in Bizarre Plot To Steal Elvis Presley’s Graceland

    Missouri Grandma Arrested in Bizarre Plot To Steal Elvis Presley’s Graceland

    Three months after Graceland was narrowly saved from the auction block, officials say they’ve arrested the woman behind a plot to allegedly defraud the heirs to the Elvis Presley fortune. Federal prosecutors say that a 53-year-old woman named Lisa Jeanine Findley was behind a scheme to steal the famous mansion from Presley’s family, leveraging the unexpected death of the music icon’s daughter to undercut the family’s ownership of his Tennessee estate.

    Via written statement, the Department of Justice Criminal Division head Nicole M. Argentieri says that Findley, who allegedly went by a multitude of names including Lisa Holden, Lisa Howell, Gregory Naussany, Kurt Naussany, Lisa Jeanine Sullins, and Carolyn Williams, “orchestrated a scheme to conduct a fraudulent sale of Graceland, falsely claiming that Elvis Presley’s daughter had pledged the historic landmark as collateral for a loan that she failed to repay before her death.”

    Argentieri is referring to a strange tale that unspooled in May, when a company called Naussany Investments & Private Lending (NIPL) claimed that Lisa Marie Presley, who died in early 2023 at the age of 54, had borrowed $3.8 million from the company in 2015, using the deed for Graceland as collateral. Citing the unpaid debt, NIPL announced a foreclosure auction for the home, spurring headlines around the globe.

    Soon after the auction was advertised, actor Riley Keough, Elvis’s granddaughter and the trustee to the property, filed a 61-page lawsuit that argued that the documents used by NIPL to justify its claim were forged. The courts agreed and blocked the sale; in a subsequent message to the Daily Mail, a representative of NIPL said it would withdraw “all claims with prejudice.”

    The Washington Post reports that a person identifying themselves as Kurt Naussany first contacted Keough’s legal team on July 14, 2023, using an email address—naussanyinvestmentsllc@outlook.com—that FBI agent Christopher Townsend says was created earlier that day. In the email, Naussany threatened to foreclose on Graceland if he didn’t receive a response within 10 days. When more information on the supposed loan was requested, Naussany responded with a pack of documents that Townsend later determined to be forgeries. According to the DOJ, Naussany demanded a $2.85 million payment to settle the debt. (Vanity Fair has reached out to Keogh’s representatives for comment, but have not received a response as of publication time.)

    After Keough refused to meet “Naussany’s” demands, he filed a Los Angeles collections claim, and moved forward on the foreclosure claim the following year. Once Keough’s suit averted the foreclosure, public attention turned to who was behind NIPL, a company with little public presence in the states it claimed to operate. A self-described identity thief based in Nigeria suggested to the New York Times that his “network of ‘worms’” was behind the con, while CNN reported that someone using a language primarily spoken by residents of Uganda contacted them to claim responsibility.

    But according a June report from NBC, the prime suspect was alleged to be Findley, a Branson, Missouri grandmother “with a decades-long rap sheet of romance scams, forged checks and bank fraud totaling hundreds of thousands of dollars, for which she did time in state and federal prison.”

    According to NBC, which says it found Findlay via email accounts used to post “negative reviews for people and businesses she didn’t like,” a former roommate of Findlay’s went to the FBI after Findlay allegedly described details of the scam, claiming she was “going to get a couple of million dollars.”

    When contacted by NBC, Findlay dined any connection to the Graceland case, and sent a cease and desist letter to reporter Brandy Zadrozny. But according to the DOJ, which took Findlay into custody Friday, it was indeed Findley behind the racket, allegedly posing as at least three different people as she allegedly attempted to “extort a settlement from the Presley family.”

    “Findley allegedly fabricated loan documents on which Findley forged the signatures of Elvis Presley’s daughter and a Florida State notary public,” the DOJ says via statement. “Findley then allegedly filed a false creditor’s claim with the Superior Court of California in Los Angeles, and a fake deed of trust with the Shelby County Register’s Office in Memphis. Findley also allegedly published a fraudulent foreclosure notice in The Commercial Appeal, one of Memphis’s daily newspapers, announcing that Naussany Investments planned to auction Graceland to the highest bidder on May 23.”

    Prosecutors have filed charges against Findlay that include mail fraud and aggravated identity theft. If she is convicted of the aggravated identity theft charges, her mandatory minimum sentence will be two years in prison. If convicted of mail fraud, she could be sentenced to as long as 20 years.

    Eve Batey

    Source link

  • ‘I had fun’: Alleged scammer takes credit for Graceland foreclosure upheaval

    ‘I had fun’: Alleged scammer takes credit for Graceland foreclosure upheaval

    A self-proclaimed identity thief based in Nigeria claimed responsibility over the puzzling, and now court-blocked, auction of Elvis Presley’s historic Graceland mansion.

    The thief sent an email to the New York Times claiming to be part of a criminal network that targets the dead and elderly, particularly those from Florida and California, the outlet reported Tuesday.

    The statement, which was sent in reply to questions about the case, came from an email address listed in court documents related to Naussany Investments & Private Lending LLC. Riley Keough, Presley’s granddaughter and owner of Graceland, sued the company earlier this month to stop a foreclosure sale of the Memphis property.

    “We figure out how to steal,” the thief wrote to the New York Times on Friday. “That’s what we do.”

    Naussany Investments presented a deed of trust to the estate in September via the Los Angeles County Superior Court, claiming that the late Lisa Marie Presley, Keough’s mother, borrowed $3.8 million from the company and offered Graceland as collateral. Keough fiercely disputed the claims, calling the documents “fraudulent” and “forgeries” in her lawsuit.

    The alleged thief accepted defeat.

    “I had fun figuring this one out and it didn’t succeed very well,” the statement continued.

    Referencing Keough’s legal victories in the case, the message, as reportedly written, continued: “Yo client dont have nothing to worries, win fir her. She beat me at my own game.”

    The New York Times reported that the thief wrote their message in Luganda, a Bantu language of Uganda. The email, the outlet said, was faxed from a North American toll-free number that also appeared in court documents.

    A Tennessee judge issued a temporary injunction blocking the sale at a hearing last Wednesday, in which no representatives from Naussany Investments appeared. Chancellor JoeDae Jenkins said he would proceed with Keough’s fraud lawsuit, which asked the court to declare the deed of trust illegitimate.

    Tennessee’s Shelby County Register of Deeds said last Tuesday that it did not have any filings relating to a Graceland deed, according to broadcast outlet WREG Memphis. The deed also included the signature of Florida notary Kimberly L. Philbrick, who submitted an affidavit stating she had never met Lisa Marie Presley or notarized a document signed by the singer.

    Hours after the Wednesday ruling, a person purporting to be a Naussany Investments representative submitted a statement that said the company intended to drop its claims on Graceland, according to the Associated Press. However, the legal filings have yet to appear.

    Elvis Presley Enterprises, which manages the Presley estate, told The Times in a statement at the time that it agreed with the court’s ruling to block the sale.

    “As the court has now made clear, there was no validity to the claims,” the statement read. “There will be no foreclosure. Graceland will continue to operate as it has for the past 42 years, ensuring that Elvis fans from around the world can continue to have a best in class experience when visiting his iconic home.”

    Angie Orellana Hernandez

    Source link

  • FBI reportedly contacts Riley Keough’s team about Graceland case as claim is dropped

    FBI reportedly contacts Riley Keough’s team about Graceland case as claim is dropped

    The Federal Bureau of Investigation may launch a criminal probe into possible fraud allegedly surrounding a now-blocked foreclosure sale of Elvis Presley’s famed Graceland mansion, according to TMZ and Radar.

    The outlets reported Wednesday that the FBI had contacted actor Riley Keough‘s team and Graceland officials on Tuesday, allegedly expressing interest in Naussany Investments & Private Lending LLC, the company seeking to auction off the building.

    The Tennessee Bureau of Investigation told The Times via email that it had not received a request to “investigate from the district attorney general in Shelby County, which would be the mechanism for our potential involvement.”

    Representatives for Keough did not immediately respond to The Times’ request for confirmation and comment.

    Keough filed a lawsuit against Naussany Investments last week, alleging that the company had presented fraudulent documents stating that her late mother, Lisa Marie Presley, had borrowed $3.8 million from the company and “gave a deed of trust encumbering Graceland as security.”

    The “Daisy Jones & the Six” star stated in her lawsuit — which asked a judge to block the auction of Graceland and to declare that the documents were fraudulent — that “Lisa Marie Presley never borrowed money from Naussany Investments and never gave a deed of trust to Naussany Investments.”

    A Tennessee judge awarded Keough a temporary injunction against the sale on Wednesday. The court also said it would move forward with the fraud case, citing a lack of appearance by Naussany Investments representatives at Wednesday’s hearing and the need for additional evidence from Keough’s lawyers.

    After the ruling, a person purporting to be a Naussany Investments representative submitted a statement that said the company would drop its claims on Graceland, the Associated Press reported.

    Elvis Presley Enterprises, which manages the Presley estate, told The Times in a statement Wednesday that business would continue as usual.

    “As the court has now made clear, there was no validity to the claims,” the statement read. “There will be no foreclosure. Graceland will continue to operate as it has for the past 42 years, ensuring that Elvis fans from around the world can continue to have a best in class experience when visiting his iconic home.”

    Keough’s lawsuit, which was reviewed by The Times, said Naussany Investments presented a deed of trust for Graceland and a standard promissory note to the estate via the Los Angeles County Superior Court in September.

    The deed of trust contained the signature of Florida notary Kimberly Philbrick, who submitted an affidavit May 8 saying she had no involvement with the documents.

    “I have never met Lisa Marie Presley, nor have I ever notarized a document signed by Lisa Marie Presley,” Philbrick’s affidavit read. “I do not know why my signature appears on this document.”

    Keough was formally named the sole trustee of her mother’s estate — and, by extension, of Elvis’ estate — in November after settling a legal dispute with grandmother Priscilla Presley, Elvis’ widow.

    Angie Orellana Hernandez

    Source link

  • Riley Keough prevails in court to stop Graceland auction — for the moment. Fraud question remains

    Riley Keough prevails in court to stop Graceland auction — for the moment. Fraud question remains

    Elvis Presley’s granddaughter landed a partial victory in court Wednesday when a Tennessee judge upheld a temporary injunction blocking an auction and foreclosure sale of the late singer’s famed Graceland mansion. Still to be decided is whether the note and deed of trust in question are fraudulent documents.

    The ruling, confirmed by The Times, comes a day after actor Riley Keough obtained a temporary restraining order against the sale of the Memphis property by Naussany Investments & Private Lending LLC, which she alleged in a lawsuit might not even be a “real entity.”

    The sale had been scheduled for Thursday. Naussany Investments did not immediately respond Wednesday to a request for comment sent to an email address listed on court documents.

    Keough’s lawsuit, which was reviewed by The Times, said Naussany Investments presented documents to the estate via the Los Angeles County Superior Court in September. Those documents alleged that Lisa Marie Presley, Keough’s mother, had borrowed $3.8 million from the company and “gave a deed of trust encumbering Graceland as security.”

    The “Daisy Jones & the Six” star denied the claims, calling the documents “fraudulent” and “forgeries” in her lawsuit.

    “Lisa Marie Presley never borrowed money from Naussany Investments and never gave a deed of trust to Naussany Investments,” the lawsuit read.

    The deed of trust presented by the company was “purportedly acknowledged” by Florida notary Kimberly L. Philbrick; However, Philbrick submitted an affidavit stating she had no role in the matter.

    “I have never met Lisa Marie Presley, nor have I ever notarized a document signed by Lisa Marie Presley,” Philbrick’s affidavit read. “I do not know why my signature appears on this document.”

    Tennessee’s Shelby County Register of Deeds said Tuesday that it did not have any filed documents relating to a Graceland deed, according to broadcast outlet WREG Memphis, but a copy of a deed was attached in Keough’s lawsuit.

    Prior to Wednesday’s court hearing, a representative for Naussany Investments submitted a filing asking to continue the litigation, the New York Times. reported. Chancellor JoeDae Jenkins moved forward with the case, citing a lack of appearance by Naussany Investments representatives at the recent hearing and a need for additional evidence from Keough’s lawyers.

    It was unclear when the next hearing in the case would be held.

    Hours after the court ruled, a person purporting to be a Naussany Investments representative submitted a statement that said the company intended to drop its claims on Graceland, according to the Associated Press, which was not able to immediately find new legal filings in online records.

    Naussany Investments couldn’t be verified as a Missouri-based business by CNN, despite the outlet having court documents that gave the firm’s location as being in Kimberling City.

    Elvis Presley Enterprises, which manages the Presley estate, told The Times in a statement Wednesday that it is conducting business as normal.

    “As the court has now made clear, there was no validity to the claims,” the statement read. “There will be no foreclosure. Graceland will continue to operate as it has for the past 42 years, ensuring that Elvis fans from around the world can continue to have a best in class experience when visiting his iconic home.”

    Keough was formally named the sole trustee of her mother’s estate — and, by extension, Elvis’ estate — in November after settling a legal dispute with her grandmother Priscilla Presley, Elvis’ widow.

    Presley had challenged her daughter’s will after the singer-songwriter’s death last January at age 54, questioning the “the authenticity and validity” of a 2016 amendment that named Keough and her brother, Benjamin Keough, as heirs to her estate. Benjamin Keough died in 2020 at age 27.

    The family came to an agreement last May that gave Priscilla Presley burial rights at Graceland, a $1-million lump-sum payment and an advisory role relating to Elvis Presley Enterprises.

    Angie Orellana Hernandez

    Source link

  • Elvis Presley’s Granddaughter Sues Company Attempting To Sell Graceland

    Elvis Presley’s Granddaughter Sues Company Attempting To Sell Graceland

    Elvis Presley’s granddaughter Riley Keough, who owns the Graceland estate, successfully blocked the auction of Elvis’s former home by the company Naussany Investments, which may have fraudulently initiated the foreclosure by claiming that Lisa Marie Presley used Graceland as collateral for a loan. What do you think?

    “Good compounds are hard to come by these days.”

    Joint Pathologist, Klay Mcneil

    “It’s a shame, Graceland would have made a great Airbnb.”

    Mike Bernardo, Cream Infuser

    “That the guy who died on the toilet?”

    Brandy Crosby, unemployed

    Source link

  • Lana Del Rey “Redeems” Her Absence on the Priscilla Soundtrack With Somewhat Lackluster “Unchained Melody” Performance for Christmas at Graceland

    Lana Del Rey “Redeems” Her Absence on the Priscilla Soundtrack With Somewhat Lackluster “Unchained Melody” Performance for Christmas at Graceland

    Lana Del Rey’s love for Elvis Presley is, by now, well-established. Which is why so many were surprised to learn she wouldn’t be in some way participating in Sofia Coppola’s Priscilla. Especially since the director outright asked her to (twice). Claiming the convenient stock excuse of “schedule conflicts,” Del Rey seemed to have no issue dragging herself to Graceland with her usual family-filled entourage. Apparently, only a direct line to Elvis himself could conjure her presence, and that was Riley Keough a.k.a. Elvis’ granddaughter and the new custodian/sole owner of the property in the wake of Lisa Marie’s death. To that end, “lineage” is definitely something Del Rey can get behind honoring (it’s a subject of particular consequence on Did You Know That There’s A Tunnel Under Ocean Blvd, though she also mentions her “karmic lineage” on Blue Banisters). Accordingly, as a means to build anticipation for the Christmas at Graceland special, she posted a picture of her niece, Phoenix, running around with Riley’s daughter, Tupelo (yes, the same name as the small Mississippi town where Elvis was born). 

    As though borrowing from her “How To Disappear” lyrics when she sang, “I’ve got a kid and two cats in the yard,” she stated of the photo, “Riley has been kind enough to let the kids run all around the yard.” Hmm…is it a “kindness,” really, to let kids play in a massive backyard? Evidently when you’re as legendary as Keough is by proxy. Del Rey’s caption of the photo also noted how seeing these two kids together felt “like nothing short of magic.” Maybe because now, Del Rey’s bond with Elvis and the rest of the Presleys is firmly cemented. There’s a connection forged between the next generation that makes it entirely possible that Del Rey will keep hanging out with Elvis’ progeny. After all, if she couldn’t live during the same time as the icon himself, then this will have to serve as the next best thing. 

    So, too, does paying homage to him during the special, aired after the Christmas in Rockefeller Center tree-lighting one (a detail Del Rey was also sure to call out on her Instagram account, though failed to highlight Cher’s presence at the event…and yes, Cher also cameos [along with her contemporary, Dolly Parton] with an Elvis anecdote during Christmas at Graceland). After all, Christmas officially starts right after Thanksgiving these days, as there’s no time to waste in getting people into the “holiday” (read: buying) spirit. Del Rey wasn’t necessarily “of that bent” when she chose to sing The Righteous Brothers’ “Unchained Melody,” one of Elvis’ favorite songs to cover. And, considering Del Rey is something of a “cover queen” herself (hear: “The Other Woman,” “Once Upon a Dream,” “Doin’ Time,” “Season of the Witch,” “Blue Velvet,” “Summer Wine,” “Chelsea Hotel No. 2,” “Don’t Let Me Be Misunderstood,” “For Free” and, most recently, “Take Me Home, Country Roads”—the list truly does go on), the selection made sense.

    And so did going down to Graceland a few days early to get “into character,” so to speak (though Del Rey will tell you, “Never had a persona. Never needed one. Never will”). To absorb some of that “mystical Elvis energy” (including snapping a touristy photo in front of Graceland’s National Register of Historical Places sign) in time to sing for the show, commenting, “…you know you can count on me to more than likely have the somber [performance], so I’ve got you covered with that.” For someone who once declared, “Elvis is my daddy,” perhaps it’s fair to say she’s in tune with the underlying sadness within Elvis and many of his songs, thus the “somber” song choice. One that is introduced (second in the lineup after Lainey Wilson’s hoedown interpretation of “Santa Claus is Back in Town”) by none other than Keough herself as she invites the cameras in through the front door while saying, “Welcome to Graceland.” She then guides viewers through the dining room and kitchen as she gushes with a faintly Drew Barrymore lilt (and look, for that matter), “It’s so special for us to have music back in the house and I’m so excited to introduce this beautiful performance by Lana Del Rey.” The camera whip pans to the right to show the singer in question, wearing a dress fans recognized from her Norman Fucking Rockwell! Tour days. A dress that is, of course, appropriately “60s.” And so is her hairstyle and eyeliner, clearly made to give a nod to the woman whose biopic she wouldn’t contribute a song to. 

    Before diving into her cover, Del Rey remarks, “We particularly like his performance at Rapid City, so we’re gonna channel that and we hope everybody has a really great Christmas.” Of course, while condemnations about Del Rey’s own “fat period” have been ongoing of late, it would be impossible for her to truly channel the agony of that Rapid City performance in June 1977, just a couple of months before Elvis would die. Breathing heavily and drenched in sweat, it was plain to see that years of these live performances (paired with a steady and lethal combination of drugs) had taken their toll. And yes, he didn’t seem to care how he looked or felt once he got on that stage and was revived by the audience’s adulation. So it was that he performed “Unchained Melody” while playing a piano riddled with Coke cups (filled with water or Gatorade, it’s been said) as someone else held the microphone up to his mouth. And from the moment he began to sing, it was as though all perception of his physical appearance melted away while his voice, rich and dreamy as ever, transported the audience to another place. 

    The same can’t quite be said of what Del Rey does with the cover while performing it among the safety of a pre-taped show with no live audience. She never seems to reach that moment of truly belting it out with the pain and agony Elvis so readily conveys. Indeed, her performance is soft, controlled…subdued. Everything Elvis’ cover of “Unchained Melody” is not. There are even times when her declaration of “I need your love” sounds more like a question than an earnest insistence. What’s more, her decision to use a trio of backup singers for the performance is not in keeping with Elvis’ stripped-back rendition in Rapid City. Perhaps the closest she gets to “channeling Elvis” is by employing an all-Black supporting band (namely, the piano player and backup singers) for the song. While Elvis grafted from Black culture for his music, Del Rey lately seems to be relying on Black talent to “jazz up” her performances, live or otherwise. A glaring example of this occurred on “The Grants,” the opening song for Did You Know That There’s A Tunnel Under Ocean Blvd. Armed with a choir of Black women to chant, “I’m gonna take mine of you with me,” Del Rey returns to the church-y, gospel aura of her early life. Rooted in Roman Catholicism and all the devotion (mixed with opulence) that entails. Elvis had his own love of gospel a.k.a. “church” music thanks to being a Southern Baptist. A religion with, yes, decidedly more “Blackness” to it than Catholicism. 

    Alas, Del Rey leaning into that form of Blackness doesn’t manage to translate “Unchained Melody” into the mimicking tour de force she hoped it would be for this Christmas special. Nor does her “intimate conversation” with Keough about what their family traditions are for Christmas (she being the only performer bestowed with that kind of overt preferential treatment) do much to inspire awe. Though, at the very least, “Unchained Melody” is not as much of a botched attempt as Alanis Morissette singing “Last Christmas” in front of Elvis’ private plane, the Lisa Marie. A backdrop that did, however, offer more drama and production value to Morissette’s performance than Del Rey’s.

    Genna Rivieccio

    Source link

  • Riley Keough, Focus Vice Chairman Jason Cassidy Join The Gotham Film & Media Institute Board (Exclusive)

    Riley Keough, Focus Vice Chairman Jason Cassidy Join The Gotham Film & Media Institute Board (Exclusive)

    Riley Keough and Focus vice chairman Jason Cassidy have joined the board of The Gotham Film & Media Institute, the group behind the Gotham Awards.

    The pair join existing board members Nancy Abraham, Anthony Bregman, Jeb Brody, Gerry Byrne, Alina Cho, Dan Crown, Mark D’Arcy (director emeritus), Amy Emmerich, Philipp Engelhorn, Kai Falkenberg, James Janowitz, Franklin Leonard, Stephanie March, Soledad O’Brien, Dee Poku, Hanna Rodriguez-Farrar, John Schmidt, Lisa Taback, Teddy Schwarzman, Drew Wilson and Celia Winchester.

    Actress-producer-director Riley Keough most recently starred in the Amazon Prime Video series Daisy Jones & the Six, which earned nine Emmy nominations, including a lead actress in a limited series nod for Keough. (The Emmys were postponed from their traditional September date due to the writers and actors strikes and are set to be presented in January.) Keough’s other credits include Zola, The Runaways, The Girlfriend Experience and American Honey.

    And Keough made her directorial debut with the 2022 film War Pony, which she co-directed with producing partner Gina Gammell. The critically acclaimed project, which Keough’s production company Felix Culpa developed and produced won the Camera d’Or award at the 2022 Cannes Film Festival. Other Felix Culpa projects include the Jesse Eisenberg starrer Manodrome and Hulu limited series Under the Bridge, based on the Rebecca Godfrey book of the same name.

    Cassidy, along with Focus chairman Peter Kujawski received the industry tribute at last year’s Gotham Awards, where Focus’ Tár led that year’s nominations. Cassidy became vice chairman in 2019 after joining the studio as president of marketing in 2016.

    Focus projects scored four Gotham Awards nominations this year.

    Prior to Focus, Cassidy, who has 25 years of experience marketing films, worked as chief marketing officer at Open Road, leading the Oscar campaign for 2016 best picture winner Spotlight. Prior to Open Road, he ran the marketing department at Miramax, leading the Oscar campaigns for best picture winners Chicago and No Country for Old Men.

    “We are so excited to add Jason, one of the most respected and innovative film executives, and Riley, an extraordinarily talented actress and critically acclaimed filmmaker, to The Gotham’s already incredible board of directors,” Gotham Film & Media Institute executive director Jeffrey Sharp said in a statement. “With their genuine passion for championing independent creatives, we are confident that the organization will amplify its positive impact on the media industry through their expertise and perspectives.”

    In addition to the Gotham Awards, The Gotham supports independent film and media creators as they seek to advance their careers and achieve wider recognition.

    The 2023 Gotham Awards are set for Nov. 27 at Cipriani Wall Street in New York.

    Source link

  • ‘Daisy Jones’ Cast May Perform At Live Concert: ‘Everyone Involved Really Wants It’

    ‘Daisy Jones’ Cast May Perform At Live Concert: ‘Everyone Involved Really Wants It’

    By Brent Furdyk.

    There’s been talk of the cast of “Daisy Jones & The Six” performing the music from the hit Prime Video series — and that talk is still going on.

    In a recent interview with The Hollywood Reporter, “Daisy Jones” showrunner Scott Neustadter was asked if there was a chance that members of the cast would ever embark on a live concert to perform the songs from the series.

    “Everybody involved really wants it to [happen],” he said, noting that scheduling and logistics is the key stumbling block.


    READ MORE:
    ‘Daisy Jones & The Six’ Star Josh Whitehouse Teases Potential Live Show; Band Releases Double Single ‘Special Gift For Our Fans’ 

    “It’s a matter of figuring out when they could all be in the same place at the same time again,” he explained.

    “They’re all going to go off and do really amazing things. But I know that they’ve kept up their practicing on the off chance that maybe it could happen sooner rather than later,” he added. “They’ll be ready when it happens. It would be cool to watch, for all concerned.”

    The cast previously broached the subject in an interview with Variety, with Suki Waterhouse — who portrayed keyboard player Karen Sirko — insisting that she and the rest of the cast would be up for performing onstage.


    READ MORE:
    ‘Daisy Jones & The Six’ Star Sebastian Chacon Teases A Possible Band Tour: ‘Who Knows?’

    “At some point, the curtain has to close on ‘Daisy Jones & the Six’,” she said. “If we were going to do a tour, I’d love to do three dates at Madison Square Garden.”

    Meanwhile, Sebastian Chacon, who played drummer Warren Rojas, told People, “A tour is not out of the question. Who knows? I don’t know what the future holds.”

    Brent Furdyk

    Source link

  • Radhika Jones Introduces Riley Keough, VF’s September Cover Star

    Radhika Jones Introduces Riley Keough, VF’s September Cover Star

    Riley Keough, our September cover star, has been in the public eye since the year the Berlin Wall came down—as the granddaughter of Priscilla and Elvis Presley, she commanded her first headlines for the mere act of being born. Now she’s charting her own path to success and fulfillment with an Emmy-nominated performance in Daisy Jones & the Six; her directorial debut, War Pony, which won her the Camera d’Or at Cannes last year; and as a new mother. (Her daughter’s name, revealed here for the first time, connects the baby to her family’s roots.) Keough talks to our West Coast editor, Britt Hennemuth, about her life and work, as well as the tumult of the past year—the untimely loss of her mother, Lisa Marie Presley, and the settling of the Graceland estate, of which she is now sole custodian. “To be American royalty is to have the whole world watch you,” Baz Luhrmann, director of last year’s Elvis, observes in Britt’s piece. Keough handles that gaze with grace, even as she commits to her individual artistic vision. And in his suite of portraits, Mario Sorrenti captures the star quality that is all her own.

    Tennis fans worldwide are closely watching the Americans these days, seeking the next kings and queens of the court among a very promising generation of rising stars. As Caitlin Thompson, the cofounder and publisher of Racquet, writes about the US Open home-team hopefuls, it’s been a while since an American cohort grabbed the sport’s headlines in such a definitive way. Their backgrounds, styles of play, and temperaments couldn’t be more different from one another, but they’re united by their ability to shake off the baggage of the past—to not worry about living up to legends in favor of becoming legends themselves. Dana Scruggs photographed 13 of these young American players during downtime at Roland Garros earlier this season, where they channeled for her camera the charisma that’s serving them so well on the tour.

    What’s the opposite of serendipitous? Whatever that is, it explains how Naomi Klein, author of The Shock Doctrine and other significant works of cultural criticism, keeps getting mixed up with Naomi Wolf, author of The Beauty Myth, a significant work of cultural criticism, though more recently Wolf has become better known as a spreader of COVID-related and other misinformation. For this issue, Klein takes her uncomfortable case of mistaken identity and turns it into a riveting exploration of the trope of the doppelganger in contemporary culture. The deeper she goes, the more delightful and disturbing it all becomes, as the two-Naomi problem starts to exemplify all that’s muddled about an era in which divided selves abound.

    Radhika Jones

    Source link

  • Sofia Coppola’s ‘Priscilla’ Trailer Aims To Tell Priscilla Presley’s Side Of The Story

    Sofia Coppola’s ‘Priscilla’ Trailer Aims To Tell Priscilla Presley’s Side Of The Story

    Priscilla Presley, the former wife of the legendary musician Elvis Presley, is set to have her side of the couple’s love story depicted in Sofia Coppola’s upcoming biopic “Priscilla.”

    The A24 film is based on Presley’s 1985 memoir “Elvis and Me,” per Variety — and from the looks of its first official trailer, released Wednesday, the movie intends to go beyond heavy eye makeup and Aqua Net.

    Cailee Spaeny (“Mare of Easttown,” “Bad Times at the El Royale”) stars as Priscilla, who met the King of Rock and Roll at a party in a West Germany Air Force base in 1959 at age 14. Jacob Elordi (“Euphoria,” “The Kissing Booth”) will play Elvis, who was 24 when he first laid eyes on his bride-to-be.

    “When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend,” reads A24’s synopsis for the movie. “Through Priscilla’s eyes, Sofia Coppola tells the unseen side of a great American myth in Elvis and Priscilla’s long courtship and turbulent marriage.”

    Presley, now 78, was in the news earlier this year following the death of her daughter, Lisa Marie Presley, and a subsequent estate dispute with her granddaughter, the actor Riley Keough.

    Elvis Presley sits cheek to cheek with his bride, the former Priscilla Ann Beaulieu, May 1, 1967.

    Bettmann via Getty Images

    In a 1985 essay for People, Presley wrote that she was often told as an adolescent and a teenager that she “was the prettiest girl in school, but I never felt that way.”

    “I had gotten looks from boys, and once a picture of me in a tight sweater was stolen from the school bulletin board,” she wrote. “Yet I was still a child, embarrassed about my own sexuality.”

    Presley also described the dynamic between herself and her much older flame.

    “In 1959, after my father was assigned to Wiesbaden, West Germany [headquarters of the U.S. Air Force in Europe], I found myself deeply involved with Elvis,” she wrote. “Something in his Southern upbringing had taught him that the ‘right’ girl was to be saved for marriage. I was that girl. At the same time, he molded me into his woman. I wore the clothes, hairstyle and makeup of his careful choosing.”

    She emphasized that she was still very much a child at the time of their courtship.

    “My parents became confused and bewildered by our relationship. We tried to make them believe that it was proper and platonic, and they wanted to believe me,” Presley wrote. “Whenever they tried to stop us from seeing each other, I pleaded and cried and made them and myself miserable. In retrospect, I don’t think anything could have stopped me from seeing Elvis.”

    Elvis and Priscilla Presley divorced in 1973. Elvis died in 1977.

    Coppola has said “Priscilla” will be very different from “Elvis,” last year’s biopic of the singer from director Baz Luhrmann.

    “I loved how Baz approached his story in a very collage-y way, but I’m glad it didn’t go into much of Priscilla’s story because now I can really dive deep,” Coppola told Collider.

    “I love that people were so into his film about Elvis, and now in a few years there’ll be another film about Priscilla,” she added. “I think it’ll be interesting to have two completely different interpretations of the same events and time period.”

    “Priscilla” is set to open in theaters this October.

    Source link

  • Juno Temple and Riley Keough on Growing Up But Remaining “Rising Stars”

    Juno Temple and Riley Keough on Growing Up But Remaining “Rising Stars”

    In Reunited, Awards Insider hosts a conversation between two Emmy contenders who have collaborated on a previous project. Today, we speak with Riley Keough, who stars in Daisy Jones & the Six, and Juno Temple, who appears in Ted Lasso. They previously worked together on the 2012 indie horror film Jack & Diane.

    “Do you remember the phone in the toilet and the rice, the whole thing?” Juno Temple asks Riley Keough with a smile moments after we sign on to a Zoom.

    “Oh, my God, didn’t we put it in quinoa?” Keough replies, with a laugh.

    Drunkenly dropping your phone into a toilet at a bar and then hoping the grain gods can save it from an early death was just one of the many rites of passage the two actors shared when they lived together in New York when they were in their early 20s. At the time, they were filming the 2012 indie horror film Jack & Diane, in which they play, as Keough puts it, “lesbian werewolves,” or two women who fall into an obsessive love with each other.

    More than 10 years later, they’ve both grown up, and their careers have grown as well. Temple has just wrapped up her third and most likely final season of Ted Lasso, playing scrappy publicist Keeley Jones, while Keough transformed into a ’70s rock star for the breakout hit limited series Daisy Jones & The Six.

    Both currently in Los Angeles for a bit—though Temple says she’s “very transient right now” and will soon be back in the UK—the pair of good friends reflect on their transformative shows, what it’s like to let go of a part, and why they’re finally looking for grown-up roles.

    Vanity Fair: When did you first meet?

    Riley Keough: Was it in our apartment? We were living together for the film we were doing in an apartment. I feel like I just met you there.

    Juno Temple: I think you just had your hair cut and dyed.

    Keough: It was the first time I’d ever cut my hair in that way because my hair is really important to me, and so it was a real crazy thing. I think we just met in the apartment — which is crazy, to put two people in an apartment to live together who’ve never met.

    Temple: You walked me through my first panic attack. Literally, I thought I was dying and you were like, “No, you’re not. It’s okay. I know what this is.”

    Keough: I’m like, “I get this every day.”

    How would you two describe where you were in your acting careers at that point?

    Keough: Well, Juno was much more established than I was at the time. I think this was the third movie I’d ever done.

    Temple: I remember that you had just booked Mad Max: Fury Road before coming out there, and you were supposed to go do it straight after and then it kept getting pushed, right?

    Keough: Yes. I’d maybe done a couple jobs before this movie. And Juno was a proper established indie queen, I think.

    Temple: I don’t remember that, but I definitely had said yes to anything and everything and wanted to work all the time, which I still I do. I love work so much.

    This was around the time you started landing on “Rising Star” lists, wasn’t it Juno?

    Temple: That was after Killer Joe. That, for me, was really a gamechanger in how people saw me as an actress. And that Rising Star Award, kind of coincided with that — which again, is a decade ago — [I’m] still rising. [Laughs]

    Keough: I know. I think that all the time when I’m like, “I’ve been hearing this for fucking 15 years.”

    Temple: Even one when Ted Lasso came out. Someone emailed me something saying a link to IMDB’s top people to watch. I was like, “I’m in my thirties.”

    Rebecca Ford

    Source link