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Tag: Richard Gadd

  • Banijay Entertainment Unveils Heavy-Hitting Mipcom Lineup Headlined by ‘Half Man’ From ‘Baby Reindeer’ Creator Richard Gadd and a Bold Gameshow With a Very Big Red Ball (EXCLUSIVE)  

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    Banijay Entertainment looks set to present one of the biggest, most powerful and eclectic lineups of any company at this year’s Mipcom content trade fair at Cannes, headlined by ‘Half Man,’ from ‘Baby Reindeer’ creator Richard Gadd, whacky but popular gameshow “Let’s Play Ball” and “Wild Reckoning With Bear Grylls.”   

    Set for an HBO U.S. release, “Half Man” marks the latest from “Baby Reindeer” creator-star Richard Gadd who also heads the cast of with Jamie Bell (“Rocket Man”) in a tale of two men, close as brothers as teens, now embittered enemies. 

    Of new offers, Banijay Entertainment’s scripted slate also takes in upcoming Channel 4 drama “Falling,” from “Adolescence” co-creator Jack Thorne – when anybody connected to that series, especially is writer, is likely to spark a feeding frenzy, and “A Woman of Substance,” a new adaptation of Barbara Taylor Bradford’s best-seller whose Channel 4 makeover in 1984 remains the U.K. broadcaster’s most watched show of all time.

    Packing broad family and more particularly YA appeal, the whacky Dutch high concept “Let’s Play Ball” – seeing celeb lead teams rolling a big ball down narrow streets, across rivers and up the Netherland’s steepest hill – weighs in as Banijay Entertainment’s flagship format. First bowed on YouTube, posting 1.2 million views, it is now launched on Dutch broadcaster SBS6, hitting No. 1 for its slot, 84% up on slot average in the 20-34s demo.

    Among unscripted hit titles, “Shaolin Heroes,” a Danish premium adventure reality format, has captivated viewers by surpassing TV2’s primetime slot average by 31%, scoring a re-commission. It has also scored bullish launches on Belgium¡s VTM and RTL in the Netherlands, as well an order, announced late July from major French commercial broadcaster M6. More deals are expected, says Banijay Entertainment.    

    Meanwhile, comedian reality TV contest “Last One Laughing, created by Hitoshi Matsumoto, is now produced in 11 markets by Banijay Entertainment’s labels

    One big highlight on Banijay Entertainment’s factual slate could well be “Wild Reckoning With Bear Grylls,” made for BBC One, BBC Cymru Wales, and iPlayer where the survival doyen abandons the jungle to turn fractured relationship counsellor in rugged North Wales.

    “We’re heading back to Mipcom with a stellar line-up reflecting the breadth and ambition of our catalogue,” said Cathy Payne, CEO Banijay Rights. “From gripping, character-driven dramas like ‘Half Man’ and ‘A Woman of Substance,’ through to the emotional journeys of ‘Wild Reckoning with Bear Grylls,’ we’re presenting an eclectic slate set to entice global buyers.” 

    “This year, we’re doubling down on impact with a bold selection of original and innovative formats. From the instantly recognisable digital-native ‘Let’s Play Ball’ to the irresistible ‘Villa of Temptations,’ we’re delivering broad appeal across genres. As the home of the superbrand, we are also supercharging our existing IP with the return of ‘Fear Factor: House of Fear’ and travelling hit ‘Shaolin Heroes,’ a testament to the ongoing talent of our creative teams worldwide.”

    Here’s a closer look at potential new or newer highlights, plus a reminder of returning titles and evergreen powerhouses:  

    Scripted

    “Two Years Later”

    From Australia, romantic dramedy “Two Years Later,” made for Paramount+, is set in Brisbane in a post-pandemic world as thirty-somethings Ryan and Emily test an unexpected relationship across eight dates, picking up two years after their daily bus flirtations which ended with COVID-19 broke out. Major Australian stars Brenton Thwaites (“Pirates of the Caribbean”,” Maleficent”) and Phoebe Tonkin (“H2O: Just Add Water”) head the cast.   

    Two Years Later

    Credit: Banijay Entertainment

    “Falling,”

    Written by Jack Thorne, a long-term leading light of U.K. drama series whose credits include not only “Adolescence “but Shane Meadows’ “This is English” trilogy and Series Mania Grand Prix winner “The Virtues” and “Best Interests.” “Falling” stars Keeley Hawes (“Bodyguard,” “It’s a Sin”) and Paapa Essiedu (“I May Destroy You”) in a romantic drama where a nun falls in love with a priest.   

    Falling

    Credit: Banijay Entertainment

    “Half Man,”

    When Ruben shows up unexpectedly at Niall’s wedding, it sparks an explosion of violence that throws viewers back through their lives, spanning almost 40 years from the 1980s to the present day. From Gadd, whose “Baby Reindeer” won six Primetime Emmy Awards, “Half Man” is described as a series which captures the wild energy of a changing city – a changing world, even – while asking: What does it mean to be a man? Mam Tor Productions, a Banijay company, produces for the BBC and BBC Scotland, in co-production with HBO. 

    “Maigret,”

    Leading the charge for Banijay Entertainment at the London TV Screenings, the first contemporary TV adaptation of the iconic detective novels by Georges Simenon, for PBS Masterpiece. Written by Patrick Harbinson (“Homeland,” “24,” “The Tower), produced by Playground, behind “Wolf Hall: The Mirror and the Light,”  the revamp introduces a fresh take on the legendary Parisian Chief Inspector Jules Maigret. This reimagining features a young, unconventional debonair Maigret, played by Benjamin Wainwright  (“Belgravia: The Next Chapter”). 

    “These Sacred Vows,”

    Week-long drinking for an Irish wedding in Spain ends up disastrously with a priest’s death. Told in dazed flashback, by screenwriter-director John Butler (“The Outlaws,” Season 3), and produced by Treasure Entertainment for Irish public broadcaster RTÉ. Tom Vaughan-Lawlor (Love/Hate) Justine Mitchell (“Derry Girls”) and Jason O’Mara (“Agents of Shield) star.

    “Wallander,” 

    A modern-day Swedish-language reboot of the iconic global crime brand which won Kenneth Brannagh a Bafta and helped Nordic drama break out worldwide. It now stars Gustaf Skarsgård (“Oppenheimer,” “Vikings”) and is produced by Jarowskij/Yellow Bird, TV4 and Banijay Rights, catching the sleuth at 42, separated and estranged from his daughter as his life seemingly unravels. 

    “A Woman of Substance,”

    Another show from The Forge, a brand new adaptation of Barbara Taylor Bradford’s “A Woman of Substance” which sold over 30 million copies worldwide while a Channel 4 mini-series makeover in 1984 gave it 13.8 million viewers, its biggest audience ever. This time round, Brenda Blethyn takes the Deborah Kerr role as the older Emma Harte, once an impoverished Yorkshire maid who builds from one clothes shop to becoming the richest woman in the world. Produced for Channel 4 from scripts penned by “The Buccaneers” scribes Katherine Jakeways and Roanne Bardsley.  

    Non-English language Banijay shows also take in “Disenchanted,” sneak-peeked at this month’s La Rochelle Festival, for France Télévisions and from Banijay Studios France. Returning favorites include Banijay Entertainment’s “Rogue Heroes” (Kudos) for BBC iPlayer and MGM+; the modern day and serialized “Bergerac” (BlackLight TV) for U and U&DRAMA; and “Anonymous”(NL Film)for NPO. Third-party pick-ups includes “Signora Volpe” (Route 24) for Acorn TV; and “The Hardacres” (Playground in association with Screen Ireland and Red Berry Productions) for 5.

    Variety has profiled new or recent shows. A significant number of Banijay Entertainment’s standouts, potential or proven, however, are ordered or acquired by global streaming services. Banijay label Kudos has produced “House of Guinness,” now boasting a powerful trailer on Netflix. Its catalog also takes in the final chapter of the “Culpa Mía” movie trilogy for Prime Video from Spain’s Pokeepsie Films, rated as one of the streaming service’s most-watched fiction offers ever. Also on streamers are Season 3 of Groenlandia’swomen’s empowerment tale “The Law According to Lidia Poet” for Netflix, and the concluding series of Salma Hayek’s lush, sensual and socially-pointed “Like Water for Chocolate” for HBO Max, produced by Endemol Shine Boomdog and Endemol Shine North America.       

    Formats

    “Fear Factor: House of Fear,”

    One of the most anticipated of Banijay Entertainment’s new unscripted shows, a reimagining of the IP from Endemol Shine North America as a serialized, high-stakes social experiment. Living together in the Fear House, a group of strangers face OMG stunts, challenges, and a twisted game of social strategy, Banijay teases. Set to hit screens in 2026 on Fox.  

    “Foodish,”

    A culinary hit for Banijay Italy, just recommissioned by Sky Italia’s digital free-to-air TV8. Host Joe Bastianich and a celebrity evaluate contestants’ versions of iconic regional recipe, from Milan risotto to authentic carbonara in Rome, competing to claim the “Foodish” apron.  

    “Football Island,” Netherlands

    A Dutch format hailed by Banijay as a groundbreaking sports competition format and a co-production from SimpelZodiak, behind the local adaptation of “Survivor” and “Hunted,”  and Banijay Benelux label Southfields, the largest sports production company in the Netherlands. 13 legendary footballers are deposited at a remote tropical location where they must survive and win football-inspired challenges.

    “Let’s Play Ball,”  

    Billed by Banijay as the ultimate larger than life adventure gameshow as two celeb-led teams attempt to roll a gigantic ball across terrain in a real-world race. Originally piloted on YouTube via StukTV before being developed by EndemolShine Nederland, part of Banijay Benelux, Talpa and Signal.Stream for SBS6. A U.K. version is now being worked on by “Big Brother” producer Initial and Zeppotron, behind “Would I Lie To You?”

    Let’s Play Ball

    Credit: Banijay Entertainment

    “Shaolin Heroes,” 

    A next-gen super brand, Banijay notes, the premium adventure reality sees celebrities embark on a potentially life-changing journey to master the ancient disciplines of the Shaolin Warrior Monks. From Banijay Nordic’s Danish label Metronome, but breaking out across the world. 

    Shaolin Heroes

    Credit: Banijay Entertainment

    “Villa of Temptations,”

    Already a hit, from Banijay Germany, which scored a significant commission from Sat.1 and associate streaming service Joyn. Announced this June with the German original shot in Thailand, celebrities are flown into what they think is a luxury vacation to be told they have nothing, must pay for everything from a $250,000 prize pot.    

    Banijay Entertainment’s globally renowned non-scripted catalogue also includes of course superbrand ratings powerhouses “Big Brother” and “MasterChef” and newer high-profile reality TV titles such as “The Summit “and “Good Luck Guys”, a beach-set reality TV format. Third-party non-scripted portfolio takes in unique culinary format “Atypical Critics,” from Pixcom International, featuring autistic food critics who voice unfiltered opinions of renowned Quebec eateries,and competitive knitting series “Game of Wool,” from Hello Halo for Channel 4, hosted by Olympic Champion diver Tom Daley with contestants competing to become the U.K.’s knitting champ.

    Factual 

    “Eva Longoria: Searching for France,” 

    A CNN Original series produced by Hyphenate Media Group and the latest instalment in the host-led culinary travelog franchise. After seasons set in Mexico, Italy and Spain, Longoria explores the origins of French cuisine and its current mix of centuries-old tradition and cutting-edge creativity. 

    Eva Longoria: Searching for France

    Credit: Banijay Entertainment

    “Lost and Found in the Lakes,”

    Another potential breakout Mipcom highlight, as has been the case in the U.K., proving the BBC’s most-watched unscripted show in its slot this year and now returning for a second season. Helen Skelton and a team of divers, detectorists and magnet fishers try to locate all manner of lost items lost on lakebeds and forests in the U.K.’s most mountainous region – reuniting them with their owners. 

    “Mission To Space: With Francis Bourgeois,”

    Made for Channel 4 by Shine TV, a byword for popular factual TV, social media star Bourgeois endures the rigors of astronaut training, testing if he has the Right Stuff to leave earth. Shine TV produces in association with Untold Studios. 

    Sharon & Ozzy Osbourne: Coming Home

    A third-party pickup, produced for BBC One and iPlayer by Expectation in association with Joks Productions, chronicling the life and final three years of former Black Sabbath frontman Ozzy Osbourne.

    “Wild Reckoning With Bear Grylls,”

    Produced by Wrexham-based Tŷ’r Ddraig, part of Banijay UK’s Workerbee Group, the all-new show sees Grylls attempt to resolve challenged relationships – from feuding families and broken friendships to neighbor disputes and long-standing workplace grudges – joining a team of mediators, psychologists and survival mentors to present participants with physical and psychological challenges in wild North Wales. “I’ve spent a lifetime learning from the wild and, above all, I believe in its power to heal,” Grylls has said. 

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    John Hopewell

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  • The fallout of Netflix series Baby Reindeer as woman accused of being ‘real-life stalker’ threatens to sue in rant

    The fallout of Netflix series Baby Reindeer as woman accused of being ‘real-life stalker’ threatens to sue in rant

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    Baby Reindeer on Netflix is based on Scottish performer Richard Gadd‘s autobiographical stage show and his real life experiences of being stalked and sexually assaulted.

    But in the days following the dark comedy drama dropping on Netflix, speculation has been rife about how authentically Richard has created characters.

    Amid the fallout, unfounded accusations have spread on social media, leading to Richard to shut down allegations about who may have assaulted him in reality.

    And others have come forward to make claims in the press about recognising the all-too-real inspiration behind stalker character Martha, too.

    Martha stalks Donny, played by Richard Gadd who was stalked in real life, in Baby Reindeer (Credit: YouTube)

    Baby Reindeer on Netflix

    In Baby Reindeer, crashingly bad stand up and mildly compassionate barman Donny acquires an unwanted admirer after he takes pity on a customer – Martha – and gives her a drink for free.

    Within long, his entire life is interrupted by Martha’s intrusive emails and demands upon his time… even though Donny begins to wonder whether the connection they have may be more two-sided than stalkers tend to have with their victims.

    However, Martha is not Donny’s first encounter with a relationship (of sorts) wrapped up in abusive behaviours. As an aspiring writer, Donny was bowled over by a hero writer of his – Darrien O’Connor – taking interest in him. But before long, that mentorship association is also muddied by dependence, substance abuse, and serious sexual assault.

    Donny sits on a bench in Baby Reindeer on Netflix
    Donny Dunn takes a moment during the Edinburgh Festival Fringe (Credit: YouTube)

    Richard Gadd in Baby Reindeer

    Baby Reindeer has been billed as “a captivating true story”. But some viewers have speculated wildly about Darrien’s real-life identity.

    That has led to unfounded social media accusations against theatre director Sean Foley due to a claimed likeness to the actor playing Darrien.

    Sean, who recently stepped down as artistic director of the Birmingham Rep, has subsequently revealed he contacted police who are investigating abusive posts made against hm.

    Furthermore, Richard himself has appealed on social media: “People I love, have worked with, and admire (including Sean Foley) are unfairly getting caught up in speculation. Please don’t speculate on who any of the real life people could be. That’s not the point of our show.”

    Martha speaks with Donny in Baby Reindeer on Netflix
    Could the ‘real Martha’ end up being identified? (Credit: YouTube)

    Martha from Baby Reindeer identity

    Richard has previously insisted specifics about his own experiences in reality have been changed in his work.

    He is said to have claimed the person represented as Martha ‘wouldn’t recognise herself’.

    However, the tabloids have found people who reckon the ‘real life’ Martha is known to them.

    That includes lawyer Laura Wray who claims to have been stalked by the same person.

    It brought so many things back to me that I’d forgotten.

    She told MailOnline: “It brought so many things back to me that I’d forgotten. She did the same to me, made my life a nightmare. He has got her spot-on. His reaction was exactly the same as mine. I felt sorry for her.”

    After being let go, the ‘real Martha’ left threatening voicemails, including a death threat against Laura’s MP husband Jimmy Wray. She also claimed Laura hit her child to social workers.

    Baby Reindeer’s Martha at one point is characterised as having ‘targeted a barrister’s deaf child’ in a previous incident.

    The ‘real’ Martha

    Furthermore, a woman is threatening to sue Netflix after claiming she is the person behind Martha.

    She recently told the Scottish Sun: “I have a claim against Netflix as this is being billed as part of a true story. I’m a highly competent lawyer. I’d have to do it myself. I’m very good.

    “I have a photographic memory and can memorise huge files. I was top in my school at everything.”

    The woman also fumed: “There’s a fat actress that’s supposed to be me. He’s come up with this character called Martha and he has put me right in the frame. This is a programme for the 20-somethings. The people with no lives, no jobs, whatever. I don’t want to be a celebrity.”

    She also told the Daily Record recently: “I’ve had death threats as a result of his show despite the fact that a lot of the things he claimed are just not true.

    “I have not watched Baby Reindeer but I have seen various things. I was in Richard Gadd’s company on occasions but I didn’t stalk him like he claims. His story is that this is a gross intrusion into my privacy. I haven’t seen him for 12 years.”

    ED! has contacted Netflix for comment.

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    Robert Leigh

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