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  • Gizmodo’s Best of IFA 2025 Awards: See the Winners

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    IFA, short for Internationale Funkausstellung Berlin, meaning “International Radio Exhibition Berlin” because it started in 1924 when radios were the hottest things in tech, doesn’t see as many major gadget announcements as CES. Still, it’s Europe’s largest tech show to close out summer, and this year the show doubled down on the stuff its Messe Berlin convention halls are typically known for: smart home gear and robots. That’s not to say there weren’t the usual new laptops, speakers, and wacky concepts—there were!

    We’re still stomping through Berlin to bring you the best tech we can find from IFA 2025. For now, here’s our Best of IFA 2025 Awards for every gadget that the Gizmodo squad found innovative, well-designed, or just plain fun.


    Best Gaming Handheld

    Lenovo Legion Go 2

    Lenovo Legion Go 2

    The Legion Go 2 will cost you an arm and a leg, and then Lenovo will still demand more than $1,050 for its revised handheld PC. And still, the device is enticing thanks to its 8.8-inch OLED screen and variable refresh rate (VRR) between 30Hz and 144Hz. The more ergonomic controls may make it easier to hold for longer—which may help considering the upgraded 74Wh battery should let you game for longer.

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    Best Robot Vacuum

    Deebot X11

    Ecovacs Deebot X11 OmniCyclone

    The Deebot X11 OmniCyclone has a few things going for it that make it stand out from Roombas and the suddenly very competitive market of robovacs. There’s an onboard AI model that Ecovacs says helps the X11 better understand when to clean based on your habits; improved motors help it get over gaps where different floor materials meet; and there’s a built-in GaN fast-charging technology that supposedly lets it recharge while it’s rinsing its mop. The Deebot X11 should also clean corners and wall edges better. It seems to have it all.

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    Best Robot Vacuum Accessory

    Eufy Marswalker

    Eufy MarsWalker

    Eufy’s MarsWalker is straight out of a sci-fi movie. When a Eufy robot vacuum slips on the “mech suit,” it can then use the arms and legs to climb up and down stairs, eliminating the need to manually haul the bot between floors to vacuum. The MarsWalker is cute, a little creepy, but damn, come on, technology that levels up our laziness is too good to ignore!

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    Best Laptop

    Acer Swift 16 Air

    Acer Swift 16 Air

    When light is right, the Acer Swift 16 Air is your best choice for a laptop that has more screen real estate than any 13- or 14-inch notebook. It clocks in at 2.18 pounds for the version with an IPS LCD display, but the heavier AMOLED will barely weigh you down at 2.43 pounds. The major caveat here is the Swift 16 Air sacrifices battery life for the sake of a thin and light 16-inch device. If you can stomach being near a charger, the Swift 16 Air will barely register as anything in your backpack.

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    Best Gaming Laptop

    Lenovo Legion 7

    Lenovo Legion Pro 7

    Lenovo’s new version of its Legion Pro 7 is very enticing since now it comes with AMD’s Ryzen 9 9955X3D. The CPU promises to beat Intel’s high-end offerings exclusively for gaming performance with the same GPU. The Legion Pro 7 is already a great gaming laptop; the better chip will just make a good computer better.

    Best Smartphone

    Tecno Slim

    Tecno Slim

    Tech giants like Samsung say you need to sacrifice battery life for the sake of a super-thin phone. Tecno responded “hold my beer” with the two versions of the Tecno Slim phone. They’re each barely any thicker than a USB-C port, and yet Tecno claims they have enough battery life to last more than a full day.

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    Best Smart Lights

    Govee Permanent Lights

    Govee Permanent Outdoor Lights Prism

    Sometimes you want to deck your house in colorful lights all year, and Govee is here to help you do just that. With support for 16 million colors, the Permanent Outdoor Lights Prism are ready for any holiday. Easter lighting, here you come.

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    Best Speaker

    We Are Rewind Boombox

    We Are Rewind GB-001

    Damn, we love nostalgia, and We Are Rewind’s next-gen GB-001 boombox has it in spades. There’s a tape deck that can play and record tapes, VU meters for levels, and it still has Bluetooth when you’re feeling lazy. We just hope it sounds as good as it looks.

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    Best Charging Stand

    Mophie Charging Stand

    Max Headphones Charging Stand

    Apple doesn’t make a wireless charging stand that charges both AirPods Max and a pair of AirPods earbuds so Mophie did. The Max Headphones Charging Stand is what every Apple fan has been waiting for and displays your Apple over-ear headphones while juicing them up. You do need a little USB-C dongle to magnetically charge the AirPods Max, but seriously, why didn’t anybody make this sooner?

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    Best Wireless Headphones

    Jlab Headphones

    JLab Jbuds Open Ear Headphones

    Open-ear audio is coming to headphones, and we couldn’t be more ready. JLab showed off a pair of headphones with an open back that could be the perfect form factor for quality audio that still lets you hear your surroundings. The best part? They’re set to debut at only $99.

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    Best Tablet

    Samsunggalaxytabs11ultra

    Samsung Galaxy Tab S11 Ultra

    If there’s one thing Samsung is an expert at, it’s making big-ass tablets, and the 14.6-inch Galaxy Tab S11 Ultra is the largest one that matters. Thinner than even Apple’s thinnest iPad Pro, Samsung’s Android tablet is better as a laptop or desktop replacement thanks to the new DeX Extended Mode and four desktop workspaces to spread windows across. It’s truly made for working as opposed to watching Netflix, though that’ll look great on the massive screen, too.

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    Best Projector

    Nebulax1pro

    Anker Soundcore Nebula X1 Pro

    There are projectors, and then there’s Anker’s Soundcore Nebula X1 Pro, which is basically an upright party speaker with a 4K, U-shaped optical laser system to splash a massive picture of up to 3,500 ANSI lumens of brightness onto any wall. It’s such a tank of a projector that it may as well be called R2-D2. As if that weren’t enough, the Nebula X1 Pro hides four wireless speakers inside that you can set up in any room or backyard for a 7.1.4 surround sound system that’ll shoot you into hyperspace.

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    Best Power Bank

    Ankerprime300

    Anker Prime 300W Power Bank

    Finally, there’s a power bank that’s got enough juice and throughput to charge up your entire mobile office. Anker claims its Prime 300W Power Bank can charge two laptops and your phone all at once. The Anker app will also let you determine which devices you want to prioritize during an emergency charge.

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    Best Grooming Tool

    Laifen

    Laifen T1 Pro

    Nothing says high-end like some aerospace-grade, sand-blasted aluminum alloy. Laifen knows that, which is why it made the T1 Pro with one single piece of airplane-grade metal. The result is a sleek but sturdy shaver that is designed to last—and would probably make Jony Ive proud as hell.

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    Best Wearable

    Polar Loop

    Polar Loop

    As much as fitness bands like those made by Whoop are great for anyone that doesn’t want another screen in their life, adding another subscription is just as bad. If you want a screenless fitness wearable, this one from Polar does what Whoop does but without the annual fee. It looks comfier, too.

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    Best Smart Glasses

    Inmo Air 3

    Inmo Air 3

    The sprint towards functinal and powerful AR glasses is in full swing and Inmo’s AIr 3 is proof. Inmo officially launched a kickstarter campaign to make 1080p glasses with a smart ring that controls UI for apps and multiple interactive windows. It’s a different approach from Meta and its alleged wristband, and unlike anything we’ve seen yet.

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    Best AI Gadget

    Plaudnotepro

    Plaud Note Pro

    If you liked Plaud’s original card-sized AI recorder, then there’s no reason not to like its newest addition, the Note Pro, which adds two microphones for better recording range and extends the battery life so you’ll never miss a word.

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    Best Toy

    Switchbot Kata

    SwitchBot Kata

    SwitchBot’s Kata asks, “What if a stuffed animal had an on-device LLM?” That may not be a question most have thought to ask, but this wheeled robot is pushing boundaries. According to SwitchBot, this little guy even experiences jealousy. Can your non-AI-equipped plushie feel jealousy? We thought so.

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    Best Concept Device

    Lenovo Flip Laptop

    Lenovo ThinkBook VertiFlex Concept

    Lenovo stands on its own when it comes to showing off wild computer concepts that may never see the light of day—and we love them for it because the ThinkBook VertiFlex Concept is something you won’t find from other companies. The screen flips from horizontal to landscape, which is useful for developers and honestly just for reading a website or social feed without having to constantly scroll the trackpad. It’s just a concept, but there’s even room to prop up a phone when the screen is flipped so you can always keep an eye on TikTok, though you may wanna just doomscroll on the bigger vertical display instead.

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    Gizmodo Staff

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  • Last Week in Cleveland Food News: Lola’s Bistro Opens Soon in Chagrin Falls, Kyuramen Shines in Strongsville, and More

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    click to enlarge

    Douglas Trattner

    Lola’s Bistro in Chagrin Falls to open in early September.

    – The transformation of the former Bell & Flower spot into Lola’s Bistro, which opens next week, is nothing short of stunning. Here’s what to expect at the new French restaurant in Chagrin Falls.

    – The Farmer’s Rail team never seems to stop. The latest evidence: its opening of Amelia’s in Cuyahoga Falls.

    – Ben & Jerry’s is now slinging scoops in Playhouse Square.

    – Beet Jar’s new Van Aken outpost is now open.

    – Naf Naf Middle Eastern Grill will next year fill the vacant space most recently home to Taco Bell Cantina on Public Square.

    – Mango Mango has closed in Asiatown.

    – Batuqui’s new Larchmere home is now welcoming diners, and more of them.

    – Scene Dining Editor Doug Trattner thoroughly enjoyed his trip to Kyuramen in Strongsville, which takes visitors on a stylish tour through regional ramen varieties.

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    Vince Grzegorek

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  • How civilizations lose their spark—and how we might keep ours

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    The feeling will be familiar to many who have visited the great cities of history: I had come to Athens for the first time and made a pilgrimage to its democratic Assembly, Plato’s Academy, and Aristotle’s Lyceum. And it left me with a sense of profound sadness. Here were the scenes of some of the most extraordinary moments in human history, and all that was left was rubble, garbage, and dog waste. Instead of bustling creativity, there was silence, interrupted only by the odd intoxicated passerby.

    To be sure, I also experienced spectacular beauty in Athens, such as the grand monuments on the Acropolis. But even that was a museum to bygone glory. This used to be the place around which the world revolved, and now it’s a collection of patched-together columns, stone blocks and shards with plaques telling us that it used to be impressive.

    This must be what Percy Shelley, a great admirer of ancient Greece, reflected upon when he wrote about the crumbled monument to Ozymandias, king of kings: “‘Look on my works, ye Mighty, and despair!’ / Nothing beside remains. Round the decay / Of that colossal wreck, boundless and bare / The lone and level sands stretch far away.”

    This encounter with the transience of great civilizations set my mind racing. What made it possible for them to rise so spectacularly, and why did they decline so thoroughly? It forced me to consider whether travelers will one day visit our proud landmarks and plazas and think about how our civilization lost its way and became so sluggish and stationary. 

     

    This is a precarious time to write about history’s golden ages. Ours is an era of authoritarian and populist revival, with savage dictators trying to extinguish neighbouring democracies, when the fear of inevitable decline seems more prevalent than belief in progress. 

    The American legal scholar Harold Berman compared his history of the rise of Western law to a drowning man who sees his whole life flash before him, perhaps in an unconscious effort to find something within his own experiences to help him escape his impending doom. We are not yet drowning, but drawing on historical human experience can be a useful way to avoid ending up in a bad situation. It might even help us to keep our vessels seaworthy. 

    It is said that we should study history to avoid repeating its mistakes, and that is all very well. But our ancestors were not just capable of mistakes. Human history is a long list of depravations and horrors, but it is also the source of the knowledge, institutions, and technologies that in the last few centuries have set most of humanity free from such horrors for the first time. The historical record shows what mankind is capable of, in terms of exploration, imagination, and innovation. This in itself is an important reason to study it, to broaden our mental horizon of what is possible. 

    In my new book, Peak Human: What We Can Learn from the Rise and Fall of Golden Ages, I explore seven of the world’s great civilizations: ancient Athens, the Roman Republic and early Roman Empire, the Abbasid Caliphate, Song China, Renaissance Italy, the Dutch Republic, and the Anglosphere. Each of them exemplifies what I think of as a golden age: a period with a large number of innovations that revolutionize many fields and sectors in a short period of time. 

    A golden age is associated with a culture of optimism, which encourages people to explore new knowledge, experiment with new methods and technologies, and exchange the results with others. Its characteristics are cultural creativity, scientific discoveries, technological achievements, and economic growth that stand out compared to what came before and after and compared to other contemporary cultures. Its result is a high average standard of living, which is usually the envy of others and often also of its heirs. 

    Peak Human could have been a much longer book, exploring many other cultures, because golden ages are dependent not on geography, ethnicity, or religion but on what we make of these circumstances. These cultures just happened to excel in the era in which they, for some reason or another, began to interpret or emphasize a particular part of their beliefs and traditions to make them more open to surprises—unconventional ideas and methods imported by merchants and migrants, dreamed up by eccentrics, or stumbled upon by someone fortunate. 

    There are certain important preconditions for this progress. The basic raw materials are a wide variety of ideas and methods to learn from and to combine in new ways. It therefore takes a certain population density to create progress, and urban conglomerations are often particularly creative. Being open to the contributions of other civilizations is the quickest way of making use of more brains, which is why these golden ages often appeared at the crossroads of different cultures and in every instance benefited greatly from the inspiration brought about by international trade, travel, and migration. They were often maritime cultures, always on the lookout for new discoveries. Distance is the “number one enemy of civilization,” as the French historian Fernand Braudel understood so well. 

    To make use of these raw materials, it takes a relatively inclusive society. Citizens have to be free to experiment and innovate, without being subjected to the whims of feudal lords, centralized governments, or ravaging armies. This takes peace, rule of law, and secure property rights. Most importantly, there has to be an absence of orthodoxies imposed from the top about what to believe, think, and say; how to live; and what to do. If we limit the realm of the acceptable to what we already know and are comfortable with, we will be stuck with it, and we will deserve the stagnation we get. If we want more knowledge, wealth, and technological capacity, we have to cut misfits and troublemakers some slack. 

    Institutions that are built for discovery, innovation, and adaptation have profound effects on science, culture, economy, and warfare. It is not easy to sustain such institutions for a long time. The most depressing aspect of studying golden ages is that they don’t last. You don’t have to wait 2,300 years to go back to Athens. There are many stories about people visiting centers of progress just a few decades later and finding that it’s all over. It’s the same place, the same traditions, and the same people, but that irreplaceable spark has disappeared. 

    The California historian Jack Goldstone calls these episodes of temporary growth “efflorescences.” That is really another word for an anti-crisis: Just as a crisis is a sudden and unexpected downturn in indicators of human well-being, an efflorescence is a sharp, unexpected upturn. 

    Goldstone argues that most societies have experienced such efflorescences, and that these usually set new patterns of thought, political organization, and economic life for many generations. This is a corrective to the common notion that humankind has a long history of stagnation and then suddenly experiences progress. History is full of growth and progress; it is just that they were always periodic and efflorescent rather than self-sustaining and accelerating. In other words: They don’t last.

    Civilizations in every era have tried to break away from the shackles of oppression and scarcity, but increasingly they faced opposite forces, which sooner or later dragged them back to Earth. Elites who have benefited from innovation want to kick away the ladder behind them; groups threatened by change try to fossilize culture into an orthodoxy; and aggressive neighbours, attracted to the wealth of nearby achievers, try to kill the goose to steal its golden eggs. 

    Why would intellectual, economic, and political elites accept a system that keeps delivering surprises and innovations? Yes, it might provide their society with more resources, but at the risk of upending a status quo that made them powerful to begin with. Often such institutions came about as a result of revolutionary upheaval or emerged unintentionally because they happened to provide important solutions in difficult situations or at a time of fierce competition against rivals. 

    But sooner or later, most elites regain their composure and begin to reimpose orthodoxies and stamp out the potential for unpredictability. The great economic historian Joel Mokyr calls this Cardwell’s Law, after the technology historian D. S. L. Cardwell, who observed that most societies remain technologically creative for only a short period. 

    The perceived self-interest of incumbents who have much to lose from change goes a long way to explaining why episodes of creativity and growth are terminated. But such groups are always there, always eager to stop the future in its tracks. Why do their reactions prevail in some places and moments but not in others? Many factors are at play, but there is one psychological factor that reinforces all of them. 

    “What is civilization’s worst enemy?” asked the art historian Kenneth Clark. He answered: “First of all fear—fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planting next year’s crop. And fear of the supernatural, which means that you daren’t question anything or change anything.”

     

    We humans have two basic settings: We are traders, and we are tribalists. Early humans prospered (relatively) because they ventured out to explore, experiment, and exchange, to discover new places, partners, and knowledge. But sometimes they only survived their adventures because they were also acutely sensitive to risks and instantly reacted to a potential threat by fighting or fleeing back to the familiar, their cave and their tribe. We need both the adventurous and the risk-sensitive aspects of our personality. But since Homo sapiens emerged over hundreds of thousands of years in a world more dangerous than today’s, our “spider sense” is over-sensitive to threats: It often misfires and is easily manipulated by those who want to divide and conquer. 

    As I documented in my book Open: The Story of Human Progress, this anxious aspect has remained a central part of our nature, even after we left the savannah for a safer world. When we feel threatened as a community by, say, neighbouring armies, pandemics, or recessions, there is often a societal fight-or-flight instinct, causing us to hunt for scapegoats and flee behind physical and intellectual walls, even though complex threats might call for learning and creativity rather than simply avoidance or attack. 

    Again and again, we see civilizations prosper when they embrace trade and experiments but decline when they lose cultural self-confidence. When under threat, we often seek stability and predictability, shutting out that which is different and unpredictable. Unfortunately, this often makes the fear of disaster self-fulfilling, since those barriers limit access to other possibilities and restrict the adaptation and innovation that could have helped us deal with the threat. The problem with paralyzing fear is that it has a tendency to paralyze. 

    I wouldn’t go so far as to say that we have nothing to fear but fear itself. That sounds a bit like underestimating armed raiders and bubonic plague. But it is certainly true that an insular, suppressive angst deprives us of the tools we need to take on the problems we face. Outsiders can kill and destroy, but they can’t kill curiosity and creativity. Only we can do that to ourselves. 

    History often repeats because human nature does. All of the golden ages ended, except one—the one that we are in now. But “history,” said the American journalist Norman Cousins, “is a vast early warning system.” We still know how to swim, but that doesn’t happen automatically; it takes a conscious effort. For that reason, repeating history’s swimming lessons once in a while is helpful. 

    To situate my argument in the context of current culture wars, I object both to the relativist idea that all cultures are equal and to the idea that there is a hierarchy of two opposing and clashing cultures—civilization vs. barbarians (often associated with European Judeo-Christian culture vs. the rest). 

    Yes, some cultures are better than others. Denying that is, as pointed out by the physicist David Deutsch, “denying that the future state of one’s own culture can be better than the present.” It implies that chattel slavery and human rights are equally good (or bad). Some cultures are better than others because they provide institutions for positive-sum games instead of zero-sum; they create liberties and opportunities rather than oppression and destruction. 

    But no, we are not talking here about the inherent traits of two opposite and clashing civilizations. Among the seven golden ages featured here, we meet pagans, Muslims, Confucians, Catholics, Calvinists, Anglicans, and secular civilizations. Those who were seen as barbarians in one era became world leaders in science and technology in the next, and then roles reversed again. They excelled at a time in which their culture was open to the contributions of other civilizations, and so gained access to more brains. 

    This is why both the nationalist right and the woke left are hopelessly unhistorical in their crusades against cultural hotchpotch: Civilizations are not monoliths with inherent traits but complex, growing things defined by how they engage with, adopt, and adapt (appropriate, if you like) what they find elsewhere. It’s the connections and combinations that make them what they are. 

    The battle between freedom and coercion, and between reason and superstition, is not a clash of civilizations. It is a clash within every civilization, and at some level within each one of us. Every culture, country, and government is capable of decency and creativity as well as ignorance and jawdropping barbarianism. That is why “golden” should be understood as much in relationship to what you could otherwise have been as it should be understood as making a comparison with others. It is of course not just down to sheer will, but you and I have it within ourselves to help make our particular place on earth decent and creative rather than the opposite. 

    It is important to grapple with the question “golden ages for whom?” All of the civilizations I describe in this book practised slavery, all of them denied women basic rights, and all took great delight in exterminating neighbouring populations to the last man, woman, and child. 

    Whenever I am tempted to look back at these ages and dream about how amazing it would have been to be alive then—to debate philosophy in the Athenian Lyceum or Baghdad’s House of Wisdom, to discuss political strategy with Cicero or the Song emperor, or to be present at the creation of the Pantheon, The Last Supper, or the printing press—I remind myself that I wouldn’t have come near those places. I would have been a destitute peasant, struggling desperately to keep my family safe from hunger and raiders for another season. 

    If I were one of the lucky ones, that is. As the classicist Mary Beard has remarked, when people say they admire the Roman Empire, they always assume they would have been the emperor or a senator (a few hundred people) and never the enslaved masses in mines, plantations, and other people’s households (a few million). 

    Recorded history is the work of a tiny literate elite, and for most people, in most eras, life was nasty, brutish, and short. In fact, that went for the elites too. No matter how powerful they were, everything could be lost in an instant if they had the misfortune to displease a capricious ruler, and even he had little chance against, say, a bacterial infection or a barbarian invasion. Remember that every time history books record that a city was “sacked,” it means that thousands of civilians were raped, mutilated, and disembowelled. This also tells us something about what mankind is capable of. 

    But history is more than a crime scene. It is also the place where ideas were developed that helped humanity to identify the crimes and overcome them. If we discard all the achievements of those who came before us because they weren’t sufficiently enlightened and decent (they weren’t), we will eventually lose the capacity to discern what is enlightened and decent. Because that very language and moral sense emerged out of their struggles. 

    If you discover something inspiring and useful there, in the overgrown ruins of the past, that can be salvaged to help ensure that our civilization does not just become one in the long list of Goldstone’s temporary efflorescenses, let’s fight for it, shall we? As Goethe once told us, you cannot inherit a tradition from your parents; you have to earn it.

    Johan Norberg is the author of Peak Human: What We Can Learn from the Rise and Fall of Golden Ages, from which this article is adapted by permission of Atlantic Books.

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    Johan Norberg

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  • The Urban Arrow FamilyNext Pro Is Your Forever Electric Cargo Bike

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    How time flies. I first reviewed the original Urban Arrow in 2020, when my kids were 3 and 5. Back then, nothing delighted a couple of preschoolers more than strapping into a big, motorized cargo bike and scooting around town, shrieking, with the wind blowing in their tiny faces. Alas, they are now 8 and 10. When I picked up my 8-year-old two days ago, he crouched down in the box while sitting on the padded seats (with seat belts!) so that none of his friends would see him.

    All this to say: My Tern GSD and I are great friends, but I wish my kids were five years younger so I could’ve bought the FamilyNext Pro instead. Urban Arrow’s new electric cargo bike has a lot of great upgrades, is easier to ride than ever, and is even more useful as my kids have gotten older.

    Bounce House

    To the naked eye, the two biggest upgrades to the FamilyNext Pro are a newly redesigned cargo box and suspension on the front fork. (It also comes in a very classy, new sage green, but unfortunately, my demo bike was in black.)

    The box looks totally different—my friend asked if my bike had gotten longer somehow. It’s longer and slimmer, with rounded corners instead of square ones, and there are now headlights on the bike. It has shorter sides, so it’s easier to get in and out. Unlike other bakfiets, or box bikes, that I’ve tried, the box sits much lower to the ground. I can confirm that in my testing, both adults and kids had an easy time climbing in and out.

    The box is made from expanded polypropylene (EPP) foam, which is initially disconcerting—it shows dings and bumps very easily. However, Urban Arrow describes it as “an upside-down helmet,” and the foam cushioning did reassure me that even if I let the bike tip over, my kids or friends wouldn’t just immediately hit the pavement. You can also replace the foam easily in the event of a crash or some other unsightly event.

    The front cargo box now has a front fork with 60 millimeters of travel. I truly love this. It really is a safety issue when you’re going fast with 60 to 150 pounds in the front box. I was cruising along at 20 mph and hit a pothole, and I just boinged right out of it.

    Photograph: Adrienne So

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    Adrienne So

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  • These Wireless Earbuds Have a Screen, ChatGPT, and a Cute Robot Face—but They Sound Terrible

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    I like wireless earbuds because I love music. It’s very straightforward; music exists, and I want to listen to it, and wireless earbuds are the thing that gets me to the thing I love. Problem solved. You can’t see it, but I’m smugly dusting my hands right now like a mathematician at a chalkboard. There’s a symbiosis between the buds and me. A simplicity. A supply and demand so fundamental that in the gadget world, it feels like a law of nature.

    But, as much as I love wireless audio, there are some reasons for loving buds that I have never thought of before. For instance, productivity. It has never once occurred to me that wireless earbuds can turn me into some kind of capitalist brain machine, as much as employers would love that. Or using them to “remember everything” and/or “know everything.” I personally like it when they make fun sounds, but I guess becoming some kind of omnipotent techno-deity would be sick, too. I have also never thought to use them as a tool to record every conversation I ever have without telling anyone, either—probably because I ain’t a NARC. But this is the age of AI, and maybe I’m just not thinking big enough; maybe I need to expand my mind; maybe it’s time to optimize my future, maaaan.

    Oso AI Earbuds

    These ChatGPT-equipped wireless earbuds are fine for transcription but nothing else.

    Pros

    • They transcribe calls and live events
    • Mic catches a wide array
    • Fun on-case screen!

    Cons

    • Awful for listening to music
    • Mired by paywalls
    • Loose-fitting earbud design
    • Too expensive for the faults

    To help open me up to the possibilities of wireless earbuds in the era of AI, I shoved a pair from a brand called Oso in my ears. These $170 AI wireless earbuds were crowdfunded through Kickstarter and promise big things. Marketing highlights include “revolutionizing productivity, one conversation at a time,” and “remember everything, know everything.” And here I was just trying to have a news roundup podcast serenely explain to me how messed up the world is!

    © Adriano Contreras / Gizmodo

    To pave the way toward a more productive self, Oso AI Earbuds have zeroed in on using ChatGPT via the cloud to power a few capabilities. Chief among them seems to be transcription. Indeed, with a companion app, you can use your Oso AI Earbuds to listen to your surroundings and then have that conversation, or presentation, or YouTube video transcribed by AI in the cloud. There’s nothing groundbreaking about AI transcription, but I guess putting it in wireless earbuds is a newish approach? I used Oso’s wireless earbuds to record some stuff while I was at a press briefing, and it worked fairly well, despite the fact that the presenters were not native English speakers and the volume of their mics wasn’t ideal. You can also use it to record virtual meetings and calls.

    I took a call with the Oso AI Earbuds and used them to transcribe part of it, and while the transcription worked just fine, the experience for the person on the other end was not ideal. According to the person I called, these wireless earbuds pick up a lot of ambient noise—she was able to hear someone moving glasses in Gizmodo’s communal kitchen, an elevator beep, and someone having a phone call about 20 feet away from me. On one hand, it’s good that these wireless earbuds can pick up so much, since it means they won’t miss a word when you’re recording, but for the person on the other end, the experience can be ridiculously distracting. It’s especially strange considering the wireless earbuds are advertised as having “dual beamforming mics with ENC.” That’s not a typo for ANC; ENC stands for “environmental noise cancellation.” I’m not sure which environmental noise the Oso AI Earbuds are cancelling, but they certainly weren’t interested in tackling ambient noise in my office.

    Oso Ai Earbuds.
    The Oso AI Earbuds have a screen for showing an AI assistant’s “face” and the time. © Adriano Contreras / Gizmodo

    Another pillar of the Oso AI Earbuds is being able to use them as a voice assistant powered by ChatGPT. Again, this isn’t a novel idea; Nothing’s wireless earbuds were the first to advertise a ChatGPT integration last year. I tested that feature out, and while I could see its potential usefulness in theory, I wasn’t wholly impressed with actually using it for real-life stuff like figuring out where to eat or what the Knicks’ score is. I was looking forward to testing out if there was any difference between testing ChatGPT out last year and now, but unfortunately, Oso’s AI Earbuds had other plans.

    Since iPhones don’t play nice with anything that doesn’t come freshly baked out of Foxconn with an Apple logo on it, Oso’s app offers a Siri shortcut that is supposed to act as a workaround for activating the buds’ voice assistant, which has (comically, I may add) been dubbed “Judy.” I added my Judy shortcut to Siri in iOS just like the app asked, but when I tried to activate it by uttering “Siri, Judy,” like the shortcut is designed to do, I was met with a notification that I have not paid for “Laxis Pro,” which is a premium version of the app that powers the AI wireless earbuds. I’m not sure if that’s a bug or not, but if it’s not, I suppose no one ever said reaching productivity god status came without a price—in this case, a literal one in USD.

    There are a bunch of other weird things about these wireless earbuds that are both fun and totally useless, and they’re maybe my favorite part of Oso. For one, the case has a display on it, and that screen has a silly-looking robot face. It grabbed my attention and the wonder of other Gizmodo staff right away, because (duh) cute robot assistant. Unfortunately, I’m still unsure what the purpose of that face is outside of just looking cute. There are also some other features on the screen that let you control aspects of the buds or audio playback, like skipping tracks, play-pause, and preset EQ adjustments for “rock,” or “pop” etc… There’s also a timer, a volume slider, and a screen that shows the date and time. All of those can be swiped through Tinder-style. Nothing about this experience is necessary or really that useful, but I love it anyway. These are the types of strange form factors you can only get in a crowdfunded device, and even if they’re impractical, it breaks the monotony of AirPods dupes.

    Oso Ai Earbuds.
    © Adriano Contreras / Gizmodo

    As long as we’re talking about hardware, it’s worth touching on some stuff I definitely don’t like. One of those things is the wireless earbuds themselves, which don’t have ear tips, but just a bud that is meant to nest in your outer ear (think AirPods 4). That design is intentional since it allows you to hear your surroundings with the wireless earbuds in and makes them more comfortable during longer periods of use, but it also just kind of sucks. I never feel like the Oso AI Earbuds are fully secure in my ears, and I know I’m not alone in feeling that way with earbuds sans tips. That design also has a ripple effect on the worst part of these buds: the sound.

    These are not wireless earbuds you should listen to music on. The sound is flat and not super loud, which is a problem given the ambient noise bleed I described above. No amount of preset EQ can fix that, either. Music playback, while built into the experience via the case with touch controls and preset EQ is clearly an afterthought here, and if you’re looking to get a pair of wireless earbuds that can work for AI transcription and double as your daily driver for music, you will be very disappointed. That’s a bummer on any pair of wireless earbuds, but especially so when you consider the $170 price tag.

    Oh, and battery life is middling. Oso rates the wireless earbuds for 6 hours of playback, which would be fine until you realize that most earbuds at this price have 6 hours of battery with ANC. These wireless earbuds, as a matter of record, do not have ANC. If you can stand listening to Oso AI Earbuds for extended periods, the case holds 21 hours of battery.

    Oso Ai Earbuds.
    © Adriano Contreras / Gizmodo

    Maybe I’m expecting too much from a pair of crowdfunded wireless earbuds, but I was promised (at the very least) a useful tool for productivity. And maybe recording everything all the time, pissing people off that I’m calling off with ambient noise bleed, dealing with unexpected paywalls, praying that my wireless earbuds don’t fall out of my ears on the subway platform, trying to figure out whether the face on my earbuds case is mad at me, and failing to use a voice assistant named Judy are getting me closer to the ultimate cog in the productivity machine, and I just can’t see it yet. Or maybe the simplest explanation is best. Maybe wireless earbuds don’t have to help me transcend—maybe they shouldn’t. Maybe it’s okay that they just do what they’ve always done: connect to my phone and play some really good fucking music.

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    James Pero

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  • Reolink Elite Floodlight WiFi Review: A Top-Tier Light and Security Camera

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    Smart home cameras are just better when they’re wired. Yes, it’s a pain in the ass to install them, but if you can manage it, you’ll never have to change a battery or climb a ladder to get a camera down and charge it, or wait very long for its video feed to load in an app. If they’ve got a wired internet connection, all the better, but as Wi-Fi cameras with wired power go, the $220 Reolink Elite Floodlight WiFi camera is one of the best.

    The Elite Floodlight WiFi reminds me a lot of Google’s Nest Cam with floodlight, at least as looks are concerned, thanks to its curvy white plastic and two articulating floodlights with frosted white covers. One big difference is that the Elite Floodlight WiFi uses two separate camera sensors, their footage stitched together to form one long, 180-degree field of view.

    Reolink Elite Floodlight Floodlight WiFi

    Reolink’s Elite Floodlight WiFi is a easy to install wired camera with seemingly endless customization and no need for an internet connection.

    Pros


    • Crisp, clear video

    • Tons of customizability

    • Local video

    • No subscription or internet connection required

    • Easy setup and installation

    • Stable, reliable Wi-Fi

    Cons


    • No microSD card included

    • No cloud storage options

    • FTP storage requires managing

    • No wired internet connection

    • Limited smart home support

    It also uses 5GHz Wi-Fi, which means it can transmit clearer, higher-bitrate video to your phone for its live feed and to your local FTP or real-time streaming protocol (RTSP) server, if you’ve got such a thing on your home network. If you don’t, not to worry: the camera also saves footage to an SD card that you can access from the Reolink app.

    Great specs, but winter could be an issue

    © Wes Davis / Gizmodo

    Initial setup involves powering the camera with an included USB-C cable, then downloading the Reolink app to your iOS or Android device and scanning a QR code on the Elite Floodlight WiFi. The app walks you through connecting to the camera and configuring its Wi-Fi setup—it uses 2.4GHz or 5GHz Wi-Fi 6—for a few minutes, then you’re ready to install the camera.

    See REOLINK Elite Floodlight WiFi at Amazon

    The camera’s app-guided installation is clear and straightforward, and very doable if you’ve set up cameras or floodlights before. It involves screwing a base plate onto the wall or soffit, hanging the camera from a hook on the plate, connecting it to your home using color-coded wires—ideally after you’ve shut off power to those wires so you don’t electrocute yourself!—and then screwing the camera onto the plate. All in all, I got the camera up and running within about 30 minutes.

    After setup, I ran it through some paces and found that the Elite Floodlight WiFi consistently delivered motion notifications from the Reolink app within about four seconds. That’s way faster than any of the battery-powered cameras I currently have installed, including the Reolink Altas that I recently reviewed, which all frequently take 10 or more seconds to tell me they’ve spotted something or someone.

    Reolink Elite App
    © Wes Davis / Gizmodo

    4K resolution never means you’re getting the kind of video quality you’d see in something like a decent smartphone camera, but the Elite Floodlight WiFi gets closer than most. Reolink bills it as a 4K camera, but you can ignore that as marketing speak—it records 5120 x 1,552 resolution video, which is not an apples-to-apples comparison to, say, a 4K monitor. Still, the image it shows you, even when streaming straight from the camera, is crisp enough to see details through the patio table in the screenshots above, day and night.

    Elite Day Night Cropped Images
    © Wes Davis / Gizmodo

    My backyard is always lit thanks to a bright street light next to my house, which makes it hard to tell much of a difference between the Elite Floodlight WiFi’s footage with and without infrared. That said, Reolink’s software brightens the dark area from the screenshots (below) enough that you could at least tell if a person is moving in that area. And the floodlights do a good job of lighting the space in front of the camera almost as well as daylight, although it can wash out details depending on where an object in view is, so you’ll want to be careful how you choose to angle them.

    Reolink Elite Night Comparison
    © Wes Davis / Gizmodo

    The Elite Floodlight WiFi is nice and sturdy, with an IP66 weather rating that should mean it’s safe from dust intrusion and jets of water. Two violent wind-and-rain storms pummeled it during my testing, and it’s no worse for the wear; the camera portion didn’t even seem to budge on its ball joint. It also reliably sent me notifications while I was away on a camping trip—mostly about a rabbit that took our absence as an opportunity to dig around in our garden for tasty vittles.

    If you live somewhere with actual winter temperatures, you might pause on hitting the buy button—the Elite Floodlight WiFi is rated to operate up to as high as 131 degrees Fahrenheit, but only as low as 14 degrees. Incredibly—as I have learned (not first-hand, thankfully) since moving to the upper Midwest—break-ins still happen when the season is at its most treacherously cold.

    No cloud subscription required—or available

    Most of the big-name smart home cameras rely heavily on cloud services for their features, and in many cases that includes accessing your recordings. While some—but not all—offer local recording too, you may still need a subscription to access machine-learning-powered (or AI-powered, if you must) detection features that let you choose what actually triggers the camera’s notifications and recordings. That’s not the case with the Elite Floodlight WiFi, which handles all of that on-device, and isn’t covered under any of Reolink’s cloud subscription plans in the US.

    That makes this camera a boon if you’re looking for a way to capture what’s happening around your home without shipping the footage off to some distant server you have no control over. Of course, you’ll want to at least put the Elite Floodlight WiFi on your home network if you want easy access to its recordings and live feed via the app, and it does need an internet connection for smartphone notifications.

    Reolink Elite Floodlight WiFi review
    © Wes Davis / Gizmodo

    As for storing the Elite Floodlight WiFi’s monitoring and recording, you’ve got options. The camera’s underside has a microSD card slot tucked behind a screwed-in panel that’s accessible in software using the Reolink app. You can configure the camera for exclusively events-based recording or for continuous recording, and there’s an option to encrypt its video files so that if someone happens by with a screwdriver and steals the card, they wouldn’t be able to view its recordings.

    The Elite Floodlight WiFi also supports saving files to a computer or network-attached storage (NAS) via FTP, but you’ll need to consider storage space. The app can overwrite one file or alternatively overwrite between two files, but there’s no built-in mechanism for, say, overwriting the oldest file once your FTP server’s space has filled up. Instead, you’re left manually deleting files or hunting down scripts that can automate the process for you.

    See REOLINK Elite Floodlight WiFi at Amazon

    Setting the Elite Floodlight WiFi up to use RTSP requires using a PC or Mac; you can’t configure with the smartphone app. Still, that’s better than the Altas, which requires you to buy a $99 Reolink Home Hub to get RTSP operational.

    While it’s nice that this camera is so useful without a cloud storage service, there are conveniences you’ll miss out on, like having a professional monitoring service that can contact the police on your behalf or even employ call center reps to try to ward off would-be intruders by talking through your camera to them. And although you can remotely access recordings saved to a microSD card inserted into the Elite Floodlight WiFi, that won’t work if your home internet happens to have gone down when you try to look. Then again, you also don’t necessarily have to worry about the camera volunteering your recordings for unpleasant police state-style surveillance, either.

    Custom everything

    Reolink Elite Floodlight WiFi security camera review
    © Wes Davis / Gizmodo

    The Reolink app is about as user-friendly as security camera software gets, with a main screen that shows you its live feed, complete with current bitrate and buttons for things like turning on the floodlight or manually recording a clip.

    Go into the Elite Floodlight WiFi’s settings, and you’re treated to a staggering number of options. Like its battery-powered Altas sibling, the camera allows you to customize seemingly every aspect of its detection and recording, from the resolution of the videos to when you’d like it to record, alert, or notify you—and what triggers each of those things to happen. Video too bright or dim? You can tweak that. Think the floodlight is too intense or overly cool? The app has brightness and warmth sliders, too. You can even record your own custom audio for the siren, which is a very fun feature that I wish every piece of smart home tech that makes any noise had. The siren isn’t especially loud, but anyone in the Elite Floodlight WiFi’s field of view should be able to hear it.

    With such a wide camera feed, it’s hard not to point the Elite Floodlight WiFi outside of the area you actually want to record, something Reolink handles with a feature it calls Smart Event Detection Zones. With it, you can set the camera to record or blare its siren only when someone crosses a virtual line, enters an area you’ve defined, or even loiters in a region of the camera’s view for longer than an amount of time you determine. And if you want to be a good, privacy-respecting neighbor, you can exclude specific areas from recording or even black out portions of the feed.

    Reolink Elite Floodlight WiFi security camera review
    © Wes Davis / Gizmodo

    At the risk of making the Elite Floodlight WiFi sound like a person trying to describe their greatest weakness in a job interview, Reolink almost offers too many options. The menu system feels a little convoluted—some of the options, like for the floodlight, should all be in one place, yet they aren’t—and it’s hard to remember where everything is, but easy to make a change that has an unintended consequence. I wouldn’t give up any of the options, but they stand to be better organized.

    Also, if you’re hoping to connect the Elite Floodlight WiFi to the smart home system of your choice, prepare to be disappointed. This camera only connects to Google Home, which is a shame if you, like me, are already too deeply invested in a different ecosystem to turn back. Still, Reolink offers a robust enough set of features in its own app that I only sometimes missed having all my camera feeds in one app.

    Worth it if you’re tired of the cloud

    The Reolink Elite Floodlight Camera is a great, reliable way to cover a huge region of your home’s yard or the area around a business. Its onboard object recognition, speedy delivery of notifications, fast Wi-Fi connection, and deep well of customization combine with its cloud subscription-free and internet-not-required operation to be one of the best wired security cameras you can buy today.

    Those who like the convenience of cloud storage may not find everything they want here, but they also might want to try anyway. Yes, it’s pricier, at $219.99, than similar floodlight alternatives offered by Arlo and Ring, but considering the ever-increasing price of those companies’ subscriptions, it may not be long before you make up the difference. Plus, with local storage via a microSD card that’s accessible even away from home, you may find that the experience of using it is nearly identical to that of more well-known brands, minus some of the trappings of cloud-based AI features or remote monitoring.

    See REOLINK Elite Floodlight WiFi at Amazon

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    Wes Davis

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  • Razer Blade 14 (2025) Review: A Slim Gaming Powerhouse With a Trackpad That Drove Me Mad

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    There has to be a laptop that does it all and won’t break my back as I haul it around town. I’m sure every mobile-minded gamer has asked themselves that question and come away without a good answer. The one arena I keep coming back to is the 14-inch gaming laptop. Today’s tiny beasts have the performance necessary to keep up with 16- or 18-inch laptop without needing to lug around a huge chunk of aluminum. What’s not to like? Here’s the kicker: it’s only getting more expensive to achieve the perfect compact gaming laptop. The 2025 edition of the Razer Blade 14 is our latest and best example of how improved design is engendering ever-higher prices for already expensive products.

    Today’s best compact gaming laptops now cost closer to what we used to spend for larger, hardier portable machines just a few years ago. Razer’s Blade 14 (2025) is the epitome of today’s tariffs-enabled price gouging. The laptop starts at $2,300 MSRP with an Nvidia GeForce RTX 5060. The model you want, with a GPU capable of maxing out some demanding games at the laptop’s peak resolution, demands $2,600. That’s $100 more than the starting price of the 2024 Blade 14. Currently, the Blade 14 (2025) is on sale through Razer’s website for closer to $2,300. It could stay at that price permanently, but I can only suspect that with Trump’s asinine tariff talk, gadgets can only ever get more expensive.

    Razer Blade 14 (2025)

    The Razer Blade 14 (2025) is so slim and still packs strong gaming/non-gaming performance. You’ll just have to get used to its odd trackpad first.

    Pros

    • Performance for what you need
    • Slim body
    • Great thermal design
    • Nice I/O port selection
    • Nice screen and audio
    • Limited fan noise

    Cons

    • Odd and off-putting trackpad
    • Screen isn’t the brightest
    • Ever-more expensive
    • Would love an option with better specs

    The Razer Blade 14’s main competition is last year’s favorite, the Asus ROG Zephyrus G14 gaming laptop, now with Nvidia RTX 50-series GPUs. Last year’s version asked for around $2,000 with a GeForce RTX 4070. Today’s latest Zephyrus model will demand the same price for a better RTX 5070 Ti GPU and an AMD Ryzen AI 9 270. The two 14-inch gaming laptops are neck and neck, but the Blade 14 (2025) muscles space for itself in a crowded market due to a few quality-of-life features and excellent thermal management. We can have nice things and the Blade 14 (2025) proves that. We’ll just have to spend more and more every year to cling onto our quality computers. If you’re looking for something that may cost less, you could search for an Asus TUF Gaming A14 that could clock in at less than $2,000.

    Despite the recent controversy with buggy hardware and software on the Razer Blade 16, I experienced little of the claimed performance issues with the Blade 14 (2025). However, I had noticed crashes when exiting games before I made sure to download the latest firmware. After that, the laptop was smooth sailing save for all the regular issues I have with Windows 11. There’s a part of me that wishes Razer would step out of its comfort zone. The gaming brand refuses to make another Blade Stealth with that calming pink tone, so we’re left with the company’s usual black box and its big, glowing Razer logo stenciled on the lid. Past 14-inch models like the 2021 design could pack up to an RTX 3080-level GPU (and those cost less than today’s RTX 5070 model). For such a slim design, the performance you get with the modern $2,300 model is exactly what you need for a device of this size.

    The Blade 14 takes some getting used to

    You’ll want a mouse nearby to avoid using the Blade 14 (2025)’s annoying trackpad. © Adriano Contreras / Gizmodo

    The new Razer Blade 14 is smaller than last year’s model, but by such a minimal degree you’d have to squint to tell the difference. It’s 0.66 inches at its thickest point. Slipping this laptop into a backpack is likely one of my greatest pleasures despite the fact you’ll still need to haul around the hefty 200W power brick if you plan to play your favorite games. Though the Blade 14 (2025) weighs in at 3.59 pounds, it will feel slightly heavier than many other thin-and-light laptop designs. That’s to be expected, and it’s a tradeoff I’d take with a smile on my face. The new Blade 14 is the kind of device that offers the mobility you can only dream of when trying to haul a 16-inch beast around.

    The Blade 14 (2025)is a more subtle notebook than either the Razer Blade 16 or Blade 18. Yes, the rear panel and the triple-snake logo glow nuclear green during use, but without any bottom RGB you can get away with keeping it next to you in a crowded college auditorium so long as you remember to turn off the bright, per-key RGB lights. Using the Blade 14 (2025) would be smooth sailing after that if only Razer would spend more time paying attention to the overall feel of its personal computers. Like all its other anodized aluminum matte black laptops, the new Blade 14 is a smudge magnet. The lid and palm rests will be first to look grody with enough manhandling. The keys will soon develop unsightly smears, whether or not you dip your digits into the odd Fritos bag. At the very least, the Blade 14 (2025) comes with a great selection of I/O ports. Besides the proprietary charging port and headphone jack, you’ll get a USB 4 Type-C and USB-A on either side of the device. There’s an additional HDMI 2.1 and microSD card slot, which came in handy for on-the-go video editing.

    It took me longer to get used to the feel of both the keyboard and trackpad. I had to give the laptop some leeway after fawning so hard for the Alienware 16 Area-51 and its full mechanical keyboard, but after enough time I could start to appreciate the Razer laptop’s thin keys even though I’d prefer something with more clacky sounds and travel. There’s a good deal of separation between each key to avoid any misclicks and I never felt like my fingers had to reorient to find the right key without looking. The keyboard has a small amount of feedback response with every key press—better than the squishy feel that turned me off the HP Omen Max 16. It’s enough to make the Blade 14 (2025) worth typing on—more than your average Apple Magic Keyboard. Those who want a thin, mobile device can’t ask for much better, even if I may dream of something more.

    Compared to the keyboard, the new Blade 14’s trackpad is a hate-hate design. The large panel is flat and does a good job at palm rejection (a problem I’ve had on previous Razer Blade models). The issue is the interior of the trackpad is sloped toward the end facing the user. That means if you try to click toward the top of the pad, you won’t be able to register any depth outside capacitive touch. Scrolling to the top of a webpage will result in the odd sensation where you press into the trackpad to click, but then get no response. If you’re like me, and you want haptic feedback on your clicks, you’re forced to press down toward the bottom of the trackpad.

    With enough time, I could find a rhythm that would make the Razer Blade 14 (2025) my main PC for work and pleasure. It’s in that mold that the refreshed gaming laptop hits its home run. The notebook can do everything I want and look good while doing it.

    So slim and still surprisingly powerful

    Razor Blade 14 9
    It took way too much time to remove smudges on the Blade 14. © Adriano Contreras / Gizmodo

    My edition of the Razer Blade 14 (2025) came packed an AMD Ryzen AI 9 365 CPU along with 32GB of RAM (soldered to the device, so no upgrading, unfortunately). That processor is a 10-core, 20-thread CPU based on the chipmaker’s latest Strix Point Zen 5 microarchitecture. Suffice it to say, the Strix Point CPU series is built for smaller laptops with lower power demand. and it’s proved very effective in notebooks like last year’s Asus TUF Gaming A14 when paired with a discrete GPU. In the case of the Blade 14 (2025), that’s the Nvidia GeForce RTX 5070 running at 115W TGP, or total graphics power. This is a higher power draw than some laptops, such as the upcoming Framework Laptop 16, and it promises to eek out more performance than some competing designs.

    After downloading the latest drivers and firmware through Razer Synapse (a must if you want to avoid any odd issues that would stall when exiting games), the Blade 14 (2025) performed as well as can be expected in synthetic benchmarks. It easily beats out the 2024 small frame competitors, especially in Geekbench 6 and Cinebench 2024 multi-core tests, but it can’t stand toe-to-toe with its larger cousins sporting higher-end gaming laptop CPUs like the Intel Core Ultra HX line. The Blade 14 (2025) didn’t even get into the same ballpark of a 14-inch MacBook Pro with M4 in these tests. In multiple 3DMark, the new Blade 14 will sit a few thousand points below laptops with an RTX 5080. Instead, it proved an incredibly balanced machine capable of hitting high frame rates in multiple games I tested, better than 2024’s best examples of 14-inchers.

    The Blade 14 (2025) will meet its match when you try pushing ray tracing settings. Games like Black Myth: Wukong survive ray tracing with their automatic DLSS settings picking up the slack. The sweet spot in a game like Cyberpunk 2077 is to stick ray tracing on low settings with DLSS on auto, which can net around 65 fps in benchmarks and a little less in gameplay. Without DLSS, you’ll get slightly more than 40 fps in those same scenarios, the same as if you set it to DLSS Ultra settings. A game such as Marvel’s Spider-Man 2already a difficult game to run on most PCs—will struggle to achieve playable frame rates at the Blade 14’s max resolution. Even when relying on DLSS, you may need to supress the inclination to dial up graphics and ray tracing settings to high if you even hope to play at a minimum 30 fps.

    All of that, plus the laptop rarely felt more than slightly warm under my palms. With a laser thermometer, the Blade 14 (2025) surface temperature near the screen read around 103 degrees Fahrenheit but only 85 degrees on the palm rest. Even during play, the gaming laptop didn’t make my fingers toasty, and it kept the heat away from the sides where I’d use a mouse (better to avoid the trackpad issues altogether).

    Though I have not tried the version with an RTX 5060, that GPU will necessarily limit how hard you can push your games on the Blade 14. Gamers have a one track mind. The first and last thing they care about is whether a device can run the latest titles with all the fixings—all settings on Ultra and ray tracing turned up—and still maintain a 60 fps or higher frame rate. Inevitably, the Blade 14 (2025) will find its limits.

    The real small all-rounder

    Razor Blade 14 4
    The Blade 14 (2025) would make many graphics tasks easier at the cost of battery life. © Adriano Contreras / Gizmodo

    We’ve had enough months to settle in with Nvidia’s GPU lineup. Long gone is any talk that the desktop RTX 5070 would somehow be more powerful than the RTX 4090, the previous-gen flagship. The laptop variant of this GPU is designed for smaller devices such as the Blade 14 (2025) with its limited resolution and refresh rate. Even if you push a game to hit double-digit frame rates with 50-series exclusive multi-frame gen—which inserts AI generated frames between rendered frames to artificially increase performance—the Blade 14 (2025) isn’t going to represent them on-screen with a mere 120Hz display. Instead, Nvidia has tried to showcase other uses for its RTX 50-series GPUs beyond downloading yet another game from your overstuffed Steam library centering on the new Blade 14.

    I normally run a Blender test with my laptops, where I guage how long it takes the program to render a scene with a car on both the CPU and GPU. Despite the strength of AMD’s Strix Point, the Blade 14 (2025) will still not be as fast as the M4 in a 14-inch MacBook Pro. A discrete GPU will render such scenes three times as fast as the latest MacBook’s GPU, though that’s a difference of 17 seconds versus 55. Nvidia’s latest GPU’s also support improved video encoding features on top of the normal rendering enhancements from a discrete GPU. All that sounds well and good for specific workflows, but you’ll have to wrestle with the battery issues common to all gaming laptops of this caliber. Relying on the Blade 14’s Strix Point integrated GPU to save on battery will leave you dissapointed. In our Blender test, the Blade 14 (2025) was barely a minute faster on the AMD Radeon 880 graphics than running directly on the CPU.

    Past Razer Blade 14 models could support screens with higher refresh rates up to 165Hz. Compared to that, the Blade 14 (2025) may seem more humdrum. The new laptop packs an OLED display with 2,880 x 1,800 resolution and a max of 120Hz refresh rate. Some may look at the price and wonder why we couldn’t have better refresh rates, but the display manages to strike a balance between speeds and pretty visuals.

    The Blade 14 (2025)’s OLED display is the kind of pretty that’s so standard now among higher-end devices. It’s a good thing then, that the display is so especially nice to look at. The added bonus is Razer pushed the side and top screen bezels farther to the edge, maximizing the space I use to bask in those deep blacks promised by organic light-emitting diode displays.

    This screen type offers better blacks and contrast than other competing displays. The main drawback is they are normally dimmer than other screens with a backlight, like mini LED. I never had a situation where I couldn’t see the screen in a dark room or where a bright light drowned out what was happening. Instead, the screen is a little too reflective. When you load dark colors onto the screen, the Blade 14 (2025) is so mirror-like I could read my own shirt. The reflectivity never proved so bad it distracted me from work or gaming, but it could be a major hassle if your attention tends to stray.

    This laptop is also a great machine for most of your streaming content. The Blade 14 (2025) has a six speakers with support for THX spatial audio. Sound from the laptop came through clear and accurate. I wasn’t left grabbing for the nearest pair of high-quality headphones even when watching YouTube videos or loading up a game with my favorite soundtrack. Listening to in-game sound is even better thanks to its very minimal fan noise. The new Blade 14’s secret weapon is not necessarily its components, but the fact that everything runs so smoothly without any obtrusive noise to distract you.

    You’ll still need a plug nearby

    Razor Blade 14 7
    The Blade 14 (2025) sports a lovely keyboard attached to a rage-enducing trackpad. © Adriano Contreras / Gizmodo

    Gaming laptops continue to have severe battery life issues. Even if you eschew any more hardcore programs and only use this laptop to browse the web, you’ll never achieve anything close to a full-day of battery life. The Blade 14 (2025) doesn’t break that trend, but it does better than most.

    In practice, the laptop can maintain itself on the default balanced power settings off-plug for a little more than four hours. After that, the it was begging for a charger. That number was consistent over weeks using the new Blade 14. The laptop would much rather you work with a plug nearby. With the 200W power brick connected to the its proprietary charging port, I could go from near 20% to almost full in under 40 minutes. I prefer to travel light, in which case I sometimes left the charger at work just so I didn’t have to carry it around with me.

    In the end, even the most mobile gaming laptops will still be limited in just how easy it is to bring them around. The Blade 14 (2025) is simply slightly better than most, and in that way it’s one of my favorite laptops of the year. Despite all my hangups with its trackpad and keyboard, it’s the kind of device I wish I could keep close by, though perhaps out of a sense of entitlement after paying well over $2,000 for it.

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    Kyle Barr

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  • Ride1Up’s First Electric Mountain Bike Does Not Disappoint

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    Buying a direct-to-consumer bike can be almost as big a gamble as investing in cryptocurrency. While a customer is not likely to lose their shirt investing in a new electric bike, buying a poorly made one may result in a serious crash or catch the garage on fire. For these reasons and more, it’s wise to do some research before clicking on the Add to Cart button.

    The highest-end legacy-brand e-MTBs retail for upwards of $14,000. So what do you get for $2,095, the price of Ride1Up’s first-ever electric mountain bike, the TrailRush? At first glance, quite a lot. The California-based company has been around since 2018 and differentiates itself from other direct-to-consumer brands by speccing its bikes with solid components, providing a quality-to-price ratio that it promises “can’t be beat.”

    Solid Parts

    Photograph: Stephanie Pearson

    The TrailRush is a Class III ebike, which means that it doesn’t have a throttle, and the motor maxes out at 28 mph. It’s an aluminum-framed hardtail with a Shimano Deore 10-speed drivetrain, a 120-mm RockShox Judy Silver TK Air Fork, and Tektro Orion Quad Piston brakes—all products with track records that promise solid performance.

    It also comes with nice extras, like a 150-mm Exaform dropper seat post and chunky Maxxis Minion tubeless-ready tires that are 29 inches in the front and back—a reasonably priced, high-performance set of tires often preferred by enduro or downhill riders. Interestingly, instead of Presta valves, the tires come with Schrader valves, which is a nice feature if you plan on filling up on air at a gas station.

    For e-components, the mid-drive TF Sprinter motor is made by the Brose, the German company that Specialized uses for most of its drive technology. With 90 nm of torque and 250 watts of sustained power, it’s on the low end of force for an electric mountain bike. The 36-volt, 504-watt-hour removable battery runs the length of the down tube and promises 30 to 50 hours of range.

    The bike’s front shock has a very big 120 mm of travel, which is common on a cross-country bike, but the frame is overall more relaxed. For example, the size medium frame has a more relaxed riding geometry, with a very long 1,216-mm wheelbase, which gives it more stability. Overall, the TrailRush was built to handle a little bit of everything a trail can throw your way.

    Smooth, Quiet Ride

    Ride1Up TrailRush Electric Mountain Bike Review Quality Components Bargain Price

    Photograph: Stephanie Pearson

    At 57 pounds, the TrailRush is 2 to 12 pounds heavier than the other e-mountain bikes I’ve tested and more than twice the weight of my non-electric cross-country mountain bike. Whether you’re entirely new to mountain biking or amping up your ride from an analog version, it’s imperative to understand that e-MTBs bring great joy, until they run out of battery and you have to push them home. Or, worse, they end up on top of you in a fall, which can be lethal.

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    Stephanie Pearson

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  • The Best Gadgets of August 2025

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    Wow, are we really here again? Already? It’s almost September, folks, and Gizmodo’s consumer tech team is firmly fixed on upcoming events like IFA 2025 in Berlin and Apple’s impending annual iPhone extravaganza (Meta Connect 2025 is mid-month, too!). That being said, there are still a lot of cool gadgets we reviewed in August that deserve one final look back before we dive face-first into a torrential run towards (gulps) CES 2026.

    ICYMI (make sure it never happens again), I’m rounding up this month’s best gadgets, which include some wholly unexpected entrants from Lenovo, some not-so-unexpected Pixel 10 drops from Google, and the strongest pair of ANC wireless earbuds I’ve ever shoved in my ears. Bon appétit.

    © Adriano Contreras / Gizmodo

    I know, a new Pixel, big whoop, right? In some ways, the eye roll may be deserved, since hardware upgrades weren’t a particularly big focus this year in the new Pixel lineup, but there’s a lot going on under the hood of the Pixel 10 and Pixel 10 Pro / 10 Pro XL that may have moved the needle in other ways.

    One of those ways, as you may have guessed, is Gemini, which is in every nook and cranny of the new Pixel 10 phones. Some of that phone-focused AI is still finding a purpose, but as Gizmodo’s Senior Editor, Consumer Tech, Ray Wong, noted, there are glimmers of what could be the AI phone to beat. It may be a while until we all actually retrain ourselves to use said features (if we ever do), but on paper, automatically editing photos with AI or helpful, personalized suggestions in Google Maps via Gemini are a palpable shift in the smartphone experience. An additional telephoto camera in the regular Pixel 10 is nice, too, but it’s clear that Google is leaning fully into an AI-powered phone, whether you like it or not.

    See Pixel 10 at Amazon

    See Pixel 10 Pro at Amazon

    See Pixel 10 Pro XL at Amazon

    Lenovo Thinkbook Plus Gen 6 Rollable Review
    © Raymond Wong / Gizmodo

    Okay, picture this: a laptop, but loooooong. Not just long, but rollable, with a screen that extends out like a space-age scroll. This is the type of out-there thinking I love to see in the gadget world. Maybe it’s not the most practical, but damn is it fun. Watching Lenovo’s ThinkBook Plus Gen 6 Rollable is about as unique an experience as you’ll get in laptops—nay, gadgets in general—and that wild experience is buoyed by what is otherwise a solid machine with strong audio and a great feel.

    It’s expensive, at $3,300, and battery life leaves something to be desired, but this is the future we’re talking about here. Long live the long laptop, even if it costs an arm and an oversized leg, and is technically totally unnecessary.

    See ThinkBook Plus Gen 6 Rollable at Lenovo

    Technics Eah Az100 2
    © Adriano Contreras / Gizmodo

    I had no expectations going into testing out Technics EAH-AZ100, but when I put those suckers in my ears, I knew that they were the hi-fi earbuds I’ve been waiting for. As with any hi-fi audio product, they’re expensive at $300, but when you start to hear nuances of songs you’ve heard 1,000 times before (even compressed music played on Spotify), you realize that all those extra pennies are worth it.

    Luckily, the EAH-AZ100 also nails another major aspect of wireless earbuds: battery life. With 10 hours of life with active noise cancellation on, these wireless earbuds outlast midrange counterparts by a long margin, and that’s a good thing because once you put these earbuds in, you’re not going to want to take them out.

    See Technics EAH-AZ100 at Amazon

    Sony InZone H9 II Gaming Headphones for PC and PS5 review
    © Raymond Wong / Gizmodo

    As long as we’re talking about premo audio, it’s worth mentioning Sony’s new Inzone H9 II. This gaming headset is the counterpart to Sony’s excellent WH-1000XM6 headphones in a lot of ways, delivering excellent sound quality and comfort. Sony also took steps to improve the mic quality over the last generation, which means clearer comms in high-stress games like Counter-Strike 2. Yes, this gaming headset is pricey at $350, but Sony made big strides gen-over-gen, even if the battery life (30 hours) and some of the preset EQ options are somewhat lacking.

    See Sony Inzone H9 II at Amazon

    8BitDo Pro 3 controller review
    © Raymond Wong / Gizmodo

    If there are two things I love in gadgets and gaming, it’s modularity and nostalgia, and the 8BitDo Pro 3 has those in spades. If you weren’t immediately charmed by this controller’s GameCube-coded look, its many customization options might do the trick.

    You can swap A,B,X,Y buttons with colored and gray versions and map everything to your liking. There’s also a USB-C dongle for low-latency gaming, in case you’re getting really serious. Anyone who’s scarred by controller drift will be happy to know that it uses an iteration of Hall effect joysticks that are pretty much immune to the wear and tear that causes drift in the first place. Unfortunately, you can’t wake your Switch 2 with this controller, or most third-party controllers right now, thanks to a shift in the protocol used by Nintendo, but if you’re looking for an all-around great experience for Nintendo or PC, the 8BitDo Pro 3 should be on your radar.

    See 8BitDo Pro 3 at Amazon

    Bose Quietcomfort Gen2 2
    © Adriano Contreras / Gizmodo

    ANC isn’t always the most important aspect of earbuds, but sometimes it can be. And when noise cancellation is a priority (on a plane with a screaming baby), you’re going to want a pair of buds that does it right. Bose’s second-gen QuietComfort Ultra 2 are exactly that, and they improve year-over-year with support for wireless charging, better adaptive ANC, and the ability to see the battery life of your case via the Bose app, so you never have to be without a safeguard against annoying noise.

    For $300, you won’t get comparable sound to the aforementioned Technics EAH-AZ100, but Bose still holds it down. Plus, there’s a great transparency mode for when you actually want to allow the world to engage with you.

    See Bose QuietComfort Ultra 2 at Amazon

    Nothing Phone 3 review
    © Adriano Contreras / Gizmodo

    To be honest, I can’t remember an Android phone that had people as flustered as Nothing’s Phone 3. First, there’s the look: a divisive cubist take on the Nothing aesthetic with an offset camera sensor that drives some people crazy. There’s also the price, which, at $800, had people philosophically unpacking what a flagship phone even is.

    No matter where you sit on that spectrum—love it or hate it—Nothing’s Phone 3 made a statement, and even if features like the Glyph Matrix are a bit of a gimmick, it gave us something to talk about. If the metric was to make a phone that isn’t boring, I’d say Nothing succeeded—older chipset and less-than-flagship camera system be damned.

    See Nothing Phone 3 at Amazon

    Genki Attack Vector Switch 2 Case Battery Pack
    © Raymond Wong / Gizmodo

    The Switch 2 is great, but it’s only as great as how long you can play it for, and the battery life leaves something to be desired. If you’re looking to extend your Switch 2 battery life on the go, then Genki’s Attack Vector case does just that. It’s only $50 and has an additional battery pack accessory that’s sold for $70. With the added energy pack, Gizmodo Staff Writer Kyle Barr was able to get 2.5 hours of additional juice while playing Cyberpunk 2077 in handheld mode—that effectively doubles the battery life when you have Genki’s charging case equipped.

    This isn’t the case you want for protecting your Switch 2 against drops, since it’s on the thinner side, but if you’re looking for something lightweight that gives you a huge battery boost, you can’t go wrong.

    See Attack Vector at Amazon

    TCL D2 Pro Smart Lock Review
    © Wes Davis / Gizmodo

    Listen, I’m not a fan of smart locks personally. Don’t get me wrong, I’ve filled my home with janky internet-connected outlets and lights, but locking my door with a product like that just feels like a bridge too far. That being said, there is something about a palm-scanning smart lock that does feel objectively cool. Our smart home expert, Wes Davis, praised the TCL D2 Pro for its speed in reading and unlocking, its simple installation process, and its easily removable battery that can be charged via USB-C.

    Wes also knocked off points for a buggy setup process and its lack of support for Apple Home and Matter, though, and obviously, if you’re in a cold-weather part of the world, you’re going to need to slide your glove off to get in or use the lock’s not-so-high-tech numpad. Warts and all, though, palm-based smart locks are some Jedi magic if I’ve ever seen it.

    See TCL D2 Pro at Amazon

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    James Pero

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  • The Insta360 Go Ultra Has a New Mode to Capture a Kid’s POV

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    Another place I found the Ace Pro 2 footage remains superior is in fast pans or fast footage of busy scenes, like filming from a bike on single-track through trees or bushes. The Ace Pro 2 retains more detail in these scenarios, possibly due to the nicer lens.

    Most of the time, though, the footage from the Go Ultra and Ace Pro are close enough that it’s hard to tell the raw footage apart. I would generally say the same is true of the X5, though of course in that case you’re capturing 360 degree footage, which has its advantages.

    Photograph: Scott Gilbertson

    The Go Ultra has most of the shooting modes you’ll get in Insta360’s other cameras, include 8-bit HDR, which is still a head scratcher (to really get true HDR footage, you need 10-bit footage like you’ll get from GoPro and DJI cameras). There are a couple new modes here, including one called Toddler Titan, which is designed to work with the hat clip accessory and capture your chunky monkey’s POV.

    Stabilization is excellent and matches what you’d get in the rest of Insta360’s action cameras. At this point, every action camera I’ve tested has stabilization down, and the Go Ultra is no exception.

    Probably the best thing about the Go Ultra, after the video quality improvements, is that it now takes a microSD card, rather than having only built-in storage. That means you can now put in up to 2-TB and shoot all day without worrying that you’ll fill up the built-in storage.

    Another bonus is the wider field of view (FOV), up to 156 degrees from the Go 3S’s 150 degrees. That may not sound like much, but every bit helps in this case. For reference, the GoPro Hero 13 Black has a FOV of 156 degrees, and with the Ultra Wide Lens Mod that jumps to 177 degrees. Also new on the Go Ultra is the ability to shoot 4K video at 2X zoom. HDR is also available with 4K footage.

    Downsides

    Insta360 Go Ultra Review Better Video but Bigger Package

    Photograph: Scott Gilbertson

    There are two things I don’t like about the Go Ultra. The first is that the pod is not waterproof out of the box, so you’ll need a different lens cover, which is larger and somewhat awkward when using it out of the water. Despite that, I just leave mine on there all the time and deal with the size because most of the time I want an action camera, it’s probably because it’s going to get wet.

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    Scott Gilbertson

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  • Eero’s Pro 7 Is the Sweet Spot in Its Wi-Fi 7 Mesh Lineup

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    Amazon’s Eero mesh range is tough to beat for folks seeking a set-and-forget mesh Wi-Fi system for their home. Simplicity, with a side of smart home support, makes the Eero Pro 7 a compelling prospect. It strikes a nice balance in Eero’s Wi-Fi 7 lineup, offering the faster 6-GHz band and better all-around performance than the entry-level Eero 7, while costing far less than the top-of-the-line Max 7.

    While I experienced teething troubles with systems like the Max 7 when Wi-Fi 7 was new, my time with the Pro 7 has been plain sailing. Quick to install, easy to use, and reliable, this is an easy mesh to recommend, but there’s plenty of competition. At $700 for a 3-pack, the Eero Pro 7 is not cheap, and you need to shell out for an Eero Plus subscription to unlock all its features.

    Easy Life

    Photograph: Simon Hill

    Eero systems have a well-deserved reputation for being easy to set up and use. Download the Eero app, sign in with your Amazon account, and follow the onscreen instructions to get your network up and running in minutes. The app keeps things simple, with a home page showing your internet connection, mesh routers, and connected devices. You can dig into the full list of devices and review activity, but everything else is hidden in the settings.

    I tested a 3-pack of identical shiny white plastic routers, featuring the same tower design as the Max 7, just slightly smaller. They blend in easily and plug into power via the USB-C port on the back. Each unit sports two 5-Gbps Ethernet ports. The app guides you on placement, and it’s best to think of your mesh as an internet spine for the home, so rather than placing a node in a dead spot, set it up halfway between your main router and the room you’re trying to cover.

    My Eero Pro 7 testing spanned a house move, so I was able to test it in a modern home where two units easily blanketed every corner and in an old Victorian house with much thicker walls, where all three units were required. While speeds using Wi-Fi 7 devices in the same room as the main router were as fast as I’ve recorded, there was a significant drop-off one or two rooms over. This is because the 6-GHz band doesn’t penetrate as well as the 5-GHz or 2.4-GHz bands we are used to.

    Eero Pro 7 Review Smooth Sailing

    Photograph: Simon Hill

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    Simon Hill

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  • DJI’s Mic 3 Takes the Best Wireless Microphone and Makes It Better

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    I tested the Mic 3 with cameras, computers, and smartphones, using both direct connection and receiver connection methods. It paired painlessly with everything I threw at it, from my mirrorless camera to my iPhone, and the audio quality remained consistently excellent across different devices and environments. It’s part of the OsmoAudio system too, meaning the transmitter can directly link with DJI cameras like the Osmo 360, Osmo Action 5 Pro, and Osmo Pocket 3, bypassing the receiver entirely while still offering high-quality audio.

    Missing Pieces

    Photograph: Sam Kieldsen

    The Mic 3 isn’t perfect, but I found little to complain about. The transmitters no longer include a 3.5-mm input for connecting external lavalier microphones, which might frustrate people who prefer to hide their mics completely. DJI has also dropped the Safety Track recording mode that was available on the Mic 2, but it’s entirely possible to rig one up using the available options.

    US availability remains uncertain; like other recent DJI products, the Mic 3 isn’t officially launching in America due to ongoing tariff concerns. US consumers may be able to source units through third-party retailers, but that’s far from ideal for a product that should really be widely available. At $329 for the complete two-transmitter, one-receiver, and charging case package, the Mic 3 is actually cheaper than the Mic 2 was at launch, which I think is a remarkably good value for a product that’s superior in almost every way. DJI’s decision to sell individual components separately is welcome too. It means users can start with a basic setup and expand over time, or replace a damaged or lost component without too much fuss.

    The DJI Mic 3 essentially combines the best aspects of both the Mic 2 and Mic Mini into a single, well-rounded package. It’s more compact and practical than the Mic 2, and far more advanced than the Mini. For content creators, filmmakers, and podcasters looking for a wireless microphone system that just works, it’s very hard to find fault with it.

    The only real question is whether existing Mic 2 owners need to upgrade. If the improved portability and expanded feature set appeal to you, the Mic 3 represents a solid step forward. But the Mic 2 remains an excellent microphone in its own right, so there’s no urgent need to make the switch unless those new features and upgrades genuinely solve problems you’re currently facing.

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    Sam Kieldsen

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  • Google’s Pixel 10 Phones Are Its Best Yet—If You Can Stand the Generative AI Overload

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    Photograph: Julian Chokkattu

    However, Camera Coach—which launches in a preview (sort of like a beta)—has a Get Inspired button that uses generative AI to deliver some photos it thinks you might like to try and mimic. These photos are often quite a bit different from the originally scanned image, and I found these less helpful. I think Camera Coach is a great way to teach someone about their phone’s camera capabilities, because most people barely scratch the surface, but I don’t think this generative add-on was really necessary.

    Then there’s Pro Res Zoom, which is conflicting. On the Pixel 10 Pro and Pro XL, you can digitally zoom in anywhere from 30X to 100X, and the phone runs through more than 200 frames, blending images, and using generative AI to fill in the details. The results are spectacular. Take a look at the image of the Chrysler building in Manhattan, which I captured from Greenpoint, Brooklyn, across the water at 100X zoom. I’ve compared the image with real photos of the Chrysler building, and the results match up. It still leaves a weird taste in my mouth. The composition is mine, but a part of me feels like it isn’t my photo. (Note: Google says it’s not designed to work on people.)

    Image may contain Architecture Building City Arch and Urban

    Pro Res Zoom (100X) on Pixel 10 Pro XL.

    Image may contain Clothing Face Head Jeans Pants Person Photography Plant Portrait Potted Plant Jar and Planter

    Camera Coach on Pixel 10 Pro XL.

    Lastly, there’s video capture. Google has made strides over the years in improving the video output of its phones, but it has largely started relying on Video Boost. Once enabled, this sends your footage to the cloud for processing, making the clips brighter, sharper, more colorful, and better stabilized. (It’s exclusive to the Pro models.)

    The videos I’ve shot in the past week do genuinely look great once they’ve been put through the Video Boost ringer, but I still find the iPhone delivers better native footage, with better stabilization. You also have to account for the fact that some of these boosted videoclips arrived the next day for me (though you still have access to the original). It’s a smart solution, but I’d like to see Google improve the native video capture. Case in point: The Galaxy S25’s video footage was brighter, less grainy, and better stabilized than the Pixel 10’s.

    The AI Assist

    Image may contain Electronics Mobile Phone Phone and Person

    Photograph: Julian Chokkattu

    Finally, on to the software. It’s probably not a coincidence, but both Google and Apple redesigned their operating systems this year, and I think Google’s Material 3 Expressive design language came out on top. It’s bubbly, colorful, fun, and playful. Apple’s Liquid Glass feels a bit more stale to me.

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    Julian Chokkattu

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  • Add-ons, Shmad-ons: LG’s S95AR Provides All You Need for Cinematic Surround

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    There aren’t many all-in-one soundbar solutions that give you as much sonic immersion for your money as LG’s S95. Many modern soundbar brands prefer to sell high-priced single bars, with add-on speakers available for an additional fee. LG provides a subwoofer, dual surrounds, and LG’s unique mix of five (not four) height channels to put you in the center of the action for 3D sound formats like Dolby Atmos and DTS:X from the get-go.

    The latest-model S95AR offers a modest upgrade over last year’s S95TR (8/10, WIRED Recommends), including a revamped subwoofer and a $200 price hike to go with it. It’s perhaps no coincidence that the S95’s biggest rival, Samsung’s 11.1.4-channel Q990, has also raised its price in recent years, keeping LG’s slightly less elaborate 9.1.5-channel setup the more affordable option at full price.

    I still prefer Samsung’s warmer, more musical sound signature, but the S95AR is a thrilling performer that offers similar (if not better) value, along with exclusive features for owners of newer LG TVs. If you’re looking for a one-stop setup that gets you close to a multi-component home theater solution, but with much less hassle, the S95AR is among the best soundbars around.

    Battered but Brisk

    Photograph: Ryan Waniata

    For the second time in two products from LG, the S95AR landed on my doorstep in a somewhat abused state, with notable dents to its metallic acoustic grille. The system seemed otherwise no worse for wear, and while its 50-inch width pushes to the edges of midsize consoles, its height of less than 3 inches fits neatly below most TVs. Setup was mostly uneventful, allowing me to get it connected and spinning sound through the four-piece system in short order.

    I say mostly uneventful because, as was the case with the last LG soundbar I reviewed, the S95AR requires you to plug in its components in a certain order: subwoofer first, then surrounds, then the bar. I did not do this, and the left rear surround wouldn’t connect. Unplugging everything and reconnecting it in order fixed things (or perhaps it was just the power cycling), and I had no other connection issues over several weeks.

    LG’s ThinQ app has grown up over the years, now standing as a capable and mostly stable control center for all software setup and settings. The app found the bar nearly instantly and made it easy to connect to my network, futz with speaker channel levels, and perform LG’s AI Calibration that tunes the soundbar to your space. You can easily change inputs or sound modes and “Effects” from Music and Cinema modes to Night mode for softening the bass when the kids (or neighbors) are tucked in.

    There’s also a separate remote for many of these controls, but due to the bar’s lack of any real visual display, using it for anything more than a quick volume adjustment or input switch is a hassle, as you’re relying on voice cues. That could be helpful for those with accessibility issues, but otherwise, the app is your interface.

    Fully Stocked

    Image may contain Electronics and Speaker

    Photograph: Ryan Waniata

    Nestled within the main bar are front, left, and center channels that handle the majority of your music and TV content, dual side-firing drivers to bounce sound off your walls, and a trio of “height” channels to bounce effects off your ceiling, including LG’s unique center height channel for enhanced immersion with Dolby Atmos and DTS:X mixes. You’ll get three more channels in each football-sized surround speaker, including front, side, and height channels, and an 8-inch side-firing subwoofer.

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    Ryan Waniata

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  • This $1,700 LED Mask Feels More Like Punishment Than Self-Care

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    Wearing the Pro by Déesse Pro is like cosplaying the Phantom of the Opera—if the Phantom had better LED coverage and $1,700 to spare. With 770 lights, six treatment modes, and four wavelengths, it looks like the most advanced LED mask on the market.

    But after six weeks of consistent use, I wouldn’t recommend it. It’s uncomfortable, inconvenient, and delivers results that are far less impressive than its theatrics.

    Missing the Basics

    Courtesy of Déesse Pro

    The Pro is a hard-shell LED mask with six treatment modes: Anti-Aging, Purifying, Brightening, Post Procedure, Calming, and Anti-Aging Express. Sessions can be customized by adjusting the duration or adding red-light therapy. With 770 LEDs, it outnumbers any mask I’ve tested (Therabody’s Theraface Mask has 648), but more bulbs doesn’t mean better results.

    Déesse Pro touts its 770 LEDs, six treatment modes, and the inclusion of green-light therapy (more on this later) as proof of superiority. But the company hasn’t published any clinical trials or results to back its claims. Instead, its website features anonymous before-and-after photos with no context or background information. The mask also isn’t FDA-cleared in the US.

    Six treatment modes sounds intriguing, but in practice, I only ended up using three. Mode 4 is billed as a post-procedure setting, but it’s simply a combination of red, near-infrared, and blue light; that’s a combination most masks bundle into a general treatment cycle. Labeling it Post-Procedure actually made me less likely to use it. The Anti-Aging Express mode is also essentially a shortened version of the standard anti-aging mode, which feels redundant, considering you can adjust the lengths of sessions.

    I followed the brand’s recommended regimen—two to four sessions a week—for optimal results. Despite the consistency for six weeks, the payoff was underwhelming. My skin tone and acne breakouts looked no different than usual. I wasn’t expecting a total makeover, but for $1,700 and hours of my life, I anticipated visible results.

    Image may contain Mask and Helmet

    Courtesy of Déesse Pro

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    Boutayna Chokrane

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  • Technics EAH-AZ100 Review: Wireless Earbuds That Sound So Next Level I’m Ruined

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    Hi-fi audio is a funny thing. Someone could say the words “high fidelity” until you’re both blue in the face, but it’s hard to understand unless you hear it for yourself. I mean, how high is high, anyway? Great audio is as high as your frame of reference is, and if you’re like most people and you’re used to sticking AirPods in your ears and calling it a day, then that’s your baseline. But not everyone is so easily wooed by Apple’s ecosystem, and for those baptized in the expensive waters of hi-fi audio, the ceiling is damn near cathedral-length. With that extra headroom, however, comes an even loftier hit to your wallet. But how good can Panasonic’s $299 Technics EAH-AZ100 wireless earbuds that cost more than Apple’s ubiquitous white buds really sound?

    I got a chance to test out the EAH-AZ100, and at the risk of spoiling the surprise here, I can tell you that they sound pretty freaking next level. At the core of that great sound are proprietary magnetic fluid drivers, which are as cool in theory as they are in practice. I wouldn’t usually bother to get into the nitty-gritty of how drivers work, but in this case I think it’s worth explaining to make you appreciate these buds’ uniqueness.

    Technics EAH-AZ100

    The Technics EAH-AZ100 are costly wireless earbuds that are worth every penny.

    Pros


    • Incredible, nuanced sound

    • Great battery life with ANC on

    • Comfortable

    • Full-featured

    Cons


    • ANC is solid but not great

    • Not the sleekest-looking buds

    When it comes to sound quality, mitigating distortion is the name of the game. Distortion happens in a number of ways, but usually distorted sound emanates from some kind of deficiency in the driver. That deficiency can be the result of materials, design, and other factors, but Panasonic’s magnetic fluid drivers focus on one thing in particular, which is stability, so to speak. While most wireless earbud drivers will vibrate in random directions while pumping out sound, causing distortion along the way, the EAH-AZ100’s drivers are immersed in an oil-like substance with magnetic particles that prevent unwanted movement and the dreaded distortion that happens. The results? I’m not going to lie, they’re impressive.

    ©

    I listened to almost the entirety of one of my favorite rock albums of the past five years (Geese’s “3D Country”), and it felt like hearing some of those songs for the first time. Distorted guitars are perfectly crunchy, bass and low end are natural-sounding and don’t feel oversimulated, and vocals are clear, crisp, and nuanced. I switched genres and listened to hip-hop (Milo’s song, “Tiptoe”), and the same held true. In fact, across all the genres I tested these wireless earbuds on—indie rock, folk, hip-hop, and electronic—they sounded great. Even though I was listening to compressed audio files on Spotify, it felt like I was one step closer to hearing songs like those artists intended when they entered the studio. I also happened to be testing Bose’s second-gen QuietComfort Ultra wireless earbuds at the same time and can say confidently that the Technics EAH-AZ100 win in the clarity department and by a noticeable margin.

    See EAH-AZ100 at Amazon

    Another major selling point for the EAH-AZ100 is very long battery life. Panasonic advertises 10 hours of juice on these earbuds outside the case with active noise cancellation (ANC) on. That’s an impressive number when looking at the rest of the field, especially wireless earbuds that cost half the price and typically get between 6 and 6.5 hours of ANC playback. Fortunately, I was able to put that lofty battery claim to the test since I had a long flight from New York to Arizona (with a layover) and can also say confidently that these buds have the longevity that’s advertised.

    I used the EAH-AZ100s all day on and off and didn’t have to charge the wireless earbuds once, which is a perk that can’t be overstated when you’re trying to block out noise from crying babies on a flight. With the case, you get 18 hours of total battery life according to Panasonic, and on that front I’ll have to take their word since I still haven’t had to charge these things since I started testing. Either way, 10 hours is a lot of juice for wireless earbuds with ANC on and helps justify the $299 price tag. Another big point for Panasonic here.

    Technics Eah Az100 5
    © Adriano Contreras / Gizmodo

    Speaking of being on a flight, I also put the EAH-AZ100 to the test when it comes to ANC. With crying babies nearby, I relied on the EAH-AZ100 to help safeguard my sanity, and they performed… admirably. These aren’t going to win any medals from me on the ANC front (Bose’s QuietComfort Ultra earbuds still take the cake here), but they held their own when it comes to noise cancellation, especially when tested against a boss as scary as the in-flight baby scream. If you’re looking for ANC as elite as the sound and battery life, you may be a little let down, though.

    If you’re going to be wearing wireless earbuds for a long time (like 10 hours), another thing you may want to know is how they feel in your ears, and fortunately, they feel pretty damn comfy. A lot of times, wearing wireless earbuds (especially on a plane where pressure is a big factor) will get to me after a while, but I found the EAH-AZ100 to be more tolerable than most for long periods. If you don’t find them to be a good fit, Panasonic also includes four other eartip sizes in the box (XS, S, ML, L), but I just used the pre-installed eartips, and they fit my ears well.

    There are some things about these wireless earbuds that I won’t be writing home about, but that doesn’t mean they’re bad in any way, just not as excellent as the sound or the battery life. One of those things is the touch controls, which work just okay. A quirk you should be aware of is that the case does not have a pairing button, so in order to pair the buds to a device, you have to take them out, put them in your ears, and then hold down on the outsides of each with your finger to initiate a Bluetooth connection. There’s nothing wrong with that per se, but I prefer a button, which is simple and universal and not something you have to figure out by reading a manual on an airplane.

    Another thing I’m not particularly compelled by is the design. I like the smooth metal the buds and case are made out of, but the look doesn’t do much for me. That being said, the shape (bulb-like) is likely a product of the use of a magnetic fluid driver, which is incredible at conveying clear hi-fi sound, so I can’t complain too much there. Substance over style is a choice I’m okay with. Like other wireless earbuds, there’s also a companion app for controlling ANC levels, switching modes, spatial audio, and custom EQ, which are all things I would expect from a premium-priced pair of earbuds since competitors that are half the cost also have those things. The EAH-AZ100 have an ambient mode, which works fine, though Bose’s QuietComfort Ultra is still nicer in my opinion.

    Technics Eah Az100 4
    © Adriano Contreras / Gizmodo

    Ultimately, those are all just icing-on-the-cake-type categories, though. If you’re going to buy wireless earbuds like this, it’s because you want them to sound really, really, really freaking good, and to that end, Panasonic absolutely nails it. These are some of the best-sounding wireless earbuds I’ve ever shoved into my ears, and it’s not too often that I feel spoiled on that front, nor is it often that I can say a pair of earbuds sounds better than over-ear headphones of a similar price. If you’re looking for a pair of wireless earbuds that focus hard on that important stuff (sound, battery life, and comfort) and still deliver dutifully on the rest (ANC, features, and controls), then I can say with confidence that the Technics EAH-AZ100 could be the pick for you.

    See EAH-AZ100 at Amazon

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    James Pero

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  • And Just Like That’s Finale Was Messy, but Maybe Just Right

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    While star Sarah Jessica Parker and showrunner Michael Patrick King have suggested that the And Just Like That finale isn’t necessarily the end of the Carrie Bradshaw saga, it is the end for now. What began 27 years ago with the premiere of Sex and the City concluded on Thursday night, sending Carrie swanning around her elegant mansion and singing a love song to herself. It was a typically SATC-ian episode ending—wistful and happy at once, summative yet ambiguous about what might happen right after the picture fades. Maybe we’ll find out what shape Carrie’s life takes in her 60s; maybe we won’t. For now, King chose to leave her dancing in our minds.

    Which is nice! But that final scene was awfully discordant with what else happened in the finale episode, a strange and erratic half-ish hour that involved noxious queer Zillennial stereotypes and a celebrated actor staring at a toilet bowl full of human excrement. That wackiness was in keeping with much of And Just Like That’s tone; for three seasons, the show favored bawdy and broad comedy over the barbed wordplay and romantic yearning that defined Sex and the City. (Which could also be plenty silly.) Yet I held out hope that perhaps, just for the last episode, And Just Like That would get a bit more pensive and focused—that it would gather its characters and plot lines together into something poignant and meaningful.

    The show didn’t really do that, which was disappointing. But I’ve had some time to sleep on it, and to think about watching TV, and about endings. And I’ve come to see King and Parker’s side of things: that not repeating the wistful glow of the SATC finale—at least not entirely—was maybe the right way to go. It seems important that And Just Like That remind us of the messy ramble of Carrie and her friends, their ongoing and ever-evolving existences nattering away long after their lives onscreen are supposed to be settled—fixed things gliding off in perfect harmony, far past the end credits.

    So, yes: bring on the poop. Was it perhaps a bit undignified to force poor Victor Garber to film that scene? Maybe! But maybe he also had fun. And maybe it was equally amusing for Mario Cantone to get pied in the face by hunky Gieuseppe, and for Kristin Davis to close things out with one last romp in the hay with a newly tumescent Harry. It would have been lovely to have the girls together one last time, but that is not always how life works, especially as we age and routines spin off on varying trajectories.

    From a TV-watching perspective, it’s also a welcome jolt to be challenged in our expectation of what a finale should be. Obviously plenty of shows have done that before—we’ve had snow globe reveals, big time jumps, a prison sentence, a sudden cut to black. And Just Like That, in its weird way, joins that tradition. And the oddness of its finale, its refusal to really resolve things in the most easily audience-satisfying way, echoes the most stirring and fascinating sentiment of its last season.

    With Big dead, Carrie was free to rekindle things with the second great love of her life: Aidan, an always drippy SATC character whose drippiness took on a sinister edge in AJLT. Carrie’s arcs in seasons two and three largely concerned the strange frustration of not quite being able to make things work with Aidan. Surely their reunion was kismet, it was meant to be, and yet the two former fianceés never quite fit into each other’s lives. They didn’t back in the day, either—that’s why they broke up, twice. But away plugged Carrie anyway, determined that, narratively speaking, this is what was destined to be.

    But then, a few episodes before the end, King released Carrie from that conventional TV wisdom—from the Big vs. Aidan binary, from the fan-service demands of nostalgia reboot culture. Nope: turns out Carrie was not fated to cling to either Big or Aidan forever. There was a secret third way, or infinite other ways. That’s a rather nice and mature and self-reflective bit of writing on the show’s part—a meta acknowledgment that the series itself had fallen into the trap of assumed inevitability, and then had to climb its way out of it.

    I’m glad they wised up about that and let Carrie choose herself. It’s a more fitting ending for the character than, frankly, the original SATC finale ever was. Who knows what comes next, if anything comes at all. But amidst the toilet humor, AJLT did convincingly assert that Carrie only needs herself, and her friends, and her mind, and her talent, and her shoes. And whatever else she might use to carry herself into the great whatever.

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    Richard Lawson

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  • Apple’s Latest MacBook Pro Is Powerful but Probably Not Worth the Upgrade

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    Then there’s the display notch, where the webcam sits at the top of the screen. It’s still an eyesore—and during my testing, it covered up dialog boxes more than once. Also, the MacBook Pro fan has always been extremely loud under load, and it’s just as noisy today, and the power brick is still white, even if your laptop is Space Black.

    These aren’t fresh concerns, and they’re all minor complaints next to a fresh, weightier concern: At 4.7 pounds, the MacBook Pro M4 feels very heavy—and sure enough, it’s a full half-pound heavier than the M3 Max version I reviewed exactly a year ago. However, inexplicably, it is still 19 millimeters thick. Where has that extra half a pound gone? Must be the tantalizing internal upgrades that are going to blow our minds, right?

    Power Boost

    The obvious upgrade is Apple’s new M4 Pro CPU, which is the mid-level offering between the standard M4 and M4 Max, not including a rumored M4 Ultra in 2025. The new features on the M4 silicon are too numerous and too nerdy to list here, but the short of it is that you’re getting more cores on both CPU (14 on this configuration) and GPU (20), and (also as configured here) 48 GB of unified memory, which is designed to speed up everything from video processing to DNA sequencing, if that happens to be your hobby.

    Naturally, there’s the amply hyped, upgraded Neural Engine, now at 16 cores, designed to power on-device AI workloads (and the new Apple Intelligence) at three times the speed of the M1. My tested configuration also added a 2-terabyte solid-state drive, so this rig is about as loaded as it gets.

    Aside from the motherboard, there are new features that may be more immediately visible—three to be exact. First, the USB ports support Thunderbolt 5 (120 Gbps/sec) for faster data transfer speeds. A new 12-MP webcam features “Desk View,” which lets you share a livestream of your desk while you’re screen-sharing. Lastly, there’s a “nano-texture” screen upgrade option, which is Applespeak for its glare reduction technology that debuted on the Studio Display. I have the feature on my test machine, and if nothing else in the MacBook Pro M4 gets you excited, this should. It makes the screen feel like you’re looking at a photograph. (The upgrade will cost you $150.)

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    Christopher Null

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  • The Rocky Talkie Is a Two-Way Radio That Really Works

    The Rocky Talkie Is a Two-Way Radio That Really Works

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    If you have a family and you like to be outside, you should have walkie-talkies. In a lot of places where cell coverage is spotty, you need a better way of keeping track of each other than running back and forth and yelling. Kids love walkie-talkies. There’s nothing that my 9-year-old likes better than signaling back to base camp, “Come in, come in, make me cinnamon toast, over,” when she’s halfway through her hike.

    I know this is not necessarily the intended use case for the Rocky Talkie, the super-popular and super-rugged backcountry radio that my friends use for backcountry skiing and ascending multi-pitch climbs. But kids are a lot harder on gear than many adults. We’ve been testing the Rocky Talkies on weekend trips all summer, dropping them while clipped to my backpack and running around in the rain.

    We’ve tried walkie-talkies from several other brands, including cheap ones from Amazon and the standard Midland walkies, but the Rocky Talkies are my favorite, even if—and probably because—they are much more expensive than other options.

    Loud and Clear

    The Rocky Talkie comes in two different configurations. The Mountain Radio that we tested uses the FRS, or Family Radio Service band that the Federal Communications Commission reserves for most recreational walkie-talkie users. This is why you don’t usually pick up radio stations or big rig CB conversations on your walkie-talkie (although I have found that you still can if you try)

    Photograph: Adrienne So

    It also comes in a more powerful GMRS version that has IP67 submersible waterproofing and slightly longer battery life. Technically, you also need a license to operate the GMRS version, which I had no interest in procuring for my 9-year-old and 7-year-old. The Mountain Radio, on the other hand, is easy enough that my kids opened the box, turned them on, and started running around using them without me. Which, to be clear, is great!

    Probably the most obvious difference between the Rocky Talkie and other radios is that a lot of two-way radios are just handhelds or use gator clips to clip onto your clothing or backpack straps, but the Rocky Talkie has an ultralight carabiner. I loved this. I have little pockets and wear little shorts. If I walk around with a walkie-talkie clipped onto my clothes, the walkie often slips off when I sit down and I lose them in the rocks. I love knowing that neither my loved ones nor I are going to lose or drop these.

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    Adrienne So

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  • Unbound’s Flick Is a Wearable Ring Vibrator That’s Deceptively Powerful

    Unbound’s Flick Is a Wearable Ring Vibrator That’s Deceptively Powerful

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    Jewelry that doubles as a vibrator is nothing new. If we go way back—I’m talking ancient Rome—there’s a good chance someone, somewhere along the line, used a piece of jewelry to rub one out just for the heck of it. After all, the Romans were known to be quite creative when it came to sexual pleasure.

    But it wasn’t until the 2014 launch of the Crave Vesper, a necklace that contained a mini vibrator to stimulate all your favorite erogenous zones, that the union of jewelry as vibrators or vibrators as jewelry became a legitimate product. A product, I might add, that everyone wanted in their collection of jewels and vibes.

    Now, 10 years after Crave Vesper hit the market, we have Unbound’s take on the concept. This time, it’s a stylish, eye-catching statement ring called Flick. Flick’s launch date is no accident. As the world celebrates the 100th anniversary of the cocktail ring, Unbound wanted to come up with a piece of jewelry that not only pays homage to the iconic cocktail ring but also to the cultural revolution of the 1920s. It was a complicated time for women as they tried to navigate how to harness self-expression authentically against a backdrop that had yet to allow all women to vote. Flick embodies that spirit of boldness and celebration, inviting modern-day adventurers to explore their sensuality in style.

    As Intense as It Is Discreet

    Unbound is not a brand that’s new to me, which means I already knew I wasn’t simply getting a vibrator in a box with generic-looking instructions. But even for Unbound, the Flick’s packaging went above my expectations: clean lines, a commitment to only two colors—turquoise and pink—to enhance the overall aesthetic, nail art stickers, and a postcard signed by all the people who made Flick happen. It didn’t just look welcoming, it felt right.

    Photograph: Unbound Babes

    Although I knew I needed to wait for a full charge to properly indulge in Flick as a vibrator, as a piece of jewelry there was nothing to wait for. I slipped on the ring and it fit perfectly. This isn’t because Flick is a one-size-fits-all ring but because it has four band sizes that can easily be changed with the included screwdriver.

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    Amanda Chatel

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