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Tag: Regretting You

  • The Grabber vs. CoHo: A Halloweekend Box Office Showdown

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    Photo: Paramount Pictures

    Halloween weekend at the box office offered a few final scares, including a last-minute resurgence for Black Phone 2 and the reanimated corpse of BookTok powering the Colleen Hoover adaptation Regretting You. Behind them, Bugonia expanded to modest numbers, and One Battle After Another continued its run as the biggest points-earner of the season.

    It seemed as if Black Phone 2 would end its run at the top of the box-office charts after only a week when Chainsaw Man cut it down to size last weekend. But in classic horror movie fashion, the Ethan Hawke—fronted horror sequel rose up from the grave for one last scare. Initial estimates put the Grabber’s second outing neck and neck with (and even slightly behind) the rom-dram Regretting You, but when the numbers finally shook out, Black Phone 2 took the weekend’s top spot with $8.3 million, pushing its cumulative total to $61 million. Factoring in bonus points for clearing $50 million and finishing No. 1, Black Phone 2 is now at 126 total points, second to only One Battle After Another (192 points) on the overall leaderboard. Considering that 80 of those OBAA points are from the Gotham Awards nominations last week, Black Phone 2 is the league leader thus far in terms of pure box office. That’s good news for the 1,773 of you who had enough faith in the Grabber to pick the movie up for $5.

    Meanwhile, Regretting You held on admirably in its second week. It’s easy to forget now, but the 2024 film It Ends With Us wasn’t just the pretext for an extended media controversy and eventually the basis of a lawsuit involving Blake Lively and director-star Justin Baldoni. It was, in fact, a $350 million worldwide summer box-office smash, and a big factor in its success is that it was based on a hugely popular novel by Colleen Hoover. Regretting You — a romantic drama starring Allison Williams and Dave Franco that, as far as we know, has not generated any lawsuits — did not drum up nearly the kind of fervor as the previous Hoover adaptation. But at a cost of only $3, the 352 people who drafted the film have gotten decent value out of it so far.

    One Battle After Another picked up another $1 million and change in its sixth week, inching it ever closer to the $75 million bonus-point threshold. That’s nice, but after last week’s Gotham-nominations haul, box-office performance is about to become a marginal portion of OBAA’s greater points portfolio. The same likely cannot be said for Tron: Ares, which needed to be a $100 million–to–$200 million blockbuster to end up as a worthwhile buy for its 896 teams. At $67 million and with dwindling awards possibilities (maybe it will show up on the Oscars’ Visual Effects shortlist), that outcome seems unlikely.

    In terms of movies that are significant awards contenders, Bugonia expanded wide, pushing to $5 million cumulative and fifth place at the weekend box office. For comparison’s sake, Poor Things didn’t expand to 2,000-plus screens until its eighth week, but it still managed to clear $5 million in its third weekend, on only 800 screens, en route to a $34 million domestic take. On the other end of the Yorgos Lanthimos–Emma Stone line is last year’s Kinds of Kindness, which had made only $3.8 million after three weeks and on 900 screens. Bugonia’s box-office performance is closer to the Kinds of Kindness side of things, though the film’s awards prospects seem better.

    And now for our weekly banging of the Roofman drum: After four weeks in release, Roofman sits at a respectable $21 million, putting it ahead of the following movies:

    • Springsteen: Deliver Me From Nowhere — $16M
    • The Smashing Machine — $11M
    • Bugonia — $5M
    • After the Hunt — $3M

    Does this mean anything? Is Roofman just at the top of a list of relatively low-earning movies with prestige elements that 20 years ago would have made five times what they’re making now? Perhaps! I still say let’s put Channing Tatum in the Oscars race.

    You can visit the MFL landing page to scope out the full leaderboard with information on mini-leagues — and join us on Discord for expanded stats and discussions.

    Predator: Badlands: November 7
    Christy: November 7
    Die My Love: November 7
    In Your Dreams: November 7
    Nuremberg: November 7
    Peter Hujar’s Day: November 7
    Sentimental Value: November 7
    Train Dreams: November 7
    Now You See Me: Now You Don’t: November 14
    The Running Man: November 14
    Jay Kelly: November 14
    Keeper: November 14
    Arco: November 14
    Come See Me in the Good Light: November 14 (Apple TV+)
    Left-Handed Girl: November 14
    Sirāt: November 14

    Gotham Awards: December 1
    New York Film Critics Circle announcement: December 2
    Film Independent Spirit Awards nominations: December 3
    Critics Choice Awards nominations: December 5
    Golden Globe nominations: December 8

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    Joe Reid

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  • 2025 is randomly the Year of Mason Thames? | The Mary Sue

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    Don’t look now but Mason Thames might be the king of 2025 at the movies. This weekend, His latest film, Regretting You, managed to sneak the #1 slot at the box office over The Black Phone 2. Colleen Hoover’s beloved novel serves as the inspiration for the new movie. It notched about $8 million this weekend. But, Mason Thames was in a strange bit of competition with himself on this one. He’s in the Blumhouse horror picture as well! He stars alongside Ethan Hawke’s grabber in that world. But, that’s Thames’ third movie to debut at #1 this year. 

    As our friends over at Film Updates posted, that’s the first time an actor has scored 3 number ones since Jim Carrey in 1994. Yeah, How to Train Your Dragon was this year too! (Mason, if they ask you to reboot Ace Ventura, go ahead and run!) That’s a fun accomplishment for an 18 year-old actor looking to keep establishing himself in Hollywood. There’s a bit of a give and take to this box office tally for Halloween weekend. Both Regretting You and Black Phone 2 are hovering around $8 million. But, no matter what, everything is coming up Thames.

    Now, it will be interesting to see where Mason Thames will pop-up next. At the moment, it feels like the kid is in line for the same kind of career arc as current Hollywood favorites. (Buddy, if you get a decent script to play a vampire in the next 4 months, give it a thought!) The future will likely take care of itself. But, we had to at least report on this strange little story.

    Mason Thames notches 3 #1 movies in 2025

    Mason Thames in Regretting You.
    (Paramount)

    All of this news is very exciting if you’re in the “Mason Themes Fan Club” already. It’s legitimately nice to see a young actor get this kind of success so soon. But, for this observer, the success of these three very different films leads to a more important conclusion. Basically, this isn’t a millennial’s game anymore. As you may be aware advertisers, studios, and other entities are trying to crack the code of what Gen Z, and Gen Alpha now, are interested in. It’s an interesting question as the Internet splinters into smaller and smaller fan communities.

    The monoculture as we knew it in the mid-2000s and early 10s is a quickly fading memory at this point. Social media is basically king, and one could argue has eclipsed traditional forms of entertainment like television and movies. All of this makes the job of marketing projects for the small screen and its IMAX-sized cousin even more fraught. With the seeming desperation in the air from all corners, look to studios and other decision makers to try to make some (un)educated guesses. Expect to see Mason Thames in a lot of stuff over the next two years.

    Don’t get it twisted. This young man is very talented, and his co-stars love him.  I’ve been around long enough to see the original How to Train Your Dragon movies, and his live action remake was stirring. Let’s not underplay his role as a burgeoning teen heartthrob for some of our younger friends as well. All of that is a potent mix that should serve Mr. Thames well into his approaching adulthood. But we can file the success of regretting you away as more evidence that millennials aren’t at the controls anymore. We’re all living in Gen Z’s world and these small generational indicators aren’t stopping anytime soon.

    (featured image: Paramount)

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    Aaron Perine

    Aaron Perine is a writer that covers Free Streaming TV, normal TV, small TV (the kind that plays on your phone mostly!), and even movies sometimes!

    Phase Hero co-host. Host of Free Space: The Free Streaming TV Podcast.

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    Aaron Perine

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