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  • Ace Frehley was a roadie for Jimi Hendrix when he was 18 years old. A half century later, he’d sell the Kiss catalog and brand for $300 million | Fortune

    Ace Frehley, the original lead guitarist and founding member of the glam rock band Kiss, who captivated audiences with his elaborate galactic makeup and smoking guitar, died Thursday. He was 74.

    Frehley died peacefully surrounded by family in Morristown, New Jersey, following a recent fall, according to his agent.

    Family members said in a statement that they are “completely devastated and heartbroken” but will cherish his laughter and celebrate the kindness he bestowed upon others.

    Kiss, whose hits included “Rock and Roll All Nite” and “I Was Made for Lovin’ You,” was known for its theatrical stage shows, with fire and fake blood spewing from the mouths of band members dressed in body armor, platform boots, wigs and signature black-and-white face paint.

    Kiss’ original lineup included Frehley, singer-guitarist Paul Stanley, tongue-wagging bassist Gene Simmons and drummer Peter Criss. Frehley’s is the first death among the four founding members.

    Band members took on the personas of comic book-style characters — Frehley was known as “Space Ace” and “The Spaceman.” The New York-born entertainer and Rock & Roll Hall of Famer often experimented with pyrotechnics, making his guitars glow, emit smoke and shoot rockets from the headstock.

    “We are devastated by the passing of Ace Frehley,” Simmons and Stanley said in a joint statement. “He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of KISS’s legacy.”

    Born Paul Daniel Frehley, he grew up in a musical family and began playing guitar at age 13. Before joining Kiss, he played in local bands around New York City and was a roadie for Jimi Hendrix at age 18.

    Kiss was especially popular in the mid-1970s, selling tens of millions of albums and licensing its iconic look to become a marketing marvel. “Beth” was its biggest commercial hit in the U.S., peaking at No. 7 on the Billboard Top 100 in 1976.

    As the Kennedy Center’s new chairman, President Donald Trump named Kiss as one of this year’s honorees.

    In 2024, the band sold their catalog, brand name and intellectual property to Swedish company Pophouse Entertainment Group in a deal estimated to be over $300 million.

    Frehley frequently feuded with Stanley and Simmons through the years. He left the band in 1982, missing the years when they took off the makeup and had mixed success. Stanley later said they nearly replaced Frehley with Eddie Van Halen, but Vinnie Vincent assumed the lead guitar role.

    Frehley performed both as a solo artist and with his band, Frehley’s Comet.

    But he rejoined Kiss in the mid-1990s for a triumphant reunion and restoration of their original style that came after bands including Nirvana, Weezer and the Melvins had expressed affection for the band and paid them musical tributes.

    He would leave again in 2002. When the original four entered the Rock & Roll Hall of Fame in 2014, a dispute scrapped plans for them to perform. Simmons and Stanley objected to Criss and Frehley being inducted instead of then-guitarist Tommy Thayer and then-drummer Eric Singer.

    Simmons told Rolling Stone magazine that year that Frehley and Criss “no longer deserve to wear the paint.” “The makeup is earned,” he added. “Just being there at the beginning is not enough.”

    Frehley and Kiss also had a huge influence on the glammy style of 1980s so-called hair metal bands including Mötley Crüe and Poison.

    “Ace, my brother, I surely cannot thank you enough for the years of great music, the many festivals we’ve done together and your lead guitar on Nothing But A Good Time,” Poison front man Bret Michaels said on Instagram.

    Harder-edged bands like Metallica and Pantera were also fans, and even country superstar Garth Brooks joined the band members for a recording of their “Hard Luck Woman” on a 1994 compilation.

    Frehley would appear occasionally with Kiss for shows in later years. A 2023 concert at Madison Square Garden was billed as the band’s last. While Stanley and Simmons said they would not tour again, they’ve been open to the possibility of more concerts, and they’ve stayed active promoting the group’s music and memorabilia.

    Hannah Schoenbaum, Andrew Dalton, The Associated Press

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  • RIP Frank Kozik, 1962-2023

    RIP Frank Kozik, 1962-2023

    Kozik’s cover art for Houdini, by the Melvins
    Image: Frank Kozik

    The world received the very sad news today that Frank Kozik, a man perhaps best known for his incredible music posters of the 1990s, has passed away.

    Kozik’s social media channels shared this statement earlier today:

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    WE ARE DEVASTATED TO INFORM YOU THAT FRANK KOZIK PASSED AWAY UNEXPECTEDLY THIS PAST SATURDAY.

    FRANK WAS A MAN LARGER THAN HIMSELF, AN ICON IN EACH OF THE GENRES HE WORKED IN. HE DRAMATICALLY CHANGED EVERY INDUSTRY HE WAS A PART OF. He was a CREATIVE FORCE OF NATURE. WE ARE SO BEYOND LUCKY AND HONORED TO HAVE BEEN PART OF HIS JOURNEY, AND HE WILL BE MISSED BEYOND WHAT WORDS COULD EVER EXPRESS.

    HE LOVED HIS WIFE, HIS CATS, CLASSIC MUSCLE CARS, MENTORING OTHERS, AND DISNEYLAND. HIS FORCEFUL PRESENCE WILL BE MISSED BY ALL WHO KNEW HIM. HIS LEGACY, LIKE ALL GREAT MASTERS, WILL LIVE ON THROUGH HIS ART AND OUR MEMORIES OF HIM.

    MORE INFO ON A MEMORIAL SERVICE WILL COME SOON.

    FOR NOW, WE ASK YOU PLEASE RESPECT OUR PRIVACY DURING THIS TRYING TIME.

    WITH LOVE,

    SHARON AND THE CATS

    While best known to a wider audience for his concert and poster art, having worked with basically every good band with loud guitars from the 1990s—from Nirvana to Stone Temple Pilots to Pearl Jam to Helmet to the Melvins (who he also did a number of album covers for)—Kozik also left a lasting legacy on the music industry itself having founded Man’s Ruin Records in 1994, a label which was home to bands like Kyuss, Queens of the Stone Age and High on Fire before closing up in 2001.

    He was also prominent in the vinyl toy market, having worked as chief creative officer at Kidrobot—champions of the scene in the 00’s—after the company was bought by NECA after barely avoiding bankruptcy back in 2014.

    As a tribute to the man—whose work is hanging literally right next to my chair as I type this—here’s a collection of some of his best posters:


    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

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    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Image for article titled RIP Frank Kozik, 1962-2023

    Image: Frank Kozik

    Luke Plunkett

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  • Things To Never Say To A Taylor Swift Fan

    Things To Never Say To A Taylor Swift Fan

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Too many innocent people to count have died at the hands of devout Swifties, hell-bent on revenge. For your own safety, never say these things to a Taylor Swift fan.

    2 / 23

    “Her negligence led to a massive ground beef recall.”

    “Her negligence led to a massive ground beef recall.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Unless you have a death wish, we would avoid blaming Taylor for any nationwide E. coli outbreaks.

    3 / 23

    “We have no idea where Taylor Swift was the morning of April 19th, 1995.”

    “We have no idea where Taylor Swift was the morning of April 19th, 1995.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Sure, we’ve been told that Timothy McVeigh and Terry Nichols had no help blowing up the FBI headquarters in Oklahoma City, but Taylor’s lack of an alibi can’t be ignored.

    4 / 23

    “I don’t care if you got tickets, young lady. You’re not going out on a school night.”

    “I don’t care if you got tickets, young lady. You’re not going out on a school night.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Mom, come on!

    5 / 23

    “She doesn’t even design her own album art.”

    “She doesn’t even design her own album art.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Taylor’s fans hate being confronted with the fact that her Photoshop and Illustrator skills are mediocre at best.

    6 / 23

    “Her Capital One ads are uninspired.”

    “Her Capital One ads are uninspired.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    This is very insulting because all Taylor Swift fans watch these commercials on a loop for several hours each day.

    7 / 23

    “Every musician has their strengths and weaknesses.”

    “Every musician has their strengths and weaknesses.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Eat shit and die, how about that?

    8 / 23

    “I loved her ‘Piano Man’ era.”

    “I loved her ‘Piano Man’ era.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    This is a common mistake, but that’s actually Billy Joel.

    9 / 23

    “The Ticketmaster/LiveNation merger was extremely problematic long before you saw fit to take notice.”

    “The Ticketmaster/LiveNation merger was extremely problematic long before you saw fit to take notice.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Look, an antitrust ally is an antitrust ally, regardless of how they got there, okay?

    10 / 23

    “My favorite folklore is ‘Botan Dōrō.’”

    “My favorite folklore is ‘Botan Dōrō.’”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    No offense to the Japanese people, but this haunting parable about loving a ghost has nothing on the song “cardigan.”

    11 / 23

    “I know that her nice girl image is fake because she regularly eggs my house.”

    “I know that her nice girl image is fake because she regularly eggs my house.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    No need to ruin the façade for them too.

    12 / 23

    “She can only summon lightning when it’s stormy out.”

    “She can only summon lightning when it’s stormy out.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Taylor can and will strike you dead by lightning on a sunny day just for saying that.

    13 / 23

    “More people are deserving of the Nobel Prize in physics.”

    “More people are deserving of the Nobel Prize in physics.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    I guess you haven’t read her research as the lead scientist of the Large Hadron Collider at CERN.

    14 / 23

    “I’ve written more songs about John Mayer.”

    “I’ve written more songs about John Mayer.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    That’s just a weird thing to brag about.

    “She can’t dance!”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Well, neither could Martin Luther King Jr., but we still listen to all his bops.

    16 / 23

    “Taylor Swift is just a stage name. Her real name is Ogbert McCarthy.”

    “Taylor Swift is just a stage name. Her real name is Ogbert McCarthy.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Don’t be mean, there’s no need to spoil her mystique.

    17 / 23

    Midnights is good but it’s no Der Ring des Nibelungen.”

    Midnights is good but it’s no Der Ring des Nibelungen.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    While it’s fair to say that Midnights doesn’t hold a candle to Wagner’s 15-hour epic opera, it’s not nice to remind people about that.

    18 / 23

    “She’s just for teen girls.”

    “She’s just for teen girls.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    No, she was just for teen girls, but now those teen girls are 30 and have developed an appetite for revenge.

    “The dubstep icon?”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    Swifties have worked hard to forget Taylor’s brief electronic dance music phase back in the aughts.

    20 / 23

    “I work for Ticketmaster.”

    “I work for Ticketmaster.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    You really shouldn’t tell anybody that.

    21 / 23

    “I’m really only into K-Pop”

    “I’m really only into K-Pop”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    It’s just a matter of time before she dominates that genre as well.

    22 / 23

    “She’s going to die someday, just like everyone else.”

    “She’s going to die someday, just like everyone else.”

    Image for article titled Things To Never Say To A Taylor Swift Fan

    No, you’ll die someday. And according to the posts on Taylor Swift message boards, that day is today.

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  • Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business

    Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business


    New York
    CNN
     — 

    Universal Music Group — the music company representing superstars including Sting, The Weeknd, Nicki Minaj and Ariana Grande — has a new Goliath to contend with: artificial intelligence.

    The music group sent urgent letters in April to streaming platforms, including Spotify

    (SPOT)
    and Apple Music, asking them to block artificial intelligence platforms from training on the melodies and lyrics of their copywritten songs.

    The company has “a moral and commercial responsibility to our artists to work to prevent the unauthorized use of their music and to stop platforms from ingesting content that violates the rights of artists and other creators,” a spokesperson from Universal Music Group, or UMG, told CNN. “We expect our platform partners will want to prevent their services from being used in ways that harm artists.”

    The move by UMG, first reported by the Financial Times, aims to stop artificial intelligence from creating an existential threat to the industry.

    Artificial intelligence, and specifically AI music, learns by either training on existing works on the internet or through a library of music given to the AI by humans.

    UMG says it is not against the technology itself, but rather AI that is so advanced it can recreate melodies and even musicians’ voices in seconds. That could possibly threaten UMG’s deep library of music and artists that generate billions of dollars in revenue.

    “UMG’s success has been, in part, due to embracing new technology and putting it to work for our artists — as we have been doing with our own innovation around AI for some time already,” UMG said in a statement Monday. “However, the training of generative AI using our artists’ music … begs the question as to which side of history all stakeholders in the music ecosystem want to be on.”

    The company said AI that uses artists’ music violates UMG’s agreements and copyright law. UMG has been sending requests to streamers asking them to take down AI-generated songs.

    “I understand the intent behind the move, but I’m not sure how effective this will be as AI services will likely still be able to access the copyrighted material one way or another,” said Karl Fowlkes, an entertainment and business attorney at The Fowlkes Firm.

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    “In the case of works containing AI-generated material, the Office will consider whether the AI contributions are the result of ‘mechanical reproduction’ or instead of an author’s ‘own original mental conception, to which [the author] gave visible form,’” the new guidance says.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work.

    The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI companies using copyrighted works to train their models to create similar works is exactly the type of behavior the copyright office and courts should explicitly ban. Original art is meant to be protected by law, not works created by machines that used the original art to create new work,” said Fowlkes.

    But according to AI experts, it’s not that simple.

    “You can flag your site not to be searched. But that’s a request — you can’t prevent it. You can just request that someone not do it,” said Shelly Palmer, Professor of Advanced Media at Syracuse University.

    For example, a website can apply a robots.txt file that works like a guardrail to control which URL’s “search engine crawlers” can access a given site, according to Google. But it is not a full stop, keep-out option.

    Grammy-winning DJ and producer David Guetta proved in February just how easy it is to create new music using AI. Using ChatGPT for lyrics and Uberduck for vocals, Guetta was able to create a new song in an hour.

    The result was a rap with a voice that sounded exactly like Eminem. He played the song at one of his shows in February, but said he would never release it commercially.

    “What I think is very interesting about AI is that it’s raising a question of what is it to be an artist,” Guetta told CNN last month.

    Guetta believes AI is going to have a significant impact on the music industry, so he’s embracing it instead of fighting it. But he admits there are still questions about copyright.

    “That is an ethical problem that needs to be addressed because it sounds crazy to me that today I can type lyrics and it’s going to sound like Drake is rapping it, or Eminem,” he said.

    And that is exactly what UMG wants to avoid. The music group likens AI music to “deep fakes, fraud, and denying artists their due compensation.”

    “These instances demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists,” the UMG statement said.

    Music streamers Spotify, Apple Music and Pandora did not return request for comment.

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  • The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business

    The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business



    CNN
     — 

    One of the buzziest songs recently circulating on TikTok and climbing the Spotify charts featured the familiar voices of best-selling artists Drake and the Weeknd. But there’s a twist: Drake and the Weeknd appear to have had nothing to do with it.

    The viral track, “Heart on my Sleeve,” comes from an anonymous TikTok user named Ghostwriter977, who claims to have used artificial intelligence to generate the voices of Drake and the Weeknd for the track.

    “I was a ghostwriter for years and got paid close to nothing just for major labels to profit,” Ghostwriter977 wrote in the video comments. “The future is here.”

    “Heart on my Sleeve” racked up more than 11 million views across several videos in just a few days and was streamed on Spotify hundreds of thousands of times. The original TikTok video has seemingly been taken down, and the song has since been removed from streaming services including YouTube, Apple Music and Spotify. (TikTok, YouTube, Apple and Spotify did not respond to a request for comment.)

    The exact origin of the song remains unclear, and some have suggested it could be a publicity stunt. But the stunning traction for “Heart on my Sleeve” may only add to the anxiety inside the music industry as it goes on offense against the possible threat posed by a new crop of increasingly powerful AI tools on the market.

    Universal Music Group, the music label that represents Drake, The Weeknd and numerous other superstars, sent urgent letters in April to streaming platforms, including Spotify and Apple Music, asking them to block AI platforms from training on the melodies and lyrics of their copywritten songs.

    “The training of generative AI using our artists’ music — which represents both a breach of our agreements and a violation of copyright law as well as the availability of infringing content created with generative AI on digital service providers – begs the question as to which side of history all stakeholders in the music ecosystem want to be on: the side of artists, fans and human creative expression, or on the side of deep fakes, fraud and denying artists their due compensation,” the company said in a statement this week to CNN.

    The record label said platforms have “a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.”

    But attempting to crack down on AI-generated music may pose a unique challenge. The legal landscape for AI work remains unclear, the tools to create it are widely accessible and social media makes it easier than ever to distribute it.

    AI-generated music is not new. Taryn Southern’s debut song “Break Free,” which was composed and produced with AI, hit the Top 100 radio charts back in 2018, and VAVA, an AI music artist (i.e. not a human), currently has a single out in Thailand.

    But a new crop of AI tools have made it easier than ever to quickly generate convincing images, audio, video and written work. Some services such as Boomy specifically leverage generative AI to make music creation more accessible.

    There’s little known about who is behind the Ghostwriter977 account, or which tools the creator used to make the track. The user did not respond to a CNN request for comment.

    In the bio section of the user’s TikTok account, a link directs users to a page on Laylo, a website where fans can sign up to get notifications from artists when new songs are dropped or merchandise and tickets become available. The company told CNN the account likely registered to build up its fan base and brought in “tens of thousands” of signups in the past few days.

    Laylo CEO Alec Ellin denied that the company was behind the viral track as some have speculated, but Ellin told CNN whoever did make it was “clearly a really savvy creator” and called it “a perfect example of the power of using Laylo to own your audience.”

    Michael Inouye, an analyst at ABI Research, said “Heart on my Sleeve” could have been made in several ways depending on the sophistication of the AI and level of musical talent.

    “If music artists were involved, they could create the background music and the lyrics, and then the AI model could be trained with content from Drake and The Weekend to replicate their voices and singing styles,” he said. “AI could also have generated most of the song, lyrics and replicated the artists again based on the training data set and any prompts given to direct the AI model.”

    He added that part of this fascination and virality of the song comes from “just how good AI has gotten at creating content, which includes replicating famous people.”

    Roberto Nickson, who is building an AI platform to help boost productivity and work flow, recently posted a video on Twitter showing how easy it is to record a verse and train an AI model to replace his vocals. He used the artist formerly known as Kanye West as an example.

    “The results will blow your mind,” he said. “You’re going to be listening to songs by your favorite artist that are completely indistinguishable and you’re not going to know if it’s them or not.”

    Although the entertainment industry has seen these issues coming, regulations are lagging behind the rapid pace of AI development.

    Audrey Benoualid, an entertainment lawyer based in Los Angeles, said one could argue “Heart On My Sleeve” does not infringe copyright as it appears to be an “original” composition.

    “Ghostwriter also publicized that Drake and The Weeknd were not involved in the making of the song, which could protect them from a ‘passing off’ claim, where profits are generated as consumers are misled into believing the song is actually a Drake-Weeknd collaboration,” she said in an email to CNN.

    However, Benoualid added, machine learning and generative AI programs may also be found to infringe copyright in existing works, either by making copies of those works to train the AI or by generating outputs that are substantially similar to those existing works. “Major labels would undoubtedly, and have already begun to, argue that their copyrights (and their artists’ intellectual property rights) are being infringed,” she said.

    Michael Nash, an executive VP at Universal Music Group, recently wrote in an op-ed that AI music is “diluting the market, making original creations harder to find, and violating artists’ legal rights to compensation from their work.”

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work. The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI and copyright law and the rights of musicians and labels have crashed into one another (once again), and it will take time for the dust to settle,” Benoualid said. “The landscape is anything but clear at the moment.”

    Inouye said if AI generated content becomes associated with famous individuals in a negative way that could be grounds for a lawsuit to not only take content down but to cease and desist their operations and potentially seek damage.

    “On the flip side, if the content were to be popular and the creator were to make revenue off of the artists’ image or likeness then again the artists could similarly request the content to be taken down and potentially sue for any monetary gains,” he said.

    But for now, concerned parties may be forced to play whack-a-mole. While services like Spotify pulled “Heart on my Sleeve,” versions of it appeared to continue circulating as of Tuesday on other online platforms.

    Even a song made with artificial intelligence may find real staying power online.

    – CNN’s Vanessa Yurkevich contributed to this report.

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