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Tag: record label

  • 4 Atlantic Records Artists We’d Love To Hear ROSÉ Collab With

    4 Atlantic Records Artists We’d Love To Hear ROSÉ Collab With

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    We’re beyond ecstatic to see what the next chapter holds for BLACKPINK, and we’ll get to see what it holds for ROSÉ very soon! She just signed a global deal with the iconic Atlantic Records with THEBLACKLABEL handling management. Does this mean we’ll be getting new music shortly…? We have all of our fingers crossed! 

    Rosé also recently announced her fandom name, Number Ones (what a coincidence, supporting her is one of our number one priorities), and her @vampirehollie Finsta page to share more exclusive content with fans. So much is coming and we can’t wait to learn more! While we wait, let’s celebrate her Atlantic Records signing by imagining the perfect collabs with her new labelmates. 

    Bruno Mars

    Much like Bruno Mars, we feel that Rosé has a timeless voice that could fit all sorts of retro vibes. Whether it’s a ballad like his Lady Gaga-assisted ‘Die With A Smile’ or an upbeat song like ‘Locked Out Of Heaven,’ we know they’d make a great pair! Their voices would be such a beautiful complement to each other and we’ll be dreaming of hearing them together until it happens.

    Cardi B 

    Okay, we know we’ve technically gotten a Rosé x Cardi link-up because of BLACKPINK’s ‘Bet You Wanna,’ but let us dream a bit! We’d love to hear Rosie and Cardi team up again, especially if Rosé is going with a different sound for her solo work than we usually hear from her. The possibilities would be endless with these two talented ladies! We think a song about finding who you are and staying true to your most confident self would be fantastic, especially now that we’ll be meeting new sides of Rosé as a soloist.

    Coldplay

    Consider this our official petition to get one of Rosé’s ‘Viva La Vida’ covers out on streaming services. Or better yet, give us an official remix adding her vocals to Coldplay’s classic. Orrr give us a new song that has Rosie trading lines with Chris Martin. We’re not picky, we just want to hear them sing together! They can each move audiences so easily with their music, so a collab between them would change the world.

    Kelly Clarkson

    Much like Rosé, part of why we love Kelly Clarkson so much is because she’s a master at capturing emotion with her voice! A collab between these two would easily become one of our all-time favorite songs. We’d imagine it as a passionate, lower-tempo track like ‘GONE,’ which would let them show off their vocal and storytelling talents so well. And then we could get a Rosé appearance on The Kelly Clarkson Show to see them sing it together!

    Which of these collabs would you be most excited to hear? Do you have any predictions for Rosé’s upcoming music with Atlantic Records? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter!

    Check out more sweet ROSÉ content! 

    TO LEARN MORE ABOUT ROSÉ:
    INSTAGRAM | VAMPIREHOLLIE INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Madison Murray

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  • EXCLUSIVE INTERVIEW | Todd Hyman of Carpark Records

    EXCLUSIVE INTERVIEW | Todd Hyman of Carpark Records

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    Carpark Records has been known widely as an industry tastemaker and incubator for budding indie artists for the past decade and then come, but what do you know about the man behind it all? What does it take to create a label that withstands the ever-changing tides of the digital age. Who is behind curating the diverse but stream lined roster of artists on Carpark? He is none other than Todd Hyman.

    Todd has seen all sides of the industry it seems. He tells me about his formative years in Chicago. It was the early nineties, he was attending Northeastern University and the scene in Chicago was intoxicating. He calls the time, “an indie music golden era.” Many of the influential labels of the time were located in Chicago and inspired the local scene. Hyman recalls being inspired by the likes of Touch and Go who had Jesus Lizard, Big Black, and more signed to them and Drag City who had Pavement on their roster. He recalls seeing Nirvana at The Metro during college and feeling invigorated to make his own music- and that he did. Little did he know, he’d be playing at the same venue years later.

    Todd has always been an audiophile and tastemaker in music. In college, Todd worked as a DJ at Northwestern’s college radio station which was prominent in the area covering a large part of Chicago. He was going to 2-3 live shows a week and immersing himself in the culture. Around the same time, Todd formed Wendyfix and began gigging around Chicago and around the Northwestern College scene. He says though they played quite a bit, Wendyfix didn’t quite fit the vibe of Chicago at the time. While Nirvana had broken the glass ceiling and set a standard of the alt indie rock scene there, Wendyfix was quieter, more introspective guitar music. He tells me it took a long time but a small indie pop scene emerged from Chicago and Wendyfix ended up collaborating with other like-minded bands. Eventually, Wendyfix’ hard work and payed off and they got to play amazing venues like The Empty Bottle and The Metro which he mentions felt surreal after seeing so many of his role models play that venue.

    At the same time, Todd was working as the Rock Director at Northwestern’s radio station. He reflects on a time where email wasn’t used for business, so he’d get calls all day long inquiring about radio placements. He remembers his voicemail filling up and having fifty pieces of music to add to their programming a week. In a way, he remembers looking up to Touch and Go and Drag City for their ethical way of operating. Even 50/50 royalty splits with the artists and letting the artists do what they want were some of the amazing aspects of both labels, aspects that would inspire the way Todd would hope to run a label one day. Though he admits, it wasn’t totally on his mind at the time. He mentioned that his music taste changed so rapidly that though starting a label was on his mind, he felt like he could never commit to one type of music.

    After moving to NYC, Todd finally saw reason to establish Carpark. At the time, he was running a DJ night. He loved the music of so many of the electronic artists that came through and decided to start a label to give them the platform they deserved. Carpark’s foundation was sort of a punk DIY version of electronic music. It was reflective of the liberation that came with the ability to start making music on one’s computer. After a while of operating as such, Todd mentions he had a little internal crisis over the fact that he started an electronic label, but quickly realized that it’s his label and no one would really care if he started signing other artists that didn’t fit the profile of early Carpark artists.

    Eventually, Todd and his wife relocated to DC which Todd jokes, was pretty uneventful at the time. While he was in college, he said, DC seemed like the place to be and with the election of Barack Obama, more young people started to move to the city creating more of a scene, but when he first landed there in the early 2000s, not much was going on. Instead, he opted for being a part of Baltimore’s scene. His exposure to this scene is the story behind a lot of his artist signings.

    For instance, Todd’s wife was a part of music lover’s message board on crucial.org at the time. There was a guy from Baltimore that always posted his favorite music and Todd came across one of his postings one day. The band he posted about was Beach House and after sending a few emails, he was able to meet with and sign them. The rest seems to be history.

    This month, Todd has reissued his former band’s music across all electronic distribution platforms. Wendyfix and Remy’s songs are now available for stream and purchase at all major music distributors. He offers one piece of advice for aspiring artists: “follow your interests, do what makes you happy.” It seems that’s always worked out for Todd and we have Carpark Records and a slew of amazing tunes from Wendyfix and Remy to prove it.

    Listen to Wendyfix

    Listen to Remy

    Follow Carpark Records on Instagram | Facebook | Twitter.

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    Anie Delgado

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  • Lee Foss’ Repopulate Mars Launches New Sub-Label, North Of Neptune – EDM.com

    Lee Foss’ Repopulate Mars Launches New Sub-Label, North Of Neptune – EDM.com

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    Repopulate Mars, the flagship record label of house music vet Lee Foss, has revealed the launch of a new sub-label, North Of Neptune. 

    Foss says his new imprint will explore the funkier side of the Repopulate Mars universe.

    “I’m excited to explore the further reaches of the Repopulate galaxy,” Foss said in a statement. “The sound of North Of Neptune shimmers in the glow of raining liquid diamonds in the coolest funkiest reaches of the known galactic funk hub.”

    North Of Neptune’s first record, a two-track EP by Toby Simpson called Come Together, is out now. Take a listen below.

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    Lennon Cihak

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  • Jeremy Fall’s Probably Nothing Launches ‘Probably A Label,’ a Web3 Record Label With Warner Records

    Jeremy Fall’s Probably Nothing Launches ‘Probably A Label,’ a Web3 Record Label With Warner Records

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    The label sells out 5,555 passes in 7 minutes. First drop from Diddy & JasonMartin exclusively to pass holders.

    Press Release
    –

    Oct 26, 2022


    LOS ANGELES, October 26, 2022 (Newswire.com)
    –
    Jeremy Fall, former celebrity restaurateur turned Web3 creator of Probably Nothing, announces the launch of Probably A Label, a Web3 major record label in collaboration with Warner Records.

    Probably A Label believes music best comes alive when there’s context people can connect to emotionally. They are creators that help artists rewrite those stories using the power of NFTs and believe Web3 allows artists to create with more freedom and connect with fans on a much deeper level — their mission is to live at the intersection of that culture.

    This new type of record label is aimed at redefining IP ownership in the music industry, utilizing Web3 technology. It is the first time that a major label joins forces with a leading NFT culture brand to build an ecosystem that enables artists to create freely using new technologies. Their mission is not to redefine how people listen to music but to elevate the experience in which people consume it, as well as collaborate directly with artists in a manner that helps develop their creative language.

    The label launched 5,555 passes that exemplify its vision of what the future of music looks like, which sold out in seven minutes. These debuted on OpenSea, following last week’s announcement of the partnership with Warner Music Group. Their first music drop will be from Grammy Award-winner Diddy and JasonMartin, claimable for Probably A Label holders. While artists will use the Web3 label as a new platform to release music for holders, the community will capitalize on “Studio A,” an incubator that will help community IP come to life. Studio A shines as a key feature where the label partners with select members, accepting pitches for any ideas specific to that project’s IP. If someone owns IP from an approved project and has an idea for a concept around it, Probably A Label can help bring it to life utilizing their resources.

    Studio A will begin by accepting pitches using NFTs from approved partner projects, including Azuki, BAYC, Clone X, Cryptopunks, Degen Toonz, Doodles, Photosynthesis, Project Gojira, Pudgy Penguins, Stickmen Toys, Women & Weapons and World of Women, with more partners to be announced soon. Projects accepted into this incubator program will have access to resources from Probably A Label, Probably Nothing, and Warner Records’ ecosystems, including financing, marketing, creative development, partnerships, branding, and PR. Probably A Label sees itself as the bridge between music in Web2 and Web3, which simultaneously evolves the connection between the traditional record label model and music fans.

    Other features include the ability to own a community-created NFT project that will serve as the label’s initial virtual musician. This project will be built in conjunction with the community of holders through a voting system on design, storyline, and other creative. More features include exclusive access to the label’s future drops, a community-driven music library for holders’ use, educational content highlighting best IP execution practices, access to in-person and virtual events, merchandise, and more.

    “I grew up in the ’90s listening to so many artists on Warner Records. It’s surreal to have it come full circle and help them redefine how people experience music in today’s Web3 era,” said Jeremy Fall, creator of Probably Nothing. “There are a lot of conversations to be had around IP ownership and how to best utilize that IP. What attracted me the most about Warner Records is that they wanted to enter the NFT space the right way by offering full IP rights for Stickmen Toys, which we ended up partnering on.”

    The collaboration with Probably Nothing and Warner Records started with Stickmen Toys. Probably Nothing helped Warner Records enter the Web3 space by providing the bridge from Web2 to Web3. Stickmen Toys is a collection of 5,000 unique, audio-visual avatars, giving collectors creative and commercial freedom to push boundaries with their ownership of the copyright.

    Sebastian Simone, Vice President of Audience & Strategy at Warner Records, said, “Jeremy and the Probably Nothing team share our vision of evolving the connection between labels, their artists, and fan communities. We’re excited to be partnering with Probably A Label on developing what the future of music ownership looks like, collaborating with our communities on bringing IP to life, and working with artists to enter the Web3 space in a meaningful, authentic way.”

    For more information about Probably A Label, watch/visit:

    ABOUT WARNER RECORDS:

    Warner Records has stood as a beacon of artistic freedom and creative expression for the past six decades, releasing some of the most culturally influential and innovative music of our time and home to an impressive generation of artists, including Dua Lipa, Madonna, Saweetie, Liam Gallagher, Michael Bublé, Deftones, Neil Young, Red Hot Chili Peppers, Aespa, Bella Poarch, Muse, Linkin Park, Royal Blood, Gorillaz, Rüfüs Du Sol and many more.

    ABOUT PROBABLY NOTHING:

    Probably Nothing’s goal is to educate the world about NFTs and Web3 by onboarding as many people into the space as possible — by guiding them on safety and showing them how beautiful the community is. They help shine the light on projects that are paving the way creatively in a respectful manner to the Web3 industry. Probably Nothing is a community for the Web3 curious, the lovers of culture, creatives, and jpeg enthusiasts. It’s a hangout where the outliers run the show, a gathering place for everyone who wants to help push this new world forward and be part of the family.

    Probably Nothing Official Links

    Jeremy Fall’s Social Handles:

    Sebastian Simone’s Social Handle:

    Source: Probably Nothing

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