If you’re looking for prayers, Ramy Youssef is the guy to call. At least among his friends, as he explained during his debut Saturday Night Livemonologue, who typically turn to him when in need. “They call me when they’re in trouble because they want me to pray for them,” he said, before recounting two separate phone calls he got within an hour from friends asking for prayers. One was from Brian, who was in a custody battle with his ex over their dog, and the other was from Ahmed, who’s family was missing in Gaza. “So that night, I go to pray, and my prayers are…complicated. I’ve got a lot to fit in. I’m like, God, please, please, help Ahmed’s family. Please stop the suffering, stop the violence, please free the people of Palestine, please. And please free the hostages, all the hostages, please,” the comedian said, before continuing, “And while you’re at it…you know, free Mr. Bojangles, he’s a beautiful dog. I’m praying for that dog.”
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP Photo/Chris Pizzello)
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Fresh off his awards season high after attending the Oscars with his fellow “Poor Things” stars — and presenting — Ramy Youssef is heading back into more familiar territory. The actor and comedian, known for the critically acclaimed Hulu series “Ramy,” will premiere his latest stand-up special Saturday on HBO and Max.
In keeping with much of his previous work, “Ramy Youssef: More Feelings” doesn’t shy away from fraught topics, including religion, the upcoming presidential election and the ongoing war between Israel and Hamas. Although Youssef says he is “constantly interrogating” whether tackling these subjects through comedy is a good use of his time, he thinks there is enough reason to keep doing it — for now. The interview has been edited for clarity and brevity.
AP: This special felt very timely. I wondered how soon after Oct. 7 and the war in Gaza began that you started working on it.
YOUSSEF: I think actually what’s really interesting about the special is that it appears more topical than it is. There’s definitely jokes in there that were written in the last few months, and there’s some of them that were even written a few days before. But I think that the bedrock of a lot of the stories that you would think I was writing in terms of a response to what was happening, I had been actually workshopping for years. I think that there’s a lot of focus on Oct. 7, rightfully so, because it was obviously a horrific day. And Oct. 6 was horrific, you know?
I think that’s kind of the point I’m making in terms of like this not being topical material. I think there actually is some press from that first week of October that talks about it being the deadliest year ever for children anywhere, in regards to Palestinian children. So, you know, this is something that’s heavy. And I think in terms of trying to find light and trying to find commonality between people, which I think is the goal of the special and kind of the goal of what I’ve always done.
AP: I could see some people being reluctant to broach such taboo topics through comedy. Is it a way for you to process things?
YOUSSEF: Yeah. I think for me personally it’s a processing thing. It’s a place again to kind of create an alternative space that is kind of without logic. Obviously, I kind of go out of my way to be pretty dumb when I’m doing stand-up. I think there’s something in just figuring out, you know, is there a pocket here to let the air out somehow in terms of it being healing? It might be. It could also not be. It also could be part of the problem. I actually have no idea, to be honest with you.
And I think I’m constantly interrogating myself of like, is this helpful? And I don’t think I’ll ever really know. But I do know that there’s a feeling that I get when I do a live show and people kind of walk out and the things that I get from the people who I meet and I get to shake their hand, or the people who write where they kind of feel, like we’ve kind of recharged a little bit. But yeah, no tangible answers or solutions or anything like that. Just maybe, a bit of a recharge, hopefully.
AP: Do you think the fear of it being hurtful is that it minimizes serious things?
YOUSSEF: Yeah. It could. It could be, maybe I should be doing something else with my time. You know, all these things are possible.
AP: It’s like the Bo Burnham joke that he’s healing the world with comedy.
YOUSSEF: It’s interesting because I think I’d had that conversation with Bo about that actually like many years ago, just kind of around the topic of, at the very least, like when we’re doing what we’re doing, that we should be interrogating ourselves.
AP: You don’t shy away from making jokes about faith. I wondered if you have felt like people are kind of holding their breath when you do that or if it’s like a welcome topic.
YOUSSEF: I think there was a bit of a breath-holding when I first started talking about my spiritual inclinations on stage. And I think that’s what made me realize it was really ripe for something in comedy. I would say atheism or a certain mocking of religion is almost like a baseline feature of a comedy set, as much as like going on a date is, you know? God’s a punch line. Jesus is a punch line. It’s funny, like when you’re raised as a Muslim, it’s like you never make fun of Jesus, you know, which would probably surprise people too, right?
I’m obviously not a puritan in any sense. I mean the whole point is that I totally get the culture that I sit in. But I just kind of like to analyze it from a different way. And so it doesn’t come from any sort of, truly there’s no holier than thou. It’s more, you know, watch me kind of drown in the act of trying to be holy. You know, I’m failing and I’ll let you in on my failures. But I think I realized, pretty early on that there was a type of a gasp that made it fun to explore because it is so clear to me that it wasn’t being explored with any sort of sincerity.
AP: That’s fascinating. Do you kind of relish making people squirm a little bit?
YOUSSEF: Probably, yeah. But again, not to be sensational. It’s not like ambulance chasing. It’s just kind of this feeling of this is how I feel and I wonder what it would look like if we felt it together and then kind of did something with that feeling, you know? So let’s bring that up and then kind of look at it and then toss it away and kind of get into something else.
AP: You also talk a lot about politics in the special. Did somebody from Joe Biden’s campaign really reach out to you in 2020?
YOUSSEF: Yeah, we had a Zoom. I mean they’re very nice people, by the way. Like, they’re really good. And I think, you know, obviously in the special, it’s kind of fun to play with those situations. We’re in a really interesting predicament where it’s kind of like, “Hey are you sure you want to complain about Biden? Because Trump is worse.” And then it’s kind of like OK, you know that’s kind of that’s like textbook abuse, right? You know, don’t say anything because then it’s going to get worse. And you say, “OK, I thought we’re in a democracy. Aren’t we supposed to kind of question it and poke at it?”
And then I’m feeling an interesting thing where we’re kind of voicing, you know, what I think is an incredibly fair argument and also starting to feel this feeling of, “Hey, you might blow this election for us.” It’s kind of like, you know, I think you might blow it for you. And I don’t want that. I actually don’t want that. I want this to work. I love being an American. I really want this to work out.
AP: And then I have to ask about Taylor Swift coming to your show. I think people didn’t really know she was into comedy.
YOUSSEF: You gotta see her “Saturday Night Live.” Her “SNL” was great.
AP: So were you guys already friends?
YOUSSEF: It’s so funny. It’s kind of like it’s just one of those things where I think because she’s one of the biggest people, I mean, she was like person of the year, that it kind of becomes this huge talking point or whatever. I kind of have a throwaway joke about it, but for the most part, it’s like we just met, you know? Like she was a big fan of the movie, of “Poor Things.” But there’s almost something slightly embarrassing about like talking about it too much because it’s just like we just met, you know? So I don’t have like a ton to say, but she’s just a really cool person.
Source: Screenshot Megyn Kelly YouTube, CBS Sunday Morning YouTube
Megyn Kelly is calling for fans to boycott Taylor Swift after the singer attended a comedy night in Brooklyn that donated proceeds to a charity working in Gaza.
After showing up to a concert for Gaza: Call to “Boycott Taylor Swift”. Taylor Swift came to a stand-up show whose profits were donated to Gaza and the American presenter Megyn Kelly called for her to be boycotted: “She owes an apology to the Israelis and American Jews for coming… pic.twitter.com/M7GQnrrEcy
Daily Mail reported that Kelly mocked Swift for claiming to support women’s rights and the LGBTQ community, yet still backing a Gaza charity.
“You clearly know nothing,” Kelly said, addressing Swift directly in her rant. “You know what they do to that community in Gaza, Taylor, that you now want to support?”
“You know what Hamas likes to do to women?” she added. “You think we have equal rights over there, Taylor?”
Last Friday, Swift, 34, was spotted at a Ramy Youssef show at the Brooklyn Academy of Music with friends that included the actress Selena Gomez, Cara Delevingne and Zoe Kravitz. Youssef had previously announced that proceeds from the last 12 nights of his “More Feelings” tour would go to the American Near East Refugee Aid (ANERA).
Kelly described ANERA as being “highly political, presenting a highly biased view of the Israel/Palestine war, ignoring any Palestinian responsibility for hardship, and contributing to the demonization of Israel.”
“That is the group Taylor Swift thought it might be fun to help raise money for, attend a fundraiser for, and she owes Israelis and Jewish Americans an apology,” Kelly concluded. “And I hope they boycott her events until she issues it because attending this thing was wrong. It was wrong.”
Swift has yet to comment on any of the backlash she’s received for attending this event. Swift also has not commented publicly at all about the conflict between Israel and Hamas, who murdered and kidnapped hundreds of Israelis in terrorist attacks carried out on October 7.
Newsweek reported that after Swift was named Time’s Person of the Year last week, some said that her silence about Israel meant that she did not deserve this honor.
“I’m a massive Taylor Swift fan, and you can make the argument that pop stars shouldn’t need to speak out about war/conflict/genocide (I disagree but you can argue this),” one social media user commented. “But Taylor has defined herself as someone who now speaks out on issues, even if it costs her.”
“Taylor must feel something about the ongoing humanitarian catastrophe in Gaza,” the user continued. “Her silence is an active choice and it betrays the image of herself that she created.”
Taylor must feel something about the ongoing humanitarian catastrophe in Gaza. Her silence is an active choice and it betrays the image of herself that she created.
You don’t get to align yourself with The Chicks’ brave advocacy against the Iraq war & then stay silent on Gaza.
While Swift has been silent about the Israel-Hamas conflict, she’s been all too happy to preach about liberal causes as a proud Democrat in the past. Back in 2020, she accused then-President Donald Trump of trying to “blatantly cheat” to win the election.
“Donald Trump’s ineffective leadership gravely worsened the crisis that we are in, and he is now taking advantage of it to subvert and destroy our right to vote and vote safely. Request a ballot early. Vote early,” she said at the time, according to Fox News. “We will vote you out in November.”
In honor of Taylor Swift being named Time’s Person of the Year, let’s revisit the time she took a stand against Donald Trump, Marsha Blackburn, and all of the terrible things they stood for.pic.twitter.com/0lEvPOlDIG
It’s always rich when liberals like Swift who claim to stand for women and LGBTQ people support Hamas, which is perhaps the most anti-feminist and anti-LGBTQ group on the planet. In the end, Swift shouldn’t be surprised if Kelly’s calls for a boycott do end up coming true.
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The official teaser for Poor Things has been released, and it looks like a quirky Frankensteinfor the 21st century. The film is based on a book from 1992, authored by Alisdair Gray. The London Review Of Books called it a “magnificently brisk, funny, dirty, brainy book”. If that’s any indication of the film’s vibe, it’s safe to say it makes sense that it’s produced by Searchlight rather than 20th Century Studios itself.
The book follows a woman by the name of Emma Baxter, who has been reanimated by Doctor Godwin Baxter. Bella exists for a time under the protection and tutelage of Godwin until she realizes that there’s more to the world than what she’s being told. At that point, she runs off with Duncan Wedderburn. Wedderburn is a suave but somewhat corrupt lawyer. She travels the world, free to create her own perception of the world around her.
The film contains heavy themes of women’s liberation, as does the novel. Bella Baxter’s past life is essentially hidden from her, as everything she knows about herself and the world is concocted by her husband. After breaking free from that worldview, she’s able to learn what it means to become a human being, rather than just a woman living in a man’s world.
The film stars Emma Stone and Mark Ruffalo, in addition to Willem Dafoe and Ramy Youssef. It’s also directed by the award-winning Yorgos Lanthimos, who had previously directed films like The Lobster and The Favourite (which also starred Stone, in an Osar-nominated performance.)The screenplay was penned by Tony McNamara, who also collaborated on the script for The Favourite.
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