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Tag: public domain

  • Thousands of copyrighted works like Betty Boop become public domain in 2026

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    Thousands of copyrighted works like Betty Boop become public domain in 2026 – CBS News









































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    Get ready for more Betty Boop, Pluto the Dog and Nancy Drew. Thousands of copyrighted works dating back to 1930 officially became public domain at the start of this year. CBS News correspondent Bradley Blackburn explains more.

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  • These notable works are officially in the public domain as 2026 arrives

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    New Year’s Day commemorates the passing of time and the start of a new chapter, so it is fitting that the same day also presents an opportunity to breathe new life into thousands of creative works nearly a century old. As of Jan. 1, 2026, characters like early Betty Boop and Nancy Drew, and a variety of popular movies, books and songs, have entered the the public domain. 

    They join a growing list of cultural icons that are no longer under copyright protection, including Popeye the Sailor Man and the “Steamboat Willie” version of Mickey Mouse.

    List of popular intellectual property entering the public domain in 2026

    The year 2026 marks the first time that copyrighted books, films, songs and art published in the ’30s enter the U.S. public domain. As of Jan. 1, protections have expired for published works from 1930 and sound recordings from 1925.

    Here are some of the most notable works that are now available for free use by anyone:

    • “The Murder at the Vicarage” by Agatha Christie, the first novel featuring elderly amateur detective Miss Marple.
    • “The Secret of the Old Clock” by Carolyn Keene, the first appearance of teen detective Nancy Drew, and three follow-ups.
    • “The Little Engine That Could” by Watty Piper.
    • Fleischer Studios’ “Dizzy Dishes,” the first cartoon in which Betty Boop appears.
    • Disney’s “The Chain Gang” and “The Picnic,” both depicting the earliest versions of Mickey’s dog Pluto.
    • The initial four months of “Blondie” comic strips by Chic Young, featuring the earliest iterations of the titular character and her then-boyfriend, Dagwood.
    • The film “All Quiet on the Western Front,” directed by Lewis Milestone, Best Picture winner at the 3rd Academy Awards.
    • “King of Jazz,” directed by John Murray Anderson, Bing Crosby’s first appearance in a feature film.
    • “Animal Crackers,” directed by Victor Heerman and starring the Marx Brothers.
    • “The Big Trail,” directed by Raoul Walsh, John Wayne’s first turn as leading man.
    • “But Not For Me,” music by George Gershwin, lyrics by Ira Gershwin.
    • “Georgia on My Mind,” music by Hoagy Carmichael, lyrics by Stuart Gorrell.
    • “Dream a Little Dream of Me,” music by Fabian Andre and Wilbur Schwandt, lyrics by Gus Kahn.
    • “Livin’ in the Sunlight, Lovin’ in the Moonlight,” music by Al Sherman, lyrics by Al Lewis.
    • Piet Mondrian’s painting, “Composition with Red, Blue, and Yellow.”

    The original Betty Boop, early Nancy Drew mysteries, and Mickey Mouse’s dog Pluto are among the creative works entering the public domain on Jan. 1, 2026.

    How the public domain works

    When a work’s copyright protections lapse, it lands in the public domain, allowing anyone to use and build upon it as they see fit for free and without needing permission.

    “Copyright gives rights to creators and their descendants that provide incentives to create,” Jennifer Jenkins, director of Duke University’s Center for the Study of the Public Domain, told CBS News’ Lee Cowan in 2024. “But the public domain really is the soil for future creativity.”

    The U.S. Constitution’s intellectual property clause establishes that works be protected for a limited amount of time, “to promote the progress of science and useful arts.” The Founding Fathers left it to Congress to sort out the specifics.

    Generally, in the U.S., works published or registered before 1978 retain copyright protections for 95 years. For later works, protection usually spans the creator’s lifetime and 70 years after.

    “If copyright lasted forever, it would be very difficult for a lot of creators to make the works they want to make without worrying about being in the crosshairs of a copyright lawsuit,” Jenkins said.

    Just because a work’s copyright has expired does not mean that members of the public cannot be held legally liable in some instances. For example, while the original Betty Boop from 1930 is in the public domain, the modern version is not. So to avoid infringement, any reuse would need to steer clear of her newer characteristics. Additionally, the character is subject to multiple trademarks, which further complicates its use.

    What’s entering the public domain in 2027?

    Copyrighted works from 1931 will see their protections expire in 2027. This includes Universal Pictures’ “Frankenstein” and “Dracula” films, Charlie Chaplin’s “City Lights,” Fritz Lang’s “M,” Herman Hupfeld’s jazz standard “As Time Goes By” and more.

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  • Disney Is Getting Sued Over Just How Much Mickey Mouse Counts as Public Domain

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    Last year, Mickey Mouse’s appearance in Steamboat Willie became public domain, ushering in tons of horror parodies of Disney’s iconic mascot. The Walt Disney Company gave films such as the David Howard Thornton-starring Screamboat a pass, but apparently, it thinks there’s a limit on just how much other companies can get away with using Mickey’s iconic nautical depiction.

    Disney has found itself in lawsuits after enforcing its intellectual property rights to its characters in Steamboat Willie against two companies seeking to utilize Mickey for marketing and retail purposes. According to the Hollywood Reporter, Morgan & Morgan, a U.S.-based personal injury law firm, attempted to use Steamboat Willie in a commercial, which Disney met with resistance. THR further reports that a jewelry company, Satéur, attempted to pass off merch with Steamboat Willie as official—which is where the legality gets all murky in Disney’s eyes.

    Disney stands firm that despite the short being public domain, that doesn’t mean competitors can infringe on trademarks that protect its brands, which it maintains include various representations of Mickey Mouse, as the character has been iterated on for almost a century since Steamboat Willie‘s release. The lawsuit states that Disney has a history of “aggressive enforcement of intellectual property rights,” exemplified in the company’s “refusal to disclaim an intent to engage in enforcement against” Morgan & Morgan and Satéur.

    Kelly Klaus, a lawyer for the complaint, was quoted in the complaint as clarifying that these companies, Satéur in particular, “infringe Disney’s continuing rights over its trademarks that identify Disney as the source of goods and services and to profit off the goodwill that Disney has built with the public over decades,” and “As Disney has stated publicly, while copyright expired on the Steamboat Willie motion picture, Mickey Mouse will continue to play a leading role as a global ambassador for Disney.”

    Morgan & Morgan used the Steamboat versions of Mickey and Minnie Mouse in an advert that sees Mickey crash a steamboat into Minnie’s car, prompting her to call the injury firm, and at the very least discloses that the video is not associated or endorsed by Disney. Its use along with horror movies using the character in parody is one thing, but it’s another when companies attempt to pass off the character as endorsing their goods and services. Satéur, on the other hand, seems to fall into the latter category, as the THR story reports that multiple complaints by consumers have been filed to the Better Business Bureau for the shoddy accessories they were misled into buying, thinking they were official Disney products.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Sabina Graves

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  • Prior Lake teacher’s lawsuit claims district violated her free speech rights over deportation social posting

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    A lawsuit filed earlier this week by a teacher claims the Prior Lake school district violated her right to freedom of speech after a social media post made in a private Facebook group was shared publicly, and claims that the district suspended her without pay. 

    The suit — filed on Wednesday by Brooke Zahn against Prior Lake-Savage Area Schools, Superintendent Dr. Michael Thomas and Jeffers Pond Elementary principal Patrick Glynn — argues public employers don’t have the authority to punish an employee for comments made outside the workplace. Zahn also says retaliation and viewpoint discrimination were used to violate her right to free speech. 

    Zahn, who has worked as a teacher in the district since Aug. 2016, according to the lawsuit, had a personal Facebook account using her maiden name that wasn’t used for work purposes until she deactivated it earlier this year. In addition, it had a section in the “intro” section of her profile that said, “The views I share are mine & mine alone and only represent me.” She was a member of a private group called “Prior Lake Light Hearted Conservative Group US,” according to the lawsuit, and was interested in a political debate that spread across the country regarding immigration and border security.  

    The lawsuit goes on to say Zahn knew Thomas Homan, the former Director of Immigration and Customs Enforcement and current “border czar,” said “‘families can be deported’ together” toward the end of 2024. 

    According to the lawsuit, Zahn posted the below image to the Facebook group on a Sunday afternoon “because she believed that the immigration laws should neither go unenforced nor cause family members to be separated” from each other; because she wanted to support Mr. Homan’s then recent-proposal; and because it is a play on the saying, “the family that prays together stays together,” which the suit argues is well-known in conservative and religious circles as a commentary on the importance of family unity. 

    This image is included in a lawsuit filed against Prior Lake – Savage Area School by a now former-teacher regarding freedom of speech. 

    Her post was then shared outside the private group, including a group called Troublemakers Alliance, on the social media site BlueSky. She was eventually identified as a teacher in the district, and people who disagreed with her political views began contacting the district and asking that she be punished. 

    Nearly two dozen emails were sent to the district about this, according to the court document, which goes on to say none of the messages are believed to have had a child learning in her classroom. The district then sent an email to families with children at the school, as well as staff not only at Jeffers Pond but also the district, referring to “concerns … about a recent social media post allegedly connected to a staff member,” and then invited anyone with questions or concerns about the school climate or culture to express them.

    About another two dozen emails were sent to the district in the following weeks regarding the post, with some supporting her and others against it.

    In the weeks that followed, Zahn said she was put on seven days of unpaid suspension, was ordered to not post content on social media that “could reasonably be perceived as inconsistent with your role as a District employee,” and to go through cultural competence and inclusion professional development training. 

    The lawsuit goes on to say Zahn had been given a disciplinary letter in 2021 after speaking out on social media regarding masking requirements in school due to COVID-19. The letter ordered her to “avoid any conduct that is the same or similar to the described incident.” 

    In a statement made through a news release, Zahn said she loves her job and is proud of her right to free speech. 

    “The district’s decision to punish me for my private opinions was wrong. I am standing up for my rights as a citizen and to ensure this doesn’t happen to other teachers,” continued Zahn, who is seeking a declaration from the defendants that they violated her rights, an injunction to remove disciplinary action from her record, as well as reimbursement for lost wages, attorneys’ fees and emotional stress. 

    WCCO reached out to the district for comment, and a representative responded that the district does not comment on pending litigation.

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    Krystal Frasier

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  • The COVID-Origins Debate Has Split Into Parallel Worlds

    The COVID-Origins Debate Has Split Into Parallel Worlds

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    The lab-leak theory of COVID’s origin has always been a little squirrelly. If SARS-CoV-2 really did begin infecting humans in a research setting, the evidence that got left behind is mostly of the cloak-and-dagger type: confirmations from anonymous government officials about vague conclusions drawn in classified documents, for example; or leaked materials that lay out hypothetical research projects; or information gleaned from who-knows-where that certain people came down with who-knows-what disease at some crucial moment. In short, it’s all been messy human stuff, the bits and bobs of intelligence analysis. Simple-seeming facts emerge from a dark matter of sources and methods.

    So it goes again. The latest major revelation in this line emerged this week. Taken at face value, it’s extraordinary: Ben Hu, a high-level researcher at the Wuhan Institute of Virology, and two colleagues, Yu Ping and Yan Zhu, could have been the first people on the planet to be infected with SARS-CoV-2, according to anonymous sources cited first in the newsletter Public and then in The Wall Street Journal. These proposed patient SARS-CoV-zeroes aren’t merely employees of the virology institute; they’re central figures in the very sort of research that lab-leak investigators have been scrutinizing since the start of the pandemic. Their names appear on crucial papers related to the discovery of new, SARS-related coronaviruses in bats, and subsequent experimentation on those viruses. (The Journal reached out to the three researchers, but they did not respond.)

    Is this the “smoking gun,” at last, as many now insist? Has the Case of the Missing COVID Origin finally been solved? If it’s true these were the very first infected people, then their professional activities mean they almost certainly caught the virus in the lab, not a market stall full of marmots and raccoon dogs. The origins debate has from the start revolved around a pair of dueling “coincidences.” The fact that the pandemic just happened to take off at a wet market suggests that the virus spilled over into humans from animals for sale there. But the fact that it also just happened to take off not too far away from one of the world’s leading bat-coronavirus labs suggests the opposite. This week’s information seems to tip the balance very heavily toward the latter interpretation.

    The only problem is, we don’t know whether the latest revelations can be trusted, or to what extent. The newly reported facts appear to stem from a single item of intelligence, furnished by a foreign source, that has bounced around inside the U.S. government since sometime in 2020. Over the past two and a half years, the full description of the sickened workers in Wuhan has been revealed with excruciating slowness, in sedimenting clauses, through well-timed leaks. This glacial striptease has finally reached its end, but is the underlying information even true? Until that question can be answered (which could be never), the origins debate will be stuck exactly where it’s been for many months: always moving forward, never quite arriving.

    The story of these sickened workers has been in the public domain, one way or another, since the start of 2021. Officials in the Trump administration’s State Department, reportedly determined to go public with their findings, put out a fact sheet about various events and circumstances at the Wuhan Institute of Virology around the beginning of the pandemic. Included was a quick description of alleged illnesses among the staff. The fact sheet didn’t name the sickened scientists or what they did inside the lab, or when exactly their illnesses occurred. It didn’t specify their symptoms, nor did it say how many scientists had gotten sick. If you boiled it down, the fact sheet’s revelations could be paraphrased like this:

    Several researchers at WIV became ill with respiratory symptoms in autumn 2019.

    That vague stub did little to budge consensus views. The lab-leak theory had been preemptively “debunked” in early 2020, and broad disregard of the idea—contempt of it, really—hadn’t yet abated. The day before the State Department fact sheet was released, a team of 17 international experts dispatched by the World Health Organization arrived in Wuhan to conduct (with the help of Chinese scientists) a comprehensive study of the pandemic’s origins. By the time of their return in February 2021, they’d come out with their conclusions: The lab-leak theory was “extremely unlikely” to be true, they said.

    The next month, while the WHO team was preparing to release its final report, further details of the sick-researchers story began to trickle out. In a panel discussion of COVID origins and then in an interview with the Daily Mail, David Asher, a former State Department investigator who’s now a senior fellow at a conservative think tank, filled in a few more specifics, including that the researchers had been working in a coronavirus laboratory and that the wife of one of them later died. The intel had arrived from a foreign government, he said. Now the facts that were revealed could be summarized like so:

    Three coronavirus researchers at WIV became severely ill with respiratory symptoms in the second week of November 2019.

    Pressure for a more serious appraisal of the lab-leak theory grew throughout that spring. In May 2021, more than a dozen prominent virologists and biosafety experts published a letter in the journal Science calling for “a proper investigation” of the matter. A week later, The Wall Street Journal published a leak from anonymous current and former U.S. officials: According to a “previously undisclosed US intelligence report,” the paper said, the sickened researchers had been treated for their sickness at a hospital. In other words, they probably weren’t suffering from common colds. This new aspect of the narrative was making headlines now, like this:

    Three coronavirus researchers at WIV became severely ill with respiratory symptoms in the second week of November 2019 and sought hospital care.

    After all of this publicity, President Joe Biden ordered the intelligence community to redouble efforts to analyze the evidence. While that work was going on, the leaks kept coming. In a 12,000-word story for Vanity Fair, the investigative journalist Katherine Eban gave some backstory on the sick-research intelligence, claiming that it had been gathered in 2020 and then inexplicably file-drawered until State Department investigators rediscovered it. (One former senior official described this as a “holy shit” moment in an interview with Eban.) Her article contained another seemingly important detail, too: The sickened researchers were doing not simply coronavirus research, her sources told her, but the very sort of research that could produce amped-up versions of a pathogen—an approach known as “gain of function.” Later in the summer, Josh Rogin, a Washington Post columnist, added that, according to his unnamed sources, the sickened researchers had lost their sense of smell and developed ground-glass opacities in their lungs. By this point, in the middle of 2021, the expanded piece of intel amounted to the following:

    Three gain-of-function coronavirus researchers at WIV became severely ill with COVID-like symptoms in the second week of November 2019 and sought hospital care.

    The latest revelations are coming at just the moment when Republicans are lambasting the Biden administration for failing to declassify COVID-origins intelligence in accordance with a law that the president signed. The Sunday Times quoted an anonymous former State Department investigator who said they were “rock-solid confident” that the three sick researchers had been sick with COVID, because people as young as the researchers would rarely be hit so hard by a mere seasonal illness. A few days later, someone spilled the researchers’ names to Public. On Tuesday, The Wall Street Journal matched the scoop, and it seemed that every detail of the once-secret information was now exposed:

    Ben Hu, Yu Ping, and Yan Zhu, three gain-of-function coronavirus researchers at WIV, became severely ill with COVID-like symptoms in the second week of November 2019 and sought hospital care.

    However vivid this may sound, its credibility remains unknown. Did Hu, Ping, and Zhu really get sick, as the intel claims? If so, was it really COVID? Two years ago, the Journal cited two anonymous sources on this question: One, the Journal wrote, called the intelligence “potentially significant but still in need of further investigation and corroboration”; the other said it was “of exquisite quality” and “very precise.” Just this week, anonymous officials in the Biden administration told The New York Times that intelligence analysts had already “dismissed the evidence,” by August 2022, about the sickened workers at WIV for lack of relevance. Which secret source should be trusted to explain the significance of this secret intelligence? Readers are left to sort that out themselves.

    In the meantime, over the past two years, even as the sickened-worker intel was revealed, a very different sort of evidence was mounting, too. A new research paper, published just days after Eban’s feature in Vanity Fair, revealed that live wild animals, including raccoon dogs, had been for sale at the Huanan market in Wuhan shortly before the pandemic started. In early 2022, scientists put out two detailed analyses of early case patterns and viral genome data, which argued in favor of the animal-spillover theory. Another study involving many of the same researchers came out this past spring, noting the presence of genetic material from raccoon dogs in early samples from the market; its authors described their findings as providing strong evidence for an animal origin. But other scientists were quick to challenge the study’s importance. A further study of the same data by Chinese scientists made a point of not ruling out the hypothesis that the pandemic had started with a case of tainted frozen seafood; yet another study, released in May, argued that the original work provided no useful information whatsoever on the question of COVID’s origins.

    So it goes with the animal-spillover theory. The evidence in favor has always been highly esoteric, knotted with data and interpretation. Scientific points are made—a particular run of viral nucleotides is a “smoking gun” for genetic engineering, one famous scholar said in 2021—and then they are re-argued and occasionally walked back. Long-hidden sample data from the market suddenly appear, and their meaning is subjected to vituperative, technical debate. If the evidence for a lab leak tends to come from messy human stuff, the evidence for animal spillover emerges from messy data. Simple-seeming claims are draped across a sprawl of numbers.

    In this way, the origins question has broken down into a pair of rival theories that don’t—and can’t—ever fully interact. They’re based on different sorts of evidence, with different standards for evaluation and debate. Each story may be accruing new details—fresh intelligence about the goings-on at WIV, for example, or fresh genomic data from the market—but these are only filling out a picture that will never be complete. The two narratives have been moving forward on different tracks. Neither one is getting to its destination.

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    Daniel Engber

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