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Tag: producer

  • Why you’re having a hard time getting a matcha latte around L.A.

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    The matcha drinks at Kin Bakeshop are so popular that some customers wait hours for their fix.

    The little Santa Barbara cafe was going through more than four pounds of the Japanese tea on its busiest days when it started getting tough to get a reliable supply.

    This summer, the matcha dealer called to say that after a decade of importing from Japan, she had been forced to start rationing supply. There was no longer enough of the potent powder for everyone.

    Kin Bakeshop found new supplies and hiked its prices, but the customers kept coming, said Tommy Chang, owner of the cafe.

    “It’s like the harder that it is to get your hands on it, the more people want it,” he said. “They just need their matcha. They’ll come here no matter what.”

    A growing thirst for matcha is roiling a delicate supply chain from Japanese tea farms to California’s cafes. The tea leaves are grown in the shade, specially processed and then stone-ground into the bright green, earthy powder used in drinks and desserts.

    Tea farm owner Masahiro Okutomi in Sayama, Japan, in June 2025.

    (Philip Fong / AFP/Getty Images)

    As matcha’s bold aesthetic and health benefits have taken social media and consumers by storm, Japanese production is under strain from an aging population and hotter climate. That’s sent prices surging, and businesses scrambling to secure supply.

    Exacerbating the problem is the fact that coffee shops are doubling and tripling down on their demand by heaping more matcha in drinks, said Lauren Purvis, who supplies Kin Bakeshop and other local cafes with tea and matcha. Traditionally, she has trained shops to use three grams of matcha in one serving, but recently she said some are using as many as nine grams, a fact that shocked her producers.

    “A lot of my producers are like, ‘We have never seen a moment like this in the history of Japanese tea,’” she said.

    Before the recent matcha boom, Japanese tea farmers were struggling to keep the industry alive. Younger Japanese have abandoned tea fields to work in cities and generally prefer coffee over tea. But signs of a shortage began to emerge in the summer last year as demand skyrocketed overseas.

    A wooden spoon pushes green powder through a sieve into a white bowl

    Barista Julia Peng sifts matcha powder for lattes at Kin Bakeshop on Oct. 21, 2025 in Santa Barbara. The store no longer uses matcha in desserts, reserving it for beverages due to a shortage.

    (Juliana Yamada / Los Angeles Times)

    Purvis, who founded Mizuba Tea Co. in 2013, first felt the effects in December. An order was months late because one of her usually reliable Japanese suppliers didn’t have enough of the specialized tins used to package the matcha.

    Then her producers told her that as much as 30% of their spring harvest was lost due to abnormally hot temperatures. When the tea leaves went up for auction in the summer, prices tripled.

    Those increases have started to hit U.S. consumers, who are facing an added cost due to 15% tariffs on imports from Japan.

    The Japan Tea Export Promotion Council has warned that shipments to the U.S. have been delayed by tariff processing. Some shipments have been stuck at customs and are at risk of being disposed of or sent back.

    “Tariffs are just the icing on the cake,” Purvis said. “Matcha is just going to get a lot more limited and a lot more expensive.”

    When Chang started Kin Bakeshop in 2020, he only needed a couple of bags per week. Now he buys them by the dozen, with extra orders whenever he can get it. After the first time the store ran out of matcha, he started keeping emergency stores, though those are often empty too.

    “I’m in shock that it’s happening,” he said.

    Matcha has taken over his menu. It now includes a strawberry matcha latte, black sesame matcha, and coconut matcha cloud.

    When he learned that the supply of his usual matcha was restricted, Chang decided to spend about $135 per pound, or 70% more, on a higher grade of matcha that was less prone to shortages.

    The store used to serve matcha desserts too, such as lemon yuzu mochi doughnuts dusted with matcha, but now saves the precious powder for beverages.

    A green-colored drink with a white-colored cream in a glass

    A matcha latte with whipped cream at Kin Bakeshop. Historically, the U.S. has been the largest consumer of Japanese tea.

    (Juliana Yamada / Los Angeles Times)

    Historically, the U.S. has been the largest consumer of Japanese tea. But as matcha demand has gone global, U.S. businesses are increasingly competing with buyers from Europe to the Middle East to Southeast Asia.

    The Japan Tea Export Promotion Council estimates that the total volume of tea exports increased by 154% in 2024 compared with a decade earlier. The U.S. went from accounting for 45% of exports to 32% in the same time frame.

    To meet market demand, the Japanese government has encouraged tea farmers to increase production of tencha, the tea used to make matcha, sometimes at the expense of other types of tea.

    Other countries such as China, Vietnam and South Korea are also growing more tencha. But new plants take years to cultivate, and suppliers said there is deep penchant among buyers for Japanese matcha, which is seen as the highest quality.

    The scarcity has prompted some businesses to resort to extreme measures. Purvis said one producer she works with had a stranger show up and refuse to leave without matcha.

    Jason Eng, who works in business development and partnerships for Kametani Tea in Nara, Japan, said buyers are asking to sign annual contracts to secure matcha for the following year.

    “Our buyers and partners overseas, they are all running dry, and they’re panicking,” he said. “Even new clients are asking for a ridiculous amount of tea. It’s completely unsustainable.”

    Luke Alcock, founder of Premium Health Japan, a matcha supplier in Uji — a city near Kyoto famous for its fine tea —said he’s gone from simply facilitating sales to buying and holding his own stock to ensure he can supply brands through next year’s harvest.

    Although about 40% of his clientele is in the U.S., he’s gotten increasing inquiries from the Middle East and Europe, even with rising prices.

    He’s also been careful to protect the privacy of his suppliers, since buyers are so eager to get more matcha.

    He’s also been careful to protect the privacy of his suppliers, since buyers are so eager to get more matcha. One customer requested the contact information of a manufacturer, which Alcock assumed was for customs clearance. That customer then used the details to reach out to his supplier and do business directly.

    “People are just ruthless,” he said. “We’re still seeing how the market reacts, but it’s showing that people are going to keep buying.”

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    Stephanie Yang

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  • Bad Bunny to perform at halftime of 2026 Super Bowl

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    Bad Bunny will bring his Latin trap and reggaeton swagger to the NFL’s biggest stage next year: The Grammy winner will headline the Apple Music Super Bowl halftime show in Northern California.The NFL, Apple Music and Roc Nation announced Sunday that Bad Bunny will lead the halftime festivities from Levi’s Stadium on Feb. 8 in Santa Clara, California.The Puerto Rican superstar’s selection comes amid another career-defining run: He’s fresh off a historic Puerto Rico residency this month that drew more than half a million fans and is leading all nominees at the Latin Grammys in November. He has become one of the world’s most-streamed artists with albums such as “Un Verano Sin Ti,” an all-Spanish-language LP.“What I’m feeling goes beyond myself,” Bad Bunny said in a statement. “It’s for those who came before me and ran countless yards so I could come in and score a touchdown… this is for my people, my culture, and our history. Ve y dile a tu abuela, que seremos el HALFTIME SHOW DEL SUPER BOWL.”Roc Nation founder Jay-Z said in a statement that what Bad Bunny has “done and continues to do for Puerto Rico is truly inspiring. We are honored to have him on the world’s biggest stage.”The 31-year-old artist born Benito Antonio Martínez Ocasio has won three Grammys and 12 Latin Grammys. He has become a global ambassador for Latin music, starred in films such as “Bullet Train,” “Caught Stealing” and “Happy Gilmore 2,” and collaborated with top fashion houses. He’ll enter the Latin Grammys as the leading nominee with 12, dethroning producer and songwriter Édgar Barrera.Roc Nation and Emmy-winning producer Jesse Collins will serve as co-executive producers of the halftime show. Hamish Hamilton will serve as director.Last year, Kendrick Lamar performed with guest SZA in New Orleans, setting the record for the most-watched Super Bowl halftime show with 133.5 million viewers. His performance surpassed the audience for Michael Jackson’s 1993 show.

    Bad Bunny will bring his Latin trap and reggaeton swagger to the NFL’s biggest stage next year: The Grammy winner will headline the Apple Music Super Bowl halftime show in Northern California.

    The NFL, Apple Music and Roc Nation announced Sunday that Bad Bunny will lead the halftime festivities from Levi’s Stadium on Feb. 8 in Santa Clara, California.

    The Puerto Rican superstar’s selection comes amid another career-defining run: He’s fresh off a historic Puerto Rico residency this month that drew more than half a million fans and is leading all nominees at the Latin Grammys in November. He has become one of the world’s most-streamed artists with albums such as “Un Verano Sin Ti,” an all-Spanish-language LP.

    “What I’m feeling goes beyond myself,” Bad Bunny said in a statement. “It’s for those who came before me and ran countless yards so I could come in and score a touchdown… this is for my people, my culture, and our history. Ve y dile a tu abuela, que seremos el HALFTIME SHOW DEL SUPER BOWL.”

    Roc Nation founder Jay-Z said in a statement that what Bad Bunny has “done and continues to do for Puerto Rico is truly inspiring. We are honored to have him on the world’s biggest stage.”

    The 31-year-old artist born Benito Antonio Martínez Ocasio has won three Grammys and 12 Latin Grammys. He has become a global ambassador for Latin music, starred in films such as “Bullet Train,” “Caught Stealing” and “Happy Gilmore 2,” and collaborated with top fashion houses. He’ll enter the Latin Grammys as the leading nominee with 12, dethroning producer and songwriter Édgar Barrera.

    Paul R. Giunta

    FILE – Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024.

    Roc Nation and Emmy-winning producer Jesse Collins will serve as co-executive producers of the halftime show. Hamish Hamilton will serve as director.

    Last year, Kendrick Lamar performed with guest SZA in New Orleans, setting the record for the most-watched Super Bowl halftime show with 133.5 million viewers. His performance surpassed the audience for Michael Jackson’s 1993 show.

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  • The Weeknd Radiates Energy and Emotion at NRG Stadium

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    The Weeknd
    After Hours til Dawn Tour
    NRG Stadium
    August 30, 2025

    There’s a big difference between being a singer and being a star performer. Anyone with a little courage can stand on a street corner and sing some tunes, but it takes a special kind of talent to command a stadium full of adoring fans. Last night, Abel Tesfaye, known to the world as The Weeknd, hosted night one of two sold-out concerts inside NRG Stadium. Joining him for these shows were opening acts Playboi Carti and Houston’s very own multi-instrumentalist and producer Mike Dean.

    The show began early around 6:45 p.m. with Dean surrounded by keyboards and synths, standing solo on the massive stage and running through a litany of hits. He dove into the tracks he produced while working for Rap-A-Lot as a producer, mixer, and engineer, creating music for Scarface and The Geto Boys, Devin The Dude, Big Mello, Z-Ro, 5th Ward Boyz, and many more. Dean also played the guitar and even played a few melodies on the tenor saxophone as he ran through songs he created for Kanye West, Travis Scott, Kid Cudi, Jay Z, Beyonce, and more. It was a perfect homecoming set for Mike, who would later return to the stage to play keys during The Weeknd’s headlining set.

    click to enlarge

    Legendary producer and multi-instrumentalist Mike Dean, who is originally from Houston, performed an opening homecoming set at NRG Stadium on Saturday, August 30th.

    Photo by Cody Barclay

    Rapper Playboi Carti followed Dean, and although he is a strong and energetic performer, the audience seemed to be withholding their applause for The Weeknd. Carti would later accompany the headliner for the songs “Timeless” and “Never Lie,” which were well received by the crowd.

    As the intermission was ending and the stagehands prepped the scene for Abel, the stadium was filled almost to capacity. A massive LED video screen was positioned at the east end zone of the football field, and the set resembled a post apocalyptic scene with a broken skyline. Two long runways crisscrossed the length of the arena floor, and a giant golden figure of a female dancer served as a centerpiece.

    click to enlarge

    Two long runways criss-crossed the length of the arena floor, and a giant golden figure of a female dancer served as a centerpiece.

    Photo by Cody Barclay

    A group of dancers dressed in red robes and face masks made their appearance on stage as the opening notes of “The Abyss” rang out. The Weeknd then appeared in the middle of the group wearing a black robe and a golden mask. The eyes were illuminated with lights, giving him a mystical aura and commanding awe and applause from the crowd. “Wake Me Up” and “After Hours” rounded out the opening trio of tracks.

    The theme of the production was a mix of religion, cult imagery, and a dystopian future. Heavy use of pyro and lasers enhanced the mood, which played with the contrasts of light and dark, fun and fear, angels and demons. The moving images on the large video board showed fantastical visuals of an all seeing eye, souls being lifted around in a circular motion, and many other magical forces.

    click to enlarge

    Ranging from sad and moody to upbeat and dance-worthy, its easy to see why The Weeknd is one of this generation’s most beloved artists.

    Photo by Cody Barclay

    The Weeknd’s voice equally as angelic and mischievous, a natural tenor who flaunts his falsetto as his not-so-secret weapon, mixing tones, tunes, and tempos effortlessly. His set list is at times slow and moody, which then ventures into upbeat and dance-worthy, then crashes into vibrant stories of love, lust, and loss. Its easy to see why he is one of this generations most popular and beloved artists.

    The set list was extensive, with over 40 tracks spanning his 15 year career. The crowd was completely enamored of him, showing love and cheering at every look, gesture, and smile. Once Abel removed his mask, you could see how the love was reciprocated. “I love you, Houston!” he shouted, with tears forming in his eyes. It was a spectacular connection between artist and audience.

    “We are nearing the end of our tour, and usually by this time an artist tends to get lethargic” he confessed to his fans. “But you guys are giving me so much life! I’m never going to skip Houston, ever!” he promised.

    There were many highlights, but my favorite tracks of the night were “Save Your Tears,” “I Feel It Coming” and “Often.” I will definitely be in the building when The Weeknd returns to H-Town.

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    Marco Torres

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  • Roger Corman, Hollywood mentor and ‘King of the Bs,’ has died at age 98

    Roger Corman, Hollywood mentor and ‘King of the Bs,’ has died at age 98

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    Roger Corman, the Oscar-winning “King of the Bs” who helped turn out such low-budget classics as “Little Shop of Horrors” and “Attack of the Crab Monsters” and gave many of Hollywood’s most famous actors and directors early breaks, has died. He was 98.Corman died Thursday at his home in Santa Monica, California, his daughter Catherine Corman said Saturday in a statement.Related video above: Remembering those we’ve lost in 2024“He was generous, open-hearted and kind to all those who knew him,” the statement said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”Starting in 1955, Corman helped create hundreds of films as a producer and director, among them “Black Scorpion,” “Bucket of Blood” and “Bloody Mama.” A remarkable judge of talent, he hired such aspiring filmmakers as Francis Ford Coppola, Ron Howard, James Cameron and Martin Scorsese. In 2009, Corman received an honorary Academy Award.“There are many constraints connected with working on a low budget, but at the same time there are certain opportunities,” Corman said in a 2007 documentary about Val Lewton, the 1940s director of “Cat People” and other underground classics.“You can gamble a little bit more. You can experiment. You have to find a more creative way to solve a problem or to present a concept.”The roots of Hollywood’s golden age in the 1970s can be found in Corman’s films. Jack Nicholson made his film debut as the title character in a 1958 Corman quickie, “The Cry Baby Killer,” and stayed with the company for biker, horror and action films, writing and producing some of them. Other actors whose careers began in Corman movies included Robert De Niro, Bruce Dern and Ellen Burstyn. Peter Fonda’s appearance in “The Wild Angels” was a precursor to his own landmark biker movie “Easy Rider,” co-starring Nicholson and fellow Corman alumnus Dennis Hopper. “Boxcar Bertha,” starring Barbara Hershey and David Carradine, was an early film by Scorsese.Corman’s directors were given minuscule budgets and often told to finish their films in as little as five days. When Howard, who would go on to win a best director Oscar for “A Beautiful Mind,” pleaded for an extra half day to reshoot a scene in 1977 for “Grand Theft Auto,” Corman told him, “Ron, you can come back if you want, but nobody else will be there.”Initially only drive-ins and specialty theaters would book Corman films, but as teenagers began turning out, national chains gave in. Corman’s pictures were open for their time about sex and drugs, such as his 1967 release “The Trip,” an explicit story about LSD written by Nicholson and starring Fonda and Hopper.Meanwhile, he discovered a lucrative sideline releasing prestige foreign films in the United States, among them Ingmar Bergman’s “Cries and Whispers,” Federico Fellini’s “Amarcord” and Volker Schlondorff’s “The Tin Drum.” The latter two won Oscars for best foreign language film.Corman got his start as a messenger boy for Twentieth Century-Fox, eventually graduating to story analyst. After quitting the business briefly to study English literature for a term at Oxford, he returned to Hollywood and launched his career as a movie producer and director.Despite his penny-pinching ways, Corman retained good relations with his directors, boasting that he never fired one because, “I wouldn’t want to inflict that humiliation.”Some of his former underlings repaid his kindness years later. Coppola cast him in “The Godfather, Part II,” Jonathan Demme included him in “The Silence of the Lambs” and “Philadelphia” and Howard gave him a part in “Apollo 13.”Most of Corman’s movies were quickly forgotten by all but die-hard fans. A rare exception was 1960’s “Little Shop of Horrors,” which starred a bloodthirsty plant that feasted on humans and featured Nicholson in a small but memorable role as a pain-loving dental patient. It inspired a long-lasting stage musical and a 1986 musical adaptation starring Steve Martin, Bill Murray and John Candy.In 1963, Corman initiated a series of films based on the works of Edgar Allan Poe. The most notable was “The Raven,” which teamed Nicholson with veteran horror stars Boris Karloff, Peter Lorre and Basil Rathbone. Directed by Corman on a rare three-week schedule, the horror spoof won good reviews, a rarity for his films. Another Poe adaptation, “House of Usher,” was deemed worthy of preservation by the Library of Congress.Near the end of his life, Karloff starred in another Corman-backed effort, the 1968 thriller “Targets,” which marked Peter Bogdanovich’s directorial debut.Corman’s success prompted offers from major studios, and he directed “The St. Valentine’s Day Massacre” and “Von Richthofen and Brown” on normal budgets. Both were disappointments, however, and he blamed their failure on front-office interference.Roger William Corman was born in Detroit and raised in Beverly Hills, but “not in the affluent section,” he once said. He attended Stanford University, earning a degree in engineering, and arrived in Hollywood after three years in the Navy.After his stint at Oxford, he worked as a television stagehand and literary agent before finding his life’s work.In 1964 he married Julie Halloran, a UCLA graduate who also became a producer.___This obituary was written by the late Associated Press reporter Bob Thomas, who died in 2014.

    Roger Corman, the Oscar-winning “King of the Bs” who helped turn out such low-budget classics as “Little Shop of Horrors” and “Attack of the Crab Monsters” and gave many of Hollywood’s most famous actors and directors early breaks, has died. He was 98.

    Corman died Thursday at his home in Santa Monica, California, his daughter Catherine Corman said Saturday in a statement.

    Related video above: Remembering those we’ve lost in 2024

    “He was generous, open-hearted and kind to all those who knew him,” the statement said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”

    Starting in 1955, Corman helped create hundreds of films as a producer and director, among them “Black Scorpion,” “Bucket of Blood” and “Bloody Mama.” A remarkable judge of talent, he hired such aspiring filmmakers as Francis Ford Coppola, Ron Howard, James Cameron and Martin Scorsese. In 2009, Corman received an honorary Academy Award.

    “There are many constraints connected with working on a low budget, but at the same time there are certain opportunities,” Corman said in a 2007 documentary about Val Lewton, the 1940s director of “Cat People” and other underground classics.

    “You can gamble a little bit more. You can experiment. You have to find a more creative way to solve a problem or to present a concept.”

    Stephane Cardinale – Corbis

    Roger Corman presented The Grand Prix Award during the closing ceremony during the 76th annual Cannes film festival at Palais des Festivals on May 27, 2023 in Cannes, France. (Photo by Stephane Cardinale – Corbis/Corbis via Getty Images)

    The roots of Hollywood’s golden age in the 1970s can be found in Corman’s films. Jack Nicholson made his film debut as the title character in a 1958 Corman quickie, “The Cry Baby Killer,” and stayed with the company for biker, horror and action films, writing and producing some of them. Other actors whose careers began in Corman movies included Robert De Niro, Bruce Dern and Ellen Burstyn. Peter Fonda’s appearance in “The Wild Angels” was a precursor to his own landmark biker movie “Easy Rider,” co-starring Nicholson and fellow Corman alumnus Dennis Hopper. “Boxcar Bertha,” starring Barbara Hershey and David Carradine, was an early film by Scorsese.

    Corman’s directors were given minuscule budgets and often told to finish their films in as little as five days. When Howard, who would go on to win a best director Oscar for “A Beautiful Mind,” pleaded for an extra half day to reshoot a scene in 1977 for “Grand Theft Auto,” Corman told him, “Ron, you can come back if you want, but nobody else will be there.”

    Initially only drive-ins and specialty theaters would book Corman films, but as teenagers began turning out, national chains gave in. Corman’s pictures were open for their time about sex and drugs, such as his 1967 release “The Trip,” an explicit story about LSD written by Nicholson and starring Fonda and Hopper.

    Meanwhile, he discovered a lucrative sideline releasing prestige foreign films in the United States, among them Ingmar Bergman’s “Cries and Whispers,” Federico Fellini’s “Amarcord” and Volker Schlondorff’s “The Tin Drum.” The latter two won Oscars for best foreign language film.

    Corman got his start as a messenger boy for Twentieth Century-Fox, eventually graduating to story analyst. After quitting the business briefly to study English literature for a term at Oxford, he returned to Hollywood and launched his career as a movie producer and director.

    Despite his penny-pinching ways, Corman retained good relations with his directors, boasting that he never fired one because, “I wouldn’t want to inflict that humiliation.”

    Some of his former underlings repaid his kindness years later. Coppola cast him in “The Godfather, Part II,” Jonathan Demme included him in “The Silence of the Lambs” and “Philadelphia” and Howard gave him a part in “Apollo 13.”

    Most of Corman’s movies were quickly forgotten by all but die-hard fans. A rare exception was 1960’s “Little Shop of Horrors,” which starred a bloodthirsty plant that feasted on humans and featured Nicholson in a small but memorable role as a pain-loving dental patient. It inspired a long-lasting stage musical and a 1986 musical adaptation starring Steve Martin, Bill Murray and John Candy.

    In 1963, Corman initiated a series of films based on the works of Edgar Allan Poe. The most notable was “The Raven,” which teamed Nicholson with veteran horror stars Boris Karloff, Peter Lorre and Basil Rathbone. Directed by Corman on a rare three-week schedule, the horror spoof won good reviews, a rarity for his films. Another Poe adaptation, “House of Usher,” was deemed worthy of preservation by the Library of Congress.

    Near the end of his life, Karloff starred in another Corman-backed effort, the 1968 thriller “Targets,” which marked Peter Bogdanovich’s directorial debut.

    Corman’s success prompted offers from major studios, and he directed “The St. Valentine’s Day Massacre” and “Von Richthofen and Brown” on normal budgets. Both were disappointments, however, and he blamed their failure on front-office interference.

    Roger William Corman was born in Detroit and raised in Beverly Hills, but “not in the affluent section,” he once said. He attended Stanford University, earning a degree in engineering, and arrived in Hollywood after three years in the Navy.

    After his stint at Oxford, he worked as a television stagehand and literary agent before finding his life’s work.

    In 1964 he married Julie Halloran, a UCLA graduate who also became a producer.

    ___

    This obituary was written by the late Associated Press reporter Bob Thomas, who died in 2014.

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  • Consumers seeing substantial improvement in U.S. economy over past 3 months: University of Michigan survey

    Consumers seeing substantial improvement in U.S. economy over past 3 months: University of Michigan survey

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    The numbers: The University of Michigan’s gauge of consumer sentiment inched down to a preliminary August reading of 71.2 after hitting a 22-month high of 71.6 in the prior month.

    Economists polled by the Wall Street Journal had expected sentiment to inch up to a 71.7 reading in August.

    Another key part of the report is the U. of M. measure of inflation expectations.

    According to the report, Americans’ expectations for overall inflation over the next year slipped to 3.3% in August from 3.4% in the prior month, while expectations for inflation over the next 5 years inched down to 2.9% from 3%.

    Key details: According to the Michigan report, a gauge of U.S. consumers’ views on current conditions rose to to 77.4 in August from 76.6 in the prior month, while a barometer of their future expectations fell to 67.3 from 68.3.

    Big picture: Sentiment has been boosted by waning recession fears and disinflation in grocery store prices.

    What the University of Michigan said: “Consumer sentiment was essentially unchanged from July, with small offsetting increases and decreases within the index.  In general, consumers perceived few material differences in the economic environment from last month, but they saw substantial improvements relative to just three months ago,” said Joanne Hsu, the director of University of Michigan consumer surveys.

    Market reaction: Stocks
    DJIA

    SPX
    were mixed in early trading Friday while the yield on the 10-year Treasury note
    BX:TMUBMUSD10Y
    rose to 4.12%, the highest level since the spike last week after Fitch Ratings downgraded the U.S. credit rating.

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  • U.S. wholesale prices surprise to the upside in July, PPI shows

    U.S. wholesale prices surprise to the upside in July, PPI shows

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    The numbers: The U.S. producer price index rose 0.3% in July, the Labor Department said Friday, up from a revised flat reading in June and the largest gain since January.

    Economists polled by The Wall Street Journal had forecast a 0.2% advance.

    The core producer price index, which excludes volatile food, energy prices, and trade services rose 0.2 in July, up from a 0.1% gain in the prior month. This is the largest increase since February.

    Key details: Over the past year, headline producer price inflation was running at a 0.8% rate in July, up from 0.2% in the prior month.

    Core prices are up 2.7% from a year earlier, matching the gain in June. Core PPI prices were running at a 5.8% rate in July 2022.

    A big part of the increase in producer prices was in the services sector.

    The cost of services rose 0.5% last month, up from a 0.1% drop in June. This is the largest increase in a year. The increase was led by a 7.6% gain for portfolio management.

    The cost of goods rose 0.1% in July after a flat reading in the prior month.

    Energy prices were flat in July, down sharply from a 0.7% gain in the prior month.

    Wholesale food prices jumped 0.5% after a 0.2% fall in the prior month.

    Further back on the production line, prices for intermediate goods fell 0.6%, the sixth straight monthly decline.

    Big picture: Price pressures have been diminishing at the producer level much faster than at the consumer level. Economists are watching the inflation data closely to see if the July interest rate hike by the Federal Reserve was the last hike of the cycle.

    What are they saying? “In short, PPI surprised to the upside in July. While we do not expect further rate hikes this year, if inflation surprises to the upside and the labor market and growth do not slow, another increase in interest rates cannot be ruled out in 2023,” said Rubeela Farooqi, chief U.S. economist at High Frequency Economics.

    Market reaction: U.S. stocks
    DJIA

    SPX
    were set to open lower on Friday after the stronger-than-expected PPI data. The yield on the 10-year Treasury note
    BX:TMUBMUSD10Y
    rose to 4.12%.

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  • Stocks are riding a wave of optimism as U.S. inflation recedes, but there are dangers lurking

    Stocks are riding a wave of optimism as U.S. inflation recedes, but there are dangers lurking

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    As U.S. inflation continues to cool, stocks are riding a wave of optimism.

    During the past week, the S&P 500
    SPX,
    -0.10%

    climbed above 4,500 for the first time in more than 15 months, after both the consumer price index and producer price index data showed cooler-than-expected inflation in June. 

    Some bulls expect an improved economic outlook to send the S&P 500 to an all-time high later this year. The large-cap equities gauge hit a record close of 4,796.56 in January, 2022, according to Dow Jones market data. 

    In that camp stands Scott Ladner, chief investment officer at Horizon Investments. “This is increasingly looking like an economy that just can’t get knocked off its footing,” said Ladner in a phone interview. 

    “We see the nominal GDP coming in the 5% to 7% range this year. And earnings are priced at 0% right now. So we think there’s some room for earnings to catch up,” Ladner said. 

    Meanwhile, the Federal Reserve may be be close to the end of its year-long campaign to raise interest rates to slow the economy and lower inflation and steady or lower borrowing costs add more fuel to the rally, noted Ladner. 

    The market consensus is that the Fed will raise its interest rate at least one more time before the year concludes. Future funds traders are pricing in an over 95% chance the U.S. central bank will raise its bench mark interest rate in July by 25 basis points to the range of 5.25% to 5.5% and a 23% likelihood that it will deliver one more hike after July, according to CME Fed Watch.

    “We might have already seen the peak of interest rates. That’s actually some fuel for multiples to be able to expand,” said Ladner. 

    Greg Bassuk, chief executive at AXS Investments, echoed the point. “While we do anticipate at least one more rate hike, we think the ending of a two-year track of rate hikes is going to put more certainty into the market and very importantly, have the U.S. economy achieve a soft landing and avoid a recession.”

    Adding to the tailwind for risky assets is a weakening U.S. dollar. The ICE U.S. Dollar Index
    DXY,
    +0.03%

    fell to 99.96 as of 4 pm Eastern on Friday, the lowest close since April 2022, according to Dow Jones market data.

    If the Fed is close to being done with increasing its benchmark interest rate, while other central banks are not, it would weigh on the greenback even further, noted Ladner. 

    Dangers lurking

    Still, there are several challenges that may impede stocks from extending their rally.

    Raymond Bridges, portfolio manager of the Bridges Capital Tactical ETF
    BDGS,
    -0.10%
    ,
    said he expects U.S. stocks to end the year lower, citing further tightening of credit conditions. 

    Read: The U.S. stock-market rally seems unstoppable, so why does bearishness still persist

    The Fed’s balance sheet has been shrinking for the past few months, after the central bank again expanded it in March by setting up a new emergency loan program and lending more than $300 billion to provide liquidity when some regional banks failed during the first quarter of the year.  

    “Those bank term funding programs added a lot of liquidity into the marketplace to stave off a recession, or a credit crunch,” Bridges said. “It was a nice lifeline [for banks], but I think that’s what extended this bear market rally that we’ve had.”

    As the Fed’s balance sheet declines to levels seen before March, some banks will have to pay back the emergency loans to the Fed which have a tenor of up to a year, “that’s actually a net liquidity draw,” according to Bridges.

    “I see all of that occurring as well as another rate increase. We’re gonna need something to change policy-wise and some blow-out earnings to get a continuation in the [upward] trend in stocks,” Bridges said. 

    What’s more, if the Fed ends up delivering more interest rate hikes after July, it could significantly undermine the U.S. economy. The Fed’s dot-plot forecast in June showed that officials expected two more rate hikes by the end of the year.

    Also read: Fed’s Waller, unimpressed by inflation data, calls for two more rate hikes this year

    Philip Colmar, managing partner and global strategist at MRB Partners, said while he doesn’t think the credit conditions are tight enough for a recession to hit this year, if the Fed “is forced to do more than another 25 basis point hike before it pauses or if yields were to move meaningfully higher, then maybe we’re getting that catalyst [for a recession] in place.” 

    Check out: Why markets are misjudging the Fed’s ability to raise rates even though inflation is slowing

    Analysts at Capital Economics are even more bearish, saying the U.S. economy is already heading into a mild recession.

    “While we do think AI is a transformative technology that will give rise to a much stronger stock market in 2024 and 2025 as investors seek to crystallise its benefits upfront, we are sticking to our forecast that the S&P 500 will drop back a bit in H2 2023 as the US economy flags in the meantime,” John Higgins, Capital Economics’ chief markets economist, wrote in a recent note. 

    What’s more, while many analysts expect inflation to continue head downward, there might be bumps in the road, with prices rising more than expected for certain months, noted AXS’s Bassuk.

    “A lot of factors contribute to the CPI, the PPI. And all it takes is a slight change in any one of these months,” Bassuk said. 

    U.S. stocks ended the past week higher, with the Dow Jones Industrial Average
    DJIA,
    +0.33%

    up 2.3%. The S&P 500
    SPX,
    -0.10%

    gained 2.4% and the Nasdaq Composite
    COMP,
    -0.18%

    finished the week 3.3% higher.

    For the coming week, investors will be expecting U.S. retail sales data on Tuesday, housing starts numbers on Wednesday, and initial jobless claims data on Thursday. 

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  • U.S. April producer prices rise 2.3% over past year, smallest increase since January 2021

    U.S. April producer prices rise 2.3% over past year, smallest increase since January 2021

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    The numbers: U.S. producer prices rose 0.2% in April, the Labor Department said Thursday.

    Economists polled by the Wall Street Journal had forecast the PPI would rise 0.3%.

    In the 12 months through April, the PPI increased 2.3%. It follows a 2.7% gain in March. This is the lowest rate since January 2021.

    Key…

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  • New York City Underground Producer and Multi-Instrumentalist MR. RIGHTNOW Unleashes Moody Dance Floor Anthem ‘Looking High’

    New York City Underground Producer and Multi-Instrumentalist MR. RIGHTNOW Unleashes Moody Dance Floor Anthem ‘Looking High’

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    MR. RIGHTNOW Releases New Track “Looking High” with a Visual Spectacle Music Video

    Press Release


    Feb 9, 2023 07:00 EST

    MR.RIGHTNOW, the underground producer and multi-instrumentalist, has just released his latest dance floor anthem, “Looking High,” along with its official music video. It’s a retro futuristic anthem reminiscent of the iconic sound of 1980s goth dance music. The song is accompanied by a visually stunning music video directed by MR.RIGHTNOW, filmed by Gabriel Dean Roberts and starring Grey Scott.

    The music video is a feast for the eyes, transporting viewers to a neon-lit and otherworldly dance vibe. The soundtrack features a blend of brooding lyrics, inventive sounds and an earth shaking beat. “Looking High” is a true standout track for MR.RIGHTNOW, who continues to push the boundaries of the alternative and dance music genres. With its catchy chorus and infectious energy, the song is sure to have fans everywhere singing along and hitting the dance floor. Encapsulating the song’s emotional core, the lyrics ask:

    I’ve been looking high

    I’ve been looking low

    can you ease my mind 

    and my troubled soul?

    “Looking High” is available now on all major streaming platforms such as Apple Music, Spotify and Tidal. The music video can be viewed on MR.RIGHTNOW’s official YouTube channel at https://youtu.be/YmP_JZoXwdY

    For more information on MR.RIGHTNOW and “Looking High,” please visit his Spotify at https://open.spotify.com/track/4quL26cRBeWxky8C6FFpYo?si=6cae9f96e72d4ae3, or follow him on YouTube, Instagram @mr.rightnow_music https://www.instagram.com/mr.rightnow_music/?hl=en and TikTok @mr.rightnow.music https://www.tiktok.com/@mr.rightnow.music

    Source: MR. RIGHTNOW, the artist

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  • Canada Producer Prices Slip in November

    Canada Producer Prices Slip in November

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    By Robb M. Stewart

    OTTAWA–Producer prices in Canada eased in November, led by energy products, and Canadian companies paid slightly less for raw materials.

    Statistics Canada’s industrial product price index fell 0.4% in November from the month before, when the index advanced 2.4%. On a 12-month basis, the producer-price index increased 9.7%.

    Excluding energy products, producer prices were unchanged on-month in November, the data agency said.

    Energy and petroleum products prices fell 2.7% from the month before, with prices for finished motor gasoline and diesel fuel both lower. Market data show that the downward trend continued into the first half of December, Statistics Canada said.

    The price of softwood lumber was down for a fourth consecutive month in November, in part a reflection of a cooling housing market in Canada and the U.S., and prices for motorized and recreational vehicles also slipped from October, the agency said. Prices rose for primary non-ferrous metal products, in part due to the appreciation of the Canadian currency against the U.S. dollar.

    The industrial product price index measures the prices that manufacturers in Canada receive once their goods leave the plant. It doesn’t reflect the final prices consumers pay for goods on store shelves.

    The raw materials price index, which tracks prices paid by manufacturers, was down 0.8% from October, driven by a fall in crude energy products that more than offset the largest month-over-month increase in prices for natural gas since the agency began measuring the index in 1980. Compared with a year earlier, prices for raw materials were up 8.0% in November.

    Annual consumer inflation held steady in October after peaking in June, Statistics Canada said last month. The agency will release November’s consumer-price index on Wednesday.

    The Bank of Canada, like the Federal Reserve, has aggressively raised interest rates this year to tackle inflation but recently signaled the rate cycle may be coming to an end. The central bank this month again lifted its monetary policy rate, bringing the cumulative increase this year to 4 percentage points for a key rate of 4.25%, the highest level in almost 15 years.

    Write to Robb M. Stewart at robb.stewart@wsj.com

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  • U.S. wholesale price inflation picks up in November, but is lower for year

    U.S. wholesale price inflation picks up in November, but is lower for year

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    The number: U.S. wholesale prices rose 0.3% in November, the Labor Department said Friday.

    Economists polled by The Wall Street Journal has forecast a 0.2% gain.

    This is the third straight 0.3% monthly gain in the PPI index. Inflation in October and September was also revised up from the prior estimate of a 0.2% gain.

    The core producer price index, which excludes volatile food, energy and trade prices, also rose 0.3% in November, up from a 0.2% gain in the prior month.

    The increase in producer prices over the past 12 months slowed to 7.4% gain from 8.1% in the prior month. This is down from the peak of 11.7% in March.

    Over the past year, core prices rose 4.9%, down from 5.4% in October.

    Key details: The cost of energy fell 3.3% in November after a 2.3% gain in the prior month.

    Food prices jumped 3.3% after a 0.8% increase in the prior month.

    The cost of trade services jumped 0.7% in November after two straight monthly declines.

    Big picture: Although hotter than expected in November, inflation at the wholesale level is showing steady deceleration from the peak in March.

    The market is more focused on consumer price inflation report, which will be released next Tuesday, one day before the Fed’s decision on interest rates.

    Market reaction: Stock futures
    DJIA,
    -0.25%

    turned lower on the upside surprise to the monthly gain. The yield on the 10-year Treasury note
    TMUBMUSD10Y,
    3.533%

    jumped to 3.5%.

     

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