Don’t Nod Studios is taking us back to the 90s for a narrative adventure with Lost Records: Bloom & Rage. From the same creative minds behind the award-winning Life Is Strange comes this new story guaranteed to capture your heart.
We play as Swann Holloway as she reconnects with old friends after receiving a mysterious package. Although the girls had vowed to never speak about the strange things that happened when they were teens, it seems that they now have no choice.
A Hands-On Preview of Lost Records: Bloom & Rage
Lost Records: Bloom & Rage takes place in both 2022 and 1995 as the girls reminisce about their friendship and the events that occurred when they were teens. Every choice you make and action you take affects both timelines. As you interact with characters, capture moments on the camcorder, and make even the smallest decision, new paths are formed or altered.
Image Source: DONTNOD Studios
There are plenty of opportunities to shape the story and it all depends on how you play. The beauty of this particular narrative adventure is that you can slow down and take in the world around you. In fact, the game writers encourage it. I can’t help but feel like it is a metaphor for how we should have treated our teen years, instead of wishing them away so quickly.
In my eyes, Swann Holloway is the perfect 90s teen protagonist: awkward and self-conscious, with a deep yearning for acceptance. Nothing like the girls you would see in those unrealistic teen dramas we would see on TV. She is on the weirder side of quirky, obsessed with movies, and never seen without her camcorder. Her love for a great story extends beyond sci-fi shows and horror books to raunchy romance she’d never admit to reading. You get a good idea of who Swann is very quickly as you explore her room.
Image Source: Don’t Nod Studios
The game is steeped in 90s nostalgia; everywhere you turn there is another pop culture reference or piece of retro tech. Where would a 90s girl be without her Tamagotchi? Or a Walkman with those surprisingly uncomfortable headphones with thin foam covers?
As I played the preview, I took my time exploring Swann’s bedroom. It felt at times as if someone was holding a mirror up to my own awkward teen years. I saw my obsession with The X-Files, writing fan fiction, and my love for photography and horror novels, all reflected in Swann. I hadn’t realized I was that much of a 90s cliché and yet I find parts of my teenagehood scattered around a fictional girl’s room.
Image Source: Don’t Nod Studios
The 90s vibes are complimented beautifully by an original soundtrack, plus a few licensed songs you may recognize. The creative minds behind this game seemed to specifically craft a soundtrack that evoked a feeling of nostalgia and unease. With lo-fi beats mixed with something so familiar that I can’t quite put a name to, the tracks undulate between uplifting and unnerving. The carefully crafted compositions are unquestionably a perfect backdrop for the story of Swann and her friends. They feel timeless – entirely appropriate for both the 1990s and the 2020s.
Image Source: DONTNOD Studios
Using the camcorder should become second nature, especially since it is Swann’s passion. Indeed, as the story continues, it becomes very clear that you will miss out if you aren’t filming. I admit I played the preview through a few times and found a little something extra to capture each time. Don’t be in a rush to continue with the story. Understanding Swann is important in these moments. Would she rush on, or would she take her time to record the birdsong and spot the deer hoofprints?
The gameplay mechanics are uncomplicated and an integral part of building the narrative. I played using both keyboard and mouse and then on the controller to see the difference. Playing on a controller felt more intuitive, especially when using the camcorder. It quickly becomes quite natural to bring up the camcorder and film everything you can. As always, using headphones will give you a more immersive experience and is highly recommended.
Image Source: DONTNOD Studios
The girls are all great characters with distinct personalities that players will surely recognize in people they know. Nora is full of energy, and a bit of a rebel, but has a generous heart and a vulnerable side. Kat is enigmatic and a little hard-headed so she seems like the sort of person it takes a little while to get to know fully. Autumn, who I think is currently my favorite, is empathetic and thoughtful. The sort of friend every teenager should have. While playing for this preview, it was easy to warm to each of the girls, which is a real testament to the character design and writing from the Don’t Nod team.
Despite the preview being pretty short, I feel I got a decent taste of what is to come. And I cannot wait for more. The preview stopped just when it was going to get mysterious and strange, which is such a tease. I look forward to playing the game in its entirety, getting to know the group of friends properly, and finding out what happened in Velvet Cove in 1995.
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Simon Biles will again be one of the highlights of the 2024 Olympics on Saturday as she tries to win the vault event for her third gold medal in Paris. Sha’Carri Richardson will go for her first Olympic medal in the women’s 100 meters, while in the pool Katie Ledecky will look to add another gold to her collection in the women’s 800-meter freestyle. The U.S. women’s soccer team will be in action as well, taking on Japan, as will the U.S. men’s basketball team against Puerto Rico.See the full schedule of events and read more on what to watch below: After winning gold in the individual all-around and helping the U.S. dominant in team all-around to burnish her legacy, Biles will go for a third gold this Games in the vault final.Biles is among the favorites again but should face a tough challenge from Brazil’s Rebeca Andrade, the defending Olympic champion in the event. Richardson missed the Tokyo Games because of a positive marijuana test at the 2021 U.S. Olympic Trials but now will get her chance to win a medal in the women’s 100 meters.Richardson is the reigning world champion in the event, which could also include three-time Olympic gold medalist Shelly-Ann Fraser-Pryce of Jamaica.Tokyo gold medalist Elaine Thompson-Herah is absent at the Paris Games through injury, while Jamaica teammate Shericka Jackson announced that she would not compete in the event. With a victory in the women’s 800-meter freestyle, Ledecky would join fellow American Michael Phelps as the only swimmers — of any gender and from any country — to win four gold medals in the same event.Ledecky will be an overwhelming favorite. She is the world record holder at the distance with a time of 8:04.79. Anna Luca Hamori of Hungary plans to fight in the quarterfinals against Imane Khelif of Algeria in women’s boxing, even though the Hungarian Boxing Association said it was sending letters of protest to both the International Olympic Committee and Hungary’s Olympic committee.Khelif and Taiwan boxer Lin Yu-ting were disqualified from the 2023 world championships after they had already competed. The IBA ruled that Khelif and Lin failed unspecified gender eligibility tests but provided no documentation. Each fighter had competed in IBA events for several years.Khelif’s first opponent in Paris, Angela Carini of Italy, quit their bout after 46 seconds. Her tearful reaction to abandoning the fight made international headlines, and Carini received a visit from Italian Premier Giorgia Meloni. The U.S. will take on Japan in the quarterfinals of women’s soccer.The Americans won all three group-stage games for the first time since 2012 to finish atop Group B. Japan, the 2012 Olympic silver medalists, won Group C. The U.S. won the gold in 2012.In the other women’s quarterfinals, France will face Brazil, Spain will play against Colombia and Canada will take on Germany. Canada advanced out of group play despite being docked six standings points for a drone scandal that has rocked the program. The United States men’s basketball team goes for its third consecutive victory when it faces winless Puerto Rico.It will be the final group-stage game for the U.S., which is seeking the top seed ahead of the knockout rounds. Either China or Croatia will earn its first singles gold medal in Olympic tennis with Zheng Qinwen playing Donna Vekic in women’s final.This would be the biggest title for both players as neither Zheng nor Vekic has won Grand Slam.
PARIS —
Simon Biles will again be one of the highlights of the 2024 Olympics on Saturday as she tries to win the vault event for her third gold medal in Paris.
Sha’Carri Richardson will go for her first Olympic medal in the women’s 100 meters, while in the pool Katie Ledecky will look to add another gold to her collection in the women’s 800-meter freestyle.
The U.S. women’s soccer team will be in action as well, taking on Japan, as will the U.S. men’s basketball team against Puerto Rico.
See the full schedule of events and read more on what to watch below:
After winning gold in the individual all-around and helping the U.S. dominant in team all-around to burnish her legacy, Biles will go for a third gold this Games in the vault final.
Biles is among the favorites again but should face a tough challenge from Brazil’s Rebeca Andrade, the defending Olympic champion in the event.
Richardson missed the Tokyo Games because of a positive marijuana test at the 2021 U.S. Olympic Trials but now will get her chance to win a medal in the women’s 100 meters.
Richardson is the reigning world champion in the event, which could also include three-time Olympic gold medalist Shelly-Ann Fraser-Pryce of Jamaica.
Tokyo gold medalist Elaine Thompson-Herah is absent at the Paris Games through injury, while Jamaica teammate Shericka Jackson announced that she would not compete in the event.
With a victory in the women’s 800-meter freestyle, Ledecky would join fellow American Michael Phelps as the only swimmers — of any gender and from any country — to win four gold medals in the same event.
Ledecky will be an overwhelming favorite. She is the world record holder at the distance with a time of 8:04.79.
Anna Luca Hamori of Hungary plans to fight in the quarterfinals against Imane Khelif of Algeria in women’s boxing, even though the Hungarian Boxing Association said it was sending letters of protest to both the International Olympic Committee and Hungary’s Olympic committee.
Khelif and Taiwan boxer Lin Yu-ting were disqualified from the 2023 world championships after they had already competed. The IBA ruled that Khelif and Lin failed unspecified gender eligibility tests but provided no documentation. Each fighter had competed in IBA events for several years.
Khelif’s first opponent in Paris, Angela Carini of Italy, quit their bout after 46 seconds. Her tearful reaction to abandoning the fight made international headlines, and Carini received a visit from Italian Premier Giorgia Meloni.
The U.S. will take on Japan in the quarterfinals of women’s soccer.
The Americans won all three group-stage games for the first time since 2012 to finish atop Group B. Japan, the 2012 Olympic silver medalists, won Group C. The U.S. won the gold in 2012.
In the other women’s quarterfinals, France will face Brazil, Spain will play against Colombia and Canada will take on Germany. Canada advanced out of group play despite being docked six standings points for a drone scandal that has rocked the program.
The United States men’s basketball team goes for its third consecutive victory when it faces winless Puerto Rico.
It will be the final group-stage game for the U.S., which is seeking the top seed ahead of the knockout rounds.
Either China or Croatia will earn its first singles gold medal in Olympic tennis with Zheng Qinwen playing Donna Vekic in women’s final.
This would be the biggest title for both players as neither Zheng nor Vekic has won Grand Slam.
This console generation has been pretty short of “next-gen moments” — those dazzling, techy epiphanies when you see a game do things that were inconceivable on earlier hardware. You can make a case for Ratchet & Clank: Rift Apart’s lightning-fast loading or Starfield’s potato physics, but there have been relatively few instances where you can watch the future arrive in real time.
There are a few reasons for this. One is that console supply issues and pandemic-driven development delays led to an unusually long cross-generational phase. Until last year, most games were still being released on PlayStation 4 and Xbox One as well as their successors. Another is that Unreal Engine 5, the latest iteration of Epic Games’ ubiquitous graphics engine, lagged a little behind the new console generation, and large-scale UE5 productions have been slow to appear, with a couple of exceptions.
All of this is why I wasn’t expecting to experience a next-gen moment when I traveled to Cambridge, U.K., to visit the Ninja Theory studio and play Senua’s Saga: Hellblade 2. But I got one. It’s an astonishingly lifelike narrative action game that applies UE5’s tech, Microsoft’s resources (the company owns Ninja Theory), and the unique processes of a smallish team of technical artists to create something at once grounded and vividly hyperreal. There’s nothing else quite like it.
This won’t come as a total surprise if you played 2017’s Hellblade: Senua’s Sacrifice. Both Hellblade games blend horrific, quasi-mythological action with a realistic approach to the psychology of their heroine, Senua, an eighth-century Celtic warrior with psychosis. Both games have a photoreal visual style with heavy emphasis on performance capture — an area Ninja Theory has specialized in since collaborating with Andy Serkis on its 2007 action game Heavenly Sword.
Quite a lot has changed for Ninja Theory since 2017, however. In 2018, the studio was acquired by Microsoft. It hasn’t grown much since — with 100 people, around 80 of whom are working on Hellblade 2, this remains a modestly sized team — but Microsoft’s investment is evident in beautiful new offices with a large, dedicated motion capture studio (and, at the insistence of some extremely British local planning regulations, an in-house pub). On my visit, there was no sign or mention of Ninja Theory’s flamboyant founder and Hellblade writer-director Tameem Antoniades. An Xbox spokesperson later confirmed to Polygon that he is no longer with the studio. Antoniades was involved in Hellblade 2 in the early stages, but the game now has a trio of creative leads: environment art director Dan Attwell, visual effects director Mark Slater-Tunstill, and audio director David Garcia.
You would expect a dedication to craft in any game led by three technical artists, but that still wouldn’t prepare you for the extraordinary lengths Ninja Theory is going to in its pursuit of realism. In Hellblade 2, Senua journeys to Iceland on the hunt for Norse slavers who are decimating her community in the northern British Isles. As press toured the studio, Attwell explained that the route of her adventure had been plotted in the real world, and locations were captured using a mixture of satellite imaging, drone footage, procedural generation, and photogrammetry. The team spent weeks on location in Iceland, studying the landscape, photographing rocks, and piloting drones. They also studied building techniques of the time and virtually constructed doors out of 3D-scanned planks of wood, rather than modeling them. They even made their own rough wood carvings and scanned them in.
Character art director Dan Crossland showed us real costumes that had been made to fit the actors by a London-based costume designer using period-appropriate techniques, and then scanned in by the studio. Behind Crossland’s desk there was a mannequin plastered in mesh, putty, feathers, and deconstructed scraps of fabric — a spooky, hand-sculpted prototype enemy design.
Image: Ninja Theory/Xbox Game Studios
Over in the combat team’s section, principal action designer Benoit Macon, a very tall and ebullient Frenchman, explained that the game’s fight sequences weren’t traditionally animated, but 100% mo-capped. I watched stunt professionals act out finishing moves on the performance capture stage while animation director Guy Midgley shot them in a close, roving handheld style, using a phone in a lightweight rig.
The playable results of this fully mo-capped fighting system are quite unique. Combat in Hellblade 2 is one on one only, slow-paced, and very brutal. In the fight scenes of the demo I played — which also featured pattern-spotting puzzles and some atmospheric, grueling traversal — there’s a heightened sense of threat as Senua faces hulking and aggressive opponents, and the characters loom large in the unusually tight camera angles. This might not be the over-the-top combat of DmC: Devil May Cry, but it’s still very effective.
In a small, soundproofed studio on the top floor, Garcia worked with the two voice actors playing the Furies, which is how Senua thinks of the voices in her head who keep up a constant commentary on the action and her state of mind. (As with the first game, scriptwriter Lara Derham has worked with psychology professor Paul Fletcher and with people who have experienced psychosis on the portrayal of the condition’s effects.) The actors prowled around a binaural microphone — essentially a mannequin head with microphones for ears — hissing and murmuring their lines as if at Senua herself. Garcia, a Spaniard with an infectious sense of wonder, is called a “genius” by his co-workers. His growling, chattering soundscapes are players’ principal point of access into Senua’s state of mind, and they’re as overwhelming now as they were in 2017.
Image: Ninja Theory/Xbox Game Studios
The lengths to which Ninja Theory is going to ground this digital video gamein physical reality might seem quixotic — even contradictory — but the proof is in the playing. The game, which I played on Xbox Series X, looks stunning, whether it’s rendering the black, smoking slopes of an Icelandic volcano or the pale, haunted eyes of Senua performer Melina Juergens. But beyond that, Hellblade 2 has a tactile immediacy that seems to operate at an almost subconscious level. Ninja Theory’s artists are seeking an emotional connection with the player that, they believe, can only form if the player thinks that what they are seeing is real.
“I think that the human mind does [a thing where] you think you know what something looks like, but then actually, when you look at what that thing is, in reality there’s way more chaos in it. It’s not quite the same as what you picture in your head,” Slater-Tunstill said. “If you were just sculpting off the top of your head, the environments or the characters or whatever, it just is going to lose some of that nature, some of that chaos.”
Attwell said that Unreal Engine 5 has made this realist approach more more achievable, both because of the level of fidelity available in the engine’s Nanite geometry system, and because “the turnaround between scanning the thing and putting it in the level is drastically cut, and you can spend that time finessing.”
“You can think more about the composition,” Slater-Tunstill agreed. “And with the kind of lighting volumetrics we can now do, everything just beds in much better. It’s more believable.”
Overall, the sense from the Ninja Theory team is that UE5 has removed a lot of barriers for video game artists, and that players are only just starting to see the results. “It feels like the graphical leap that we’ve managed with this is like… We’re on the trajectory we wanted,” Attwell said.
Image: Ninja Theory/Xbox Game Studios
You only need to lay eyes on Hellblade 2 briefly to understand that you’re seeing the next evolution of game technology. It’s not just the engine, though — there are a bunch of factors aligning to make Hellblade 2 a tech showcase. For one, the game design is extremely focused. This isn’t some wild open-world simulation; it’s a linear, narrative-first action game. As an Xbox first-party studio, Ninja Theory has the luxury of building for fewer formats. Also, it’s been given the time to experiment. Touring the studio, Microsoft’s investment in Ninja Theory starts to make a lot of sense. The tech giant hasn’t just acquired a boutique developer, but also an R&D unit that explores the technical and artistic frontiers of a specific game-making process.
The result is a game made with an unusual degree of focus. Hellblade 2 won’t necessarily be to everyone’s taste with its slow pace, deliberate inputs, and highly scripted, cinematic presentation. It struck me as a modern successor to something like the 1983 interactive animation Dragon’s Lair. As intense and dramatic as the section I played was, it remains to be seen whether the game’s story — a more outward journey for a more mentally balanced Senua — can connect as deeply as Hellblade’s trip into her darkest fears. But there’s no doubting the craft on display, or the immersive sense of presence this game has. It may be a sequel, but it feels like the start of something — like a true next-gen experience should.
Senua’s Saga: Hellblade 2 will be released May 21 on Windows PC and Xbox Series X.
If this sounds like a broken record, it is — restaurants all around America are facing unprecedented economic challenges. Still, there are plenty of new projects to look forward to as 2024 is shaping up to be a big one in Chicago, especially as a mild winter has locals and tourists dreaming of outdoor dining during the spring and summer months. At Eater Chicago, we’ve listed 15 upcoming restaurants targeting a spring debut. Among them, seven are either relocations or sequels to existing restaurants. The latter means the new venues feature either more seating or bigger menus. It’s not the same song.
There are also two tasting menu restaurants and three bars. New bars could indicate that the city is healing from the pandemic. And speaking of pandemic trends (when comfort foods concepts, like pizzerias, started sprouting up seemingly everywhere) there’s one new pizzeria opening — and it’s replacing another pizzeria. Time marches on. But at least Chicagoans can rely on delicious new options. Explore the most anticipated openings of spring below.
Bayan Ko Diner owners Lawrence Letrero (left) and Raquel Quaderny.Aliya Ikhumen/Eater Chicago
Address: 1820 W. Montrose, Ravenswood
Key Players: Raquel Quadreny, chef Lawrence Letrero
After Glenn’s Diner, a decade’s old greasy spoon in Ravenswood closed, the owners of Bayan Ko, a Filipino and Cuban restaurant a few doors east, saw an opportunity. The husband-and-wife team is opening their second restaurant, a greasy spoon with items like a Cuban smash patty melt, lumpia, and more. The diner will also serve classic dishes from the original Bayan Ko as daily specials. That space has since morphed into a reservation-only restaurant serving a set menu. Look for an April opening.
Address: 3154 W. Diversey, Logan Square
Key Players: Chef Mark Steuer, Milkhorse Hospitality
The opening date for the bar replacing Lost Lake in Logan Square continues to slide. The target was December 31, but it’s been repeatedly pushed and now it’s April. Nevertheless, chef Mark Steuer, who’s long served southern cuisine at restaurants like Carriage House in Wicker Park and Funkenhausen in West Town, is bringing fun takes on comfort food, like cornbread with foie gras, and more. The space, once decorated with tropical and tiki vibes, is going in a different direction and leaning into ‘80s nostalgia. Steuer and company are touting the bar’s employee benefits rarely seen for restaurant workers — for example, PTO and health care coverage — is proof of their common decency.
This cocktail is called the Captured Shadow.Marisa Klug-Morataya/Dearly Beloved
Key players: Chireal Jordan, Brian Galati
Address: 900 N. Franklin Street, Near North Side
Headquarters Beercade founders Chireal Jordan and Brian Galati have been reluctant to share details about their latest venue, Dearly Beloved, which takes over the former home of French dining stalwart Kiki’s. The duo calls it a “cocktail restaurant,” which means that drinks will be the main attraction inside the 6,000-square-foot space with rare spirits and other drinks with striking and surprising presentations. The food will focus on vegetables, tapping into the founders’ embrace of the unexpected in inventions like a zucchini dish designed to taste like filet mignon. It’s set to debut on Wednesday, May 1.
Feld owner Jake Potashnick at Froggy Meadow Farm.Barry Brecheisen/Eater Chicago
Key player: Jacob Potashnick
Address: 2018 W. Chicago Avenue, West Town
Chicago native Jacob Potashnick is plugging away in West Town. Feld is a unique fine dining restaurant where Feld will draw upon his international work experiences with a tasting menu format. Imagine an open space where staff works in the middle of the dining room; Potashnick wants to keep everyone comfortably seated to keep the spirit of the room proper. He’s working with SPACE Architects and Variant Collaborative and they’re applying the final touches on the space. An avid social media user, Potashnick mentions the final stretch; he’s been busy taking meetings and, like many restaurant owners before the debut, is feeling a little anxious at this juncture. He’s even grown a mustache. Potashnick says they hope to debut with a few soft launch dinners before officially opening to the public in June.
Egg rolls are a classic Khmai dish.Eater/Melissa Blackmon
Address: 6580 N. Sheridan,Rogers Park
Key Players: Mona Sang, Sarom Sieng, Loyola University
A rare Chicago restaurant where traditional Cambodian food is the star, Khmai Fine Dining made a major splash in 2022 when chef and owner Mona Sang’s project was named one of Eater’s 15 Best New Restaurants in America. Khmai drew hoards of diners to Rogers Park for the rich, deep, and concentrated flavors that characterize Khmer cuisine. In late November, Sang closed the original location and she’s now signed a lease with Loyola University to bring her restaurant near the Rogers Park campus. An ode to Sang’s mother, Sarom Sieng, the new restaurant will expand service and offer breakfast and lunch, plus new dishes. Sang says she’s eager to accelerate the timeline as her mother — now age 80 and a survivor of the Cambodian genocide and a fixture in Khmai’s kitchen — is champing at the bit to get back to business in April.
Key players: Jun-Jun Vichaikul, Naomi Hattori, chef Eric Hattori
Address: 3443 N. Sheffield Avenue, Wrigleyville
The Hotel Zachary and the owners of the Chicago Cubs, the Ricketts family, have reshaped Wrigleyville, squeezing out many independent businesses. But just south of the baseball field, spouses Jun-Jun Vichaikul and Naomi Hattori are taking their best swings at bringing something unique to the neighborhood under local ownership. The couple plans on opening their second location of Konbini & Kanpai, a Japanese American bottle shop, to Wrigley inside the former Dark Horse Tap. The new shop is larger than the Lakeview original and includes a full kitchen. They’ve brought on Naomi Hattori’s brother, chef Eric Hattori (previously of pan Asian food truck Piko Street Kitchen) to create a menu of casual nisei-influenced dishes like egg salad sands on milk bread and bowls of udon. Vichaikul promises an entirely new lineup of Asian spirits, beers, and cocktails like a sake-based Old Fashioned with ginger syrup and barley shochu. Stay tuned for an April or May debut.
Indus
Indus co-owners Ajit (left) and Sukhu Kalra pose at Urban Space in 2021.Pat Nabong/Sun-Times
Address: 617 Central Avenue, Highland Park
Key Players: Sukhu and Ajit Kalra
The team behind Bhoomi, the food stall at the former Urban Space Food Hall — now known as Washington Hall — is opening a full-service restaurant in suburban Highland Park. Sukhu and Ajit Kalra are promising a menu with traditional dishes and modern twists, from curries to wagyu steaks, smoked meats, and a curated selection of wine paired with fun cocktails. The name pays homage to the Indus Valley. They feel it was one of the first to incorporate spices in their cooking, to make food about pleasure more than just sustenance. The new tagline for the restaurant is “Progressive Indian.” They’re looking at a May opening.
Kor is opening inside the Godfrey Hotel.Kor/Austin Handler
Address: 127 W. Huron Street, River North
Key Players: Soiree Hospitality, chef Onur Okan, Godfrey Hotel
The owners of Rooh Chicago are opening their fourth restaurant brand with chef Onur Okan, a Turkish native who’s cooked at Michelin-starred restaurants like Aliena and Claudia. A wood-burning grill is essential to the menu, with grilled meats and veggies with Middle Eastern and Mediterranean influences. The owners are waiting for licenses and working with the Godfrey in hopes of a late March opening.
Minyoli
Key player: Chef Rich Wang
Address: 5420 N. Clark Street, Andersonville
Taiwanese beef noodle soup, a staple embraced by many as the country’s national dish, will be the star at Minyoli, the first solo project from Boka alum Rich Wang. He’s taking over the former home of Land & Lake Kitchen and Passerotto in Andersonville. Wang’s a native of Taipei, and the menu includes a traditional beef noodle soup, characterized by a deep herbal broth infused with cardamom and cinnamon, filled with springy hand-cut noodles, and tender cuts of beef shank. He’ll also serve lu wei, or snacks braised in the same soup stock, and Taiwanese liquors, beer, and cocktails. The story’s personal for Wang, born in a juàn cun, a “military dependents’ village,” where much of the food originates. These Taiwanese hodge-podge enclaves were first established in the late 1940s toward the end of the Chinese Civil War to house Chinese military personnel and their families. Minyoli should debut in April.
Profesor Pizza is a master of many pizza styles.Barry Brecheisen/Eater Chicago
Address: 1610 N. Wells Street, Old Town
Key Players: Anthony Scardino, Fifty/50 Restaurant Group
Anthony Scardino has a competitive pizza background and has worked at some of Chicago’s best pizza restaurants. He’s got a passion for Italian food and thoughtfully produces some of the city’s best pizzas. After working at a few ghost kitchens, he’s ready to commit to Old Town where he’ll take over the former Roots Pizza near Wells and North, partnering with the restaurant’s owners, Fifty/50 Restaurant Group. The two parties promise a new restaurant that distills Scardino’s personality. As the restaurant neighbors Second City, there’s potential for collaborations with the legendary comedy troop. The target opening date is, and this is no misprint, April 20. Think about it. Then forget about it.
Soul & Smoke is expanding in Evanston.Barry Brecheisen/Eater Chicago
Address: 1601 Payne Street, Evanston
Key Players: Heather Bublick and D’Andre Carter
Soul & Smoke, a member of the Eater Chicago 38, is one of the city’s best barbecue restaurants thanks to the husband-and-wife team of D’Andre Carter and Heather Bublick. The two have fine dining experience, and it’s the little touches that lead to world-class brisket and ribs. Their first restaurant was in Evanston, and they are going big in the suburbs. Unlike their counter-service restaurant along the river in Avondale, the restaurant inside a 100-year barn will be full service. They’ll also have a “speakeasy-style dining room” with upscale offerings, a throwback to the couple’s day working at Moto in West Loop. Look for a late spring opening.
Steingold’s is opening a location in Wrigleyville.Steingold’s of Chicago
Address: 3630 N. Clark Street, Wrigleyville
Key Players: Aaron Steingold, Cara Peterson
American Jewish communities have long enjoyed a love affair with baseball, which makes it seem like beshert (Yiddish for “inevitable” or “pre-ordained”) that Steingold’s of Chicago is at work on a new location across from Wrigley Field. Chef and owner Aaron Steingold, a self-professed baseball historian who originally founded his modern Jewish deli in 2017, will bring his popular bagels, deli sandwiches, and a few new items (think latke-tot poutine and everything bagel-dogs on sticks) to the former home of West Town Bakery inside the Hotel Zachary. Culinary director Cara Peterson also promises special soft-serve ice cream in flavors like baklava with honey and salted caramel. While the debut’s been pushed; it won’t happen on baseball’s Opening Day as planned, Steingold tells Eater they hope to open in May.
3LP is expanding to Bridgeport.Aliya Ikhumen/Eater Chicago
Address: 964 W. 31st Street, Bridgeport
Key Players: Henry Cai, Maria’s Community Bar
Henry Cai, the South Side native, continues to spread his culture with unique fast-casual offerings of Chinese-American and Cantonese cuisine. His signature dish is fried rice with three different types of pork, or “three little pigs.” After launching as a takeout-only spot he opened inside Molly’s Cupcakes in South Loop. He’s expanding once more in Bridgeport, where he’ll take over the space formerly occupied by Pleasant House Bakery, Pizza Fried Chicken Ice Cream, and Herbivore. Look for a mid-April or early-May opening with his signature chicken sandwiches and more.
Evan Funke is an LA chef whose vision comes to Chicago in the form of Tre Dita.Wonho Frank Lee/Eater LA
Address: St. Regis Chicago, 401 E. Wacker Drive, Lakeshore East
Chicago’s largest restaurant group, Lettuce Entertain You Enterprises, will complete its two-restaurant project inside the flashy St. Regis skyscraper this spring with the debut of Tre Dita, a Tuscan steakhouse from noteworthy LA chef Evan Funke (Felix), The bar opened in late February, but Funke promises much more when the restaurant debuts. Tre Dita will also house a pasta lab where the team can highlight the traditional pasta shapes of Tuscany. It’s scheduled to open in mid-March.
Address: 2020 W. Division Street, Wicker Park
Key Players: Stephen Gillanders
Valhalla, a fine dining restaurant that started on the second floor at Time Out Market in Fulton Market, is relocating to Wicker Park inside the former Mirai Sushi space. Gillanders, a chef behind S.K.Y. Restaurant in Pilsen and Apolonia in South Loop, in early March, confirmed the move on Instagram, a month after applying for a liquor license. He writes: “Trends are avoided at all costs and every idea is met with the question: ‘Why?’ If an idea doesn’t truly have a positive impact on guest experience, it’s tossed out.” He’s declined to reveal exactly when the restaurant will open but writes “soon.”
Tate and Chuck preview the biggest fights of UFC 299, including O’Malley-Vera 2 and Poirier-Saint Denis, and then they discuss the underwhelming UFC 300 card and expectations for Jake Paul vs. MIKE TYSON! Plus, Bryan Curtis joins Tate to break down second-generation athletes like Bronny James and Arch Manning, the latest NFL free agency news, their picks for the Academy Awards, and the best sports movie ever.
Host: Tate Frazier Guests: Chuck Mindenhall and Bryan Curtis Producers: Tucker Tashjian and Mark Panik
NEW YORK — When we last left “The Bachelor”, Joey was in Canada with half a dozen women and still wondering which one would make the ideal mate for him.
We first met this guy when “The Bachelorette” Charity Lawson sent him home.
Now, he’s worried his heart might get broken again.
Hometowns are on the horizon! Fans of the show know that means “The Bachelor” must narrow the field to select four women he likes enough to go on a date in their hometowns and meet their families.
Joey says this particular week in Jasper, Alberta was particularly challenging because he had six solid connections with each of the remaining women, yet he knew his process of elimination had to continue.
His biggest fear remains being rejected, and one of his strongest connections with Daisy, said at this point, she isn’t ready to say she loves him, although others are more willing.
“There were real connections and relationships with each of those women,” Joey said.
“And, how did you nation it down further? What were you looking for? Eyewitness News Entertainment Reporter Sandy Kenyon asked.
“It sounds very obvious, but which connections were stronger? They were all different, but each week that’s all it is: is thinking which is the strongest? Which you can see the most future with, what kind of makes the most sense?” Joey said.
“The Bachelor” airs tonight at 8 p.m. ET right here on ABC and streaming the next day on Hulu.
Follow and listen to “Playing the Field,” our “Bachelor” podcast!
The running bit in True Detective: Night Country has been Liz Danvers repeatedly telling her protégé Pete Prior to ask the right questions if they’re going to solve the case. (“ASK ME QUESTIONS. QUESTION ME. ASK ME QUESTIONS. YOU WANTED TO KNOW. ASK ME THE FUCKING QUESTIONS. ASK THE QUESTIONS, PRIOR.”) Well, I’ll do my best with that. Here are eight crucial questions to ask ahead of the Night Country finale.
If Kate McKittrick and Silver Sky Mining are behind the killings, why are they so gruesome?
We are first introduced to Kate McKittrick as “mine bitch” in Episode 2, when Danvers asks McKittrick to thaw the corpsicle of naked Tsalal scientists stashed at the Ennis hockey rink (which is owned by McKittrick’s company, Silver Sky Mining). McKittrick doesn’t make many appearances beyond that until Episode 5, when she very conveniently spins the story that the root cause for the Tsalal scientists’ deaths was a “weather event.” She then tells Hank Prior to kill Ennis drifter Otis Heiss to keep him from leading Danvers and her partner, Evangeline Navarro, to Ennis’s subterranean ice caves—dubbed “night country” by the locals. It’s a bit of an awkwardly sudden reveal, but it’s still a reveal, which forces us to ask: If McKittrick is the kingpin behind all of this, why is she stabbing people—or at least ordering these stabbings—32-plus times, cutting out tongues, and stripping scientists naked in the freezing cold? Does she have an even darker side that will be revealed to us in a snappy conversation between her and Captain Connelly in the cold open of the finale?
(It just can’t be Kate McKittrick who killed all these people. We’ll get to more on this later.)
Will Pete Prior, the epitome of innocence, be able to rally after killing his own dad (and then cleaning up the body)?
It’s over, Petey. The story about you blowing a hockey game for a kid whose father just suffered a stroke is cute and all, but the knight-in-shining-armor schtick wears thin when you kill your own father and agree to dispose of his body without much hesitation.
Look at the positioning of Hank’s gun when Pete fired a bullet square into his dad’s temple at point-blank range:
Screenshots via HBO
That’s a little too quick and a bit tooaccurate for my taste. Yes, Hank was raising his gun to shoot Danvers minutes after shooting and killing Heiss, but convince me Pete can’t adjust the aim just a tad to rock his dad with a shoulder or even a chest shot. Is there some risk that middle-aged Hank takes either of those gunshots in stride and still shoots Danvers? Maybe! But even if he does, he’s hitting her in the hip or thigh at best with that gun positioning. I know a killer when I see one. (Hank literally said he wasn’t one, even if that’s technically no longer true.) Even if Pete was a choirboy before all of this, the soft, pillowy exterior propped up by his youth and relatable juggling of an overdemanding boss, a marriage, and a child died with Hank that night. I’m not saying the next installment of True Detective—let’s call it Day Country—will have an Episode 5 reveal that Pete is a serial killer who targets anyone that reminds him of his dad, but I’m not not saying it.
Kidding aside, the arc of Pete trying his best to not be Danvers just to end up in a worse place than she ever could be is a nice touch from the show’s creators. In the same episode in which Pete scolds Liz for covering up the William Wheeler murder, Pete in turn murders his dad and jumps at the opportunity to cover it up. Do I think this would realistically have some pretty gnarly permanent effects on my boy’s psyche beyond the occasional one-eyed polar bear flashback? Yes. Do I also think the show will tie it up a bit prettier than that to the point that killing his dad actually somehow throws him back into a healthy marriage and work-life balance? Probably.
Will Navarro survive? If so, will Mr. SpongeBob Toothbrush (Qavvik) ever have a healthy relationship?
With her haunting visions growing in frequency, I realize Navarro is getting dangerously close to following her sister’s literal path into the frozen sea. Still, I’m going to venture to guess that Eve comes out of this alive. Navarro at times feels like the true protagonist of the show, and her arc is destined for a much softer landing, one that pushes her away from continually throwing fists at the world and instead into the arms of her sweetheart, Qavvik.
The first time we see Navarro and Qavvik together is when she physically submits him into having an orgasm and subsequently steals his SpongeBob toothbrush. Not even the best couples therapist in the world will be able to handle that kind of power dynamic. Cracking this case—and finally knowing who killed Annie Kowtok—has to distance Navarro enough from her demons to pursue a healthy relationship with our boy Qavvik. (And it better! He’s a good-looking dude with a legit job in a tiny rural town. Ask Danvers how Tinder is going in Bumfuck, Alaska; I don’t think we’ve heard a notification pop up since the first couple of episodes.)
What’s the deal with the oranges and the one-eyed polar bears? Do they actually matter?
OK, this probably doesn’t fit in as the right question to ask; Danvers would not approve. We know the oranges following Navarro around throughout the series and the consistent run-ins she and Danvers have with one-eyed polar bears are both heavy-handed, inescapable symbols for our troubled duo. Surely, what they represent is infinitely more important than their potential connection to the murders of Annie Kowtok and the Tsalal scientists.
The oranges are a recurring symbol of the connection between Navarro, the living, and the dead. We don’t need anything more than the scene where Navarro throws an orange into the darkness and something dead or alive (or made-up) throws it right back.
The one-eyed polar bear stuffed animal is probably just a real-life reminder of Danvers’s son, Holden, who we know is dead due to context clues from recurring flashbacks. (But we also still don’t fully know that story … who was Holden’s dad? How did they both die? Are these the right questions, Danvers?!) However, when Navarro gets a visit from a real-life one-eyed polar bear in Episode 1, it suggests that there’s a connection between it and each of the detectives’ haunted pasts. That, and the one eye could represent that the pair might not be seeing the full picture or might be seeing only one half of the story.
I can hear Danvers screaming “WRONG QUESTION” already. But I don’t care. You can’t vehemently mix in citrus, real and stuffed one-eyed polar bears, the Carcosa spiral, a Rust Cohle family tree, and a potpourri of dead people walking around town and then expect people not to ask questions. When every inch of detail could be used as evidence in a murder case, it’s important to know whether any of this is real or not.
Where does Liz’s boy toy Ted Connelly fit into everything?
I know McKittrick has a low opinion of Connelly. She calls him a “political animal” and “weak” during her conversation with Hank right before the two form a plan to kill Heiss. But does that mean he’s completely innocent? Does he actually believe the very coincidental report that the cause of death for the Tsalal scientists was just a freak weather event? Or is McKittrick also greasing Connelly to pay him off or move him up the ladder as part of the cover-up? Navarro was pretty adamant in the closing scenes of Episode 5 that roping in Connelly would “bury” them all, but I guess it doesn’t matter to Danvers. She said the last time she and Connelly hooked up was the last time (actually this time), and her Tinder notifications are bound to heat up after she cracks the case.
How does Raymond Clark actually fit into all of this?
The leading suspect for most of the series, Raymond Clark, simply has to play a role in all of this, right? We know he’s the only living Tsalal scientist hiding in the “night country.” We also know he was the one convulsing in the opening scene of Episode 1 and who uttered the first mention of “she’s awake.” And we know that he had a “let’s get matching tattoos”–level relationship with Annie Kowtok. But when Danvers and Navarro eventually confront Clark in the caves Hank died trying to keep hidden from them, what will they learn?
My guess is Clark somehow escaped whatever killed his colleagues and has been too afraid to venture out of the caves ever since. If he was actually one of the bad guys in all of this, Clark would have run to McKittrick for protection a long time ago rather than freeze his ass off in the night country. Instead, Danvers and Navarro will find Clark in the caves scared shitless, and he’ll deliver the long-awaited “aha” moment of the series. I don’t want it to be a late-game spill of nearly all the relevant information to the case from a single source, but I think that’s what this is shaping up to be. (I blame all the time we spent chasing flat subplots!)
Have Night Country’s creators laid enough crumbs for a satisfying final twist?
OK, I’ll say it again: It can’t be McKittrick. If the series’ big reveal was actually in the penultimate episode when McKittrick and Hank talked in the car about wanting to hide the caves from Navarro and Danvers, I will riot in the streets of Ennis. We know McKittrick and Silver Sky funded the Tsalal station. We know McKittrick paid Hank to move Annie’s body and asked him to kill Heiss to help hide the cave entrance’s whereabouts. If that also means McKittrick was the ringleader in killing the scientists and Kowtok, I will be baffled in the worst way.
It just can’t happen. Someone, anyone else had to have killed them. Such an early reveal would run counter to everything True Detective diehards loved about previous seasons. That said, we must have missed something. McKittrick, Connelly, and Hank all played a part, but none of them killed anybody (outside of Heiss). They probably know who killed Kowtok and/or the scientists, but they didn’t make the order or deliver the final blow(s). There are enough loose ends (e.g., Sedna, Oliver Tagaq, Ryan Kowtok) for there to be a big reveal, but whether or not it’s satisfying comes down to whether it’s a key piece of evidence we all overlooked in the moment—like the kid’s drawing of the green-eared spaghetti monster in the first season of True Detective—or simply new information spilled out during one of the final conversations with Clark or McKittrick. (We’re all hoping for the former.)
For the final time, who done it?
It’s her. Whoever this scary woman Pete’s kid drew in the first episode is the killer. No, I’m not saying Sedna, the Inuit goddess of the sea and ruler of the underworld (though my colleague Ben Lindbergh’s deep dive into her lore is spectacular). I’m saying someone who looks like this!
Whoever killed Kowtok and/or the Tsalal scientists looked like this, which admittedly brings McKittrick into the fold again, but I’m ruling her out anyway. It could be Pete’s wife or her grandma or one of the women at the protests with Leah. I don’t know who she is exactly, but I know she’s awake.
Ben, Jessica Clemons, and Matt James discuss rumors about Xbox games appearing on PlayStation, Disney infiltrating Fortnite, and the Knuckles trailer. Then they share bite-sized reviews of Tekken 8 and Like a Dragon: Infinite Wealth and Matt’s takeaway from a hands-on preview of Final Fantasy VII: Rebirth. Then Charles Holmes joins Ben and Jess to discuss Suicide Squad: Kill the Justice League and the future of live service and superhero games (28:16), before Ben and Jess give their impressions of Halo Season 2 (51:36).
Host: Ben Lindbergh Guests: Jessica Clemons, Matt James, and Charles Holmes Producer: Isaiah Blakely Additional Production Supervision: Arjuna Ramgopal
If I’m being honest, it seems like a moot point to hype up Final Fantasy VII Rebirth any further.
Only a few weeks out from release, the long awaited sequel to Final Fantasy VII Remake has more than enough going for it. Square Enix has had no qualms about building anticipation prior to the release, with a myriad of trailers showing off its expansive new locales and the wealth of adventures that await players.
There’s likewise the ever-present excitement that surrounds it by virtue of its continuing the retelling and reimagining of the legendary Final Fantasy VII, which changed gaming itself.
So when I say I was impressed by my time with the game at a hands-on event in January, I know it hits with the same shock of revelation that hearing the sky is blue does. Still, though, it’s nice to know just how much of a great experience we’re in for with the game; and how absolutely packed with content it is.
The demo didn’t take long to show this off either, as it kicks off at the very start of Final Fantasy VII Rebirth. After the events of Final Fantasy VII Remake and the Episode Intermission DLC, Cloud and the gang successfully arrive at Kalm before Cloud recounts how he worked alongside Sephiroth. He then details what happened in Nibelheim, and how it led to the former top Soldier’s downfall; complete with several moments which have been beefed up with top tier cutscenes and voice acting.
Image Credit: Square Enix
Though linear, this segment already wears the game’s strengths on its sleeve. Even without digging into the stellar presentation of the cutscenes, the silky smooth gameplay, or the revamped narrative, the world and its settings are positively massive and sell the scope of each area one visits. There are small nooks and crannies to discover even in the tutorial path leading up to the Nibelheim reactor, and I was rewarded repeatedly for straying from the beaten path to explore.
It also feels substantially more open than Remake from the get-go. Gone are the cramped city streets and alleys of Midgar, replaced with sprawling fields and wide-open mountain paths that really convey just how big the game’s world is.
But then, that’s nothing compared to the game proper. Following the introductory chapter, Final Fantasy VII Rebirth opens up in Chapter 2 via Kalm and the Grasslands surrounding it.
Kalm itself has been expanded upon substantially. What was once a small town players stop at briefly during the main story is now its own bustling city center, complete with side quests to take part in after progressing the story that can bolster your understanding of the plot and world.
One can help a distraught bartender reclaim their treasured Queen’s Blood card; track down a missing merc hired to repair a damaged Mako pipe; or deal with a powerful fiend that attacked a nearby farm. And all of this leads to some unexpected reunions and eye-opening conversations with the town’s residents.
Almost all of these quests reward players with valuable items, materials, and resources upon completion too, so there are plenty of reasons to take the time to explore all of these side activities.
Image Credit: Square Enix
On the Other hand, Final Fantasy VII Rebirth has plenty of content aimed purely at entertaining and distracting players, primarily through Queen’s Blood.
Similar to Fort Condor in Remake, this new mini-game acts as a TCG wherein players attempt to rack up a higher score to emerge victorious. This is done by placing cards down in one of three rows, with both players vying to take control of as many spaces in a row as possible. This can be done with cards from one’s deck, but each card takes over a different number of spaces and in a different pattern.
It’s deceptively addictive, and I spent more time than I expected messing around with deck layouts and taking on the residents of Kalm in Queen’s Blood matches. And that was just with the small handful of potential opponents offered through the demo.
Final Fantasy VII Rebirth’s Grasslands, meanwhile, are just as packed with gameplay options. After obtaining a Chocobo, I was able to explore a sizable open world setting filled with enemies to battle, ancient secrets to uncover, and challenges to complete.
Image Credit: Square Enix
These tasks do feel a bit same-y after you complete enough of them, but the sheer size and aesthetic of this section keep that from happening too fast. Even after hours of moving toward objective markers, I found myself pulled back into the world and the need to explore it by its sprawling mountains and endless plains dotted with abandoned ruins.
The gameplay helps substantially in this department too. Though largely similar to Remake’s combat system, Final Fantasy VII Rebirth has tweaked the battle mechanics in some noteworthy ways. Of them, the biggest is likely the new Synergy attacks and abilities. These skills allow Cloud to team up with other members of your party to carry out special attacks that can be imbued with elemental attacks, grant players an additional ATB bar, or otherwise wallop enemies with powerful attacks.
They require each character to have racked up and used some ATB charges though, so players are incentivized to play as multiple characters in a given battle. It’s a clever trick on the part of the developers, and helps to motivate you to test out the radically different playstyles found between Cloud, Barret, Tifa, Aerith, and Red XIII.
I could keep going about other facets of the gameplay, but honestly the point remains the same: This game is utterly titanic in its size and what it offers. By the time I reached the end of the demo, I felt like I had only scratched the surface of what Final Fantasy VII Rebirth offered.
Square Enix has spared no expense to make it even better than Final Fantasy VII Remake, and fans can rest assured that they’re in for one of — if not the — premiere gaming experiences of the year when Final Fantasy VII Rebirth hits the PlayStation 5 on Feb. 29.
About the author
Keenan McCall
Keenan has been a nerd from an early age, watching anime and playing games for as long as I can remember. Since obtaining a bachelor’s degree in journalism back in 2017, he has written thousands of articles covering gaming, animation, and entertainment topics galore.
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West Ham’s Mohammed Kudus scored with a sublime strike for Ghana to give the Black Stars the lead against Egypt at the Africa Cup of Nations in Ivory Coast.