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  • The 10 Best Slow-Burn Romance Films

    Looking for love? You’ve come to the right place. Why go to a singles bar or a farmer’s market when you could stumble into a slow-burn romance from the comfort of your own home? After all, who’s got the time for a chaotic and messy love affair? With bills to pay and deadlines to hit, who wouldn’t choose a quiet and consistent love over something explosive and short-lived? Less of a headache to manage. Not all love is incendiary; sometimes it starts with a little spark rather than emotional gasoline, but as the years pass, the flames burn all the hotter. These 10 best slow-burn romances? Each one is a cinematic bonfire.

    Portrait of a Lady on Fire

    Noémie Merlant and Adèle Haenel in portrait of a lady on fire
    (Pyramide Films)

    Directed by Portrait of a Lady on Fire, Céline Sciamma’s Portrait of a Lady on Fire is peak period romance. Set in the 18th century on a remote French island, the film revolves around Marianne and Héloïse—the flint and tinder for the ultimate sapphic slow-burn. Hired to paint Héloïse’s portrait before she’s married off to a nobleman, Marriane spends hours each day gazing into the stunning face of her subject, and that subject studies her with equal intensity. You know that Nietzsche quote about abysses and their penchant for staring into you? In this case, the abyss in question is Héloïse’s eyes, reflecting Marianne’s hidden desires back at her. A dreamlike portrait of love painted against a rugged coastline, this film is as flammable as an oil painting and equally beautiful to look at.

    Paris, Texas

    A man stands lonely in the desert wasteland in "Paris, Texas"
    (Argos Films)

    Directed by Wim Wenders, Paris, Texas features a romance so slow-burning that you won’t even notice it until the film’s finale. It’s the story of Travis Henderson, a man wandering the west Texas wilderness with nothing but a gallon water jug for company. After collapsing at a gas station, Travis is rescued by his estranged brother and taken back to California, where his young son Hunter has been waiting for him for four years. While Hunter’s mother doesn’t appear until the final act, her absence is felt throughout the film, which culminates in a devastating reunion between two old flames, ignited one last time. What drove Travis and his long-lost beloved apart? Financial hardship? Emotional neglect? Maybe something deeper still, the weight of repressed desires bubbling up to the surface and blasting the pair apart. Be warned, this film is a real tear-jerker.

    Carol

    Cate Blanchett and Rooney Mara in
    (The Weinstein Company/ StudioCanal UK/Scanbox Entertainment)

    Adapted from Patricia Highsmith’s The Price of Salt,  Todd Haynes’ Carol is the story of Therese Belivet, a struggling young photographer whose days of retail worker hell are brightened by the appearance of the titular soon-to-be divorcee. Though Carol and Therese are over a decade apart in age and involved with men, these romantic obstacles are merely fuel for their slow-burning fire. Set in the mid-20th century, Carol is a quiet rebellion against a heteronormative world. While Therese and Carol can’t burn their closed-minded society to the ground, they can at least tend a flame of resistance with every stolen kiss and glance. And while all ten of the slow-burning films on this list are pop culture touchstones, Carol is the only one that launched its own internet meme—”they’re lesbians, Harold.” Yes, Harold, they are, and there’s is one of the greatest love stories of all time.

    In the Mood for Love

    A woman turns away while a man looks at her intently in "In The Mood For Love"
    (Block 2 Pictures)

    Directed by Wong Kar-wai, In the Mood for Love isn’t just one of the greatest slow-burn romances of all time, it’s one of the greatest films ever made. Set in early 1960s Hong Kong, the film follows next-door neighbors Chow and Su, who learn that their respective spouses are having an affair. As the pair piece together the details of their lovers’ infidelity, a slow-burning spark ignites between them. The ultimate romantic tragedy, In the Mood for Love is the culmination of missed connections and unspoken desires. Despite being perfect for one another, Chow and Su’s turbulent emotions cause them to continually blow past each other. We are the sum of all our past lovers, and sometimes those past lovers leave serious marks. Sometimes, we’re hurt so bad that we can’t heal in time for new love to take root. Chow and Su are both holding a candle for each other, but they keep turning away.

    Only Lovers Left Alive

    tilda swinton and tom hiddleston in "only lovers left alive"
    (Sony Pictures Classics)

    Directed by Jim Jarmusch, Only Lovers Left Alive is the story of Adam and Eve—not the biblical apple eaters, but a vampire couple whose love story is equally ancient. Living on opposite ends of the world, the pair are attempting to keep their spark alive by any means necessary. Spending your life with the person you love most in the world sounds romantic, but when that life could potentially last forever, you’ve gotta get creative to keep the romance feeling fresh. In this case, that means wandering Tangiers, working on rock albums, and trying to resist the urge to commit suicide. An existential meditation on romance and un-life, this film questions whether or not everlasting love is really all it’s cracked up to be. Slow-burn? Adam and Eve have kept the flame alive for centuries, and may have to tend it for millenia more.

    Lost In Translation

    (Focus Features)

    Sofia Coppola’s Lost In Translation proves that some of the brightest slow-burns burn briefly. Aging movie star Bob Harris has come to Japan to shoot whiskey commercials and get some distance from his failing marriage. Meanwhile, young Yale graduate Charlotte is stuck with her husband, a famous photographer who often leaves her alone. After commiserating at their hotel bar, Bob and Charlotte strike up an unlikely relationship—one not founded on physical chemistry, but emotional fulfillment. The only two members of their own secret lonely hearts club, Bob and Charlotte grow closer through late-night conversation and sake-fueled karaoke performances. Will they end up together? Probably not. Should they? Debatable. Will you want them to? Absolutely yes.

    Pride and Prejudice

    Pride and Prejudice 2005, Elixabeth Bennet and Mr. Darcy face off in a ballroom. Kiera Knightly and Matthew Macfayden
    (Focus Features)

    An adaptation of the most influential slow-burn romance novel ever penned, Joe Wright’s Pride and Prejudice is an equally seminal piece of romance cinema. Unless you’ve been living under a rock the size of Mr. Darcy’s ego at novel’s beginning, you’re familiar with the gist of its sweeping enemies-to-lovers plot. One could say that Darcy and Elizabeth were burning for one another at their first meeting, but the fuel of that fire changed from hate to love by the story’s end. As the pair slowly begin to let go of their negative preconceptions each other, they create room for affection to grow. When that pair consists of Keira Knightley and Matthew Macfadyen, the film’s audience is sure to be equally smitten.

    If Beale Street Could Talk

    If Beale Street Could Talk
    (Annapurna Pictures)

    Directed by Barry Jenkins, If Beale Street Could Talk isn’t a “will they/won’t they” sort of slow-burn, it’s a “how can this fire possibly stay alive?” Told through a series of non-linear flashbacks, the film follows childhood friends turned lifelong lovers Tish and Fonny, whose relationship is tested by the cruel realities of a corrupt justice system. Arrested for a horrific crime he didn’t commit, Fonny is left to languish in prison, while Tish attempts to convince an uncaring world of her lover’s innocence. Though the film refuses to shy away from the brutal realities that people of color face in the United States carceral system, it’s ultimately a tender testament to the resilience of love. Despite the years, the distance, and the devastation, the fire never goes out.

    Millennium Actress

    Visions of a Japanese actress at different stages of her life in "Millennium Actress"
    (The KlockWorx)

    Directed by Satoshi Kon, Millennium Actress isn’t your traditional slow-burn romance—Kon is anything but traditional, after all. The plot follows two documentarians who are set to interview Chiyoko Fujiwara, a famous Japanese actress who mysteriously vanished from the spotlight decades before. As the pair piece together the details of the now-elderly Chiyoko’s life, they learn that her illustrious career wasn’t fueled by artistic ambition, but by unfulfilled love. After falling head over heels for a runaway political dissident as a teen, Chiyoko took a job as an actress to travel the world in search of him. The slow-burn romance in this film is fueled entirely by Chiyoko’s devotion; she holds a candle for her lost lover across the decades, hoping to be reunited someday. But does Chiyoko truly love the mysterious man whose name she never learned, or just the pursuit of him? Maybe a little of both? That’s something for the documentary crew to figure out.

    Past Lives

    Past Lives movie still.
    (A24)

    Directed by Celine Song, Past Lives is the story of Na Young and Hae Sung, whose slow-burn connection was sparked when they were twelve years old. Separated after her parents moved away from South Korea, Na Young, now renamed Nora, discovers that Hae Sung has been looking for her for over a decade. The pair attempt to reconnect, but distance and other relationships continually prevent them from rekindling their love. The film is a meditation on the concept of inyeon—an untranslateable Korean word for a love that has lasted across past lives. Nora and Hae Sung may not end up together in this lifetime, but they’re destined for one another in the next, or perhaps the next after that. This is a slow-burn romance of cosmic proportions.

    Have a tip we should know? [email protected]

    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

    Sarah Fimm

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  • The 10 Best Romance Movies of the 21st Century

    What’s the smell in the air? Is it roses? Chocolate? Body odor? No, it’s love! What’s not to love about a love story? They bring us joy. They make us cry. And most of all, they help us to believe in the idea that love is possible—that there’s somewhere out there waiting for every one of us. While the 21st-century dating pool can sometimes feel like a dating-app drenched situationship swamp, these ten films give us hope for love. Here they are, the ten best romance movies of the 21st century. The next time you’re thinking about dinner and movie with that special someone, why not take them to see one of these?

    Portrait of A Lady On Fire

    Noémie Merlant and Adèle Haenel in portrait of a lady on fire

    Directed by Céline Sciamma, Portrait of A Lady On Fire is described as a sapphic period romance—I was sold from that sentence alone. Set in the 18th century, the story follows a painter named Marianne who travels to a distant island to paint the portrait of Héloïse, a young woman soon to be married off to a nobleman from Milan. As Titanic suggests, portrait painting is a rather romantic activity—lots of intense staring at one another for hours on end. As the painter observes the paintee, the paintee looks back into her, and finds a similar longing hiding in the expression on her face. You know that thing Nietzsche said about staring into abysses and how they stare back into you? For Marianne, the abyss is Héloïse’s eyes; she feels like she could just fall in—and Héloïse’s gaze suggests the same.

    Eternal Sunshine of the Spotless Mind

    Kate Winslet and Jim Carrey in Eternal Sunshine of the Spotless Mind
    (Focus Features)

    Michel Gondry’s Eternal Sunshine of the Spotless Mind stars Kate Winslet and Jim Carry, the latter trading his “laugh out loud” antics for a more “cry in silence” performance style. Carrey plays Joel Barish, a recently brokenhearted man who undergoes an experimental procedure to forget his ex entirely—after the devastating realization that she’s already had the procedure done herself. As Joel backtracks through his memories of his beloved Clementine, the viewer is given a dreamlike glimpse into their relationship: the highs, the lows, the moments where it all went wrong, and the things that could make it right again. A thoroughly gut-wrenching film inspired by an equally intestines-gouging poem by Alexander Pope, Eternal Sunshine of the Spotless Mind is a hopeful portrayal of nearly-doomed love.

    Lost In Translation

    (Focus Features)

    If you’re looking for steamy hookup scenes, scroll on—Lost In Translation is about so much more than that. It’s the story of aging movie star Bob Harris, who travels to Tokyo to appear in a whiskey ad—and get a little distance from his failing marriage. During his frequent visits to the hotel bar, Bob strikes up a friendship with Charlotte, a young Yale grad stuck shadowing her celebrity photographer husband. The pair bond over their mutual loneliness, two strangers in a strange land, estranged from the people that they’re supposed to feel closest to. The film trades sexual intimacy for emotional intimacy, the far more vulnerable of the pair. Bob and Charlotte share their hopes, dreams, disappointments, and a few laughs—all knowing that their love can never be.

    Carol

    Cate Blanchett and Rooney Mara in
    (The Weinstein Company)

    An adaptation of Patricia Highsmith’s novel The Price of Salt, Todd Haynes’ Carol is the story of Therese Belivet, an aspiring photographer stuck working in a department store during the 1952 Christmas season—could there be anything worse? Her customer service worker woes are momentarily forgotten when she meets Carol, a glamorous, soon-to-be-divorced older woman who holds her gaze just a little longer than normal. And so begins a clandestine sapphic romance for the ages, two women engaging in a silent, sensual rebellion against the stiflingly heteronormative society that surrounds them. Aside from its glorious “Harold, they’re lesbians” internet meme claim to fame, Carol is a staggering romantic drama, a piece of queer cinema royalty.

    Love And Basketball

    A couple playfully play basket together in "Love And Basketball"
    (New Line Cinema)

    Directed by Gina Prince-Bythewood, Love and Basketball is a romance framed like a basketball game—told across four separate quarters. The first quarter begins in Los Angeles, following the childhood friends Monica and Quincy, who bond over a mutual love of the sport. The remaining quarters follow the pair at pivotal moments in both their personal and professional lives; their affection for one another deepens as their athletic careers reach new heights. It’s a film about friendship, ambition, rivalry, and love—as well as the complicated balance both Monica and Quincy must strike with those sometimes conflicting values across their lives.

    Y Tu Mama Tambien

    Image of Gael Garcia Bernal, Maribel Verdú, and Diego Luna in a scene from 'Y tu Mamá También.' They are all lanky, light-skinned Mexicans. Bernal is wearing a red bandana covering his short, dark hair, a blue t-shirt with the sleeves rolled up and the bottom pulled up to reveal his midriff, and khaki pants. Verdú is a woman with long dark hair wearing a white cowboy hat, a long-sleeved buttondown shirt with the top and bottom buttons undone, and a brown knee-length skirt. Luna is wearing a brown cowboy hat, a white shell necklace, a black and white shirt, and grey shorts. They're standing on a dirt road in a field.
    (20th Century Studios)

    Directed by Alfonso Cuarón, Y Tu Mama Tambien follows two teens who embark on the coming-of-age romance of their lives, along with a woman ten years older. Julio and Tenoch have just graduated high school, and are spending the summer doing whatever teenage boys do: in this case, jerking off into public pools and being general menaces. At a party thrown by Julio’s high society father, the pair meet Luisa, a beautiful woman in her late 20s. Attempting to impress her, they tell her that they’re about to go on a cross-country roadtrip to Boca del Cielo, a place they just made up on the spot. To their surprise, Luisa agrees to come along, and the trio cram themselves and their menage-a-tois romantic tension into a four-door and split. What begins as a film about sexual awakening blossoms into an exploration of the passage of youth. You’re only young once; might as well enjoy it while you can.

    Brokeback Mountain

    Two cowboy lovers hold each other in "Brokeback Mountain"
    (Focus Features)

    Directed by Ang Lee, Brokeback Mountain was perhaps the most impactful queer romance film of the 2000s, a gay cowboy love story for the masses. Set in early 190s Wyoming, the film follows cowboys Ennis Del Mar and Jack Twist—hired to work as sheep herders in the titular highland. After Jack drunkenly displays an attraction that Ennis reciprocates, the pair begin a clandestine romance out on the range that ends as messily as it began. They attempt to go back to old lives and new wives, but they soon realize that they just “can’t quit” one another—a phrase that leads to some serious tear-jerker scenes. It’s an absolutely devastating romance story, one that came at a time when romance between men was seldom shown onscreen. Brokeback Mountain trotted so gay romance modern classics like Call Me By Your Name could gallop.

    In The Mood For Love

    A man stares at a woman looking wistfully away in "In The Mood For Love"
    (Block 2 Pictures/Océan Films)

    Directed by Wong Kar-wai, In The Mood For Love is the story of Chow Mo-wan and Su Li-zhen, two next-door neighbors whose spouses are having an affair. Frequently left alone during late nights after their lovers step out the door, the pair’s polite relationship soon blooms into something more intimate as they piece together the details of the infidelity. It’s a tender, slow-burning romance about two deeply wounded people learning to love again, their relationship complicated by the ghosts of their lovers’ past. Full of the wist and longing that made Fallen Angels one of the most impactful films of Wong Kar-wai’s career, In The Mood For Love is all the missed connection romance without any of the contract-killing—it’s probably better for Chow and Su’s relationship that way.

    Let The Right One In

    A child with blood on her face looks at the camera while a smaller blond boy sits behind her
    (Sandrew Metronome)

    Adapted from a novel by John Ajvide Lindqvist, Tomas Alfredson’s Let The Right One In is a queer coming-of-age masterpiece with a twist of vampire horror. Set in a working-class suburb of Sweden, the film follows a bullied young boy named Oskar who befriends his neighbor Eli, a mysterious girl who only comes out at night. As exsanguinated bodies start piling up around town, Oskar puts two and two together. But does he care that his new best friend is a creature of the night? Not in the slightest. In fact, he wants to go steady. A story about needs and neglect, Let The Right One In cautions the viewer to carefully consider the people they allow into their lives. Considering his alcoholic father, his clueless mother, and his abusive classmates, it’s no surprise that Eli is the person Oskar loves the most: she’s the only person on Earth who can truly protect him.

    Her

    joaquin phoenix wearing glasses with a mustache in her
    (Warner Bros.)

    Directed by Spike Jonze, Her is the story of a love affair between man and machine. Devastated by his coming divorce, Theodore Twombly buys a copy of OS¹: an AI capable of adapting itself to the user’s needs. After asking him a few questions about his mother, the OS soon reintroduces itself as Samantha—and its subsequent interactions with Theodore become disarmingly personal and maybe even… flirty? As Theo and Sam grow closer, their romance is challenged by Theo’s closest human relationships, including his ex-wife. Her is a strangely prophetic film, as more and more people are turning to language models like ChatGPT for emotional support—and AI is giving increasingly emotionally intelligent responses. If it walks like a duck and talks like a duck (metaphorically speaking), then according to Theo, it might be time to take AI on a date.

    Have a tip we should know? [email protected]

    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

    Sarah Fimm

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