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Tag: Pop music

  • Q&A: Shania Twain talks rebuilding confidence with new album

    Q&A: Shania Twain talks rebuilding confidence with new album

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    LOS ANGELES — Shania Twain felt the need on her new album to empower herself the same way she has uplifted listeners with hits like “Man! I Feel Like a Woman” and “She’s Not Just a Pretty Face.”

    So she set aside all feelings of self consciousness — appearing braless for the album’s artwork and letting listeners unabashedly hear her surgically repaired voice — on “Queen of Me.” Throughout the album’s 12-tracks, the 57-year-old country pop superstar confronts her physical vulnerabilities with authority in ways meant to uplift fans, and herself.

    Twain’s sixth studio album is her first since having open-throat surgery in 2018 to strengthen her vocal muscles after a long battle with Lyme disease. During the pandemic, the singer said she went into her “writing cave” at home to hone her songwriting skills and penned three albums worth of music with a clear understanding that her powerful vocals might not last forever.

    In a recent interview with The Associated Press, Twain spoke candidly about the album, which is out Friday, regaining her confidence, singing during throat surgery and preparing for her global upcoming tour, which kicks off April 28.

    Remarks have been edited for clarity and brevity.

    ___

    AP: How do you define your new album, “Queen of Me”?

    TWAIN: Self empowerment is about managing your mindset. Controlling your own mood. Your frame of mind. It just turned into “Queen of Me.” I’m my own boss. I’m the boss of me. I have to tell myself how to think. What to think. It became the theme of the whole album. It ended up representing that uplifting mode of myself.

    AP: Before I listened to your album, I was expecting ballads. But it’s a more upbeat experience. What made you choose that route?

    TWAIN: It was all happening in a mode of lifting my own spirit up. I wanted music that was going to make me want to dance. Even some of the songs that are a little more, for example, “Brand New Me” or “Pretty Liar.” Those are songs that would have maybe stayed more in the melancholy vibe more ballady. But because I was really relying on my songwriting during that time to make me feel a positive energy, everything pretty much turned into this more poppy, dancey, beat-driven, upbeat-driven sounding album.”

    AP: You seem liberated on your album cover. Was that your intent?

    TWAIN: That was the entire intention. You know, throw away the bra. I did a lot of nude photography in that session. That’s obviously a partial nude. I wanted to be on a horse. One of the places I feel most liberated is riding a horse. You can fly. It’s very empowering. It’s like you take this unbridled posture to bridle your freedom. It’s like facing a fear, facing something that’s uncomfortable, getting myself out of my comfort zone — especially on a horse. That’s freedom.

    AP: I heard you sang during surgery. Is that true?

    TWAIN: Yes, I had to be awake, so that I could sing and speak. It was horrible. I’m not going to lie. But there was no way around it. It was the only way. The decision to do the surgery was quick for me, but the recovery was quite long and very very painful. They literally had to stretch the larynx, move everything over and put these crutches in there. You’re singing and you speak, so they understand that you have symmetrical closure — which I didn’t have before.

    AP: What’s been your thoughts after the surgery?

    TWAIN: I may not have it forever. Just with age, the effect of it just might not stand up. So I’ve got to take advantage of it now, enjoy it, get out on the stage, make more records, because I’m not sure I would go through it again.

    AP: I’m sure that’s tough to hear. Do you think about when your voice might go again?

    TWAIN: I don’t think about it. I don’t worry about it. I focus on how to manage my voice the way it is now. For example, before the surgery, it was like a two-hour warmup and so much physical therapy. I just couldn’t sustain it. That’s why I decided to have the surgery. The surgery has reduced all of that to about 20 minutes, which is very normal. That’s ideal. But if I’m not singing for even a week or maybe two weeks, it takes me two to three days to get that voice going again. It’s more work than I had to do before, but it’s worth it.

    AP: What was the first sign of your singing confidence?

    TWAIN: The true confidence was three weeks after the surgery. I made a sound and there was resonance. Instant resonance. I’m like, “Oh, my God. I feel it. I feel it working.” It was a small window, but that kind of put the fire under my butt, too, and I said, “All right, no more excuses.” You’ve got this and you’ve got the best technology available. Top notch surgeon. All the physiotherapy education you need. Get out there and do it.

    AP: With your retooled vocals, how are you mentally getting ready for your tour?

    TWAIN: When I now go out on that stage, I am not afraid of the criticism. I’m not going to be perfect. My voice is not what it used to be. I sing differently. There’ll be holes in it. I’m not the same body I used to be. All these things. But I go out there with the confidence that I’m the best I can be and that I’ve worked hard to be my best. I just am not afraid of the criticism. I’m there for the people that are embracing me for who I am. I will get out there and do my best to make everybody happy, as I always do.

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  • K-pop star Jin of BTS completes basic training for military service in South Korea | CNN

    K-pop star Jin of BTS completes basic training for military service in South Korea | CNN

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    Seoul, South Korea
    CNN
     — 

    The oldest member of the K-pop supergroup BTS has completed five weeks of basic training as part of his mandatory military service in South Korea.

    On Wednesday, Jin posted on the fan community app Weverse for the first time since enlisting last month, sharing three photos of himself in a military uniform.

    “I’m having fun. I’m posting a photo with permission from the military,” the 30-year-old wrote. “Army, always be happy and stay well,” he added.

    Military service is compulsory in South Korea, where almost all able-bodied men are required to serve in the army for 18 months by the time they are 28 years old.

    Jin entered the Yeoncheon training center on December 13, 2022, and has since been selected to serve as an assistant instructor at the Yeoncheon army base in northern Gyeonggi province, according to the South Korean military.

    BTS have become worldwide superstars since debuting in 2013, earning No. 1 singles in more than 100 countries, more than 46 million followers on Twitter and being awarded Time magazine’s Entertainer of the Year award in 2020.

    Under a bill passed in parliament in 2020, South Koreans who “excel in popular culture and art” are allowed to deter mandatory military service until the age of 30.

    Jin, the oldest member of BTS, is the first in the group to enlist. He will be one of about 560,000 army troops, according to the South Korean army website.

    The group’s record label BIGHIT Music said in October that all seven members would serve their mandatory military service.

    BTS is expected to reconvene as a group around 2025.

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  • Toronto-Based Alt-Pop Artist Eric Punzo Releases Haunting New Video for Latest Single, ‘If I Told You That I Missed You’

    Toronto-Based Alt-Pop Artist Eric Punzo Releases Haunting New Video for Latest Single, ‘If I Told You That I Missed You’

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    Press Release


    Jan 9, 2023 15:00 EST

    With a gritty, alt-pop sound that also incorporates hip-hop in equal measure, Toronto-based pop up-and-comer Eric Punzo brings his own brand of passionate, introspective songwriting to visual life in the video for his latest single “If I Told You That I Missed You,” you today. Released via BAMO Records (in partnership with Coalition Music), “If I Told You That I Missed You” is the perfect example of the unique sound that’s earned Punzo a rapidly growing following, over 4 million TikTok views, and his first sold out headlining show at Toronto’s famed Rivoli. Produced by Steve Molella (award-winning Canadian rock band Finger Eleven), Punzo also co-wrote the forlorn tune – his fifth single release to-date – with Molella. 

    Watch the official video for “If I Told You That I Missed You” here.

    “This song is about missing someone special and wondering how they’d feel if I were to tell them,” Punzo said of the song. “It describes the struggles that can arise because of love and how it made me reflect back on the relationship after all the years.”

    “The video highlights how I journeyed through an unfamiliar territory to find this person and let them know that I miss them, just to get hurt and shut down in the end by that very person,” he added, speaking on the visual. “For me, the unfamiliar territory that this village represents is the idea of ‘love & romance’ something that I’ve never been too familiar with.”

    Punzo has previously released four other tracks – his debut single being being the electric guitar riff-laiden “Nauseous,” which has nearly 1 million streams on Spotify alone. 

    ABOUT ERIC PUNZO:

    Managed by Toronto-based Coalition Music, Eric Punzo continues to hone his craft with producer Steve Molella (Finger Eleven), with more releases planned on Molella’s label, BAMO Records. His latest release, “If I Told You That I Missed You,” is the first love song he ever wrote, and a personal favourite.

    Like many artists of his generation, the concept of genres doesn’t seem to apply any longer when it comes to Punzo’s sound. What matters most is using all of his skills to create something fresh and exciting. As he draws inspiration from a vast array of artists ranging from Mac Miller to City & Colour, expect Eric Punzo to keep finding innovative ways to bare his soul through his music.

    To learn more about Eric Punzo, visit ericpunzo.com, and follow Eric on FacebookInstagramTikTok, and YouTube

    To learn more about Coalition Music, visit coalitionmusic.com.

    ###

    MEDIA CONTACT:

    Elise Anderson, Elicity Public Relations

    (615) 946-6055; elise@elicitypr.com

    Source: Eric Punzo, pop singer-songwriter

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  • Singer Anita Pointer of The Pointer Sisters dies at age 74

    Singer Anita Pointer of The Pointer Sisters dies at age 74

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    BEVERLY HILLS, Calif. — Anita Pointer, one of four sibling singers who earned pop success and critical acclaim as The Pointer Sisters, died Saturday at the age of 74, her publicist announced.

    The Grammy winner passed away while she was with family members, publicist Roger Neal said in a statement. A cause of death was not immediately revealed.

    “While we are deeply saddened by the loss of Anita, we are comforted in knowing she is now with her daughter Jada and her sisters June & Bonnie and at peace. She was the one that kept all of us close and together for so long,” her sister Ruth, brothers Aaron and Fritz and granddaughter Roxie McKain Pointer said in the statement.

    Anita Pointer’s only daughter, Jada Pointer, died in 2003.

    Anita, Ruth, Bonnie and June Pointer, born the daughters of a minister, grew up singing in their father’s church in Oakland, California.

    The group’s 1973 self-titled debut album included the breakout hit, “Yes We Can Can.” Known for hit songs including “I’m So Excited,” “Slow Hand,” “Neutron Dance” and “Jump (For My Love),” the singers gained a star on the Hollywood Walk of Fame in 1994.

    The 1983 album “Break Out” went triple platinum and garnered two American Music Awards. The group won three Grammy Awards and had 13 U.S. top 20 hit songs between 1973 and 1985, Neal said.

    The Pointer Sisters also was the first African American group to perform on the Grand Ole Opry program and the first contemporary act to perform at the San Francisco Opera House, Neal said.

    Bonnie Pointer left the group in 1977, signing a solo deal with Motown Records but enjoying only modest success. “We were devastated,” Anita Pointer said of the departure in 1990. “We did a show the night she left, but after that, we just stopped. We thought it wasn’t going to work without Bonnie.”

    The group, in various lineups including younger family members, continued recording through 1993.

    June Pointer died of cancer at the age of 52 in 2006.

    Anita Pointer announced Bonnie Pointer’s death resulting from cardiac arrest at the age of 69 in 2020. “The Pointer Sisters would never have happened had it not been for Bonnie,” she said in a statement.

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  • ‘New Year’s Rockin’ Eve’ to feature Duran Duran, New Edition

    ‘New Year’s Rockin’ Eve’ to feature Duran Duran, New Edition

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    NEW YORK — Ryan Seacrest will usher in 2023 on “New Year’s Rockin’ Eve” from Times Square, with iconic bands from the 1980s and 1990s as well as a member of BTS and a TikTok sensation.

    Duran Duran, fresh off an induction into the Rock & Roll Hall of Fame, will play from a catalogue that includes hits like “Hungry Like the Wolf,” “The Reflex” and “Rio.” R&B and pop group New Edition will celebrate their 40th anniversary by performing a medley of chart-toppers and solo hits like “Rub You The Right Way,” “My Prerogative,” “Poison,” “If It Isn’t Love,” and “Cool It Now.”

    J-hope, South Korean songwriter and member of BTS, will play a medley of his “= (Equal Sign),” “Chicken Noodle Soup” and the band’s “Butter.” And Tik-Tok star Jax will sing pop hits “Victoria’s Secret” and “90s Kids.” Singer and rapper Farruko will perform from Puerto Rico.

    Actress and producer Liza Koshy will return as co-host alongside Seacrest, actor-singer Roselyn Sanchez will co-host from Puerto Rico and Billy Porter will be back in New Orleans for the Central Time Zone countdown.

    There will be pre-taped performances in Disneyland from Aly & AJ, Bailey Zimmerman, Ben Platt, Ciara, Fitz & The Tantrums, Halle Bailey, Lauren Spencer Smith, Maddie & Tae, Shaggy and TXT. And from Los Angeles, there will be performances by Armani White, Betty Who, Dove Cameron, Finneas, Nicky Youre and Wiz Khalifa.

    Seacrest, inheritor of ABC’s legendary “New Year’s Rockin’ Eve” from Dick Clark, reached 19.6 million viewers between 11:30 p.m. and 12:30 a.m., last New Year’s Eve, according to Nielsen. During the 15-minute interval where the ball dropped in New York’s Times Square, his audience jumped to 24.2 million people.

    “New Year’s Rockin’ Eve” will air Dec. 31 on ABC.

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  • BTS member Jin begins military duty at front-line boot camp

    BTS member Jin begins military duty at front-line boot camp

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    YEONCHEON, South Korea — Jin, the oldest member of K-pop supergroup BTS, began his 18 months of mandatory military service at a front-line South Korean boot camp Tuesday as fans gathered near the base to say goodbye to their star.

    Six other younger BTS members are to join the military in coming years one after another, meaning that the world’s biggest boy band must take a hiatus, likely for a few years. Their enlistments have prompted a fierce domestic debate over whether it’s time to revise the country’s conscription system to expand exemptions to include prominent entertainers like BTS, or not to provide such benefits to anyone.

    With lawmakers squabbling at Parliament and surveys showing sharply split public opinions over offering exemptions to BTS members, their management agency said in October that all BTS members would perform their compulsory military duties. Big Hit Music said that both the company and the members of BTS “are looking forward to reconvening as a group again around 2025 following their service commitment.”

    Jin, who turned 30 earlier this month, entered the boot camp at Yeoncheon, a town near the tense border with North Korea, for five weeks of basic military training together with other new conscript soldiers, the Defense Ministry said. After the training involving rifle shooting, grenade throwing and marching practices, he and other conscripts would be assigned to army units across the country.

    About 20-30 fans — some holding Jin’s photos — and dozens of journalists gathered near the camp. But Jin didn’t meet them as a vehicle carrying him moved into the boot camp without getting him out.

    “I want to wait (for) Jin and see him go into the military and wish him all the best,” Mandy Lee from Hong Kong said before Jin’s entrance to the camp.

    “Actually it’s complicated. I wanna be sad. I wanna be happy for him,” said Angelina from Indonesia. “Mixed feelings. He has to serve (for) his country.” Angelina, like many Indonesians, uses only one name.

    A couple dozen fans could be seen as a small turnout given Jin’s huge popularity. But Jin and his management agency had earlier asked fans not to visit the site and notified them there wouldn’t be any special event involving the singer, in order to prevent any issue caused by crowding.

    Authorities still mobilized 300 police officers, soldiers, emergency workers and others to maintain order and guard against any accidents, according to the army. Strict safety steps were expected as South Korea is still reeling from the devastating Halloween crush in October in Seoul that killed 158 people.

    Hours before entering the camp, Jin — whose real name is Kim Seok-jin — wrote on the on the online fan platform Weverse that “It’s time for a curtain call.” He posted a photo of himself Sunday with a military buzzcut and a message saying, “Ha ha ha. It’s cuter than I had expected.”

    By law, all able-bodied South Korean men must serve in the military for 18-21 months under a conscription system established to deal with threats from North Korea. But the law gives special exemptions to athletes, classical and traditional musicians, and ballet and other dancers if they have won top prizes in certain competitions and enhance national prestige. K-pop stars and other entertainers aren’t given such benefits even if they gain worldwide fame and win big international awards.

    “Though BTS members have opted to go to the military, there are still some sort of regrets,” said Jung Duk-hyun, a pop culture commentator. “Those in the pop culture sector experience little bit of disadvantages and unfairness, compared with those in the pure art sector or athletes. This will likely continue to be an issue of controversy so I wonder if it must be discussed continuously.”

    Exemptions or dodging of duties are a highly sensitive issue in South Korea, where the draft forces young men to suspend their studies or professional careers. Defense Minister Lee Jong-sup and Lee Ki Sik, head of South Korea’s enlistment office, previously said it would be “desirable” for BTS members to fulfill their military duties to ensure fairness in the country’s military service.

    Chun In-bum, a retired lieutenant general who commanded South Korea’s special forces, said the government must move to repeal any exemptions as the military’s shrinking recruitment pool is “a very serious” problem amid the country’s declining fertility rate. He called a debate over BTS’s military service “unnecessary” as it wasn’t raised by BTS members, who have shown willingness in carrying out their duties.

    BTS was created in 2013 and has a legion of global supporters who call themselves the “Army.” Its other members are RM, Suga, J-Hope, Jimin, V and Jungkook, who is the youngest at 25. The group expanded its popularity in the West with its 2020 megahit “Dynamite,” the band’s first all-English song that made BTS the first K-pop act to top Billboard’s Hot 100. The band has performed in sold-out arenas around the world and was even invited to speak at United Nations meetings.

    Hybe Corp., the parent company of Big Hit, said in October that each member of the band for the time being would focus on individual activities scheduled around their military service plans. In October, Jin released “The Astronaut,” a single co-written by Coldplay.

    Jung, the commentator, said sold projects could give BTS members much-needed time to develop themselves after working together as a group for many years. But Cha Woo-jin, a K-pop commentator, said it’s unclear if BTS would enjoy the same popularity as a group when they get together again after finishing their military duties in a few years.

    In August, Lee, the defense minister, said BTS members who are serving would likely be allowed to continue practicing and to join other non-serving BTS members in overseas group tours.

    Cha said K-pop’s global influence wouldn’t be hurt much because of BTS members’ enlistments as they “appear to represent K-pop but aren’t everything of K-pop.” Chung agreed, saying that other K-pop groups like BLACKPINK, Stray Kids and aespa could rise further.

    ———

    Kim reported from Seoul, South Korea.

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  • Review: SZA’s perfection takes time in second album ‘SOS’

    Review: SZA’s perfection takes time in second album ‘SOS’

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    “SOS” by SZA (Top Dawg Entertainment/RCA)

    “Said what’s on my mind,” SZA professed in the first track at the top of her long-awaited second album, “SOS.” And that’s exactly what she does. The album comes after over five years since her debut album, “Ctrl.” The relatability of SZA’s lyrics, her vocal prowess and her experimental takes on the R&B genre remind us why audiences fell in love with her in the first place.

    SZA’s first album “Ctrl” was praised among fans and critics alike, with multiple songs charting in the top 40s, a Grammy nomination in 2018, and it was even The Associated Press’ album of the year in 2017.

    In the time between albums, SZA was still releasing hits, including singles “Good Days,” and “I Hate U,” which are featured on “SOS.” She sang on the Oscar-nominated “Black Panther” track “All the Stars” with Kendrick Lamar, and the Grammy-winning “Kiss Me More” with Doja Cat.

    With 23 songs on “SOS,” the overwhelming track list manages to keep audiences captivated from start to finish.

    SZA’s vocal range and lyricism is apparent in the album. The artist can go from a ruthless rap track “Smoking on my Ex Pack” to classic R&B ballads, “Gone Girl,” to even acoustic in “Nobody Gets Me.”

    In “Special,” it’s a change of pace with an intimate acoustic sound and painful lyrics exploring body image and insecurity. Her relatable lyrics also dive into the sadness and the blind anger that comes with heartbreak. “Kill Bill,” explores fantasies of revenge but was still able to capture the feeling of loneliness. She sings in the last line: “Rather be in Hell than alone.”

    Collaborations range from Phoebe Bridgers, Travis Scott and the late Wu-Tang Clan rapper Ol’ Dirty Bastard and prove she can nail traditional R&B sounds but isn’t afraid to experiment with indie alternative, pop-punk, lo-fi and more.

    “Ghost in the Machine (feat. Bridgers)” is a blend of R&B and indie alternative that was the most unexpected on the record but also one of the best collabs. Both artists are able to channel heartbreak but in different genres, their unique sounds blending together perfectly.

    The results of the five-year wait: a long, ambitious album with hardly a single miss. SZA proves in “SOS” she still is a voice of this generation.

    ———

    For more reviews: https://apnews.com/hub/music-reviews

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  • Man who shot Lady Gaga’s dog walker gets 21 years in prison

    Man who shot Lady Gaga’s dog walker gets 21 years in prison

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    LOS ANGELES — The man who shot and wounded Lady Gaga’s dog walker and stole her French bulldogs last year took a plea deal and was sentenced to 21 years in prison on Monday, officials said.

    The Lady Gaga connection was a coincidence, authorities have said. The motive was the value of the French bulldogs, a breed that can run into the thousands of dollars, and detectives do not believe the thieves knew the dogs belonged to the musician.

    James Howard Jackson, one of three men and two accomplices who participated in the violent robbery and its aftermath, pleaded no contest to one count of attempted murder, according to the Los Angeles County District Attorney’s Office. It was not immediately clear which attorney represented Howard on Monday.

    Jackson and two others drove around Hollywood, the city of West Hollywood and the San Fernando Valley on Feb. 24, 2021 “looking for French bulldogs,” prosecutors said previously. They found Lady Gaga’s dog walker, Ryan Fischer, with the pop star’s three pets.

    Jackson shot Fischer during the robbery near the famed Sunset Boulevard, during which two of the dogs were taken. A nearby doorbell camera recorded the dog walker screaming “Oh, my God! I’ve been shot!” and “Help me!” and “I’m bleeding out from my chest!”

    Fischer later called the violence a “very close call with death” in social media posts.

    The dogs, named Koji and Gustav, were returned several days later by Jennifer McBride, who was also charged in the crime.

    The pop star had offered a $500,000 reward — “no questions asked” — to be reunited with the dogs at the time.

    Jackson also admitted the allegation of inflicting great bodily injury and to a prior strike, the DA’s office said Monday. The prosecutor’s office did not immediately say what the prior strike was.

    “The plea agreement holds Mr. Jackson accountable for perpetrating a coldhearted violent act and provides justice for our victim,” the office said in a statement. Howard had been charged with attempted murder, conspiracy to commit a robbery and assault with a semiautomatic firearm.

    Jackson was mistakenly released from jail earlier this year due to a clerical error. He was recaptured nearly five months later.

    Another accomplice, Harold White, pleaded no contest Monday to a count of ex-convict in possession of a gun. White, who was in a relationship with McBride at the time, will be sentenced next year.

    The couple had allegedly tried to help White’s son, Jaylin White, avoid arrest in the aftermath of the shooting.

    Jaylin White and Lafayette Whaley earlier this year pleaded no contest to robbery.

    Whaley drove Jackson and the younger White around last year as they searched for the pricy dogs. Jackson and White jumped out and attacked Fischer, prosecutors said previously. They hit and choked the dog walker, and Jackson pulled out a semiautomatic gun and fired, striking Fischer once before the trio fled.

    Lady Gaga’s representatives and Fischer did not immediately respond to requests for comment.

    ———

    Associated Press writer Andrew Dalton contributed.

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  • Elton John to play Glastonbury as epic tour draws to close

    Elton John to play Glastonbury as epic tour draws to close

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    FILE – Elton John performs on the South Lawn of the White House in Washington, Friday, Sept. 23, 2022. Elton John is scheduled to perform at the Glastonbury Festival in June, in what organizers say will be his last-ever show in Britain. The festival announced Friday, Dec. 2, 2022 that the star will play the 2023 festival’s final night on June 25 (AP Photo/Susan Walsh, File)

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  • Britney Spears: Is it time to reconsider the singer’s legacy?

    Britney Spears: Is it time to reconsider the singer’s legacy?

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    Because she broke through in the late 1990s, at the tail end of an era dominated by powerhouse vocalists like Celine Dion and Mariah Carey, Spears’ distinctive singing voice was often woefully undervalued. Kheraj points to her more mature third album, 2001’s Britney, which saw her embrace R&B on I’m A Slave 4 U and soft rock on I’m Not a Girl, Not Yet a Woman, as the point at which she really honed her vocal style. “She pushes her voice into more whispery textures, playing with the different sounds that she’s able to create in order to elevate a song,” Kheraj says, comparing her to Kylie Minogue and Janet Jackson in this respect. “Though in my opinion,” he adds, “Spears’ ability to be an actress with her own voice, taking on different tones, timbres and vibrations, is second to none.” This assessment of Spears’ vocal technique is echoed by Andrew Watt, a producer who worked with her on this year’s Elton John duet Hold Me Closer. “She’s unbelievable at layering her voice and doubling, which is one of the hardest things to do,” he told The Guardian in August, adding: “She’s so good at knowing when she got the right take. She took complete control.”

    Finding her voice

    As Spears’ career progressed, she also took more control of her music from the very start of the creative process. Kheraj says she had a predilection for finding collaborators who “would disrupt the status quo of pop” – like envelope-pushing R&B duo the Neptunes, who produced her early 2000s hits I’m a Slave 4 U and Boys, and Moby, who worked on her trance-influenced track Early Mornin’. The latter appeared on Spears’ 2003 album In the Zone, her fourth, on which she co-wrote eight of 12 songs including the beautifully subdued ballad Everytime. “The video was always on MTV when I was about 11, and I remember feeling so sad for her,” says Styrke, referring to the song’s regretful lyrics as well as its video depicting the dark side of fame. “Hearing it [now] still makes me really feel for her.”

    In the Zone was another step up for Spears, but her magnum opus came four years later with 2007’s Blackout, an incredibly innovative album that she executive produced. Home to the huge hits Gimme More and Piece of Me, Blackout didn’t just feature cutting-edge production blending elements of techno, EDM and dubstep (then a very new genre); it also underlined Spears’ fearlessness. Piece of Me, a song that savagely sends up negative perceptions of her at the time, is as self-referential as pop music gets. “Guess I can’t see the harm in working and being a mama,” Spears sings. “And with a kid on my arm, I’m still an exceptional earner.” It doesn’t matter that Spears didn’t write it; she said everything she needed to just by putting it out. Blackout was a high-water mark, but Spears has displayed a knack for picking winning material throughout her career. “Have you heard her albums? They’re so intelligent,” avant-garde singer-songwriter Charli XCX said in 2014. “The way her songs are crafted is really amazing. I think that [her] music is really interesting and clever.”

    In February 2008, just three months after Blackout came out, Spears was involuntarily placed under a conservatorship that would last for 13 years. She released four albums during this period, 2008’s Circus, 2011’s Femme Fatale, 2013’s Britney Jean and 2016’s Glory. Though Femme Fatale was sonically spectacular and spawned the stunning singles Hold It Against Me and Till the World Ends, it’s arguable that only Glory was the work of a fully invested Spears. “I was really specific about who I worked with and I’ve been learning to say no,” she told NME shortly after Glory’s release. “I’m a people-pleaser, so that’s hard for me – even if I don’t like something, I’ll do it just to make a person happy. I made sure this album was everything I wanted it to be. I was really selfish with it.”

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  • ‘Fame’ and ‘Flashdance’ singer-actor Irene Cara dies at 63

    ‘Fame’ and ‘Flashdance’ singer-actor Irene Cara dies at 63

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    NEW YORK — Oscar, Golden Globe and two-time Grammy winning singer-actress Irene Cara, who starred and sang the title cut from the 1980 hit movie “Fame” and then belted out the era-defining hit “Flashdance … What a Feeling” from 1983’s “Flashdance,” has died. She was 63.

    Her publicist, Judith A. Moose, announced the news on social media, writing that a cause of death was “currently unknown.” Moose also confirmed the death to an Associated Press reporter on Saturday. Cara died at her home in Florida. The exact day of her death was not disclosed.

    “Irene’s family has requested privacy as they process their grief,” Moose wrote. “She was a beautifully gifted soul whose legacy will live forever through her music and films.”

    During her career, Cara had three Top 10 hits on the Billboard Hot 100, including “Breakdance,” “Fame” and “Flashdance … What A Feeling,” which spent six weeks at No. 1. She was behind some of the most joyful, high-energy pop anthems of the early ’80s, including “Out Here On My Own” and “Why Me?”

    Tributes poured in on Saturday on social media, including from Deborah Cox, who called Cara an inspiration, and Holly Robinson Peete, who recalled seeing Cara perform: “The insane combination of talent and beauty was overwhelming to me. This hurts my heart so much.”

    She first came to prominence among the young actors playing performing arts high schoolers in Alan Parker’s “Fame,” with co-stars Debbie Allen, Paul McCrane and Anne Meara. Cara played Coco Hernandez, a striving dancer who endures all manner of deprivations, including a creepy nude photo shoot.

    “How bright our spirits go shooting out into space, depends on how much we contributed to the earthly brilliance of this world. And I mean to be a major contributor!” she says in the movie.

    Cara sang on the soaring title song with the chorus — “Remember my name/I’m gonna live forever/I’m gonna learn how to fly/I feel it coming together/People will see me and cry” — which would go on to be nominated for an Academy Award for best original song. She also sang on “Out Here on My Own,” “Hot Lunch Jam” and “I Sing the Body Electric.”

    Allen took to Twitter Saturday to mourn, posting pictures of them together and calling Cara a “a gifted and beautiful genius. Her talent and her music will live forever! Forever remember her name!”

    Lenny Kravitz addressed Cara in a tweet: “You inspired me more than you could ever know. Your songwriting and vocals created pure energy that will never cease. You also defined an era that is so close to my heart.” Stephanie Mills. who co-starred with Cara in “Maggie Flynn” on Broadway in 1968, wrote: “Such an amazing talent and sweet person.”

    Three years after her triumph with “Fame,” she and the songwriting team of “Flashdance” — music by Giorgio Moroder, lyrics by Keith Forsey and Cara — were accepting the Oscar for best original song for “Flashdance … What a Feeling.”

    The movie starred Jennifer Beals as a steel-town girl who dances in a bar at night and hopes to attend a prestigious dance conservatory. It included the hit song “Maniac,” featuring Beals’ character leaping, spinning, stomping her feet and the slow-burning theme song.

    “There aren’t enough words to express my love and my gratitude,” Cara told the Oscar crowd in her thanks. “And last but not least, a very special gentlemen who I guess started it all for me many years ago. To Alan Parker, wherever you may be tonight, I thank him.”

    The New York-born Cara began her career on Broadway, with small parts in short-lived shows, although a musical called “The Me Nobody Knows” ran over 300 performances. She toured in the musical “Jesus Christ Superstar” as Mary Magdalene in the mid-1990s and a tour of the musical ”Flashdance” toured 2012-14 with her songs.

    She also created the all-female band Irene Cara Presents Hot Caramel and put out a double CD with the single “How Can I Make You Luv Me.” Her movie credits include ”Sparkle” and “D.C. Cab.”

    ———

    Associated Press reporters Hillel Italie and Freida Frisaro contributed to this report.

    ———

    Mark Kennedy is at http://twitter.com/KennedyTwits

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  • ‘Fame’ and ‘Flashdance’ singer-actor Irene Cara dies at 63

    ‘Fame’ and ‘Flashdance’ singer-actor Irene Cara dies at 63

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    NEW YORK — Oscar, Golden Globe and two-time Grammy winning singer-actress Irene Cara, who starred and sang the title cut from the 1980 hit movie “Fame” and then belted out the era-defining hit “Flashdance … What a Feeling” from 1983’s “Flashdance,” has died. She was 63.

    Her publicist, Judith A. Moose, announced the news on social media, writing that a cause of death was “currently unknown.” Moose also confirmed the death to an Associated Press reporter on Saturday. Cara died at her home in Florida. The exact day of her death was not disclosed.

    “Irene’s family has requested privacy as they process their grief,” Moose wrote. “She was a beautifully gifted soul whose legacy will live forever through her music and films.”

    During her career, Cara had three Top 10 hits on the Billboard Hot 100, including “Breakdance,” “Out Here On My Own,” “Fame” and “Flashdance … What A Feeling,” which spent six weeks at No. 1. She was behind some of the most joyful, high-energy pop anthems of the early ’80s.

    Tributes poured in on Saturday on social media, including from Deborah Cox, who called Cara an inspiration, and Holly Robinson Peete, who recalled seeing Cara perform: “The insane combination of talent and beauty was overwhelming to me. This hurts my heart so much.”

    She first came to prominence among the young actors playing performing arts high schoolers in Alan Parker’s “Fame,” with co-stars Debbie Allen, Paul McCrane and Anne Mear. Cara played Coco Hernandez, a striving dancer who endures all manner of deprivations, including a creepy nude photo shoot.

    “How bright our spirits go shooting out into space, depends on how much we contributed to the earthly brilliance of this world. And I mean to be a major contributor!” she says in the movie.

    Cara sang on the soaring title song with the chorus — “Remember my name/I’m gonna live forever/I’m gonna learn how to fly/I feel it coming together/People will see me and cry” — which would go on to be nominated for an Academy Award for best original song. She also sang on “Out Here on My Own,” “Hot Lunch Jam” and “I Sing the Body Electric.”

    Allen took to Twitter Saturday to mourn, posting pictures of them together and calling Cara a “a gifted and beautiful genius. Her talent and her music will live forever! Forever remember her name!”

    Three years later, she and the songwriting team of “Flashdance” — music by Giorgio Moroder, lyrics by Keith Forsey and Cara — was accepting the Oscar for best original song for “Flashdance … What a Feeling.”

    The movie starred Jennifer Beals as a steel-town girl who dances in a bar at night and hopes to attend a prestigious dance conservatory. It included the hit song “Maniac,” featuring Beals’ character leaping, spinning, stomping her feet and the slow-burning theme song.

    “There aren’t enough words to express my love and my gratitude,” Cara told the Oscar crowd in her thanks. “And last but not least, a very special gentlemen who I guess started it all for me many years ago. To Alan Parker, wherever you may be tonight, I thank him.”

    The New York-born Cara began her career on Broadway, with small parts in short-lived shows, although a musical called “The Me Nobody Knows” ran over 300 performances. She toured in the musical “Jesus Christ Superstar” as Mary Magdalene in the mid-1990s and a tour of the musical ”Flashdance” toured 2012-14 with her songs.

    She also created the all-female band Irene Cara Presents Hot Caramel and put out a double CD with the single “How Can I Make You Luv Me.” Her movie credits include ”Sparkle” and “D.C. Cab.”

    ———

    Associated Press reporters Hillel Italie and Freida Frisaro contributed to this report.

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  • Publicist: Irene Cara, star of the movie ‘Fame’ and winner of an Oscar for the title song for ‘Flashdance,’ has died

    Publicist: Irene Cara, star of the movie ‘Fame’ and winner of an Oscar for the title song for ‘Flashdance,’ has died

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    Publicist: Irene Cara, star of the movie ‘Fame’ and winner of an Oscar for the title song for ‘Flashdance,’ has died

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  • Irene Cara, ’80s pop star behind ‘Fame’ and ‘Flashdance’ theme songs, dies at 63 | CNN

    Irene Cara, ’80s pop star behind ‘Fame’ and ‘Flashdance’ theme songs, dies at 63 | CNN

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    CNN
     — 

    Academy Award winner Irene Cara, best known for singing the theme songs for “Fame” and “Flashdance,” has died in her Florida home, according to a statement from her publicist made on behalf of the singer’s family. She was 63.

    “This is the absolute worst part of being a publicist. I can’t believe I’ve had to write this, let alone release the news,” Judith Moose said in a tweet announcing the singer’s death. “Please share your thoughts and memories of Irene. I’ll be reading each and every one of them and know she’ll be smiling from Heaven. She adored her fans.”

    Cara’s cause of death is unknown, according to Moose’s statement.

    This story is developing.

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  • China sentences Chinese-Canadian star Kris Wu to 13 years

    China sentences Chinese-Canadian star Kris Wu to 13 years

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    BEIJING — A Chinese court on Friday sentenced Chinese-Canadian pop star Kris Wu to 13 years in prison on charges including rape.

    Beijing’s Chaoyang District Court said Wu was given 11 years and 6 months for a 2020 rape, and 1 year and 10 months for the “crime of assembling a crowd to engage in sexual promiscuity” in a 2018 incident in which he and others allegedly assaulted two women they had gotten drunk.

    The court said the three victims in the rape case had also been drunk and were unable to resist.

    It said a combined 13-year sentence was agreed on and Wu would be immediately deported after serving his time.

    “According to the facts … the nature, circumstances and harmful consequences of the crime, the court made the above judgment,” the court said in an online statement.

    A Canadian diplomat was in court to hear the sentencing, it said.

    The June trial of the 32-year-old former member of the South Korean group EXO had been closed to the public to protect the alleged victims’ privacy.

    Wu has been detained since August last year while police conducted an investigation in response to comments online that he “repeatedly lured young women” to have sex, according to a police statement at that time.

    That year, a teenager accused him of having sex with her while she was drunk. Wu, known in Chinese as Wu Yifan, denied the accusation.

    The teenager then said seven other women contacted her to say Wu seduced them with promises of jobs and other opportunities. She said some were under 18.

    Rape is punishable by three to 10 years in prison, although exceptional cases can result in harsher sentences up to death. The second charge Wu faced is punishable by up to five years in prison.

    Wu grew up in Guangzhou in China and in Vancouver, British Columbia.

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  • BTS singer Jin set to begin South Korea military service, source says | CNN

    BTS singer Jin set to begin South Korea military service, source says | CNN

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    Seoul, South Korea
    CNN
     — 

    K-pop superstar Jin will begin his mandatory military service next month, a source with direct knowledge of the situation confirmed Friday, after the BTS singer appealed to the supergroup’s devoted fans to stay away from his South Korean army training center.

    The source said the 29-year-old star, BTS’ oldest member, will enter service December 13 at Yeoncheon army base in the northern Gyeonggi province.

    Military service is compulsory in South Korea, where almost all able-bodied men are required to serve in the army for 18 months by the time they are 28 years old.

    South Korea’s parliament passed a bill in 2020 allowing pop stars – namely those who “excel in popular culture and art” – to defer their service until the age of 30.

    Jin’s service will begin with a five-week basic training course before being assigned to a unit, based on standard practice.

    The move had been widely expected.

    Last month, BTS’ record label said that all seven members of the group were planning to undertake military service and Jin – who turns 30 on December 4 – would be the first to enlist.

    On Thursday, Jin posted a message on fan community app Weverse, urging fans not to visit the military training center to get a glimpse of him amid reports of his impending enlistment. He did not deny the reports in the post.

    “Reports have come out against my will, but our ARMYs (BTS fans), should not come to the training center,” he wrote. “It could be dangerous because the place will be crowded with many people besides me who are coming. ARMY, I love you.”

    BTS has been frequently compared to The Beatles, even breaking one of the English rock band’s records with three Billboard No. 1 albums in a single year.

    Their devoted fan base calls themselves the “BTS Army,” propelling their music and coming to their defense on social media in 2019 when the group was shut out from Grammy nominations. They have been nominated for three Grammy Awards in 2023.

    With their military service looming, BTS said in June it would press pause to pursue solo projects. The group is expected to reconvene in 2025, according to their record label.

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  • New musical brings high-energy world of K-pop to Broadway

    New musical brings high-energy world of K-pop to Broadway

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    NEW YORK — There are some familiar storylines in a new musical opening on Broadway — a singer and her relationship with the mentor who guided her; a newcomer trying to find his place; young women chasing their dreams.

    But they’ve never sounded quite like this.

    The global sensation that is Korean pop music is coming to center stage in “KPOP,” opening Sunday at the Circle in the Square Theatre.

    With an almost entirely Asian American and Asian cast, many of whom are making their Broadway debuts, the musical is set as a backstage look at some K-pop performers as they get ready for their debut show in New York City. Conflicts break out and get resolved, ending in a concert-like performance.

    The show’s Broadway arrival has been a long time coming for playwright Jason Kim, who first conceived of a play around K-pop about a decade ago and staged an off-Broadway version in 2017, with music and lyrics composed by Helen Park and Max Vernon.

    Born in South Korea, Kim came to the United States as a child, settling with his family in the Midwest. K-pop has been a fixture in his life, as have Korean television dramas. He also loved musical theater, especially shows like “A Chorus Line” and “Dreamgirls” where the story is about what’s happening behind the scenes.

    “I love backstage shows,” he said. “Is there fighting going on in-between everybody? Do they all love each other? These are the questions that I asked myself.”

    In the initial stage version of the show, Kim was introducing the machine of K-pop to an American audience largely unfamiliar with it; five years later, it’s been rewritten for a world where K-pop musical heavy-hitters like BTS and Blackpink are pop chart mainstays, amid a slew of other Korean entertainment in movies and television like “Squid Games” becoming more popular in the U.S. as well.

    Back then, America “didn’t really know what K-pop was, and so there was a lot of explaining that I had to do. … This time around, I didn’t have to really take the stance of having to apologize for anything or having to explain anything, and just let the story unfold,” said Kim, a writer in television and film.

    He called the timing “really serendipitous.”

    “It’s been really profound and moving actually to watch the world shift in this way.”

    A Broadway musical showcasing the sounds of K-pop is a sign of how “the U.S. is finally catching up with what was already going on around the world,” said Robert Ji-Song Ku, an associate professor of Asian American studies at Binghamton University.

    K-pop has been growing in popularity globally for the last 20 years, even though other attempts to break into the American market over the years haven’t met with the same success until recently, he said.

    “If there’s a spectrum of universality, K-pop is engineered to be as universal as possible,” he said.

    Casting the show took about two years, Kim said, with open calls both in the U.S. and South Korea. Some of those in the show have K-pop backgrounds, including Luna, a former member of the group f(x), who plays the central character of MwE, a singer who has spent years working toward her dreams and has come to a crossroads.

    It’s a step forward for Asian American representation on Broadway, which matters a great deal to Kim.

    “That talent exists, and they just need a platform,” he said. “So it was really important to me to put these Asian people on stage and see them not playing the typical roles that they play, but playing rock stars, playing pop stars, dancing their faces off and acting their faces off and just being spectacular.”

    For her part, Park called the experience an honor.

    “K-pop and Broadway have both been my passion for a long time; K-pop has been like comfort food for me, and Broadway was my seemingly unattainable dream, given there haven’t been many Asian composers, let alone Asian female composers that I can see and dream to be like,” she said in an email. “To be able to bring something that feels like home to me, to my dream stage, Broadway, feels like the most miraculous gift that I’ll cherish for a lifetime.”

    Kim said it was also important that the show includes some Korean interspersed among the English, both in the songs and the dialogue.

    It’s “a way to be really authentic to the experience of K-pop idols and Korean people,” Kim said, pointing out that “when I speak to my mom, I’m switching back and forth all the time, depending on what we’re talking about.”

    “The design of the bilingual nature of the show was very intentional.”

    Clearly, a musical built around K-pop has a built-in base of potential audience members. But Kim says there’s something for everyone, even those who have never heard a K-pop tune.

    “Hopefully if we do our jobs right, you’re watching a fun musical with a bunch of great K-pop songs,” he said. “But really what you’re getting as you leave the theater is a universal story.”

    —-

    Hajela is a member of the AP’s team covering race and ethnicity. She’s on Twitter at twitter.com/dhajela

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  • Celebrity birthdays for the week of Nov. 20-26

    Celebrity birthdays for the week of Nov. 20-26

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    Celebrity birthdays for the week of Nov. 20-26:

    Nov. 20: Actor Estelle Parsons (“The Connors,” “Roseanne”) is 95. Comedian Dick Smothers is 84. Singer Norman Greenbaum is 80. Actor Veronica Hamel is 79. Broadcast journalist Judy Woodruff is 76. Musician Joe Walsh is 75. Actor Richard Masur (“One Day at a Time”) is 74. Actor Bo Derek is 66. Drummer Jimmy Brown of UB40 is 65. Actor Sean Young is 63. Pianist Jim Brickman is 61. Actor Ming-Na (“Marvel’s Agents of S.H.I.E.L.D.,” ″Mulan”) is 59. Rapper Mike D of the Beastie Boys is 57. Rapper Sen Dog of Cypress Hill is 57. Actor Callie Thorne (“Rescue Me,” “Homicide: Life on the Street”) is 53. Actor Sabrina Lloyd (“Numb3rs”) is 52. Actor Joel McHale (“Community”) is 51. Actor Marisa Ryan (“New York Undercover”) is 48. Country singer Dierks Bentley is 47. Actor Joshua Gomez (“Chuck”) is 47. Country singer Josh Turner is 45. Actor Nadine Velazquez (“My Name Is Earl”) is 44. Actor Jacob Pitts (“Sneaky Pete,” “Justified”) is 43. Actor Jeremy Jordan (“Supergirl”) is 38. Actor Ashley Fink (“Glee”) is 36. Bassist Jared Followill of Kings of Leon is 36. Actor Jaina Lee Ortiz (“Station 19”) is 36. Actor Cody Linley (“Hannah Montana”) is 33. Guitarist Michael Clifford of 5 Seconds of Summer is 27.

    Nov. 21: Actor Laurence Luckinbill is 88. Actor Marlo Thomas is 85. Actor Juliet Mills (“Passions,” ″Nanny and the Professor”) is 81. Actor Goldie Hawn is 77. Keyboardist Lonnie Jordan of War is 74. Singer Livingston Taylor is 72. Actor-singer Lorna Luft is 70. Actor Cherry Jones (“The Horse Whisperer”) is 66. Bassist Brian Ritchie of Violent Femmes is 62. Christian singer Steven Curtis Chapman is 60. Actor Nicollette Sheridan is 59. Singer Bjork is 57. Singer Chauncey Hannibal of BLACKstreet is 54. Bassist Alex James of Blur is 54. TV personality Rib Hillis (“Extreme Makeover: Home Edition”) is 52. Rapper Pretty Lou of Lost Boyz is 51. Football player-turned-TV host Michael Strahan (“Good Morning America,” ″Live With Kelly and Michael”) is 51. Actor Marina de Tavira (“Roma”) is 49. Country singer Kelsi Osborn of SHeDAISY is 48. Actor Jimmi Simpson (“Westworld,” ″It’s Always Sunny in Philadelphia”) is 47. Actor Lindsey Haun (“Broken Bridges”) is 38. Actor Jena Malone (“Saved,” ″Life as a House”) is 38. Singer Carly Rae Jepsen is 37. Actor Sam Palladio (“Nashville”) is 36.

    Nov. 22: Comedian-director Terry Gilliam (Monty Python) is 82. Actor Tom Conti is 81. Singer Jesse Colin Young (The Youngbloods) is 81. Guitarist-actor Little Steven (The E Street Band, “The Sopranos”) is 72. Bassist Tina Weymouth of Talking Heads is 72. Actor Lin Tucci (“Orange Is The New Black”) is 71. Singer Lawrence Gowan of Styx is 66. Actor Richard Kind (“Spin City,” ″Mad About You”) is 66. Actor Jamie Lee Curtis is 64. Singer “Farmer Jason” Ringenberg (Jason and the Scorchers) is 64. Actor Mariel Hemingway is 61. Actor-producer Brian Robbins (“Head of the Class”) is 59. Actor Stephen Geoffreys is 58. Actor Nicholas Rowe (“The Crown”) is 56. Actor Mark Ruffalo is 55. Actor Sidse Babett Knudsen (“Westworld”) is 54. Drummer Chris Fryar of Zac Brown Band is 52. Actor Tyler Hilton (“One Tree Hill”) is 39. Actor Scarlett Johannson is 38. Actor Jamie Campbell Bower (“Twilight” movies) is 34. Actor Alden Ehrenreich (“Solo: A Star Wars Story,” “Hail, Caesar”) is 33. Singer Candice Glover (“American Idol”) is 33. Actor Dacre Montgomery (“Stranger Things”) is 28. Actor Mackenzie Lintz (“Under the Dome”) is 26.

    Nov. 23: Actor Franco Nero (“Django,” “Camelot”) is 81. Screenwriter Joe Eszterhas (“Basic Instinct,” ″Showgirls”) is 78. Comedy writer Bruce Vilanch (“Hollywood Squares”) is 75. Singer Bruce Hornsby is 68. Actor Maxwell Caulfield (“The Colbys”) is 63. Actor John Henton (“The Hughleys,” ″Living Single”) is 62. “Good Morning America” co-host Robin Roberts is 62. Singer-guitarist Ken Block of Sister Hazel is 56. Drummer Charlie Grover (Sponge) is 56. Actor Salli Richardson-Whitfield (“Family Law”) is 55. Actor Oded Fehr (“The Mummy”) is 52. Rapper Kurupt of Tha Dogg Pound is 50. Actor Page Kennedy (“Desperate Housewives”) is 46. Actor Kelly Brook (“Smallville”) is 43. Actor Lucas Grabeel (“High School Musical”) is 38. TV personality Nicole “Snooki” Polizzi (“Jersey Shore”) is 35. Singer-actor Miley Cyrus is 30. Actor Austin Majors (“NYPD Blue”) is 27. Actor Olivia Keville (“Splitting Up Together”) is 20.

    Nov. 24: Country singer Johnny Carver is 82. Former Beatles drummer Pete Best is 81. Actor-comedian Billy Connolly is 80. Singer Lee Michaels is 77. Actor Dwight Schultz (“Star Trek: Voyager,” “The A-Team”) is 75. Actor Stanley Livingston (“My Three Sons”) is 72. Drummer Clem Burke of The Romantics and of Blondie is 68. Record producer/musician Terry Lewis (The Time) is 66. Actor Denise Crosby (“Star Trek: The Next Generation”) is 65. Actor Shae D’Lyn (“Dharma and Greg”) is 60. Guitarist John Squire of the Stone Roses is 60. Guitarist Gary Stonadge of Big Audio Dynamite is 60. Actor Garret Dillahunt (“Raising Hope”) is 58. Actor Conleth Hall (“Game of Thrones”) is 58. Comedian Brad Sherwood (“Whose Line Is It Anyway?”) is 58. Actor Scott Krinksy (“Chuck”) is 54. Guitarist Chad Taylor of Live is 52. Actor Lola Glaudini (“Criminal Minds”) is 51. Actor Colin Hanks (“Life in Pieces,” ″Roswell”) is 45. Actor Katherine Heigl (“Grey’s Anatomy,” ″Roswell”) is 44. Actor Sarah Hyland (“Modern Family”) is 32.

    Nov. 25: Actor Kathryn Crosby is 89. Singer Bob Lind is 80. Actor-game show host Ben Stein is 78. Actor John Larroquette is 75. “Dancing With the Stars” judge Bruno Tonioli is 67. Singer Amy Grant is 62. Drummer Scott Mercado (Candlebox) is 58. Singer Tim Armstrong of Rancid is 57. Actor Steve Harris (“Friday Night Lights,” ″The Practice”) is 57. Actor Billy Burke (“Twilight” films) is 56. Singer Stacy Lattisaw is 56. Guitarist Rodney Sheppard of Sugar Ray is 56. Rapper-producer Erick Sermon (EPMD) is 54. Actor Jill Hennessy (“Crossing Jordan”) is 53. Actor Christina Applegate is 51. Actor Eddie Steeples (“My Name Is Earl”) is 49. Actor Kristian Nairn (“Game of Thrones”) is 47. Actor Jill Flint (“The Good Wife,” “Royal Pains”) is 45. Actor Jerry Ferrara (“Entourage”) is 43. Actor Valerie Azlynn (“Sullivan and Son”) is 42. Actor Katie Cassidy (“Arrow,” new “Melrose Place”) is 36. Actor Stephanie Hsu (“The Marvelous Mrs. Maisel”) is 32. Contemporary Christian singer Jamie Grace is 31.

    Nov. 26: Impressionist Rich Little is 84. Singer Tina Turner is 83. Singer Jean Terrell (The Supremes) is 78. Bassist John McVie of Fleetwood Mac is 77. Actor Marianne Muellerleile (Film’s “Memento,” TV’s “Life With Bonnie”) is 74. Actor Scott Jacoby (“That Certain Summer”) is 66. Actor Jamie Rose (“Falcon Crest,” “St. Elsewhere”) is 63. Country singer Linda Davis is 60. Actor Scott Adsit (“30 Rock”) is 57. Actor Kristin Bauer (“True Blood”) is 56. Actor Peter Facinelli (“Nurse Jackie”) is 49. Actor Tammy Lynn Michaels (”The L Word,” “Popular”) is 48. Hip-hop artist DJ Khaled is 47. Actor Maia Campbell (“In the House”) is 46. Country singer Joe Nichols is 46. Musicians Randy and Anthony Armstrong of Red are 44. Actor Jessica Bowman (“Dr. Quinn: Medicine Woman”) is 42. Singer Natasha Bedingfield is 41. Actor Jessica Camacho (“Taken,” “The Flash”) is 40. Singer-guitarist Mike Gossin of Gloriana is 38. Drummer Ben Wysocki of The Fray is 38. Singer Lil Fizz of B2K is 37. Singer Aubrey Collins (Trick Pony) is 35. Singer-actor Rita Ora is 32. Actor Aubrey Peeples (“Nashville,” “Sharknado”) is 29.

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  • See who won at the American Music Awards | CNN

    See who won at the American Music Awards | CNN

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    CNN
     — 

    The 50th American Music Awards are taking place on Sunday night at the Microsoft Theater in Los Angeles.

    The show, produced by dick clark productions and ABC, is being hosted by Wayne Brady.

    The star-studded event celebrates the year’s best music and performances, as voted on by fans.

    Puerto Rican performer Bad Bunny topped the list of nominees this year with the most nods, earning eight, including his first-ever for artist of the year.

    Beyoncé, Drake and Taylor Swift followed, each earning six nominations. Adele, Harry Styles and The Weeknd came in with five a piece.

    First-time nominees include Jack Hawlow, Latto and BLACKPINK.

    Performers set to take the stage include Pink, who opened the show, as well as Dove Cameron, Lil Baby, Bebe Rexha, Carrie Underwood, Imagine Dragons and others.

    Lionel Richie, a 17-time AMA winner, will be honored with the Icon Award for his career contributions to the music industry. Charlie Puth, Stevie Wonder and other artists will take the stage in tribute performances for Richie.

    The show announced some of the winners prior to the broadcast.

    Elton John, first nominated for an AMA in 1974, is now regarded as the longest-recognized artist in the awards show’s history. He took home his first AMA win since 1988, for best collaboration with Dua Lipa.

    Taylor Swift led the pack with three AMA wins ahead of broadcast, including best female country artist.

    Below is a list of nominees for this year’s American Music Awards. The list will be updated with winners in bold throughout the broadcast, along with the winners from non-televised categories.

    Adele

    Bad Bunny

    Beyoncé

    Drake

    Harry Styles

    Taylor Swift *WINNER

    The Weeknd

    Dove Cameron *WINNER

    GAYLE

    Latto

    Måneskin

    Steve Lacy

    Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, “We Don’t Talk About Bruno”

    Elton John & Dua Lipa, “Cold Heart – PNAU Remix” *WINNER

    Future ft. Drake & Tems, “Wait For U”

    Lil Nas X ft. Jack Harlow. “Industry Baby”

    The Kid LAROI & Justin Bieber, “Stay”

    Bad Bunny

    Drake

    Ed Sheeran

    Harry Styles *WINNER

    The Weeknd

    Adele

    Beyoncé

    Doja Cat

    Lizzo

    Taylor Swift *WINNER

    BTS *WINNER

    Coldplay

    Imagine Dragons

    Måneskin

    OneRepublic

    Adele, “30”

    Bad Bunny, “Un Verano Sin Ti”

    Beyoncé, “Renaissance”

    Harry Styles, “Harry’s House”

    Taylor Swift, “Red (Taylor’s Version)” *WINNER

    The Weeknd, “Dawn FM”

    Adele, “Easy on Me”

    Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, “We Don’t Talk About Bruno”

    Harry Styles, “As It Was” *WINNER

    Lizzo, “About Damn Time”

    The Kid LAROI & Justin Bieber, “Stay”

    Adele, “Easy on Me”

    Bad Bunny ft. Chencho Corleone, “Me Porto Bonito”

    Harry Styles, “As It Was”

    Lil Nas X ft. Jack Harlow, “Industry Baby”

    Taylor Swift, “All Too Well (Taylor’s Version)” *WINNER

    Chris Stapleton

    Cody Johnson

    Luke Combs

    Morgan Wallen *WINNER

    Walker Hayes

    Carrie Underwood

    Lainey Wilson

    Maren Morris

    Miranda Lambert

    Taylor Swift *WINNER

    Dan & Shay *WINNER

    Lady A

    Old Dominion

    Parmalee

    Zac Brown Band

    Drake

    Future

    Kendrick Lamar *WINNER

    Lil Baby

    Lil Durk

    Cardi B

    GloRilla

    Latto

    Megan Thee Stallion

    Nicki Minaj *WINNER

    Future ft. Drake & Tems, “Wait For U” *WINNER

    Jack Harlow, “First Class”

    Kodak Black, “Super Gremlin”

    Latto, “Big Energy”

    Lil Nas X ft. Jack Harlow, “Industry Baby”

    Brent Faiyaz

    Chris Brown *WINNER

    GIVĒON

    Lucky Daye

    The Weeknd

    Beyoncé *WINNER

    Doja Cat

    Muni Long

    Summer Walker

    SZA

    Machine Gun Kelly *WINNER

    Imagine Dragons

    Måneskin

    Red Hot Chili Peppers

    The Lumineers

    Foo Fighters, “Love Dies Young”

    Imagine Dragons x JID, “Enemy”h

    Kate Bush, “Running Up That Hill (A Deal With God)”

    Måneskin, “Beggin’” *WINNER

    Red Hot Chili Peppers, “Black Summer”

    Bad Bunny *WINNER

    Farruko

    J Balvin

    Jhayco

    Rauw Alejandro

    Anitta *WINNER

    Becky G

    Kali Uchis

    Karol G

    Rosalía

    Burna Boy

    CKay

    Fireboy DML

    TEMS

    Wizkid *WINNER

    BLACKPINK

    BTS *WINNER

    Seventeen

    Tomorrow X Together

    Twice

    Favorite dance/electronic artist: Marshmello

    Favorite gospel artist: Tamela Mann

    Favorite inspirational artist: for KING & COUNTRY

    Favorite Latin duo or group: Yahritza Y Su Esencia

    Favorite touring artist: Coldplay

    Favorite country album: Taylor Swift “Red (Taylor’s Version)”

    Favorite hip-hop album: Kendrick Lamar “Mr. Morale & The Big Steppers”

    Favorite Latin album: Bad Bunny “Un Verano Sin Ti”

    Favorite R&B album: Beyoncé “Renaissance”

    Favorite rock album: Ghost “Impera”

    Favorite soundtrack: “ELVIS”

    Favorite country song: Morgan Wallen “Wasted On You”

    Favorite Latin song: Sebastián Yatra “Dos Oruguitas”

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  • Eurovision winner Ruslana leads Ukrainians in Athens march

    Eurovision winner Ruslana leads Ukrainians in Athens march

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    Ukrainian pop singer and former Eurovision song contest winner Ruslana, center, shouts slogans as she takes part in a protest to condemn the Russian strikes against multiple cities across Ukraine, in Athens, Greece, Saturday, Nov. 19, 2022. AP Photo/Yorgos Karahalis)

    The Associated Press

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