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Tag: Pop music

  • Eurovision Song Contest reaches its final with tensions around Israel

    Eurovision Song Contest reaches its final with tensions around Israel

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    MALMO, Sweden — The Netherlands’ contestant in the Eurovision Song Contest was dramatically expelled from competition hours before Saturday’s final over a backstage incident that is being investigated by police.

    Organizer of the European Broadcasting Union said Swedish police were investigating “a complaint made by a female member of the production crew” and it would not be appropriate for Klein to participate while the legal process was underway.

    Klein had failed to perform at two dress rehearsals on Friday, and the contest organizer said it was investigating an “incident.”

    Though rumors had been flying the incident was connected to Israel’s delegation, organizers said the incident “did not involve any other performer or delegation member.”

    Dutch broadcaster AVROTOS, one of dozens of public broadcasters that collectively fund and broadcast the contest, said it “finds the disqualification disproportionate and is shocked by the decision.”

    “We deeply regret this and will come back to this later,” AVROTOS said in a statement.

    Though the contest’s motto is “united by music,” this year’s event has proven exceptionally divisive.

    The competition that pits nations against one another for pop music glory is reaching its conclusion in the Swedish city of Malmo, with Israel at the center of a political storm. It has attracted large pro-Palestinian demonstrations, with protesters saying Israel should be excluded because of its conduct in the war in the Gaza Strip.

    Thousands of people are expected to march for the second time this week through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a cease-fire in the seven-month war. In Finland, a group of about 40 protesters stormed the headquarters of public broadcaster YLE on Saturday morning, demanding it withdraw from the song contest because of Israel’s participation.

    Several miles (kilometers) from central Malmo at the Malmo Arena, 25 acts — narrowed from 37 entrants by two semi-final runoffs — are due to perform three-minute songs in front of a live audience of thousands and an estimated 180 million viewers around the world.

    It all makes for a messy climax to an event that draws both adoration and derision with its campy, kitschy ethos and passion for pop.

    This year’s entries range from emotional to eccentric. They include the goofy 1990s nostalgia of Finland’s Windows95man, who emerges from a giant onstage egg wearing very little clothing. Ireland’s Bambie Thug has summoned witchy spirits onstage and brought a scream coach to Malmo, while Spain’s Nebulossa boldly reclaims a term used as a slur on women in “Zorra.”

    The favorites include Swiss singer Nemo — who would be the first nonbinary Eurovision winner if their operatic song “The Code” tops the voting — and Croatia’s Baby Lasagna. His song “Rim Tim Tagi Dim” is a rollicking rock number that tackles the issue of young Croatians leaving the country in search of a better life.

    Dean Vuletic, an expert on the history of the contest, said that despite the contest’s reputation for disposable bubblegum pop, Eurovision often tackles “political and social issues such as feminism, European integration, gender identity.”

    “And I think they’re the very interesting songs to look out for, especially because they’re the most highly ranked by the bookies,” he said.

    Sometimes, though, songs run afoul of the contest’s ban on openly “political” statements. Eurovision organizers told Israel to change the original title of its song, “October Rain” — an apparent reference to the Oct. 7 Hamas attack that killed about 1,200 Israelis and triggered the Gaza war.

    Israeli singer Eden Golan has shot up the odds since performing the power ballad, now titled “Hurricane,” in Thursday’s semifinal. Golan faced some booing at dress rehearsals, but was voted into the final by viewers around the world.

    Israeli Prime Minister Benjamin Netanyahu praised 20-year-old Golan for performing despite “contending with an ugly wave of anti-Semitism.”

    Protesters argue that Israel should not be allowed to take part amid a war that has killed almost 35,000 Palestinians.

    “I don’t think they should be a part of it at all because they are committing crimes against humanity,” said local resident Lorenzo Mayr, who attended a demonstration on Thursday.

    The competing musicians are feeling the pressure, inundated with messages and abuse on social media and unable to speak out because of the contest rules. Italy’s contestant, Angelina Mango, made a statement by walking into the Eurovision media center on Friday and performing John Lennon’s “Imagine” as dozens of journalists gathered around her.

    Swedish singer Loreen, last year’s Eurovision champion — and one of only two performers to win the contest twice — urged people not to shut down the “community of love” that is Eurovision.

    “What is happening in the world today and in different places is distorting and traumatizing all of us,” she told The Associated Press.

    “What heals trauma …. Does trauma heal trauma? Does negativity heal negativity? It doesn’t work like that. The only thing that heals trauma for real — this is science — is love.”

    ___,

    Associated Press writers Hilary Fox in Malmo, Sweden, Jari Tanner in Helsinki and Jan M. Olsen in Copenhagen, Denmark contributed to this report.

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  • Madonna’s biggest-ever concert transforms Rio’s Copacabana beach into a massive dance floor

    Madonna’s biggest-ever concert transforms Rio’s Copacabana beach into a massive dance floor

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    RIO DE JANEIRO — Madonna put on a free concert on Copacabana beach Saturday night, turning Rio de Janeiro’s vast stretch of sand into an enormous dance floor teeming with a multitude of her fans.

    It was the last show of The Celebration Tour, her first retrospective, which kicked off in October in London.

    The “Queen of Pop” began the show with her 1998 hit “Nothing Really Matters.” Huge cheers rose from the buzzing, tightly packed crowd, pressed up against the barriers. Others held house parties in brightly lighted apartments and hotels overlooking the beachfront. Helicopters and drones flew overhead, and motorboats and sailboats anchored off the beach filled the bay.

    “Here we are in the most beautiful place in the world,” Madonna, 65, told the crowd. Pointing out the ocean view, the mountains and the Christ the Redeemer statue overlooking the city, she added: “This place is magic.”

    Madonna performed her classic hits, including “Like A Virgin” and “Hung Up.” For the introduction to “Like A Prayer,” her head was completely covered in a black cape, a rosary gripped in her hands.

    The star paid an emotional tribute to “all the bright lights” lost to AIDS as she sang “Live to Tell,” with black and white photos of people who died from the illness flashing behind her.

    Later, she was joined on stage by Brazilian artists Anitta and Pabllo Vittar.

    Rio spent the last few days readying itself for the performance.

    An estimated 1.6 million people attended the show, G1 reported, citing Rio City Hall’s tourism agency. That is more than 10 times Madonna’s record attendance of 130,000 at Paris’ Parc des Sceaux in 1987. Madonna’s official website hyped the show as the biggest ever in her four-decade career.

    In recent days, the buzz was palpable. Fans milled outside the stately, beachfront Copacabana Palace hotel, where Madonna is staying, hoping to catch a glimpse of the pop star. During the sound check on the stage set up in front of the hotel, they danced on the sand.

    By midday Saturday, fans crowded in front of the hotel. A white-bearded man carried a sign saying, “Welcome Madonna you are the best I love you.”

    Flags with “Madonna” printed against a background of Copacabana’s iconic black and white waved sidewalk pattern hung from balconies. The area was packed with street vendors and concert attendees kitted out in themed T-shirts, sweating under a baking sun.

    “Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, who sported a gold-colored cone bra and a black cap.

    “It’s going to be an unforgettable show here in Copacabana,” said Oliveira Bohrer, a retired civil servant who lives in the area.

    Eighteen sound towers were spread along the beach to ensure that all attendees can hear the hits. Her two-hour show started at 10:37 p.m. local time, nearly 50 minutes behind schedule.

    City Hall produced a report in April estimating that the concert would vinject 293 million reals ($57 million) into the local economy. Hotel capacity was expected to reach 98% in Copacabana, according to Rio’s hotel association. Fans hailing from across Brazil and even Argentina and France sought out Airbnbs for the weekend, the platform said in a statement. Rio’s international airport had forecast an extra 170 flights during May 1-6, from 27 destinations, City Hall said in a statement.

    “It’s a unique opportunity to see Madonna, who knows if she’ll ever come back,” said Alessandro Augusto, 53, who flew in from Brazil’s Ceara state — approximately 2,500 kilometers (1,555 miles) from Rio.

    “Welcome Queen!” read Heineken ads plastered around the city, the lettering above an image of an upturned bottle cap resembling a crown.

    Heineken wasn’t the only company seeking to profit from the excitement. Bars and restaurants prepared “Like a Virgin” cocktails. A shop in the downtown neighborhood famed for selling Carnival attire completely reinvented itself, stocking its shelves with Madonna-themed costumes, fans, fanny packs and even underwear.

    Organization of the mega-event was similar to New Year’s Eve, when millions of people gather on Copacabana for its fireworks display, local authorities said. That annual event often produces widespread thefts and muggings, and there was some concern such problems might occur at Madonna’s show.

    Rio state’s security plan included the presence of 3,200 military personnel and 1,500 civilian police officers on stand by. In the lead-up to the concert, Brazil’s navy inspected vessels that wished to position themselves offshore to follow the show.

    A number of huge concerts have taken place on Copacabana beach before, including a 1994 New Year’s Eve show by Rod Stewart that drew more than 4 million fans and was the biggest free rock concert in history, according to Guinness World Records. Many of those spectators also came to see Rio’s fireworks show, though, so a more fitting comparison might be to the Rolling Stones in 2006, which saw 1.2 million people crowd onto the sand, according to Rio’s military police, the newspaper Folha de Sao Paulo reported at the time.

    Ana Beatriz Soares, a fan who was at Copacabana on Saturday, said Madonna has made her mark across the decades.

    “Madonna had to run so that today’s pop artists could walk. That’s why she’s important, because she serves as an inspiration for today’s pop divas,” Soares said.

    “And that’s 40 years ago. Not 40 days, 40 months. It’s 40 years,” she said.

    ___

    AP video journalist Douglas Engle contributed to this report.

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  • Outside Lands promoters to hold another huge concert in Golden Gate Park

    Outside Lands promoters to hold another huge concert in Golden Gate Park

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    The producers of Outside Lands are giving music fans a really good reason to spend another full day in Golden Gate Park.

    Actually, they are giving them two good reasons:

    System of a Down and Deftones.

    Those two popular hard rock acts are set to headline a one-night-only concert at the historic park in San Francisco on Aug. 17.

    The show — which runs 3 to 10 p.m. that day — also features a solid list of opening acts in The Mars Volta, Viagra Boys and VOWWS.

    Tickets cost $169-$399 and go on sale to the general public at 10 a.m. April 12 via GoldenGateParkConcerts.com and Ticketmaster.com. Artist presales begin at 10 a.m. April 10, while there is a presale from Outside Lands promotor Another Planet Presents (apeconcerts.com) kicking off at 10 a.m. April 11.

    “We are excited to be bringing such an iconic lineup to the city and what better venue than Golden Gate Park,” says Allen Scott, president of concerts and festivals at Another Planet Entertainment, which also books shows at the Greek Theatre in Berkeley, Bill Graham Civic Auditorium in San Francisco and many other venues.

    The concert takes place the weekend following the three-day Outside Lands music festival, which will host dozens of acts on multiple stages Aug. 9-11. System of a Down, Deftones and the other acts will perform in Golden Gate Park’s Polo Field, which is where the biggest of Outside Lands’ stages — the Lands End Stage — is located. (The Outside Lands lineup has not yet been announced.)

    The Aug. 17 show will make use of much of the same infrastructure that will have been erected for Outside Lands — such as the staging, production elements, bathrooms, etc. Yet, it will be a one-stage event and be contained to a smaller area than what one gets with the overall Outside Lands footprint.

    Tacking on a second music event to a pre-existing festival is a cost-saving/synergy strategy that is employed by a number of music promoters.  The best-known and most-successful example would be Southern California’s massive Coachella, which went from one to two weekends in 2012. Prior to that, it added the country music festival Stagecoach in 2007, taking advantage of the infrastructure that was already in place for Coachella at the festival site at the Empire Polo Club in Indio.

    More recently, BottleRock Napa Valley announced that it would follow up its regular Memorial Day weekend festival with a two-day Latin music offering June 1-2 at the same site in 2024.

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    Jim Harrington

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  • Music Review: Jesse McCartney’s ‘All’s Well’ celebrates adult life after teen pop star fame

    Music Review: Jesse McCartney’s ‘All’s Well’ celebrates adult life after teen pop star fame

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    Former teen heartthrob Jesse McCartney — best known for his boy band days in Dream Street, his solo hit “Beautiful Soul,” writing “Bleeding Love” for Leona Lewis and an acting career on “Summerland” — is aging like a fine wine on “All’s Well,” his late…

    Former teen heartthrob Jesse McCartney — best known for his boy band days in Dream Street, his solo hit “Beautiful Soul,” writing “Bleeding Love” for Leona Lewis and an acting career on “Summerland” — is aging like a fine wine on “All’s Well,” his latest EP.

    And he’s communicating that in the best way he knows how: through music.

    It has been a few years since McCartney last released new music. His 2021 album “New Stage” was all adult contemporary glossy pop. In the years that followed, he took time to enjoy his newlywed life with wife Katie Peterson.

    For his latest return, McCartney hits the ground running with racy lyrics and familiar early ’00s pop sounds.

    Such is true on the opening track “Faux Fur,” a funky, R&B song tackling similar themes to Jennifer Lopez ‘s 2001 hit “Love Don’t Cost a Thing,” detailing how the best things can’t be bought.

    “But some things can’t buy/Your heart your time/Your hand in mine,” he sings in his characteristic falsetto. “No price too high/Your world is mine/I’ll spend my life.”

    Raspy rapper Yung Gravy features on the second track, “Make a Baby,” a cheeky R&B-pop song all about breeding.

    “I want it all/It’s tasty/I eat it up like pastry/In the mall/She makes me/They hate us up in Macy’s,” McCartney sings on the naughty chorus atop a seductive and fun pop melody.

    But it’s not all sunshine and sexy rendezvous on “All’s Well.” Acoustic ballad “The Well” is an introspective rumination on emotional repression: “I leave the house and drive around/To hide what’s in my head,” McCartney opens the song. “’Cause I will never let you see/The troubles that I’ve fled.”

    It leads to the closer “Silver Spoon,” a takedown of the ultra-privileged. Doing his best ’00s Justin Timberlake, McCartney sings “She was born on top of the moon/Lookin’ out at the nicest view/Waking up with nothing else to do/But polishing up her silver spoon.”

    “All’s Well” is a short but sweet EP that celebrates life, love and lust.

    ___

    AP music reviews: https://apnews.com/hub/music-reviews

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  • What to stream this week: Shakira, Paul Simon, Jake Gyllenhaal, Kristen Wiig and Princess Peach

    What to stream this week: Shakira, Paul Simon, Jake Gyllenhaal, Kristen Wiig and Princess Peach

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    Chef and restaurateur Jose Andrés inviting actors Jamie Lee Curtis, Bryan Cranston and O’Shea Jackson Jr. over for dinner in a new TV special and Jake Gyllenhaal starring in an update of the pulpy cult classic “Road House” are some of the new television, movies, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Shakira releases her first album in seven years, Paul Simon gets an expansive two-part documentary on MGM+ and a Nintendo sweetheart takes center stage in the game Princess Peach: Showtime!

    — Fresh off its Oscar success, Justine Triet’s “Anatomy of a Fall” — along with award season’s favorite pooch, Messi — are coming to Hulu on Friday, March 22. The French courtroom drama stars Sandra Hüller as a wife accused of murdering her husband (Samuel Theis) by pushing him out a high window in the French Alps chalet. The film effectively puts their marriage on trial while offering Hüller an engrossing platform for all her cunning as a performer. “Anatomy of a Fall” won the Palme d’Or at the Cannes Film Festival and best original screenplay at the Academy Awards. In her review, AP Film Writer Lindsey Bahr called it “a smartly constructed and wholly engaging whodunit, courtroom thriller, marriage drama and, at some points, satire.”

    — Doug Liman gives the 1989 cult classic “Road House” a pulpy modern spin with Jake Gyllenhaal as a former UFC fighter hired as security for a seedy Florida Keys bar. Jessica Williams plays the owner of a road house under siege from a crime syndicate that eventually brings in even more muscle, and a dose of mania, in a fearsome fixer played by mixed-martial-arts fighter Conor McGregor. Though Liman, the director of “Edge of Tomorrow” and “Swingers,” has pleaded for the film to be theatrically released, “Road House” debuts Thursday on Prime Video.

    – Paul Simon gets an expansive two-part documentary with “In Restless Dreams: The Music of Paul Simon,” from filmmaker Alex Gibney. After the first half premiered March 17 on MGM+, part two lands on Sunday, March 24. “In Restless Dreams,” which premiered last fall at the Toronto International Film Festival, surveys the varied chapters of Simon’s career, including his many years as a duo with Art Garfunkel, the recording of his 1986 album “Graceland” and the still unfolding, and music-making, life of the 82-year-old songwriter.

    — AP Film Writer Jake Coyle

    — Shakira returns with her first new album in seven years, “Las Mujeres Ya No Lloran” (“Women don’t cry anymore” in English, a lyric lifted from her smash hit “Music Sessions Vol. 53” with Argentine producer Bizarrap). It’s also her first full-length release since her split from soccer star Gerard Piqué — a pop album transformed by pain. “While writing each song I was rebuilding myself,” the Colombian musician said in a statement. “While singing them, my tears transformed into diamonds, and my vulnerability into strength.” Seven of the album’s 16 tracks have been previously released — including “TQG” with Karol G (also featured on Karol G’s “Mañana Será Bonito” album, one of AP’s picks for the best of 2023 ), “Te Felicito” with reggaetonero Rauw Alejandro, “Copa Vacía” with Manuel Turizo and more. “Las Mujeres Ya No Lloran” is the sound of reclamation for Shakira — and an addictive listen.

    — There are eras to Waxahatchee, the musical moniker of Katie Crutchfield. Her story begins in the D.I.Y. power pop-punk of her band P.S. Eliot, the nihilism of early Waxahatchee records like “American Weekend,” and then, the current moment: “Tigers Blood,” a hell of a lot more country than her earlier releases, with the wisdom that came with sobriety and a move to St. Louis (that’s heard on her last album, 2020’s “Saint Cloud” and certainly now). There’s a lot to love here, like the acoustic ballad “365” and the Americana-flavored “Bored.” There’s also MJ Lenderman of the Asheville, North Carolina, indie rock band Wednesday, a new collaborator. It’s hard not to cozy up to the warmth of their harmonies on “Right Back to It,” a song — like many on this album — that celebrates the privilege of certain romantic mundanities, like settling into a long-term relationship.

    — A debut album is an introduction. A sophomore release can be a make-or-break moment: Who is this person as an artist, what do they have to say, and are we still listening? Enter Fletcher, the queer pop powerhouse signed to Capitol Records who first broke out with the 2019 viral hit “Undrunk.” On “In Search of the Antidote,” she builds off the success of her earlier singles — still concerned with love and failed relationships, now through a matured lens.

    — Gossip, the dance-punk band that gave the world Beth Ditto, is preparing to release their first new album in 12 years — and their first since they broke up shortly thereafter. It’s a return to their powers, now funkier than ever. At least, that’s obvious on the disco-informed title track, “Real Power.” Another new single, “Crazy Again,” is all palm-muted power chords and reserved synths. Indie sleaze revivalists, it is time to break out the neon.

    — AP Music Writer Maria Sherman

    — In a new special, James Beard-winning chef and restaurateur Jose Andrés invites actors Jamie Lee Curtis, Bryan Cranston and O’Shea Jackson Jr. over for dinner — but first they have to help him cook. The goal of the night isn’t perfection but to have fun. “Dinner Party Diaries with Jose Andrés” drops Tuesday on Prime Video. In an interview with The Associated Press, Andrés says he hopes the special brings awareness and donations to his nonprofit, World Central Kitchen, which delivers meals to people in disaster areas.

    — A new Apple TV+ series called “Palm Royale” is bursting with big-name talent. Set in Palm Beach in 1969, Kristen Wiig plays Maxine, a woman desperate to be accepted into high society and a private club called the Palm Royale. At the beginning of the first episode, we see Maxine climb over a wall to get inside her coveted club. The cast includes Carol Burnett, Ricky Martin, Laura Dern, Allison Janney, Josh Lucas, Leslie Bibb, Kaia Gerber, Amber Chardae Robinson and Mindy Cohn. The show drops Wednesday.

    — “Law & Order” creator Dick Wolf is dipping into the true crime world with a new docuseries on Netflix. “Homicide: New York” debuts Wednesday and features detectives, police officers and prosecutors recalling some of their most memorable murder cases. “Homicide: Los Angeles” is already scheduled to air on the streamer later this year.

    — Diarra Kilpatrick created and stars in a mystery comedy for BET+ called “Diarra from Detroit.” It’s about a woman who has a great first date with a man she meets on Tinder. When she doesn’t hear from him again, Diarra concludes the only logical explanation is that he was kidnapped, so she launches an investigation. “Diarra from Detroit” premieres Thursday on BET+.

    — Alicia Rancilio

    — Princess Peach has been around for almost 40 years, but she’s usually stuck playing second fiddle to that bozo Mario. Princess Peach: Showtime! puts Nintendo’s sweetheart center stage, as she tries to save a struggling theater from a villain named Grape who’s way more into tragedy than comedy. Saving the show requires our heroine to make plenty of costume changes, so get ready for Cowgirl Peach, Detective Peach, Ninja Peach, Mermaid Peach and more. She’s not just playing dress-up — each outfit gives the princess different skills she’ll need to negotiate a constantly changing stage set. The curtain rises Friday, March 22, on Nintendo Switch.

    — Dragon’s Dogma got decent reviews when it came out in 2012, and it has developed a cult audience over the years. In the meantime, its genre — let’s say “high-fantasy hack-and-slash role-playing” — has exploded with monster hits like Elden Ring. So at long last, Capcom is delivering Dragon’s Dogma II. You create your character, the “Arisen,” from scratch, building on typical RPG species like humans, elves and “beastrens” and jobs like warrior, archer and sorcerer. As you explore two sprawling kingdoms, you can recruit AI-controlled “pawns” to help complete your mission, which is to ”slay the Dragon and claim the throne.” If this sounds irresistible (you know who you are), the quest begins Friday, March 22, on PlayStation 5, Xbox X/S or PC.

    — Lou Kesten

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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  • What to stream this week: Shakira, Paul Simon, Jake Gyllenhaal, Kristen Wiig and Princess Peach

    What to stream this week: Shakira, Paul Simon, Jake Gyllenhaal, Kristen Wiig and Princess Peach

    [ad_1]

    Chef and restaurateur Jose Andrés inviting actors Jamie Lee Curtis, Bryan Cranston and O’Shea Jackson Jr. over for dinner in a new TV special and Jake Gyllenhaal starring in an update of the pulpy cult classic “Road House” are some of the new television, movies, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Shakira releases her first album in seven years, Paul Simon gets an expansive two-part documentary on MGM+ and a Nintendo sweetheart takes center stage in the game Princess Peach: Showtime!

    — Fresh off its Oscar success, Justine Triet’s “Anatomy of a Fall” — along with award season’s favorite pooch, Messi — are coming to Hulu on Friday, March 22. The French courtroom drama stars Sandra Hüller as a wife accused of murdering her husband (Samuel Theis) by pushing him out a high window in the French Alps chalet. The film effectively puts their marriage on trial while offering Hüller an engrossing platform for all her cunning as a performer. “Anatomy of a Fall” won the Palme d’Or at the Cannes Film Festival and best original screenplay at the Academy Awards. In her review, AP Film Writer Lindsey Bahr called it “a smartly constructed and wholly engaging whodunit, courtroom thriller, marriage drama and, at some points, satire.”

    — Doug Liman gives the 1989 cult classic “Road House” a pulpy modern spin with Jake Gyllenhaal as a former UFC fighter hired as security for a seedy Florida Keys bar. Jessica Williams plays the owner of a road house under siege from a crime syndicate that eventually brings in even more muscle, and a dose of mania, in a fearsome fixer played by mixed-martial-arts fighter Conor McGregor. Though Liman, the director of “Edge of Tomorrow” and “Swingers,” has pleaded for the film to be theatrically released, “Road House” debuts Thursday on Prime Video.

    – Paul Simon gets an expansive two-part documentary with “In Restless Dreams: The Music of Paul Simon,” from filmmaker Alex Gibney. After the first half premiered March 17 on MGM+, part two lands on Sunday, March 24. “In Restless Dreams,” which premiered last fall at the Toronto International Film Festival, surveys the varied chapters of Simon’s career, including his many years as a duo with Art Garfunkel, the recording of his 1986 album “Graceland” and the still unfolding, and music-making, life of the 82-year-old songwriter.

    — AP Film Writer Jake Coyle

    — Shakira returns with her first new album in seven years, “Las Mujeres Ya No Lloran” (“Women don’t cry anymore” in English, a lyric lifted from her smash hit “Music Sessions Vol. 53” with Argentine producer Bizarrap). It’s also her first full-length release since her split from soccer star Gerard Piqué — a pop album transformed by pain. “While writing each song I was rebuilding myself,” the Colombian musician said in a statement. “While singing them, my tears transformed into diamonds, and my vulnerability into strength.” Seven of the album’s 16 tracks have been previously released — including “TQG” with Karol G (also featured on Karol G’s “Mañana Será Bonito” album, one of AP’s picks for the best of 2023 ), “Te Felicito” with reggaetonero Rauw Alejandro, “Copa Vacía” with Manuel Turizo and more. “Las Mujeres Ya No Lloran” is the sound of reclamation for Shakira — and an addictive listen.

    — There are eras to Waxahatchee, the musical moniker of Katie Crutchfield. Her story begins in the D.I.Y. power pop-punk of her band P.S. Eliot, the nihilism of early Waxahatchee records like “American Weekend,” and then, the current moment: “Tigers Blood,” a hell of a lot more country than her earlier releases, with the wisdom that came with sobriety and a move to St. Louis (that’s heard on her last album, 2020’s “Saint Cloud” and certainly now). There’s a lot to love here, like the acoustic ballad “365” and the Americana-flavored “Bored.” There’s also MJ Lenderman of the Asheville, North Carolina, indie rock band Wednesday, a new collaborator. It’s hard not to cozy up to the warmth of their harmonies on “Right Back to It,” a song — like many on this album — that celebrates the privilege of certain romantic mundanities, like settling into a long-term relationship.

    — A debut album is an introduction. A sophomore release can be a make-or-break moment: Who is this person as an artist, what do they have to say, and are we still listening? Enter Fletcher, the queer pop powerhouse signed to Capitol Records who first broke out with the 2019 viral hit “Undrunk.” On “In Search of the Antidote,” she builds off the success of her earlier singles — still concerned with love and failed relationships, now through a matured lens.

    — Gossip, the dance-punk band that gave the world Beth Ditto, is preparing to release their first new album in 12 years — and their first since they broke up shortly thereafter. It’s a return to their powers, now funkier than ever. At least, that’s obvious on the disco-informed title track, “Real Power.” Another new single, “Crazy Again,” is all palm-muted power chords and reserved synths. Indie sleaze revivalists, it is time to break out the neon.

    — AP Music Writer Maria Sherman

    — In a new special, James Beard-winning chef and restaurateur Jose Andrés invites actors Jamie Lee Curtis, Bryan Cranston and O’Shea Jackson Jr. over for dinner — but first they have to help him cook. The goal of the night isn’t perfection but to have fun. “Dinner Party Diaries with Jose Andrés” drops Tuesday on Prime Video. In an interview with The Associated Press, Andrés says he hopes the special brings awareness and donations to his nonprofit, World Central Kitchen, which delivers meals to people in disaster areas.

    — A new Apple TV+ series called “Palm Royale” is bursting with big-name talent. Set in Palm Beach in 1969, Kristen Wiig plays Maxine, a woman desperate to be accepted into high society and a private club called the Palm Royale. At the beginning of the first episode, we see Maxine climb over a wall to get inside her coveted club. The cast includes Carol Burnett, Ricky Martin, Laura Dern, Allison Janney, Josh Lucas, Leslie Bibb, Kaia Gerber, Amber Chardae Robinson and Mindy Cohn. The show drops Wednesday.

    — “Law & Order” creator Dick Wolf is dipping into the true crime world with a new docuseries on Netflix. “Homicide: New York” debuts Wednesday and features detectives, police officers and prosecutors recalling some of their most memorable murder cases. “Homicide: Los Angeles” is already scheduled to air on the streamer later this year.

    — Diarra Kilpatrick created and stars in a mystery comedy for BET+ called “Diarra from Detroit.” It’s about a woman who has a great first date with a man she meets on Tinder. When she doesn’t hear from him again, Diarra concludes the only logical explanation is that he was kidnapped, so she launches an investigation. “Diarra from Detroit” premieres Thursday on BET+.

    — Alicia Rancilio

    — Princess Peach has been around for almost 40 years, but she’s usually stuck playing second fiddle to that bozo Mario. Princess Peach: Showtime! puts Nintendo’s sweetheart center stage, as she tries to save a struggling theater from a villain named Grape who’s way more into tragedy than comedy. Saving the show requires our heroine to make plenty of costume changes, so get ready for Cowgirl Peach, Detective Peach, Ninja Peach, Mermaid Peach and more. She’s not just playing dress-up — each outfit gives the princess different skills she’ll need to negotiate a constantly changing stage set. The curtain rises Friday, March 22, on Nintendo Switch.

    — Dragon’s Dogma got decent reviews when it came out in 2012, and it has developed a cult audience over the years. In the meantime, its genre — let’s say “high-fantasy hack-and-slash role-playing” — has exploded with monster hits like Elden Ring. So at long last, Capcom is delivering Dragon’s Dogma II. You create your character, the “Arisen,” from scratch, building on typical RPG species like humans, elves and “beastrens” and jobs like warrior, archer and sorcerer. As you explore two sprawling kingdoms, you can recruit AI-controlled “pawns” to help complete your mission, which is to ”slay the Dragon and claim the throne.” If this sounds irresistible (you know who you are), the quest begins Friday, March 22, on PlayStation 5, Xbox X/S or PC.

    — Lou Kesten

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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  • Kelly Clarkson Found Her Footing 15 Years Ago with All I Ever Wanted

    Kelly Clarkson Found Her Footing 15 Years Ago with All I Ever Wanted

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    With the benefit of hindsight, it’s possible to see how Kelly Clarkson began charting her present course 15 years ago, undertaking the shift from pop superstar to inescapable lifestyle brand.


    This year marks the 15th anniversary of her fourth album, All I Ever Wanted, which followed the contentious release of her third album, 2007’s My December. A fraught project that found Clarkson pivoting from the comparatively breezy pop-rock of her first two records to embrace a darker, edgier style (in both presentation and subject matter), December deeply fractured Clarkson’s relationship with her label, RCA Records — so much so that 16 years later, while promoting her 2023 album Chemistry, she was still exchanging barbs in the press with former label head Clive Davis.


    Given that Sturm und Drang, it was little surprise Wanted swung the pendulum back in the direction of easy, sunny and accessible. Wanted debuted at number one on the Billboard 200 chart and spun off three hit singles, not least of which was the chart-topping (and certifiable banger) “My Life Would Suck Without You.”


    While Clarkson hasn’t really deviated much from the glossy pop playbook in the intervening years, Wanted was the first instance of the Burleson native giving the mainstream what it wanted — but on her terms.


    That ironclad insistence on meeting the audience in a manner of her own choosing has allowed her to expand her footprint well beyond pop music, incorporating a regular network television presence (via her eponymous daily talk show and The Voice), as well as becoming a familiar face in advertisements for brands like Wayfair.


    Released on March 6, 2009, All I Ever Wanted eventually sold over a million copies in the U.S. and earned Clarkson a Grammy nomination for best pop vocal album. She aligned herself with multiple A-list producers, including Max Martin, Dr. Luke, Howard Benson and Ryan Tedder, all of whom knew how to maximize Clarkson’s strengths as an artist and preserve her unique approach.


    The sonic sensibility on display throughout Wanted skews guitar- and drum-heavy, filtered through major label glossiness — Clarkson’s vocal work, always impeccable and impressive, scales new heights here, particularly on “My Life Would Suck Without You,” which has the Texan nailing multiple octave leaps with ease.


    “Already Gone,” its uncanny stylistic similarities to Beyonce’s “Halo” notwithstanding, also gave Clarkson, one of popular music’s all-time great balladeers, an immaculate, tear-stained close-up. It’s one of the more moving pop tracks of the mid-aughts — the way Clarkson’s voice breaks and catches just so on the line “I love you enough to let you go” never fails to induce goosebumps.


    Lyrically, she doesn’t shy away from the messiness of relationships — the one true throughline of Clarkson’s entire output to date, up to and including her most recent release, Chemistry, which sifts through the ashes of her marriage to Brandon Blackstock  — and offers up plenty of memorable lines (“I know that I’ve got issues/But you’re pretty messed up too/Either way I found out/I’m nothin’ without you,” Clarkson sings on “My Life Would Suck Without You,” as zippy an ode to toxic co-dependence as you’ll find).


    Critics believed Wanted recovered Clarkson’s footing as a pop star of consequence: “All I Ever Wanted is a masterful rapprochement with the mainstream, full of cheerfully ear-snagging tunes, inventive production, exhilarating vocals, and enough inherent Kelly-ness to put aside fears that her label bosses implanted blonde electrodes in her brain to make her behave,” said Ann Powers in the Los Angeles Times.


    Rolling Stone
    ’s Jody Rosen concurred, to a point: “‘My Life Would Suck Without You’ is a kind of repentance, a chastened pop star’s retreat from auteurdom. It’s also, as it turns out, fantastic — the early favorite for single of the year. It’s hard to match that thunderclap opening, but Clarkson does, for a couple of songs, at least.”


    That said, it wasn’t universal raves: “If her first album was the Obligation, her second the Breakthrough and her third the Reaction, then
    All I Ever Wanted plays out as Ms. Clarkson’s Concession,” observed the New York Times Jon Caramanica, in an assessment splitting the difference between praise and dismissal.


    The range of critical reaction aside, what’s more troubling upon reflection is how My December was treated less like a choice made by an artist who wanted to explore a different direction than something a petulant pop star just needed to get out of her system. In that way, listeners can feel the bared teeth in Wanted tracks like “I Do Not Hook Up” or “Don’t Let Me Stop You” — she might have let in the sunshine, but the sentiment was unchanged.


    The follow-up to Wanted, 2011’s Stronger, seemed to split the difference between sunshine and seething — hits like the anthemic title track “What Doesn’t Kill You (Stronger)” or the luminous “Dark Side” — were less revolutionary than a refinement. In time, Clarkson would deliver her first holiday album (2013’s Wrapped in Red) and continue threading the needle between anguish and uplift (2015’s Piece by Piece; 2017’s Meaning of Life), building a formidable fan base in the process.


    That take-it-or-leave-it attitude, which colored My December, but was more channeled into All I Ever Wanted, is the foundation of the now-41-year-old pop star’s career. By dictating the terms of her creative participation in the music business — to the extent such a thing is possible, anyway — Clarkson has enabled herself to grow and change and remain true to herself, avoiding the trap of being locked into a particular sound or style, while also being allowed to not only have a life, but to find creative inspiration in areas beyond music.


    Looking back, what can seem a sop to staying put amid the A-listers at the time seems less like copping out than seeing around the curve. Kelly Clarkson has long accommodated pop stardom on no else’s terms but her own, and even the glossiest songs in her catalog sparkle less from sunshine than the glinting reflection from her steely, unshakeable determination to answer to only herself. 

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    Preston Jones

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  • Latin pop star Marc Anthony plays Orlando’s Kia Center this weekend

    Latin pop star Marc Anthony plays Orlando’s Kia Center this weekend

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    WE LOVE OUR READERS!

    Since 1990, Orlando Weekly has served as the free, independent voice of Orlando, and we want to keep it that way.

    Becoming an Orlando Weekly Supporter for as little as $5 a month allows us to continue offering readers access to our coverage of local news, food, nightlife, events, and culture with no paywalls.

    Join today because you love us, too.

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    Matthew Moyer

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  • It’s Elle Darlington’s World…We’re Just Living In It

    It’s Elle Darlington’s World…We’re Just Living In It

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    Elle Darlington has all the makings of your classic popstar: a whimsical, dynamic vocal range, the songwriting prowess to make any song an instantaneous pop hit, and a high-energy aura that’s both contagious and compelling.


    Similarly to the rest of the world, Darlington started uploading her music to TikTok during lockdown – where we found a fresh way to discover artists without the help of a label. From there, it didn’t take long for the world to fall in love with Elle Darlington, who amassed over 1.1 million followers thanks to her song covers.

    In October of 2023, a few short years after Darlington’s college tutor suggested she start posting her music online, she released her debut single, “wish you would.” Reminiscent of pop-diva greats like Mariah Carey and Ariana Grande, Elle Darlington entered the music scene swinging (even hitting insane whistle notes).

    wish you would” displays her dreamy voice and ear worm-y lyrics that send me back to the early 2000’s. Her voice is glamorous and her music hits the sweet spot between nostalgic and completely, utterly unique. In terms of debut singles, it’s hard to craft one as astonishing an introduction to an artist as “wish you would.”

    Since then, Elle Darlington continues to prove she is bringing back the era of the popstar. Following up with a refreshing holiday song, “Christmas Is You”, Elle often nods to Mariah Carey’s iconic “All I Want For Christmas Is You” as her go-to Christmas jam.

    And then there’s her latest release, “hiatus”, which blends pop and R&B almost seamlessly. A song about needing a break from someone who isn’t good for you anymore, “hiatus” is yet another immaculate contribution to Darlington’s discography. You can listen to “hiatus” below.


    What makes Elle Darlington different isn’t the features in magazines like Peopleand Rolling Stone, or the record deal with Columbia Records…but the effortless talent that just exudes from her, the way the term “popstar” can be thrown into the mix and no one will bat an eye. Because some people just have the It Factor, and she’s one of them.

    As she takes the world by storm, I got the chance to speak with Elle Darlington about her new singles, what comes next, and much more. Check it out below!

    PD: You’ve been studying music your whole life. Who were your inspirations growing up and how did they influence your career?

    My first awakening into music was watching Hannah Montana when I was super young. The show was what first introduced me to ‘pop stars’. I wanted to be like her so bad! As I grew up a little I was obsessed with Rihanna, Beyonce, and Ariana Grande.

    PD: Your career took off on TikTok, where you began posting covers and gathered a following. Did you have a plan when going on the app? What kind of covers are your go-to?

    No! I had no expectations, it was actually a tutor at my college who suggested I start uploading videos. I made my account for fun in lockdown to keep myself busy and it grew from there. I like to keep my videos spontaneous so there’s isn’t much planning involved. I do love to cover a power ballad though!

    PD: Your debut single, “Wish You Would”, came out in October. After working on this project for over two years, what have you learned about yourself as a songwriter so far?

    I need to write about true experiences. It took a while to become comfortable opening up to people so that my songs could reflect my life and my vision. Once I learned how to channel my emotions it made the process way easier for me and I really feel like the more genuine I am, the more people can relate to my songs.

    PD: You have an amazing way of storytelling. If you had one piece of advice for those starting out, what would it be?

    Don’t be afraid of what people are going to think of you. Everyone starts somewhere! And trust your gut, if you believe in it, go for it.

    PD: Your new song “Hiatus” is coming out in February. What was the inspiration behind it?

    “hiatus” came from a relationship where I was feeling really unappreciated and had to learn to put myself first and walk away. I hadn’t heard the word put into a song before and I thought it was a really interesting way to talk about a breakup.

    PD: What is one thing you want your audience to take away from your music?

    I want my audience to connect my music with whatever they’re going through. Sing along to it, cry along to it.. anything it makes them feel really!

    PD: What’s next for you in 2024?

    I can’t wait to show everyone all the different things I’ve been working so hard on over the past couple of years…so lots of music to be released in 2024! and hopefully a lot of live shows too.

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    Jai Phillips

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  • Do AI video-generators dream of San Pedro? Madonna among early adopters of AI’s next wave

    Do AI video-generators dream of San Pedro? Madonna among early adopters of AI’s next wave

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    Whenever Madonna sings the 1980s hit “La Isla Bonita” on her concert tour, moving images of swirling, sunset-tinted clouds play on the giant arena screens behind her.

    To get that ethereal look, the pop legend embraced a still-uncharted branch of generative artificial intelligence – the text-to-video tool. Type some words — say, “surreal cloud sunset” or “waterfall in the jungle at dawn” — and an instant video is made.

    Following in the footsteps of AI chatbots and still image-generators, some AI video enthusiasts say the emerging technology could one day upend entertainment, enabling you to choose your own movie with customizable story lines and endings. But there’s a long way to go before they can do that, and plenty of ethical pitfalls on the way.

    For early adopters like Madonna, who’s long pushed art’s boundaries, it was more of an experiment. She nixed an earlier version of “La Isla Bonita” concert visuals that used more conventional computer graphics to evoke a tropical mood.

    “We tried CGI. It looked pretty bland and cheesy and she didn’t like it,” said Sasha Kasiuha, content director for Madonna’s Celebration Tour that continues through late April. “And then we decided to try AI.”

    ChatGPT-maker OpenAI gave a glimpse of what sophisticated text-to-video technology might look like when the company recently showed off Sora, a new tool that’s not yet publicly available. Madonna’s team tried a different product from New York-based startup Runway, which helped pioneer the technology by releasing its first public text-to-video model last March. The company released a more advanced “Gen-2″ version in June.

    Runway CEO Cristóbal Valenzuela said while some see these tools as a “magical device that you type a word and somehow it conjures exactly what you had in your head,” the most effective approaches are by creative professionals looking for an upgrade to the decades-old digital editing software they’re already using.

    He said Runway can’t yet make a full-length documentary. But it could help fill in some background video, or b-roll — the supporting shots and scenes that help tell the story.

    “That saves you perhaps like a week of work,” Valenzuela said. “The common thread of a lot of use cases is people use it as a way of augmenting or speeding up something they could have done before.”

    Runway’s target customers are “large streaming companies, production companies, post-production companies, visual effects companies, marketing teams, advertising companies. A lot of folks that make content for a living,” Valenzuela said.

    Dangers await. Without effective safeguards, AI video-generators could threaten democracies with convincing “deepfake” videos of things that never happened, or — as is already the case with AI image generators — flood the internet with fake pornographic scenes depicting what appear to be real people with recognizable faces. Under pressure from regulators, major tech companies have promised to watermark AI-generated outputs to help identify what’s real.

    There also are copyright disputes brewing about the video and image collections the AI systems are being trained upon (neither Runway nor OpenAI discloses its data sources) and to what extent they are unfairly replicating trademarked works. And there are fears that, at some point, video-making machines could replace human jobs and artistry.

    For now, the longest AI-generated video clips are still measured in seconds, and can feature jerky movements and telltale glitches such as distorted hands and fingers. Fixing that is “just a question of more data and more training,” and the computing power on which that training depends, said Alexander Waibel, a computer science professor at Carnegie Mellon University who’s been researching AI since the 1970s.

    “Now I can say, ‘Make me a video of a rabbit dressed as Napoleon walking through New York City,’” Waibel said. “It knows what New York City looks like, what a rabbit looks like, what Napoleon looks like.”

    Which is impressive, he said, but still far from crafting a compelling storyline.

    Before it released its first-generation model last year, Runway’s claim to AI fame was as a co-developer of the image-generator Stable Diffusion. Another company, London-based Stability AI, has since taken over Stable Diffusion’s development.

    The underlying “diffusion model” technology behind most leading AI generators of images and video works by mapping noise, or random data, onto images, effectively destroying an original image and then predicting what a new one should look like. It borrows an idea from physics that can be used to describe, for instance, how gas diffuses outward.

    “What diffusion models do is they reverse that process,” said Phillip Isola, an associate professor of computer science at the Massachusetts Institute of Technology. “They kind of take the randomness and they congeal it back into the volume. That’s the way of going from randomness to content. And that’s how you can make random videos.”

    Generating video is more complicated than still images because it needs to take into account temporal dynamics, or how elements within the video change over time and across sequences of frames, said Daniela Rus, another MIT professor who directs its Computer Science and Artificial Intelligence Laboratory.

    Rus said the computing resources required are “significantly higher than for still image generation” because “it involves processing and generating multiple frames for each second of video.”

    That’s not stopping some well-heeled tech companies from trying to keep outdoing each other in showing off higher-quality AI video generation at longer durations. Requiring written descriptions to make an image was just the start. Google recently demonstrated a new project called Genie that can be prompted to transform a photograph or even a sketch into “an endless variety” of explorable video game worlds.

    In the near term, AI-generated videos will likely show up in marketing and educational content, providing a cheaper alternative to producing original footage or obtaining stock videos, said Aditi Singh, a researcher at Cleveland State University who has surveyed the text-to-video market.

    When Madonna first talked to her team about AI, the “main intention wasn’t, ’Oh, look, it’s an AI video,’” said Kasiuha, the creative director.

    “She asked me, ‘Can you just use one of those AI tools to make the picture more crisp, to make sure it looks current and looks high resolution?’” Kasiuha said. “She loves when you bring in new technology and new kinds of visual elements.”

    Longer AI-generated movies are already being made. Runway hosts an annual AI film festival to showcase such works. But whether that’s what human audiences will choose to watch remains to be seen.

    “I still believe in humans,” said Waibel, the CMU professor. ”I still believe that it will end up being a symbiosis where you get some AI proposing something and a human improves or guides it. Or the humans will do it and the AI will fix it up.”

    ————

    Associated Press journalist Joseph B. Frederick contributed to this report.

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  • How Old Are NewJeans Members 2024: Ages and Profiles of the K-Pop Sensations

    How Old Are NewJeans Members 2024: Ages and Profiles of the K-Pop Sensations

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    NewJeans, a South Korean girl group formed by ADOR, a subsidiary of HYBE Labels, has quickly become a favorite among fans globally since their debut. With a young and energetic sound, the group consists of five members whose ages span the teenage years, adding a fresh and approachable charm to their music.

    Their youthfulness is a key factor in their artistic expression, shaping their dance routines, musical themes, and engagement with their audience. By focusing on the ages of the NewJeans members, fans and observers can gain a deeper appreciation of the group’s special role in the music world.

    Key Takeaways

    • NewJeans debuted in 2022 with youthful energy, under ADOR and HYBE Labels.
    • Their ages (15-19) and fresh sound make them stand out in K-pop.
    • Minji (May 7, 2004): Eldest, singer-songwriter, $1.5M net worth.
    • Hanni (Oct 6, 2004): Vietnamese-Australian, dancer-vocalist.
    • Danielle (Apr 11, 2005): Korean-Australian, top popularity, vocalist-dancer.
    • Haerin (May 15, 2006): Second youngest, South Korean, vocalist-dancer.
    • Hyein (Apr 21, 2008): Youngest, South Korean, vocalist-dancer.

    Overview

    NewJeans is a South Korean girl group formed under ADOR, a subsidiary of HYBE Labels according to Variety. They made a noticeable entry into the K-pop scene with their debut single, “Attention,” released on July 22, 2022, followed by their self-titled EP, “NewJeans,” which was unveiled to the public on August 1, 2022.

    NewJeans is composed of five members: Hanni, Minji, Danielle, Haerin, and Hyein. Each member brings a distinct flavor to the group, contributing to a diverse range of music and performance styles. The group quickly garnered attention for their fresh take on K-pop, channeling a unique and youthful vibe.

    The name “NewJeans” symbolizes their ambition to set fresh trends in the music industry, akin to the timeless fashion staple of jeans. Their debut has been widely recognized for its originality and appeal across a broad audience, setting the tone for their subsequent artistic endeavors.

    Member Roster

    • Hanni: Lead Vocalist
    • Minji: Main Dancer, Vocalist
    • Danielle: Lead Dancer, Vocalist
    • Haerin: Main Vocalist
    • Hyein: Maknae, Vocalist

    The group has established a multi-faceted image, marked by their multinational lineup and multilingual capabilities, which have allowed them to connect with a global fanbase. With their early career marked by a series of successful releases, NewJeans continues to establish a footprint in the K-pop industry.

    Individual Member Ages

    K-pop group NewJeans ages

    NewJeans Member Current Age Date of Birth
    Minji 19 years old May 7, 2004
    Hanni 19 years old October 6, 2004
    Danielle 18 years old April 11, 2005
    Haerin 17 years old May 15, 2006
    Hyein 15 years old April 21, 2008

    Min-ji’s Age

    NewJeans How Old is MinjiNewJeans How Old is Minji

    Kim Min-ji (Korean: 김민지) known by her stage name Minji, is the oldest member of the South Korean K-pop group NewJeans. Born on May 7, 2004, in Chuncheon, South Korea, she is currently 19 years old by international age and 21 by Korean age calculations. Before joining NewJeans, Minji trained at JYP Entertainment and now contributes to the band as both a singer and a songwriter.

    Hanni’s Age

    Pham Ngoc Han (Korean: 팜응옥한) – who performs under the stage name Hanni, is the Vietnamese-Australian K-pop idol and the second oldest member of NewJeans. Her birthday is October 6, 2004, and she was born in Melbourne, Australia. According to international age, she is 19 years old, but in Korea, she is considered 21 years old. Hanni plays a key role in NewJeans as the main dancer and vocalist.

    Danielle’s Age

    How Old is Danielle NewJeansHow Old is Danielle NewJeans

    Mo Ji Hye (Korean: 모지혜) known as Danielle, is a Korean-Australian K-pop artist in NewJeans. Born on April 11, 2005, in Newcastle, Australia, she is 18 internationally and 20 in Korean age. Danielle serves as a vocalist and dancer for the group.

    Haerin’s Age

    Kang Haerin (Korean: 강해린) also known as Haerin, is the second youngest member of the South Korean K-pop group NewJeans. She was born on May 15, 2006, in Gimcheon-si, South Korea. According to international age, she is 17 years old, but in Korea, she is considered 19 years old. Haerin contributes to the band as both a vocalist and a dancer.

    Hyein’s Age

    NewJeans Hyein ageNewJeans Hyein age

    Lee Hye-in (Korean: 이혜인) known as Hyein, is the youngest NewJeans member, born on April 21, 2008, in Incheon, South Korea. Internationally, she is 15 years old and 17 in Korean age. Hyein serves as a vocalist and dancer for the group.

    How Koreans Calculate Age?

    Let’s break it down with a straightforward example. Consider someone born in 1993 and the current year is 2019. In Korean age, the formula is as follows: Korean age = (2019 – 1993) + 1, which equals 27 years. In contrast, the Western system might show them as 26 years old until their birthday in 2019, after which they’d also be 27 years old.

    For fans of Korean culture, let’s apply this to a well-known figure, Jungkook from BTS, born on September 1, 1997. By Western calculation, he turns 22 in 2019. However, in Korean age, he’s considered 23: he’s 22 + 1 after his birthday, but effectively 23 throughout the year.

    Another example emphasizes the difference: a child born on December 31 is only a day old in the Western system but considered two years old in Korean age because they’re born as a 1-year-old and gain another year on January 1.

    Age Distribution in NewJeans

    NewJeans member biosNewJeans member bios

    The members of the K-pop girl group NewJeans exhibit a narrow age range, demonstrating the youthful spirit they bring to the music industry. The group comprises five members, each with a noteworthy talent that complements the team. The age ranking within NewJeans spans from the oldest, Minji, to the youngest, Hyein, all of whom were teenagers at the time of their debut.

    Oldest Members:

    • Minji was born on May 07, 2004, making her 19 years old.
    • Hanni, sharing the same birth year, was born on October 06 and also stands at 19 years old.

    Middle Range:

    • Danielle, slightly younger than her peers above, was born on July 11, 2004, and is therefore 19 years old as well.

    Younger Members:

    • Haerin, whose birthday is on February 15, 2006, is 18 years old.
    • Hyein represents the youngest of the group, being born on April 21, 2008, and is 15 years old.

    This close-knit age distribution is common in K-pop, and it often facilitates a cohesive group dynamic, with members sharing similar stages of personal growth and development. Each member of NewJeans brings their unique energy to the group, resonating with fans across various age demographics.

    The group made a poignant entrance into the music scene with their debut single “Attention” on July 22, 2022, followed by their debut extended play, “New Jeans,” which was unveiled to the public on August 1, 2022.

    Comparison with Peer Groups

    NewJeans youngest memberNewJeans youngest member

    Group Debut Year Approximate Average Age at Debut
    NewJeans 2022 16.8 years
    BLACKPINK 2016 19.75 years
    Red Velvet 2014 20.4 years
    TWICE 2015 18.9 years

    Given the industry’s competitive nature, younger groups like NewJeans often get a head start in building a long-term fanbase, providing a wider window for group activities and evolution. To illustrate, members of NewJeans are between the ages of 16 and 18, which is a strong point highlighting their appeal to the increasingly younger demographic of K-pop fans.

    Their positioning also showcases the strategic planning of ADOR and HYBE Labels, considering the longevity and developmental potential of NewJeans within the fiercely competitive K-pop sphere. Comparatively, the group’s age not only offers a fresh perspective within the industry but also hints at their sustained growth potential over the coming years.

    Frequently Asked Questions

    Which NewJeans member has the highest net worth?

    Minji tops the wealth chart among the NewJeans members, boasting an estimated net worth of $1.5 million as of 2023, according to a report by IBTimes.

    Who ranks as the most favored NewJeans member?

    Danielle leads in popularity within NewJeans, securing a brand value of 3,530,278 points, as highlighted in the Korean Business Research Institute’s June 2023 analysis.

    Which NewJeans member is considered the least popular?

    Hyein holds the position of the least popular member, with a brand value of 1,247,037 points, based on findings from the Korean Business Research Institute’s June 2023 report.

    Final Words

    NewJeans, emerging under ADOR and HYBE Labels, has made a significant impact since their 2022 debut with their youthful energy and innovative approach to K-pop.

    With members aged between 15 and 19, their diverse talents and multinational backgrounds have quickly garnered a global fanbase, distinguishing them in a competitive industry.

    Their fresh sound and dynamic performances promise a bright future, making NewJeans a group to watch.

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    Srdjan Ilic

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  • Justin Timberlake adds autumn date with Orlando to his ‘Forget Tomorrow World Tour’

    Justin Timberlake adds autumn date with Orlando to his ‘Forget Tomorrow World Tour’

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    click to enlarge

    Courtesy photo

    Justin Timberlake is free to ‘forget tomorrow’ but please don’t forget Orlando

    Justin Timberlake on Friday added 15 new shows to his “Forget Tomorrow World Tour,” and Orlando is one of his new destinations.

    Timberlake originally announced the first leg of the Forget Tomorrow tour, the singer’s first in five years, on old pal Jimmy Fallon’s Tonight Show back in January. That tour runs from April to June, kicking off in Canada and ending in Kentucky.

    This new run of fall dates kicks off in October, and now includes an Orlando stop at the Kia Center downtown in early November. The only other fall Florida stop is in Sunrise. (There is, however, a summer show in Tampa in June, if you want to do double-duty.)

    Timberlake releases his new album, Everything I Thought It Was, in March, so expect to hear some of those songs on the road.

    Justin Timberlake plays the Kia Center on Saturday, Nov 9. Tickets go on sale Thursday, Feb. 15, through Ticketmaster.


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    Matthew Moyer

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  • What to stream this week, Super Bowl edition: Usher, classic commercials and lots of puppies

    What to stream this week, Super Bowl edition: Usher, classic commercials and lots of puppies

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    Usher’s first new solo album in eight years and the “Abbott Elementary” debuting its third season on ABC are some of the new television, movies, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Justin Hartley of “This is Us” debuts his new CBS series “Tracker,” Sony’s new multiplayer military shooter Helldivers 2 and Celine Song’s “Past Lives,” an achingly tender film about making peace with the choices that shape our lives.

    — Celine Song’s “Past Lives” is an achingly tender film about making peace with the choices that shape our lives. Song’s directorial debut, which is nominated for best picture and best screenplay at the Academy Awards, is about a woman named Nora (Greta Lee) who, while married and living in New York, reconnects with a childhood friend (Teo Yoo) from Seoul. Though modest in scale, “Past Lives” gently reckons with existential quandaries that stretch across time and continents. In her review, AP’s Jocelyn Noveck called it “a gorgeous, achingly wistful feature debut.” Streaming on Paramount+ with Showtime.

    — The mind of Charlie Kaufman has produced some of the most memorable films (“Eternal Sunshine of the Spotless Mind,” “Synecdoch, New York”) of the last few decades. But even when Kaufman last scripted an animated film, (“Anomalisa”), you wouldn’t call the results child-friendly. But in “Orion and the Dark,” Kaufman adapts Emma Yarlett’s illustrated children’s book about a fifth-grader (voiced by Jacob Tremblay) who’s afraid of the dark, among other things. He’s forced to confront his fears when visited the actual Dark (voiced by Paul Walter Hauser). In his review, AP’s Mark Kennedy said director Sean Charmatz’s film “is about fear and overcoming … but has too much junk clogging up the vision.” Streaming on Netflix.

    — Laura Chinn’s directorial debut “Suncoast,” which recently premiered at the Sundance Film Festival, draws from Chinn’s own experience growing up in Florida and caring for her ill brother. With a cast including Laura Linney and Woody Harrelson, newcomer Nico Parker stars as the high-schooler Doris in this coming-of-age drama. “Suncoast” streams Feb. 9 on Hulu.

    — AP Film Writer Jake Coyle

    — It may very well be Usher’s world, and we’re just living in it. From an incredibly successful Las Vegas residency to scoring the 2024 Super Bowl halftime show, the “Confessions” singer is experiencing a well-deserved influx of attention — from a new and curious audience as well as those filled with nostalgia for his smooth ’00s R&B. There’s more great news: on Friday, Feb. 9, just two days before he appears at Allegiant Stadium in Las Vegas for Sin City’s inaugural Super Bowl, Usher will release “Coming Home,” his first new solo album in eight years. He hasn’t missed a beat — “Good Good,” the single with Summer Walker and 21 Savage — is silky summertime R&B with some Atlanta bounce — a winning combination. Elsewhere on the album, Usher joins forces with Burna Boy, Latto, The-Dream, H.E.R., BTS member Jungkook and Pheelz. “Stacked” is the word.

    — Swedish pop singer Zara Larsson will release her fourth studio album, “Venus,” on Feb. 9 — an album full of shimmery synth-pop and Euro dance-pop that burns bright, hot and fast like a Saturday night. “On My Love” with EDM giant David Guetta proves it, but Larsson’s commitment to feel-good club bangers exists throughout: like on the strings of “End of Time,” which she said was inspired by Rihanna and ABBA in equal parts. Now that’s a combination.

    — If you frequent indie music corners of the internet, you might’ve seen the shirts released by Helado Negro, the musical moniker of Roberto Carlos Lange, before you heard his music: “Young and Latin and Proud,” they read, a celebration of the South Florida native born to Ecuadorian immigrants’ identity, but also the identity of many of his listeners. It’s a great framework to consider Helado Negro’s latest album, “Phasor,” a day-dreamy collection of experimental pop (like on “Best For You and Me”), psych rock (“LFO (Lupe Finds Oliveros)”) and alternative rhythms and flutes (“I Just Want To Wake Up With You.”) It is a celebration of an incredible diversity of Latin music, including one that gets lost when listeners focus too closely on geography: atmospheric sounds.

    — AP Music Writer Maria Sherman

    — “Abbott Elementary” aired its season two finale last April and there are lingering questions that need answers. Can Janine and Gregory (series creator Quinta Brunson and Tyler James Williams) remain platonic after almost stepping outside the friend-zone on the field trip to the science museum? Did a summer at Harvard prompt Ava (Janelle James) to finally take her job as principal seriously? And will Mrs. Howard (Sheryl Lee Ralph) finally learn that Brian Tyree Henry’s name is not Brian Austin Green? Answers may be revealed Wednesday when school is back in session and “Abbott Elementary” debuts season three on ABC. Episodes also stream on Hulu.

    — Revisit popular Super Bowl ads from years past on “Super Bowl Greatest Commercials XXIII: The Ultimate Countdown,” on Wednesday on CBS. The show presents top commercials from over the years from brands including Budweiser, E-Trade and Coke. Hosts Boomer Esiason, the former NFL quarterback, and actor Danielle Ruah narrow down the competition to two finalists, and viewers can pick a winner by scanning a QR code on screen to vote live. The special will also stream on Paramount+.

    — There’s a four-legged alternative to Super Bowl Sunday: Puppy Bowl XX. This year marks the Bowl’s 20th year and 131 adoptable pups have been drafted from shelters and rescues across the U.S. to compete. Teams Ruff and Fluff square off for the coveted “Lombarky” trophy while also encouraging people to adopt and not shop for pets. Puppy Bowl XX will simulcast on Animal Planet, Discovery Channel, Discovery+, TBS, TRUTV, and MAX before the big human game on Sunday, Feb. 11.

    — Great American Family also wants in on the call-to-adoption programming. Year two of the Great American Rescue Bowl will feature both dogs and cats — all who have already been adopted — to highlight the kinds of pets you can find at a shelter or rescue instead of a store or breeder. The paw-some game between teams The Adorables and The Cuddlers begin at 12 p.m. also on Sunday, Feb. 11.

    — Justin Hartley of “This is Us” debuts his new CBS series “Tracker” in the prime spot after Super Bowl LVIII. Based on the book “The Never Game” by Jeffery Deaver, Hartley plays Colter Shaw, a guy with a skill for tracking down the missing and all he asks for in return is reward money. In an interview, Hartley says he was itching to roam around outside after years of being in kitchens and living rooms for “This Is Us.”

    — Alicia Rancilio

    — Sony’s new multiplayer military shooter Helldivers 2 invites you to “wage war for peace” and “die for democracy.” If those slogans sound like something out of the 1997 satire “Starship Troopers,” wait until you see the enemy, a species of giant insects called terminids. You can join forces with up to three friends as elite soldiers defending “Super Earth” from the aliens — which, of course, is best accomplished by attacking the monsters on their home planets with a spectacular assortment of high-tech weaponry, from your basic laser rifle to massive bombs. If you find yourself cornered by an alien “bile spewer,” well, that’s your problem. The invasion launches Thursday on PlayStation 5 and PC.

    — Lou Kesten

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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  • Music streams hit 4 trillion in 2023. Country and global acts — and Taylor Swift — fueled the growth

    Music streams hit 4 trillion in 2023. Country and global acts — and Taylor Swift — fueled the growth

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    LOS ANGELES — Listened to more music last year? You’re not alone.

    The global music industry surpassed 4 trillion streams in 2023, a new single-year record, Luminate’s 2023 Year-End Report found.

    Global streams were also up 34% from last year, reflective of an increasingly international music marketplace.

    Stateside, three genres saw the biggest growth in 2023: country (23.7%), Latin (which encompasses all Latin musical genres, up 24.1%) and world (a catchall that includes J-pop, K-pop and Afrobeats, up 26.2%.)

    It seems that more Americans are listening to non-English music. By the end of 2023, Luminate found that Spanish-language music’s share of the top 10,000 songs streamed in the U.S. grew 3.8%, and English-language music’s share dropped 3.8%.

    Under the Latin umbrella, regional Mexican music saw massive growth. The genre term — which encompasses mariachi, banda, corridos, norteño, sierreño and other styles — grew 60% in U.S. on-demand audio streams, accounting for 21.9 billion. Four of the six Latin artists to break 1 billion audio streams in the U.S. were Mexican acts: Peso Pluma, Eslabon Armado, Junior H, and Fuerza Regida, who also placed in the top 125 artists streamed.

    Armado and Peso Pluma’s “Ella Baila Sola” surpassed a billion streams on Spotify in less than a year and became the first regional Mexican Top 10 hit on Billboard’s all-genre Hot 100, peaking at No. 4 — later, Bad Bunny’s collaboration with Grupo Frontera, “Un x100to,” hit No. 5.

    As for the Taylor Swift of it all: Time’s 2023 Person of the Year made up 1.79% of the U.S. market, Luminate found, accounting for 1 in every 78 U.S. on-demand audio streams.

    Her dominance is reflected in Luminate’s 2023 top albums chart, where Swift accounts for five of the top 10 albums in the U.S.

    However, when it comes to overall music consumption in the U.S. — even with the success of Swift and the massive successes of country music and non-English language programming — hip-hop continues to rule, accounting for 25.5% of all streams.

    Maybe it had something to do with hip-hop celebrating its 50-year anniversary in 2023, because streams for current R&B and hip-hop acts dropped 7.1% from 2022, while catalog streams — older material — grew 11.3%.

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  • What to stream this week: 'America’s Got Talent: Fantasy League,' Barbenheimer and 'Night Court'

    What to stream this week: 'America’s Got Talent: Fantasy League,' Barbenheimer and 'Night Court'

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    The return of “Night Court” and new music from the K-pop act TVXQ are some of the new television, movies and music headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists are a true crime story on Max, a new version of “America’s Got Talent” and a streaming guide to the year’s best films.

    — As the year winds down, most of the movie action is in cinemas. But if you’re not heading out to see “The Color Purple,” “Poor Things” or “Ferrari,” there’s no better time to catch up on some of the year’s best movies. Many of the films that made the top 10 lists of myself and AP Film Writer Lindsey Bahr are available in various places to stream.

    If you haven’t caught up to “Barbie” or “Oppenheimer” yet, you can digitally rent Christopher Nolan’s blockbuster biopic, while Greta Gerwig’s pink-hued phenomenon is streaming on Max. Alexander Payne’s masterfully melancholic “The Holdovers,” starring Paul Giamatti, can be digitally rented also, as can Sofia Coppola’s Priscilla Presley drama “Priscilla.”

    On Netflix, there’s Todd Haynes’ appealingly arch “May December” and the dazzling animated sequel “Spider-Man: Across the Spiderverse.” On Prime Video, you can catch up to a pair of standouts from earlier in the year: A.V. Rockwell’s sprawling New York tale “A Thousand and One” and Wes Anderson’s elaborately layered “Asteroid City.” And if you’re looking for something further afield, seek out “The Eight Mountains,” a majestic epic of friendship, streaming on the Criterion Channel.

    — AP Film Writer Jake Coyle

    — Twenty years ago, SM Entertainment boy band TVXQ helped usher in K-pop’s second generation. (To put that into context: K-pop is currently in its fifth generation, and BTS arrived in the third.) By the end of first generation, lead by bubble gum pop like H.O.T.’s “Candy,” TVXQ emerged with a new kind of charisma, producing soulful harmonies with global resonance and performances alongside Britney Spears. Two decades later, the group is now a duo — made up of original members U-Know Yunho and Max Changmin — preparing to release their ninth studio album, “20&2,” on Tuesday, five years since their last full-length, 2018’s “New Chapter #2: The Truth of Love.” Across 10-tracks, the veteran act offers listeners a modern take on their familiar melodic talents. Begin with the rocking, tense falsetto pop of lead-single “Dark.”

    — AP Music Writer Maria Sherman

    — 2024 kicks off in a big way with “America’s Got Talent: Fantasy League” hosted by Terry Crews. In this competition, Mel B returns to judge alongside Simon Cowell, Howie Mandel and Heidi Klum, where they each selects from a talent pool of past winners, finalists, fan favorites and other standout contestants from the global “Got Talent” franchise to form their own team of 10 acts. The judges will then guide their acts through the competition where the audience determines who advances to the semi-finals and finals. The extravaganza begins Tuesday, Jan. 1 on NBC and streams on Peacock.

    — True crime fans were hooked by Max’s “The Curious Case of Natalia Grace,” about an Indiana couple who in 2010 adopted a 6-year-old girl with dwarfism from Ukraine named Natalia Grace. Within two years they began to question Natalia’s identity and believed she was in her early 20s, a fraud and dangerous. While that docuseries focused on the adopted parents’ story, Grace shares her version in “The Curious Case of Natalia Grace: Natalie Speaks.” The six-part series airs over three consecutive nights beginning Tuesday, Jan. 1 on ID.

    — The acclaimed Hulu series “Only Murders in the Building” comes to broadcast television in early 2024. The comedy whodunit stars Steve Martin, Martin Short and Selena Gomez as neighbors in a posh New York apartment building who start their own true crime podcast after another resident is murdered. The first three episodes of season one begin airing on ABC on Tuesday, Jan. 2.

    — NBC’s revival of the legal comedy “Night Court” premieres its second season on Tuesday, Jan. 2. The show stars Melissa Rauch as Judge Abby Stone, daughter of the late Harry Stone, who has assumed her father’s position as magistrate presiding over a night court in New York. The comedy also streams on Peacock. The show also stars original cast member John Larroquette.

    — Alicia Rancilio

    ___

    Catch up on AP’s entertainment coverage here: https://apnews.com/entertainment.

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  • Kiss say goodbye to live touring, become 1st US band to go virtual as digital avatars

    Kiss say goodbye to live touring, become 1st US band to go virtual as digital avatars

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    On Saturday night, Kiss closed out the final performance of their “The End of the Road” farewell tour at New York City’s famed Madison Square Garden.

    But as dedicated fans surely know — they were never going to call it quits. Not really.

    During their encore, the band’s current lineup — founders Paul Stanley and Gene Simmons as well as guitarist Tommy Thayer and drummer Eric Singer — left the stage to reveal digital avatars of themselves. After the transformation, the virtual Kiss launched into a performance of “God Gave Rock and Roll to You.”

    The cutting-edge technology was used to tease a new chapter of the rock band: after 50 years of Kiss, the band is now interested in a kind of digital immortality.

    The avatars were created by George Lucas’ special-effects company, Industrial Light & Magic, in partnership with Pophouse Entertainment Group, the latter of which was co-founded by ABBA’s Björn Ulvaeus. The two companies recently teamed up for the “ABBA Voyage” show in London, in which fans could attend a full concert by the Swedish band — as performed by their digital avatars.

    Per Sundin, CEO of Pophouse Entertainment, says this new technology allows Kiss to continue their legacy for “eternity.” He says the band wasn’t on stage during virtual performance because “that’s the key thing,” of the future-seeking technology. “Kiss could have a concert in three cities in the same night across three different continents. That’s what you could do with this.”

    In order to create their digital avatars, who are depicted as a kind of superhero version of the band, Kiss performed in motion capture suits.

    Experimentation with this kind of technology has become increasingly common in certain sections of the music industry. In October K-pop star Mark Tuan partnered with Soul Machines to create an autonomously automated “digital twin” called “Digital Mark.” In doing so, Tuan became the first celebrity to attach their likeness to OpenAI’s GPT integration, artificial intelligence technology that allows fans to engage in one-on-one conversations with Tuan’s avatar.

    Aespa, the K-pop girl group, frequently perform alongside their digital avatars — the quartet is meant to be viewed as an octet with digital twins. Another girl group, Eternity, is made up entirely of virtual characters — no humans necessary.

    “What we’ve accomplished has been amazing, but it’s not enough. The band deserves to live on because the band is bigger than we are,” Kiss frontman Paul Stanley said in a roundtable interview. “It’s exciting for us to go the next step and see Kiss immortalized.”

    “We can be forever young and forever iconic by taking us to places we’ve never dreamed of before,” Kiss bassist Gene Simmons added. “The technology is going to make Paul jump higher than he’s ever done before.”

    And for those who couldn’t make the Madison Square Garden show — stay tuned, because a Kiss avatar concert may very well be on the way.

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  • K-pop star Rosé joins first lady Jill Biden to talk mental health

    K-pop star Rosé joins first lady Jill Biden to talk mental health

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    SAN FRANCISCO — SAN FRANCISCO (AP) — K-pop superstar Rosé said Friday at a mental health awareness event hosted by first lady Jill Biden that it’s important for the world to understand that famous people grapple with emotional struggles, too.

    “I think that would be very great, for everybody who works under the public eye,” she said, perched on a slate gray couch at the Apple Park campus in Cupertino after hugging the first lady, who thanked her for coming.

    Rosé, a part of the supergroup BLACKPINK, said having a large social media following makes her feel vulnerable, particularly when people are critical.

    “I do feel like some of the things I do is just never enough, and no matter how hard I work on something, there’s always gonna be somebody who has their own opinion or who enjoy taking control of the narrative,” she said. “And so, that comes to me as a sense of loneliness.”

    She said it was important to talk about such things, however difficult it may be.

    “Just as we feed ourselves for better health and fitness, mental health can only be maintained equally — if not more intentionally — as our physical well being.”

    The discussion was part of several events hosted by Jill Biden for the spouses of Asia-Pacific leaders in California this week for the annual Asia-Pacific Economic Cooperation forum.

    “People who are older — we never, ever spoke about mental health,” Biden said. “There was shame attached to it. But what I find as a teacher — and having my own younger grandchildren in their twenties — I think they’re much more open to talking to one another, I think there’s far less shame.”

    The event was moderated by Surgeon General Vivek Murthy. Apple CEO Tim Cook opened the event but blanked briefly when the teleprompter went out.

    “Don’t you hate that. I hate that,” Biden said. Cook recovered, telling the crowd he’d “go ahead and ad lib,” then thanked everyone for coming and introduced the first lady.

    Cook later defended his tech company’s privacy standards when Wan Azizah binti Wan Ismail of Malaysia mentioned how artificial intelligence and manipulation can affect mental health, asking the CEO about protections on technology to protect people’s private information.

    “If you’ve ever had an Apple watch, you are being watched all the time,” she said.

    “Absolutely not actually,” Cook responded. “We believe that privacy is a fundamental human right.”

    Kim Keon Hee, the first lady of South Korea, Rachael Marape, the spouse of the prime minister of Papua New Guinea, and Louise Araneta-Marcos, the first lady of the Philippines, also attended.

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  • 2024 Grammy nomination snubs and surprises: No K-pop, little country and regional Mexican music

    2024 Grammy nomination snubs and surprises: No K-pop, little country and regional Mexican music

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    LOS ANGELES — With new categories, SZA, and “Barbie” — there’s a lot to discuss regarding the 2024 Grammy Award nominations. Who didn’t make the cut? What were the best surprises of all? Let’s take a look.

    There’s a lot to love about the nominations for the 66th Grammy Awards — and quite a bit to be a little confused by. Reneé Rapp, Peso Pluma and PinkPantheress are absent from the best new artist category despite having remarkable years. Rapp’s “Snow Angel” was the biggest debut solo album from a female artist this year.

    Rapp and PinkPantheress were both shut out and Peso Pluma only picked up one nomination: best música Mexicana album (including Tejano) for his third studio album, “Génesis.”

    In fact, in a year dominated by música Mexicana, it is surprising to see no nods for Eslabon Armado or Grupo Frontera, particularly for their songs “Ella Baila Sola” with Peso Pluma and “Un x100to” with Bad Bunny, respectively. Natanael Cano and Fuerza Regida are also noticeably absent.

    This year, there are only three nominees for best música urbana album — because the category received fewer than 40 entries — and accounts for Karol G’s sole nomination, for her historic 2023 album “Mañana Será Bonito.”

    Undeniably, country music has had a massive 2023. In July, country acts held the top three spots on the Hot 100 for the first time: Controversy hoisted Jason Aldean’s “Try That In a Small Town” to No. 1, followed by Morgan Wallen’s “Last Night” and Luke Combs’ cover of Tracy Chapman’s “Fast Car.”

    Also, over the summer, country singer Oliver Anthony Music’s became the first artist to debut on the Hot 100 at the top of it, with the viral “Rich Men North of Richmond.” Aldean and Anthony’s dominance wasn’t long — and Combs did earn a 2024 Grammy nomination for best country solo performance — but Wallen stands out as an obvious exclusion.

    While “Last Night” is nominated for best country song, a songwriter’s award, Wallen himself isn’t despite his successful year. His latest album, “One Thing at a Time,” had, as of Oct. 14, spent 16 weeks at the top — which meant he’s held the top spot for nearly 40% of the year so far … and his record was released in March.

    This isn’t the first time Wallen has been absent from nominations. In 2021, after video surfaced of him using a racial slur, he was disqualified or limited from several award shows and received no Grammy nominations for his bestselling “Dangerous: The Double Album.”

    The eligibility window ran from Oct. 1, 2022, through Sept. 15, 2023, which means quite a few K-pop heavyweights could have been nominated: TOMORROW X TOGETHER, Stray Kids and the Y2K-loving girl group NewJeans. But they weren’t.

    All three had releases hit No. 1 on the Billboard 200 — TXT’s “The Name Chapter: Temptation” in February, Stray Kids’ “Maxident” and NewJeans’ “Get Up.”

    Some critics had theorized that NewJeans might earn a best new artist nomination, which would have made them the first ever K-pop girl group to receive a Grammy nod. It could’ve been them, or the K-pop girl group Fifty Fifty, whose bubblegum pop single “Cupid” was inescapable on TikTok this summer — they became so ubiquitous, they even appeared on the “Barbie” film soundtrack.

    Yet, after Friday’s announcement, BTS remains the only K-pop group to ever receive a Grammy nod. And despite five nominations, they have no Grammy wins.

    Much to the chagrin of fans of Michelle Williams’ reading of Britney Spears’ memoir “The Woman in Me,” the actor will not be eligible in the best audio book, narration & storytelling recording category this cycle. That’s a 2025 possibility.

    But perhaps most shocking of all is the omission of Prince Harry, whose memoir “Spare” sold more than 3.2 million copies worldwide in just one week. The British royal narrated the audiobook but did not receive a nomination. Instead, Meryl Streep, William Shatner, Rick Rubin, Sen. Bernie Sanders and Michelle Obama did.

    Using charts as the most immediate metric of popularity: There’s been a bit of a dearth of dominant hip-hop releases. It’s a shocking shift, as the Luminate 2022 Year-End report found that R&B/hip-hop is America’s most popular genre, accounting for the most U.S. on-demand song streams and the largest share of total album consumption. In fact, no rapper was able to top the Billboard 200 until Travis Scott’s “Utopia” dropped in August. This time around, Scott only picked up one nomination: best rap album.

    Curiously missing from the list is Gunna, whose 2023 album “A Gift & a Curse” was massive. It is clear that some of the biggest hits in the genre were pushed to rap-specific categories (think Lil Durk ft. J. Cole’s “All My Life,” or Lil Uzi Vert’s “Just Wanna Rock.”)

    If there is something to pop bottles over, it’s Victoria Monét’s seven nominations. The R&B singer-songwriter is no stranger to Grammy nominations — but for a different skillset. Monét was nominated as a producer for album of the year at the 2020 Grammys, for her work on Ariana Grande’s “Thank U, Next.” At the time, she was best known as hit maker for Grande and Chloe x Halle, though she’s always been one to watch as a soloist.

    This time around, she’s the only leading nominee also up for best new artist. Monét has also picked up record of the year and best R&B song nominations for her glossy, brassy “On My Mama,” best R&B performance and best traditional R&B performance. Her 2023 release, “Jaguar ll,” is up for best R&B album and best engineered album, non-classical.

    The best story of the 2024 Grammy nominations, of course, is just how many women are represented in the major categories.

    The majority of leading nominees are women and include superstars like Taylor Swift, Billie Eilish, Miley Cyrus and Olivia Rodrigo. In both the record and album of the year categories, the only man represented is Jon Batiste.

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  • Singa Releases Summery and Sultry Single “Dame Tu Amor”

    Singa Releases Summery and Sultry Single “Dame Tu Amor”

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    Brooke Forman, now known by the musical moniker Singa, is back and better than ever with her latest single “Dame Tu Amor.”

    The summery single is melodic gold, with tropical synths and dance-inducing beats that perfectly compliment the singer’s smooth and ethereal vocals. “Dame Tu Amor” marks the beginning of a new era and persona in the singer’s career. After a serendipitous series of adventures, involving a soul searching trip to Bali and Paris, Singa found herself in Medellín, Colombia working with acclaimed production team La Compania, who in the past had worked with artists like J Balvin, Kevin Roldan, and Chocquibtown.

    Working with La Compania, comprised producer DJ Maff, vocalist Gotex, and rapper Migue was an example of music being a universal language according to the singer. With the language barrier initially barring the creative process, Singa expressed that there was a moment of clarity where everyone understood each other and the song came together. “I was getting scared that the story wouldn’t make sense in two different languages and then there was this weird, energetic moment that I can’t really explain. It just clicked and we all went to go write our parts, came back together and laid it all out. When it started rolling, everything just organically fell into place so fast.”

    Singa

    According to Singa, “Dame Tu Amor” was inspired by heartbreak and the unexplained emotional disappearance of someone she had a strong connection with. “We spent three weeks together in Paris and as soon as I went back to America I never heard from him again. We had left on good terms and we’re still friends and so I didn’t understand like it says in my lyrics, ‘So why when I dial no reply? Ain’t a girl as good as I.’”

    She goes on to explain that making this track was a part of her healing process. Once Singa was able to put her thoughts and feelings into the music and out into the universe, she was able to “let go of all of the negative feelings” and now she “can’t wait for the moment that that guy hears this song.”

    After the release of “Dame Tu Amor,” Singa shared that she wants to continue being a person of the world and creating more music that represents her journey as a musician and as a person. “I don’t want to limit myself to one country or one genre. I want to do what feels good. The people I’ve shown this track to so far have said to me, ‘Even though you’re not Latin, you’ve made a great Latin record,’ and that’s all I care about. All I care about is making great music and I hope that translates to people.”

    Check out Singa’s single “Dame Tu Amor” below!

    Dame Tu Amor

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  • Huey Lewis’ rom-com musical ‘The Heart of Rock & Roll’ finds a stage on Broadway in spring

    Huey Lewis’ rom-com musical ‘The Heart of Rock & Roll’ finds a stage on Broadway in spring

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    NEW YORK — NEW YORK (AP) — Huey Lewis, who with his band The News stormed radio in the 1980s with such rock-pop hits as “The Power of Love” and “I Want a New Drug,” is about to take his music to a Broadway stage.

    Lewis and executive producer Hunter Arnold tell The Associated Press that the jukebox musical “The Heart of Rock & Roll” — constructed from Lewis’ songs — will play the James Earl Jones Theatre starting March 2024, capping more than 10 years of gestation.

    “It’s been a long road, but it’s very gratifying,” Lewis said. “I’m pinching myself because it’s really going to happen now.”

    The show, which has an original story unconnected to Lewis, broke the record for highest gross per performance at San Diego’s Old Globe theater in 2018.

    “It’s smart, first of all, and funny. And it has a lot of heart and it’s about love, basically,” Lewis said. “People ask me, ’What’s it about, ”The Heart of Rock & Roll”? And it’s actually about the power of love.”

    Lewis has tweaked some song lyrics to make them able to be sung by different people and in contexts he never initially anticipated. “The fun part of that is being able to hear these songs that we wrote tell a new story in a completely different way,” he said.

    Music supervisor and orchestrator Brian Usifer has reworked the tunes for a word-driven show, and the production will feature a book by Jonathan A. Abrams. Alongside Hunter as producers are Tyler Mitchell, who initially proposed a show based on the band’s music, and Kayla Greenspan. Casting will be announced later.

    The story centers on a blue-collar guy who used to be in a rock band in his 20s. He finds himself in his 30s prepared to take the leap to middle-class respectability when his bandmates return to take another stab at music. There’s also a love story when he falls for the boss’ daughter.

    “It’s an everyman story,” said Arnold. “It’s really a story about what do we actually want in life, and how do we decide that for ourselves.”

    Huey Lewis & The News had 12 top 10 Billboard hits on the Hot 100 and three that made No. 1. They won a Grammy Award, for best music video for “The Heart if Rock ‘n’ Roll,” and “The Power of Love” was nominated for an Academy Award.

    Most of the band’s hits came from “Sports” — their sophomore album — released in 1983, which hit No. 1 on the Billboard 200 and stayed on the chart for 160 weeks. It spun off such singles as “Heart and Soul,” “I Want a New Drug,” “If This Is It,” “Finally Found a Home,” “Walking on a Thin Line” and “The Heart of Rock & Roll.”

    Lewis was an unlikely pop star, with earnest and sweet songs that verged on corny, delivered by a singer substantially older than his counterparts on the charts. “It’s the weirdest thing because the man who defied the ‘80s in many ways now also defines the ’80s,” said Arnold.

    “I think more than ever, people are looking for something that makes them feel hopeful, happy. Nostalgia is in because it’s a comfort food for us as audiences, but not something that is without a lesson underneath.”

    There’s irony that Lewis’ music is already on Broadway — in a musical take on “Back to the Future,” including the theme tune “The Power of Love” and “Back in Time.”

    “It’s more about timing. It’s not about we’re the greatest songwriters who ever lived,” said Lewis, laughing. He appeared on Broadway in “Chicago” as Billy Flynn in the mid-2000s.

    “I consider musical theater to be the most rewarding because it’s the most demanding of all artistic expression. You need to sing, dance and act. And it’s so collaborative that it’s not even enough to be good. You need to make everyone else good as well,” he added. “It’s wonderfully demanding and wonderfully rewarding, and we’re just happy to have a shot at it.”

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    Mark Kennedy is at http://twitter.com/KennedyTwits

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