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  • 50 Hilariously Funny Poems To Read and Share

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    When students see poetry as a boring unit that’s all about nature, love, and feelings, it’s time to shake things up. Poets have always had a sense of humor, and students who appreciate sarcasm, wit, and outright jokes will love these funny poems. Put a few of these poems on the whiteboard or in their poetry packet and they’ll never look at poetry the same way again!

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    Our Favorite Funny Poems for Everyone

    1. How Not To Have To Dry the Dishes by Shel Silverstein

    “If you have to dry the dishes
    (Such an awful, boring chore)”

    Themes: Mischief, humor, chores
    Literary devices: Punctuation, refrain

    Shel Silverstein is the master of funny poems for kids. Use this poem as a mentor text when students write their own funny poems. Silverstein uses rhyme and punctuation to set the scene and set up the punchline at the end.

    2. The Crocodile by Lewis Carroll

    an image of a funny poem for kids: The Crocodile

    “How doth the little crocodile
    Improve his shining tail …”

    Themes: Deception, humor, animals
    Literary devices: Rhyme, personification

    This funny poem attributes human characteristics (“grin,” “welcomes little fishes in”) to a crocodile. Younger students can imagine the sneaky crocodile, while older students can discuss whether this poem was written for adults or children and why.

    3. Be Glad Your Nose Is On Your Face by Jack Prelutsky

    “Be glad your nose is on your face,
    not pasted on some other place …”

    Themes: Absurdity, contentment, humor, imagination
    Literary devices: Contrast, rhyme, enjambment

    A poem is a perfect place to imagine something ridiculous, like Prelutsky does in this poem. Students will giggle at all the ways Prelutsky expands on his premise that your nose could, in fact, have been placed somewhere else.

    4. Don’t Go Into the Library by Alberto Rios

    “The library is dangerous—
    Don’t go in. If you do …”

    Themes: Imagination, libraries, reading, irresistibility
    Literary devices: Symbolism, enjambment, metaphor

    This poem has a matter-of-fact style, so it’s a good one to show students who are learning how to analyze how authors insert their ideas into poems, and how they use poems to build to a final punch. This poem is also a great one to introduce students to the idea of enjambment, or when sentences continue across multiple lines, and extended metaphor—the library is not just a building but an entry point for imagination that is hard to resist.

    5. Sick by Shel Silverstein

    “‘I cannot go to school today,’”
    Said little Peggy Ann McKay.”

    Themes: Humor, motivation
    Literary devices: Rhyme, hyperbole

    Every elementary schooler should read this funny poem at least once. It’s a master class in drama that ends with a joke that lets all the air out of the balloon at once.

    6. My Kitten Is a Ninja by Kenn Nesbitt

    “My kitten is a ninja.
    He wears a black disguise.”

    Themes: Humor, pets
    Literary devices: Rhyme, imagery, symbolism

    Another silly scenario poem. Use this poem when you’re teaching students how to analyze structure and rhyme.

    7. My Shadow by Robert Louis Stevenson

    an image of a funny poem for kids: My Shadow

    “I have a little shadow that goes in and out with me …”

    Themes: Imagination, shadows
    Literary devices: Rhyme, personification

    You have to read the entire poem to see the humor in a shadow personified as busy until it’s time to get out of bed. This poem is also good to teach vocabulary, with words like “notion,” “proper,” and “coward.”

    8. My Next Door Neighbor Is a Witch by Samiya Vallee

    “My next door neighbor is a witch,
    And she lives way down in a ditch.”

    Themes: Humor, absurdity, the grotesque
    Literary devices: Rhyme, imagery

    The humor in this poem is in the details that the poet includes, like the “big fat wart” and “seventeen pimples on her toes.” Read it aloud and talk about the details that make this poem silly.

    9. The Boy Who Didn’t Like Ice Cream by Rebecca Syx

    “A boy who didn’t like ice cream?
    That almost seems like a crime!”

    Themes: Food, humor, trying new things
    Literary devices: Rhyme, conversation, narrative

    This poem is easy to read with a hysterical tone—a boy who doesn’t like ice cream! Students can practice reading it aloud to try to get the most humor out of each stanza.

    10. Sweet Treat Dream by Gillian M. Ward

    “If the world were made of chocolate
    I know what I would do.”

    Themes: Humor, food
    Literary devices: Rhyme, repetition

    Technically, this poem is a good example of how a poet uses a repeated word or phrase to drive their point home. It’s also a fun example of how to use poetry to imagine a silly scenario from every angle.

    11. Don’t Be Silly by Dave Moran

    “Are there bugs that live on the moon?
    Can July come before June?”

    Themes: Humor, questioning, absurdity
    Literary devices: Rhyme, refrain

    How often have students been told to be serious or stop being silly? This poem invites them to be even more silly. Read it and then imagine your own stanza. What silly scenes can you build into one stanza?

    12. At the Zoo by William Makepeace Thackery

    an image of a funny poem for kids: At The Zoo

    “First I saw the white bear, then I saw the black;
    Then I saw the camel with a hump upon his back …”

    Themes: Childhood, animals
    Literary devices: Rhyme, repetition

    This short poem is a great one to introduce students to poetry, or to get reluctant readers into poetry. Most students can relate to the experience of visiting a zoo, and students can analyze how the rhyming and repetition make the poem fun to read. 

    13. Bleezer’s Ice Cream by Jack Prelutsky 

    “I am Ebeneezer Bleezer
    I run BLEEZER’S ICE CREAM STORE”

    Themes: Humor, childhood, ice cream
    Literary devices: Rhyme, capitalization, enjambment

    This is another fun, classic poem that students can analyze for themes of childhood. Read it alongside other Jack Prelutsky and Shel Silverstein poems to get a feel for the themes in children’s poetry. 

    14. Tom Tigercat by J. Patrick Lewis

    “Tom Tigercat is noted
    for his manners and his wit.”

    Themes: Playfulness, independence, animals
    Literary devices: Personification, rhyme, wordplay, enjambment

    When you get to the last line in this poem, it’s a double joke. There’s the literal joke and what happens when you read “ocelot” aloud. Start to talk about the oral nature of poetry and what happens when we hear versus see a poem, and how that impacts humor.

    15. Herbert Hillbert Hubert Snod by Denise Rodgers

    “Herbert Hillbert Hubert Snod
    was known for eating all things odd.”

    Themes: Humor, nonsense, food
    Literary devices: Enjambment, alliteration, rhyme

    Alliteration and rhyme make this funny poem come to life. Students can talk about how humor can turn a disgusting situation into a funny one.

    16. About the Teeth of Sharks by John Ciardi

    “The thing about the shark is—teeth
    One row above, one row beneath.”

    Themes: Humor, animals
    Literary devices: Rhyme, enjambment

    Similar to Silverstein’s “Boa Constrictor,” the humor in this poem happens when students put themselves in the shoes of the poet, whose companion ends up being eaten.

    17. Clouds by Anonymous

    an image of a funny poem for kids: Clouds

    “White sheep, white sheep
    On a blue hill.”

    Themes: Nature, animals, wonderment  
    Literary devices: Imagery, rhyme, enjambment  

    This poem reads like a nursery rhyme, and its simplicity makes it a good one to introduce students to poetry. They can talk about the images that the poet creates with just a few words. 

    18. The Nest by Jessica Amanda Salmonson

    “Have you heard
    about the bird
    Who built a nest
    with zeal and zest?”

    Themes: Competition, wildlife
    Literary devices: Rhyme, alliteration, enjambment

    Any student who has younger siblings can likely relate to this poem. It’s also a good one to use to talk about word choice and how word repetition contributes to a poem’s meaning.

    19. Math Blues by Cindi Rockwell

    “They try to give math a happier spin
    ‘How many times can this number go in?’”

    Themes: School, math, humor
    Literary devices: Rhyme, enjambment

    Who says you can’t use math in poetry? This poem is a fun one to use when students express frustration with math. Can they create their own math blues poem?

    20. Homework by Mariam Traore

    “Homework, oh homework
    All kids say it stinks …”

    Themes: Homework, school, humor
    Literary devices: Rhyme

    The ending question, “Don’t you?” throws the rest of the poem into question. It’s a great example of how a poem can set up a premise and then bring it all into question with a twist ending.

    21. My Doggy Ate My Essay by Darren Sardelli

    “My doggy ate my essay.
    He picked up all my mail.”

    Themes: Homework, absurdity, pets
    Literary devices: Rhyme, personification, enjambment

    Another poem about homework that has a twist ending. Read this one and talk about how poets can create short stories one line at a time.

    22. The Parakeets by Alberto Blanco

    “They talk all day
    and when it starts to get dark”

    Themes: Pets, humor
    Literary devices: Punctuation, repetition, personification, enjambment

    How are the parakeets like your students? The more talkative a class you have, the more funny this poem will be. A great opportunity to talk about how poetry can connect with real life.

    23. Mother Doesn’t Want a Dog by Judith Viorst

    “Mother doesn’t want a dog.
    Mother says they smell …”

    Themes: Humor, pets
    Literary devices: Rhyme, anaphora, refrain, enjambment

    This poem is fun to read aloud, as it has a clear rhyming structure. It’s also a good example of how poets structure funny poems to throw out a punchline in the last stanza.

    24. Now We Are Six by A.A. Milne

    an image of a funny poem for kids: Now We Are Six

    “When I was One,
    I had just begun.”

    Themes: Growing up, ages
    Literary devices: Progression, rhyme, repetition

    This sweet ode to childhood was written by the creator of Winnie the Pooh. Students can think about what Milne is saying about childhood, and how he uses structure to create a poem that sounds like it was written by a 6-year-old.

    25. Help Wanted by Timothy Tocher

    “Santa needs new reindeer.
    The first bunch has grown old.”

    Themes: Humor, holidays, Santa Claus and his reindeer
    Literary devices: Allusion, rhyme, personification

    A great poem to read during the holidays, Tocher imagines what might happen if Santa needed to recruit more reindeer. In terms of teaching, talk about the background knowledge students bring to the poem that makes it funny.

    26. Summer Camp Souvenirs by Richard Thomas

    “When I got home from camp today
    My parents almost died.”

    Themes: Camp, humor, being accident-prone
    Literary devices: Rhyme, hyperbole

    The dismissive, ambivalent tone of this poem is what makes it funny. Talk about how the poet uses phrases like “The poison ivy’s not too bad” and “And all these bruises, scabs, and cuts? I haven’t got a clue” to make the poem more silly than serious.

    27. Adventures of Isabel by Ogden Nash

    “Isabel met an enormous bear
    Isabel, Isabel, didn’t care”

    Themes: Humor, bravery
    Literary devices: Repetition, rhyme, juxtaposition, personification

    “Adventures of Isabel” reads like a fairy tale in poem form. Analyze how the poet creates absurd scenes using familiar fairy-tale characters.

    28. Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out by Shel Silverstein

    “She’d scour the pots and scrape the pans,
    Candy the yams and spice the hams …”

    Themes: Humor, responsibility, chores, absurdity
    Literary devices: Alliteration, hyperbole, imagery, rhyme

    Another classic Silverstein funny poem, this one is about a girl who refuses to take the garbage out until it reaches the ceiling and takes over the floor. It’s the imagery and absurdity of the situation, as well as the rhymes, that makes this poem giggle-worthy.

    29. Eletelephony by Laura Elizabeth Richards

    an image of a funny poem for kids: Eletelephony

    “Once there was an elephant,
    Who tried to use the telephant—”

    Themes: Silliness
    Literary devices: Wordplay, rhyme

    This imaginative poem about what would happen if an elephant used the telephone is a fun one to read with today’s kids as they try to imagine not only elephants, but old-fashioned telephones. The wordplay depicts a frustration with trying to tell the story at all.

    30. The Dentist and the Crocodile by Roald Dahl

    “The crocodile, with cunning smile, sat in the dentist’s chair.”

    Themes: Absurdity, humor
    Literary devices: Narrative, rhyme, personification

    Did students know that Roald Dahl wrote poetry too? His poem “The Dentist and the Crocodile” has all the humor of Dahl’s novels, with an exchange between a dentist and a crocodile who have very different goals.

    31. Daddy Fell Into the Pond by Alfred Noyes

    “Everyone grumbled. The sky was gray.
    We had nothing to do and nothing to say.”

    Themes: Absurdity
    Literary devices: Contrast, repetition, personification

    This poem shows how a dismal day can be turned around by one funny event. Talk about juxtaposition and how the poet sets up two contrasting situations to create the humor.

    32. The Vulture by Hilaire Belloc

    an image of a funny poem for kids: The Vulture

    “The Vulture eats between his meals
    And that’s the reason why …”

    Themes: Animals, absurdity
    Literary devices: Rhyme, personification

    This classic poem uses humor to get to the moral of not eating between meals. Use it to discuss the best way to “teach” kids through literature.

    33. The Silliest Teacher in School by Darren Sardelli

    “Our teacher gave detention
    to the fountains in the hall.”

    Themes: School, humor, poor eyesight
    Literary devices: Rhyme scheme, narrative, enjambment

    This poem, about a teacher who makes mistakes until the principal points out her biggest mistake, is a good one to read with students who are learning how to follow poems that tell stories. In this case, you have to read to the end to fully get the joke.

    34. Boa Constrictor by Shel Silverstein

    “I’m being eaten by a boa constrictor,
    And I don’t like it one bit.”

    Themes: Humor, absurdity, dangerous animals
    Literary devices: Rhyme, imagery, repetition

    This poem, which can also be sung, is funny both because of the ending and because of the way it rhymes up until the Ummmph!

    35. Nonsense Alphabet by Edward Lear

    an image of a funny poem for kids: Nonsense Alphabet

    “A was an ant
    Who seldom stood still
    And who made a nice house
    In the side of a hill.”

    Themes: Fun
    Literary devices: Rhyme, wordplay 

    Edward Lear’s writing is pure silliness. You can read this alphabet poem in its entirety or choose parts to focus on. Either way, it’s a fun way to practice fluency and talk about the various scenes that Leer creates for each letter. 

    36. How To Paint a Wall by Joanna Fuchs

    “While I went off to work one day,
    She decided to paint the wall”

    Themes: Humor, absurdity
    Literary devices: Narrative, rhyme

    Language and the nuances of language are at the heart of funny poems. This is a great example of that, when someone decides to paint a wall and “puts on two coats.”

    37. Working From Home by Phil J. Johnson

    “The grass needs cutting,
    I must mend the gate.
    I’m expecting a parcel,
    I hope it’s not late.”

    Themes: Humor, working, chores
    Literary devices: Repetition, rhyme

    Students can analyze the structure of this poem—a list with a common ending line. And they can create their own poems about the challenges of doing homework or logging into online classes on a snow day.

    38. Our Imperfect Dog by Cynthia Naspinski 

    “We love our dog with all our hearts,
    But not so much her stinky farts.”

    Themes: Pets, humor, love, acceptance
    Literary devices: Hyperbole, rhyme

    This poem is more complicated than the title lets on. Use it to analyze, line by line, what the poet is telling us about her dog that “wages war with the lawnmower” and “to baths she has a strong aversion.” The humor comes in the dog’s antics and the question: Will the family still love her?

    39. Pizza the Size of the Sun by Jack Prelutsky

    “I’m making a pizza the size of the sun
    a pizza that’s sure to weigh more than a ton”

    Themes: Absurdity, favorite food
    Literary devices: Hyperbole, rhyme, simile

    In “Pizza the Size of the Sun,” Prelutsky imagines what it would take to make a pizza with mountains of cheese that would take a year and a half to bake. The pizza lovers in your class will have fun imagining what it would be like to dig into this enormous pie.

    40. The Eagle by Lord Tennyson

    an image of a funny poem for kids: The Eagle

    “He clasps the crag with crooked hands;
    Close to the sun in lonely lands …”

    Themes: Animal behavior
    Literary devices: Rhyme, imagery, personification

    This short poem is great to use as a warm-up or quick mini-lesson on imagery or rhyme. Students can create images to show the eagle, or read this poem alongside articles about eagles. 

    41. The People Upstairs by Ogden Nash

    “The people upstairs all practise ballet
    Their living room is a bowling alley …”

    Themes: Humor, noisy neighbors
    Literary devices: Contrast, rhyme, symbolism, hyperbole

    Read this poem and talk about the vocabulary (“abate,” “conducted”) and imagine what experiences the poet had to inspire this poem.

    42. Messy Room by Shel Silverstein

    “Whosever room this is should be ashamed!
    His underwear is hanging on the lamp.”

    Themes: Chores, humor
    Literary devices: Contrast, rhyme

    This poem by Shel Silverstein uses the classic technique of building a scene and then turning it back onto the reader. Whose room is this? Oh, it’s mine!

    43. Yes, I’ll Marry You, My Dear by Pam Ayres

    “Yes, I’ll marry you, my dear and here’s the reason why;
    So I can push you out of bed when the baby starts to cry …”

    Themes: Humor, relationships
    Literary devices: Rhyme

    Older students can see the humor in this poem about the dual roles in a relationship, and the sometimes unequal tasks in a marriage. Note: This poem is written for an older audience.

    44. The Purple Cow by Gelett Burgess

    The Purple Cow by Gelett Burgess

    “I never saw a Purple Cow
    I never hope to see one …”

    Themes: Humor, absurdity
    Literary devices: Rhyme

    This poem reads like a nursery rhyme for older kids. Talk about how a short poem can create a clear image and be memorable. 

    45. Granny by Spike Milligan

    “Through every nook and every cranny
    The wind blew in on poor old Granny …”

    Themes: Humor, wind
    Literary devices: Imagery, rhyme

    Use this poem to talk about how poets use repetition to build a stanza line by line. You can also talk about the silly images that the poet creates in this poem about a windy day and his granny.

    46. Eating Habits by Alan Balter

    “Tomato sauce I’m at a loss
    I simply don’t know why …”

    Themes: Food, humor
    Literary devices: Imagery, rhyme

    This poem is about how clothing never stands a chance against food, from tomato sauce to cheese. It’s a great read, especially if you have a class that can relate to the feeling of always having stains that seem to appear after lunch.

    47. Monosyllabics by Laura Richards

    “The black cat sat
    In the fat man’s hat …”

    Themes: Animals
    Literary devices: Rhyme, enjambment

    This poem is an easier read than its title suggests. It’s written with words with one syllable, which means that it’s a good one to use with younger students who can decode most of the words to build comprehension as they read.

    8. Dream Variations by Langston Hughes 

    “To fling my arms wide
    In some place of the sun,
    To whirl and to dance
    Till the white day is done.”

    Themes: Freedom, joy, imagination, race 
    Literary devices: Repetition, imagery

    Even young readers can read Langston Hughes, and this light, energetic poem is a great way to introduce students to the legendary American poet. 

    49. Kid, this is the first rain by Jeffrey Bean

    “of November. It strips off the rest
    of the leaves, reminds trees
    how to shiver.”

    Themes: Environment, nostalgia
    Literary devices: Imagery, tone, enjambment

    This is a more complicated poem for younger kids to read, but it’s worth spending some time to analyze this poem. Students can develop background knowledge that helps them understand the poem, which was inspired by the poet’s childhood in the 1980s. 

    50. The Shapes of Leaves by Arthur Sze

    “Ginkgo, cottonwood, pin oak, sweet gum, tulip tree:
    our emotions resemble leaves and alive
    to their shapes we are nourished.”

    Themes: Nature, connection 
    Literary devices: Symbolism, tone, imagery

    Use this poem about observing trees and feeling connection to trees to engage students in creating their own poems based on observations of trees or other natural elements.  

    Ideas for Using Funny Poems in the Classroom

    If you include picture books, which are often lyrical, students have been exposed to lots of poetry. Still, seeing those poems on the page can feel either intimidating or underwhelming. Use these activities to make poetry your students’ favorite unit: 

    • Hook students with humor. Students may look at a poem and groan because of previous experiences they’ve had with poetry or because poetry feels too wishy-washy. Read a few hilarious poems aloud to get the poetry unit started and help students warm up to the genre.
    • Get the most out of every joke. Support students’ analysis of poems with anchor charts and bookmarks with information about poetic devices. These tools support students’ ability to focus on the text as they read line by line. 
    • Make hilarious drawings. Poems are meant to be sensory. Have students imagine what’s happening in each poem and create a drawing that could go along with it—the funnier the better. Then, if there is an image for the poem, like Shel Silverstein’s “Sick,” compare students’ drawings with the original. Who drew it better?
    • Create funny stories. If you are reading a narrative poem, have students turn the poem into a comic strip, story, letter, or another narrative. What happens to the story when you change the format? 
    • Let hilarity ensue. A poetry slam is a perfect way to practice fluency. Challenge students to get other classes to laugh with how they read a silly poem. What voices or intonation can they add to really hit that punchline?

    Get my printable poetry worksheet bundle!

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    If you’re getting ready for a poetry unit, you’re going to want our poetry worksheet bundle featuring eight different styles of poetry. Click the button below and fill out the form to get it.

    If you liked these poems, check out our must-share poems for elementary school students.

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    Samantha Cleaver, PhD, Special Ed & Reading Intervention

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  • 78 Must-Share Poems for Middle School and High School

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    It can be hard to know which poems will spur your middle and high schoolers into deep, meaningful discussion and which will leave them yawning. So we asked experienced teachers to share their favorite poems—the ones that always get a reaction, even from teens. Here are their top picks for the best poems for middle school and high school students.

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    Note: Every classroom is different, so please be sure to review these poems for middle and high school students before sharing to ensure they align with your learning environment.

    FREE PRINTABLES

    Middle and High School Poems

    This printable bundle includes some of our favorite middle and high school poems to share with students. Just fill out the form on this page to get them.

    Poems for Middle School and High School

    1. Nothing Gold Can Stay by Robert Frost

    Nature’s first green is gold …

    Themes: The life cycle, loss, regret
    Literary devices: Alliteration, metaphor, personification

    This poem is a great introduction to poetry that can be analyzed and discussed within a class period. Plus you can talk about how the poem relates to what students experience as they move through childhood milestones.

    2. The Road Not Taken by Robert Frost

    Two roads diverged in a yellow wood,
    And sorry I could not travel both …

    Themes: Individualism vs. nonconformity; choices and consequences
    Literary devices: Extended metaphor, imagery, symbolism, rhyme

    “The Road Not Taken” is a classic poem that every middle and high schooler really should read. It’s also a poem about things that teens struggle with, like whether to conform or be themselves, or the consequences of their actions. Engage students in a classic close reading of this poem so they can experience it for themselves, and discuss it as a class.

    3. Rat Ode by Elizabeth Acevedo

    Because you are not the admired nightingale …

    Themes: Resilience, survival, misunderstanding
    Literary devices: Personification, metaphor, tone

    Listen to the author herself as she performs her poetry. Study how Acevedo creates a shift in tone and how that changes the meaning of the poem and the readers’ expectations.

    4. I Lost My Talk by Rita Joe

    I lost my talk
    The talk you took away.

    Themes: Loss, cultural identity, oppression
    Literary devices: Repetition, symbolism, tone shift

    This poem follows the pain and suffering Joe experienced at Shubenacadie Residential School in Nova Scotia. As middle schoolers find their own voices, this poem is a great one for students to read and discuss for the general meaning. Or you can research residential schools in Canada and the United States and talk about the history and ethics of those schools with regard to Indigenous people. As you analyze it, talk about the various meanings of “talk” as it relates to language, culture, and identity.

    5. Friend by Josephine Miles

    I met a man in a woolen reefer,
    A friend of my friend’s.

    Themes: Change, memory, passage of time
    Literary devices: Symbolism, metaphor, enjambment

    This poem uses run-on lines to create a flowing rhythm (enjambment), so it’s a great one to read aloud or encourage students to read in a poetry slam. You can also use it to talk about how friendships change over time.

    6. There Are Birds Here by Jamaal May

    when they said those birds were metaphors
    for what is trapped
    between buildings …

    Themes: Challenging stereotypes, resilience, misrepresentation, hope
    Literary devices: Repetition, contrast, symbolism

    The repeated line “There are birds here” reinforces the idea that life and beauty exist even when things seem hopeless. Students can use this poem in a Socratic seminar to talk about how the author describes and reflects on Detroit and negative perceptions of the city, and the presence of joy, nature, and community that point to a broader endurance.

    7. Fire and Ice by Robert Frost

    Some say the world will end in fire,
    Some say in ice.

    Themes: End of the world, emotions
    Literary devices: Symbolism, contrast, imagery

    This poem will especially engage students who like “Game of Thrones” as there is discussion that the poem inspired the author of that work. For all middle schoolers, Frost doesn’t hold back with this poem, and it’s an ideal one for discussion and debate. Where do students fall, fire or ice?

    8. Dear Future Generations: Sorry by Prince Ea

    I think I speak for the rest of us when I say
    Sorry, sorry we left you with our mess of a planet …

    Themes: Destruction, responsibility, climate
    Literary devices: Personification, direct address, metaphor

    Ea documented this to raise awareness about the alarming rates of deforestation and the reckless destruction of our environment. Read this poem to discuss themes of climate change, or bring it into science class to show students how poets can reflect the times they write in, and what is a writer’s responsibility to reflect and work to change problems they see.

    9. Casey at the Bat by Ernest Lawrence Thayer

    The outlook wasn’t brilliant for the Mudville nine that day …

    Themes: Pride, failure, sports
    Literary devices: Hyperbole, alliteration, rhyme and meter

    An oldie but goodie! Use this poem to engage your sports-obsessed middle schoolers or to analyze the AABB rhyme scheme.

    10. The Rose That Grew From Concrete by Tupac Shakur

    Funny it seems, but by keeping its dreams,
    it learned to breathe fresh air.

    Themes: Perseverance, transformation, hope
    Literary devices: Metaphor, symbolism, rhyme and rhythm

    The late artist created a clear connection between the rhythm and deeper meaning of poetry and rap. Yes, this poem is good to engage students who are interested in music, but it’s also a good poem to analyze and connect to students’ lives as they go through their own transformative experiences.

    11. The Listeners by Walter de la Mare

    “Is there anybody there?” said the Traveller,
    Knocking on the moonlit door …

    Themes: Unanswered questions, isolation, the passage of time
    Literary devices: Symbolism, personification, repetition

    “The Listeners” is a poem for your fans of science fiction. Read this poem aloud and talk about tone—how does the poet create that eerie atmosphere?

    12. We Wear the Mask by Paul Laurence Dunbar

    We Wear the Mask by Paul Laurence Dunbar

    We wear the mask that grins and lies,
    It hides our cheeks and shades our eyes …

    Themes: Racial injustice, masking emotions, resilience
    Literary devices: Metaphor, personification, imagery

    A reaction to the experience of being Black in America in the late 19th century. The mask is a metaphor that is used to symbolize the facade that individuals put on to hide their own emotions (a metaphor that adolescents can relate to). It’s also important to talk about how Dunbar’s poem fits into African American history.

    13. A Dream Within a Dream by Edgar Allan Poe

    You are not wrong, who deem
    That my days have been a dream …

    Themes: Fleeting nature of time, illusion vs. reality
    Literary devices: Rhyme scheme, metaphor, imagery

    “A Dream Within a Dream” is an introspective poem that delves into the nature of reality and the fragility of life. Poe was an expert at rhyme scheme—and this poem is clear evidence of that with its AABACDCD pattern. Use it to introduce and analyze rhyme scheme in a poem.

    14. Deer Hit by Jon Loomis

    You’re seventeen and tunnel-vision drunk,
    swerving in your father’s Fairlane wagon home …

    Themes: Human impact on nature, reflection, guilt
    Literary devices: Juxtaposition, personification, tone

    Students won’t soon forget this poem, both for the story and the sensory details. “Deer Hit” is about the moments immediately after a deer is hit by a car. Read it for the impact that sensory details can have on a reader or to talk about themes of how humans interact with nature.

    15. Eating Poetry by Mark Strand

    Ink runs from the corners of my mouth.

    Themes: Power of poetry, art, self-transformation
    Literary devices: Surrealism, enjambment, personification, simile

    The title may entice some more reluctant poetry readers into this poem about the power of literature. Strand imagines a scenario where eating poetry is literally transformative. You can read it with students to discuss how poetry can transform or how something they love can feel like a powerful force in their lives.

    16. And the Ghosts by Graham Foust

    they own everything

    Themes: Loss, memory, absence
    Literary devices: Metaphor, imagery

    Put this poem up for students to discuss when you want to show them just how powerful one line can be. Students can also reflect on the various meanings of the word “ghosts” and what that means for them.

    17. That Sure Is My Little Dog by Eleanor Lerman

    Yes, indeed, that is my house that I am carrying around …

    Themes: Companionship, pets, love and loss
    Literary devices: Contrast, metaphor, imagery

    Many poems engage with the theme of the connection between humans and animals, which makes them great to bring into the classroom. Use “That Sure Is My Little Dog” to talk about how people can make their pets an extension of themselves.

    18. Another Reason Why I Don’t Keep a Gun in the House by Billy Collins

    The neighbors’ dog will not stop barking.

    Themes: Violence, impulsivity and control, absurdity
    Literary devices: Tone, hyperbole, allusion

    Any student who has ever felt annoyed or had to put up with daily frustrations will relate to this poem, which reflects on the absurdity of a violent impulse. This is also a good poem to use to talk about how our thoughts can have unpredictable consequences. The poem also alludes to broader conversations about gun control, which older students may be ready to discuss.

    19. Mother to Son by Langston Hughes

    Mother to Son by Langston Hughes

    Well, son, I’ll tell you:
    Life for me ain’t been no crystal stair.

    Themes: Perseverance, resilience, hope
    Literary devices: Dialect, tone, symbolism

    A politically charged poem that still rings true today, “Mother to Son” is a powerful, heartfelt narrative about perseverance, resilience, and hope through a mother’s advice to her son. Students should also read Hughes’ other impactful works.

    20. Beethoven by Shane Koyczan

    Listen
    his father
    made a habit
    out of hitting him …

    Themes: Resilience, art, adversity
    Literary devices: Allusion, enjambment, symbolism

    Through a poem with allusion to Beethoven’s life that flows easily from line to line, Koyczan reflects on resilience and the healing power of music. This poem is worth reading and discussing on its own or alongside information about Beethoven.

    21. Oranges by Gary Soto

    The first time I walked
    With a girl, I was twelve …

    Themes: Love, small moments, adolescence
    Literary devices: Imagery, symbolism, enjambment

    Soto’s poem about trying to impress a girl shows what small moments reveal about ourselves and how those moments embed themselves in our memories. Support students in reflecting on how this poem connects to their own lives. Plus, this poem, with its story-like quality and enjambment, is a great one to read aloud.

    22. This Is Just To Say by William Carlos Williams

    I have eaten
    the plums
    that were in
    the ice box …

    Themes: Temptation, regret, imperfection
    Literary devices: Enjambment, symbolism

    “This Is Just to Say” leaves lots of space for inference, which leads to great discussion. It’s a poem that creates a simple expression of human behavior, but that is more layered the more students read and analyze it. In particular, students can talk about how the poet creates a casual tone and whether or not he actually regrets eating the plums.

    23. Having a Coke With You by Frank O’Hara

    is even more fun than going to San Sebastian …

    Themes: Love, ordinary moments, admiration
    Literary devices: Imagery, metaphor

    O’Hara explores a simple moment between two people and is full of personal reflection. With the longer lines and stream-of-consciousness format, it’s a good one to talk about the various ways that poets organize their writing.

    24. Pass On by Michael Lee

    When searching for the lost, remember eight things …

    Themes: Time, acceptance, memory
    Literary devices: Tone, enjambment, imagery

    Lee’s poem creates snapshots of memory, creating lines and ideas for every student to grab and hold on to. This is a good poem to talk about tone, which is reflective, and accepting life’s impermanence.

    25. Snow by David Berman

    Walking through a field with my little brother Seth …

    Themes: Change, nature, isolation
    Literary devices: Juxtaposition, tone, imagery

    “Snow” is a melancholy narrative in miniature. Berman discusses the complexity of human emotion within imagery of snow and the environment. Talk about the juxtaposition between the events and what’s happening and the beauty of nature.

    26. Still I Rise by Maya Angelou

    You may write me down in history
    With your bitter twisted lies …

    Themes: Empowerment, resilience, triumph
    Literary devices: Repetition, simile, rhetorical questions

    This is a poem that must be read aloud and listened to. Find videos of the poem being read by Angelou and other orators to show the way the energy of the poem can be interpreted. Then, students can discuss what Angelou is saying about the African American experience, what she may have been responding to when she wrote it, and how the poem is relevant today.

    Learn more: Maya Angelou Quote posters for your classroom.

    27. So You Want To Be a Writer by Charles Bukowski

    if it doesn’t come bursting out of you
    in spite of everything,
    don’t do it.

    Themes: Writing, rejection and persistence, self-expression
    Literary devices: Direct address, tone, metaphor

    Bukowski’s poem is a blunt commentary about what it really means to write and be a writer. Middle and high schoolers will appreciate the blunt and unflinching tone. And as they develop their own writing selves, they can talk about why writing remains an important human experience. This poem is also written directly to the reader, which is unique for poems and an interesting aspect for analysis.

    28. We Real Cool by Gwendolyn Brooks

    We real cool. We
    Left school. We
    Lurk late. …

    Themes: Rebellion, youth, identity
    Literary devices: Enjambment, rhyme, tone

    This poem, about independence and defiance, speaks directly to the adolescent experience. Talk about what was happening in history when Brooks wrote this poem, and how it’s become a timeless poem. If you’re doing a poetry slam, this poem is great for students to read aloud and make their own.

    29. Do Not Go Gentle Into That Good Night by Dylan Thomas

    Do not go gentle into that good night,
    Old age should burn and rave at close of day …

    Themes: Fighting for life, resistance to death, regret
    Literary devices: Villanelle, repetition, metaphor

    This reflection on life, death, and the human drive to resist is a great one for close reading and line-by-line analysis. It’s also a villanelle, a 19-line fixed form with five tercets and final quintain—students can analyze the structure and how it moves the poem forward.

    30. Daddy by Sylvia Plath

    You do not do, you do not do
    Any more, black shoe …

    Themes: Family relationship, anger, resentment
    Literary devices: Allusion, imagery, simile

    Sylvia Plath is an author whom students may discover during their high school years, so her poem is a good introduction to the classic writer. This poem explores a complex relationship between father and daughter in Plath’s unsparing tone.

    31. I Died for Beauty by Emily Dickinson

    I Died for Beauty by Emily Dickinson

    I died for beauty, but was scarce
    Adjusted in the tomb …

    Themes: Beauty, truth, death
    Literary devices: Symbolism, tone, imagery

    Dickinson was so good at creating mood, this time about the connection between beauty and truth. Dickinson’s poems often require context, so study this poem alongside some information about Dickinson’s life and what she’s most known for. In this poem, students can analyze the symbolism that Dickinson uses to describe time and death, and what else the words “tomb” and “moss” could represent.

    32. Annabel Lee by Edgar Allan Poe

    It was many and many a year ago,
    In a kingdom by the sea
    That a maiden there lived whom you may know
    By the name of Annabel Lee …

    Themes: Love, death, obsession
    Literary devices: Repetition, rhythm and rhyme, imagery

    A ghost story wrapped up in a poem, this story is a classic Poe poem. Poe writes in his haunting, macabre style and describes a love so strong it can transcend death. This poem is great for close readings and for reading aloud or a poetry slam. It’s also a perfect poem for students to use to inspire projects—how can they make this poem come alive?

    33. Ode to a Large Tuna in the Market by Pablo Neruda

    Here,
    among the market vegetables,
    this torpedo
    from the ocean …

    Themes: Nature, transformation, death
    Literary devices: Imagery, personification, free verse, metaphor

    The rest of the poem is as humorous as the title, and it’s fun to dissect and analyze how Neruda writes about everyday objects, like the tuna on ice. It’s also a statement about nature, as Neruda contrasts the tuna’s former life with its presentation in the supermarket. Students can unpack this poem and identify the literary devices that make it most effective.

    34. Among These Red Pieces by e.e. cummings

    Among
    these
    red pieces of
    day(against which and
    quite silently hills
    made of blueandgreen paper …

    Themes: Love, beauty, individuality
    Literary devices: Alliteration, metaphor, symbolism, enjambment

    The use of color and how Cummings arranges the lines, punctuation, and spacing are all quintessential Cummings. In addition to how Cummings weaves English and Italian to create the scene, students can discuss how the dashes and parentheses affect how we read the poem.

    35. Very Like a Whale by Ogden Nash

    One thing that literature would be greatly the better for
    Would be the more restricted employment by the authors of simile and metaphor.

    Themes: Poetry, language, humor
    Literary devices: Satire, rhyme, hyperbole

    Nash’s comical poem pokes fun at the overuse of similes and metaphors in literature. It’s a good poem to end a unit on. Once students have developed their own opinions of what is missing in literature and what they think authors and poets should do, they can give a deeper commentary on Nash’s opinion.

    36. The Cremation of Sam McGee by Robert W. Service

    There are strange things done in the midnight sun …

    Themes: Friendship, loyalty, humor
    Literary devices: Imagery, narrative, irony

    This poem, with its satire and dark humor, is an all-American poem. Students can read it to discuss the references that Service included and how they create the atmosphere and setting. Then, students can read the poem for the story to discuss what actually happens in the poem. Read it aloud so students can hear the rhythm.

    37. The Highwayman by Alfred Noyes

    The wind was a torrent of darkness among the dusty trees.

    Themes: Love, loyalty and betrayal, revenge
    Literary devices: Metaphor, simile, rhythm, narrative

    When a highwayman meets the inn owner’s daughter, they fall in love immediately … as a rival eavesdrops. This narrative poem is another fun one to use with other narrative poems, like “Annabel Lee” and “The Cremation of Sam McGee,” to show how poets can be storytellers.

    38. Language Lessons by Alexandra Teague

    The carpet in the kindergarten room
    was alphabet blocks; all of us fidgeting …

    Themes: Communication, memory, realization
    Literary devices: Imagery, enjambment

    This poem, with themes of language, culture, and identity as the author reflects on learning language in school, is one that students can relate to as they grow out of elementary school and move on to higher grades. How can students connect with the poet’s experience and feelings?

    39. Mirror by Sylvia Plath

    I am silver and exact. I have no preconceptions.

    Themes: Identity, perception, aging
    Literary devices: Personification, metaphor, imagery

    This poem speaks from a mirror’s perspective, sharing truths as a woman looks at her own reflection. All middle and high schoolers can delve into a poem about identity and aesthetics and how we perceive ourselves.

    40. She Walks in Beauty by Lord Byron

    She walks in beauty, like the night
    Of cloudless climes and starry skies …

    Themes: Beauty, idealized love, purity
    Literary devices: Imagery, metaphor, rhyme scheme

    Byron describes a beautiful woman in this poem. Students can analyze it on its own or in comparison to other poems about beauty and identity, like those by Dickinson and Plath. This is also a good poem to include if you are talking about themes of love and how poets treat love in their work.

    41. A Man Said to the Universe by Stephen Crane

    A man said to the universe:
    “Sir, I exist!”

    Themes: Human struggles, futility
    Literary devices: Dialogue, personification

    This short poem speaks volumes. In today’s world, students can analyze the staying power of this poem and what it could mean for teens in today’s busy, social-media-filled world.

    42. The Laughing Heart by Charles Bukowski

    your life is your life
    don’t let it be clubbed into dank submission.

    Themes: Embracing life, individuality, freedom
    Literary devices: Imagery, repetition, metaphor

    In this uplifting poem that is written directly to the reader, Bukowski encourages people to make the most of each day. It’s a good poem to incorporate into a poetry unit to lighten the mood or engage students in a carpe diem moment.

    43. Tattoo by Ted Kooser

    What once was meant to be a statement—
    a dripping dagger held in the fist …

    Themes: Aging, change
    Literary devices: Enjambment, metaphor, personification

    What stories can an old man’s tattoo tell us? This soft, lyrical poem about watching an old man who has a tattoo will resonate with middle and high schoolers because of the vivid images and wistful wondering about who this old man once was. Students can reflect on what their younger selves might see if they came across their current selves, or what they may look like in the future.

    44. A Litany in Time of Plague by Thomas Nashe

    Adieu, farewell, earth’s bliss;
    This world uncertain is;
    Fond are life’s lustful joys …

    Themes: Death, life, powerlessness, illness
    Literary devices: Tone, imagery, symbolism, refrain

    This poem, written in the late 16th century in response to the bubonic plague, is still relevant today. The idea that no one is immune from a pandemic is depicted in the lines “Rich men, trust not in wealth, Gold cannot buy you health.” Include this poem in a collection of poems that were written in response to historical events so students can analyze how poets incorporate pivotal events into their writing.

    45. I’m Nobody, Who are you? by Emily Dickinson

    I'm Nobody! Who are you? by Emily Dickinson

    I’m Nobody! Who are you?
    Are you – Nobody – too?

    Themes: Identity, rejection of fame, privacy
    Literary devices: Punctuation, metaphor, rhythm

    This playful poem is about identity and wanting not to be famous. It’s an interesting poem to analyze today, when students have multiple social media pages. This poem is also an example of irregular rhythm, which is fun to read alongside more predictable poetry.

    46. The Raven by Edgar Allan Poe

    Once upon a midnight dreary, while I pondered, weak and weary …

    Themes: Psychological torment, grief, hopelessness
    Literary devices: Repetition, alliteration, symbolism

    Have you even read poetry if you haven’t read “The Raven”? It’s a Poe classic, probably because of the evocative yet accessible language and melancholic storytelling. Depending on your students, start a unit with this poem to engage them in one of the most suspenseful poems, or incorporate it into a storytelling packet.

    47. I Wandered Lonely as a Cloud by William Wordsworth

    I wandered lonely as a cloud
    That floats on high o’er vales and hills …

    Themes: Nature, memory, inspiration
    Literary devices: Metaphor, imagery, simile

    Wordsworth uses lots of great poetry tools in this poem. Use it to model and teach the basics of poetry—simile, metaphor, imagery, and more.

    48. The Hill We Climb by Amanda Gorman

    When day comes we ask ourselves,
    “where can we find light in this never-ending shade?”

    Themes: Democracy, progress, hope
    Literary devices: Anaphora, imagery, symbolism

    Amanda Gorman is an amazing modern poet who resonates with young people. Students will love pulling apart all the meaning in Gorman’s poem, which she recited at Joe Biden’s presidential inauguration. The poem also incorporates interesting literary devices like anaphora, or repeating phrases at the beginning of lines, and personification of history in the line “History has its eyes on us.”

    49. If – by Rudyard Kipling

    If – by Rudyard Kipling

    If you can keep your head when all about you
    Are losing theirs and blaming it on you …

    Themes: Resilience, leadership, integrity
    Literary devices: Anaphora, parallelism, metaphor

    This poem will kick off some lively analysis as students make connections and pick apart Kipling’s message, which still rings true today. Kipling’s poem is didactic, so this is a good poem to use when talking about the messages that we can can glean from poems.

    50. Stopping by Woods on a Snowy Evening by Robert Frost

    Whose woods these are I think I know.
    His house is in the village though …

    Themes: Temptation, life and death, responsibility
    Literary devices: Imagery, repetition, alliteration, personification

    Read this poem aloud so students can hear how Frost created the soft, contemplative scene. The poem is deceptively simple to read through but can be analyzed as a statement about temptation or life and death. Students can also analyze the rhyme scheme and talk about how it changes in the final stanza.

    51. Invictus by William Ernest Henley

    Invictus by William Ernest Henley

    Out of the night that covers me,
    Black as the pit from pole to pole …

    Themes: Overcoming challenges, strength in adversity, destiny
    Literary devices: Symbolism, imagery

    The themes of overcoming challenge and resilience still resonate with adolescents. In particular, the final two lines of this poem are worth analysis all on their own. What does it mean to be the captain of your soul? How much control do we really have?

    52. Webcam the World by Heather McHugh

    Get all of it. set up the shots …

    Themes: Technology, modern life
    Literary devices: Punctuation, enjambment

    A statement on technology and nature, McHugh develops a very modern theme in a traditional-looking poem. There’s a lot for students to unpack, from how the traditional format either goes against or helps reinforce the themes to what McHugh is saying about technology use.

    53. The Doll House by A.E. Stallings

    There in the attic of forgotten shapes
    (Old coats in plastic, hat boxes, fur capes
    Amongst the smells of mothballs and cigars) …

    Themes: Illusion vs. reality, childhood, passage of time
    Literary devices: Contrast, symbolism

    Stallings digs into her childhood dollhouse and reflects on what it means about childhood and the simple things in life. Even middle schoolers experience nostalgia, and this poem will tap into that. Use this poem to talk about contrast and how Stallings contrasts the dollhouse with everyday life.

    54. See It Through by Edgar Albert Guest

    When you’re up against a trouble,
    Meet it squarely, face to face …

    Themes: Courage, optimism, determination
    Literary devices: Refrain, imagery

    This uplifting poem about perseverance has a message about learning from failure. After you have read it with students, use the poem to make inspirational posters that reinforce the idea that we learn through failure.

    55. Be the Best of Whatever You Are by Douglas Malloch

    If you can’t be a pine on the top of a hill,
    Be a scrub in the valley—but be
    The best little scrub by the side of the rill …

    Themes: Persistence, optimism, determination, being the best you can be
    Literary devices: Repetition, anaphora, metaphor, rhyme

    This poem is a reminder for students that they should be true to themselves and be proud of that. Take this poem stanza by stanza and discuss all the messages that the poet has for the reader.

    56. Adventures of Isabel by Ogden Nash

    Isabel met an enormous bear,
    Isabel, Isabel, didn’t care …

    Themes: Fearlessness, confidence, humor
    Literary devices: Rhyme, hyperbole, repetition, personification

    A great example of how poetry can be humorous and fun to read—think Shel Silverstein for middle and high schoolers. This whimsical poem tells the story of a fearless girl named Isabel. This is also a great poem to introduce younger students to poetry (think 6th and 7th graders).

    57. On Turning Ten by Billy Collins

    The whole idea of it makes me feel
    like I’m coming down with something …
    a kind of measles of the spirit,
    a mumps of the psyche …

    Themes: Growing up, loss of innocence, nostalgia
    Literary devices: Enjambment, imagery, metaphor

    It’s silly to read an in-depth reflection about moving into double digits, but middle and high schoolers can see the humor in this poem, as well as the serious side. Using it in combination with other poems that have the theme of nostalgia and looking back, students can analyze the poems side-by-side and talk about whether or not 10 is too young to be nostalgic.

    58. Phenomenal Woman by Maya Angelou

    Pretty women wonder where my secret lies.
    I’m not cute or built to suit a fashion model’s size …

    Themes: Confidence, self-acceptance, individuality
    Literary devices: Repetition, rhyme, refrain

    A great read for Women’s History Month or any month. Angelou explores the stereotypes that are typically associated with women and what they mean and has created a powerful poem about self-acceptance and self-love. Use this poem to critique modern beauty standards.

    59. Jabberwocky by Lewis Carroll

    Jabberwocky by Lewis Carroll

    ’Twas brillig, and the slithy toves
    Did gyre and gimble in the wabe …

    Themes: Heroism, good vs. evil, language
    Literary devices: Portmanteau, rhyme scheme, repetition, alliteration, nonsense verse

    Older students are able to analyze “Jabberwocky” and talk about how Carroll used his imagination to make up everything from worlds to words. Younger students can listen to this classic poem read aloud and talk about how the words sound and feel to them.

    60. Harlem by Langston Hughes

    What happens to a dream deferred?

    Themes: Frustration, inequality, hope
    Literary devices: Simile, rhetorical questions

    This poem has one of the strongest and best-known first lines. Take students through this poem line by line so they can discuss what Hughes imagines happens to a dream, and how that relates to the dreams they have or have had. A line from the poem also inspired the play “A Raisin in the Sun.”

    61. Venus and Adonis by Shakespeare

    Even as the sun with purple-color’d face
    Had ta’en his last leave of the weeping morn …

    Themes: Love, Greek myths
    Literary devices: Rhyme, narrative, personification

    In this story of the unrequited love between the goddess Venus and the human Adonis, students can be introduced to Shakespeare and his style in a more readable poem.

    62. His Excellency General Washington by Phillis Wheatley

    Celestial choir! enthron’d in realms of light,
    Columbia’s scenes of glorious toils I write.

    Themes: History, democracy
    Literary devices: Rhyme, symbolism

    Phillis Wheatley was a well-known poet in the 18th century and in the anti-slavery movement. Her poems align well with social studies classes about colonial America. In this poem, Wheatley implores President George Washington to continue fighting for democracy.

    63. O Captain! My Captain! by Walt Whitman

    O Captain! My Captain! by Walt Whitman

    O Captain! my Captain! our fearful trip is done …

    Themes: Loss, victory, admiration
    Literary devices: Extended metaphor, symbolism, repetition

    This elegy mourning the death of Abraham Lincoln is a great one to read with students once they’ve learned about Lincoln and his life. Students can talk about the historical context of the poem, what an elegy is, and what Whitman admired about Lincoln. Through this poem, students can also analyze an extended metaphor where the “captain” represents Lincoln.

    64. “Faith” is a fine invention by Emily Dickinson

    “Faith” is a fine invention
    For Gentlemen who see!

    Themes: Faith versus action, skepticism 
    Literary devices: Metaphor, capitalization, juxtaposition

    Dickinson always accomplishes so much in so few lines. This poem is a perfect example of how Dickinson packs a punch in her writing. Challenge students to unravel this poem considering all the techniques she uses, from capital letters to word choice and metaphor. 

    65. Since Hanna Moved Away by Judith Viorst

    The tires on my bike are flat.
    The sky is grouchy gray.
    At least it sure feels like that.
    Since Hanna moved away.

    Themes: Friendship, loss
    Literary devices: Rhyme, refrain, hyperbole, symbolism

    Children’s author Judith Viorst knows how to talk to kids. Pair this poem with a story about grief and loss, or use it in a poetry packet about feelings. This poem also is easy to differentiate, with access points for students of varying reading levels.

    66. With This Bright Voice by Amanda Gorman

    Be bold, sang Time
    For when you honor yesterday
    Tomorrow ye will find …

    Themes: Hope, resilience, taking action 
    Literary devices: Metaphor, enjambment

    Gorman wrote this poem for the UNICEF Gala in 2025. Lead students into a unit on poetry with Gorman’s recent words so they can see how poetry is relevant and powerful in today’s world. 

    67. Not Here, Exactly by Joanna Fuhrman

    One mountain tried
    to taste another,
    then spit it out. 

    Themes: Isolation, detachment
    Literary devices: Free verse, personification, simile, enjambment  

    This poem uses emotion and feelings, rather than story, to explore the feeling of being detached from those around you. Modern teens can discuss how this poem reflects, or does not reflect, their experiences. 

    68. Travelling by William Wordsworth

    Travelling by William Wordsworth

    This is the spot:—how mildly does the sun
    Shine in between the fading leaves!

    Themes: Companionship, solitude, memory, imagination 
    Literary devices: Enjambment, personification, imagery 

    Wordsworth is a must-read, and his poems can feel challenging for students. In “Travelling,” he examines how memory can change loneliness into comfort. Students can do a surface-level analysis of the poem, or go deeper by reflecting on how their experiences are similar to or different from Wordsworth’s. 

    69. The List of Famous Hats by James Tate

    Napoleon’s hat is an obvious choice I guess to list as a famous hat, but that’s not the hat I have in mind. That was his hat for show.

    Themes: History, humor 
    Literary devices: List, irony, juxtaposition, conversational tone

    Build background knowledge before reading this poem, or challenge students to build knowledge as they read about hats and history. Students can discuss the structure of the poem—is this really a random list of historical figures or is there more going on? 

    70. A Way of Seeing by Kwame Dawes

    It all comes from this dark dirt,
    memory as casual as a laborer.

    Themes: Perspective, empathy, mindfulness
    Literary devices: Imagery, metaphor, repetition 

    Dawes explores how focus and observation can build understanding and how history can be learned without a formal documentation of it. Analyze the way Dawes explores ordinary moments creating connection.

    71. Let America Be America Again by Langston Hughes

    Let America be America again.
    Let it be the dream it used to be.

    Themes: The American dream, inequality, identity and voice 
    Literary devices: Repetition, imagery, lists

    Hughes was so good at putting the American experience and struggle into prose. In this poem, Hughes explores the gap between America’s ideals and realities while urging readers to work together to reclaim those promises.

    72. There is no Frigate like a Book by Emily Dickinson

    There is no Frigate like a Book
    To take us Lands away.

    Themes: Reading, imagination
    Literary devices: Metaphor, simile 

    This short, accessible poem is a good introduction to Emily Dickinson. It celebrates reading and imagination as Dickinson argues that books are a powerful way to travel. Is her message still relevant today? 

    73. Nature by George Herbert

    Nature by George Herbet

    Full of rebellion, I would die
    Or fight, or travell, or denie
    That thou hast ought to do with me.

    Themes: Human nature, appearance
    Literary devices: Personification, metaphor, tone

    Herbert argues that there are limitations to human nature and the natural world. Students can unpack the poem line by line, and talk about how Herbert’s message would have connected with readers in his time. 

    74. I, Too by Langston Hughes

    Tomorrow,
    I’ll be at the table
    When company comes.

    Themes: Equity, pride, identity
    Literary devices: Metaphor, symbolism, imagery, enjambment

    Langston Hughes’ “I, Too” is a must-read for students who are learning about American history. Reading Hughes’ poem as they develop background knowledge about African American history will make the poem’s literal and figurative meanings come to light.

    75. Carrying Our Words by Ofelia Zepeda

    We travel carrying our words.
    We arrive at the ocean.

    Themes: Language, nature, reciprocity
    Literary devices: Repetition, imagery

    It’s impossible to read “Carrying Our Words” without learning about Zepeda, a member of the Tohono O’odham Nation of southwestern Arizona. Learn about Zepeda and other Native American poets and how their poetry draws from their culture, history, and experience.

    76. Square Cells by Jenny Xie

    The screens plant bulbs
    of tension inward, but hit no nerves.

    Themes: Digital vs. physical reality, surveillance 
    Literary devices: Imagery, metaphor, symbolism, enjambment

    Students, who have been on screens since toddlerhood, can apply the reality of living in a digital world with Xie’s perspective on it. How do screens shape perception? How do they shape our emotions? 

    77. Ode on a Grecian Urn by John Keats

    Ode on a Grecian Urn by John Keats

    Thou still unravish’d bride of quietness,
    Thou foster-child of Silence and slow Time

    Themes: Beauty, truth, history, culture 
    Literary devices: Imagery, symbolism, metaphor 

    Reading this classic poem, especially with some knowledge of ancient Greece, is a good exercise in how poetry has evolved over time. This poem is fun to read for fluency—with all the old-fashioned phrasing—and is a good exercise in classic poetry analysis.

    78. Art Project: Earth by Karen Skolfield

    Balloon, then papier mâché.
    Gray paint, blue and turquoise green
    a clouded world with fishing line attached.

    Themes: Beauty, wonder, love, meaning 
    Literary devices: Imagery, symbolism, tone

    Skolfield explores how humans understand and shape their world through the experience of a papier-mâché Earth. Teach this poem alongside a classic poem about nature and humans to see how these themes have evolved.

    Teaching Ideas Using These Poems for Middle School and High School

    We never said teaching poetry to teenagers would be easy. Here are some teaching tips and tricks for using the poems above in your ELA class:

    • Scaffold analysis: Poems seem easy to read, but they’re not, and poetry interpretation can be tough! Use a graphic organizer or other support to help students work through poems. 
    • Teach through theme: Choose four or five poems that have similar themes, then read and discuss the poems as a group. What is each poet saying about this theme? How have these ideas stayed the same or changed over time? 
    • Blackout poetry: Show students how word choice matters with blackout poetry. As students pore over a text, choosing just the right words, they’ll get a feel for the poetry writing process.
    • Study a poet: Emily Dickinson, Robert Frost, Amanda Gorman, whichever poet you choose, examine how they approach their craft. What do they like to write about? What inspired them? Which literary tools do they use most?
    • Use imagery: Have students take one poem that has a lot of imagery and create a drawing (or painting, chalk drawing, etc.) that depicts their poem. Encourage them to go beyond a literal interpretation.

    Get your free printable poetry bundle!

    middle school high school poems
    We Are Teachers

    If you love these poems and want some of your favorites to pass out to students, grab our free printable poetry bundle. It includes our favorite poems for middle and high school students. Just fill out the form on this page to get it.

    Do you teach younger students? Check out our favorite elementary school poems.

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    Samantha Cleaver, PhD, Special Ed & Reading Intervention

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  • 40 Silly and Fun Limericks for Kids

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    Dating back to the 14th century, limericks are a delightful, often silly way to tell a short story. These quick poems are wildly entertaining and imaginative, and anyone can write them. Once you’ve mastered the rhythm of the limerick poem, you can spin a tale that leaves people roaring with laughter. That’s why limericks for kids continue to be a staple in classrooms—students find them so fun!

    We Are Teachers

    FREE PRINTABLE

    Limerick Worksheet

    Get students writing and smiling with our free printable limerick worksheet that guides them through the process. It’s a perfect activity to add to your poetry lessons!

    What is a limerick?

    Limericks follow a single stanza structure and consist of five lines. You’ll need to use an AABBA rhyme scheme, with lines one, two, and five ending with rhyming words. Lines three and four should use a second rhyme. It might sound a little tricky, but once you’ve read a few, you’ll quickly pick up the sequence.

    Edward Lear popularized limericks with his famous The Book of Nonsense, which was released in the 1800s. Modern authors have reprinted his work in books such as The Complete Nonsense of Edward Lear. Some of the limericks for kids on this list are from that very collection!

    Limericks for Kids

    Here’s a list of limericks for kids to share your classroom. (Be sure to read them for appropriateness first!)

    1. There was an old man from Nantucket

    There was an old man from Nantucket

    Who kept all his cash in a bucket;

    But his daughter named Nan,

    Ran away with a man—

    And as far as the bucket, Nantucket.

    2. A certain young fellow named Bee-Bee

    A certain young fellow named Bee-Bee

    Wished to wed a woman named Phoebe.

    “But,” he said, “I must see

    What the clerical fee

    Be before Phoebe be Phoebe Bee-Bee.”

    3. There once was a fly on the wall

    There once was a fly on the wall.

    There once was a fly on the wall

    I wonder why didn’t it fall

    Because its feet stuck

    Or was it just luck

    Or does gravity miss things so small?

    4. There once was a farmer from Leeds

    There once was a farmer from Leeds

    Who swallowed a packet of seeds.

    It soon came to pass,

    He was covered with grass,

    But has all the tomatoes he needs.

    5. A canner, exceedingly canny

    A canner, exceedingly canny,

    One morning remarked to his granny,

    “A canner can can

    Anything that he can;

    But a canner can’t can a can, can he?”

    6. There was a young man from Dealing

    There was a young man from Dealing

    Who caught the bus for Ealing.

    It said on the door,

    “Don’t spit on the floor,”

    So he jumped up and spat on the ceiling.

    7. A fellow jumped off a high wall

    Limericks for kids: A fellow jumped off a high wall.

    A fellow jumped off a high wall

    And had a most terrible fall.

    He went back to bed,

    With a bump on his head,

    That’s why you don’t jump off a wall.

    8. Here’s to the chigger

    Here’s to the chigger,

    The bug that’s no bigger

    Than the point of an undersized pin;

    But the welt that he raises

    Sure itches like blazes,

    And that’s where the rub comes in!

    9. As 007 walked by

    As 007 walked by,

    He heard a wee spider say “Hi.”

    But shaken, he shot

    It right there on the spot

    As it tried to explain, “I’m a spi …”

    10. An elderly man called Keith

    An elderly man called Keith.

    An elderly man called Keith

    Mislaid his set of false teeth—

    They’d been laid on a chair,

    He forgot they were there,

    Sat down, and was bitten beneath.

    11. There was an old man from Milan

    There was an old man from Milan

    Whose limericks never would scan.

    When told this was so,

    He said, “Yes, I know.

    But I always try to get as many syllables into the last line as I possibly can.”

    12. I’m papering walls in the loo

    I’m papering walls in the loo.

    I’m papering walls in the loo

    And quite frankly I haven’t a clue;

    For the pattern’s all wrong

    (Or the paper’s too long)

    And I’m stuck to the toilet with glue.

    13. There was an odd fellow named Gus

    There was an odd fellow named Gus,

    When traveling he made such a fuss.

    He was banned from the train,

    Not allowed on a plane,

    And now travels only by bus.

    14. Is it me or the nature of money

    Is it me or the nature of money

    That’s odd and peculiar? Funny,

    But when I have dough,

    It goes quickly, you know,

    And seeps out of my pockets like honey.

    15. There was a young woman named Bright

    Limericks for kids: There was a young woman named Bright.

    There was a young woman named Bright

    Whose speed was much faster than light.

    She set out one day,

    In a relative way,

    And returned on the previous night.

    16. There once was a man from Tibet

    There once was a man from Tibet

    Who couldn’t find a cigarette,

    So he smoked all his socks,

    And got chicken-pox,

    And had to go to the vet.

    17. I need a front door for my hall

    I need a front door for my hall.

    I need a front door for my hall

    The replacement I bought was too tall.

    So I hacked it and chopped it,

    And carefully lopped it,

    And now the dumb thing is too small.

    18. A newspaperman named Fling

    A newspaperman named Fling

    Could make “copy” from any old thing.

    But the copy he wrote

    Of a five-dollar note

    Was so good he now wears so much bling.

    19. There was an old man of Peru

    There was an old man of Peru

    Who dreamed he was eating his shoe.

    He woke in the night

    With a terrible fright,

    And found it was perfectly true.

    20. I know an old owl named Boo

    I know an old owl named Boo.

    I know an old owl named Boo

    Every night he yelled Hoo,

    Once a kid walked by,

    And started to cry,

    And yelled “I don’t have a clue!”

    21. I once fell in love with a blonde

    I once fell in love with a blonde

    But found that she wasn’t so fond

    Of my pet turtle named Odle,

    Whom I’d taught how to yodel,

    So she dumped him outside in the pond.

    22. My dog is really quite hip

    Limericks for kids: My dog is really quite hip.

    My dog is really quite hip

    Except when he takes a cold dip.

    He looks like a fool,

    When he jumps in the pool,

    And reminds me of a sinking ship.

    23. I’d rather have fingers than toes

    I’d rather have fingers than toes.

    I’d rather have ears than a nose.

    And as for my hair,

    I’m glad it’s all there,

    I’ll be awfully sad when it goes.

    24. There was a young schoolboy of Rye

    There was a young schoolboy of Rye

    Who was baked by mistake in a pie.

    To his mother’s disgust,

    He emerged through the crust,

    And exclaimed with a yawn, “Where am I?”

    25. There was a Young Lady whose chin

    There was a Young Lady whose chin.

    There was a Young Lady whose chin

    Resembled the point of a pin:

    So she had it made sharp,

    And purchased a harp,

    And played several tunes with her chin.

    26. There was a young lady of Cork

    There was a young lady of Cork

    Whose pa made a fortune in pork.

    He bought for his daughter

    A tutor who taught her

    To balance green peas on her fork.

    27. A painter who lived in Great Britain

    A painter who lived in Great Britain

    Interrupted two girls with their knitting.

    He said, with a sigh,

    “That park bench—well I

    Just painted it, right where you’re sitting.”

    28. Hickory dickory dock

    Hickory dickory dock,

    The mouse ran up the clock;

    The clock struck one,

    And down he run,

    Hickory dickory dock.

    29. There is a young schoolboy named Mason

    There is a young schoolboy named Mason.

    There is a young schoolboy named Mason

    Whose mom cuts his hair with a basin.

    When he stands in one place,

    With a scarf round his face,

    It’s a mystery which way he’s facing.

    30. The incredible Wizard of Oz

    The incredible Wizard of Oz

    Retired from his business becoz,

    Due to up-to-date science,

    To most of his clients,

    He wasn’t the Wizard he woz.

    31. There once was a cat from Spain

    There once was a cat from Spain

    Who loved to dance in the rain.

    With each step and twirl,

    She’d give a whirl,

    And then start all over again!

    32. A young bear named Lou

    A young bear named Lou

    Found a large pot of blue goo.

    He painted his chair,

    And most of his hair,

    And then laughed at the colorful view.

    33. There was an old owl who loved books

    Limerick for kids: There was an old owl who loved books.

    There was an old owl who loved books.

    He read in all crannies and nooks.

    With his big, round glasses,

    He taught reading classes,

    And got lots of appreciative looks.

    34. A bouncy young kangaroo

    A bouncy young kangaroo

    Wore shoes that were bright, shiny blue.

    He hopped in the sun,

    Having so much fun,

    And he made all his friends want some too.

    35. A small, happy frog named Finn

    A small, happy frog named Finn

    Loved to leap and spin in the wind.

    With a jump and a hop,

    He just couldn’t stop,

    Wearing always a big, wide grin.

    36. There once was a dog from Kent

    There once was a dog from Kent,

    Who to the circus he went.

    He juggled some bones,

    And balanced on cones,

    And was happy wherever he went.

    37. A little bird loved to sing

    A little bird loved to sing.

    A little bird loved to sing,

    In the garden during the spring.

    With notes high and low,

    In the sunshine’s glow,

    She made the whole neighborhood ring.

    38. There once was a mouse so keen

    There once was a mouse so keen,

    Who invented a cleaning machine.

    It swept and it scrubbed

    And even dust-rubbed,

    Leaving everywhere wonderfully clean.

    39. A cheerful young duck in a pond

    A cheerful young duck in a pond,

    Of swimming was incredibly fond.

    She’d dive and she’d splash,

    In a jubilant dash,

    Forming ripples that reached far beyond.

    40. There was a bright young bee

    There was a bright young bee,

    Who buzzed merrily by the sea.

    Collecting some nectar,

    With skill of a collector,

    As busy and happy as can be.

    Get our free printable limerick worksheet!

    Limerick Worksheet
    We Are Teachers

    And if you’d like more inspiring articles like this, be sure to subscribe to our newsletters!

    40 Silly and Fun Limericks for Kids
    We Are Teachers

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    Jeanne Croteau, M.S., Psychology, Master TEFL Certified

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  • Why The Samurai of the Red Carnation Will Surprise You

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    Book Overview: The Samurai of the Red Carnation

    Content Warnings: violence, war, fire, heartbreak, betrayal

    Summary: An irresistibly winning romantic historical adventure, set in medieval Japan and tinged with fantasy, revolving around the art of waka poetry.

    Matsuo is expected to be a samurai, like his father before him. But as he is training in the art of war, he realises he was destined for a different art altogether. Turning his back on his future as a warrior of the sword, he decides instead to do battle with words, as a poet.

    Thus begins a story of intrigue and adventure, passion and betrayal. Matsuo’s quest to find his true self, and his true love, takes him across medieval Japan, through bloody battlefields and burning cities. But his ultimate test will be the uta awase – a tournament where Japan’s greatest poets engage in fierce verbal combat for the honour of victory, and where Matsuo will find himself fighting for his life.

    The Samurai of the Red Carnation is both a thrilling, swashbuckling adventure and a sensitive meditation on love and poetry. Denis Thériault, is known for his award-winning novel, The Peculiar Life of a Lonely Postman, which also made extensive use of original poetry in Japanese styles and which won the author the Japan-Canada Book Prize.

    Image Source: Courtesy of Penguin Random House

    Imagine training with a sword and realizing your true weapon is a poem. Denis Thériault’s novel mixes swashbuckling adventure with tender romance in a lyrical way. It’s like watching a grand samurai film with a poetry score. From its vivid medieval Japan scenes to an epic poetry duel, the story feels fresh and full of wonder. For those of you who crave both adrenaline and artistry, this tale delivers something truly new!

    The Samurai of the Red Carnation follows Matsuo, born into a samurai family but secretly a poet. Instead of wielding a sword, he picks up a pen. Bending tradition, the biggest battles in his life shift from war to words; Matsuo must fight for his life with verses instead of blades. His journey begins with one bold choice: abandon his destiny as a warrior. That kind of passion, choosing art over duty, makes Matsuo surprisingly relatable.

    A Samurai By Name, A Poet By Nature

    From the start, Matsuo is torn between duty and desire. He trains as a warrior, but a secret longing for poetry calls. When he walks away from his armor, he shows courage of a different sort: the courage to follow his true self. He learns waka, a classical form of Japanese verse, from a wild Zen master on his journey. This mischievous teacher, more rogue monk than sensei, turns Matsuo’s world upside down with riddles and verses. Thériault lets us feel Matsuo’s dreams and doubts. Even when Matsuo stumbles, he remains a hero you root for!

    An Ancient Japan Painted In Words

    The setting is a major draw. Thériault, long fascinated by Japan, paints Heian-era Kyoto and beyond with vivid detail. You can almost smell incense in a shrine and feel the heat of a burning city. In fact, the novel opens on a night when Kyoto is ablaze, hinting at intrigue to come. Peace and turmoil live side by side: in one chapter Matsuo meditates in a garden; in the next he hides from samurai on a mountainside path. You sense an era where beauty and danger collide… where courtly grace meets clan rivalries on the horizon.

    Battles Of Wit And Wordplay

    Forget sword duels; the book’s fiercest fights are poetry contests called uta-awase. Picture a medieval rap battle: poets duel with clever verses and sharp insults. A panel of nobles listens as if lives depend on each line (because they often do). Losing can mean ruin. Thériault treats these word duels like life-or-death matches. Between the quips and metaphors, you really feel the tension. Fans of wordplay will relish it. Every so often, even a single line can feel as sharp as a blade!

    Forbidden Love And Family Loyalties

    Of course there’s romance. Matsuo falls for a princess’s attendant, a poised young woman with a secret smile, who is already promised to a powerful general. Their situation feels like star-crossed fate: an ache anyone who’s loved from afar will recognize. Even with war swirling around them, their quiet connection blooms. This romance brings real heat and heartbreak. Family expectations and battle pressures add drama! Each choice tests Matsuo’s loyalty and honor. Yet hope flickers through it all, and each setback strengthens his resolve while keeping the story moving.

    Mystery, Myth, And A Touch Of Fantasy

    The novel isn’t just historical… it hints at something mystical! Heian Japan was said to be “haunted by spirits of Nature,” and Thériault weaves in that sense of the uncanny. The story opens with a mysterious figure watching Kyoto burn, casting a strange shadow over Matsuo’s path. Other moments feel dreamlike: a shrine that murmurs secrets, or a poem that reads like a prophecy. The line between reality and myth blurs in small, eerie ways! These touches give the journey a magical sheen.

    Thériault’s Poetic Legacy

    Denis Thériault’s earlier hit The Peculiar Life of a Lonely Postman also mixed Japanese verse into its tale; it even won the Japan–Canada Book Prize. Fans of that quirky, lyrical style will find plenty here! Thériault’s prose often reads like poetry itself: carefully chosen, rhythmic, and full of gentle humor. Even the action scenes have an elegance, as if choreographed. The English version keeps that charm, making the verses and jokes land smoothly. All in all, it feels like a novel as carefully crafted as a poem.

    For anyone who wonders if the pen is mightier than the sword, Matsuo’s world might have the answer!

    What are your thoughts on The Samurai of the Red Carnation? You can get a copy here if you don’t have one already! Let us know all your thoughts in the comments below or over on TwitterInstagram, or Facebook!

    Want more book reviews? Check out our library!

    TO LEARN MORE ABOUT DENIS THERIAULT:
    WEBSITE

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    Asia M.

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  • 39 Delightful Winter Poems for Kids of All Ages

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    The days are shorter, cooler, and darker, and there’s a chill in the air. As we settle into these cold-weather months, there are many ways to warm our hearts (and our classrooms)—including poetry. There’s something so magical and comforting about the written word, especially this time of year. We’ve put together this beautiful collection of winter poems to share with kids of all ages. We hope you and your students enjoy them!

    Winter Poems for Elementary Kids

    1. Snow Kisses by Suzie Bitner

    “If you go out when it’s snowing …”

    2. The First Snow by Evaleen Stein

    “Plunge in the deep drifts …”

    3. Snowflakes, Snowflakes by Unknown

    “… dance around.”

    4. I’m a Little Penguin by Mrs. Martin

    “Black and white.”

    5. Red Mittens, Blue Mittens by Debbie Clement

    “Fingers all together.”

    6. Thaw by Eunice Tietjens

    “The snow is soft, and how it squashes! …”

    7. Winter Is Warmest by Classroomjr.com

    “Oh, you say you want a reason?”

    8. The North Wind Doth Blow by Tasha Tudor

    “And we shall have snow …”

    9. Chubby Snowman by Petersburg Children’s Center

    “And he had a carrot nose …”

    10. Winter by Dorothy Aldis

    “The street cars are like frosted cakes …”

    11. February Twilight by Sara Teasdale

    “I stood beside a hill …”

    12. Who Has Seen the Wind? by Christina Rossetti

    “Neither I nor you …”

    13. It Is the Time of Rain and Snow by Izumi Shikibu

    “It is the time of rain and snow / I spend sleepless nights …”

    14. The First Sleigh-Ride by Sara Teasdale

    “O happy time of fleecy rime …”

    15. Dust of Snow by Robert Frost

    “The way a crow / Shook down on me …”

    16. Fire and Ice by Robert Frost

    “Some say the world will end in fire …”

    17. Winter by Walter de la Mare

    “And the robin flew / Into the air, the air …”

    18. Those Winter Sundays by Robert Hayden

    “Sundays too my father got up early …”

    19. After the Winter by Claude McKay

    “Some day, when trees have shed their leaves …”

    20. Places [III. Winter Sun] by Sara Teasdale

    “There was a bush with scarlet berries …”

    21. Picture-Books in Winter by Robert Louis Stevenson

    a picture of the poem

    “Frosty mornings, tingling thumbs …”

    22. Winter Twilight by Anne Porter

    “On a clear winter’s evening / The crescent moon …”

    23. Winter-Time by Robert Louis Stevenson

    “Late lies the wintry sun a-bed / A frosty, fiery sleepy-head …”

    Winter Poems for Middle & High School Students

    24. The Snow Man by Wallace Stevens

    “One must have a mind of winter …”

    25. Snow Song by Frank Dempster Sherman

    “Over valley, over hill …”

    26. Winter Is Good – His Hoar Delights (1316) by Emily Dickinson

    “Generic as a Quarry / And hearty – as a Rose …”

    27. Winter Trees by William Carlos Williams

    “A liquid moon / movies gently among …”

    28. Sounds of the Winter by Walt Whitman

    a picture of the poem

    “Sunshine upon the mountains—many a distant strain …”

    29. Snow by Naomi Shihab Nye

    “Once with my scarf knotted over my mouth …”

    30. Ode to My Socks by Pablo Neruda

    “Maru Mori brought me a pair of socks …”

    31. When the Year Grows Old by Edna St. Vincent Millay

    “I cannot but remember / When the year grows old …”

    32. Woods in Winter by Henry Wadsworth Longfellow

    “When winter winds are piercing chill …”

    33. The Snow Storm by Ralph Waldo Emerson

    a picture of the poem

    “Announced by all the trumpets of the sky …”

    34. The Snowfall Is So Silent by Miguel de Unamuno

    “… it settles down on the earth.”

    35. There’s a Certain Slant of Light (258) by Emily Dickinson

    “Heavenly Hurt, it gives us – / We can find no scar …”

    36. London Snow by Robert Bridges

    “When men were all asleep the snow came flying …”

    37. Approach of Winter by William Carlos Williams

    “The half-stripped trees / struck by a wind together …”

    38. A Winter Blue Jay by Sara Teasdale

    a picture of the poem

    “Crisply the bright snow whispered …”

    39. As You Like It, Act II, Scene VII [Blow, blow, thou winter wind] by William Shakespeare

    “Blow, blow, thou winter wind / Thou art not so unkind / As man’s ingratitude …”

    For more poetry suggestions, be sure to subscribe to our newsletters so you can get our latest picks.

    Plus, check out our list of the Best Winter Songs for Kids of All Ages!

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    Jeanne Croteau, M.S., Psychology, Master TEFL Certified

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  • Matthew McConaughey Says He’s “Peddling Belief” as a Writer and—Maybe—a Politician

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    It reminds me of this quote I heard from the director Mark Waters. We were having an argument about a scene, and I didn’t want to do this one thing that he wanted to do. He finally goes, “Okay, that’s fine.” He goes, “You know what, McConaughey? You’re seldom wrong, but there’s more than one way to be right.” I’m like, “Oh, touché. You got me.”

    I don’t think she’s read that one yet. I think she’ll get a kick out of that one. She’ll go, “Oh, I remember. I bet you I know when you wrote this.”

    She hasn’t read the full book yet?

    Well, I don’t know if she has. She may tell me afterwards she has. She’s been pretty mum about it. She’s read some and likes quite a few, but she hasn’t brought that one up. I think it’s a side of me that she’d be glad I’m sharing. Poems and prayers are almost the opposite of certainty. I can be very academic and pragmatic and practical. I’m not saying that’s a bad thing, but that can be exhausting. Not only for ourselves, but others. It’s like, “Hey, come on, man. Take the rough edges off a little bit. We’re jiving here.”

    What was making you feel cynical?

    The world, the news, the amount of sirens I’m hearing going by. The amount of times I was seeing people, adults, mothers, fathers, thinking it was fine to just be completely irresponsible and almost bad examples for their kids, and thinking that was just fine and be like, “They’ll be fine.”

    Irresponsible in what way?

    “Hey, win at all costs, no rules to this game called life, just win, lie, cheat, steal and if they’re trying to score on it, move the goalpost while the ball’s in the air, it’s fine.”

    Hey, what? Hang on a minute. “If you get yours, however you can git it, takin’ the shortcut, you win in life.” No. I’m not ready to purchase that for myself, for us, or as a thing to be teaching our children.

    You have a section in the book called “Man Up,” and several of the poems address questions of what it means to be a good man. There are a lot of conversations, from all directions, about a so-called crisis of masculinity in America. What do you think of that?

    I think there’s a crisis of masculinity. I think there’s a crisis of femininity. I think there’s a crisis of humanity. I know I’ve talked to many young men that don’t have a bearing, don’t have a compass, don’t have a North Star that they’re looking toward with how to act, treat others and themselves, how to treat friendships, how to treat relationships, expectations on themselves—going through things very sloppily.

    They’re going, “What’s the reward if I do it well? What’s the reward for being a character-filled man?” Let’s talk about that. There is reward for that. And on the sexual topic, a really wonderful thing—it’s really, really good for women to have more good men.

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    Keziah Weir

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  • Salem to unveil memorial honoring community members lost to COVID-19

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    SALEM — The city of Salem is inviting the community to Palmer Cove Park on Friday for the unveiling and dedication of a memorial honoring community members lost to COVID-19.

    “Around 140 Salem residents were lost to us due to the COVID-19 virus, and all of our lives were turned upside down in one way or another,” Mayor Dominick Pangallo said. “This memorial, located in the newly improved Palmer Cove Park, adjacent to beautiful Salem Harbor, offers a space for community members to reflect, remember, and reconnect.


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    By Michael McHugh | Staff Writer

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  • 5 high school students from around the country have been named National Student Poets

    5 high school students from around the country have been named National Student Poets

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    NEW YORK (AP) — Five high school students, residing far from each other while sharing visions of community and self-expression, have been named National Student Poets.

    Each of the poets will represent different parts of the country. Robert Gao of University Laboratory High School in Champaign, Illinois, will cover the Midwest. Marcus Burns of Vermont’s St. Johnsbury Academy will be based in the Northeast. Nadia Wright of Murrah High School in Jackson, Mississippi, will be the poet for the Southeast. Sofia Kamal of Rancho Solano Preparatory School in Phoenix, Arizona, is the student poet for the Southwest and the West’s regional poet is Anya Melchinger of Mid-Pacific Institute in Honolulu.

    The National Student Poets Program (NSPP) is a partnership of the Institute of Museum and Library Services (IMLS) and the nonprofit Alliance for Young Artists & Writers, which presents the Scholastic Art & Writing Awards, whose winners helped form the pool of student poet finalists. The poets, each of whom will receive $5,000, will spend the next year engaging with young people through readings, workshops and other projects.

    “We proudly recognize the Class of 2024 NSPP poets, whose remarkable talent and artistry will shine throughout their year of service, inspiring communities across the nation,” IMLS Acting Director Cyndee Landrum said in a statement Thursday. “We celebrate the collective energy of libraries, museums, schools and communities, working together to create safe harbors where young artists can thrive and flourish.”

    In their own work, the students draw upon family background, the natural world and the struggles to endure.

    In Burns’ “Yiping’s Asian Market,” he remembers the hardship of his grandmother and how “Her sacrifice brought us to America, something to be grateful for,” while Gao’s “Risky Hand” evokes “our father, adorned with the waxen spit from colleagues, candied in teething denim and Marlboros in orbit.”

    Kamal, in the poem “Gas Station,” looks to the moon and finds it “lobed with/desire left unanswered, its edge rusted over/by centuries of eyes.” In Melchinger’s “sometimes i wonder how we sleep,” she shows is a house “where the ground breathes beneath us black soil expanding/and contracting with the rain sending cracks into the foundation rattling/our paper thin walls.”

    Wright’s “Where I’m going” is an ode to the country and her own “sweet and sour” upbringing in the American South. She dreams of “long hugs from strong women/whose never rest/whose souls never quit” and savors “rich German chocolate cake/sweet, sweet homemade lemonade/Oh, just the thought of it/makes my mouth water.”

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  • Russell Atkins, Cleveland Poet Who Made Strides in Avant-Garde Scene, Dead at 98

    Russell Atkins, Cleveland Poet Who Made Strides in Avant-Garde Scene, Dead at 98

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    click to enlarge

    Russell Atkins / Facebook

    The Cleveland poet Russell Atkins, who died at 98 on August 15, in an undated photo.

    Russell Atkins, the poet who reached national attention with his ear for the avant garde and who rarely left his hometown of Cleveland, died in an assisted living facility in Midtown on August 15. He was 98.

    Though a close friend and confidante to mainstays—and more well-known—of the Black Arts Movement of the 1960s, like Langston Hughes and Amiri Baraka, Atkins worked quietly over a six-decade career, producing a half dozen chapbooks of poetry and several scores of musical compositions.

    His collection Here in The, published by Cleveland State University’s Poetry Center in 1976, was surprisingly Atkins’ only full-length book released in his almost 10 decades of life. It spans the poet’s stylistic range that made him a sought-after mentor in Cleveland’s poetry scene from the 1990s to the early aughts.

    All of which fashioned Atkins as an anomaly just as he was a gem to those who had been lucky to discover his art.

    “He was one of the real geniuses of American poetry for about three decades,” poet and native Clevelander Kevin Prufer, who knew Atkins in his later years, told Scene. “And everything sort of conspires to keep him out of public view, even though he had a huge following in Cleveland. I mean, really loyal students.”

    One of the original progenitors of poetry’s Concrete movement, which argued that the visual form of a poem influences its meaning, Atkins actually spent his early years in music. In the 1940s, in his twenties, Atkins studied piano at the Cleveland School of the Arts and the Cleveland Institute of Music. He would compose boxes full of piano scores late until his eighties, yet he published or performed very little.

    In 1947, Atkins published his first work, “Poem,” in View, a budding journal of poetry and prose formed with the help of friend Hughes, who had moved to New York City to develop its own movement. It wasn’t until five years later, in 1952, when Atkins formed his own iteration, Free Lance, a magazine published locally, that he would help propel the work of fellow Black experimenters in verse.

    Like e.e. cummings and Audre Lorde, Atkins tinkered with the mixture of images and sounds through a non-conformist type of structure—words and phrases decorating the page with huge indents, in lowercase lettering or with a jazzy flair to their typography and musicality. Critics later gave such a name: phenomenalism.

    We see it throughout Atkins’ verse: a merging of form, color and sound. In “While Waiting for a Friend to Come to Visit a Friend in a Mental Hospital,” Atkins writes:

    the attendant keeps watch, watching
    that abrupt wild uranium grow a bat’s ears,
    sardine flowers, moons’ eggs,
          stomach guitars,
    a double-bass rump –– but he’s err:
    one shrewds to his inferences,
    here where the world’s sharp’d
    sheen’d across with antiseptic spear

    Just as we see, in Atkins’ dramatic take on Lake Erie, in “Lakefront, Cleveland”:

    it gathers strength
    summoned ascends huged up
                  then softs!
    curls up about rocks
    upcurls about thick
    about bold curls up
                  about it
    then dangerous ‘d soft!

    Prufer, who discovered Atkins’ work after attending a workshop at Cleveland State in the late 2000s, said he was so wowed at the poet’s sense of musicality that he included Atkins in Pleiades Press’ Unsung Masters Series, a 2010 book titled Russell Atkins: on the Life and Work of an American Master.

    A year later, back in Cleveland, Prufer decided to seek out Atkins, who was living in an assisted living facility in Midtown. The two met in Atkins’ apartment, discussed poetry. Atkins showed Prufer, he said, a closet-full collection of unpublished scores and letters from Marianne Moore and Hughes. (Those, Prufer recalled, later “burned” after a bedbug infestation.)

    Such discovery was a kind of metaphor for Atkins and his writings, which are hard to come by save for niche website archives and resales of early editions.

    “Russell was known and admired by many,” Prufer said, “but obscure to many of the people who would have gotten a great deal of benefit from knowing his work.”

    In 2017, Atkins was awarded the Cleveland Arts Prize for Lifetime Achievement in Literature. Later that year, a portion of Grand Avenue in Midtown was renamed in his honor.

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    Mark Oprea

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  • Langston Kerman on ‘Bad Poetry’

    Langston Kerman on ‘Bad Poetry’

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    Larry is joined by actor, writer, and comedian Langston Kerman to talk about his brand new Netflix stand-up comedy special Bad Poetry, streaming on August 20. They begin their conversation by breaking down different types of comedy writing and examining Langston’s process when coming up with themes for a special. This leads to discussions about dating apps, love relationships, and biraciality, and how each of those subjects contribute to Langston’s art (13:03). After the break, Larry and Langston share stories that reflect the obstacles and triumphs they faced during their respective comedy writing careers (34:14). They end the pod by debating the viability of some of their favorite conspiracy theories and shining a light on Langston’s podcast My Momma Told Me which deals with those subjects from a Black perspective (45:52).

    Host: Larry Wilmore
    Guest: Langston Kerman
    Producer: Chris Sutton

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Larry Wilmore: Black on the Air

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  • From cookbooks to billboards, poets laureate hope to spread the words with help of $50,000 grants

    From cookbooks to billboards, poets laureate hope to spread the words with help of $50,000 grants

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    NEW YORK (AP) — Twenty-two poets around the country each will be receiving $50,000 grants for projects ranging from a poetry cookbook in Kansas to a billboard campaign in Michigan.

    On Tuesday, the Academy of American Poets announced its latest round of gifts through the Poet Laureate Fellowship Program, through which it has given out $6.55 million since 2019, along with more than $440,000 in matching grants.

    Among this year’s Fellows are: Michigan laureate Nandi Comer, whose billboard project includes excerpts from Michigan poets and a QR code directing readers to the Library of Michigan’s website; Kansas laureate Traci Brimhall, who hopes to bring chefs and poets together for a state community cookbook; and Angelika Brewer, poet laureate of Ogden, Utah, who is working on a local archive.

    Other Fellows include Maine laureate Julia Bouwsma, Colorado laureate Andrea Gibson and Joseph Rios, laureate of Fresno, California.

    The fellowship program was made possible by the Mellon Foundation.

    “These exceptional writers share the distinctive responsibility of advancing action, advocacy, and civic transformation in their communities through the power of poetry,” said Mellon Foundation President Elizabeth Alexander. “We at Mellon are pleased to provide them with the additional resources needed to carry out this mission, building further appreciation of and engagement with the written word across the United States.”

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  • Cape Ann news in brief

    Cape Ann news in brief

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    Listings may be sent to: Goings On, Gloucester Daily Times, 36 Whittemore St.,Gloucester, MA 01930, or emailed to Joann Mackenzie at jomackenzie@gloucestertimes.com, at least two weeks prior to an event.

    At Halibut Point

    ROCKPORT — Halibut Point State Park, 4 Gott Ave. in Rockport, offers programs and events, free to all. An adult must accompany children. Reasonable accommodations are available upon request. Guided group tours available with advance reservations by contacting 978-546-2997 or halibut.point@mass.gov, Questions? Email Ramona Latham at ramona.latham@mass.gov.

    When Granite was King!, Saturday, July 27, 10-11 a.m. Babson Farm Quarrying History Guided Tour, for ages 8 and older. Meet at parking area. Learn about the buildings, bridges, and breakwaters built to last. Touch tools of the trade. Find out how they moved these large, heavy stone pieces, and “paved” dirt streets in our nation’s growing cities.

    Club coffee

    ROCKPORT — The Sandy Bay Yacht Club, 5 T Wharf, hosts a coffee every Sunday morning from 9:30-11 that is open to the public. Folks can to check out the club and get questions answered.

    Summer at Windhover

    ROCKPORT — At Windhover Center for the Performing Arts, the evenings are for the enjoyment of great performances on the outdoor tented stage and in the studio and chapel. Here’s a line-up of what’s in store this summer at the performing arts center, 257R Granite St.For tickets and more information, visit: https://windhover.org/ Or call 978-546-3611

    Theater: Lanes Coven presents Shakespeare’s Midsummer Night’s Dream at Windhover’s outdoor stage through July 28. Tickets, $10-45.

    Dance: Friday, Aug. 2, and Saturday Aug. 3, at 7 p.m. New York City’s Janie Brendel & Friends performs Brahms. Her seven dancers spent three years at a dance center retreat creating these works for the White Oak Dance Project, founded by dance legends Mikhail Baryshnikov and Mark Morris. Tickets, $20, $10 for students.

    Lanesville stories

    A free July 27-28 event, “Lanesville Stories — Forgotten, Remembered, Unforgettable,” will help attendees discover Lanesville’s forgotten, remembered, and unforgettable history from the 1700s on. The program includes talks, a panel, photos, documents and more during the inaugural event. This event begins assembling contents for a Lanesville time capsule. Everyone is welcome to participate. The program runs July 27-28 from 9 a.m. to 4 a.m. at the Lanesville Community Center, 8 Vulcan St., Gloucester. More information at lanesvillestories.com.

    Literary tours

    {div class=”elementToProof”}The free Literary Gloucester Walking tours started in 2023 under the auspices of the Gloucester 400+ Literary Committee, and were so popular, they are continuing under the sponsorship of the Gloucester Writers Center on Saturdays, July 27, Aug. 10 and 17, and Sept. 7 and 21. Gloucester has been home to great writers since the 1700s when Judith Sargent Murray penned her feminist poems and essays. For T.S. Eliot, Nobel Prize winner, Gloucester was his boyhood summer home and the sea themes are a signature part of his poetry. Charles Olson and Vincent Ferrini maintained a poetic dialogue in the 20th century. Rudyard Kipling wrote “Captains Courageous,” while staying in Rockport, Henry Wordsworth Longfellow’s “The Wreck of the Hesperus,” was inspired by a ship that wrecked off Gloucester’s coast, to name but a few. Tours start at 10 a.m. in front of the Sargent House Museum and run till noon, guided by noted raconteur Phil Storey. Rain or shine.{/div}

    Bandstand concerts

    David Benjamin, summer music director for the city of Gloucester, is helming free seaside concerts at Stage Fort Park’s Antonio Gentile Bandstand, on Sundays, through Aug. 25. Performances start at 6:30 p.m. A highlight of the season will be the Cape Ann Community Band “Barbie, Ken and Taylor” concert Aug. 17, with vocalist Alexandra Grace and her music students singing tunes from the Eras tour and the Barbie movie. The full season schedule is July 28, Compaq Big Band with Marina Evans; Aug, 4, Daisy Nell & Capt. Stan (acoustic fun); August 11, 4Ever Fab (Beatles tribute band); Aug. 18, The Continentals (pop-rock band); and Aug. 25, Martin & Kelly Band (country western). To learn more, visit www.DavidLBenjamin.com or telephone 978-281-2286. Parking’s free, bandstand located on Hough Avenue, Gloucester. Restrooms are ADA accessible. Bring lawn seating.

    GHS Sail auction

    GHS Sail is holding is an auction fundraiser Wednesday, July 31, at Maritime Gloucester, from 5-8 p.m. With only one loss in the season of matches, this is a testament to Gloucester’s determination and skill on the water. GHS Sail works to keep the barrier to entry at nothing, relying on fundraising for youngsters to have a chance to learn the skills of sailing and teamwork. Sail GHS’s summer drop-in program is open to any local child whose middle or high school does not have a sailing program. The silent and live fundraising auction offers items including a scenic flight out of Beverly Flight Center, a four-pack of Red Sox box seats, tickets to North Shore Music Theatre, a police cruiser ride to school, and a harbor sightseeing tour with Jimmy T, plenty of local gift cards, and a 100 to 1 odds raffle for an inflatable Zodiak including motor provided by Brown’s. Tickets at $25, including food, fun, music and cash bar. RSVP to Unis.Kathleen@gmail.com.

    At Essex library

    ESSEX — Stop by the T.O.H.P. Burnham Public Library in Essex for summer reading fun and programs for kids, teens, and adults. Visit essexpl.org for hours, events, and great new reads at the library.

    World’s Fair for children is scheduled for Tuesday, Aug. 20, at 6 p.m. Register at essexpl.org.

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    Food drive

    MANCHESTER — “Neighbors Helping Neighbors” is the theme of the Manchester Knights of Columbus ongoing 24/7 food drive for The Open Door’s food pantry in Gloucester. The need on Cape Ann is greater now than ever before, so all are encouraged to leave food donations in the designated bins in the garage on Friend Street behind Sacred Heart Church, School Street, Manchester. Food items most needed are peanut butter; canned tuna, chicken, turkey; healthy snack items; breakfast cereal; 100% juice/juice boxes; hearty soups; canned vegetables and fruits; spaghetti sauce; macaroni and cheese; rice; noodles and pasta; and cake, muffin, and pancake mixes. (Please no glass items-jars, bottles, etc.) Knights of Council 1232 transport the donated food to The Open Door weekly. This food drive is an open-ended and on-going effort.

    Thrift Shop open

    ROCKPORT — The Unitarian Universalist Church thrift store is open every Friday and Saturday, 9 a.m. to noon, through Sept. 28. Jewelry, art, toys and puzzles, indoor and outdoor decor, household wares, and beach reads. Donations gratefully accepted. More information available by calling the Unitarian Universalist Society of Rockport at 978-546-2989.

    Zoom in on arthritis

    Arthritis relief without pills? Exercises can help functional movement, increase range of motion and improve ADL’s (Activities of Daily Living), and you won’t have to leave the house to do it. PACE at Element Care is offering a free virtual exercise program over Zoom every Wednesday at 11 a.m. Sit, stand, and join us. All are welcome, and it’s absolutely free. Register for your Zoom link at: https://elementcare-org.zoom.us/j/83819924499?pwd=N1N6ZHNmbUxUaXRtWm1EWmR1bzF1UT09. Meeting ID: 838 1992 4499.

    Meals on Wheels

    Home-delivered meals might be for you if you are age 60 or older, and unable to prepare a balanced meal because of physical, mental, or emotional limitations, or lack of home assistance from family, friends, or neighbors, to prepare balanced meal. If this sounds like you, and you are unable to participate in the congregate dining program comfortably or safely, Meals on Wheels delivers daily to your door. There are no income eligibility requirements for this program. For more information call SeniorCare Inc. at 978-281-1750 or call toll-free 866-927-1050.

    Creativebug

    ROCKPORT — The Rockport Public Library has Creativebug, an online database that offers more than 1,000 videos by artists and professionals detailing a wide variety of art and crafts projects for all ages. Videos cover painting, ceramics, knitting, quilting, jewelry-making, party crafts, and more. Some crafts can be learned in a single video, or skills can be honed over multiple videos. To get started, visit www.rockportlibrary.org, go to home page, enter your library card number and email address. After that, you’ll only need to enter your card. number to get crafting! Questions? 978-546-6934.

    Indigenous Cape Ann

    Cape Ann Museum is presenting its exhibition of local indigenous artifacts from Cape Ann, on view in the downtown campus, 27 Pleasant St., Gloucester. The display also includes selections from the Annisquam Historical Society. For admission and information, visit www.capeannmuseum.org/event.

    Women singers sought

    Sorellanza, a small, established women’s a cappella chorus with a diverse repertoire, is seeking new members. Experience is needed, and reading music is an asset. For an audition, please contact Patti Pike at Pikeharp@comcast.net.

    Old Salties Jazz Band

    Dave Sags’ Old Salties Jazz Band plays jazz every Monday at 1 p.m. at the Rose Baker Senior Center, 6 Manuel F Lewis St., Gloucester. All are welcome to stop by and enjoy some great live jazz. Just tell them at the entrance desk that you’re there as a guest of the Old Salties Jazz Band. Questions? Call 978- 325-5800.

    Comfort baskets

    A group of friends — participants of the Relay for Life for many years — have raised over $100,000 for the American Cancer Society. During that time one of its members had cancer and came up with the idea of providing comfort baskets containing products to help make the side effects of chemotherapy more bearable to patients. Many have been given away and are being donating to the Addison Gilbert Hospital infusion center each month. The bags contain, a blanket, knitted hat, gift card, lotions, mug, tea, a pillow and other varied items which can help the person undergoing chemotherapy treatments. To help continue this non-profit program, you can find Friends for Friends on VENMO or send a donation care of Sue Lovasco, 24 South St., Rockport MA 01966.{div class=”elementToProof”}

    GHS 1969 reunion

    Gloucester High School Class of 1969 will hold its 55th reunion Oct. 19, at the Castle Manor Inn, 141 Essex Ave,, Gloucester, from 6-10 p.m. with cocktail hour, dinner buffet, and DJ Leo Francis for $70 per person. If you or someone you know has not received notice, or has any questions, contact Linda O’Maley Martin at lilomartin@comcast.net or 978 281-0670. Checks are payable to GHS Class of 1969 and mailed to Linda O’Maley Martin, 3 High Popples Road, Gloucester, MA 01930 by Sept. 1.

    Cribbage

    A cribbage league plays Thursdays at 7 p.m., at the Pilot House, 3 Porter St, Gloucester. Cost is $5 a week and each round lasts ten weeks. For more information, call 978-491-8660.

    Magnolia Cribbage is on hiatus for the summer, returning after Labor Day. For more information, email dotsieradzki@gmail.com.

    The Open Door

    Need help getting groceries? Let food be one less thing to worry about with The Open Door’s new programs. New clients and those returning after more than two years can create an online shopping profile at FOODPANTRY.org/newshopper or call 978-283-6776. New profiles will be processed within one business day. Active clients can place orders at FOODPANTRY.org/order or call 978-283-6776. Translation services are available in many languages. Groceries will be ready for pick-up, with limited delivery available. Need food today? Visit the Gloucester Food Pantry at 28 Emerson Ave., during business hours for basic groceries. Ordering online or by phone for pick-up or delivery within one to three business days allows you more choice. The Open Door is open Monday through Wednesday, from 10 a.m. to 5 p.m., and Thursday through Friday, from 10 a.m. to 6 p.m. Need SNAP (Food Stamps)? One-on-one, confidential prescreening for application, recertification, and interim report available at 978-283-6776 ext. 201 or snap@foodpantry.org. Community Meals? Pick-up and delivery, 3 p.m. to close Monday through Friday. Extra meals available on Fridays for the weekend. For more information, visit FOODPANTRY.org.

    Transient moorings

    The Gloucester Harbormaster’s Office is taking reservations for the 30 transient moorings in the Inner Harbor, Southeast Harbor, and Western Harbor. Moorings include services and amenities such as WiFi, transient storage, floating docks, service and maintenance, as well as access to the state-of-the-art transient boaters lounge and launch services. Reservations fill up quickly for high traffic dates: weekends, and Labor Day weekend (Aug. 30 to Sept. 2). A waitlist is also available. To reserve moorings through Columbus Day weekend, visit https://bit.ly/43DLyTQ.

    Youth Chorus

    ROCKPORT — Rockport Music has announced the start of a regional youth chorus, the Cape Ann Youth Chorus, for young singers ages 8-18, starting in September under the direction of Kristina Martin and Thomas Smoker. The chorus provides a comprehensive musical experience in an inclusive and supportive environment for singers ages 8 and up, with weekly rehearsals, concerts at different events, and at Shalin Liu Performance Center. Mentorship applications will be available for advanced high school singers. The vision is to provide engaging and interactive programming and encourage curiosity, participation and creativity through music and the arts. Rehearsals will be Mondays, 4 to 5:15 p.m, at the Shalin Liu, starting Sept. 9. Tuition is $300 per year and there are sliding scale scholarships available; no students will be turned away. Registration is open through the summer. For more details, visit https://rockportmusic.org/youth-chorus/ or contact Rockport Music’s Director of Education and Partnerships Elizabeth Stefan at estefan@rockportmusic.org. For more, visit rockportmusic.org or call 978-546-7391

    EMT training

    Beauport Ambulance Service Inc. is offering EMT basic training at a new training center at its office at 19 Pond Road in Gloucester. Classes typically run Wednesdays from 6-10 p.m. and Saturdays, 8 a.m. to noon. Signups are ongoing for the 144-hour course incorporating lectures and hands-on skills practice. Those who are interested in the course or who have questions can reach out to Beauport Ambulance Service’s education coordinator at sclark@beauportambulanceservice.com.

    Rummage sale

    St. John’s Episcopal Church, 48 Middle St. in Gloucester, offers clothing and accessories for men, women and children. Hours are Wednesday, Friday and Saturday from 10 a.m. to 2 p.m. Mastercard and Visa accepted. Free parking at 33 Washington St.

    Tai Chi

    ROCKPORT — Amy Seabrook leads an Introduction to Tai Chi exercise each Tuesday, from 11 to 12:15 p.m., at Rockport First Congregational Church, 12 School St. This class focuses on simple, circling movements and the principles behind them. Participants will concentrate on weight transfer for balance and stability. Suggested donation of $7 pays for use of the hall and supports the church. Email Amy at seabrookarts@gmail.com for more information.

    First Light

    Now on view at Cape Ann Museum Green Campus, is “1st Peoples: Portraits of the First Light,” a new exhibition of photographic narratives by Matika Wilbur of the Swinomish and Tulalip Tribes made in consultation with SmokeSygnals, a Native creative agency based in Mashpee. These contemporary photographs of the original stewards of what is now known as New England include portraits of Nipmuc, Wampanoag, Shinnecock, Passsamaquody, and Penobscot peoples, all accompanied by excerpts from conversations around identity, culture, and sovereignty. The exhibit is on view in the Janet & William Ellery James Center at the Cape Ann Museum Green (CAM Green), 13 Poplar St. in Gloucester, through Sept. 1. For more information, visit capeannmuseum.org.

    School records

    ROCKPORT — Rockport High School folders for students who graduated 2019-2021 are scheduled for destruction on Aug. 15. Graduates who wish like to pick up their high school student folder should contact Connie Lucido at clucido@rpk12.org or 978 546-1234 x 30101 by Aug. 14.

    At Rockport library

    ROCKPORT — Rockport Public Library, 17 School St., offers programming for one and all. Zoom and in-person events require registration on the library event calendar at https://rockportlibrary.org/events/. Questions? Call 978-546-6934.

    Sit & Knit Circle, Mondays, 12:30 to 2:30 p.m., in the Trustees Room to work on your knitting and needlecraft projects while enjoying lively conversation with similar creatives. No instruction provided, but all are welcome to pull up a chair, break out your needlecraft, and join the conversation.

    ESOL English Conversation on Zoom, Mondays from 3-4:15 p.m., Wednesdays from 7-8:30 p.m., and Thursdays from 2-3:15 p.m. Requires basic English; must be a resident of Massachusetts. To register, email literacyservices@bpl.org, or leave a message at 617-859-2446.

    LEGOs and Crafting, 3:15-4:15 p.m. Mondays, in the Brenner Room to build with the library’s collection of LEGO bricks, or create with crafting supplies. Children under 9 must be accompanied by a caregiver. Registration required.

    Modern Drama Discussion Group, 4 p.m. Mondays, on Zoom and in the Trustees Room. Questions? email: baudano@rockportlibrary.org.

    Essex Regional Social Worker Open Office Hours: with Jessie Palm, social worker for the Eastern Essex Regional Public Health Coalition, every first and third Tuesday of the month (note date change) from 10:30 a.m. to 12:30 p.m. in the Trustees Room. Support, information. No appointment necessary.

    Art & Sensory Class in the Garden, Tuesdays, 3 to 4 p.m. with Sarah Brown. Preschoolers to upper elementary. Please register and plan to remain with your child for the class.

    Summer Film Fun, Tuesdays at 4:15 p.m. in July and August. Following adult matinees, we will show a family friendly film. Cool off and have fun with a variety of adventures, characters, and stories.

    Dungeons & Dragons, Wednesdays, 4:30-6 p.m. Youth Group role plays in the Trustees Room. Registration required.

    Babies and Books, Thursday, July 25, 10:30-11 a.m., in the Brenner Room. A fun, relaxed introduction to early literacy for babies 0-2 with caregivers.

    Harvard Law School Legal Services Virtual Drop-in, Fridays, 10 a.m. to noon, on Zoom. Consumer loans, criminal record sealing or expungement (CORI), disability rights, divorce, custody, child support, housing law and tenants’ rights, LGBTQ+ related concerns, military record corrections, Social Security, public benefits, SNAP and veterans, small claims court, tax issues. Register for Zoom link at: https://rockportlibrary.org/events/.

    Toddler Storytime, Fridays, 10:30 a.m. Stories, songs, and rhymes in the children’s room. Ages 18 months to 3 years with caregivers.

    Stitch and Snack, teen craft meetup, Fridays, 4 p.m. in the Trustees Room. Bring a knitting or craft project, or just snack and talk crafts. Supplies and snacks provided. Email Emily at esouza@rockportlibrary.org with questions, snack requests, or food allergies. For middle and high school students.

    Craft Saturdays, 10 a.m., a new craft each week at the craft table in the Children’s Room. No registration required.

    Let’s Get Growing with PlantGuyEric, Saturday, July 27, 11 a.m. to 1 p.m. Learn to successfully, affordably, and legally grow your own cannabis at home! No registration required for this free event at the Rockport Public Library.

    Comedy Night

    Four of Boston’s top comedians will perform at the 18th Annual Rotary Club of Gloucester Comedy Night on Thursday, Aug. 29. Dave Rattigan returns to host Brad Mastrangelo, Jody Sloane and Jeff Koen at Cruiseport Gloucester, 6 Rowe Square, Gloucester. Rattigan, who has performed internationally and locally, will introduce Mastrangelo’s unique routine. Sloane, a Coast Guard veteran, cut her entertainment teeth doing her sit-down shtick as a cheeky “conducktor” named Penny Wise on the Boston Duck Tours. Koen’s family won $10,000 on America’s Funniest Home Videos. He’s known for playing the offensive “Uncle Rick” in the 2010 cult film “Heavy Times.” Doors open at 7 p.m. for the 8 p.m. show. Tickets are $30, available by calling or texting Mark Vadala at 978-490-0939 or emailing mark@vadalarealestate.com.

    Photo contest

    The Gloucester Rotary will publish a 12-month Cape Ann photo calendar for 2025 as a fundraiser. All profits support Gloucester Rotary’s many community and international activities. The 2025 calendar theme will be Flowers of Cape Ann. The club is requesting high quality digital photos that reflect the natural beauty of Cape Ann year-round, so need images from each season, from Gloucester, Rockport, Essex and Manchester-by-the-Sea. For full contest details, visit www.gloucesterrotary.org. Deadline for entries is noon Tuesday, Aug. 15. Details at www.facebook.com/RotaryGloucesterMA.

    Music on the Green

    Music on Meetinghouse Green is underway with another summer of great free music concerts Fridays from 6 to 8:30 p.m. through Sept. 6. Concerts will be held on the green in front of the Gloucester Unitarian Universalist Church at the corner of Middle and Church streets. In the event of rain, concerts will move indoors. Each concert features a different musical ensemble and benefits a local non-profit organization through 100% of the donations from the audience. Bring lawn seating and an appetite for some great picnic eats from local catering trucks. Details, www.gloucestermeetinghouse.org/summer-concerts.

    Stories under the Tree

    The Lanesville Community Center welcomes kids ages 3 to 8 to perk up their ears for some wonderful story telling at at the Virginia Lee Burton Writing Cottage, from 10 to 11 a.m., on Tuesday, Aug. 27. The cottage is located at the community center, 8 Vulcan Ave, Lanesville, Gloucester. Visit lanesvillecommunitycenter.{div class=”elementToProof”}

    Chorus meets

    DANVERS — The Northshoremen Barbershop Chorus welcomes men of all ages who love to sing to join them. The chorus rehearses every Wednesday at 7 p.m. at All Saints Episcopal Church, 46 Cherry St., Danvers. Come to the next rehearsal, or for more information call 866-727-4988.

    Carillon concerts

    Carillonneurs Luann Pallazola, Cynthia Cafasso, and Thomas Dort will perform a Christmas in July concert, rain or shine, on Friday, July 26, from 6:30-7:30 p.m. at Our Lady of Good Voyage Church, 142 Prospect St. in Gloucester. The concert of familiar traditional Christmas songs and carols will be recorded for a special CD to help raise money for the parish. Our Lady’s guild members will also offer snacks and drinks for sale.

    Installed in 1922, the carillon bells in Our Lady of Good Voyage Church were the first toned set in the United States.

    The annual summer carillon concert series continues on Fridays at 6:30 p.m. on Aug. 9, 16, 23 and 30. More information is available by contacting Pallazola at lpallazola@gmail.com.

    Rockport renewals

    {div class=”elementToProof”}ROCKPORT — The Rockport Public Library offers automatic renewals on most items checked out from the library. Items will automatically renew if they have not been returned three days before their due date. Patrons will no longer have to take steps to renew items, even if the items came from a library in Rockport’s network of libraries. Items that cannot be renewed include lucky day titles, items on waiting lists, items that have reached their renewal limit, items borrowed from outside the Merrimack Valley Library Consortium (MVLC), items checked out from a nonparticipating library. By initiating renewals automatically, the library complements its existing fine-free model, under which the library no longer charges fines for overdue items. Patrons who have registered their email addresses with the library will get an email notifying them that their items have been automatically renewed — and reminders of upcoming due dates. To add your email for this service, email info@rockportlibrary.org, call 978-546-6934 or speak with a librarian. Drivers license or two other forms of ID are required at check-in. In most states age 16 must have parental consent, weigh at least 110 pounds and be in good health.{div class=”elementToProof”}

    Essex library

    ESSEX — TOHP Burnham Library, 30 Martin St., Essex, warms up for winter with a full house of activities to see you. Open weekdays until 7 p.m., Saturday, 10 a.m. to noon. For all event requiring registration, sign up at essexpl.org/events. Questions? 978-768-7410.

    Regional social worker office hours, Wednesdays, 9 a.m. to 1 p.m., in first floor meeting room. Free, private and confidential, learn resources, strategies and skills to assist in stress reduction and management. Call 978-983-1771 for appointment.

    Essex seniors

    ESSEX – The Essex Council on Aging offers events and trips for seniors. For more information or to register for an event, please call the office at 978-768-7932 or visit the Senior Center at 17 Pickering St. Also, tune in to the Cape Ann Virtual Senior Center for events and fitness opportunities on channel 67 sponsored by the Cape Ann Councils on Aging and the Friends of the Essex Council on Aging. Unless otherwise noted, events will take place at the senior center. Destination events require registration as noted for seat on CATA van.

    Walking Club, Mondays, Wednesdays and Fridays, 9:30 to 11:30 a.m., free at the Gordon College Bennett Center indoor walking track. Registration requested by calling Hamilton-Wenham Recreation at 978-468-2178. Transportation by CATA.

    Creative Connections, Mondays, 10 a.m. to noon. Bring art projects or start a new one. Supplies while they last.

    Arts Group, Tuesdays, 1 to 3 p.m. Paint, knit, crochet, or sew? Bring a project or help create items for the Friends Boutique.

    Computer & Technology Assistance, Wednesdays, 1 to 3 pm. Help with computer, tablet, phone? Drop in and ask for Curt or Bill.

    Games with Gil at the Senior Center, Wednesdays, 1 p.m. All ages welcome, for board games or Scrabble, Boggle, cribbage, backgammon. Join us or bring a friend and come play

    Mobile Market at the Essex Senior Center, first and third Fridays of each month, 10:30 a.m.

    Balance in motion — Tuesdays and Fridays, 10 a.m., $5 donation requested.

    Groove Fitness Video — Mondays, 9:30 a.m. Dance class to video, no instructor. $5 donation requested.

    Fitness with Gil — Wednesdays, 10 a.m., Strength and stamina through stretching, $5 donation requested.

    Cape Ann Virtual Fitness Senior Center — Tune into channel 67 for fitness programs sponsored by the Cape Ann COA and the Friends of the Essex Council on Aging.

    Grab and Go Meals, Mondays and Thursdays, noon (must be picked up by 12:30): Monday meals provided by The Open Door, Thursday meals provided by Senior Care. Please register two business days in advance at 978-768-7932.

    Sit ‘n Knit

    ROCKPORT — The Rockport Public Library, 17 School St., hosts Sit ‘n Knit (formerly Which Craft?) on Mondays from 12:30 to 2:30 p.m., New name and new time! In the Trustees Room. Pull up a chair, break out your needlecraft, and join the conversation. For more information, call 978-546-6934, or visit rockportlibrary.org.

    Exchange open

    The Annisquam Exchange opens it doors Wednesday through Friday, 10 a.m. to 4 p.m. and Saturday, 10 a.m. to 2 p.m., through October. Offering Folly Cove designs, silver, collectibles, estate pieces, linens, fine jewelry, kitchenware, cards, Annisquam apparel from Annisquam Sewing Circle, artworks, toys, candy, and more, at 32 Leonard St. in Gloucester. To learn more, visit www.annisquamexchange.com or email annisquamexchange@gmail.com.

    GHS 50th reunion

    Gloucester High School, Class of 1974, will hold its 50th class reunion on Saturday, July 27, at the Bass Rocks Golf Club. Cost is $75 per person. Cocktails at 6 p.m., dinner and music by our favorite DJ Leo’s Classic Hits follow. Seating is limited. If interested, please email GHS197450@gmail.com or call Cyndi Bolcome at 508-527-3377.

    Descendants’ sails

    To honor the legacy and heritage of Gloucester’s schooner fishermen, the schooner Adventure offers free sails to descendants of the men who worked, sailed, and fished on board any Gloucester schooner. If you have an ancestor or relative from Gloucester’s schooner fishery, you are a descendant and eligible for these free sails. Please call the Adventure office at 978-281-8079 to confirm descendant status and book a spot for Wednesday, Aug., 17, sailing at 4:30 p.m., from the Harriet Webster Pier, 23 Harbor Loop, Gloucester. Learn more at https://www.schooneradventure.org/.

    At Manchester library

    MANCHESTER-BY-THE-SEA — Manchester-by-the-Sea Public Library, in partnership with the Manchester-by-the-Sea Cultural Council, has lined up an exciting month for readers of all ages and interests. In-person events will be held at the library, 15 Union St. For registration and more information about events all events and programs, visit www.manchesterpl.org, or call 978-526-7711.

    Summer Storytimes, for 0-3-year-olds, Wednesdays, from 10:30-11:15 a.m. with Miss Audrey.

    Manchester Reads 2024 is “Space themed.” Check out space-themed books, programs for all ages, crafts and a telescope! Recommended read: “Star Splitter” by Matthew J. Kirby, which imagines a future in which travelers get from point A on Earth to point B in deep space by running themselves through a 3D printer.

    Annual book sale on the library lawn during Festival by the Sea on Aug. 3.

    Tech Advice Appointments. Register for a session at noon or 12:30 p.m. Mondays, or drop in on most Fridays between 3 and 4 p.m. Questions answered. Problems solved. Learn app for library ebooks and digital audiobooks. Register your tech question with Maddy Willwerth at 978-526-2017 or email mwillwerth@manchesterpl.org.

    Children’s library

    A Little Lending Library for Children is open at the Virginia Lee Burton Writing Cottage at the Lanesville Community Center, 9 Vulcan St

    Home upgrades

    Essex County Habitat for Humanity’s Critical Home Repair/Aging in Place program can — by using volunteers, donated construction materials and flexible sources of funding — offer very affordable house repairs to help Gloucester seniors age in place. The projects typically take a week, and the homeowner can usually continue living in the home while the work is done. Upgrades include wheelchair ramps, weatherization, handicap features, repairing structural rotting, stairs, roofing, etc. The program is not limited to elder and/or disabled homeowners, and does repairs necessary to maintain sound condition of the home, weatherization and energy efficiency, those needed to alleviate critical health, life and safety issues or code violations, and those that will help older adults age safely in their homes. Habitat staff inspects the property and determines financial qualifications based on total household income. If physically able, the homeowner must contribute sweat equity hours and the home must be owner-occupied. Learn more at https://www.essexcountyhabitat.org/critical-home-repair-program/.

    Teen task force

    High school students of all faiths are invited to join Lappin Foundation’s Teen Antisemitism Task Force. Students will hear from experts about ways they can combat antisemitism and all forms of hate, as well as put into action what they learn. There will be opportunities for teens to share their experiences and ideas as well. Meetings will be held Tuesdays from 7:30 to 8:30 p.m., once a month. For the complete calendar and list of speakers, visit LappinFoundation.org. There is no cost to join the task force and students can attend meetings as their schedules allow. For more information email dcoltin@lappinfoundation.org. The Teen Antisemitism Task Force is supported by CJP and the Jewish Teen Initiative.

    For job seekers

    If you need help with your resume, cover letter, or some job searching advice, contact jobseeker@sawyerfreelibrary.org or call 978-325-5500 to make an appointment for in-person resume and cover letter assistance with a librarian. Computers, Chromebooks, tablets, Wi-Fi Hotspots, printing, photocopying, scanning, and saving via email and flash drive are all free at the Sawyer Free Library at 21 Main St. Questions? Visit sawyerfreelibrary.org or 978-325-5500.

    Run for the Trails

    HAMILTON — Registration is open for the Essex County Trail Association’s 20th annual Run for the Trails to be held Saturday, Sept. 21. Registration fee is 5 Miles: $20 member, $30 non-member; 10 Miles: $25 member, $35 non-member. Proceeds go toward ECTA’s mission of maintaining trails in its member towns of Hamilton, Wenham, Topsfield, Ipswich, Essex and West Newbury for all types of passive recreation. Visit https://ecta27.wildapricot.org/event-5579436 for more details.

    At Sawyer Free

    Gloucester’s Sawyer Free Library offers fun and creative ways for kids of all ages to have a good time this summer with a host of ongoing activities, events and services at the library, temporarily located at 21 Main St., Gloucester. Unless otherwise noted, registration is required for all events at sawyerfreelibrary.org. For more details, email the contacts listed, visit sawyerfreelibrary.org, or call 978-325-5500.

    Open Play at the Library for ages 0 to 2 with caregivers, Thursdays, 10:30 to 11:30 a.m. Books and toys provided. No registration needed. Questions? jvitale@sawyerfreelibrary.org.

    Stories and Fun, Wednesdays, 11:15 a.m. to noon. Children and their caregivers’ fun morning of stories, songs, rhymes, bubbles with Children’s Librarian Christy Rosso at MAGMA, 186 Main St., fifth floor. Questions? 978-325-5500.

    SFL Device Advice, Thursdays, noon to 2 p.m., one-on-one appointments with a Library staff member assisting with tech issues. Call 978-325-5500 for appointment.

    SFL Home Delivery, free for residents of all ages with special needs, illness, or disability. Questions? email:moneill@sawyerfreelibrary.org.

    Sawyer Seed Library: Choose from a selection of vegetable, herb, and flower seeds for your own garden. The Library hopes people will explore the varieties and grow from seed to seed, enjoying the harvest and capturing seeds for future planting, or donating them back to the Seed Library. Questions? Contact: moneill@sawyerfreelibrary.org.{div class=”elementToProof”}

    Balance workshop

    {div class=”elementToProof”}{div class=”elementToProof”}“A Matter of Balance” workshop is an eight-week free workshop focusing on educating and supporting older adults around falling and the fear of falling. it will be held Wednesdays, through Aug. 21 at Addison Gilbert Hospital in Gloucester. Through group discussion, practical strategies and light exercising, older adults will reduce the fear and risk of falling, helping them to stay active and involved. For information and to register, call Abby Considine of SeniorCare Inc. at 978-281-1750 x-581.{div class=”elementToProof”}

    Museum, zoo passes

    Local libraries offer cardholders passes to many regional cultural attractions.

    Funded by the Friends, Sawyer Free Library, 21 Main St., offers cardholders passes to the Boston Children’s Museum, Cape Ann Museum, Isabella Stewart Gardner Museum, Maritime Gloucester , Museum of Fine Arts, Museum of Science, Peabody Essex Museum, New England Aquarium, Sargent House Museum, Zoo New England and new additions North Shore Children’s Museum and Historic New England properties. Library patrons can visit sawyerfreelibrary.org to reserve passes. Questions? Contact 978-325-5500.

    Manchester Public Library offers passes to the Cape Ann Museum, Institute of Contemporary Art (ICA), Museum of Science, Peabody Essex Museum and Zoo New England. Manchester Public Library patrons may visit www.manchesterpl.org and click on Museum Passes to begin the reservation process. Click on the museum you are interested in visiting and there you will see instructions to reserve a timed ticket. If you have any questions, please call the library at 978-526-7711.

    Blood drives

    • The American Red Cross urges blood and platelet donors, especially those with type O blood and donors giving platelets, to make and keep donation appointments now to help hospitals restock blood products for patients. Those who give blood in July will automatically be entered for a chance to win a 2025 Ram 1500 Big Horn. All who donate through July 31 get a Fandango Movie Ticketby email.

    Tuesday, July 30: Noon to 5 p.m., Manchester American Legion, 14 Church St., Manchester-by-the-Sea; and 2-7 p.m., Magnolia Library & Community Center, 1 Lexington Ave., Gloucester.

    Friday, Aug. 2: 9 a.m. to 2 p.m., John T. Heard Masonic Lodge, 70 Topsfield Road, Ipswich.

    Monday, Aug. 12: 2-7 p.m., Magnolia Library & Community Center, 1 Lexington Ave., Gloucester.

    Monday, Aug. 19: 10 a.m. to 3 p.m., Cruiseport Gloucester, 6 Rowe Square, Gloucester.

    Appointments also are available at other locations and at the Danvers Blood Donation Center, 99 Rosewood Drive in Danvers, and by calling 800-733-2767, visiting redcrossblood.org or using the Red Cross Blood Donor App.

    Republicans meet

    The Gloucester Republican City Committee will meet Thursday, Aug. 1, at Gloucester Fraternity Club, 27 Webster St. Doors open 6 p.m.. Meeting starts 7 p.m.. All welcome. For information call: 508-284-2418.

    Manchester seniors

    MANCHESTER-BY-THE-SEA — The Manchester Council on Aging, 10 Central St., Manchester, offers a full schedule of activities. Learn more or to reserve a seat on the van, please call the Council on Aging at 978-526-7500, or drop by the office at 10 Center St.

    Thursday, Aug. 1, trip to the Ipswich Farmer’s Market. Field-fresh produce, herbs, delicious treats. The van pick up starts 2:30 p.m. Return by 4:30 p.m.

    Friday, Aug. 2, trip to Wenham Museum’s Art Grows Here. Outdoor art created by members of the community throughout the towns of Hamilton and Wenham. Enjoy viewing art installations from the van. Van pick up starts at 10:15 a.m.

    Friday, Aug. 9, trip to Prince Pizzeria in Saugus. Pizza, pasta and all things Italian. Van pick up starts 11 a.m. Return is by 2 p.m.

    Monday, Aug, 12, trip to Beverly Farmer’s Market. Farm fresh produce and more. Van pick up starts 3 p.m. Return around 4:30 p.m.

    Wednesday, Aug. 14, trip to the Stonewall Kitchen Store and Café in York. Preserves, condiments, mustards, relishes, baking mixes, pancake and waffle mixes and more.

    Friday, Aug. 16, trip to Bearskin Neck in beautiful Rockport where you can check out the shops, look at the art, enjoy the view, or grab a snack at one of the many eating establishments. Van pick up seniors at 10:15 a.m., return around 2 p.m.

    Writers Center events

    The Gloucester Writers Center, 126 E. Main St., Gloucester, is a 501©(3) nonprofit founded in 2010. Its mission is to celebrate Cape Ann’s literary legacy and promote writing as an art and a tool. Here are some sessions coming up. Find more details at gloucesterwriters.org.

    Open Mic Nights, first Monday of the month at 7:30 p.m., 126 East Main St., Gloucester. Come early, sign up, enjoy refreshments and camaraderie. Bring five minutes of work to share! in low-key, supportive setting. Parking is at Chapel Street + North Shore Arts, just down the road.

    Volunteer at the Gloucester Writers Center, a small, community-focused nonprofit.

    Women artists

    On view at Cape Ann Museum, 27 Pleasant St., Gloucester, is a major retrospective of a wealth of works by Cape Ann women artists, from 1870-1970, many of whom have gained national recognition. Drawing from the museum’s collection, the works of 42 women artists are organized around the themes of portraiture, summer on Cape Ann, illustrators and authors, new visions and the collaborative spirit. On Saturday, Aug. 10, at 11 a.m., Sylvia Yount, Lawrence A Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, will give a lecture exploring artist Cecilia Beaux’s Green Alley Days. To register, visit: https://www.capeannmuseum.org/event/camtalk-exhibition-series-cecilia-beauxs-green-alley-days/

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  • Cape Ann news in brief

    Cape Ann news in brief

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    Listings may be sent to: Goings On, Gloucester Daily Times, 36 Whittemore St.,Gloucester, MA 01930, or emailed to Joann Mackenzie at jomackenzie@gloucestertimes.com, at least two weeks prior to an event.

    Block Party

    Join the fun at Gloucester’s first Main Street Block Party of the summer, on Saturday, July 13, from 6-10 p.m. Downtown Main Street will be closed to cars and open for action with live music, music, street performers, non-profits, food vendors, great entertainment, and more for the whole family. No admission, just put on your walking shoes and join the fun.

    Literary tours

    {div class=”elementToProof”}The free Literary Gloucester Walking tours started in 2023 under the auspices of the Gloucester 400+ Literary Committee, and were so popular, they are continuing under the sponsorship of the Gloucester Writers Center on Saturdays, July 13 and 27, Aug. 10 and 17, and Sept. 7 and 21. Gloucester has been home to great writers since the 1700s when Judith Sargent Murray penned her feminist poems and essays. For T.S. Eliot, Nobel Prize winner, Gloucester was his boyhood summer home and the sea themes are a signature part of his poetry. Charles Olson and Vincent Ferrini maintained a poetic dialogue in the 20th century. Rudyard Kipling wrote “Captains Courageous,” while staying in Rockport, Henry Wordsworth Longfellow’s “The Wreck of the Hesperus,” was inspired by a ship that wrecked off Gloucester’s coast, to name but a few. Tours start at 10 a.m. in front of the Sargent House Museum and run till noon, guided by noted raconteur Phil Storey. Rain or shine.

    Exchange open

    The Annisquam Exchange opens it doors Wednesday through Friday, 10 a.m. to 4 p.m. and Saturday, 10 a.m. to 2 p.m., through October. Offering Folly Cove designs, silver, collectibles, estate pieces, linens, fine jewelry, kitchenware, cards, Annisquam apparel from Annisquam Sewing Circle, artworks, toys, candy, and more, at 32 Leonard St. in Gloucester. To learn more, visit www.annisquamexchange.com or email annisquamexchange@gmail.com.

    Bandstand concerts

    David Benjamin, summer music director for the City of Gloucester, is again helming free seaside concerts at Stage Fort Park’s Antonio Gentile Bandstand, on Sundays, through Aug. 25. Performances start at 6:30 p.m. A highlight of the season will be the Cape Ann Community Band “Barbie, Ken and Taylor” concert Aug. 17, with vocalist Alexandra Grace and her music students singing tunes from the Eras tour and the Barbie movie. The full season schedule is July 14, Horizon (pop hits); July 21, Grupo Fantasia (Latin dance); July 28, Compaq Big Band with Marina Evans; Aug, 4, Daisy Nell & Capt. Stan (acoustic fun); August 11, 4Ever Fab (Beatles tribute band); Aug. 18, The Continentals (pop-rock band); and Aug. 25, Martin & Kelly Band (country 2estern). To learn more, visit www.DavidLBenjamin.com or telephone 978-281-2286. Parking’s free, bandstand located on Hough Avenue, Gloucester. Restrooms are ADA accessible. Bring lawn seating.

    Old Sloop Fair

    ROCKPORT — The First Congregational Church of Rockport, first organized in 1755, will host its annual Old Sloop Fair on July 12 and 13, at 12 School St., Rockport, from 9 a.m. to 2 p.m. on both days. Local and regional arts and craft vendors will for the first time exhibit fine-art photography, hand painted glass, sea glass art, sea glass jewelry, other hand-made jewelry, resin crafts, and hand sewn items on sale. Children’s activities include face painting and games, and burgers and hot dogs will be on the grill. The church’s traditional yard sale will feature art, jewelry, tools, baked goods, and more. The church sanctuary welcome visitors and the church historian will be present to answer any questions. For more information, email info@oldsloopfair.org or call 978-546-6638.

    At Halibut Point

    ROCKPORT — Halibut Point State Park, 4 Gott Ave. in Rockport, offers a new schedule of programs and events, free to all. An adult must accompany children. Reasonable accommodations are available upon request. Guided group tours available with advance reservations by contacting 978-546-2997 or halibut.point@mass.gov, Questions? Email Ramona Latham at ramona.latham@mass.gov.

    When Granite was King!, Saturdays, July 13, 20, and 27, 10-11 a.m. Babson Farm Quarrying History Guided Tour, for ages 8 and older. Meet at parking area. Learn about the buildings, bridges, and breakwaters built to last. Touch tools of the trade. Find out how they moved these large, heavy stone pieces, and “paved” dirt streets in our nation’s growing cities.

    Tide Pool Exploration, Saturday, July 13, from 10-11 a.m. Observe great diversity of life at the rocky shore. Explore different tide level zones containing ranges of salinity and water coverage. Discover animals and plants and how they survive at each tide level. Meet at Visitor Center. A ages. Heavy rain cancels.{/div}

    Comedy Night

    Four of Boston’s top comedians will perform at the 18th Annual Rotary Club of Gloucester Comedy Night on Thursday, Aug. 29. Dave Rattigan returns to host Brad Mastrangelo, Jody Sloane and Jeff Koen at Cruiseport Gloucester, 6 Rowe Square, Gloucester. Rattigan, who has performed internationally and locally, will introduce Mastrangelo’s unique routine. Sloane, a Coast Guard veteran, cut her entertainment teeth doing her sit-down shtick as a cheeky “conducktor” named Penny Wise on the Boston Duck Tours. Koen’s family won $10,000 on America’s Funniest Home Videos. He’s known for playing the offensive “Uncle Rick” in the 2010 cult film “Heavy Times.” Doors open at 7 p.m. for the 8 p.m. show. Tickets are $30, available by calling or texting Mark Vadala at 978-490-0939 or emailing mark@vadalarealestate.com.

    Photo contest

    The Gloucester Rotary will publish a 12-month Cape Ann photo calendar for 2025 as a fundraiser. All profits support Gloucester Rotary’s many community and international activities. The 2025 calendar theme will be Flowers of Cape Ann. The club is requesting high quality digital photos that reflect the natural beauty of Cape Ann year-round, so need images from each season, from Gloucester, Rockport, Essex and Manchester-by-the-Sea. For full contest details, visit www.gloucesterrotary.org. Deadline for entries is noon Tuesday, Aug. 15. Details at www.facebook.com/RotaryGloucesterMA.

    Summer at Windhover

    ROCKPORT — At Windhover Center for the Performing Arts, the evenings are for the enjoyment of great performances on the outdoor tented stage and in the studio and chapel. Here’s a line-up of what’s in store this summer at the performing arts center, 257R Granite St.For tickets and more information, visit: https://windhover.org/ Or call 978-546-3611

    Theater: Lanes Coven presents Shakespeare’s Midsummer Night’s Dream at Windhover’s outdoor stage July 12-28. Tickets, $10-45.

    Dance: Friday, Aug. 2, and Saturday Aug. 3, at 7 p.m. New York City’s Janie Brendel & Friends performs Brahms. Her seven dancers spent three years at a dance center retreat creating these works for the White Oak Dance Project, founded by dance legends Mikhail Baryshnikov and Mark Morris. Tickets, $20, $10 for students.

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  • Beverly library announces teen poetry contest winners

    Beverly library announces teen poetry contest winners

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    BEVERLY — The Beverly Public Library has announced the winners of the 28th annual Teen Poetry Contest.

    Winners in the Middle School Division were Sydney Brown, first place for “What Shall I Say”; Katie Daniels, second place for “A CD considers its music”; and James Daoust, third place for “some random poem I made part 2.”

    In the High School Division, the winners were Johnny Sheridan, first place for “Elegy for the Impermanent”; Michael Towne-Smith, second place for “Pupa”; and Sheridan, third place for “Sweet Dreams.”

    The library received over 450 poems for the contest. The poems were judged by a panel of local poets — Kevin Carey, coordinator of creative writing at Salem State University; Liz Ciampa, founder of the Winter Street Writers group; and Aly Pierce, author of “The Visible Plants and Cryptids.”

    The following students all won honorable mentions:

    Emma Conway for “Forgettable”; Charlie Cook for “Through my Telescope”; Liana for “A Woman”; Rory Horan for “The phantom cat”; Lequontavious Jarmanious Jaquan Lamar Quandale Lapaix III for “The boy from Rosario”; Bianca Loiacano for “Series of haikus”; Cornelia Sollins for “I Hate It Just As Much As You”; Cornelia Sollins for “Ode to Pointe”; Miya Tsuji for “An Ode to Soccer Fields”; Destiny Albanese for “My Mother, My Father”; Skyler Bickmore for “The M&M Not Taken”; Arianna B. for “Ballad of Nicole Duennebier’s ‘Still Life With Meat Pile’”; Amy Cai for “MATH”; Sabela de Haro Borras for “Dichotomy”; Scarlett for “A Photo Of Us”; Claire Fitzgerald for “learning”; Riley E. Michael for “The Bathroom Girls”; JJ Niemann for “The Dreamer”; Colin Vellante for “Wood Doves.”

    The poetry contest is supported by the Friends of the Beverly Public Library; Joan Nelson; and all of the parents, teachers and school librarians who encouraged their students to enter. Further questions about the Annual Teen Poetry Contest or any of the library’s Teen events can be directed to Katie Nelson, the head of Teen Services, at knelson@noblenet.org.

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  • Detroit’s Kresge Arts intermingles sound with visual and literary arts in first-ever online exhibition

    Detroit’s Kresge Arts intermingles sound with visual and literary arts in first-ever online exhibition

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    Sound is likely not the first thing that comes to mind when you think about visual art, but this new exhibition is challenging you to think outside of the box.

    Kresge Arts in Detroit is holding its first-ever online art show, featuring the 2023 cohort of Artist Fellows and Gilda Award recipients in visual and literary arts. The online show features a mix of mediums including painting, ceramics, poetry, and more, all tied together with audio elements.

    The exhibition theme is Flash Your Lights, inspired by 1970s Detroit radio DJ The Electrifying Mojo. Each night on-air, he asked listeners to imagine futures of peace and revolution united by sound and to collectively “flash their lights” to demonstrate they were listening in solidarity.

    Kristen Gallerneaux, a 2019 Kresge Artist Fellow, curated this year’s exhibition and developed the theme. The local artist and sonic researcher is currently the curator of communication and information technology at the Henry Ford Museum in Dearborn and the editor-in-chief of Digital Curation.

    “I tend to dwell a lot in worlds of sound history and media history and I’m very interested in Detroit music history, which got me to remembering The Electrifying Mojo, who has always kind of been a big hero of mine,” she says.

    Looking through the work of the 2023 Fellows, Gallerneaux noticed a recurring theme of solidarity and community, much like The Electrifying Mojo, so she challenged the visual and literary artists to submit new or re-imagined pieces examining how sound surfaces in their art practice.

    Along with monetary awards, part of being a Kresge Fellow includes access to professional development programs, and this was one project where artists were able to learn new ways to present their work. Gallerneaux says she held open hours for artists to discuss with her unique directions they could take their pieces for the exhibit.

    “When I talk about sound, I’m thinking about it both literally and somewhat metaphorically, so for say a painter, there might be a sort of element in their work or a theme that can be teased out around the ideas of listening or silence or resonances,” Gallerneaux says. “We also invited artists to submit a variety of sound options to kind of amplify work that already existed. So say you had a painting, would that painting theoretically have a soundtrack? We allowed people to submit original compositions and found sound or sometimes it was even just references to memories of sound. There’s one artist in particular who had a lot of memories of sound from the community in which she lived, so we’re able to stitch together some sound to create the soundtrack for her ceramics work.”

    With her own interest in sound art and presenting historical content in digital spaces, Gallerneaux says this exhibit was “incredibly rewarding” to curate. She feels that the format complements the work nicely, not overdoing it with too much noise and offering moments of silence for contemplation of the art.

    “It does not replicate a white cube gallery space. It’s more like individual artist pages that people can kind of scroll through and there’s text woven through,” the curator describes. “The web designer who worked on this did a really beautiful job of creating a really nicely immersive way to navigate this work. It has a side-scrolling mechanism that works really nicely and there are options to turn the sound on [or off]. There’s a lot of interdisciplinary work.”

    Gallerneaux adds, “For me, what I really want to bring to the table is to broaden people’s idea of what sound in everyday practices and in artistic practices can be, that can mean literal sound, but it can also reference things like reverberation, sonic memories, even quiet as its own sort of form of silence, willful or implied. Also, just connecting people to this really broad pool of talent that we have here in metro Detroit and maybe exploring artists’ work through this additive lens and also honoring the legacy of The Electrifying Mojo… The exhibit is not about him, but it’s sort of expanding legacies of creative communities of listening that we have in the city.”

    Flash Your Lights will be available to view online at kresgeartsindetroit.org for free from April 8-June 14. After June 14, only a shortened, modified version of the exhibition will be available.

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    Layla McMurtrie

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  • 40 Sweet Kindergarten Poems and Nursery Rhymes for Kids

    40 Sweet Kindergarten Poems and Nursery Rhymes for Kids

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    Whether you’re singing a nursery rhyme or building reading skills, poetry is a great way to engage students. It’s never too early to introduce them to this wonderfully expressive and versatile form of literature. We’ve put together this collection of sweet kindergarten poems and nursery rhymes for kids to share in your classroom.

    1. All of Me by Greg Smedley-Warren

    “My hands are for clapping …”

    2. Hot Sun by Kenn Nesbitt

    “‘Hot sun!
    What fun!
    I’ll swim!’
    said Tim.”

    “The cat and the fiddle …”

    “We see orange …”

    “Climbed up the waterspout.”

    6. No Pencil by Kenn Nesbitt

    “No marker.
    No paint brush.
    No pen.”

    “The Owl and the Pussy-cat went to sea …”

    Mix a Pancake by Christina Rosetti.

    “Pop it in the pan.”

    “Some are different, some the same.”

    10. Flag by Shel Silverstein

    “One star is for Alaska …
    One star is for Nebraska …”

    “But where are all the bees?”

    Down they go… by Roald Dahl  an example of kindergarten poems for kids

    “Hail and snow!”

    “Have you any milk?”

    14. Apples by Author Unknown

    “Apples in the attic …”

    15. Leaves by Sue Schueller

    “Leaves on the pumpkin …”

    16. Water by Mrs. Parisi

    “Water for the flowers …”

    Red Umbrella by Michelle Moore

    “1 red umbrella, 1 yellow hat …”

    “I saw a saw. I felt some felt.”

    19. Ice Cream by Cara Carroll

    “Ice cream in a bowl …”

    20. Gardener by Shel Silverstein

    Gardener by Shel Silverstein

    “We gave you a chance …”

    “I never saw a Purple Cow …”

    “You have a magic carpet
    That can whiz you through the air …”

    “Clap your hands …”

    “How I wonder what you are …”

    25. My Shadow by Robert Louis Stevenson

    “I have a little shadow that goes in and out with me …”

    The Wheels on the Bus by Verna Hills

    “Go round and round …”

    27. The Moon by Robert Louis Stevenson

    “The moon has a face like the clock in the hall …”

    “Have you any wool?”

    “Once upon a time, there were four little Rabbits …”

    “And on his farm, he had a cow …”

    “The happier we’ll be …”

    “Humpty Dumpty sat on a wall …”

    33. Rain by Robert Louis Stevenson

    Rain by Robert Louis Stevenson

    “The rain is raining all around …”

    “We’re going on a bear hunt …”

    35. A Wise Old Owl by Edward Hersey Richards

    “Lived in an oak …”

    “Its fleece was white as snow …”

    “If you go down in the woods today …”

    38. The Swing by Robert Louis Stevenson

    “How do you like to go up in a swing,
    Up in the air so blue?”

    “In the great green room …”

    40. Cloud by Nancy VandenBerge

    Cloud by Nancy VandenBerge

    “What is fluffy?”

    For more articles like this, be sure to subscribe to our newsletters to find out when they’re posted.

    Plus, check out our kindergarten classroom hub for kindergarten lessons, book lists, and more!

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    Jeanne Croteau

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  • 22 Revolutionary Poems by Black Poets

    22 Revolutionary Poems by Black Poets

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    The Black literary tradition is rich and exhaustive, and 20 poems could never hope to scratch its surface. But each one of these poems also contains a world within itself—a refracted look at one’s wounds or visions of new ones or, often, both bound up together in the ways only American poetry can achieve.


    These are laments, songs of revolution (both internal and societal), and recipes for change. Some feel like prophecies for the current moment and others feel like visions of even bigger seismic shifts. They speak best for themselves but they call all of us to join them. From Amiri Baraka to Octavia E. Butler, black poetry is truly something amazing to behold. In honor of Black Lives Matter, here are 20 revolutionary poems by black poets.

    1. Poem About My Rights by June Jordan

    Even tonight and I need to take a walk and clear

    my head about this poem about why I can’t
    go out without changing my clothes my shoes
    my body posture my gender identity my age
    my status as a woman alone in the evening/
    alone on the streets/alone not being the point/
    the point being that I can’t do what I want
    to do with my own body because I am the wrong
    sex the wrong age the wrong skin and
    suppose it was not here in the city but down on the beach/
    or far into the woods and I wanted to go
    there by myself thinking about God/or thinking
    about children or thinking about the world/all of it
    disclosed by the stars and the silence:
    I could not go and I could not think and I could not
    stay there
    alone
    as I need to be
    alone because I can’t do what I want to do with my own
    body and
    who in the hell set things up
    like this
    and in France they say if the guy penetrates
    but does not ejaculate then he did not rape me
    and if after stabbing him if after screams if
    after begging the bastard and if even after smashing
    a hammer to his head if even after that if he
    and his buddies fuck me after that
    then I consented and there was
    no rape because finally you understand finally
    they fucked me over because I was wrong I was
    wrong again to be me being me where I was/wrong
    to be who I am
    which is exactly like South Africa
    penetrating into Namibia penetrating into
    Angola and does that mean I mean how do you know if
    Pretoria ejaculates what will the evidence look like the
    proof of the monster jackboot ejaculation on Blackland
    and if
    after Namibia and if after Angola and if after Zimbabwe
    and if after all of my kinsmen and women resist even to
    self-immolation of the villages and if after that
    we lose nevertheless what will the big boys say will they
    claim my consent:
    Do You Follow Me: We are the wrong people of
    the wrong skin on the wrong continent and what
    in the hell is everybody being reasonable about
    and according to the Times this week
    back in 1966 the C.I.A. decided that they had this problem
    and the problem was a man named Nkrumah so they
    killed him and before that it was Patrice Lumumba
    and before that it was my father on the campus
    of my Ivy League school and my father afraid
    to walk into the cafeteria because he said he
    was wrong the wrong age the wrong skin the wrong
    gender identity and he was paying my tuition and
    before that
    it was my father saying I was wrong saying that
    I should have been a boy because he wanted one/a
    boy and that I should have been lighter skinned and
    that I should have had straighter hair and that
    I should not be so boy crazy but instead I should
    just be one/a boy and before that
    it was my mother pleading plastic surgery for
    my nose and braces for my teeth and telling me
    to let the books loose to let them loose in other
    words
    I am very familiar with the problems of the C.I.A.
    and the problems of South Africa and the problems
    of Exxon Corporation and the problems of white
    America in general and the problems of the teachers
    and the preachers and the F.B.I. and the social
    workers and my particular Mom and Dad/I am very
    familiar with the problems because the problems
    turn out to be
    me
    I am the history of rape
    I am the history of the rejection of who I am
    I am the history of the terrorized incarceration of
    myself
    I am the history of battery assault and limitless
    armies against whatever I want to do with my mind
    and my body and my soul and
    whether it’s about walking out at night
    or whether it’s about the love that I feel or
    whether it’s about the sanctity of my vagina or
    the sanctity of my national boundaries
    or the sanctity of my leaders or the sanctity
    of each and every desire
    that I know from my personal and idiosyncratic
    and indisputably single and singular heart
    I have been raped
    be-
    cause I have been wrong the wrong sex the wrong age
    the wrong skin the wrong nose the wrong hair the
    wrong need the wrong dream the wrong geographic
    the wrong sartorial I
    I have been the meaning of rape
    I have been the problem everyone seeks to
    eliminate by forced
    penetration with or without the evidence of slime and/
    but let this be unmistakable this poem
    is not consent I do not consent
    to my mother to my father to the teachers to
    the F.B.I. to South Africa to Bedford-Stuy
    to Park Avenue to American Airlines to the hardon
    idlers on the corners to the sneaky creeps in
    cars
    I am not wrong: Wrong is not my name
    My name is my own my own my own
    and I can’t tell you who the hell set things up like this
    but I can tell you that from now on my resistance
    my simple and daily and nightly self-determination
    may very well cost you your life

    2. A Journey by Nikki Giovanni

    It’s a journey . . . that I propose . . . I am not the guide . . . nor technical assistant . . . I will be your fellow passenger . . .

    Though the rail has been ridden . . . winter clouds cover . . . autumn’s exuberant quilt . . . we must provide our own guide-posts . . .

    I have heard . . . from previous visitors . . . the road washes out sometimes . . . and passengers are compelled . . . to continue groping . . . or turn back . . . I am not afraid . . .

    I am not afraid . . . of rough spots . . . or lonely times . . . I don’t fear . . . the success of this endeavor . . . I am Ra . . . in a space . . . not to be discovered . . . but invented . . .

    I promise you nothing . . . I accept your promise . . . of the same we are simply riding . . . a wave . . . that may carry . . . or crash . . .

    It’s a journey . . . and I want . . . to go . . .


    3. Taking My Father and Brother to the Frick by Derrick Austin

    Derrick Austin

    mwcpc.org

    Disembark the Turners seem to say,
    those starburst barges glowing in the dusk,
    but I can’t read old Rembrandt,
    his guarded eyes are jewels, like black men.
    Even the loaned, marble busts
    of kings and soldiers fail to arrest you.
    It’s nearly closing time. The elderly linger,
    rapt. Who has looked at either of you lately
    with such tenderness?
    Entering the narrow hall,
    I ignore my favorite portraits, their ruffles
    and bodices, carnations and powder puffs,
    afraid to share my joy with you,
    yet your bearing in this space—the procession
    of your shoulders, the crowns of your heads—
    makes them sing anew.
    You are both good men.
    Walk into the Fragonard Room. You both seem bored still.
    It’s fine. Perhaps we can progress like these panels,
    slowly and without words, here—the city
    where I first knew men in the dark—
    in this gold and feminine room.

    4. Bullet Points by Jericho Brown

    Jericho Brown

    The Rumpus

    I will not shoot myself

    In the head, and I will not shoot myself
    In the back, and I will not hang myself
    With a trashbag, and if I do,
    I promise you, I will not do it
    In a police car while handcuffed
    Or in the jail cell of a town
    I only know the name of
    Because I have to drive through it
    To get home. Yes, I may be at risk,
    But I promise you, I trust the maggots
    Who live beneath the floorboards
    Of my house to do what they must
    To any carcass more than I trust
    An officer of the law of the land
    To shut my eyes like a man
    Of God might, or to cover me with a sheet
    So clean my mother could have used it
    To tuck me in. When I kill me, I will
    Do it the same way most Americans do,
    I promise you: cigarette smoke
    Or a piece of meat on which I choke
    Or so broke I freeze
    In one of these winters we keep
    Calling worst. I promise if you hear
    Of me dead anywhere near
    A cop, then that cop killed me. He took
    Me from us and left my body, which is,
    No matter what we’ve been taught,
    Greater than the settlement
    A city can pay a mother to stop crying,
    And more beautiful than the new bullet
    Fished from the folds of my brain.

    5. Sci-Fi by Tracy K. Smith

    There will be no edges, but curves.
    Clean lines pointing only forward.

    History, with its hard spine & dog-eared
    Corners, will be replaced with nuance,

    Just like the dinosaurs gave way
    To mounds and mounds of ice.

    Women will still be women, but
    The distinction will be empty. Sex,

    Having outlived every threat, will gratify
    Only the mind, which is where it will exist.

    For kicks, we’ll dance for ourselves
    Before mirrors studded with golden bulbs.

    The oldest among us will recognize that glow—
    But the word sun will have been re-assigned

    To the Standard Uranium-Neutralizing device
    Found in households and nursing homes.

    And yes, we’ll live to be much older, thanks
    To popular consensus. Weightless, unhinged,

    Eons from even our own moon, we’ll drift
    In the haze of space, which will be, once

    And for all, scrutable and safe.


    6. Dawn Revisited by Rita Dove

    Rita Dove

    Literary Arts

    Imagine you wake up

    with a second chance: The blue jay
    hawks his pretty wares
    and the oak still stands, spreading
    glorious shade. If you don’t look back,

    the future never happens.
    How good to rise in sunlight,
    in the prodigal smell of biscuits –
    eggs and sausage on the grill.
    The whole sky is yours

    to write on, blown open
    to a blank page. Come on,
    shake a leg! You’ll never know
    who’s down there, frying those eggs,
    if you don’t get up and see.

    7. Between the World and Me by Langston Hughes

    And one morning while in the woods I stumbled suddenly upon the thing,

    Stumbled upon it in a grassy clearing guarded by scaly oaks and elms

    And the sooty details of the scene rose, thrusting themselves between the world and me….

    There was a design of white bones slumbering forgottenly upon a cushion of ashes.

    There was a charred stump of a sapling pointing a blunt finger accusingly at the sky.

    There were torn tree limbs, tiny veins of burnt leaves, and a scorched coil of greasy hemp;

    A vacant shoe, an empty tie, a ripped shirt, a lonely hat, and a pair of trousers stiff with black blood.

    And upon the trampled grass were buttons, dead matches, butt-ends of cigars and cigarettes, peanut shells, a drained gin-flask, and a whore’s lipstick;

    Scattered traces of tar, restless arrays of feathers, and the lingering smell of gasoline.

    And through the morning air the sun poured yellow surprise into the eye sockets of the stony skull….

    And while I stood my mind was frozen within cold pity for the life that was gone.

    The ground gripped my feet and my heart was circled by icy walls of fear—

    The sun died in the sky; a night wind muttered in the grass and fumbled the leaves in the trees; the woods poured forth the hungry yelping of hounds; the darkness screamed with thirsty voices; and the witnesses rose and lived:

    The dry bones stirred, rattled, lifted, melting themselves into my bones.

    The grey ashes formed flesh firm and black, entering into my flesh.

    The gin-flask passed from mouth to mouth, cigars and cigarettes glowed, the whore smeared lipstick red upon her lips,

    And a thousand faces swirled around me, clamoring that my life be burned….

    And then they had me, stripped me, battering my teeth into my throat till I swallowed my own blood.

    My voice was drowned in the roar of their voices, and my black wet body slipped and rolled in their hands as they bound me to the sapling.

    And my skin clung to the bubbling hot tar, falling from me in limp patches.

    And the down and quills of the white feathers sank into my raw flesh, and I moaned in my agony.

    Then my blood was cooled mercifully, cooled by a baptism of gasoline.

    And in a blaze of red I leaped to the sky as pain rose like water, boiling my limbs

    Panting, begging I clutched childlike, clutched to the hot sides of death.

    Now I am dry bones and my face a stony skull staring in

    yellow surprise at the sun….

    8. A Litany for Survival by Audre Lorde

    For those of us who live at the shoreline
    standing upon the constant edges of decision
    crucial and alone
    for those of us who cannot indulge
    the passing dreams of choice
    who love in doorways coming and going
    in the hours between dawns
    looking inward and outward
    at once before and after
    seeking a now that can breed
    futures
    like bread in our children’s mouths
    so their dreams will not reflect
    the death of ours;

    For those of us
    who were imprinted with fear
    like a faint line in the center of our foreheads
    learning to be afraid with our mother’s milk
    for by this weapon
    this illusion of some safety to be found
    the heavy-footed hoped to silence us
    For all of us
    this instant and this triumph
    We were never meant to survive.

    And when the sun rises we are afraid
    it might not remain
    when the sun sets we are afraid
    it might not rise in the morning
    when our stomachs are full we are afraid
    of indigestion
    when our stomachs are empty we are afraid
    we may never eat again
    when we are loved we are afraid
    love will vanish
    when we are alone we are afraid
    love will never return
    and when we speak we are afraid
    our words will not be heard
    nor welcomed
    but when we are silent
    we are still afraid

    So it is better to speak
    remembering

    we were never meant to survive.

    10. RIOT by Gwendolyn Brooks

    A Poem in Three Parts

    A riot is the language of the unheard.
    —Martin Luther King, Jr.

    John Cabot, out of Wilma, once a Wycliffe, all whitebluerose below his golden hair, wrapped richly in right linen and right wool, almost forgot his Jaguar and Lake Bluff; almost forgot Grandtully (which is The Best Thing That Ever Happened To Scotch); almost forgot the sculpture at the Richard Gray and Distelheim; the kidney pie at Maxim’s, the Grenadine de Boeuf at Maison Henri.
    Because the “Negroes” were coming down the street.
    Because the Poor were sweaty and unpretty (not like Two Dainty Negroes in Winnetka) and they were coming toward him in rough ranks. In seas. In windsweep. They were black and loud. And not detainable. And not discreet.
    Gross. Gross. “Que tu es grossier!” John Cabot itched instantly beneath the nourished white that told his story of glory to the World. “Don’t let It touch me! the blackness! Lord!” he
    whispered to any handy angel in the sky.

    But, in a thrilling announcement, on It drove and breathed on him: and touched him. In that breath the fume of pig foot, chitterling and cheap chili, malign, mocked John. And, in terrific touch, old averted doubt jerked forward decently, cried, “Cabot! John! You are a desperate man, and the desperate die expensively today.”
    John Cabot went down in the smoke and fire and broken glass and blood, and he cried “Lord! Forgive these nigguhs that know not what they do.”

    THE THIRD SERMON ON THE WARPLAND

    Phoenix
    “In Egyptian mythology, a bird
    which lived for five hundred
    years and then consumed itself
    in fire, rising renewed from the ashes.”
    —webster

    The earth is a beautiful place.
    Watermirrors and things to be reflected.
    Goldenrod across the little lagoon.

    The Black Philosopher says
    “Our chains are in the keep of the Keeper
    in a labeled cabinet
    on the second shelf by the cookies,
    sonatas, the arabesques. . . .
    There’s a rattle, sometimes.
    You do not hear it who mind only
    cookies and crunch them.
    You do not hear the remarkable music—’A
    Death Song For You Before You Die.’
    If you could hear it
    you would make music too.
    The blackblues.”

    West Madison Street.
    In “Jessie’s Kitchen”
    nobody’s eating Jessie’s Perfect Food.
    Crazy flowers
    cry up across the sky, spreading
    and hissing This is
    it.

    The young men run.

    They will not steal Bing Crosby but will steal
    Melvin Van Peebles who made Lillie
    a thing of Zampoughi a thing of red wiggles and trebles
    (and I know there are twenty wire stalks sticking out of her
    head
    as her underfed haunches jerk jazz.)

    A clean riot is not one in which little rioters
    long-stomped, long-straddled, BEANLESS
    but knowing no Why
    go steal in hell
    a radio, sit to hear James Brown
    and Mingus, Young-Holt, Coleman, John on V.O.N.
    and sun themselves in Sin.

    However, what
    is going on
    is going on.

    Fire.
    That is their way of lighting candles in the darkness.
    A White Philosopher said
    ‘It is better to light one candle than curse the darkness.’
    These candles curse—
    inverting the deeps of the darkness.

    GUARD HERE, GUNS LOADED.

    The young men run.
    The children in ritual chatter
    scatter upon
    their Own and old geography.

    The Law comes sirening across the town.

    A woman is dead.
    Motherwoman.
    She lies among the boxes
    (that held the haughty hats, the Polish sausages)
    in newish, thorough, firm virginity
    as rich as fudge is if you’ve had five pieces.
    Not again shall she
    partake of steak
    on Christmas mornings, nor of nighttime
    chicken and wine at Val Gray Ward’s
    nor say
    of Mr. Beetley, Exit Jones, Junk Smith
    nor neat New-baby Williams (man-to-many)
    “He treat me right.”

    That was a gut gal.

    “We’ll do an us!” yells Yancey, a twittering twelve.
    “Instead of your deathintheafternoon,
    kill ’em, bull!
    kill ’em, bull!”

    The Black Philosopher blares
    “I tell you, exhaustive black integrity
    would assure a blackless Amrica. . . .”

    Nine die, Sun-Times will tell
    and will tell too
    in small black-bordered oblongs “Rumor? check it
    at 744-4111.”

    A Poem to Peanut.
    “Coooooool!” purrs Peanut. Peanut is
    Richard—a Ranger and a gentleman.
    A Signature. A Herald. And a Span.
    This Peanut will not let his men explode.
    And Rico will not.
    Neither will Sengali.
    Nor Bop nor Jeff, Geronimo nor Lover.
    These merely peer and purr,
    and pass the Passion over.
    The Disciples stir
    and thousandfold confer
    with ranging Rangermen;
    mutual in their “Yeah!—
    this AIN’T all upinheah!”

    “But WHY do These People offend themselves?” say they
    who say also “It’s time.
    It’s time to help
    These People.”

    Lies are told and legends made.
    Phoenix rises unafraid.

    The Black Philosopher will remember:
    “There they came to life and exulted,
    the hurt mute.
    Then is was over.

    The dust, as they say, settled.”

    AN ASPECT OF LOVE, ALIVE IN THE ICE AND FIRE

    LaBohem Brown

    In a package of minutes there is this We.
    How beautiful.
    Merry foreigners in our morning,
    we laugh, we touch each other,
    are responsible props and posts.

    A physical light is in the room.

    Because the world is at the window
    we cannot wonder very long.

    You rise. Although
    genial, you are in yourself again.
    I observe
    your direct and respectable stride.
    You are direct and self-accepting as a lion
    in Afrikan velvet. You are level, lean,
    remote.

    There is a moment in Camaraderie
    when interruption is not to be understood.
    I cannot bear an interruption.
    This is the shining joy;
    the time of not-to-end.

    On the street we smile.
    We go
    in different directions
    down the imperturbable street.


    11. To Bless the Memory of Tamir Rice by Tsitsi Ella Jaji

    Tsitsi Ella Jaji

    David Nilsen Writer.com

    Plant twelve date palms in a ring around the tarmac. Make them

    tall, slight towers, leaning into the wind as princes do. Fear that
    the sweetness of dates will churn your stomach. Plant them anyways.

    Plant the pudge of his fuzzless face in the arrested time of a school portrait.
    Plant his exotic name—found in a book that spelled dreams
    of eminence and hope for an uncertain coupling—in your ear.

    Know that whether it leaches into the soil or not, this ground
    was watered with his blood. This tarmac turned a rioting red. Strike that.
    There was a screech of brakes, and sirens howling like a cliché, then

    a volley of pops that might have been a game if only
    what came next was not such utter silence.
    The tarmac was red. There was no riot.

    Build a circle of palms and something to keep them safe.
    Build a greenhouse around the twelve palms.
    Yes, a green house. This land is not our land.

    Dig up the tarmac, the dark heavy loam of this side of town.
    Be sure to wear gloves as you dig through the brownfield’s
    mystification. Once the Cuyahoga River was a wall of fire.

    God knows how rain melts metal.
    Dig into that earth and build
    a foundation. Quarry it.

    Let the little boys and little girls of Shaker Heights and Orange
    bring a Game Boy or cellphone, or other toy made our of coltan that,
    chances are, a little boy or little girl dug up by hand in the DRC.

    Let the children lay their shiny toys in the foundation.
    Seal up ground with molten lead. Die-cast its melted weight.
    Yes, make a typecaster’s mold, and leave it a dull grey, like flint.

    Stamp out a broadside, only set it in the foundation’s floor.
    Let us read the letter that says this officer was unfit.
    Let us go over it step by step, every time we walk toward the green

    house of imaging what this boy’s boyhood should have been,
    the fulfilling of his name, his promise.
    Plant an oasis here. How is not my problem.

    *

    Let someone who remember how cook de rice.
    Let she cook de rice with palm oil ’til is yellow an sticky.
    Of course dem have palm oil in Cleveland. Dis no Third World we livin in.

    Let she cook she rice an peas. Let she say
    how she know to do it from a film she seen. In de film, dem people from
    de sea island gone to Sierra Leone and dema find dey people,

    dey people dat sing de same song with de same words. Come to
    find out dem words is not jes playplay words, dem words for weeping. So dema
    sit down together, an weep together, dey South Carolina an Sierra Leone family.

    Dey weep over de war, an de water, an de fresh and de forgotten,
    an dey cook dat rice ’til is yellow and sticky. Dey nyam it with dey hand,
    outta banana leaf and de old, old man, him say,

    you never forget the language you cry in.

    Let all dem little girls from Shaker Heights skip the gymnastics meet.
    Let dem come and eat rice and eat rice ’til they don’t want to eat rice no more
    an let dem still have rice to eat. Let them lose their innocence.

    Let horizons settle low.
    Let dates and raisin and apples and nuts seem a strange mockery
    of the new, the sweet, the hoped for. Let us share the matter.

    Let us sit here under these date palms,
    and haggle over whose fault it is. Let the rage that says tear this shit down
    tear this shit down.

    Let us start with the glass walls of the greenhouse, as a demonstration.
    Let the rage that says I cannot speak not speak.
    Let it suck speech into its terrible maw and leave us shuddering in silence.

    Let the rage that says, black lives matter matter.
    Let that other rage that says all lives matter be torn down. Let the matter with how
    we don’t all matter in the same way churn up a monumental penitence.

    Let the date palm offer us shade.
    Let us ask why we are still here.
    Let us lower eyes as we face his mother, his father, his sister.


    12. The President Visits the Storm by Shane McCrae

    Shane McCrae

    taproompoetry.blogspot.com

    “What a crowd! What a turnout!” —DONALD TRUMP, TO VICTIMS OF HURRICANE HARVEY

    America you’re what a turnout great

    Crowd a great crowd big smiles America

    The hurricane is everywhere but here an

    Important man is talking here Ameri-

    ca the important president is talking

    And if the heavens open up the heavens

    Open above the president the heavens

    Open to assume him bodily into heaven

    As they have opened to assume great men

    Who will come back and bring the end with them

    America he trumpets the end of your

    Suffering both swan and horseman trumpeting

    From the back of the beast the fire and rose are one

    On the president’s bright head the flames implanted

    To make a gilded crown America

    The hurricane is everywhere but here

    America a great man is a poison

    That kills the sky the weather in the sky

    For who America can look above him

    You’re what a great a crowd big smiles the ratings

    The body of a storm is a man’s body

    It has an eye and everything in the eye

    Is dead a calm man is a man who has

    Let weakness overcome his urge for death

    America the president is talking

    You’re what a great a turnout you could be

    Anywhere but your anywhere is here

    And every inch of the stadium except those

    Feet occupied by the stage after his speech will

    Be used to shelter those displaced by the storm

    Except those feet occupied by the they’re

    Armed folks police assigned to guard the stage

    Which must remain in place for the duration

    Of the hurricane except those feet of dead

    Unmarked space called The Safety Zone between

    Those officers and you you must not vi-

    olate The Safety Zone you must not leave

    The Safety Zone the president suggests

    You find the edge it’s at a common sense

    Distance it is farther than you can throw

    A rock no farther than a bullet flies


    14. say it with your whole black mouth by Danez Smith

    Danez Smith

    Bluestockingsmag.com

    say it with your whole black mouth: i am innocent

    & if you are not innocent, say this: i am worthy of forgiveness, of breath after breath

    i tell you this: i let blue eyes dress me in guilt
    walked around stores convinced the very skin of my palm was stolen

    & what good has that brought me? days filled flinching
    thinking the sirens were reaching for me

    & when the sirens were for me
    did i not make peace with god?

    so many white people are alive because
    we know how to control ourselves.

    how many times have we died on a whim
    wielded like gallows in their sun-shy hands?

    here, standing in my own body, i say: the next time
    they murder us for the crime of their imaginations

    i don’t know what i’ll do.

    i did not come to preach of peace
    for that is not the hunted’s duty.

    i came here to say what i can’t say
    without my name being added to a list

    what my mother fears i will say

    what she wishes to say herself

    i came here to say

    i can’t bring myself to write it down

    sometimes i dream of pulling a red apology
    from a pig’s collared neck & wake up crackin up

    if i dream of setting fire to cul-de-sacs
    i wake chained to the bed

    i don’t like thinking about doing to white folks
    what white folks done to us

    when i do
    can’t say

    i don’t dance

    o my people

    how long will we

    reach for god

    instead of something sharper?

    my lovely doe

    with a taste for meat

    take

    the hunter

    by his hand


    15. Give Your Daughters Difficult Names by Assétou Xango

    Assu00e9tou Xango

    youtube.com

    “Give your daughters difficult names.
    Names that command the full use of the tongue.
    My name makes you want to tell me the truth.
    My name does not allow me to trust anyone
    who cannot pronounce it right.”
    —Warsan Shire

    Many of my contemporaries,
    role models,
    But especially,
    Ancestors

    Have a name that brings the tongue to worship.
    Names that feel like ritual in your mouth.

    I don’t want a name said without pause,
    muttered without intention.

    I am through with names that leave me unmoved.
    Names that leave the speaker’s mouth unscathed.

    I want a name like fire,
    like rebellion,
    like my hand gripping massa’s whip—

    I want a name from before the ships
    A name Donald Trump might choke on.

    I want a name that catches you in the throat
    if you say it wrong
    and if you’re afraid to say it wrong,
    then I guess you should be.

    I want a name only the brave can say
    a name that only fits right in the mouth of those who love me right,
    because only the brave
    can love me right

    Assétou Xango is the name you take when you are tired
    of burying your jewels under thick layers of
    soot
    and self-doubt.

    Assétou the light
    Xango the pickaxe
    so that people must mine your soul
    just to get your attention.

    If you have to ask why I changed my name,
    it is already too far beyond your comprehension.
    Call me callous,
    but with a name like Xango
    I cannot afford to tread lightly.
    You go hard
    or you go home
    and I am centuries
    and ships away
    from any semblance
    of a homeland.

    I am a thief’s poor bookkeeping skills way from any source of ancestry.
    I am blindly collecting the shattered pieces of a continent
    much larger than my comprehension.

    I hate explaining my name to people:
    their eyes peering over my journal
    looking for a history they can rewrite

    Ask me what my name means…
    What the fuck does your name mean Linda?

    Not every word needs an English equivalent in order to have significance.

    I am done folding myself up to fit your stereotype.
    Your black friend.
    Your headline.
    Your African Queen Meme.
    Your hurt feelings.
    Your desire to learn the rhetoric of solidarity
    without the practice.

    I do not have time to carry your allyship.

    I am trying to build a continent,
    A country,
    A home.

    My name is the only thing I have that is unassimilated
    and I’m not even sure I can call it mine.

    The body is a safeless place if you do not know its name.

    Assétou is what it sounds like when you are trying to bend a syllable
    into a home.
    With shaky shudders
    And wind whistling through your empty,

    I feel empty.

    There is no safety in a name.
    No home in a body.

    A name is honestly just a name
    A name is honestly just a ritual

    And it still sounds like reverence.


    16. Speculations about “I” by Toi Derricotte

    Toi Derricotte

    pitt.edu

    A certain doubleness, by which I can stand as remote from myself as from another.

    — Henry David Thoreau

    i
    I didn’t choose the word —
    it came pouring out of my throat
    like the water inside a drowned man.
    I didn’t even push on my stomach.
    I just lay there, dead (like he told me)

    & “I” came out.
    (I’m sorry, Father.
    “I” wasn’t my fault.)

    ii
    (How did “I” feel?)

    Felt almost alive
    when I’d get in, like the Trojan horse.

    I’d sit on the bench
    (I didn’t look out of the eyeholes
    so I wouldn’t see the carnage).

    iii
    (Is “I” speaking another language?)

    I said, “I” is dangerous.
    But at the time I couldn’t tell
    which one of us was speaking.

    iv
    (Why “I”?)

    “I” was the closest I could get to the
    one I loved (who I believe was
    smothered in her playpen).

    Perhaps she gave birth
    to “I” before she died.

    v
    I deny “I,”
    & the closer
    I get, the more
    “I” keeps receding.

    vi
    I found “I”
    in the bulrushes
    raised by a dirtiness
    beyond imagination.

    I loved “I” like a stinky bed.

    While I hid in a sentence
    with a bunch of other words.

    vii
    (What is “I”?)

    A transmission through space?
    A dismemberment of the spirit?

    More like opening the chest &
    throwing the heart out with the gizzards.

    viii
    (Translation)

    Years later “I” came back
    wanting to be known.

    Like the unspeakable
    name of God, I tried

    my 2 letters, leaving
    the “O” for breath,

    like in the Bible,
    missing.

    ix
    I am not the “I”
    in my poems. “I”
    is the net I try to pull me in with.

    x
    I try to talk
    with “I,” but “I” doesn’t trust
    me. “I” says I am
    slippery by nature.

    xi
    I made “I” do
    what I wasn’t supposed to do,
    what I didn’t want to do —
    defend me,
    stand as an example,
    stand in for what I was hiding.

    I treated “I” as if
    “I” wasn’t human.

    xii
    They say that what I write
    belongs to me, that it is my true
    experience. They think it validates
    my endurance.
    But why pretend?
    “I” is a kind of terminal survival.

    xiii
    I didn’t promise
    “I” anything & in that way
    “I” is the one I was most
    true to.

    17. America Will Be by Joshua Bennett

    Joshua Bennett

    Dartmouth

    After Langston Hughes

    I am now at the age where my father calls me brother
    when we say goodbye. Take care of yourself, brother,
    he whispers a half beat before we hang up the phone,
    and it is as if some great bridge has unfolded over the air
    between us. He is 68 years old. He was born in the throat
    of Jim Crow Alabama, one of ten children, their bodies side
    by side in the kitchen each morning like a pair of hands
    exalting. Over breakfast, I ask him to tell me the hardest thing
    about going to school back then, expecting some history
    I have already memorized. Boycotts & attack dogs, fire
    hoses, Bull Connor in his personal tank, candy paint
    shining white as a slaver’s ghost. He says: Having to read
    the Canterbury Tales
    . He says: eating lunch alone. Now, I hear
    the word America & think first of my father’s loneliness,
    the hands holding the pens that stabbed him as he walked
    through the hallway, unclenched palms settling
    onto a wooden desk, taking notes, trying to pretend
    the shame didn’t feel like an inheritance. You say democracy
    & I see the men holding documents that sent him off
    to war a year later, Motown blaring from a country
    boy’s bunker as napalm scarred the sky into jigsaw
    patterns, his eyes open wide as the blooming blue
    heart of the light bulb in a Crown Heights basement
    where he & my mother will dance for the first time, their bodies
    swaying like rockets in the impossible dark & yes I know
    that this is more than likely not what you mean
    when you sing liberty but it is the only kind
    I know or can readily claim, the times where those hunted
    by history are underground & somehow daring to love
    what they cannot hold or fully fathom when the stranger
    is not a threat but the promise of a different ending
    I woke up this morning and there were men on television
    lauding a wall big enough to box out an entire world,
    families torn with the stroke of a pen, citizenship
    little more than some garment that can be stolen or reduced
    to cinder at a tyrant’s whim my father knows this grew up
    knowing this witnessed firsthand the firebombs
    the Klan multiple messiahs love soaked & shot through
    somehow still believes in this grand blood-stained
    experiment still votes still prays that his children might
    make a life unlike any he has ever seen. He looks
    at me like the promise of another cosmos and I never
    know what to tell him. All of the books in my head
    have made me cynical and distant, but there’s a choir
    in him that calls me forward my disbelief built as it is
    from the bricks of his belief not in any America
    you might see on network news or hear heralded
    before a football game but in the quiet
    power of Sam Cooke singing that he was born
    by a river that remains unnamed that he runs
    alongside to this day, some vast and future country,
    some nation within a nation, black as candor,
    loud as the sound of my father’s
    unfettered laughter over cheese eggs & coffee
    his eyes shut tight as armories his fists
    unclenched as if he were invincible

    18. A Brief History of Hostility by Jamaal May

    Jamaal May

    Jamaal May

    In the beginning

    there was the war.

    The war said let there be war
    and there was war.

    The war said let there be peace
    and there was war.

    The people said music and rain
    evaporating against fire in the brush
    was a kind of music
    and so was the beast.

    The beast that roared
    or bleated when brought down
    was silent when skinned
    but loud after the skin
    was pulled taut over wood
    and the people said music
    and the thump thump
    thump said drum.
    Someone said
    war drum. The drum said war
    is coming to meet you in the field.
    The field said war
    tastes like copper,
    said give us some more, said look
    at the wild flowers our war plants
    in a grove and grows
    just for us.

    Outside sheets are pulling
    this way and that.

    Fields are smoke,
    smoke is air.

    We wait for fingers to be bent
    knuckle to knuckle,

    the porch overrun
    with rope and shotgun

    but the hounds don’t show.
    We beat the drum and sing

    like there’s nothing outside
    but rust-colored clay and fields

    of wild flowers growing
    farther than we can walk.

    Torches may come like fox paws
    to steal away what we plant,

    but with our bodies bound
    by the skin, my arc to his curve,

    we are stalks that will bend
    and bend and bend…

    fire for heat
    fire for light
    fire for casting figures on a dungeon wall

    fire for teaching shadows to writhe
    fire for keeping beasts at bay
    fire to give them back to the earth

    fire for the siege
    fire to singe
    fire to roast
    fire to fuse rubber soles to collapsed crossbeams
    fire for Gehenna

    fire for Dante
    fire for Fallujah
    fire for readied aim

    fire in the forge that folds steel like a flag
    fire to curl worms like cigarette ash
    fire to give them back to the earth

    fire for ancient reasons: to call down rain
    fire to catch it and turn it into steam
    fire for churches
    fire for a stockpile of books
    fire for a bible-black cloak tied to a stake

    fire for smoke signals
    fire to shape gun muzzle and magazine
    fire to leap from the gut of a furnace
    fire for Hephaestus
    fire for pyres’ sake
    fire licking the toes of a quiet brown man
    fire for his home
    fire for her flag
    fire for this sand, to coax it into glass

    fire to cure mirrors
    fire to cure leeches
    Fire to compose a nocturne of cinders

    fire for the trash cans illuminating streets
    fire for fuel
    fire for fields
    fire for the field hand’s fourth death

    fire to make a cross visible for several yards
    fire from the dragon’s mouth
    fire for smoking out tangos
    fire to stoke like rage and fill the sky with human remains
    fire to give them back to the earth
    fire to make twine fall from bound wrists
    fire to mark them all and bubble black
    any flesh it touches as it frees

    They took the light from our eyes. Possessive.
    Took the moisture from our throats. My arms,
    my lips, my sternum, sucked dry, and
    lovers of autumn say, Look, here is beauty.
    Tallness only made me an obvious target made of
    off-kilter limbs. I’d fall either way. I should get a
    to-the-death tattoo or metal ribbon of some sort.
    War took our prayers like nothing else can,
    left us dumber than remote drones. Make
    me a loyal soldier and I’ll make you a
    lamenting so thick, metallic, so tank-tread-hard.

    Now make tomorrow a gate shaped like a man.
    I can’t promise, when it’s time, I won’t hesitate,
    cannot say I won’t forget to return in fall and
    guess the names of the leaves before they change.

    The war said bring us your dead
    and we died. The people said music
    and bending flower, so we sang ballads

    in the aisles of churches and fruit markets.
    The requiem was everywhere: a comet’s tail
    disappearing into the atmosphere,

    the wide mouths of the bereft men that have sung…
    On currents of air, seeds were carried
    as the processional carried us

    through the streets of a forgetting city,
    between the cold iron of gates.
    The field said soil is rich wherever we fall.

    Aren’t graveyards and battlefields
    our most efficient gardens?
    Journeys begin there too if the flowers are taken

    into account, and shouldn’t we always
    take the flowers into account? Bring them to us.
    We’ll come back to you. Peace will come to you

    as a rosewood-colored road paver
    in your grandmother’s town, as a trench
    scraped into canvas, as a violin bow, a shovel,

    an easel, a brushstroke that covers
    burial mounds in grass. And love, you say,
    is a constant blade, a trowel that plants

    and uproots, and tomorrow
    will be a tornado, you say. Then war,
    a sick wind, will come to part the air,

    straighten your suit,
    and place fresh flowers
    on all our muddy graves.

    19. For My People by Margaret Walker

    For my people everywhere singing their slave songs

    repeatedly: their dirges and their ditties and their blues
    and jubilees, praying their prayers nightly to an
    unknown god, bending their knees humbly to an
    unseen power;

    For my people lending their strength to the years, to the
    gone years and the now years and the maybe years,
    washing ironing cooking scrubbing sewing mending
    hoeing plowing digging planting pruning patching
    dragging along never gaining never reaping never
    knowing and never understanding;

    For my playmates in the clay and dust and sand of Alabama
    backyards playing baptizing and preaching and doctor
    and jail and soldier and school and mama and cooking
    and playhouse and concert and store and hair and Miss
    Choomby and company;

    For the cramped bewildered years we went to school to learn
    to know the reasons why and the answers to and the
    people who and the places where and the days when, in
    memory of the bitter hours when we discovered we
    were black and poor and small and different and nobody
    cared and nobody wondered and nobody understood;

    For the boys and girls who grew in spite of these things to
    be man and woman, to laugh and dance and sing and
    play and drink their wine and religion and success, to
    marry their playmates and bear children and then die
    of consumption and anemia and lynching;

    For my people thronging 47th Street in Chicago and Lenox
    Avenue in New York and Rampart Street in New
    Orleans, lost disinherited dispossessed and happy
    people filling the cabarets and taverns and other
    people’s pockets needing bread and shoes and milk and
    land and money and something—something all our own;

    For my people walking blindly spreading joy, losing time
    being lazy, sleeping when hungry, shouting when
    burdened, drinking when hopeless, tied, and shackled
    and tangled among ourselves by the unseen creatures
    who tower over us omnisciently and laugh;

    For my people blundering and groping and floundering in
    the dark of churches and schools and clubs and
    societies, associations and councils and committees and
    conventions, distressed and disturbed and deceived and
    devoured by money-hungry glory-craving leeches,
    preyed on by facile force of state and fad and novelty, by
    false prophet and holy believer;

    For my people standing staring trying to fashion a better way
    from confusion, from hypocrisy and misunderstanding,
    trying to fashion a world that will hold all the people,
    all the faces, all the adams and eves and their countless
    generations;

    Let a new earth rise. Let another world be born. Let a
    bloody peace be written in the sky. Let a second
    generation full of courage issue forth; let a people
    loving freedom come to growth. Let a beauty full of
    healing and a strength of final clenching be the pulsing
    in our spirits and our blood. Let the martial songs
    be written, let the dirges disappear. Let a race of men now
    rise and take control.


    20. Earthseed by Octavia E. Butler

    Octavia Butler

    Blavity

    Here we are –

    Here we are –

    Energy,

    Mass,

    Life,

    Shaping life,

    Mind,

    Shaping Mind

    God,

    Shaping God.

    Consider—

    We are born

    Not with purpose,

    But with potential.

    All that you touch

    You Change.

    All that you Change

    Changes you.

    The only lasting truth

    Is Change.

    God

    Is Change.


    21. Brothers-American Drama by James Weldon Johnson

    James Weldon Johnson

    blackthen.com

    (THE MOB SPEAKS🙂

    See! There he stands; not brave, but with an air
    Of sullen stupor. Mark him well! Is he
    Not more like brute than man? Look in his eye!
    No light is there; none, save the glint that shines
    In the now glaring, and now shifting orbs
    Of some wild animal caught in the hunter’s trap.

    How came this beast in human shape and form?
    Speak man!—We call you man because you wear
    His shape—How are you thus? Are you not from
    That docile, child-like, tender-hearted race
    Which we have known three centuries? Not from
    That more than faithful race which through three wars
    Fed our dear wives and nursed our helpless babes
    Without a single breach of trust? Speak out!

    (THE VICTIM SPEAKS🙂

    I am, and am not.

    (THE MOB SPEAKS AGAIN🙂

    Then who, why are you?

    (THE VICTIM SPEAKS AGAIN🙂

    I am a thing not new, I am as old
    As human nature. I am that which lurks,
    Ready to spring whenever a bar is loosed;
    The ancient trait which fights incessantly
    Against restraint, balks at the upward climb;
    The weight forever seeking to obey
    The law of downward pull—and I am more:
    The bitter fruit am I of planted seed;
    The resultant, the inevitable end
    Of evil forces and the powers of wrong.
    Lessons in degradation, taught and learned,
    The memories of cruel sights and deeds,
    The pent-up bitterness, the unspent hate
    Filtered through fifteen generations have
    Sprung up and found in me sporadic life.
    In me the muttered curse of dying men,
    On me the stain of conquered women, and
    Consuming me the fearful fires of lust,
    Lit long ago, by other hands than mine.
    In me the down-crushed spirit, the hurled-back prayers
    Of wretches now long dead—their dire bequests.
    In me the echo of the stifled cry
    Of children for their battered mothers’ breasts.

    I claim no race, no race claims me; I am
    No more than human dregs; degenerate;
    The monstrous offspring of the monster, Sin;
    I am—just what I am. . . . The race that fed
    Your wives and nursed your babes would do the same
    Today. But I—

    (THE MOB CONCLUDES🙂

    Enough, the brute must die!
    Quick! Chain him to that oak! It will resist
    The fire much longer than this slender pine.
    Now bring the fuel! Pile it round him! Wait!
    Pile not so fast or high! or we shall lose
    The agony and terror in his face.
    And now the torch! Good fuel that! the flames
    Already leap head-high. Ha! hear that shriek!
    And there’s another! wilder than the first.
    Fetch water! Water! Pour a little on
    The fire, lest it should burn too fast. Hold so!
    Now let it slowly blaze again. See there!
    He squirms! He groans! His eyes bulge wildly out,
    Searching around in vain appeal for help!
    Another shriek, the last! Watch how the flesh
    Grows crisp and hangs till, turned to ash, it sifts
    Down through the coils of chain that hold erect
    The ghastly frame against the bark-scorched tree.

    Stop! to each man no more than one man’s share.
    You take that bone, and you this tooth; the chain,
    Let us divide its links; this skull, of course,
    In fair division, to the leader comes.

    And now his fiendish crime has been avenged;
    Let us back to our wives and children—say,
    What did he mean by those last muttered words,
    “Brothers in spirit, brothers in deed are we”?


    22. If I Was President by Alice Walker

    Alice Walker

    The Root / Peter Kramer

    If I was President
    The first thing I would do
    is call Mumia Abu-Jamal.
    No,
    if I was president
    the first thing I would do
    is call Leonard Peltier.
    No,
    if I was president
    the first person I would call
    is that rascal
    John Trudell.
    No,
    the first person I’d call
    is that other rascal
    Dennis Banks.
    I would also call
    Alice Walker.
    I would make a conference call.
    And I would say this:
    Yo, you troublemakers,
    it is time to let all of us
    out of prison.
    Pack up your things:
    Dennis and John,
    collect Alice Walker
    If you can find her:
    In Mendocino, Molokai, Mexico or
    Gaza,
    & head out to the prisons
    where Mumia and Leonard
    are waiting for you.
    They will be traveling
    light.
    Mumia used to own a lot
    of papers
    but they took most of those
    away from him.
    Leonard
    will probably want to drag along
    some of his
    canvases.
    Alice
    who may well be
    shopping
    in New Delhi
    will no doubt want to
    dress up for the occasion
    in a sparkly shalwar kemeez.
    My next call is going to be
    to the Cubans
    all five of them;
    so stop worrying.
    For now, you’re my fish.
    I just had this long letter
    from Alice and she has begged me
    to put an end
    to her suffering.
    What? she said.
    You think these men are the only ones who suffer
    when Old Style America locks them up
    & throws away
    the key?
    I can’t tell you, she goes on,
    the changes
    this viciousness
    has put me through,
    and I have had a child to raise
    & classes to teach
    & food to buy
    and just because
    I’m a poet
    it doesn’t mean
    I don’t have to
    pay the mortgage
    or the rent.
    Yet all these years,
    nearly thirty or something
    of them
    I have been running around
    the country
    and the world
    trying to arouse justice
    for these men.
    Tonsillitis
    hasn’t stopped me.
    Migraine,
    hasn’t stopped me.
    Lyme disease
    hasn’t stopped me.
    And why?
    Because
    knowing the country
    that I’m in,
    as you are destined to learn
    it too,
    I know wrong
    when I see it.
    If that chair you’re sitting in
    could speak
    you would have it moved
    to another room.
    You would burn it.
    So, amigos,
    pack your things.
    Alice and John and Dennis
    are on their way.
    They are bringing prayers from Nilak Butler and Bill Wapepah;
    they are bringing sweet grass and white sage
    from Pine Ridge.
    I am the president
    at least until the Corporations
    purchase the next election,
    and this is what I choose
    to do
    on my first day.

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    Eden Arielle Gordon

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  • 55 Best 2nd Grade Poems To Delight Your Students

    55 Best 2nd Grade Poems To Delight Your Students

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    One of the most impactful ways that you can teach kids the power of the written word is through poetry. That’s why we’ve put together this list of fun 2nd grade poems to help you get started. You’ll find poems that are short and sweet and others that will jump-start those growing minds.

    “I’m a success! I’m going far!”

    “Any hound a porcupine nudges
    Can’t be blamed for harboring grudges.”

    3. At the Zoo by William Makepeace Thackeray

    “First I saw the white bear, then I saw the black …”

    “Mary had a little lamb,
    Its fleece was white as snow …”

    I Taught My Cat to Clean My Room by Kenn Nesbitt

    “He puts my pants and shirts away …”

    “Here is a very silly crow.
    Upon her head there is a bow.”

    7. Snakes by Mariah Deitrick

    “A snake can glide from side to side.
    They’re really long and like to hide.”

    “An ancient pond!
    With a sound from the water …”

    The Crocodile by Lewis Carroll, an example of 2nd grade poems.

    “How doth the little crocodile
    Improve his shining tail …”

    “He answers each question
    and gets them all right.”

    “I own a big fat cat-
    The fattest for miles around.”

    “They talk all day …”

    The Pasture by Robert Frost

    “I’m going out to fetch the little calf …”

    “(Such an awful, boring chore) …”

    15. The Goops by Gelett Burgess

    “The meanest trick I ever knew
    Was one I know you never do.”

    “I’d cancel oatmeal,”
    Monday mornings,
    Allergy shots, and also Sara Steinberg.

    “Black and white
    Thick and furry
    Fast as the wind …”

    18. Eletelephony by Laura Elizabeth Richards

    Eletelephony by Laura Elizabeth Richards

    “Once there was an elephant
    Who tried to use the telephant …”

    19. The Forest by Annette Wynne

    “The forest is the town of trees
    Where they live quite at their ease …”

    “Butterfly starts as an egg,
    Let’s see what happens next.”

    “I posted it online.”

    “white wisp-
    visible
    breath of
    a blackbird …”

    23. The Storm by Dorothy Aldis

    The Storm by Dorothy Aldis.

    “In my bed all safe and warm
    I like to listen to the storm.”

    24. Seashell by James Berry

    “Shell at my ear –
    come share how I hear …”

    “Visible, invisible,
    A fluctuating charm …”

    26. Rain Sound by Lillian Morrison

    “At first it’s like drumming …”

    27. Nicknames by Kenn Nesbitt

    “My aunt calls me ‘Elizabeth.’
    My grandma calls me ‘Liz.’”

    “There’s mud on my boots
    But I don’t really care …”

    29. Tiger by Valerie Worth

    “The tiger has swallowed a black sun.”

    30. Your Best by Barbara Vance

    Your Best by Barbara Vance an example of 2nd grade poems.

    “If you always try your best
    Then you’ll never have to wonder …”

    “When the temperature rises
    to above eighty-five,
    my iguana is looking …”

    “That will whiz you through the air …”

    “The Owl and the Pussy-cat went to sea
    In a beautiful pea-green boat …”

    34. The Tyger by William Blake

    “Tyger Tyger, burning bright,
    In the forests of the night …”

    “Came whiffling through the tulgey wood …”

    “On the top of the Crumpetty Tree
    The Quangle Wangle sat …”

    When the Teacher Isn’t Looking by Kenn Nesbitt

    “When the teacher’s back is turned,
    we never scream and shout.”

    “Custard the dragon had big sharp teeth …”

    39. For Sale by Shel Silverstein

    “One crying and spying young sister for sale!”

    “When I was sick and lay a-bed …”

    “Isabel met an enormous bear,
    Isabel, Isabel, didn’t care …”

    “I hate you! You stink!”

    Recipe for a Hippopotamus Sandwich by Shel Silverstein

    “A hippo sandwich is easy to make.
    All you do is simply take …”

    “Wynken, Blynken, and Nod one night
    Sailed off in a wooden shoe …”

    “Said the Duck to the Kangaroo,
    ‘Good gracious! how you hop!’”

    “The outlook wasn’t brilliant for the Mudville nine that day:
    The score stood four to two, with but one inning more to play …”

    “I never saw a Purple Cow,
    I never hope to see one …”

    48. The Duel by Eugene Field

    “The gingham dog and the calico cat …”

    “She’d scour the pots and scrape the pans …”

    “Will you walk into my parlour? said the Spider to the Fly …”

    “The sun was in his bathing suit,
    the moon in her pajamas.”

    52. Clouds by Christina Rossetti

    Clouds by Christina Rossetti

    “White sheep, white sheep,
    On a blue hill …”

    “I’ll swing by my ankles …”

    “She erupted from her seat,
    She gulped a quart of water …”

    “The Crocodile
    Went to the dentist
    And sat down in the chair …”

    If you enjoyed these 2nd grade poems, be sure to subscribe to our newsletters so you can get our latest poetry recommendations.

    These 2nd grade poems are great for all reading levels. Spark a love for poetry by sharing these during your ELA lessons!

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    Jeanne Croteau

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  • MAP Fest returns for a second year with goals to grow and highlight ‘the beauty of the hood’

    MAP Fest returns for a second year with goals to grow and highlight ‘the beauty of the hood’

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    In 2023, MAP Fest debuted in Highland Park’s Avalon Village, blending music, art, and poetry for a day-long community festival. By all accounts the event was a success, drawing nearly 1,200 attendees, 60 vendors, and over 60 performers.

    This year, the festival is set to return on July 27, and organizers have hopes of growing with more sponsors, interactive activities, and community partners, with a goal to double the turnout.

    “If this was a TV show, that was our pilot episode,” says Kwesi Huffman, co-founder and 2024 Map Fest head director. “This year, the goal is to expand everything and to make everything much more fun and organized. We had no experience, we were just trying to make it happen.”

    Huffman, who was promoted from marketing director to head director, joined the MAP Fest team shortly after the idea was thought up by co-founders and local musicians Koron Wilkerson and Anthony Young Jr., who goes by AyeWhy. Wilkerson is also the founder of the local arts and entertainment group Jewels of Detroit and owns Rock Local Entertainment Cafe in Highland Park, so MAP Fest is basically a culmination of all the work he does to showcase Detroit talent.

    Despite little festival experience, MAP Fest 2023 was a win. The team worked hard and gained tons of positive community feedback, plus secured high-level sponsorships from cannabis retailers Jeeters and JARS and event company Crowd Freak.

    “With all odds against us, our sponsors still decided to work with us,” Huffman says. “Collaborations were important because it showed that we had credibility. For a lot of people, especially in the city of Detroit, especially if you’re doing something that’s different in a location that people already have a negative stigma about, people just won’t show up based on caution going off in their brain, being scared, or whatever they think.”

    He added that many people told him to not even have the festival in the location it’s in because no one would show up, but clearly, they were wrong. If you’ve ever been to Avalon Village, you know it’s a gem.

    Avalon Village is a nonprofit eco-village that has brought blighted lots on Avalon Street in Highland Park back to life, now providing a safe space for the community with youth programs, holistic healing, activity spaces, and more.

    This year, beyond more sponsors, the plan for MAP Fest is to better utilize the space on Avalon Street with things like bigger stages and larger activations.

    “We just want to have more things for people to do and make it an event that you can stay at the entire day and not get bored,” AyeWhy says. “Carnival games, or more painting activities for the art district, whatever it may be to just keep people entertained, even on the basketball court.”

    For AyeWhy, the main mission of MAP Fest is to give local artists a platform to gain recognition, so he hopes to show performers even more love this year. “I think that the artists that perform need to have a longer set and actually understand that we care about them and we want them to shine with this festival,” he says.

    click to enlarge

    Courtesy photo

    The inaugural MAP Fest brought around 1,200 attendees and over 60 performers.

    Not only does MAP Fest provide that platform to local artists, but Huffman says he is also glad that the festival showcases “the beauty of the hood.”

    “We’re trying to change the stigma of the hood actively inside the hood… For me, growing up, I didn’t think that doing anything like this on your own with the limited resources that we have was possible. So MAP Fest, being in the hood, being in this location, gathering large amounts of people, creates that type of experience and it’s positive,” he says. “We are products of the community creating something for the community and we’re also inspiring the community as a whole to do what you want to do. No matter if it’s music, art, poetry, if it’s business, if it’s getting off your ass — do something, be an impactful part of your community.”

    To get people ready for MAP Fest, the Jewels of Detroit hosted MAP Con during the week of Valentine’s Day with a series of music, art, and poetry events held at Rock Local. The idea started with the group’s visual artists wanting to do a gallery show, but it quickly grew into something bigger, making the space a gallery all week long. MAP Con featured a karaoke night, an open mic, R&B and neo-soul nights, and an open gallery day to meet the featured artists.

    Organizers hope to have a few more events leading up to MAP Fest that continue to build excitement around this year’s event. In the future, AyeWhy says the vision is to take the festival to other cities and countries, but for now, getting ready for another hometown success is at the forefront.

    “I just think it’s important for people to take July 27 off, be completely free, and have nothing going on, no babysitting, no work, none of that,” AyeWhy says. “Just be prepared for a whole day of extravagant events, music, basketball, poetry, everything.”

    A lineup of performances for MAP Fest will be announced closer to the event date. Tickets will be on sale in the coming weeks. You can follow @mapfest on Instagram for updates.

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    Layla McMurtrie

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  • 55 Wonderful 3rd Grade Poems for the Classroom

    55 Wonderful 3rd Grade Poems for the Classroom

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    There’s something so sweet about 3rd grade poems. The kids are ready to tackle more complex themes and vocabulary, but the poetry is still so endearing and innocent. We’ve put together a list of engaging poems that will delight and spark a conversation among your 3rd grade students.

    1. Daisies by Frank Dempster Sherman

    “It is a lady, sweet and fair, who comes to gather daisies there.”

    “The schools are now open but, this year, at mine, the teachers and students are meeting online.”

    3. Little Rain by Elizabeth Madox Roberts

    “When I was making myself a game, up in the garden, a little rain came.”

    “I’d take it, spare it, give it, share it, lend it, spend it, too.”

    5. To a Child by William Wordsworth

    To a Child by William Wordsworth

    “Small service is true service while it lasts …”

    “Bad dogs barking loud, big ghosts in a cloud / Life doesn’t frighten me at all.”

    “On a bench, in Joe’s little shed, lying not too far apart, were his ax and his switchblade, having a quiet heart-to-heart.”

    8. The Eagle by Alfred, Lord Tennyson

    The Eagle by Alfred by Lord Tennyson

    “He clasps the crag with crooked hands …”

    “See the pretty snowflakes, falling from the sky. / On the wall and housetops,
    soft and thick they lie.”

    10. The Dolly by Jeanette Cheal

    “The dolly sat upon the shelf / in the toy maker’s shop all by herself.”

    11. The Snowflake by Margaret Elizabeth Sangster

    Example of 3rd grade poems: The Snowflake by Margaret Elizabeth Sangster

    “It was a little snowflake …”

    “Frosty is the morning / But the sun is bright …”

    A Pleasant Ship by Emilie Poulsson

    “I saw a ship a-sailing …”

    “I know what I’d do.”

    “Glad to see you, little bird / ’Twas your little chirp I heard …”

    “But I’m not sure if it’s good. / It doesn’t have the things / my teacher says a poem should.”

    “The spider wears a plain brown dress …”

    Birdie's Morning Song by George Cooper

    “Wake up, little darling, the birdies are out …”

    19. Trees by Joyce Kilmer

    “I think that I shall never see / A poem lovely as a tree …”

    “There is a little maiden— / Who is she? Do you know?”

    “Which way does the wind blow? / And where does he go?”

    Example of 3rd grade poems: The Wind and the Leaves by George Cooper

    “‘Come, little leaves,’ said the wind one day.”

    23. Lullaby by Alfred, Lord Tennyson

    “Sweet and low, sweet and low …”

    24. March by Mary Mapes Dodge

    March by Mary Mapes Dodge

    “In the snowing and the blowing …”

    25. The Rabbit by Elizabeth Madox Roberts

    “When they said the time to hide was mine / I hid back under a thick grape vine.”

    “I scrape a leg / Or skin a knee.”

    “I STUDIED my tables over and over, and backward and forward, too …”

    Kindness to Animals from The Book of Virtues.

    “Little children, never give / Pain to things that feel and live …”

    29. Be Kind by Alice Joyce Davidson

    “Just a little bit of kindness / Can go a long, long way …”

    “No one throws a pencil / at the ceiling of the class.”

    “Jellicle Cats come out tonight / Jellicle Cats come one come all.”

    “Whose woods these are I think I know …”

    33. Your World by Georgia Douglas Johnson

    Example of 3rd grade poems: Your World by Georgina Douglas Johnson.

    “Your world is as big as you make it.”

    “They went to sea in a Sieve, they did / In a sieve they went to sea …”

    “It was time to go.”

    “I’m making a pizza the size of the sun / a pizza that’s sure to weigh more than a ton …”

    “Went for a ride in a flying shoe …”

    38. My Shadow by Robert Louis Stevenson

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    “I have a little shadow that goes in and out with me …”

    “’Twas brillig, and the slithy toves / Did gyre and gimble in the wabe …”

    “There’s a new kid on the block / and boy, that kid is tough …”

    41. The Tyger by William Blake

    “Tyger Tyger, burning bright / In the forests of the night …”

    “I’m going out to fetch the little calf / That’s standing by the mother. It’s so young …”

    “The outlook wasn’t brilliant for the Mudville nine that day: / The score stood four to two, with but one inning more to play …”

    Mother Doesn’t Want a Dog by Judith Viorst

    “Mother says they smell …”

    “How doth the little crocodile / Improve his shining tail …”

    “For want of a nail the shoe was lost.”

    “No one can tell me / Nobody knows / Where the wind comes from / Where the wind goes.”

    48. The Swing by Robert Louis Stevenson

    “How do you like to go up in a swing / Up in the air so blue?”

    49. Magic by Shel Silverstein

    Magic by Shel Silverstein

    “Sandra’s seen a leprechaun …”

    “Two roads diverged in a yellow wood / And sorry I could not travel both …”

    51. Fog by Carl Sandburg

    “The fog comes on little cat feet.”

    “I never saw a Purple Cow / I never hope to see one.”

    53. Sick by Shel Silverstein

    “My mouth is wet, my throat is dry / I’m going blind in my right eye.”

    “Said the Duck to the Kangaroo / ‘Good gracious! how you hop!’”

    55. Dreams by Langston Hughes

    Dreams by Langston Hughes

    “Hold fast to dreams …”

    For more articles like this, be sure to subscribe to our newsletters to find out when they’re posted.

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    Jeanne Croteau

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